Though the Heavens Fall Being Human


Though the Heavens Fall

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This programme contains some violent scenes, strong language

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and scenes which some viewers may find upsetting.

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I did know a Daisy.

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Did this girl ever say anything about Box Tunnel 20 to you?

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She seemed to know a lot about it.

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She could describe the scene and the bodies.

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My God!

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I suggest you give me back that book.

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Gotcha!

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(SOBBING)

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This doesn't often happen

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so...

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...I'm not quite sure what the protocol is.

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Usually we're hosing down the cage and giving young Alan here a blanket.

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Ugh!

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So you did something remarkable tonight.

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You walked unharmed from a plane crash.

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Only now I don't know what to do with you.

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It's a lot to take in, isn't it?

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You know, I think the biggest shock for me,

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more than the actual existence of vampires and werewolves and ghosts -

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there are ghosts too, you know, but we'll come to that -

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was knowing that until that point, I'd been allowed to live.

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Once the curtain was drawn...

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..and I'd seen the true nature of nature,

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I realised that these nightmare creatures

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had permitted us to mind the shop.

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The monsters were merciful.

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But it was a fragile detente...

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..like a tiger in a paper cage.

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Any moment they could break free and wreck the world.

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No, all in all, I think that was a bit of a blow.

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Tell me about yourself.

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You married?

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Kids?

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Maybe one day.

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What line of business are you in?

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I'm a surveyor.

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Ah! Don't tell me!

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Semi-detached house on a new-build estate, a car, the boss is a wanker.

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Sunday roast with the in-laws.

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Paddling pools and catalogues, five-a-side and Belgian beer.

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God, it sounds horrific!

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Well, that's all over now.

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I've set you free.

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I wasn't unharmed.

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I'm sorry?

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I wasn't unharmed.

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Please could I have a bandage or something?

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It scratched me.

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Oops!

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Look, I'm just saying this is vampire business.

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You start mixing it with human laws and courts and stuff,

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and God knows what could happen.

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Yeah, well, it's a bit late to worry about that, isn't it?

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All right, well, say you do lead the police to Daisy, OK?

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They arrest her, they process her, they take her photograph.

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And bam! That's it.

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The world knows about vampires and it's total...

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This is first contact. It's biblical.

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Religion, history, science, they lose everything.

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The trauma of that, could you imagine?

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We need more drawing pins.

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Annie!

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Vampires must have been arrested in the past.

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Yeah, but we used to have an infrastructure in place to sort it out.

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Oh, so what? Daisy should just get away with it?

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I'm saying the vampires take care of this sort of thing themselves.

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Like vampire police.

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Not actual. It's kind of self-regulating.

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Well, I thought you said there wasn't an infrastructure in place.

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Look, what I'm saying is...

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OK, look. What if it was me?

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Hm? Say I didn't die and I got on that train and so did Daisy,

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and, I don't know, it was my picture in that incident room, not Lia's.

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What would you do?

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I wouldn't have known you.

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Play my "what if" game.

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I'd tear the world apart.

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That's the correct answer.

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(KNOCK ON DOOR)

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Make this useful or quick - your choice.

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That name I pulled off the information line, John Mitchell?

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Yeah, I went to see him, and he's a bit nervy, but he gave me another name,

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Daisy Hannigan Spiteri, some ex-girlfriend of his.

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You should write this down.

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Apparently, she told him she saw the Box Tunnel massacre first-hand.

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But the only Daisy Hannigan Spiteri I could find died in an air raid in 1941.

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Yeah, see, this is where it gets complicated.

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So?

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So... why would he do that?

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Because relationships turn people into psychopaths, and that is fact.

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No, I mean why give a false name unless he's concealing something?

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Maybe she gave him the false name.

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Whatever. I went back there, and he's got a scrapbook full of clippings.

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-Clippings of what?

-Clippings of what?

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The Box Tunnel 20.

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-What?

-People are sick.

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Fact two. They watch documentaries about children with...

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an elbow for a face or something.

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A scrapbook? Really?

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Let me go back there with a warrant.

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OK. This is the last time we ever have this conversation.

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We have a list of suspects with a history of violence and mental illness,

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and if we don't make an arrest this week, everyone in that room gets replaced.

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This... clippings and ex-girlfriends, this is gossip.

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This isn't even a fingerprint or anything even approaching proof.

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It's a waste of time and you are not going to pursue it any further.

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Do you trust Mitchell?

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If Mitchell told me the sky was blue, I'd have to go outside to check.

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He says I'm a vampire.

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Like the story by Byron.

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Those wretches who tormented me, they said so too.

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It's... bewildering, isn't it?

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That woman who came to the house...

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..I could hear her blood throb and pound through her veins...

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..yet I don't hear that with you or George or the girl or...

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Why is that?

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Look...

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..whatever you are, it doesn't have to define you.

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Take it from me.

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Define me?

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I'm... I'm hunger.

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That is what defines me.

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Hunger is the length and breadth of me now.

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That will pass.

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But... how?

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I... I... I...

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These images in here are really dark, dark desires and...

