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This programme contains some violent scenes, strong language | 0:00:02 | 0:00:06 | |
and scenes which some viewers may find upsetting. | 0:00:06 | 0:00:10 | |
I did know a Daisy. | 0:00:11 | 0:00:13 | |
Did this girl ever say anything about Box Tunnel 20 to you? | 0:00:13 | 0:00:16 | |
She seemed to know a lot about it. | 0:00:16 | 0:00:18 | |
She could describe the scene and the bodies. | 0:00:18 | 0:00:20 | |
My God! | 0:00:21 | 0:00:23 | |
I suggest you give me back that book. | 0:00:23 | 0:00:26 | |
Gotcha! | 0:00:28 | 0:00:30 | |
(SOBBING) | 0:00:42 | 0:00:44 | |
This doesn't often happen | 0:00:54 | 0:00:56 | |
so... | 0:00:56 | 0:00:57 | |
...I'm not quite sure what the protocol is. | 0:00:59 | 0:01:02 | |
Usually we're hosing down the cage and giving young Alan here a blanket. | 0:01:03 | 0:01:09 | |
Ugh! | 0:01:09 | 0:01:11 | |
So you did something remarkable tonight. | 0:01:11 | 0:01:15 | |
You walked unharmed from a plane crash. | 0:01:16 | 0:01:19 | |
Only now I don't know what to do with you. | 0:01:21 | 0:01:24 | |
It's a lot to take in, isn't it? | 0:01:34 | 0:01:36 | |
You know, I think the biggest shock for me, | 0:01:38 | 0:01:40 | |
more than the actual existence of vampires and werewolves and ghosts - | 0:01:40 | 0:01:45 | |
there are ghosts too, you know, but we'll come to that - | 0:01:45 | 0:01:49 | |
was knowing that until that point, I'd been allowed to live. | 0:01:49 | 0:01:54 | |
Once the curtain was drawn... | 0:01:55 | 0:01:58 | |
..and I'd seen the true nature of nature, | 0:01:59 | 0:02:02 | |
I realised that these nightmare creatures | 0:02:02 | 0:02:05 | |
had permitted us to mind the shop. | 0:02:05 | 0:02:08 | |
The monsters were merciful. | 0:02:08 | 0:02:12 | |
But it was a fragile detente... | 0:02:13 | 0:02:15 | |
..like a tiger in a paper cage. | 0:02:17 | 0:02:20 | |
Any moment they could break free and wreck the world. | 0:02:20 | 0:02:25 | |
No, all in all, I think that was a bit of a blow. | 0:02:27 | 0:02:32 | |
Tell me about yourself. | 0:02:35 | 0:02:37 | |
You married? | 0:02:37 | 0:02:39 | |
Kids? | 0:02:42 | 0:02:44 | |
Maybe one day. | 0:02:44 | 0:02:46 | |
What line of business are you in? | 0:02:49 | 0:02:51 | |
I'm a surveyor. | 0:02:52 | 0:02:54 | |
Ah! Don't tell me! | 0:02:54 | 0:02:55 | |
Semi-detached house on a new-build estate, a car, the boss is a wanker. | 0:02:55 | 0:03:01 | |
Sunday roast with the in-laws. | 0:03:01 | 0:03:03 | |
Paddling pools and catalogues, five-a-side and Belgian beer. | 0:03:05 | 0:03:10 | |
God, it sounds horrific! | 0:03:10 | 0:03:13 | |
Well, that's all over now. | 0:03:15 | 0:03:17 | |
I've set you free. | 0:03:19 | 0:03:21 | |
I wasn't unharmed. | 0:03:22 | 0:03:24 | |
I'm sorry? | 0:03:24 | 0:03:26 | |
I wasn't unharmed. | 0:03:26 | 0:03:28 | |
Please could I have a bandage or something? | 0:03:28 | 0:03:33 | |
It scratched me. | 0:03:33 | 0:03:34 | |
Oops! | 0:03:38 | 0:03:39 | |
Look, I'm just saying this is vampire business. | 0:03:52 | 0:03:55 | |
You start mixing it with human laws and courts and stuff, | 0:03:55 | 0:03:59 | |
and God knows what could happen. | 0:03:59 | 0:04:01 | |
Yeah, well, it's a bit late to worry about that, isn't it? | 0:04:01 | 0:04:04 | |
All right, well, say you do lead the police to Daisy, OK? | 0:04:04 | 0:04:08 | |
They arrest her, they process her, they take her photograph. | 0:04:08 | 0:04:12 | |
And bam! That's it. | 0:04:12 | 0:04:14 | |
The world knows about vampires and it's total... | 0:04:14 | 0:04:17 | |
This is first contact. It's biblical. | 0:04:17 | 0:04:21 | |
Religion, history, science, they lose everything. | 0:04:21 | 0:04:26 | |
The trauma of that, could you imagine? | 0:04:26 | 0:04:27 | |
We need more drawing pins. | 0:04:27 | 0:04:29 | |
Annie! | 0:04:29 | 0:04:30 | |
Vampires must have been arrested in the past. | 0:04:30 | 0:04:33 | |
Yeah, but we used to have an infrastructure in place to sort it out. | 0:04:33 | 0:04:36 | |
Oh, so what? Daisy should just get away with it? | 0:04:36 | 0:04:39 | |
I'm saying the vampires take care of this sort of thing themselves. | 0:04:39 | 0:04:44 | |
Like vampire police. | 0:04:44 | 0:04:46 | |
Not actual. It's kind of self-regulating. | 0:04:47 | 0:04:50 | |
Well, I thought you said there wasn't an infrastructure in place. | 0:04:50 | 0:04:53 | |
Look, what I'm saying is... | 0:04:53 | 0:04:55 | |
OK, look. What if it was me? | 0:04:55 | 0:04:58 | |
Hm? Say I didn't die and I got on that train and so did Daisy, | 0:04:58 | 0:05:04 | |
and, I don't know, it was my picture in that incident room, not Lia's. | 0:05:04 | 0:05:08 | |
What would you do? | 0:05:08 | 0:05:09 | |
I wouldn't have known you. | 0:05:09 | 0:05:10 | |
Play my "what if" game. | 0:05:10 | 0:05:12 | |
I'd tear the world apart. | 0:05:14 | 0:05:16 | |
That's the correct answer. | 0:05:19 | 0:05:21 | |
(KNOCK ON DOOR) | 0:05:33 | 0:05:35 | |
Make this useful or quick - your choice. | 0:05:36 | 0:05:38 | |
That name I pulled off the information line, John Mitchell? | 0:05:38 | 0:05:41 | |
Yeah, I went to see him, and he's a bit nervy, but he gave me another name, | 0:05:41 | 0:05:45 | |
Daisy Hannigan Spiteri, some ex-girlfriend of his. | 0:05:45 | 0:05:48 | |
You should write this down. | 0:05:48 | 0:05:51 | |
Apparently, she told him she saw the Box Tunnel massacre first-hand. | 0:05:51 | 0:05:55 | |
But the only Daisy Hannigan Spiteri I could find died in an air raid in 1941. | 0:05:55 | 0:06:00 | |
Yeah, see, this is where it gets complicated. | 0:06:00 | 0:06:02 | |
So? | 0:06:02 | 0:06:03 | |
So... why would he do that? | 0:06:03 | 0:06:06 | |
Because relationships turn people into psychopaths, and that is fact. | 0:06:06 | 0:06:10 | |
No, I mean why give a false name unless he's concealing something? | 0:06:10 | 0:06:14 | |
Maybe she gave him the false name. | 0:06:14 | 0:06:15 | |
Whatever. I went back there, and he's got a scrapbook full of clippings. | 0:06:15 | 0:06:18 | |
-Clippings of what? -Clippings of what? | 0:06:18 | 0:06:20 | |
