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Brian Pern is one of the most influential rock stars | 0:00:02 | 0:00:04 | |
of his generation. For almost 40 years, | 0:00:04 | 0:00:06 | |
he's been entertaining millions round the world. | 0:00:06 | 0:00:08 | |
Both as lead singer of the progressive rock group Thotch | 0:00:08 | 0:00:11 | |
and as a solo artist. | 0:00:11 | 0:00:14 | |
This Christmas, Brian is due to release | 0:00:14 | 0:00:16 | |
his first album of new material in 12 years | 0:00:16 | 0:00:19 | |
and he's allowed the multi-award-winning documentary maker Rhys Thomas OBE | 0:00:19 | 0:00:24 | |
unlimited access to his life in front and behind the microphone. | 0:00:24 | 0:00:28 | |
This is Brian Pern: A Life In Rock. | 0:00:28 | 0:00:32 | |
This programme contains strong language. | 0:00:32 | 0:00:38 | |
Sorry to keep you waiting. Paul McCartney overran. | 0:00:38 | 0:00:41 | |
-Hiya. -Hi. | 0:00:41 | 0:00:42 | |
He's so fit, you know, | 0:00:42 | 0:00:43 | |
72 years old. There's not an ounce of fat on him. | 0:00:43 | 0:00:47 | |
Hasn't had any work done, you know? | 0:00:47 | 0:00:48 | |
Nothing, it's all natural. | 0:00:48 | 0:00:50 | |
-Thought about having surgery, Brian? -Definitely not. | 0:00:52 | 0:00:55 | |
Hmm. Shame. | 0:00:55 | 0:00:58 | |
Right, what can I help you with? | 0:00:58 | 0:01:00 | |
Well, Jess, I've just returned from recording | 0:01:00 | 0:01:03 | |
with the indigenous Finnish Ugric people. | 0:01:03 | 0:01:06 | |
-They are a fascinating tribe... -Mm... | 0:01:06 | 0:01:08 | |
-..whose habitat is at risk due to global warming. -Mm... | 0:01:08 | 0:01:11 | |
While I was there, they told me of the plight of the polar bears | 0:01:11 | 0:01:14 | |
who share their terrain. | 0:01:14 | 0:01:15 | |
They're becoming depressed. They are, in fact, bipolar. | 0:01:15 | 0:01:18 | |
Bipolar polar bears? | 0:01:20 | 0:01:22 | |
SHE LAUGHS | 0:01:22 | 0:01:23 | |
Sorry, I shouldn't laugh. Sorry. Straight face. Go on. | 0:01:23 | 0:01:26 | |
It's quite sad. They're committing suicide | 0:01:26 | 0:01:28 | |
by hurling themselves at icebergs like giant white lemmings. | 0:01:28 | 0:01:31 | |
SHE LAUGHS | 0:01:32 | 0:01:34 | |
Straight face. | 0:01:34 | 0:01:36 | |
Brian wants to record a charity album | 0:01:36 | 0:01:38 | |
to raise awareness and money for the bears | 0:01:38 | 0:01:39 | |
and we wondered if you'd be willing to donate | 0:01:39 | 0:01:41 | |
all the companies proceeds too. | 0:01:41 | 0:01:43 | |
-No. -What? -Sorry, Brian, | 0:01:45 | 0:01:47 | |
but I can't even sell albums at the moment, | 0:01:47 | 0:01:48 | |
never mind give them away. | 0:01:48 | 0:01:50 | |
How about you take 5% and the bears get the rest? | 0:01:50 | 0:01:52 | |
-90. -Come on, 20? | 0:01:53 | 0:01:56 | |
-80. -30? | 0:01:56 | 0:01:58 | |
-60. -40? | 0:01:58 | 0:01:59 | |
