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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:08 | |
A wolf-shaped bullet. | 0:00:08 | 0:00:11 | |
SCREAMS | 0:00:12 | 0:00:13 | |
How did you find out? | 0:00:13 | 0:00:14 | |
Nancy. | 0:00:14 | 0:00:16 | |
-I'm arresting you on suspicion of murder. -You've no idea what you've done. | 0:00:16 | 0:00:20 | |
They've come for Mitchell. | 0:00:20 | 0:00:22 | |
I reported him. | 0:00:22 | 0:00:23 | |
Have you any, any idea what you've done?! | 0:00:23 | 0:00:25 | |
-Just take the bloody picture! -Oh, God! | 0:00:27 | 0:00:31 | |
CAMERA SHUTTER CLICKS | 0:00:31 | 0:00:32 | |
Just Rentaghost into the corridor, get the keys and let me out. | 0:00:51 | 0:00:56 | |
Without me, there's no proof. | 0:00:56 | 0:01:00 | |
I could get you a cup of tea and a Kit Kat if you want. | 0:01:00 | 0:01:03 | |
Look, in 20 minutes, they're going to move me | 0:01:03 | 0:01:07 | |
to a maximum-security station, and that's it. | 0:01:07 | 0:01:10 | |
Guards and guns. Even you won't be able to get me out. | 0:01:10 | 0:01:13 | |
No, Mitchell. | 0:01:13 | 0:01:15 | |
I don't know how to make this any clearer to you. | 0:01:20 | 0:01:23 | |
I don't want you to get out. | 0:01:26 | 0:01:28 | |
So this is how is the world discovers vampires, | 0:01:34 | 0:01:36 | |
werewolves and ghosts, huh? | 0:01:36 | 0:01:38 | |
Yes, I suppose it is. | 0:01:39 | 0:01:41 | |
They're going to kill me, Annie. They're going to kill us all. | 0:01:43 | 0:01:46 | |
No, you don't know that. | 0:01:48 | 0:01:49 | |
They're frightened of us. | 0:01:51 | 0:01:53 | |
They should be. | 0:01:55 | 0:01:56 | |
Sorry, sir, no entrance to the public today. | 0:02:03 | 0:02:06 | |
My friend's in there. I just need to speak to my friend. | 0:02:06 | 0:02:09 | |
-Can I just go in and speak to him? -It's not happening today, sir. | 0:02:09 | 0:02:12 | |
I swear, the man who did those things, that's not me any more. | 0:02:23 | 0:02:27 | |
You gave me a reason to fight it and try to be human again. | 0:02:29 | 0:02:33 | |
That's why I kept Herrick alive. | 0:02:35 | 0:02:37 | |
What's he got to do with this? | 0:02:37 | 0:02:39 | |
When I came to get you back from... | 0:02:41 | 0:02:43 | |
..from where you were, | 0:02:45 | 0:02:48 | |
they told me that if I brought you back, there'd be a price to pay - | 0:02:48 | 0:02:51 | |
that I'd be killed by a werewolf. | 0:02:51 | 0:02:54 | |
Who told you that? | 0:02:56 | 0:02:57 | |
FOOTSTEPS | 0:02:57 | 0:03:00 | |
I almost wanted it to happen, | 0:03:03 | 0:03:07 | |
just let fate take its course. | 0:03:07 | 0:03:09 | |
I mean, my God, to be free of all this... | 0:03:09 | 0:03:12 | |
But I fought it so I could be with you. | 0:03:12 | 0:03:16 | |
I didn't conceal it out of cowardice | 0:03:16 | 0:03:20 | |
but because there was nothing, no punishment on Earth, | 0:03:20 | 0:03:25 | |
worse than your disappointment. | 0:03:25 | 0:03:27 | |
Do you even know who you're in love with? | 0:03:27 | 0:03:29 | |
What do you mean? | 0:03:29 | 0:03:30 | |
Maybe you were happy to see those people bury their mums | 0:03:30 | 0:03:35 | |
and their dads and their children, | 0:03:35 | 0:03:38 | |
with no sense of... | 0:03:38 | 0:03:41 | |
no justice. | 0:03:41 | 0:03:43 | |
Maybe you thought that... | 0:03:43 | 0:03:46 | |
we were worth it. | 0:03:46 | 0:03:48 | |
What the hell made you think I would? | 0:03:49 | 0:03:51 | |
I should just let you rot in here alone, but I won't. | 0:03:58 | 0:04:05 | |
The things we do for love, eh? | 0:04:05 | 0:04:08 | |
So that's the deal. | 0:04:10 | 0:04:11 | |
You give them justice... | 0:04:13 | 0:04:16 | |
-and you get me. -Yeah, but for how long? | 0:04:16 | 0:04:19 | |
There's a bullet out there with my name on it. | 0:04:19 | 0:04:22 | |
So how long do I get you for, anyway? | 0:04:22 | 0:04:24 | |
KEYS JANGLE | 0:04:24 | 0:04:25 | |
Rule one of Vampire Club - | 0:04:28 | 0:04:30 | |
do not get arrested. | 0:04:30 | 0:04:32 | |
Even Seth knew that and he used to point at planes. | 0:04:32 | 0:04:35 | |
What the hell are you doing here?! | 0:04:36 | 0:04:38 | |
Putting the genie back in the bottle. Come on. | 0:04:38 | 0:04:42 | |
Mitchell. Mitchell, no. Please don't, not even if the whole world finds out about... | 0:04:44 | 0:04:49 | |
(This is not about that! | 0:04:49 | 0:04:51 | |
(He has the secret - he can tell me how to fight the prophecy.) | 0:04:51 | 0:04:54 | |
-HERRICK: -In your own time. | 0:04:54 | 0:04:56 | |
I'll come back, I swear. | 0:04:56 | 0:04:58 | |
Was that necessary? | 0:05:08 | 0:05:10 | |
Oh, you're welcome(!) | 0:05:10 | 0:05:12 | |
Ah...now...this is what I'm looking for. | 0:05:12 | 0:05:16 | |
There's no such thing as vampires. | 0:05:19 | 0:05:21 | |
You're back, then? | 0:05:24 | 0:05:25 | |
Isn't that what you wanted? | 0:05:25 | 0:05:27 | |
No, no, no. What I wanted was to learn how to survive a werewolf attack. | 0:05:27 | 0:05:31 | |
Oh, well, I feel drenched with love(!) | 0:05:31 | 0:05:33 | |
So tell me. | 0:05:33 | 0:05:35 | |
What, now, during a prison break? | 0:05:35 | 0:05:37 | |
Come on, you got Cara to do it. How complicated can it be? | 0:05:37 | 0:05:40 | |
OK, just check the corridor. | 0:05:41 | 0:05:43 | |
Oh! | 0:05:48 | 0:05:50 | |
Dad? | 0:05:54 | 0:05:55 | |
No, he's gone! | 0:06:18 | 0:06:20 | |
He's bloody gone! | 0:06:20 | 0:06:22 | |
Paramedics answered a 999 to the suspect's house. | 0:06:24 | 0:06:28 | |
Multiple murders - | 0:06:28 | 0:06:30 | |
three police, two forensic, | 0:06:30 | 0:06:32 | |