The Box Tunnel 20. | 0:06:20 | 0:06:22 | |
-What? -People are sick. | 0:06:22 | 0:06:24 | |
Fact two. They watch documentaries about children with... | 0:06:24 | 0:06:27 | |
an elbow for a face or something. | 0:06:27 | 0:06:29 | |
A scrapbook? Really? | 0:06:29 | 0:06:31 | |
Let me go back there with a warrant. | 0:06:31 | 0:06:33 | |
OK. This is the last time we ever have this conversation. | 0:06:33 | 0:06:37 | |
We have a list of suspects with a history of violence and mental illness, | 0:06:37 | 0:06:40 | |
and if we don't make an arrest this week, everyone in that room gets replaced. | 0:06:40 | 0:06:45 | |
This... clippings and ex-girlfriends, this is gossip. | 0:06:45 | 0:06:48 | |
This isn't even a fingerprint or anything even approaching proof. | 0:06:48 | 0:06:52 | |
It's a waste of time and you are not going to pursue it any further. | 0:06:52 | 0:06:55 | |
Do you trust Mitchell? | 0:07:06 | 0:07:08 | |
If Mitchell told me the sky was blue, I'd have to go outside to check. | 0:07:10 | 0:07:14 | |
He says I'm a vampire. | 0:07:17 | 0:07:19 | |
Like the story by Byron. | 0:07:20 | 0:07:22 | |
Those wretches who tormented me, they said so too. | 0:07:23 | 0:07:28 | |
It's... bewildering, isn't it? | 0:07:29 | 0:07:33 | |
That woman who came to the house... | 0:07:40 | 0:07:43 | |
..I could hear her blood throb and pound through her veins... | 0:07:45 | 0:07:50 | |
..yet I don't hear that with you or George or the girl or... | 0:07:51 | 0:07:56 | |
Why is that? | 0:07:56 | 0:07:58 | |
Look... | 0:07:58 | 0:07:59 | |
..whatever you are, it doesn't have to define you. | 0:08:00 | 0:08:04 | |
Take it from me. | 0:08:04 | 0:08:06 | |
Define me? | 0:08:06 | 0:08:07 | |
I'm... I'm hunger. | 0:08:08 | 0:08:11 | |
That is what defines me. | 0:08:12 | 0:08:14 | |
Hunger is the length and breadth of me now. | 0:08:14 | 0:08:18 | |
That will pass. | 0:08:18 | 0:08:19 | |
But... how? | 0:08:19 | 0:08:22 | |
I... I... I... | 0:08:22 | 0:08:25 | |
These images in here are really dark, dark desires and... | 0:08:25 | 0:08:30 | |
I can't sleep. | 0:08:30 | 0:08:33 | |
If I am the victim of a conspiracy to drive me mad, I confess it is working. | 0:08:35 | 0:08:41 | |
Listen to me. | 0:08:46 | 0:08:48 | |
Hang onto that. | 0:08:48 | 0:08:50 | |
You are not going mad. | 0:08:52 | 0:08:54 | |
But any other reaction in this house would be insane. | 0:08:54 | 0:08:57 | |
Don't let this become comfortable. | 0:08:57 | 0:09:00 | |
Stay separate, stay... appalled. | 0:09:00 | 0:09:03 | |
I... | 0:09:05 | 0:09:06 | |
I showed her the journal. | 0:09:06 | 0:09:09 | |
The policewoman? | 0:09:10 | 0:09:12 | |
She found it mightily interesting. | 0:09:13 | 0:09:15 | |
Was that the wrong thing to do? | 0:09:19 | 0:09:21 | |
Fiat justitia ruat caelum, Nina. | 0:09:29 | 0:09:32 | |
Let justice be done though the heavens fall. | 0:09:33 | 0:09:37 | |
(DOORBELL RINGS AND KNOCKING ON DOOR) | 0:09:37 | 0:09:39 | |
(KNOCKING CONTINUES) | 0:09:39 | 0:09:41 | |
Yes, yes, yes, yes! | 0:09:41 | 0:09:43 | |
Yes, hello? | 0:09:45 | 0:09:47 | |
Oh. Oh, Nina! Nina! | 0:09:48 | 0:09:52 | |
Do you think he needs to go to hospital? | 0:09:55 | 0:09:57 | |
I will have to clean it out but it doesn't look too deep. | 0:09:57 | 0:09:59 | |
See? Told you. | 0:09:59 | 0:10:01 | |
But you really should have got it dressed earlier. Could be infected. | 0:10:01 | 0:10:04 | |
See? I told you. | 0:10:04 | 0:10:05 | |
Look, George, why don't you take Tom and get me some hot water | 0:10:05 | 0:10:09 | |
and basically anything that's, you know, in another room? | 0:10:09 | 0:10:12 | |
Yeah, gotcha. Come on, let's get some hot water. | 0:10:12 | 0:10:16 | |
What's all this? | 0:10:20 | 0:10:22 | |
Oh! Annie has started fighting crime. | 0:10:22 | 0:10:26 | |
It's only a matter of time, really. | 0:10:26 | 0:10:28 | |
Any news on the baby? | 0:10:29 | 0:10:31 | |
Um... no. | 0:10:31 | 0:10:33 | |
You're showing. | 0:10:33 | 0:10:35 | |
It's just my jumper. | 0:10:35 | 0:10:36 | |
How did you get this? | 0:10:36 | 0:10:39 | |
Vampires. | 0:10:39 | 0:10:40 | |
Got us this morning. | 0:10:40 | 0:10:42 | |
Payback for the dog fight. | 0:10:42 | 0:10:44 | |
I killed two. | 0:10:46 | 0:10:47 | |
Tom killed two. | 0:10:47 | 0:10:48 | |
I'm surprised they haven't gone for you and George yet. | 0:10:51 | 0:10:54 | |
Maybe, um... | 0:10:56 | 0:10:58 | |
..maybe they don't know where we are. | 0:10:58 | 0:11:00 | |
Oh, trust me, they know. | 0:11:00 | 0:11:03 | |
Me and Tom have lived under the radar for years. They still found us. | 0:11:04 | 0:11:08 | |
You must be off limits. | 0:11:10 | 0:11:11 | |
Probably because you got their poster boy looking after you. | 0:11:13 | 0:11:17 | |
Something's changed. | 0:11:23 | 0:11:24 | |
No. No, I mean it's just, well, the past few weeks have been... | 0:11:24 | 0:11:29 | |
..well, pretty routine, actually. | 0:11:30 | 0:11:34 | |
I mean here. | 0:11:34 | 0:11:36 | |
Something's different. | 0:11:37 | 0:11:39 | |
I mean, you're what? 19? 20? | 0:11:44 | 0:11:46 | |
You shouldn't be killing vampires from a shitty campervan. | 0:11:46 | 0:11:50 | |
You... You should have Chlamydia and a 24-hour hangover, | 0:11:50 | 0:11:54 | |
because, trust me, Tom, you will look back, | 0:11:54 | 0:11:55 | |
and they will be the best years of your life. | 0:11:55 | 0:11:57 | |
We don't have a choice. | 0:11:57 | 0:11:58 | |
Yeah, you do. | 0:11:58 | 0:12:00 | |
You could stay here. | 0:12:01 | 0:12:03 | |
-McNair would never agree to that. -Please screw bloody McNair! | 0:12:04 | 0:12:10 | |
You people really do swear a lot, don't you? | 0:12:10 | 0:12:13 | |
It's just an observation. | 0:12:13 | 0:12:15 | |
McNair says it suggests a limited vocabulary. | 0:12:15 | 0:12:18 | |
Oh, does he? Well, actually, I can speak six different languages, | 0:12:18 | 0:12:21 | |
so McNair can just... | 0:12:21 | 0:12:23 | |
piss off. | 0:12:23 | 0:12:24 | |
Here you go. | 0:12:30 | 0:12:31 | |
You know, I thought we'd stay for a while. | 0:12:31 | 0:12:33 | |