-35, final offer. -All right. Done. -Yeah, make it commercial, all right? | 0:01:59 | 0:02:03 | |
None of this world music bongo bollocks. | 0:02:03 | 0:02:05 | |
With blind Mongolian throat warblers and rat whistlers. | 0:02:05 | 0:02:08 | |
You know, I need star duets. | 0:02:08 | 0:02:09 | |
Rihanna, Tinie Tempah, One Direction, | 0:02:09 | 0:02:11 | |
Paloma Faith, Daft Punk. | 0:02:11 | 0:02:14 | |
And a Christmas theme. | 0:02:14 | 0:02:16 | |
-Oh, God, why? -Because Christmas albums sell, Brian. | 0:02:16 | 0:02:20 | |
You know, it'll really appeal to a Christian market. | 0:02:20 | 0:02:23 | |
It's too spicy. | 0:02:30 | 0:02:32 | |
Mud, Shakin' Stevens, Boney M - all retired on the royalties | 0:02:32 | 0:02:35 | |
from their Christmas songs, thank God. You write a decent song, | 0:02:35 | 0:02:38 | |
sell a million, the bears are still getting 65% | 0:02:38 | 0:02:40 | |
and that's a fuck load of glacier mints. | 0:02:40 | 0:02:42 | |
But it's only four months till Christmas. | 0:02:42 | 0:02:43 | |
-How am I going to write an album in that time? -Do some covers. | 0:02:43 | 0:02:46 | |
Pick your favourites, do your own interpretation. You get recording, I'll get the artists. | 0:02:46 | 0:02:50 | |
This is Ken Le Grange. | 0:02:51 | 0:02:53 | |
Ken has made more Christmas hit records | 0:02:53 | 0:02:55 | |
than any producer in the world. | 0:02:55 | 0:02:57 | |
In fact, 29 out of the 30 songs on | 0:02:57 | 0:03:00 | |
Now That's What I Call Christmas 2014 are his. | 0:03:00 | 0:03:03 | |
I was the go-to guy for all the Christmas songs. | 0:03:03 | 0:03:06 | |
After I did Merry Christmas Everybody | 0:03:06 | 0:03:08 | |
and I Wish It Could Be Christmas, that was it. | 0:03:08 | 0:03:11 | |
We never went hungry in the Le Grange household at Christmas. | 0:03:11 | 0:03:15 | |
Ken was the main man, really. | 0:03:15 | 0:03:16 | |
He was responsible for doing the till | 0:03:16 | 0:03:19 | |
at the beginning of I Wish It Could Be Christmas. | 0:03:19 | 0:03:21 | |
Here it is. | 0:03:21 | 0:03:22 | |
TILL RINGS | 0:03:22 | 0:03:24 | |
TUNE PLAYS | 0:03:24 | 0:03:26 | |
I played it and he thought it was brilliant. | 0:03:26 | 0:03:28 | |
He's just got a knack of | 0:03:28 | 0:03:29 | |
putting bells in the right place on the track. | 0:03:29 | 0:03:32 | |
All the other groups wanted it as well. | 0:03:32 | 0:03:34 | |
You know, it became fashionable and... | 0:03:34 | 0:03:37 | |
here it is in Money, by Floyd. | 0:03:37 | 0:03:38 | |
TILL RINGS | 0:03:38 | 0:03:40 | |
TUNE PLAYS | 0:03:40 | 0:03:41 | |
Are You Being Served? | 0:03:41 | 0:03:43 | |
TILL RINGS | 0:03:43 | 0:03:44 | |
TUNE PLAYS | 0:03:44 | 0:03:46 | |
And Anarchy In The UK. | 0:03:46 | 0:03:47 | |
TILL RINGS | 0:03:47 | 0:03:48 | |
TUNE PLAYS | 0:03:48 | 0:03:50 | |
My till is the most sampled till | 0:03:50 | 0:03:53 | |
in the history of rock music. | 0:03:53 | 0:03:55 | |
-It's wonderful, isn't it? -TILL RINGS | 0:03:55 | 0:03:57 | |