three more in critical condition, including a female, late 20s. | 0:06:32 | 0:06:36 | |
HEART MONITOR BEEPS CONTINUOUSLY | 0:07:17 | 0:07:20 | |
Time of death... I'll get the charts. | 0:07:20 | 0:07:23 | |
He came from nowhere. Killed us all. | 0:07:33 | 0:07:37 | |
It's OK. | 0:07:37 | 0:07:38 | |
I'll help you. I'll show you what happens next. | 0:07:38 | 0:07:41 | |
Oh, my God! | 0:07:41 | 0:07:42 | |
It's OK. The door's... | 0:07:42 | 0:07:44 | |
# What's that barking? | 0:07:48 | 0:07:51 | |
# It's all starting | 0:07:51 | 0:07:53 | |
# Like a row | 0:07:54 | 0:07:56 | |
# Of dominoes | 0:07:56 | 0:07:59 | |
# Can you stop them falling? | 0:07:59 | 0:08:02 | |
# Someone's due a mauling | 0:08:02 | 0:08:05 | |
# Here it comes | 0:08:05 | 0:08:07 | |
# The wolf-shaped gun | 0:08:07 | 0:08:09 | |
# Annie, listen | 0:08:09 | 0:08:12 | |
# Here's your mission | 0:08:12 | 0:08:14 | |
# Mitchell's toast | 0:08:14 | 0:08:16 | |
# If you're a scaredy ghost | 0:08:16 | 0:08:19 | |
# Come to purgatory | 0:08:19 | 0:08:21 | |
# Stop shit getting gory | 0:08:21 | 0:08:23 | |
# Or the big bow-wow | 0:08:23 | 0:08:27 | |
# Ends your story now. # | 0:08:27 | 0:08:30 | |
That was me. | 0:08:32 | 0:08:33 | |
W-What was I saying? | 0:08:36 | 0:08:38 | |
I don't know. | 0:08:38 | 0:08:40 | |
Now what? | 0:08:41 | 0:08:43 | |
It's your door. | 0:08:44 | 0:08:46 | |
It's what happens next. | 0:08:46 | 0:08:48 | |
I'll... | 0:08:50 | 0:08:51 | |
-I'll come with you. -I'm scared. | 0:08:53 | 0:08:55 | |
So am I. | 0:08:55 | 0:08:56 | |
'Tom, if you're reading this, then I'm dead. | 0:09:18 | 0:09:22 | |
'Somewhere in this house is a vampire. | 0:09:26 | 0:09:28 | |
'He's the one I've always been searching for. | 0:09:30 | 0:09:33 | |
'He was there when I became this creature, | 0:09:36 | 0:09:39 | |
'and tonight, I tried to kill him. | 0:09:39 | 0:09:43 | |
'If I had, I would have been able to stop. | 0:09:45 | 0:09:49 | |
'But I wasn't doing this for me, or the man I killed two months ago, | 0:09:51 | 0:09:56 | |
'or even your parents. | 0:09:56 | 0:09:58 | |
'This was for you... | 0:10:01 | 0:10:04 | |
'my Tom. | 0:10:04 | 0:10:06 | |
'This must be the final act. | 0:10:08 | 0:10:10 | |
'Tom, I want you to live a different life now - | 0:10:16 | 0:10:19 | |
'one that's decent. | 0:10:19 | 0:10:21 | |
'You see, we've lost everything that was harmless and mundane. | 0:10:21 | 0:10:25 | |
'When I sat down to write this, | 0:10:25 | 0:10:27 | |
'I realised I'd forgotten how to hold a pen. | 0:10:27 | 0:10:30 | |
'It's so long since I did something so ordinary. | 0:10:33 | 0:10:36 | |
'I was selfish. | 0:10:40 | 0:10:41 | |
'I turned you into a weapon for my own war. | 0:10:41 | 0:10:45 | |
'The things I've asked you to do, they make me ashamed. | 0:10:46 | 0:10:51 | |
'Let it end. I want you to be human now. | 0:10:52 | 0:10:58 | |
'Stop this chaotic, violent life. | 0:10:58 | 0:11:03 | |
'Make this the end of that story. | 0:11:03 | 0:11:07 | |
'I died tonight, but don't avenge me. | 0:11:11 | 0:11:13 | |
'It's getting dark. I have to go. | 0:11:18 | 0:11:21 | |
'Always know that I love you, Tom. | 0:11:28 | 0:11:30 | |
'I wish I really had been your father. | 0:11:33 | 0:11:35 | |
'Your comrade, Anthony Michael McNair.' | 0:11:43 | 0:11:48 | |
GRUNTS | 0:11:55 | 0:11:57 | |
-HERRICK: -I've got to say, I'm ever so confused. | 0:12:06 | 0:12:10 | |
What's going on? | 0:12:12 | 0:12:13 | |
Just a precaution. | 0:12:13 | 0:12:16 | |
Pretty understandable, I think. | 0:12:16 | 0:12:18 | |
Why have you brought me here? | 0:12:23 | 0:12:25 | |
Surely, "Who have I brought here?" is more apropos. | 0:12:25 | 0:12:29 | |
I mean, one minute you're letting George tear my head off | 0:12:29 | 0:12:33 | |
for the sake of humanity, and the next, | 0:12:33 | 0:12:36 | |
you're massacring 20 of them in a train carriage. | 0:12:36 | 0:12:39 | |
I mean, talk about fickle! | 0:12:39 | 0:12:41 | |
Yeah, I wouldn't expect you to understand. | 0:12:42 | 0:12:44 | |
Your character has always been pretty consistent. | 0:12:44 | 0:12:47 | |
I think that was a dig! | 0:12:49 | 0:12:51 | |
Look, there's the natural ebb and flow of personality, | 0:12:52 | 0:12:57 | |
and there's being as mad as a gibbon, because... | 0:12:57 | 0:13:00 | |
then you're doing this whole pillar-of-the-community thing | 0:13:00 | 0:13:03 | |
while feeding me policewomen | 0:13:03 | 0:13:04 | |
so I can tell you how to survive a werewolf attack. | 0:13:04 | 0:13:07 | |
I mean, you make me dizzy! You really do. | 0:13:07 | 0:13:10 | |
Just now, why didn't you kill me? | 0:13:10 | 0:13:14 | |
I told you - I don't know where your loyalties lie. | 0:13:14 | 0:13:18 | |
See, I want to pick up where I left off | 0:13:19 | 0:13:22 | |
and having you by my side... | 0:13:22 | 0:13:24 | |
No, no, this is more than just political manoeuvring. | 0:13:24 | 0:13:27 | |
I make you weak. | 0:13:28 | 0:13:29 | |
I make you vulnerable. | 0:13:32 | 0:13:33 | |
Says the man in the cage. | 0:13:37 | 0:13:39 | |
Still walking and talking and making it look like you can't finish the job. | 0:13:39 | 0:13:44 | |
Not for want of trying. | 0:13:44 | 0:13:46 | |
But you always manage to fudge it somehow. Why is that? | 0:13:46 | 0:13:51 | |
Just kill me! | 0:13:51 | 0:13:53 | |
Get it over with. | 0:13:53 | 0:13:54 | |
Hey, you know... | 0:13:56 | 0:13:58 | |
..people are starting to talk. | 0:14:00 | 0:14:02 | |
I want you to be ugly! | 0:14:04 | 0:14:07 | |
I want you to be corrupt! | 0:14:07 | 0:14:09 | |