ALL: Really? | 0:12:33 | 0:12:34 | |
The leg is pretty painful, to be honest, and you said I should rest it. | 0:12:34 | 0:12:39 | |
Suppose so. | 0:12:39 | 0:12:41 | |
See? Doctor's orders. | 0:12:41 | 0:12:42 | |
You do know it's a full moon tonight. | 0:12:42 | 0:12:44 | |
I was thinking maybe I could use your basement? | 0:12:44 | 0:12:47 | |
It's probably not a good idea to run round the forest in this state. | 0:12:47 | 0:12:51 | |
Nina uses that, so... | 0:12:51 | 0:12:52 | |
No, not so far. | 0:12:52 | 0:12:53 | |
All right with you, Tom? It's just for a few days. | 0:12:53 | 0:12:57 | |
You could probably watch some cartoons. | 0:12:58 | 0:13:00 | |
Maybe George will take you for a pint. | 0:13:00 | 0:13:02 | |
Yeah, I'd like that. | 0:13:06 | 0:13:08 | |
Yeah, all right. | 0:13:08 | 0:13:09 | |
Well, that's settled, then. | 0:13:09 | 0:13:11 | |
And thank you for this. Much appreciated. | 0:13:11 | 0:13:14 | |
I know what's happening here. | 0:13:18 | 0:13:20 | |
I know why he's got the scrapbook. | 0:13:20 | 0:13:22 | |
He was telling me about it this morning. | 0:13:22 | 0:13:24 | |
He said that if there's a big crime or something, | 0:13:24 | 0:13:26 | |
the vampires took care of it themselves. | 0:13:26 | 0:13:29 | |
That must be what he's doing. | 0:13:29 | 0:13:30 | |
Oh, God! He's... | 0:13:30 | 0:13:32 | |
He's investigating this too. | 0:13:32 | 0:13:35 | |
He knows it was Daisy and he wants to bring her to justice, just like we do. | 0:13:35 | 0:13:40 | |
Phew! Thank God we cleared that up! | 0:13:40 | 0:13:44 | |
Now, Nancy, we need to stay focussed. | 0:13:45 | 0:13:48 | |
Never mind what shouty man says. Mitchell can lead us to Daisy. | 0:13:48 | 0:13:51 | |
And I know he's worried about the repercussions but... | 0:13:51 | 0:13:54 | |
there's something bigger at stake here. | 0:13:54 | 0:13:56 | |
Whoever did this, someone's child, | 0:13:56 | 0:13:59 | |
someone's... | 0:13:59 | 0:14:00 | |
someone's lover. | 0:14:00 | 0:14:03 | |
We can't think about that. | 0:14:03 | 0:14:05 | |
There has to be justice, whatever the cost. | 0:14:06 | 0:14:10 | |
John Mitchell... I'm coming to get you. | 0:14:13 | 0:14:16 | |
Yes! Sort of. | 0:14:16 | 0:14:19 | |
Now I'm talking to myself. | 0:14:19 | 0:14:21 | |
No, you're not Nancy, it's fine. You're not, really. | 0:14:21 | 0:14:24 | |
# Go tell the midnight rider | 0:14:24 | 0:14:27 | |
# Go tell the long-tongue liar | 0:14:27 | 0:14:30 | |
# Tell the rambler, the gambler Back-biter | 0:14:30 | 0:14:34 | |
# Tell 'em that God's gonna cut 'em down | 0:14:34 | 0:14:37 | |
# Tell 'em that God's gonna cut 'em down | 0:14:37 | 0:14:40 | |
# Well, my goodness gracious Let me tell you the news | 0:14:45 | 0:14:48 | |
# My head's been wet from the midnight dew | 0:14:48 | 0:14:51 | |
# I've been down on a bended knee | 0:14:51 | 0:14:54 | |
# Talkin' to the man from Galilee | 0:14:54 | 0:14:57 | |
# He spoke to me in a voice so sweet... # | 0:14:57 | 0:15:01 | |
-All right? -Yeah, I forgot to mention. We've got guests. | 0:15:01 | 0:15:05 | |
# ...My heart stood still | 0:15:05 | 0:15:06 | |
# When he said, "Go do My will!" # | 0:15:06 | 0:15:09 | |
That's five. | 0:15:09 | 0:15:10 | |
# Tell that midnight rider... # | 0:15:10 | 0:15:12 | |
What? | 0:15:12 | 0:15:14 | |
That's fine. | 0:15:14 | 0:15:15 | |
# ...Tell the rambler, the gambler back-biter... | 0:15:16 | 0:15:19 | |
Hi. | 0:15:19 | 0:15:20 | |
What? | 0:15:20 | 0:15:23 | |
Where are you going? | 0:15:23 | 0:15:24 | |
-Upstairs. Why? -Nothing. Good. | 0:15:24 | 0:15:28 | |
There's someone... | 0:15:28 | 0:15:30 | |
Just make sure you don't go anywhere, OK? | 0:15:30 | 0:15:33 | |
# ...Long time Run on for a long time | 0:15:33 | 0:15:37 | |
# Sooner or later God'll cut you down | 0:15:37 | 0:15:40 | |
# Sooner or later God'll cut you down. # | 0:15:40 | 0:15:43 | |
OK, listen. It's a full moon tonight. | 0:15:43 | 0:15:46 | |
And downstairs there's standing room only for bloody like us, | 0:15:46 | 0:15:50 | |
so are you gonna tell me how you did it? | 0:15:50 | 0:15:52 | |
How did you survive that werewolf attack, Herrick? | 0:15:52 | 0:15:55 | |
You just keep asking me this, cos these are riddles! | 0:15:55 | 0:15:58 | |
I haven't got time for this. | 0:16:02 | 0:16:04 | |
The old Herrick knows the answers, so we need to find him now. | 0:16:04 | 0:16:08 | |
Oh, I know you're in there. | 0:16:10 | 0:16:12 | |
You old bastard! I can see you sniggering behind his eyes. | 0:16:12 | 0:16:16 | |
-I know you can hear me. -Just stop this! Just stop this! | 0:16:16 | 0:16:21 | |
I don't know what it is you want from me. | 0:16:21 | 0:16:24 | |
There's only one way to bring you back. | 0:16:26 | 0:16:29 | |
But I won't do that. | 0:16:29 | 0:16:32 | |
Not yet. | 0:16:32 | 0:16:34 | |
Get some rest. | 0:16:42 | 0:16:44 | |
See you later. | 0:16:45 | 0:16:47 | |
ANNIE: I know who killed the Box Tunnel 20. Mitchell told me. | 0:16:54 | 0:16:59 | |
-He told you? -You're kidding! | 0:16:59 | 0:17:01 | |
Daisy Hannigan Spiteri... something. | 0:17:01 | 0:17:05 | |
What? Sh... | 0:17:05 | 0:17:07 | |
Sorry, who? | 0:17:07 | 0:17:09 | |
She confessed to Mitchell, more or less. | 0:17:09 | 0:17:12 | |
But it's a bit complicated, cos she's a vampire, | 0:17:12 | 0:17:15 | |
so Mitchell says that we have to, you know, tread carefully. | 0:17:15 | 0:17:19 | |
Was there any proof? | 0:17:19 | 0:17:21 | |
What do you mean? | 0:17:21 | 0:17:22 | |
Well, you know, what with that policewoman sniffing around, | 0:17:22 | 0:17:25 | |
you know what they're like, they find stuff. | 0:17:25 | 0:17:28 | |
Yes. Well, no, yes. | 0:17:28 | 0:17:30 | |
There was a scrapbook with clippings of the murders in it. | 0:17:30 | 0:17:34 | |
And... and how did he explain that? | 0:17:34 | 0:17:36 | |
Well, he has been investigating the case too. | 0:17:36 | 0:17:39 | |
-The murders? -Yeah. | 0:17:39 | 0:17:41 | |
Apparently that's what vampires do if one of them goes bad. | 0:17:41 | 0:17:45 | |
Or badder. | 0:17:45 | 0:17:47 | |