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I can't sleep.

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If I am the victim of a conspiracy to drive me mad, I confess it is working.

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Listen to me.

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Hang onto that.

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You are not going mad.

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But any other reaction in this house would be insane.

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Don't let this become comfortable.

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Stay separate, stay... appalled.

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I...

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I showed her the journal.

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The policewoman?

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She found it mightily interesting.

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Was that the wrong thing to do?

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Fiat justitia ruat caelum, Nina.

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Let justice be done though the heavens fall.

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(DOORBELL RINGS AND KNOCKING ON DOOR)

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(KNOCKING CONTINUES)

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Yes, yes, yes, yes!

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Yes, hello?

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Oh. Oh, Nina! Nina!

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Do you think he needs to go to hospital?

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I will have to clean it out but it doesn't look too deep.

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See? Told you.

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But you really should have got it dressed earlier. Could be infected.

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See? I told you.

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Look, George, why don't you take Tom and get me some hot water

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and basically anything that's, you know, in another room?

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Yeah, gotcha. Come on, let's get some hot water.

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What's all this?

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Oh! Annie has started fighting crime.

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It's only a matter of time, really.

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Any news on the baby?

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Um... no.

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You're showing.

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It's just my jumper.

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How did you get this?

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Vampires.

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Got us this morning.

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Payback for the dog fight.

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I killed two.

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Tom killed two.

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I'm surprised they haven't gone for you and George yet.

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Maybe, um...

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..maybe they don't know where we are.

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Oh, trust me, they know.

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Me and Tom have lived under the radar for years. They still found us.

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You must be off limits.

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Probably because you got their poster boy looking after you.

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Something's changed.

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No. No, I mean it's just, well, the past few weeks have been...

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..well, pretty routine, actually.

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I mean here.

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Something's different.

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I mean, you're what? 19? 20?

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You shouldn't be killing vampires from a shitty campervan.

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You... You should have Chlamydia and a 24-hour hangover,

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because, trust me, Tom, you will look back,

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and they will be the best years of your life.

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We don't have a choice.

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Yeah, you do.

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You could stay here.

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-McNair would never agree to that.

-Please screw bloody McNair!

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You people really do swear a lot, don't you?

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It's just an observation.

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McNair says it suggests a limited vocabulary.

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Oh, does he? Well, actually, I can speak six different languages,

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so McNair can just...

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piss off.

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Here you go.

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You know, I thought we'd stay for a while.

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ALL: Really?

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The leg is pretty painful, to be honest, and you said I should rest it.

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Suppose so.

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See? Doctor's orders.

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You do know it's a full moon tonight.

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I was thinking maybe I could use your basement?

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It's probably not a good idea to run round the forest in this state.

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Nina uses that, so...

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No, not so far.

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All right with you, Tom? It's just for a few days.

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You could probably watch some cartoons.

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Maybe George will take you for a pint.

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Yeah, I'd like that.

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Yeah, all right.

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Well, that's settled, then.

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And thank you for this. Much appreciated.

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I know what's happening here.

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I know why he's got the scrapbook.

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He was telling me about it this morning.

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He said that if there's a big crime or something,

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the vampires took care of it themselves.

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That must be what he's doing.

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Oh, God! He's...

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He's investigating this too.

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He knows it was Daisy and he wants to bring her to justice, just like we do.

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Phew! Thank God we cleared that up!

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Now, Nancy, we need to stay focussed.

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Never mind what shouty man says. Mitchell can lead us to Daisy.

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And I know he's worried about the repercussions but...

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there's something bigger at stake here.

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Whoever did this, someone's child,

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someone's...

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someone's lover.

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We can't think about that.

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There has to be justice, whatever the cost.

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John Mitchell... I'm coming to get you.

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Yes! Sort of.

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Now I'm talking to myself.

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No, you're not Nancy, it's fine. You're not, really.

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# Go tell the midnight rider

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# Go tell the long-tongue liar

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# Tell the rambler, the gambler Back-biter

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# Tell 'em that God's gonna cut 'em down

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# Tell 'em that God's gonna cut 'em down

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# Well, my goodness gracious Let me tell you the news

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# My head's been wet from the midnight dew

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# I've been down on a bended knee

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# Talkin' to the man from Galilee

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# He spoke to me in a voice so sweet... #

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-All right?

-Yeah, I forgot to mention. We've got guests.

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# ...My heart stood still

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# When he said, "Go do My will!" #

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That's five.

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# Tell that midnight rider... #

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What?

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That's fine.

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# ...Tell the rambler, the gambler back-biter...

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Hi.

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What?

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Where are you going?

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-Upstairs. Why?

-Nothing. Good.

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There's someone...

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Just make sure you don't go anywhere, OK?

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# ...Long time Run on for a long time

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# Sooner or later God'll cut you down

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# Sooner or later God'll cut you down. #

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OK, listen. It's a full moon tonight.

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And downstairs there's standing room only for bloody like us,

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so are you gonna tell me how you did it?

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How did you survive that werewolf attack, Herrick?

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You just keep asking me this, cos these are riddles!