Interestingly enough, the first Christmas number six | 0:03:57 | 0:04:01 | |
was the first song that had a Christmas theme to it. | 0:04:01 | 0:04:03 | |
It was recorded by Lionel Pern | 0:04:03 | 0:04:05 | |
and called The Christmas Gravy Boat. | 0:04:05 | 0:04:07 | |
# It's Christmas time | 0:04:07 | 0:04:10 | |
# It's Christmas time. # | 0:04:10 | 0:04:12 | |
Lionel was, of course, | 0:04:12 | 0:04:13 | |
the uncle of Brian Pern | 0:04:13 | 0:04:14 | |
who would go on to front Thotch. | 0:04:14 | 0:04:17 | |
He invented something called world music, | 0:04:17 | 0:04:19 | |
which, to be honest with you, I never quite understood. | 0:04:19 | 0:04:22 | |
# I sail the gravy boat across to you | 0:04:22 | 0:04:25 | |
# Thank you | 0:04:25 | 0:04:27 | |
# Carrots, peas and roast potatoes too | 0:04:27 | 0:04:31 | |
# Sailing on a sea of meaty brown | 0:04:32 | 0:04:34 | |
# The gravy boat has come to town | 0:04:34 | 0:04:37 | |
# Rum-pum-pum | 0:04:37 | 0:04:38 | |
# Ruppa-pum-pum. # | 0:04:38 | 0:04:41 | |
Merry Christmas, everybody. | 0:04:42 | 0:04:44 | |
OK, John, so I thought we'd have | 0:04:44 | 0:04:46 | |
Merry Christmas War Is Over to open the album. | 0:04:46 | 0:04:48 | |
-Who do you want to sing it with? -His sons, Sean and Julian. | 0:04:50 | 0:04:52 | |
Maybe even Yoko. | 0:04:52 | 0:04:54 | |
Are we issuing sick bags with this album? | 0:04:54 | 0:04:57 | |
No, I thought it would be a touching tribute. | 0:04:57 | 0:04:59 | |
Forget his sons singing, it'll be all about them and not you. Do you want that? | 0:04:59 | 0:05:03 | |
-Who else is there? -I've got the very bloke. | 0:05:07 | 0:05:09 | |
Great musician, big star, fantastic voice. | 0:05:09 | 0:05:12 | |
He's perfect. | 0:05:12 | 0:05:13 | |
Brian? Brian? | 0:05:15 | 0:05:18 | |
Brian? Hello, it's me. | 0:05:20 | 0:05:22 | |
-Hello? -I've come to do your... | 0:05:22 | 0:05:24 | |
Hello. Can I help you? | 0:05:24 | 0:05:26 | |
It's me, I've come to help you with your charity record. | 0:05:26 | 0:05:29 | |
I was told that you wanted somebody famous. | 0:05:29 | 0:05:32 | |
So, Brian, what's this charity actually for? | 0:05:32 | 0:05:34 | |
It's for bipolar polar bears. | 0:05:34 | 0:05:36 | |
HE LAUGHS | 0:05:36 | 0:05:38 | |
-Good. -Yeah. | 0:05:38 | 0:05:40 | |
TILL RINGS | 0:05:40 | 0:05:41 | |
OK, Rick, we're going to do | 0:05:41 | 0:05:42 | |
-Merry Christmas War Is Over, John Lennon. -Oh, I love that. | 0:05:42 | 0:05:45 | |
-I love it. -Yeah, it's a good song. | 0:05:45 | 0:05:47 | |
And I want to keep that mood very Christmassy but a bit sad. | 0:05:47 | 0:05:51 | |
-Melancholy, that's the word. -Yeah, I think I know what you mean... | 0:05:51 | 0:05:54 | |
HE PLAYS STATUS QUO RIFF | 0:05:54 | 0:05:57 | |
I think that's probably... | 0:05:58 | 0:06:00 | |
That's fine for Quo, but not what I want to... | 0:06:00 | 0:06:03 | |