Yeah, so he's looking for Daisy. He's just trying to... gather all the clues. | 0:17:47 | 0:17:53 | |
So he didn't do it? | 0:17:53 | 0:17:55 | |
I mean, really didn't? | 0:17:55 | 0:17:58 | |
No. | 0:17:58 | 0:17:59 | |
Oh, my God! Nina! | 0:18:00 | 0:18:03 | |
No. | 0:18:03 | 0:18:04 | |
Daisy. | 0:18:04 | 0:18:06 | |
Do you know her? | 0:18:06 | 0:18:07 | |
Um... Well, yeah, kind of. | 0:18:09 | 0:18:13 | |
Her and her husband attacked me and Mitchell a few months ago, | 0:18:13 | 0:18:16 | |
but it does... it does kind of make sense, she was pretty wild. | 0:18:16 | 0:18:20 | |
She's, um... she's very determined and tenacious. | 0:18:20 | 0:18:25 | |
Surprisingly strong. | 0:18:27 | 0:18:29 | |
Nimble. | 0:18:29 | 0:18:30 | |
You do know you're saying all this out loud, don't you? | 0:18:30 | 0:18:33 | |
Well, this is it. | 0:18:34 | 0:18:35 | |
Nancy is on her way here. | 0:18:35 | 0:18:37 | |
We are going to crack this and we are going to throw a book at Daisy. | 0:18:37 | 0:18:42 | |
(DOORBELL RINGS) | 0:18:45 | 0:18:47 | |
Hi, John. Just wondering if we could have another little chat. | 0:18:52 | 0:18:56 | |
So... | 0:18:56 | 0:18:57 | |
..here we are again. | 0:18:58 | 0:19:00 | |
Yeah, suddenly got the urge. | 0:19:00 | 0:19:02 | |
It's funny, that. | 0:19:02 | 0:19:04 | |
John, why do you have a scrapbook full of clippings about the Box Tunnel 20 | 0:19:04 | 0:19:09 | |
if you have no connection to the crime? | 0:19:09 | 0:19:12 | |
I don't know what you mean. | 0:19:12 | 0:19:14 | |
Tell her that you're investigating the case too. We could all work together. | 0:19:14 | 0:19:19 | |
It wasn't mine. | 0:19:19 | 0:19:20 | |
It's complicated. | 0:19:20 | 0:19:22 | |
There was this guy, Graham. He put it all together. | 0:19:22 | 0:19:25 | |
He thought it was the kind of thing I'd be impressed by. | 0:19:25 | 0:19:28 | |
I thought it was gross. | 0:19:28 | 0:19:29 | |
Graham? Why didn't you just say? | 0:19:29 | 0:19:33 | |
Anyway, it doesn't matter now. I burnt the bloody thing. | 0:19:33 | 0:19:36 | |
(FAINT HEARTBEAT) | 0:19:53 | 0:19:56 | |
OK, I want to talk to you about Daisy Hannigan Spiteri. | 0:20:00 | 0:20:05 | |
Did you have any luck finding her? | 0:20:07 | 0:20:09 | |
No, but then she did die in 1941. | 0:20:09 | 0:20:13 | |
How are you finding Wales, by the way? | 0:20:13 | 0:20:15 | |
Yeah. | 0:20:17 | 0:20:18 | |
Yeah, it's good. | 0:20:18 | 0:20:20 | |
-Hmm. -Are you from Cardiff yourself? | 0:20:20 | 0:20:22 | |
Why have you given me the name of someone who died 70 years ago? | 0:20:22 | 0:20:26 | |
It's the name she gave me. | 0:20:26 | 0:20:28 | |
It's probably made up. She was a total fantasist. | 0:20:28 | 0:20:31 | |
Even the things she said about the murder. | 0:20:31 | 0:20:33 | |
She was always coming out with stuff like that. | 0:20:33 | 0:20:36 | |
-People she'd met, things she'd done. -Mitchell, what are you saying? | 0:20:36 | 0:20:39 | |
So now you think she didn't have anything to do with the murders? | 0:20:39 | 0:20:43 | |
It's pretty unlikely, yeah. | 0:20:45 | 0:20:47 | |
John, I know you're dicking me about. | 0:20:52 | 0:20:56 | |
Do you want to know how I know? | 0:20:56 | 0:20:58 | |
Yeah. | 0:20:59 | 0:21:00 | |
Yeah, this should be good. | 0:21:01 | 0:21:03 | |
It's all pretty basic. | 0:21:03 | 0:21:05 | |
The muscles around your eyes don't move when you smile. | 0:21:05 | 0:21:08 | |
Generally your body language is limited and stiff, | 0:21:08 | 0:21:11 | |
the lack of direct statements, lots of "probably"s and "I think"s. | 0:21:11 | 0:21:15 | |
Plus there's the willingness to change the subject, | 0:21:15 | 0:21:18 | |
even though I just said a friend of yours died in World War II. | 0:21:18 | 0:21:21 | |
Last thing, I'd like to speak to Nina's Uncle Billy again. | 0:21:25 | 0:21:30 | |
I'm not sure that's a good idea. | 0:21:31 | 0:21:32 | |
I don't bite. | 0:21:32 | 0:21:34 | |
Sure! | 0:21:38 | 0:21:39 | |
Why not? | 0:21:39 | 0:21:41 | |
I'll just make sure he's presentable. | 0:21:42 | 0:21:45 | |
Hey, it's OK. | 0:22:08 | 0:22:10 | |
It's OK, it's all right. I'm not going to hurt you again. | 0:22:11 | 0:22:14 | |
I swear. | 0:22:14 | 0:22:16 | |
(WHIMPERS) | 0:22:18 | 0:22:20 | |
That policewoman's back. | 0:22:20 | 0:22:22 | |
She wants to talk to you. | 0:22:23 | 0:22:25 | |
I cannot be trusted. | 0:22:30 | 0:22:32 | |
The first time we met, we were soldiers. | 0:22:43 | 0:22:46 | |
You know war's real. | 0:22:49 | 0:22:52 | |
It's a different planet. | 0:22:53 | 0:22:55 | |
Men have to do things that they'd never dream of. | 0:22:57 | 0:23:02 | |
Things that seem terrible, | 0:23:03 | 0:23:06 | |
heretical. | 0:23:06 | 0:23:08 | |
But in a war... | 0:23:09 | 0:23:11 | |
..these things can be heroic. | 0:23:12 | 0:23:14 | |
Selfless. They can save lives. | 0:23:14 | 0:23:19 | |
But we're not at war. | 0:23:20 | 0:23:22 | |
Oh, we are. | 0:23:22 | 0:23:23 | |
It's a secret war, but yes, we are. | 0:23:24 | 0:23:28 | |
And sometimes we'll be asked to do things | 0:23:29 | 0:23:32 | |
that seem to be bad, but they're not. | 0:23:32 | 0:23:34 | |
And this is very important. | 0:23:36 | 0:23:38 | |
They're not bad, they're brave. | 0:23:38 | 0:23:42 | |
I don't know what you're talking about. | 0:23:45 | 0:23:48 | |
Mitchell, I implore you. | 0:23:49 | 0:23:52 | |
Keep that woman away from me. | 0:23:52 | 0:23:54 | |
It's not being a coward and it's not failing. | 0:23:54 | 0:23:58 | |
It's being brave enough to let nature take its course. | 0:23:59 | 0:24:02 | |
Mitchell, what are you doing? | 0:24:09 | 0:24:11 | |
What am I doing? | 0:24:11 | 0:24:12 | |
What the hell do you think you're doing bringing that woman back here? | 0:24:12 | 0:24:16 | |
She thinks you're the murderer. | 0:24:16 | 0:24:18 | |
For God's sake, just give her bloody Daisy! | 0:24:18 | 0:24:20 | |
What bit of this don't you understand? I give her Daisy and everything ends. | 0:24:20 | 0:24:25 | |
You get arrested and everything ends anyway. | 0:24:25 | 0:24:28 | |
I won't allow that to happen. | 0:24:28 | 0:24:30 | |