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I haven't got time for this.

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The old Herrick knows the answers, so we need to find him now.

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Oh, I know you're in there.

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You old bastard! I can see you sniggering behind his eyes.

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-I know you can hear me.

-Just stop this! Just stop this!

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I don't know what it is you want from me.

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There's only one way to bring you back.

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But I won't do that.

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Not yet.

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Get some rest.

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See you later.

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ANNIE: I know who killed the Box Tunnel 20. Mitchell told me.

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-He told you?

-You're kidding!

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Daisy Hannigan Spiteri... something.

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What? Sh...

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Sorry, who?

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She confessed to Mitchell, more or less.

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But it's a bit complicated, cos she's a vampire,

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so Mitchell says that we have to, you know, tread carefully.

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Was there any proof?

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What do you mean?

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Well, you know, what with that policewoman sniffing around,

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you know what they're like, they find stuff.

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Yes. Well, no, yes.

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There was a scrapbook with clippings of the murders in it.

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And... and how did he explain that?

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Well, he has been investigating the case too.

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-The murders?

-Yeah.

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Apparently that's what vampires do if one of them goes bad.

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Or badder.

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Yeah, so he's looking for Daisy. He's just trying to... gather all the clues.

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So he didn't do it?

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I mean, really didn't?

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No.

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Oh, my God! Nina!

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No.

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Daisy.

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Do you know her?

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Um... Well, yeah, kind of.

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Her and her husband attacked me and Mitchell a few months ago,

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but it does... it does kind of make sense, she was pretty wild.

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She's, um... she's very determined and tenacious.

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Surprisingly strong.

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Nimble.

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You do know you're saying all this out loud, don't you?

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Well, this is it.

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Nancy is on her way here.

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We are going to crack this and we are going to throw a book at Daisy.

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(DOORBELL RINGS)

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Hi, John. Just wondering if we could have another little chat.

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So...

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..here we are again.

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Yeah, suddenly got the urge.

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It's funny, that.

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John, why do you have a scrapbook full of clippings about the Box Tunnel 20

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if you have no connection to the crime?

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I don't know what you mean.

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Tell her that you're investigating the case too. We could all work together.

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It wasn't mine.

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It's complicated.

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There was this guy, Graham. He put it all together.

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He thought it was the kind of thing I'd be impressed by.

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I thought it was gross.

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Graham? Why didn't you just say?

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Anyway, it doesn't matter now. I burnt the bloody thing.

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(FAINT HEARTBEAT)

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OK, I want to talk to you about Daisy Hannigan Spiteri.

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Did you have any luck finding her?

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No, but then she did die in 1941.

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How are you finding Wales, by the way?

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Yeah.

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Yeah, it's good.

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-Hmm.

-Are you from Cardiff yourself?

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Why have you given me the name of someone who died 70 years ago?

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It's the name she gave me.

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It's probably made up. She was a total fantasist.

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Even the things she said about the murder.

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She was always coming out with stuff like that.

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-People she'd met, things she'd done.

-Mitchell, what are you saying?

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So now you think she didn't have anything to do with the murders?

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It's pretty unlikely, yeah.

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John, I know you're dicking me about.

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Do you want to know how I know?

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Yeah.

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Yeah, this should be good.

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It's all pretty basic.

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The muscles around your eyes don't move when you smile.

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Generally your body language is limited and stiff,

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the lack of direct statements, lots of "probably"s and "I think"s.

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Plus there's the willingness to change the subject,

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even though I just said a friend of yours died in World War II.

0:21:180:21:21

Last thing, I'd like to speak to Nina's Uncle Billy again.

0:21:250:21:30

I'm not sure that's a good idea.

0:21:310:21:32

I don't bite.

0:21:320:21:34

Sure!

0:21:380:21:39

Why not?

0:21:390:21:41

I'll just make sure he's presentable.

0:21:420:21:45

Hey, it's OK.

0:22:080:22:10

It's OK, it's all right. I'm not going to hurt you again.

0:22:110:22:14

I swear.

0:22:140:22:16

(WHIMPERS)

0:22:180:22:20

That policewoman's back.

0:22:200:22:22

She wants to talk to you.

0:22:230:22:25

I cannot be trusted.

0:22:300:22:32

The first time we met, we were soldiers.

0:22:430:22:46

You know war's real.

0:22:490:22:52

It's a different planet.

0:22:530:22:55

Men have to do things that they'd never dream of.

0:22:570:23:02

Things that seem terrible,

0:23:030:23:06

heretical.

0:23:060:23:08

But in a war...

0:23:090:23:11

..these things can be heroic.

0:23:120:23:14

Selfless. They can save lives.

0:23:140:23:19

But we're not at war.

0:23:200:23:22

Oh, we are.

0:23:220:23:23

It's a secret war, but yes, we are.

0:23:240:23:28

And sometimes we'll be asked to do things

0:23:290:23:32

that seem to be bad, but they're not.

0:23:320:23:34

And this is very important.

0:23:360:23:38

They're not bad, they're brave.

0:23:380:23:42

I don't know what you're talking about.