There's this vein of...decency in you. I want to stamp on it with my boot! | 0:14:09 | 0:14:16 | |
You want to look in the mirror. | 0:14:16 | 0:14:18 | |
Everyone has weaknesses, Mitchell... | 0:14:31 | 0:14:35 | |
LAUGHS | 0:14:38 | 0:14:40 | |
..Loyalties that put them in jeopardy. | 0:14:40 | 0:14:43 | |
Annie? | 0:15:23 | 0:15:24 | |
Thank God! You got my message? | 0:15:25 | 0:15:27 | |
That was you? | 0:15:27 | 0:15:31 | |
Lia, what's going on? | 0:15:31 | 0:15:32 | |
Where are we? | 0:15:45 | 0:15:47 | |
Sorry, the signal's really weak. | 0:15:47 | 0:15:49 | |
Oh, OK, there we go. | 0:15:51 | 0:15:53 | |
Oh, gosh. We're too late - it's starting. | 0:15:55 | 0:15:57 | |
I've been there. | 0:15:57 | 0:15:59 | |
They have these...these... They're like dog fights. | 0:15:59 | 0:16:01 | |
What do we do? | 0:16:01 | 0:16:03 | |
We can't do anything. | 0:16:03 | 0:16:04 | |
Well, of course we can! I know where they are. We just have to go. | 0:16:04 | 0:16:09 | |
The people that did this, they don't... Well, this is their endgame. This is how it happens. | 0:16:09 | 0:16:16 | |
No, the prophecy says he's going to be killed by a werewolf, right? | 0:16:16 | 0:16:20 | |
So... so, where is it? | 0:16:20 | 0:16:22 | |
On its way, I guess. | 0:16:22 | 0:16:24 | |
-HERRICK: -First, I get rid of all the werewolves. | 0:16:30 | 0:16:33 | |
I've made a start on that already. | 0:16:33 | 0:16:35 | |
Then it's the ghosts...like Annie. | 0:16:35 | 0:16:38 | |
Do what you want. | 0:16:38 | 0:16:40 | |
I'm sorry? | 0:16:43 | 0:16:44 | |
Killing those people on that train... | 0:16:46 | 0:16:50 | |
Do you think me, her and George are going to be eating a pizza in front of The Real Hustle now that's out? | 0:16:50 | 0:16:55 | |
-I'm going to stop you there, because we both know you'd say anything to get out. -Exactly! | 0:16:55 | 0:17:01 | |
You've know me 90 years and finally you get it. What the hell have we just been talking about? | 0:17:01 | 0:17:06 | |
It's all about expediency with me - it's skin-deep. | 0:17:06 | 0:17:10 | |
The vampires were pissing me off, so I threw my lot in with humanity. | 0:17:10 | 0:17:14 | |
They betray me, and I get on that train | 0:17:14 | 0:17:17 | |
and I'm washing bits of humanity out of my hair for a fortnight. | 0:17:17 | 0:17:22 | |
So what do I do? | 0:17:22 | 0:17:24 | |
I get the fuck out of Dodge, that's what I do. | 0:17:24 | 0:17:28 | |
I'll do whatever it takes to survive, Herrick. | 0:17:31 | 0:17:34 | |
And right now, the only way for me to stay alive is by siding with you. | 0:17:34 | 0:17:40 | |
Completely and 100%? | 0:17:40 | 0:17:42 | |
You bet. | 0:17:42 | 0:17:44 | |
Forever? | 0:17:44 | 0:17:45 | |
I doubt it. | 0:17:45 | 0:17:47 | |
Until then, I'll be your poster boy, your vice president. | 0:17:47 | 0:17:51 | |
Whatever you want, I'll do it. | 0:17:51 | 0:17:54 | |
You'll be the villain now? | 0:17:59 | 0:18:00 | |
Christ! | 0:18:03 | 0:18:05 | |
I always was. | 0:18:07 | 0:18:08 | |
There will come a day when one of us finally kills the other. | 0:18:11 | 0:18:14 | |
But it won't be today. | 0:18:16 | 0:18:17 | |
Prove it. | 0:18:20 | 0:18:22 | |
Bring him in! | 0:18:26 | 0:18:28 | |
GRUNTING AND GROANING | 0:18:30 | 0:18:34 | |
MUFFLED SCREAMS | 0:18:36 | 0:18:38 | |
No! SCREAMS | 0:18:38 | 0:18:41 | |
Mitchell? | 0:18:48 | 0:18:49 | |
Good to finally meet you again properly, George. | 0:18:49 | 0:18:52 | |
I've not been myself the last few weeks. | 0:18:52 | 0:18:54 | |
Sorry about these two - it's clearly dress-down Friday. | 0:18:54 | 0:18:58 | |
He's him again, isn't he? | 0:19:01 | 0:19:02 | |
-George is the one who's going to kill him! -I know! It's actually going to happen. What are the chances? | 0:19:03 | 0:19:09 | |
I mean, these are werewolves we're talking about, not Australian barmen. | 0:19:09 | 0:19:13 | |
They're really rare. | 0:19:13 | 0:19:15 | |
-Stop this. Please. -I can't. | 0:19:15 | 0:19:18 | |
I'm not going to just stand here and watch Mitchell be torn apart. | 0:19:18 | 0:19:22 | |
So sit. | 0:19:22 | 0:19:23 | |
You know your timing's a bit off? | 0:19:28 | 0:19:30 | |
There's no full moon for weeks. | 0:19:30 | 0:19:32 | |
This is a spin on the usual game. | 0:19:32 | 0:19:36 | |
So you want us to fight, is that it? | 0:19:36 | 0:19:38 | |
I want to make sure you're back in black. | 0:19:38 | 0:19:41 | |
-What's he talking about, Mitchell? -George won't fight me. | 0:19:41 | 0:19:45 | |
This is your argument. | 0:19:45 | 0:19:47 | |
This is your vendetta. | 0:19:47 | 0:19:49 | |
No, you're right. | 0:19:49 | 0:19:51 | |
He needs a little motivation. | 0:19:52 | 0:19:54 | |
George, did you know you've been living with a celebrity the last few weeks? | 0:19:56 | 0:20:00 | |
Oh, it's, er, not me. | 0:20:00 | 0:20:02 | |
You're so sweet. | 0:20:02 | 0:20:04 | |
No, Mitchell is the killer of the Box Tunnel 20. | 0:20:06 | 0:20:10 | |
Right, well, that's not the response I expected. | 0:20:18 | 0:20:21 | |
Oh, wait a minute... You knew! | 0:20:23 | 0:20:27 | |
Oh, well, thanks, everyone, for pissing on my parade. | 0:20:27 | 0:20:31 | |
Come on! | 0:20:32 | 0:20:34 | |
Me and the boys wanted a fight. | 0:20:34 | 0:20:36 | |
There's popcorn, and at half-time, we were going to have a Nespresso. | 0:20:36 | 0:20:40 | |
Oh, fine. Well, be like that. I'll just have to think of something else to get you going. | 0:20:44 | 0:20:49 | |
Lia, what's going on? | 0:20:49 | 0:20:53 | |
You told me that I had to come straight here, th-that Mitchell was in danger. | 0:20:53 | 0:20:58 | |