What's that supposed to mean? | 0:24:30 | 0:24:32 | |
I told you. I'll deal with this, all right? | 0:24:33 | 0:24:37 | |
NINA: Nancy. Hi! | 0:24:38 | 0:24:40 | |
Listen, are you here to talk to Mitchell again? | 0:24:40 | 0:24:43 | |
It's just that... The thing is... | 0:24:43 | 0:24:45 | |
Here's the thing. | 0:24:45 | 0:24:47 | |
I was the one that reported him to the helpline. | 0:24:48 | 0:24:51 | |
Why did you do that, Nina? | 0:24:52 | 0:24:54 | |
I got the wrong end of the stick about something, | 0:24:54 | 0:24:56 | |
but now I've had time to reconsider | 0:24:56 | 0:24:57 | |
and I really don't think he had anything to do with it. | 0:24:57 | 0:25:00 | |
So what changed your mind? | 0:25:00 | 0:25:02 | |
Has he spoken to you about someone called Daisy? | 0:25:03 | 0:25:05 | |
-Daisy Hannigan Spiteri? -Yeah! | 0:25:06 | 0:25:09 | |
I've been thinking about it and I think she might know something. | 0:25:09 | 0:25:12 | |
Nina, maybe you can help me out here. | 0:25:12 | 0:25:14 | |
Why has John, and now you, given me the name of someone | 0:25:14 | 0:25:18 | |
who died before the cocking Coronation? | 0:25:18 | 0:25:21 | |
Something's going on in this house. | 0:25:23 | 0:25:26 | |
The people in it think that they can lie to me, and I don't like that. | 0:25:26 | 0:25:30 | |
He's waiting for you. | 0:25:33 | 0:25:34 | |
Helped myself to a glass of water. Hope you don't mind. | 0:25:34 | 0:25:37 | |
Nope. | 0:25:37 | 0:25:39 | |
Hi, Billy. | 0:26:04 | 0:26:06 | |
I wanted to ask you a few more questions. | 0:26:07 | 0:26:10 | |
(PANTING) | 0:26:10 | 0:26:12 | |
I'll leave you to it. | 0:26:12 | 0:26:14 | |
I wanted to talk to you about John, if that's OK. | 0:26:31 | 0:26:38 | |
(BREATHES HEAVILY) | 0:26:38 | 0:26:40 | |
I think he's... | 0:26:40 | 0:26:42 | |
..giving you some... | 0:26:43 | 0:26:44 | |
very big secrets to look after. | 0:26:44 | 0:26:48 | |
And I don't think that's fair. | 0:26:48 | 0:26:50 | |
(SPEECH NOT HEARD) | 0:26:52 | 0:26:55 | |
(ECHOEY) Billy, I want you to take a step back. | 0:27:04 | 0:27:08 | |
OK? I want this to be a nice chat, like we had before. | 0:27:08 | 0:27:12 | |
Hang on a sec, it's a bit dark in here. | 0:27:15 | 0:27:19 | |
You know, you should probably provide lights and heating and stuff. | 0:27:19 | 0:27:23 | |
Billy? He likes to keep it all zen and shit. | 0:27:23 | 0:27:26 | |
He won't even let me hook up a VCR. | 0:27:26 | 0:27:28 | |
Do you know what? Can we do this another time? | 0:27:28 | 0:27:31 | |
I think Billy's pretty tired and when he gets tired, he just... | 0:27:31 | 0:27:36 | |
So just give us a bit of a heads up next time, yeah? | 0:27:39 | 0:27:42 | |
Yeah, um... John, John, there are still questions... | 0:27:42 | 0:27:46 | |
Oh, Jesus, I think I can hear Billy. | 0:27:46 | 0:27:48 | |
-Look, I gotta run. -But... | 0:27:48 | 0:27:49 | |
I'll speak to you really soon, OK? See you around. | 0:27:49 | 0:27:52 | |
Softly, softly! | 0:28:06 | 0:28:08 | |
MUSIC: "Hungry Like The Wolf" by Duran Duran | 0:28:08 | 0:28:11 | |
# Dark in the city, night is a wire | 0:28:11 | 0:28:15 | |
# Steam in the subway, earth is afire | 0:28:15 | 0:28:17 | |
# Do do do-do do do-do do do-do do do-do do do | 0:28:17 | 0:28:24 | |
# Woman you want me give me a sign | 0:28:26 | 0:28:30 | |
# And catch my breathing even closer behind | 0:28:30 | 0:28:33 | |
# Do do do-do do do-do do do-do do do-do do do | 0:28:33 | 0:28:39 | |
# In touch with the ground I'm on the hunt, I'm after you | 0:28:41 | 0:28:47 | |
# Smell like I sound I'm lost in a crowd | 0:28:47 | 0:28:51 | |
# And I'm hungry like the wolf | 0:28:51 | 0:28:55 | |
# Straddle the line in discord and rhyme | 0:28:55 | 0:28:58 | |
# I'm on the hunt, I'm after you | 0:28:58 | 0:29:02 | |
# Mouth is alive with juices like wine | 0:29:02 | 0:29:06 | |
# And I'm hungry like the wolf | 0:29:06 | 0:29:10 | |
# Stalked in the forest too close to hide | 0:29:14 | 0:29:18 | |
# I'll be upon you by the moonlight side | 0:29:18 | 0:29:22 | |
# Do do do-do do do-do do do-do do do-do do do | 0:29:22 | 0:29:26 | |
# High blood drumming on your skin it's so tight | 0:29:29 | 0:29:33 | |
# You feel my heat I'm just a moment behind | 0:29:33 | 0:29:36 | |
# Do do do-do do do-do do do-do do do-do do do | 0:29:36 | 0:29:42 | |
# In touch with the ground I'm on the hunt, I'm after you | 0:29:44 | 0:29:50 | |
# Scent and a sound I'm lost and I'm found | 0:29:50 | 0:29:54 | |
# And I'm hungry like the wolf | 0:29:54 | 0:29:58 | |
# Strut on a line... # | 0:29:58 | 0:29:59 | |
(SONG FADES) | 0:29:59 | 0:30:00 | |
(ANNIE GASPS) | 0:30:02 | 0:30:04 | |
My God, is that it? Is that the actual carriage? | 0:30:08 | 0:30:12 | |
Hey, Cooper. | 0:30:19 | 0:30:21 | |
What's so urgent it couldn't wait until tomorrow? | 0:30:21 | 0:30:24 | |
I just wanted to talk to you in private before we take this upstairs. | 0:30:24 | 0:30:28 | |
-I got the results on those prints. -Ooh! What prints? | 0:30:28 | 0:30:32 | |
I've been doing this job for 16 years and I've never seen anything like this. Come on. | 0:30:32 | 0:30:36 | |
So, the guy you got these prints from, John Mitchell, isn't it? | 0:30:38 | 0:30:41 | |
Whoa! Whoa! How did you get those? | 0:30:41 | 0:30:43 | |
Tell me he's about 85 or something. | 0:30:43 | 0:30:45 | |
-Mid 20s? -Then I don't know what is going on. | 0:30:45 | 0:30:48 | |
Basically, I've got this contact in Forensics. | 0:30:48 | 0:30:50 | |
I wanted this done under the radar. | 0:30:50 | 0:30:52 | |
And he's found a match. In fact, he found two matches. | 0:30:52 | 0:30:54 | |
-You're kidding. -But this is where it gets weird. | 0:30:54 | 0:30:56 | |
Look, Nancy, I think we should go. | 0:30:56 | 0:30:58 | |
So, match one Sheffield, Sally Fenza. | 0:30:58 | 0:31:00 | |
Severe head trauma, body found by her flatmate. | 0:31:00 | 0:31:02 | |
-Jesus! He's done this before? -Check the date. | 0:31:02 | 0:31:04 | |
-We really shouldn't be here. -24th December... | 0:31:04 | 0:31:08 | |
1960? | 0:31:08 | 0:31:10 | |