0:23:450:23:48

Mitchell, I implore you.

0:23:490:23:52

Keep that woman away from me.

0:23:520:23:54

It's not being a coward and it's not failing.

0:23:540:23:58

It's being brave enough to let nature take its course.

0:23:590:24:02

Mitchell, what are you doing?

0:24:090:24:11

What am I doing?

0:24:110:24:12

What the hell do you think you're doing bringing that woman back here?

0:24:120:24:16

She thinks you're the murderer.

0:24:160:24:18

For God's sake, just give her bloody Daisy!

0:24:180:24:20

What bit of this don't you understand? I give her Daisy and everything ends.

0:24:200:24:25

You get arrested and everything ends anyway.

0:24:250:24:28

I won't allow that to happen.

0:24:280:24:30

What's that supposed to mean?

0:24:300:24:32

I told you. I'll deal with this, all right?

0:24:330:24:37

NINA: Nancy. Hi!

0:24:380:24:40

Listen, are you here to talk to Mitchell again?

0:24:400:24:43

It's just that... The thing is...

0:24:430:24:45

Here's the thing.

0:24:450:24:47

I was the one that reported him to the helpline.

0:24:480:24:51

Why did you do that, Nina?

0:24:520:24:54

I got the wrong end of the stick about something,

0:24:540:24:56

but now I've had time to reconsider

0:24:560:24:57

and I really don't think he had anything to do with it.

0:24:570:25:00

So what changed your mind?

0:25:000:25:02

Has he spoken to you about someone called Daisy?

0:25:030:25:05

-Daisy Hannigan Spiteri?

-Yeah!

0:25:060:25:09

I've been thinking about it and I think she might know something.

0:25:090:25:12

Nina, maybe you can help me out here.

0:25:120:25:14

Why has John, and now you, given me the name of someone

0:25:140:25:18

who died before the cocking Coronation?

0:25:180:25:21

Something's going on in this house.

0:25:230:25:26

The people in it think that they can lie to me, and I don't like that.

0:25:260:25:30

He's waiting for you.

0:25:330:25:34

Helped myself to a glass of water. Hope you don't mind.

0:25:340:25:37

Nope.

0:25:370:25:39

Hi, Billy.

0:26:040:26:06

I wanted to ask you a few more questions.

0:26:070:26:10

(PANTING)

0:26:100:26:12

I'll leave you to it.

0:26:120:26:14

I wanted to talk to you about John, if that's OK.

0:26:310:26:38

(BREATHES HEAVILY)

0:26:380:26:40

I think he's...

0:26:400:26:42

..giving you some...

0:26:430:26:44

very big secrets to look after.

0:26:440:26:48

And I don't think that's fair.

0:26:480:26:50

(SPEECH NOT HEARD)

0:26:520:26:55

(ECHOEY) Billy, I want you to take a step back.

0:27:040:27:08

OK? I want this to be a nice chat, like we had before.

0:27:080:27:12

Hang on a sec, it's a bit dark in here.

0:27:150:27:19

You know, you should probably provide lights and heating and stuff.

0:27:190:27:23

Billy? He likes to keep it all zen and shit.

0:27:230:27:26

He won't even let me hook up a VCR.

0:27:260:27:28

Do you know what? Can we do this another time?

0:27:280:27:31

I think Billy's pretty tired and when he gets tired, he just...

0:27:310:27:36

So just give us a bit of a heads up next time, yeah?

0:27:390:27:42

Yeah, um... John, John, there are still questions...

0:27:420:27:46

Oh, Jesus, I think I can hear Billy.

0:27:460:27:48

-Look, I gotta run.

-But...

0:27:480:27:49

I'll speak to you really soon, OK? See you around.

0:27:490:27:52

Softly, softly!

0:28:060:28:08

MUSIC: "Hungry Like The Wolf" by Duran Duran

0:28:080:28:11

# Dark in the city, night is a wire

0:28:110:28:15

# Steam in the subway, earth is afire

0:28:150:28:17

# Do do do-do do do-do do do-do do do-do do do

0:28:170:28:24

# Woman you want me give me a sign

0:28:260:28:30

# And catch my breathing even closer behind

0:28:300:28:33

# Do do do-do do do-do do do-do do do-do do do

0:28:330:28:39

# In touch with the ground I'm on the hunt, I'm after you

0:28:410:28:47

# Smell like I sound I'm lost in a crowd

0:28:470:28:51

# And I'm hungry like the wolf

0:28:510:28:55

# Straddle the line in discord and rhyme

0:28:550:28:58

# I'm on the hunt, I'm after you

0:28:580:29:02

# Mouth is alive with juices like wine

0:29:020:29:06

# And I'm hungry like the wolf

0:29:060:29:10

# Stalked in the forest too close to hide

0:29:140:29:18

# I'll be upon you by the moonlight side

0:29:180:29:22

# Do do do-do do do-do do do-do do do-do do do

0:29:220:29:26

# High blood drumming on your skin it's so tight

0:29:290:29:33

# You feel my heat I'm just a moment behind

0:29:330:29:36

# Do do do-do do do-do do do-do do do-do do do

0:29:360:29:42

# In touch with the ground I'm on the hunt, I'm after you

0:29:440:29:50

# Scent and a sound I'm lost and I'm found

0:29:500:29:54

# And I'm hungry like the wolf

0:29:540:29:58

# Strut on a line... #

0:29:580:29:59

(SONG FADES)

0:29:590:30:00

(ANNIE GASPS)

0:30:020:30:04

My God, is that it? Is that the actual carriage?