Oh, Annie. | 0:20:58 | 0:21:01 | |
I made it up. | 0:21:01 | 0:21:02 | |
You made it up? | 0:21:02 | 0:21:04 | |
On the spot. I just wanted to screw with Mitchell's head. | 0:21:04 | 0:21:09 | |
"The wolf-shaped bullet." LAUGHS | 0:21:09 | 0:21:12 | |
But why? | 0:21:12 | 0:21:15 | |
Well, I wanted to drive a wedge between him and George and Nina. | 0:21:15 | 0:21:18 | |
But instead of getting suspicious of them, | 0:21:18 | 0:21:21 | |
he got all worked up about the other two - Tom and... | 0:21:21 | 0:21:24 | |
What was it - McIntyre, McIntosh? | 0:21:24 | 0:21:27 | |
Whatever. | 0:21:27 | 0:21:28 | |
Oh, Annie. You didn't really believe it, did you? | 0:21:28 | 0:21:33 | |
I can't control people. | 0:21:33 | 0:21:36 | |
I can't see the future. | 0:21:36 | 0:21:39 | |
You've been watching too much TV. | 0:21:39 | 0:21:41 | |
If there's no prophecy, then... | 0:21:41 | 0:21:45 | |
..why is this happening? | 0:21:47 | 0:21:50 | |
Well, what you really need to worry about is the self-fulfilling prophecy. | 0:21:50 | 0:21:54 | |
Annie. | 0:21:57 | 0:22:00 | |
He made it come true. | 0:22:00 | 0:22:02 | |
There is a wolf-shaped bullet | 0:22:02 | 0:22:05 | |
that he carved his name on. | 0:22:05 | 0:22:08 | |
So, erm... Mitchell wanted to get me back to my old self. | 0:22:08 | 0:22:14 | |
-What? -Long story. Don't ask. | 0:22:16 | 0:22:18 | |
So he's been trying to make me drink blood again. | 0:22:18 | 0:22:21 | |
You know that policewoman who came to the house? He actually brought her up to the attic. | 0:22:21 | 0:22:25 | |
He was like, "Dig in." | 0:22:25 | 0:22:28 | |
Yeah, but then I stopped you... | 0:22:28 | 0:22:29 | |
Anyway, eventually, I did. I had a jolly good munch. | 0:22:29 | 0:22:33 | |
Hence, erm... | 0:22:33 | 0:22:34 | |
And do you know the first thing I did? | 0:22:36 | 0:22:39 | |
Oh, no, hang on. Before that, I killed McNair. | 0:22:39 | 0:22:42 | |
I'm getting this story in completely the wrong order! | 0:22:42 | 0:22:47 | |
The first thing I did after... | 0:22:47 | 0:22:49 | |
..I killed Nina. | 0:22:52 | 0:22:53 | |
No. You're...you're lying. | 0:22:55 | 0:22:59 | |
Pale blue top, little twigs in her hair. | 0:22:59 | 0:23:02 | |
At least, I think I killed her. I stabbed her in the kidneys. Usually does the trick. | 0:23:04 | 0:23:08 | |
SCREAMS: No! No, no, no! No! No! | 0:23:08 | 0:23:12 | |
Fuck! | 0:23:12 | 0:23:14 | |
SOBS | 0:23:14 | 0:23:17 | |
It hurts, doesn't it? | 0:23:17 | 0:23:18 | |
Mitchell brought me back. | 0:23:24 | 0:23:27 | |
He lit the fuse, | 0:23:27 | 0:23:29 | |
he walked away. | 0:23:29 | 0:23:31 | |
And it was...bye-bye, Nina. | 0:23:31 | 0:23:35 | |
No, George, | 0:23:35 | 0:23:37 | |
this is what he wants. | 0:23:37 | 0:23:40 | |
He killed all those people, George. He made you complicit. | 0:23:40 | 0:23:46 | |
Everything he touches... he corrupts or destroys. | 0:23:46 | 0:23:52 | |
First you, now Nina! | 0:23:52 | 0:23:55 | |
SCREAMS | 0:23:56 | 0:23:58 | |
You let me help you, you fucking liar! | 0:24:00 | 0:24:04 | |
George, I'm sorry. George! | 0:24:04 | 0:24:07 | |
George, I'm sorry. George, I'm so sorry. Please. | 0:24:07 | 0:24:10 | |
SCREAMS | 0:24:11 | 0:24:13 | |
FISTS THUMP | 0:24:13 | 0:24:16 | |
It's you. You're the one who's going to kill me. | 0:24:19 | 0:24:23 | |
BANGING | 0:24:32 | 0:24:35 | |
Anthony Michael McNair... | 0:24:59 | 0:25:01 | |
..murdered by a vampire, avenged by his son. | 0:25:02 | 0:25:04 | |
Tom! Leave him alone. Don't touch him. | 0:25:06 | 0:25:09 | |
-If you do, I kill George. -You wouldn't. He's your friend. | 0:25:09 | 0:25:12 | |
-He would. -Try me. | 0:25:12 | 0:25:14 | |
He killed McNair. | 0:25:14 | 0:25:15 | |
He's one of your own, Tom. Don't let this happen. | 0:25:15 | 0:25:18 | |
SHOUTS | 0:25:24 | 0:25:26 | |
Herrick! Unlock the cage. | 0:25:26 | 0:25:29 | |
Kill him, Mitchell. Do it now. | 0:25:37 | 0:25:39 | |
Wow, that famous Herrick brain clearly ain't working at full speed yet, is it? | 0:25:39 | 0:25:44 | |
Listen to me - he ripped your head off and cancelled the revolution, | 0:25:44 | 0:25:48 | |
so you're going to have to kill him yourself. But do it publicly. | 0:25:48 | 0:25:53 | |
Make a statement. | 0:25:53 | 0:25:55 | |
All right, go and get my car. I'm right behind you. | 0:25:57 | 0:26:00 | |
Be seeing you, George. | 0:26:05 | 0:26:07 | |
All right, listen to me. | 0:26:16 | 0:26:18 | |
I swear I'm going to kill him. I just need to find out something first. | 0:26:18 | 0:26:22 | |
-Shut up. -Listen, I know what you've been through. | 0:26:22 | 0:26:24 | |
You killed my Nina. | 0:26:24 | 0:26:27 | |
And you killed... | 0:26:29 | 0:26:31 | |
all those people. | 0:26:31 | 0:26:32 | |
You don't say my name now. | 0:26:32 | 0:26:36 | |
You don't even look at me now. | 0:26:37 | 0:26:40 | |
You are not my friend. | 0:26:42 | 0:26:44 | |
You'd better go. Your boss is waiting. | 0:26:50 | 0:26:55 | |
So, if this was all just a lie, | 0:27:16 | 0:27:20 | |
just... | 0:27:20 | 0:27:22 | |
a mind game, | 0:27:22 | 0:27:24 | |
why did you get me over here? | 0:27:24 | 0:27:27 | |
Don't get me wrong, I wanted him to suffer. | 0:27:27 | 0:27:30 | |
And that's where you come in. | 0:27:30 | 0:27:32 | |
Keeping you here, depriving him of you, | 0:27:32 | 0:27:37 | |
that will be his punishment. | 0:27:37 | 0:27:39 | |
Why didn't you just keep me here, when you had the chance? | 0:27:39 | 0:27:42 | |
He didn't love you enough. | 0:27:42 | 0:27:44 | |
It wouldn't have hurt him enough. | 0:27:44 | 0:27:46 | |