He used to be a very, very different person. | 0:31:11 | 0:31:13 | |
-There's no way whoever did this could have the same prints as my guy? -Impossible. -Shit! | 0:31:13 | 0:31:18 | |
Hang on. You said there were two matches for the prints. | 0:31:18 | 0:31:21 | |
What was the second? | 0:31:21 | 0:31:22 | |
Box Tunnel massacre. | 0:31:22 | 0:31:23 | |
Say that again. | 0:31:24 | 0:31:25 | |
Prints from your suspect were found in the carriage of the Box Tunnel 20. | 0:31:25 | 0:31:29 | |
No, that's not true. | 0:31:29 | 0:31:30 | |
And they're everywhere. | 0:31:30 | 0:31:32 | |
They were in blood too, meaning they were post mortem. | 0:31:32 | 0:31:35 | |
Nancy, somehow your guy is... the guy. | 0:31:35 | 0:31:37 | |
No, there must be a mistake. | 0:31:37 | 0:31:40 | |
There must be. | 0:31:40 | 0:31:42 | |
Oh, my God! This is it! We've got him. | 0:31:42 | 0:31:45 | |
Not on this alone. | 0:31:45 | 0:31:46 | |
If the defence lawyer gets hold of the 1960s evidence, | 0:31:46 | 0:31:48 | |
it'll cast enough doubt to make the Box Tunnel prints invisible. | 0:31:48 | 0:31:51 | |
So you're going to need something else. What other evidence have you got? | 0:31:51 | 0:31:55 | |
He's got... He had a scrapbook full of clippings from the murders, | 0:31:55 | 0:31:59 | |
plus he was based in Bristol but fell off the radar literally the day after. | 0:31:59 | 0:32:03 | |
Mitchell! No! | 0:32:03 | 0:32:06 | |
I suppose the concern is you'll find something else. | 0:32:06 | 0:32:09 | |
What do you mean? | 0:32:09 | 0:32:11 | |
Hello? | 0:32:18 | 0:32:20 | |
Tom? | 0:32:31 | 0:32:32 | |
McNair? | 0:32:39 | 0:32:41 | |
Nina! | 0:32:50 | 0:32:51 | |
It's me. Do you want anything? | 0:32:51 | 0:32:53 | |
Prophecy, my arse. | 0:33:19 | 0:33:22 | |
(LOUD MUSIC) | 0:33:33 | 0:33:36 | |
Frankly, Mitchell couldn't have done more to implicate himself | 0:34:02 | 0:34:06 | |
if he'd left a confession and diagrams. | 0:34:06 | 0:34:08 | |
The work we've had to do covering this up, I swear. | 0:34:08 | 0:34:10 | |
Apparently he found out | 0:34:10 | 0:34:12 | |
his girlfriend was some nutty, vampire-killing Christian. | 0:34:12 | 0:34:16 | |
That's what finally pushed him over the edge. | 0:34:16 | 0:34:18 | |
Mitchell was never really a team player, but arresting him... | 0:34:18 | 0:34:21 | |
Sorry, we can't let that happen. We like our privacy too much. | 0:34:21 | 0:34:24 | |
Don't get me wrong. You're good. | 0:34:30 | 0:34:32 | |
Tenacious, uncompromising. Qualities we really like. | 0:34:33 | 0:34:37 | |
That and generally being a shit. | 0:34:39 | 0:34:41 | |
Shit! | 0:34:41 | 0:34:42 | |
Jonathan Cooper, I'm arresting you for assaulting a police officer | 0:34:44 | 0:34:49 | |
and perverting the course of justice. | 0:34:49 | 0:34:52 | |
You're not really getting this, are you? | 0:34:52 | 0:34:54 | |
We can't be arrested. | 0:34:54 | 0:34:56 | |
What are you? The bastard Masons? | 0:34:56 | 0:34:58 | |
Hey, Casper! | 0:34:59 | 0:35:01 | |
You still here? | 0:35:02 | 0:35:04 | |
Looks like your friend left you. | 0:35:04 | 0:35:06 | |
Yeah, what friend? | 0:35:06 | 0:35:08 | |
You had a ghost following you around. | 0:35:08 | 0:35:10 | |
Probably something to do with Mitchell. | 0:35:10 | 0:35:13 | |
He always kept very odd company. | 0:35:13 | 0:35:15 | |
Mad as a badger. | 0:35:15 | 0:35:17 | |
Don't worry. This isn't how you're going to die. | 0:35:29 | 0:35:32 | |
I just need to make you a little more receptive. | 0:35:32 | 0:35:35 | |
I'm gonna give you a gift. | 0:35:35 | 0:35:37 | |
You've been head-hunted, Nancy, for an exciting new opportunity. | 0:35:37 | 0:35:41 | |
Think of it as evolutionary promotion. | 0:35:41 | 0:35:43 | |
(SHE SCREAMS) | 0:35:43 | 0:35:45 | |
She's not interested. | 0:35:50 | 0:35:52 | |
Long as I live... | 0:36:03 | 0:36:04 | |
..I'll never forget that scent. | 0:36:05 | 0:36:08 | |
You remember me. | 0:36:09 | 0:36:10 | |
I assume that you are the victim | 0:36:10 | 0:36:14 | |
of another barbarity I'm supposed to have committed. | 0:36:14 | 0:36:18 | |
Another barbarity? | 0:36:18 | 0:36:20 | |
Fucking southerners! | 0:36:21 | 0:36:23 | |
Let's see if this jogs your memory. | 0:36:25 | 0:36:27 | |
You walked unharmed from a plane crash. | 0:36:28 | 0:36:33 | |
Only now, I don't know what to do with you. | 0:36:34 | 0:36:39 | |
Ring any bells? | 0:36:39 | 0:36:41 | |
Now, I must warn you, Mitchell is very keen on keeping me alive. | 0:36:41 | 0:36:48 | |
You so much as lay a finger on me, | 0:36:48 | 0:36:50 | |
and I shall scream until the windows shake in their frames. | 0:36:50 | 0:36:56 | |
That's the plan. | 0:36:56 | 0:36:57 | |
He hears you, he runs up here... | 0:36:57 | 0:37:00 | |
..and I get two new teeth. | 0:37:03 | 0:37:06 | |
You see, I'd hate you to think I'd been idle since we last met. | 0:37:06 | 0:37:10 | |
Meet your family. | 0:37:12 | 0:37:14 | |
I remember every single one of them. | 0:37:17 | 0:37:20 | |
Marco, he was a scrapper. | 0:37:24 | 0:37:28 | |
While this one here... | 0:37:29 | 0:37:31 | |
..Scottish girl. | 0:37:32 | 0:37:33 | |
Very pretty. | 0:37:35 | 0:37:36 | |
Daisy? | 0:37:38 | 0:37:39 | |
Fought like a cat. | 0:37:39 | 0:37:42 | |
And this space here... | 0:37:44 | 0:37:45 | |
..is for you. | 0:37:48 | 0:37:49 | |
Agh! | 0:37:51 | 0:37:53 | |
Whatever his crimes, the man you knew is not the man before you now. | 0:37:53 | 0:37:59 | |
Vampires don't reform. | 0:38:02 | 0:38:04 | |
Yeah, look at me. | 0:38:31 | 0:38:33 | |
I'm saved. | 0:38:35 | 0:38:37 | |
(DOOR SLAMS) | 0:38:47 | 0:38:49 | |
(GROWLING) | 0:38:49 | 0:38:52 | |
(HOWLS) | 0:38:59 | 0:39:01 | |
(LAUGHS) | 0:39:03 | 0:39:04 | |
(HOWLS) | 0:39:14 | 0:39:17 | |
(SCREAMS) | 0:39:37 | 0:39:38 | |
We thought we could sneak in before your first appointment. | 0:40:07 | 0:40:11 | |
We really appreciate it, Hayley. | 0:40:11 | 0:40:12 | |
Have you had any pains or bleeding? | 0:40:12 | 0:40:14 | |
Er... No, no, it's just for peace of mind really. | 0:40:14 | 0:40:18 | |
You've got twigs and stuff in your hair. | 0:40:19 | 0:40:21 | |