0:30:080:30:12

Hey, Cooper.

0:30:190:30:21

What's so urgent it couldn't wait until tomorrow?

0:30:210:30:24

I just wanted to talk to you in private before we take this upstairs.

0:30:240:30:28

-I got the results on those prints.

-Ooh! What prints?

0:30:280:30:32

I've been doing this job for 16 years and I've never seen anything like this. Come on.

0:30:320:30:36

So, the guy you got these prints from, John Mitchell, isn't it?

0:30:380:30:41

Whoa! Whoa! How did you get those?

0:30:410:30:43

Tell me he's about 85 or something.

0:30:430:30:45

-Mid 20s?

-Then I don't know what is going on.

0:30:450:30:48

Basically, I've got this contact in Forensics.

0:30:480:30:50

I wanted this done under the radar.

0:30:500:30:52

And he's found a match. In fact, he found two matches.

0:30:520:30:54

-You're kidding.

-But this is where it gets weird.

0:30:540:30:56

Look, Nancy, I think we should go.

0:30:560:30:58

So, match one Sheffield, Sally Fenza.

0:30:580:31:00

Severe head trauma, body found by her flatmate.

0:31:000:31:02

-Jesus! He's done this before?

-Check the date.

0:31:020:31:04

-We really shouldn't be here.

-24th December...

0:31:040:31:08

1960?

0:31:080:31:10

He used to be a very, very different person.

0:31:110:31:13

-There's no way whoever did this could have the same prints as my guy?

-Impossible.

-Shit!

0:31:130:31:18

Hang on. You said there were two matches for the prints.

0:31:180:31:21

What was the second?

0:31:210:31:22

Box Tunnel massacre.

0:31:220:31:23

Say that again.

0:31:240:31:25

Prints from your suspect were found in the carriage of the Box Tunnel 20.

0:31:250:31:29

No, that's not true.

0:31:290:31:30

And they're everywhere.

0:31:300:31:32

They were in blood too, meaning they were post mortem.

0:31:320:31:35

Nancy, somehow your guy is... the guy.

0:31:350:31:37

No, there must be a mistake.

0:31:370:31:40

There must be.

0:31:400:31:42

Oh, my God! This is it! We've got him.

0:31:420:31:45

Not on this alone.

0:31:450:31:46

If the defence lawyer gets hold of the 1960s evidence,

0:31:460:31:48

it'll cast enough doubt to make the Box Tunnel prints invisible.

0:31:480:31:51

So you're going to need something else. What other evidence have you got?

0:31:510:31:55

He's got... He had a scrapbook full of clippings from the murders,

0:31:550:31:59

plus he was based in Bristol but fell off the radar literally the day after.

0:31:590:32:03

Mitchell! No!

0:32:030:32:06

I suppose the concern is you'll find something else.

0:32:060:32:09

What do you mean?

0:32:090:32:11

Hello?

0:32:180:32:20

Tom?

0:32:310:32:32

McNair?

0:32:390:32:41

Nina!

0:32:500:32:51

It's me. Do you want anything?

0:32:510:32:53

Prophecy, my arse.

0:33:190:33:22

(LOUD MUSIC)

0:33:330:33:36

Frankly, Mitchell couldn't have done more to implicate himself

0:34:020:34:06

if he'd left a confession and diagrams.

0:34:060:34:08

The work we've had to do covering this up, I swear.

0:34:080:34:10

Apparently he found out

0:34:100:34:12

his girlfriend was some nutty, vampire-killing Christian.

0:34:120:34:16

That's what finally pushed him over the edge.

0:34:160:34:18

Mitchell was never really a team player, but arresting him...

0:34:180:34:21

Sorry, we can't let that happen. We like our privacy too much.

0:34:210:34:24

Don't get me wrong. You're good.

0:34:300:34:32

Tenacious, uncompromising. Qualities we really like.

0:34:330:34:37

That and generally being a shit.

0:34:390:34:41

Shit!

0:34:410:34:42

Jonathan Cooper, I'm arresting you for assaulting a police officer

0:34:440:34:49

and perverting the course of justice.

0:34:490:34:52

You're not really getting this, are you?

0:34:520:34:54

We can't be arrested.

0:34:540:34:56

What are you? The bastard Masons?

0:34:560:34:58

Hey, Casper!

0:34:590:35:01

You still here?

0:35:020:35:04

Looks like your friend left you.

0:35:040:35:06

Yeah, what friend?

0:35:060:35:08

You had a ghost following you around.

0:35:080:35:10

Probably something to do with Mitchell.

0:35:100:35:13

He always kept very odd company.