I was the weapon. | 0:27:49 | 0:27:50 | |
-Now she gets it. -What, now you're just going to keep me here like a hostage? | 0:27:50 | 0:27:56 | |
Just give me a chance. I've got a lot of very commendable qualities. | 0:27:56 | 0:28:00 | |
I'm chatty, but also a good listener... | 0:28:00 | 0:28:02 | |
This is all just one big game to you, isn't it? | 0:28:02 | 0:28:05 | |
This wasn't a game! This is revenge! | 0:28:05 | 0:28:09 | |
He killed me. | 0:28:09 | 0:28:11 | |
Let me tell you something about revenge - | 0:28:11 | 0:28:13 | |
it isn't petulant or being a sore loser. | 0:28:13 | 0:28:16 | |
It's righteous. | 0:28:16 | 0:28:18 | |
A game? | 0:28:18 | 0:28:21 | |
Fuck you! This is what needs to happen! | 0:28:21 | 0:28:24 | |
Revenge is about setting the world straight again. | 0:28:24 | 0:28:27 | |
It didn't work, though, did it? | 0:28:27 | 0:28:29 | |
Well, I've still got you and I've still got him grief-stricken without you. | 0:28:29 | 0:28:33 | |
I don't know who that man is... | 0:28:33 | 0:28:36 | |
..but I doubt you'll get much in the way of grief-stricken from him. | 0:28:37 | 0:28:41 | |
This was my bedroom, you know. | 0:28:48 | 0:28:50 | |
I'd come back here on holiday from college. | 0:28:52 | 0:28:56 | |
My parents would make such a big fuss. | 0:28:56 | 0:28:59 | |
My mum literally could not bear the sight of somebody not eating. | 0:28:59 | 0:29:02 | |
This house is very quiet now, | 0:29:04 | 0:29:07 | |
since I died. | 0:29:07 | 0:29:09 | |
My dad comes in here sometimes, lays on the bed. | 0:29:11 | 0:29:18 | |
My brother's getting into lots of fights at school. | 0:29:18 | 0:29:20 | |
This was all for them. Can you not understand that? | 0:29:23 | 0:29:25 | |
And Nina? | 0:29:25 | 0:29:27 | |
Collateral damage. | 0:29:29 | 0:29:31 | |
What the hell? | 0:29:33 | 0:29:35 | |
I was going to spend eternity in a prison cell with Mitchell. | 0:29:35 | 0:29:39 | |
I might as well spend it here with you. | 0:29:42 | 0:29:44 | |
Besides, when Nina gets here, I want her to see a friendly face. | 0:29:44 | 0:29:50 | |
You know, I think we'd be great friends, us three. | 0:29:50 | 0:29:54 | |
Yeah. Yeah. | 0:29:54 | 0:29:57 | |
All the murdered girls, hmm? | 0:29:57 | 0:29:59 | |
Besides, we'll have to watch George. | 0:30:01 | 0:30:05 | |
George? | 0:30:05 | 0:30:06 | |
Yeah, on that. | 0:30:08 | 0:30:09 | |
Talk about your parents' grief, | 0:30:11 | 0:30:14 | |
we'll have to watch George now that he's lost Nina, | 0:30:14 | 0:30:17 | |
now that he's lost the baby, | 0:30:17 | 0:30:20 | |
now that he's lost me. | 0:30:20 | 0:30:21 | |
-Well, I don't know if... -Well, I want you to watch, Lia. | 0:30:23 | 0:30:27 | |
Watch him turn hard, cold, mean. | 0:30:28 | 0:30:32 | |
They're like your comrades, George and Nina. | 0:30:34 | 0:30:37 | |
The last victims of the Box Tunnel 20 massacre. | 0:30:37 | 0:30:40 | |
Do you know what I think? | 0:30:51 | 0:30:52 | |
I think you are way out of your depth. | 0:30:54 | 0:30:57 | |
And don't get me wrong, you are... | 0:30:57 | 0:31:00 | |
you're brutal. | 0:31:00 | 0:31:02 | |
But I've been doing this supernatural stuff a long time now, and trust me, | 0:31:02 | 0:31:06 | |
grief and revenge are not things to get drunk on. | 0:31:06 | 0:31:11 | |
You know, I think you wanted wild and biblical and "Rahhh!" | 0:31:13 | 0:31:17 | |
But... instead, you just woke up somewhere unfamiliar | 0:31:17 | 0:31:22 | |
with your underwear on back-to-front. | 0:31:22 | 0:31:25 | |
I wouldn't know how to... | 0:31:26 | 0:31:32 | |
How to what? | 0:31:32 | 0:31:33 | |
How to undo this. | 0:31:35 | 0:31:36 | |
Let me go back and let me see Nina. | 0:31:36 | 0:31:40 | |
No, it's too late. | 0:31:40 | 0:31:42 | |
No, she's... | 0:31:42 | 0:31:43 | |
she's not here yet, so she's not dead. | 0:31:43 | 0:31:46 | |
Lia, come on. This isn't you. | 0:31:48 | 0:31:50 | |
But... | 0:31:54 | 0:31:56 | |
if you go, then... | 0:31:56 | 0:31:58 | |
..I won't know anybody here. | 0:32:00 | 0:32:01 | |
This is not the way to make friends and influence people, trust me. | 0:32:01 | 0:32:05 | |
Lia, they were gonna have a baby. | 0:32:08 | 0:32:12 | |
Oh, I thought we'd hug, | 0:32:19 | 0:32:21 | |
but not hugging would also work. | 0:32:21 | 0:32:23 | |
Yeah, good. | 0:32:23 | 0:32:25 | |
Er, Annie? | 0:32:25 | 0:32:28 | |
Revenge kind of sucks. | 0:32:30 | 0:32:32 | |
Who knew? | 0:32:32 | 0:32:34 | |
Gilbert! | 0:32:38 | 0:32:40 | |
Somewhere here, there's a man called Gilbert. | 0:32:40 | 0:32:43 | |
Find him. Tell him Annie sent you. | 0:32:43 | 0:32:46 | |
He's...he's really nice. | 0:32:46 | 0:32:49 | |
DOOR SHUTS | 0:32:52 | 0:32:53 | |
-We're losing her. -INDISTINCT SPEECH | 0:32:59 | 0:33:05 | |
GASPS | 0:33:15 | 0:33:16 | |
Heart rate's come back to normal. | 0:33:19 | 0:33:22 | |
-You can't come in here. -Is she OK? | 0:33:28 | 0:33:31 | |
Things are gonna be moving a lot faster now. | 0:33:45 | 0:33:48 | |
I've got sleeper cells all over Europe, America, Australia. | 0:33:48 | 0:33:51 | |
I just say the word, and it begins. | 0:33:51 | 0:33:54 | |
What are we doing here? | 0:33:56 | 0:33:58 | |
You'll see. | 0:34:02 | 0:34:03 | |
Listen, OK, I think it's about time that I explained the trick. | 0:34:07 | 0:34:12 | |
So, basically, if George had stuck a stake in me, then it was game over. | 0:34:12 | 0:34:16 | |
I mean, no-one...no-one comes back from that. | 0:34:16 | 0:34:20 | |
So I...I kind of got lucky with him just...just ripping my head off. | 0:34:20 | 0:34:25 | |