Oh, God! Oh! We... we went camping last night. | 0:40:21 | 0:40:24 | |
Yeah, that's the other thing. | 0:40:24 | 0:40:27 | |
I always get really worried after we've... gone camping. | 0:40:27 | 0:40:31 | |
You know, the cold and stuff. | 0:40:31 | 0:40:33 | |
So don't go camping. | 0:40:33 | 0:40:35 | |
George... makes me. | 0:40:35 | 0:40:37 | |
George! | 0:40:37 | 0:40:39 | |
So, anyway, while we're here, | 0:40:39 | 0:40:41 | |
it would be good to see if there's anything abnormal or... | 0:40:41 | 0:40:44 | |
Like what? A tail?! | 0:40:44 | 0:40:45 | |
No, no, no! | 0:40:45 | 0:40:48 | |
Yeah, yeah. | 0:40:48 | 0:40:49 | |
Shit! How many weeks are you? | 0:40:49 | 0:40:52 | |
Um... Eight weeks. | 0:40:52 | 0:40:54 | |
And how long have you two been together? | 0:40:54 | 0:40:56 | |
-A year? -Year, yeah. | 0:40:56 | 0:40:59 | |
Thank God! I could see this getting very Jeremy Kyle. | 0:40:59 | 0:41:02 | |
You must have got the dates wrong, cos there's no way you're eight weeks. | 0:41:02 | 0:41:05 | |
Really? | 0:41:05 | 0:41:06 | |
More like 16. | 0:41:06 | 0:41:08 | |
Either that or you're giving birth to a giant! | 0:41:08 | 0:41:11 | |
Which, let's be honest, is pretty unlikely. | 0:41:11 | 0:41:13 | |
But it does mean we've missed out on a whole load of checks and stuff, | 0:41:13 | 0:41:17 | |
so we've got some catching up to do. | 0:41:17 | 0:41:19 | |
-OK? -OK. | 0:41:24 | 0:41:26 | |
Yeah. | 0:41:26 | 0:41:27 | |
He became a monster. | 0:42:06 | 0:42:08 | |
He became a monster and attacked me. | 0:42:09 | 0:42:12 | |
This is DC Nancy Reid. I'm outside 8 Coastview Road, Barry. | 0:42:20 | 0:42:24 | |
I'm attempting to arrest John Mitchell | 0:42:24 | 0:42:26 | |
in connection with the Box Tunnel 20 murders | 0:42:26 | 0:42:29 | |
but have reason to believe he is armed. Please assist. | 0:42:29 | 0:42:32 | |
I know. | 0:42:37 | 0:42:38 | |
What? | 0:42:39 | 0:42:41 | |
Annie, I haven't got time for this. There's been an accident. | 0:42:42 | 0:42:47 | |
You know what? | 0:42:48 | 0:42:50 | |
How did you find out? | 0:43:02 | 0:43:04 | |
Nancy. | 0:43:04 | 0:43:05 | |
And a vampire. | 0:43:06 | 0:43:08 | |
Does that matter? | 0:43:09 | 0:43:11 | |
Was Daisy even involved? | 0:43:11 | 0:43:14 | |
Yeah, but it was my idea. | 0:43:14 | 0:43:17 | |
Thank you. | 0:43:20 | 0:43:21 | |
That's probably the first honest thing you've said to me in months. | 0:43:21 | 0:43:26 | |
You let me love you. | 0:43:28 | 0:43:30 | |
There was this... cancer between us, | 0:43:32 | 0:43:36 | |
-and you let me fall in love with you. -Because I love you. | 0:43:36 | 0:43:39 | |
Oh! | 0:43:39 | 0:43:40 | |
Cos you love me? | 0:43:41 | 0:43:42 | |
Do you have any idea how inadequate that sounds? | 0:43:44 | 0:43:48 | |
And I killed a vampire. | 0:43:49 | 0:43:51 | |
I've never even so much as swatted a fly... | 0:43:54 | 0:43:59 | |
..and I've rammed a stake into his back. | 0:44:00 | 0:44:03 | |
It spreads, Mitchell. | 0:44:03 | 0:44:05 | |
What you've done, it's contaminated us all. | 0:44:05 | 0:44:08 | |
I'm sorry. Oh, God, Annie, I'm so sorry! | 0:44:11 | 0:44:15 | |
You turn yourself in. | 0:44:24 | 0:44:26 | |
Give those families that comfort. | 0:44:27 | 0:44:30 | |
I can't, Annie. | 0:44:30 | 0:44:32 | |
I can't do that. | 0:44:32 | 0:44:33 | |
You helped us with Sasha and Adam, | 0:44:33 | 0:44:38 | |
and you saved McNair and Tom, so... | 0:44:38 | 0:44:40 | |
so I know that there's still good in you. | 0:44:40 | 0:44:43 | |
I know that the man I love is still in there. | 0:44:43 | 0:44:46 | |
Everything will be torn apart. | 0:44:47 | 0:44:50 | |
The entire world. | 0:44:50 | 0:44:53 | |
They can't know. They can't. | 0:44:54 | 0:44:56 | |
That's why I've decided I'm going to stay with you. | 0:44:57 | 0:45:00 | |
No, no, no, no, no. | 0:45:00 | 0:45:02 | |
OK. You needn't be frightened, Mitchell. | 0:45:02 | 0:45:04 | |
Whatever they do to you, wherever they take you, | 0:45:04 | 0:45:07 | |
I'll be with you and you won't be alone. | 0:45:07 | 0:45:10 | |
Oh, it's not about fear or punishment. Jesus Christ! | 0:45:10 | 0:45:14 | |
I want to be punished, but it can't happen like this. | 0:45:14 | 0:45:18 | |
Mitchell, they were people's children. | 0:45:19 | 0:45:22 | |
And you and Daisy... | 0:45:22 | 0:45:25 | |
This has to stop, Mitchell, please, and this is how. | 0:45:25 | 0:45:29 | |
(KNOCKING) Armed police! Open the door! | 0:45:29 | 0:45:32 | |
Annie, you need to get me out of here. You need to help me, Annie. | 0:45:32 | 0:45:35 | |
I asked you what you would do if it was me | 0:45:35 | 0:45:37 | |
and what you'd want for my killer, please. | 0:45:37 | 0:45:40 | |
If they arrest me, I'm going to have to kill them all. | 0:45:40 | 0:45:42 | |
-No, I don't think you will. -Open the door! | 0:45:42 | 0:45:44 | |
-I think you want the killing to stop. -Oh, why won't you understand? | 0:45:44 | 0:45:47 | |
We can't be arrested. | 0:45:47 | 0:45:49 | |
-Mitchell, please, if you love me... -(POLICE STILL SHOUTING) | 0:45:49 | 0:45:52 | |
..if you have ever loved me, then you will do this. | 0:45:52 | 0:45:54 | |
-(DOOR OPENS) -No! | 0:45:54 | 0:45:57 | |
Armed police! | 0:45:57 | 0:45:58 | |
Contact! Contact! He's heading for the kitchen. | 0:45:58 | 0:46:00 | |
(POLICE SHOUTING) | 0:46:00 | 0:46:05 | |
ALL: Get down! Get down! | 0:46:05 | 0:46:06 | |
You get one chance. Let me go or I kill everybody in this room. | 0:46:09 | 0:46:15 | |
Put the bottle down! Put it down! Drop it! | 0:46:15 | 0:46:18 | |
Let this happen. | 0:46:18 | 0:46:21 | |
For me. | 0:46:22 | 0:46:24 | |
Please, Mitchell. | 0:46:24 | 0:46:26 | |
Please, no more killing. | 0:46:28 | 0:46:29 | |
Get on your knees! Get on your knees now! | 0:46:41 | 0:46:45 | |
John Mitchell, I am arresting you on suspicion of murder. | 0:46:57 | 0:47:01 | |
You do not have to say anything, | 0:47:01 | 0:47:03 | |
but it may harm your defence if you do not mention when questioned | 0:47:03 | 0:47:06 | |
something you later rely on in court. | 0:47:06 | 0:47:08 | |