0:35:130:35:15

Mad as a badger.

0:35:150:35:17

Don't worry. This isn't how you're going to die.

0:35:290:35:32

I just need to make you a little more receptive.

0:35:320:35:35

I'm gonna give you a gift.

0:35:350:35:37

You've been head-hunted, Nancy, for an exciting new opportunity.

0:35:370:35:41

Think of it as evolutionary promotion.

0:35:410:35:43

(SHE SCREAMS)

0:35:430:35:45

She's not interested.

0:35:500:35:52

Long as I live...

0:36:030:36:04

..I'll never forget that scent.

0:36:050:36:08

You remember me.

0:36:090:36:10

I assume that you are the victim

0:36:100:36:14

of another barbarity I'm supposed to have committed.

0:36:140:36:18

Another barbarity?

0:36:180:36:20

Fucking southerners!

0:36:210:36:23

Let's see if this jogs your memory.

0:36:250:36:27

You walked unharmed from a plane crash.

0:36:280:36:33

Only now, I don't know what to do with you.

0:36:340:36:39

Ring any bells?

0:36:390:36:41

Now, I must warn you, Mitchell is very keen on keeping me alive.

0:36:410:36:48

You so much as lay a finger on me,

0:36:480:36:50

and I shall scream until the windows shake in their frames.

0:36:500:36:56

That's the plan.

0:36:560:36:57

He hears you, he runs up here...

0:36:570:37:00

..and I get two new teeth.

0:37:030:37:06

You see, I'd hate you to think I'd been idle since we last met.

0:37:060:37:10

Meet your family.

0:37:120:37:14

I remember every single one of them.

0:37:170:37:20

Marco, he was a scrapper.

0:37:240:37:28

While this one here...

0:37:290:37:31

..Scottish girl.

0:37:320:37:33

Very pretty.

0:37:350:37:36

Daisy?

0:37:380:37:39

Fought like a cat.

0:37:390:37:42

And this space here...

0:37:440:37:45

..is for you.

0:37:480:37:49

Agh!

0:37:510:37:53

Whatever his crimes, the man you knew is not the man before you now.

0:37:530:37:59

Vampires don't reform.

0:38:020:38:04

Yeah, look at me.

0:38:310:38:33

I'm saved.

0:38:350:38:37

(DOOR SLAMS)

0:38:470:38:49

(GROWLING)

0:38:490:38:52

(HOWLS)

0:38:590:39:01

(LAUGHS)

0:39:030:39:04

(HOWLS)

0:39:140:39:17

(SCREAMS)

0:39:370:39:38

We thought we could sneak in before your first appointment.

0:40:070:40:11

We really appreciate it, Hayley.

0:40:110:40:12

Have you had any pains or bleeding?

0:40:120:40:14

Er... No, no, it's just for peace of mind really.

0:40:140:40:18

You've got twigs and stuff in your hair.

0:40:190:40:21

Oh, God! Oh! We... we went camping last night.

0:40:210:40:24

Yeah, that's the other thing.

0:40:240:40:27

I always get really worried after we've... gone camping.

0:40:270:40:31

You know, the cold and stuff.

0:40:310:40:33

So don't go camping.

0:40:330:40:35

George... makes me.

0:40:350:40:37

George!

0:40:370:40:39

So, anyway, while we're here,

0:40:390:40:41

it would be good to see if there's anything abnormal or...

0:40:410:40:44

Like what? A tail?!

0:40:440:40:45

No, no, no!

0:40:450:40:48

Yeah, yeah.

0:40:480:40:49

Shit! How many weeks are you?

0:40:490:40:52

Um... Eight weeks.

0:40:520:40:54

And how long have you two been together?

0:40:540:40:56

-A year?

-Year, yeah.

0:40:560:40:59

Thank God! I could see this getting very Jeremy Kyle.

0:40:590:41:02

You must have got the dates wrong, cos there's no way you're eight weeks.

0:41:020:41:05

Really?

0:41:050:41:06

More like 16.

0:41:060:41:08

Either that or you're giving birth to a giant!

0:41:080:41:11

Which, let's be honest, is pretty unlikely.

0:41:110:41:13

But it does mean we've missed out on a whole load of checks and stuff,

0:41:130:41:17

so we've got some catching up to do.

0:41:170:41:19

-OK?

-OK.

0:41:240:41:26

Yeah.

0:41:260:41:27

He became a monster.

0:42:060:42:08

He became a monster and attacked me.

0:42:090:42:12

This is DC Nancy Reid. I'm outside 8 Coastview Road, Barry.

0:42:200:42:24

I'm attempting to arrest John Mitchell

0:42:240:42:26

in connection with the Box Tunnel 20 murders

0:42:260:42:29

but have reason to believe he is armed. Please assist.

0:42:290:42:32

I know.

0:42:370:42:38

What?

0:42:390:42:41

Annie, I haven't got time for this. There's been an accident.

0:42:420:42:47

You know what?

0:42:480:42:50

How did you find out?

0:43:020:43:04

Nancy.

0:43:040:43:05

And a vampire.