I don't want to know anymore. | 0:34:30 | 0:34:32 | |
But you've been searching for this for months. | 0:34:34 | 0:34:36 | |
Mm-hm. | 0:34:36 | 0:34:37 | |
And then I saw the look of contempt on my best friend's face. | 0:34:40 | 0:34:45 | |
And I realised that this has to stop. | 0:34:47 | 0:34:49 | |
Listen, it's OK. I understand. | 0:34:52 | 0:34:55 | |
You've just agreed to abet the decimation of mankind. | 0:34:55 | 0:34:58 | |
It's bound to put a man out of sorts. | 0:34:58 | 0:35:00 | |
-SIGHS -Let's... let's cross the border. | 0:35:03 | 0:35:08 | |
Find ourselves a nice English village. | 0:35:09 | 0:35:13 | |
I'll make some calls. | 0:35:13 | 0:35:15 | |
Wotton-under-Edge. | 0:35:15 | 0:35:17 | |
How does that sound? | 0:35:17 | 0:35:20 | |
If we like it, we can, um...we can make it our new capital city. | 0:35:20 | 0:35:24 | |
I want to show you something first. | 0:35:26 | 0:35:28 | |
You recruited me. | 0:35:30 | 0:35:32 | |
You led me into this... | 0:35:34 | 0:35:36 | |
..unbelievable world. | 0:35:38 | 0:35:40 | |
And I know I've done some terrible things, | 0:35:41 | 0:35:44 | |
but I've seen some extraordinary things too. | 0:35:44 | 0:35:47 | |
I have more memories than I deserve, Herrick. | 0:35:50 | 0:35:52 | |
And that's because of you. | 0:35:55 | 0:35:57 | |
And so, in return, I want to give you this. | 0:35:57 | 0:36:02 | |
Look at this world. | 0:36:15 | 0:36:17 | |
How does it make you feel... | 0:36:19 | 0:36:22 | |
..knowing that soon, all this will be ours? | 0:36:24 | 0:36:27 | |
Don't you understand? | 0:36:29 | 0:36:31 | |
It always was. | 0:36:34 | 0:36:36 | |
PHONE RINGS | 0:37:30 | 0:37:31 | |
HUBBUB | 0:37:31 | 0:37:33 | |
Shhh. Shh-shh-shh-shh. | 0:37:58 | 0:38:02 | |
Shh-shh-shh-shh-shhh. | 0:38:02 | 0:38:05 | |
HUBBUB DIES | 0:38:05 | 0:38:07 | |
-'Armed police! Open the door!' -'Open the door now!' | 0:38:10 | 0:38:14 | |
'Open the door, we're coming in!' | 0:38:14 | 0:38:16 | |
THUMP | 0:38:16 | 0:38:17 | |
'Put the weapon down! | 0:38:21 | 0:38:22 | |
-'Get down on your knees!' -'Get down on your knees!' | 0:38:22 | 0:38:25 | |
BANG, BANG! | 0:38:27 | 0:38:28 | |
'And we're clear.' | 0:38:28 | 0:38:31 | |
A nation exhales | 0:38:31 | 0:38:34 | |
as the killer of the Box Tunnel 20 is finally brought to justice. | 0:38:34 | 0:38:38 | |
In other words, | 0:38:40 | 0:38:43 | |
that was the sound of someone else doing your job. | 0:38:43 | 0:38:49 | |
My name is Edgar Wyndam, | 0:38:53 | 0:38:56 | |
and as of 26 seconds ago, you are all unemployed. | 0:38:56 | 0:39:00 | |
If you have a phone in your hand, or a piece of paper, or a file, put it down. | 0:39:03 | 0:39:08 | |
Make your way to the exit. | 0:39:08 | 0:39:09 | |
You will be searched on the way out. | 0:39:12 | 0:39:15 | |
And when your wives and husbands ask why you are back so early and so shamefaced, | 0:39:18 | 0:39:25 | |
you tell them this... | 0:39:25 | 0:39:29 | |
"Our superior officer disappeared. | 0:39:29 | 0:39:33 | |
"An arrest was made, | 0:39:33 | 0:39:35 | |
"but then the arresting officer and five more police | 0:39:35 | 0:39:40 | |
"were killed at the suspect's house, and then the suspect disappeared." | 0:39:40 | 0:39:46 | |
You tell your families... | 0:39:48 | 0:39:50 | |
"I am here because I failed." | 0:39:51 | 0:39:56 | |
Who the hell are you? | 0:39:56 | 0:39:59 | |
I'm from Head Office. | 0:40:02 | 0:40:04 | |
-MEXICAN ACCENT: -I am the man from Del Monte! | 0:40:05 | 0:40:08 | |
I am the wrath of God. | 0:40:14 | 0:40:16 | |
Have you seen this? | 0:40:24 | 0:40:26 | |
"Neighbours described Jason Healey as a loner with a short temper, | 0:40:26 | 0:40:31 | |
"but even they were surprised to discover that he was the perpetrator of the Box Tunnel massacre." | 0:40:31 | 0:40:36 | |
Not half as surprised as he was, I bet. | 0:40:38 | 0:40:41 | |
Do you think Herrick is behind this? | 0:40:41 | 0:40:43 | |
-Well, it's what Mitchell said - vampires take care of their own. -They're everywhere. | 0:40:43 | 0:40:48 | |
I mean, they're invisible, but they've got everything covered. | 0:40:48 | 0:40:51 | |
They're like...bacteria. | 0:40:51 | 0:40:55 | |
I can't believe how quickly Nina's recovered. | 0:40:58 | 0:41:02 | |
Yeah, well, it's the one advantage to being a werewolf, I guess. | 0:41:02 | 0:41:06 | |
You don't survive shattered bones and major organ failure every month | 0:41:06 | 0:41:11 | |
-without toughening up a bit. -You sure you got the dates right? | 0:41:11 | 0:41:14 | |
-Cos she is really starting to show. -Yes. | 0:41:14 | 0:41:18 | |
Yes. | 0:41:18 | 0:41:19 | |
Do you think we should try to find Mitchell? | 0:41:24 | 0:41:27 | |
I think we just have. | 0:41:29 | 0:41:31 | |
Mitchell, you do know that we can't go back to the way we were. | 0:42:04 | 0:42:08 | |
You know, the four of us. Friends...lovers... | 0:42:08 | 0:42:12 | |
making tea. | 0:42:12 | 0:42:14 | |
You do understand that? | 0:42:14 | 0:42:16 | |
So, what do you want? | 0:42:19 | 0:42:20 | |
I want George to kill me. | 0:42:24 | 0:42:26 | |
Look, Mitchell, there is no prophecy. Lia made it up. | 0:42:28 | 0:42:32 | |
It doesn't matter. I'm going to kill again - we all know it. | 0:42:32 | 0:42:37 | |
Because I have to. | 0:42:39 | 0:42:40 | |
And because there's a part of me that wants to. | 0:42:42 | 0:42:45 | |
The vampire gene is stubborn. | 0:42:48 | 0:42:50 | |
It finds a way to thrive. | 0:42:50 | 0:42:53 | |
I need to be stopped in a way that I can't come back from. | 0:42:54 | 0:42:58 | |