Anything you do say may be given in evidence. | 0:47:08 | 0:47:11 | |
You've no idea what you've done. | 0:47:11 | 0:47:13 | |
(POLICE SIREN) | 0:47:50 | 0:47:52 | |
Nice work. | 0:48:02 | 0:48:04 | |
(LAUGHS) | 0:48:16 | 0:48:18 | |
Oh, shit! Has anyone checked the attic? | 0:48:23 | 0:48:26 | |
Billy? Get your coat, love, you've pulled. | 0:48:26 | 0:48:30 | |
(SCREAMS) | 0:48:35 | 0:48:37 | |
(STRANGLED SCREAMING) | 0:48:40 | 0:48:43 | |
(GRUNTING) | 0:49:02 | 0:49:06 | |
Here he is. | 0:49:11 | 0:49:13 | |
All right, all right! | 0:49:14 | 0:49:16 | |
-Name? -Please don't do this. | 0:49:16 | 0:49:18 | |
-Name, sir. -Fuck you, listen to me! | 0:49:18 | 0:49:21 | |
Date of birth, Mr Fuck You? | 0:49:21 | 0:49:24 | |
You have to let me go. You're not ready, none of you are. | 0:49:24 | 0:49:28 | |
Date of birth. | 0:49:28 | 0:49:29 | |
July 29th 1893, but please, please let me go. | 0:49:29 | 0:49:33 | |
It can't happen like this, not here, not in Wales. | 0:49:33 | 0:49:38 | |
Where's DC Reid? This is her collar. | 0:49:38 | 0:49:41 | |
MUSIC: History Repeating by Shirley Bassey | 0:49:41 | 0:49:43 | |
# The word is about There's something evolving | 0:49:54 | 0:49:59 | |
# Whatever may come The world keeps revolving | 0:50:01 | 0:50:07 | |
# They say the next big thing is here | 0:50:07 | 0:50:10 | |
# That the revolution's near | 0:50:10 | 0:50:13 | |
# But to me it seems quite clear | 0:50:13 | 0:50:16 | |
# That it's all just a little bit of history repeating | 0:50:16 | 0:50:21 | |
# The newspapers shout a new style is growing | 0:50:34 | 0:50:41 | |
# But it don't know if it's coming or going | 0:50:41 | 0:50:46 | |
# There is fashion, there is fad | 0:50:46 | 0:50:50 | |
# Some is good, some is bad | 0:50:50 | 0:50:53 | |
# And the joke is rather sad... # | 0:50:53 | 0:50:56 | |
We both know this baby was conceived eight weeks ago, | 0:50:57 | 0:51:00 | |
so why the hell is it growing so fast? | 0:51:00 | 0:51:02 | |
Wolf gestations are a lot shorter than humans'. | 0:51:02 | 0:51:05 | |
Says who? | 0:51:05 | 0:51:06 | |
-Wikipedia. -Mm. | 0:51:06 | 0:51:08 | |
So maybe werewolves are the same too. | 0:51:08 | 0:51:11 | |
Maybe you'll just have a shorter pregnancy. | 0:51:11 | 0:51:13 | |
Yeah, or maybe I'll just keep, you know, growing and growing until I... | 0:51:13 | 0:51:18 | |
What the hell? | 0:51:18 | 0:51:19 | |
They've come for Mitchell. | 0:51:23 | 0:51:25 | |
What? Why? | 0:51:25 | 0:51:27 | |
Oh, God, George, I'm sorry, I'm so sorry. | 0:51:27 | 0:51:29 | |
What are you talking about? | 0:51:29 | 0:51:30 | |
I reported him. | 0:51:31 | 0:51:33 | |
I gave his name to them about the Box Tunnel 20. | 0:51:33 | 0:51:37 | |
You don't understand. I found this in his scrapbook that Annie was talking about. | 0:51:37 | 0:51:42 | |
It was before we knew about Daisy. | 0:51:42 | 0:51:44 | |
If they've arrested him, they will take his photo. | 0:51:44 | 0:51:47 | |
They'll... | 0:51:47 | 0:51:49 | |
Why? Why didn't you say something? | 0:51:49 | 0:51:51 | |
Because I knew you would take his side. | 0:51:51 | 0:51:53 | |
I knew you'd try to cover for him. | 0:51:53 | 0:51:55 | |
Have you any, any idea what you've done?! | 0:51:55 | 0:51:57 | |
The danger you've now put us all in? | 0:51:57 | 0:51:59 | |
Where are you going? | 0:52:00 | 0:52:02 | |
The police station. I've got to get him out of there. | 0:52:02 | 0:52:04 | |
-I'm coming with you. -No, you stay there! | 0:52:04 | 0:52:06 | |
You are not going anywhere near him. | 0:52:06 | 0:52:09 | |
Fuck it! | 0:52:10 | 0:52:11 | |
Agh! Agh! | 0:52:23 | 0:52:25 | |
I don't know what's going on back at the house. | 0:52:29 | 0:52:32 | |
They're all playing silly buggers and not answering their radios. | 0:52:32 | 0:52:35 | |
Right, then, Gloria O'Swanson, time for your close-up. | 0:52:35 | 0:52:40 | |
Hello? | 0:52:43 | 0:52:44 | |
I live here. Is... | 0:52:46 | 0:52:48 | |
Anyone there? | 0:52:49 | 0:52:50 | |
(TAP RUNS) | 0:53:24 | 0:53:26 | |
You don't know what you're doing! | 0:53:28 | 0:53:30 | |
Come on. | 0:53:30 | 0:53:32 | |
-It can't happen like this. -Sit still. Stay still. | 0:53:32 | 0:53:38 | |
I have something of a dilemma, Nina. Perhaps you could help me. | 0:53:38 | 0:53:42 | |
Christ, you made me jump. | 0:53:42 | 0:53:44 | |
Look, what the hell happened here? | 0:53:44 | 0:53:46 | |
And why are you wearing that? | 0:53:46 | 0:53:48 | |
See, the thing is, your boyfriend tore me, literally, limb from limb. | 0:53:48 | 0:53:53 | |
Now, aside from anything else, | 0:53:53 | 0:53:55 | |
have you ever heard of anything so... undignified? | 0:53:55 | 0:54:00 | |
Stay still. | 0:54:04 | 0:54:06 | |
Drop his legs. | 0:54:06 | 0:54:08 | |
-No, please. Please don't do this. No! -Stay still. | 0:54:11 | 0:54:14 | |
But the pain... | 0:54:14 | 0:54:15 | |
..was incredible. | 0:54:16 | 0:54:19 | |
And I remember every moment, | 0:54:19 | 0:54:21 | |
so now, not unreasonably I think you'll agree... | 0:54:21 | 0:54:25 | |
..I want him to suffer. | 0:54:27 | 0:54:28 | |
But not for moments. | 0:54:28 | 0:54:30 | |
For days, weeks... | 0:54:31 | 0:54:34 | |
..months. | 0:54:35 | 0:54:37 | |
And the best way of doing that... | 0:54:37 | 0:54:40 | |
is, um... is to kill you. | 0:54:40 | 0:54:42 | |
Now, here's my dilemma. | 0:54:42 | 0:54:46 | |
You were kind to me. | 0:54:50 | 0:54:51 | |
Everyone else in the house wanted me dead except you. | 0:54:53 | 0:54:57 | |
It's a knotty one, isn't it? | 0:55:00 | 0:55:04 | |
No. | 0:55:13 | 0:55:15 | |
You're right. My quarrel is not with you. | 0:55:15 | 0:55:18 | |
Then people would say I was going soft. | 0:55:26 | 0:55:29 | |
Stay still! | 0:55:38 | 0:55:40 | |
Take the picture! | 0:55:40 | 0:55:41 | |
Andy, take the picture! | 0:55:41 | 0:55:42 | |
-Do it! -Andy, just take the bloody picture! | 0:55:45 | 0:55:48 | |
Take the picture! | 0:55:48 | 0:55:49 | |
Oh, God! | 0:55:49 | 0:55:50 | |
This wasn't a game. This is revenge! | 0:56:13 | 0:56:16 | |
Subtitles by Red Bee Media Ltd | 0:56:27 | 0:56:30 | |
Email [email protected] | 0:56:30 | 0:56:33 |