0:43:060:43:08

Does that matter?

0:43:090:43:11

Was Daisy even involved?

0:43:110:43:14

Yeah, but it was my idea.

0:43:140:43:17

Thank you.

0:43:200:43:21

That's probably the first honest thing you've said to me in months.

0:43:210:43:26

You let me love you.

0:43:280:43:30

There was this... cancer between us,

0:43:320:43:36

-and you let me fall in love with you.

-Because I love you.

0:43:360:43:39

Oh!

0:43:390:43:40

Cos you love me?

0:43:410:43:42

Do you have any idea how inadequate that sounds?

0:43:440:43:48

And I killed a vampire.

0:43:490:43:51

I've never even so much as swatted a fly...

0:43:540:43:59

..and I've rammed a stake into his back.

0:44:000:44:03

It spreads, Mitchell.

0:44:030:44:05

What you've done, it's contaminated us all.

0:44:050:44:08

I'm sorry. Oh, God, Annie, I'm so sorry!

0:44:110:44:15

You turn yourself in.

0:44:240:44:26

Give those families that comfort.

0:44:270:44:30

I can't, Annie.

0:44:300:44:32

I can't do that.

0:44:320:44:33

You helped us with Sasha and Adam,

0:44:330:44:38

and you saved McNair and Tom, so...

0:44:380:44:40

so I know that there's still good in you.

0:44:400:44:43

I know that the man I love is still in there.

0:44:430:44:46

Everything will be torn apart.

0:44:470:44:50

The entire world.

0:44:500:44:53

They can't know. They can't.

0:44:540:44:56

That's why I've decided I'm going to stay with you.

0:44:570:45:00

No, no, no, no, no.

0:45:000:45:02

OK. You needn't be frightened, Mitchell.

0:45:020:45:04

Whatever they do to you, wherever they take you,

0:45:040:45:07

I'll be with you and you won't be alone.

0:45:070:45:10

Oh, it's not about fear or punishment. Jesus Christ!

0:45:100:45:14

I want to be punished, but it can't happen like this.

0:45:140:45:18

Mitchell, they were people's children.

0:45:190:45:22

And you and Daisy...

0:45:220:45:25

This has to stop, Mitchell, please, and this is how.

0:45:250:45:29

(KNOCKING) Armed police! Open the door!

0:45:290:45:32

Annie, you need to get me out of here. You need to help me, Annie.

0:45:320:45:35

I asked you what you would do if it was me

0:45:350:45:37

and what you'd want for my killer, please.

0:45:370:45:40

If they arrest me, I'm going to have to kill them all.

0:45:400:45:42

-No, I don't think you will.

-Open the door!

0:45:420:45:44

-I think you want the killing to stop.

-Oh, why won't you understand?

0:45:440:45:47

We can't be arrested.

0:45:470:45:49

-Mitchell, please, if you love me...

-(POLICE STILL SHOUTING)

0:45:490:45:52

..if you have ever loved me, then you will do this.

0:45:520:45:54

-(DOOR OPENS)

-No!

0:45:540:45:57

Armed police!

0:45:570:45:58

Contact! Contact! He's heading for the kitchen.

0:45:580:46:00

(POLICE SHOUTING)

0:46:000:46:05

ALL: Get down! Get down!

0:46:050:46:06

You get one chance. Let me go or I kill everybody in this room.

0:46:090:46:15

Put the bottle down! Put it down! Drop it!

0:46:150:46:18

Let this happen.

0:46:180:46:21

For me.

0:46:220:46:24

Please, Mitchell.

0:46:240:46:26

Please, no more killing.

0:46:280:46:29

Get on your knees! Get on your knees now!

0:46:410:46:45

John Mitchell, I am arresting you on suspicion of murder.

0:46:570:47:01

You do not have to say anything,

0:47:010:47:03

but it may harm your defence if you do not mention when questioned

0:47:030:47:06

something you later rely on in court.

0:47:060:47:08

Anything you do say may be given in evidence.

0:47:080:47:11

You've no idea what you've done.

0:47:110:47:13

(POLICE SIREN)

0:47:500:47:52

Nice work.

0:48:020:48:04

(LAUGHS)

0:48:160:48:18

Oh, shit! Has anyone checked the attic?

0:48:230:48:26

Billy? Get your coat, love, you've pulled.

0:48:260:48:30

(SCREAMS)

0:48:350:48:37

(STRANGLED SCREAMING)

0:48:400:48:43

(GRUNTING)

0:49:020:49:06

Here he is.

0:49:110:49:13

All right, all right!

0:49:140:49:16

-Name?

-Please don't do this.

0:49:160:49:18

-Name, sir.

-Fuck you, listen to me!

0:49:180:49:21

Date of birth, Mr Fuck You?

0:49:210:49:24

You have to let me go. You're not ready, none of you are.

0:49:240:49:28

Date of birth.

0:49:280:49:29

July 29th 1893, but please, please let me go.

0:49:290:49:33

It can't happen like this, not here, not in Wales.

0:49:330:49:38

Where's DC Reid? This is her collar.