-Why can't you, er, do it yourself, like Cara did? -It has to be him. | 0:42:58 | 0:43:04 | |
It's the final piece of his story with me. | 0:43:04 | 0:43:07 | |
NINA SCOFFS | 0:43:07 | 0:43:10 | |
LAUGHS | 0:43:10 | 0:43:13 | |
Vampires and their inscrutable bullshit! | 0:43:13 | 0:43:17 | |
You can't do it yourself because it won't provide enough anguish. | 0:43:19 | 0:43:23 | |
You've been killing for nearly a hundred years. | 0:43:26 | 0:43:29 | |
All this bloodshed and turmoil, it's become your currency. | 0:43:29 | 0:43:33 | |
Even...even suicide has to be some shared bloody trauma. | 0:43:33 | 0:43:37 | |
He has to kill me because he has to disown me. | 0:43:37 | 0:43:41 | |
You've all become corrupted by me, but George most of all. | 0:43:42 | 0:43:46 | |
He suspected more than any of you. | 0:43:48 | 0:43:51 | |
And so he had to choose between his love for me and his ethics. | 0:43:52 | 0:43:57 | |
And I let him choose me. | 0:43:57 | 0:43:58 | |
But there's something else, too. You saw that they set some guy up for the Box Tunnel murders? | 0:44:02 | 0:44:07 | |
-Herrick arranged that, didn't he? -No, this is way out of Herrick's league. | 0:44:07 | 0:44:12 | |
-So who did? -I don't know. | 0:44:12 | 0:44:15 | |
But whoever it was, it's a debt they're gonna want repaying. | 0:44:15 | 0:44:18 | |
Trust me. | 0:44:18 | 0:44:20 | |
You want me out of the picture. | 0:44:22 | 0:44:23 | |
Um, kitchen. | 0:44:25 | 0:44:28 | |
Not you. | 0:44:28 | 0:44:29 | |
Well, I thought you'd be all for it. | 0:44:40 | 0:44:43 | |
Except I'm the one, I'm the one | 0:44:43 | 0:44:45 | |
who'll be expected to pick up the pieces of you afterwards. | 0:44:45 | 0:44:48 | |
He's right about one thing. | 0:44:48 | 0:44:50 | |
He will kill again. | 0:44:50 | 0:44:52 | |
Are we actually thinking about doing this? I mean, he hasn't attacked us. | 0:44:52 | 0:44:55 | |
A bomb is still a bomb, even if it hasn't gone off yet. | 0:44:55 | 0:44:58 | |
Right, yeah, but doing...doing it now, with him like this? | 0:44:58 | 0:45:01 | |
That's... Well, that's murder. | 0:45:01 | 0:45:03 | |
So what do we do? We wait until he goes bad again? | 0:45:03 | 0:45:07 | |
-I don't understand. You were ready to kill him in the cage. -I thought Nina was dead. | 0:45:07 | 0:45:11 | |
So what, we just let him go...hmm? | 0:45:11 | 0:45:14 | |
Oh, I don't know. I don't know. I don't know what to think... | 0:45:17 | 0:45:20 | |
If we're not entirely sure, then we don't do anything. Anything. | 0:45:20 | 0:45:23 | |
We, um...we exile him, or something. | 0:45:23 | 0:45:26 | |
We tell him it's over. We can't see him again. | 0:45:26 | 0:45:28 | |
He's dead to us. Deader. | 0:45:28 | 0:45:31 | |
Letting him go is still a decision. | 0:45:31 | 0:45:35 | |
It might be the right decision, | 0:45:35 | 0:45:37 | |
but it is definitely still a decision, and if we do, fine. | 0:45:37 | 0:45:41 | |
But there will be consequences. | 0:45:41 | 0:45:44 | |
If he kills again... | 0:45:44 | 0:45:45 | |
It's because we let him leave this house. | 0:45:45 | 0:45:47 | |
-Where's Herrick? -Dead. | 0:46:00 | 0:46:03 | |
-How dead? -Proper dead. I killed him. | 0:46:04 | 0:46:08 | |
What do you see when you look at me? | 0:46:12 | 0:46:14 | |
My friend. | 0:46:16 | 0:46:17 | |
That's good. | 0:46:19 | 0:46:20 | |
A werewolf. | 0:46:21 | 0:46:23 | |
OK. | 0:46:23 | 0:46:25 | |
I want to pull your spine out through your mouth. | 0:46:25 | 0:46:27 | |
-What's happened to you? -It won. | 0:46:29 | 0:46:32 | |
So who am I talking to? | 0:46:34 | 0:46:37 | |
An echo. | 0:46:37 | 0:46:38 | |
What if you ran away | 0:46:43 | 0:46:45 | |
to Scotland? | 0:46:45 | 0:46:48 | |
I'd kill people in Scotland. | 0:46:48 | 0:46:51 | |
What if we kept you in the attic? | 0:46:51 | 0:46:53 | |
Our success rate there is less than 100%. | 0:46:55 | 0:46:58 | |
What if I forgave you? | 0:46:58 | 0:46:59 | |
That's not your right. | 0:46:59 | 0:47:01 | |
-I didn't hurt anyone you know. -No. | 0:47:01 | 0:47:04 | |
But you made me complicit. | 0:47:04 | 0:47:06 | |
-Suppose I kill Nina and the baby. -Don't say stuff like that. | 0:47:06 | 0:47:09 | |
-I get somebody else to forgive me. Would that be OK with you? -So ask a victim's relative to do this. | 0:47:09 | 0:47:14 | |
Their souls don't need saving. | 0:47:14 | 0:47:16 | |
You're trying to save my soul? | 0:47:16 | 0:47:18 | |
It's been compromised. | 0:47:20 | 0:47:22 | |
What you are asking me to do... | 0:47:24 | 0:47:26 | |
Is heroic. | 0:47:26 | 0:47:28 | |
George Sands saves the world. | 0:47:28 | 0:47:31 | |
Yeah, that was never one of my ambitions. | 0:47:33 | 0:47:35 | |
Yeah, well, I wanted to own a pub, but this is where we're at. | 0:47:35 | 0:47:39 | |
I used you, George. | 0:47:39 | 0:47:41 | |
I used our friendship. I hid in it. | 0:47:41 | 0:47:44 | |
It's nothing personal, but it was a means to an end. | 0:47:44 | 0:47:47 | |
Right. OK, yeah. No, I can... | 0:47:50 | 0:47:52 | |
Yeah, I can see what you're trying to do, but it won't work. | 0:47:52 | 0:47:55 | |
Poor, little, lost werewolf. It made me feel better about myself. | 0:47:55 | 0:48:01 | |
Oh, is that right? | 0:48:01 | 0:48:04 | |
You didn't ever wonder why someone like me would be friends with someone like you? | 0:48:04 | 0:48:10 | |
-Someone like you? -Yeah. Smart, savvy, looking like this. | 0:48:10 | 0:48:16 | |
Right, whereas I was... | 0:48:16 | 0:48:17 | |
Pathetic. Shambolic. Needy. | 0:48:17 | 0:48:21 | |
But there you were, hanging out with the cool kids. | 0:48:22 | 0:48:26 | |