0:49:380:49:41

MUSIC: History Repeating by Shirley Bassey

0:49:410:49:43

# The word is about There's something evolving

0:49:540:49:59

# Whatever may come The world keeps revolving

0:50:010:50:07

# They say the next big thing is here

0:50:070:50:10

# That the revolution's near

0:50:100:50:13

# But to me it seems quite clear

0:50:130:50:16

# That it's all just a little bit of history repeating

0:50:160:50:21

# The newspapers shout a new style is growing

0:50:340:50:41

# But it don't know if it's coming or going

0:50:410:50:46

# There is fashion, there is fad

0:50:460:50:50

# Some is good, some is bad

0:50:500:50:53

# And the joke is rather sad... #

0:50:530:50:56

We both know this baby was conceived eight weeks ago,

0:50:570:51:00

so why the hell is it growing so fast?

0:51:000:51:02

Wolf gestations are a lot shorter than humans'.

0:51:020:51:05

Says who?

0:51:050:51:06

-Wikipedia.

-Mm.

0:51:060:51:08

So maybe werewolves are the same too.

0:51:080:51:11

Maybe you'll just have a shorter pregnancy.

0:51:110:51:13

Yeah, or maybe I'll just keep, you know, growing and growing until I...

0:51:130:51:18

What the hell?

0:51:180:51:19

They've come for Mitchell.

0:51:230:51:25

What? Why?

0:51:250:51:27

Oh, God, George, I'm sorry, I'm so sorry.

0:51:270:51:29

What are you talking about?

0:51:290:51:30

I reported him.

0:51:310:51:33

I gave his name to them about the Box Tunnel 20.

0:51:330:51:37

You don't understand. I found this in his scrapbook that Annie was talking about.

0:51:370:51:42

It was before we knew about Daisy.

0:51:420:51:44

If they've arrested him, they will take his photo.

0:51:440:51:47

They'll...

0:51:470:51:49

Why? Why didn't you say something?

0:51:490:51:51

Because I knew you would take his side.

0:51:510:51:53

I knew you'd try to cover for him.

0:51:530:51:55

Have you any, any idea what you've done?!

0:51:550:51:57

The danger you've now put us all in?

0:51:570:51:59

Where are you going?

0:52:000:52:02

The police station. I've got to get him out of there.

0:52:020:52:04

-I'm coming with you.

-No, you stay there!

0:52:040:52:06

You are not going anywhere near him.

0:52:060:52:09

Fuck it!

0:52:100:52:11

Agh! Agh!

0:52:230:52:25

I don't know what's going on back at the house.

0:52:290:52:32

They're all playing silly buggers and not answering their radios.

0:52:320:52:35

Right, then, Gloria O'Swanson, time for your close-up.

0:52:350:52:40

Hello?

0:52:430:52:44

I live here. Is...

0:52:460:52:48

Anyone there?

0:52:490:52:50

(TAP RUNS)

0:53:240:53:26

You don't know what you're doing!

0:53:280:53:30

Come on.

0:53:300:53:32

-It can't happen like this.

-Sit still. Stay still.

0:53:320:53:38

I have something of a dilemma, Nina. Perhaps you could help me.

0:53:380:53:42

Christ, you made me jump.

0:53:420:53:44

Look, what the hell happened here?

0:53:440:53:46

And why are you wearing that?

0:53:460:53:48

See, the thing is, your boyfriend tore me, literally, limb from limb.

0:53:480:53:53

Now, aside from anything else,

0:53:530:53:55

have you ever heard of anything so... undignified?

0:53:550:54:00

Stay still.

0:54:040:54:06

Drop his legs.

0:54:060:54:08

-No, please. Please don't do this. No!

-Stay still.

0:54:110:54:14

But the pain...

0:54:140:54:15

..was incredible.

0:54:160:54:19

And I remember every moment,

0:54:190:54:21

so now, not unreasonably I think you'll agree...

0:54:210:54:25

..I want him to suffer.

0:54:270:54:28

But not for moments.

0:54:280:54:30

For days, weeks...

0:54:310:54:34

..months.

0:54:350:54:37

And the best way of doing that...

0:54:370:54:40

is, um... is to kill you.

0:54:400:54:42

Now, here's my dilemma.

0:54:420:54:46

You were kind to me.

0:54:500:54:51

Everyone else in the house wanted me dead except you.

0:54:530:54:57

It's a knotty one, isn't it?

0:55:000:55:04

No.

0:55:130:55:15

You're right. My quarrel is not with you.

0:55:150:55:18

Then people would say I was going soft.

0:55:260:55:29

Stay still!

0:55:380:55:40

Take the picture!

0:55:400:55:41

Andy, take the picture!

0:55:410:55:42

-Do it!

-Andy, just take the bloody picture!

0:55:450:55:48

Take the picture!

0:55:480:55:49

Oh, God!

0:55:490:55:50

This wasn't a game. This is revenge!

0:56:130:56:16

Subtitles by Red Bee Media Ltd

0:56:270:56:30

Email [email protected]

0:56:300:56:33

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