No wonder you were willing to forgive and forget a few murders. | 0:48:26 | 0:48:29 | |
You know what? Even I found that kind of disgusting. | 0:48:29 | 0:48:32 | |
This...will not work. | 0:48:32 | 0:48:35 | |
You looked the other way. You gave me alibi after alibi. | 0:48:35 | 0:48:40 | |
You betrayed humanity, George, just to have somebody to live with. | 0:48:40 | 0:48:44 | |
Do you really want me to believe this? | 0:48:44 | 0:48:46 | |
When I got on that train, | 0:48:46 | 0:48:47 | |
you might as well have come along and held my coat. | 0:48:47 | 0:48:50 | |
Do you really, really want me to believe this?! | 0:48:50 | 0:48:53 | |
No. | 0:48:55 | 0:48:57 | |
No, of course not. | 0:48:57 | 0:49:00 | |
Oh, please, George. God, I can see their faces. | 0:49:00 | 0:49:04 | |
Not just the people I've killed, but the people I'm going to kill. | 0:49:04 | 0:49:09 | |
I'm so scared. | 0:49:09 | 0:49:11 | |
I want to tear my eyes out! | 0:49:11 | 0:49:14 | |
There's gonna be another train next time. | 0:49:14 | 0:49:17 | |
Oh, Jesus, or a school. | 0:49:17 | 0:49:20 | |
It's all so inevitable. | 0:49:20 | 0:49:22 | |
Please, George. Please, you need to stop me. | 0:49:22 | 0:49:26 | |
And if you can't do it for me, you have to do it for them. Please. | 0:49:26 | 0:49:30 | |
-Please. -SOBS | 0:49:30 | 0:49:32 | |
Stand up. | 0:49:46 | 0:49:47 | |
Is this really happening? | 0:50:01 | 0:50:03 | |
This is a good thing you're doing. | 0:50:03 | 0:50:05 | |
That stuff I just said, it's not true. | 0:50:05 | 0:50:08 | |
Remember, once I told you that anything that happened | 0:50:08 | 0:50:12 | |
would have happened a lot sooner and a lot worse | 0:50:12 | 0:50:15 | |
if it wasn't for you two. | 0:50:15 | 0:50:18 | |
Look after him. | 0:50:22 | 0:50:24 | |
And look after the baby. | 0:50:26 | 0:50:27 | |
I guess I'm finally doing the decent thing. | 0:50:32 | 0:50:35 | |
Then this is what we'll remember. | 0:50:35 | 0:50:38 | |
Yeah. | 0:50:38 | 0:50:40 | |
Look... | 0:50:52 | 0:50:54 | |
You were the love...of my long life. | 0:51:05 | 0:51:08 | |
And you were the love of mine. | 0:51:10 | 0:51:13 | |
Thank you. | 0:51:15 | 0:51:18 | |
All of you. | 0:51:18 | 0:51:19 | |
You made me human. | 0:51:21 | 0:51:22 | |
Let's do this. | 0:51:30 | 0:51:31 | |
Oh, my. | 0:51:38 | 0:51:41 | |
-WYNDAM: -One, two, buckle my shoe. | 0:51:43 | 0:51:45 | |
Three, four, knock on the door. | 0:51:46 | 0:51:50 | |
Five, six, put down sticks! | 0:51:50 | 0:51:53 | |
Who the hell are you? | 0:51:57 | 0:51:59 | |
Tell them, John. | 0:52:05 | 0:52:06 | |
His name's Wyndam. | 0:52:08 | 0:52:11 | |
He's one of the Old Ones. | 0:52:11 | 0:52:14 | |
How did you get in here? We didn't invite you in. | 0:52:14 | 0:52:17 | |
You don't get to be a thousand years old without learning a trick or two. | 0:52:19 | 0:52:23 | |
As if humanity's imbecilic governance wasn't bad enough, | 0:52:29 | 0:52:33 | |
Mitchell here almost blurts out our existence. | 0:52:33 | 0:52:38 | |
And so...we are taking control of the situation. | 0:52:38 | 0:52:42 | |
Oh. Again with the world domination. | 0:52:42 | 0:52:46 | |
Do you know Herrick's already tried that twice, and we've stopped him...twice? | 0:52:46 | 0:52:52 | |
-Herrick? -Yeah. | 0:52:52 | 0:52:53 | |
You're comparing me to Herrick?! | 0:52:56 | 0:52:59 | |
He doesn't mean it, Wyndam. | 0:52:59 | 0:53:01 | |
He doesn't know who you are. | 0:53:01 | 0:53:02 | |
This is what is going to happen. | 0:53:06 | 0:53:08 | |
Mitchell, you're coming with me. | 0:53:08 | 0:53:11 | |
I think you're gonna come in useful one day, | 0:53:11 | 0:53:13 | |
so this...martyrdom isn't an option. | 0:53:13 | 0:53:17 | |
No. No, please, I don't want that. | 0:53:17 | 0:53:20 | |
This...this has to be the end. | 0:53:20 | 0:53:22 | |
Sorry. | 0:53:22 | 0:53:24 | |
You're going to dance for me. You are going to kill and rampage. | 0:53:24 | 0:53:28 | |
You are going to be my attack dog. | 0:53:28 | 0:53:31 | |
And the day that you say no | 0:53:31 | 0:53:35 | |
is the day that I crucify George and Nina. | 0:53:35 | 0:53:38 | |
In Regent's Park. | 0:53:41 | 0:53:43 | |
What about the rest of you? | 0:53:47 | 0:53:49 | |
What about... Annie? | 0:53:50 | 0:53:53 | |
Now, I think you're more powerful than you imagine, so I'm going to keep you around. | 0:53:56 | 0:54:01 | |
Besides, there are going to be a lot more ghosts soon. | 0:54:01 | 0:54:06 | |
And then, there are the history makers. | 0:54:09 | 0:54:14 | |
A werewolf impregnated by another werewolf. | 0:54:14 | 0:54:19 | |
Oh... | 0:54:19 | 0:54:22 | |
We've never seen the like. The others want you culled. | 0:54:22 | 0:54:25 | |
I'm the curious type. | 0:54:25 | 0:54:26 | |
I want to see exactly what it is that's going to pop out. | 0:54:26 | 0:54:31 | |
But there's something I want you to do in return. | 0:54:34 | 0:54:36 | |
I want you to pass on a message to every werewolf, | 0:54:36 | 0:54:40 | |
every ghost, | 0:54:40 | 0:54:42 | |
every vampire that you meet. | 0:54:42 | 0:54:45 | |
You tell them the world is under new management now. It is year dot. | 0:54:45 | 0:54:50 | |
You tell them this. | 0:54:51 | 0:54:54 | |
The age of the vampires has begun. | 0:54:54 | 0:54:57 | |
Oh, George. | 0:55:04 | 0:55:06 | |
Really? | 0:55:06 | 0:55:08 | |
I'm doing this because I love you. | 0:55:21 | 0:55:23 | |
I know. | 0:55:24 | 0:55:26 | |
I think you've got a fight on your hands. | 0:56:05 | 0:56:07 | |
Subtitles by Red Bee Media Ltd | 0:56:33 | 0:56:36 | |
E-mail [email protected] | 0:56:36 | 0:56:40 |