I don't want that sound. If you play something more pastoral. | 0:06:03 | 0:06:06 | |
Well, pastoral? I like that. | 0:06:06 | 0:06:08 | |
I know what you mean but I can't sort of play that, really, | 0:06:08 | 0:06:11 | |
because I sort of, you know... | 0:06:11 | 0:06:12 | |
HE PLAYS STATUS QUO RIFF | 0:06:12 | 0:06:15 | |
This is what I do, you know? | 0:06:15 | 0:06:16 | |
You sort of got the wrong bloke, really, haven't you? | 0:06:16 | 0:06:18 | |
RHYS: This is not the first time Brian has recorded a Christmas song. | 0:06:20 | 0:06:24 | |
In December 1975, Thotch released Black Christmas. | 0:06:24 | 0:06:28 | |
Thotch were £1,000 in debt to the record company | 0:06:28 | 0:06:30 | |
when I took them on in '75, which in today's money... | 0:06:30 | 0:06:33 | |
..is well over £1,000, so I said, "Get in the studio, | 0:06:35 | 0:06:38 | |
"cut a Christmas song and we'll make a million." Which is what we did. | 0:06:38 | 0:06:41 | |
Apart from the make a million bit... | 0:06:42 | 0:06:44 | |
..which took a little bit longer. | 0:06:45 | 0:06:47 | |
# Christmas comes but once a year | 0:06:47 | 0:06:50 | |
# All the people raise good cheer | 0:06:50 | 0:06:52 | |
# Eat your turkey, scratch your leg | 0:06:52 | 0:06:54 | |
# Pray to Santa but don't you beg. # | 0:06:54 | 0:06:57 | |
That video Brian wanted his Black Santa outfit. | 0:06:57 | 0:07:00 | |
This is it. I made this. | 0:07:00 | 0:07:02 | |
It's all right, I took it down Sketchley's. | 0:07:02 | 0:07:04 | |
At the time, I didn't tell him what it was made of, | 0:07:04 | 0:07:06 | |
cos, you know, he's an animal lover, but this is seal skin and mink. | 0:07:06 | 0:07:10 | |
I felt a bit like Cruella da Vinci, you know? | 0:07:10 | 0:07:13 | |
This white here, that's arctic fox. | 0:07:13 | 0:07:16 | |
Shhhh. It was the '70s. | 0:07:16 | 0:07:18 | |
# Christmas, Christmas, crucified. # | 0:07:18 | 0:07:20 | |
I remember getting a copy of | 0:07:20 | 0:07:22 | |
Black Christmas by Thotch. I hated it. | 0:07:22 | 0:07:25 | |
Thotch were the musical equivalent of Marmite. | 0:07:25 | 0:07:27 | |
You either loved them or you hated them. | 0:07:27 | 0:07:29 | |
RHYS: What about you? | 0:07:30 | 0:07:32 | |
Love Marmite, hated Thotch. | 0:07:32 | 0:07:34 | |
But then I turned it over and I heard the B-side | 0:07:34 | 0:07:36 | |
and it was so much better. | 0:07:36 | 0:07:38 | |
It was called Dulci Yuletide, | 0:07:38 | 0:07:39 | |
so I made it my record of the week. | 0:07:39 | 0:07:41 | |
We'd literally forgotten to write a B-side | 0:07:42 | 0:07:44 | |
so I came up with that in just a couple of hours. | 0:07:44 | 0:07:48 | |
Just me and the Moog, you know. Bloody marvellous. | 0:07:48 | 0:07:50 | |
And we had to go on Top Of The Pops for that one. | 0:07:53 | 0:07:55 | |
Was our first time. | 0:07:55 | 0:07:56 | |
Of course, the rest of them hated it as they weren't even on the track, | 0:07:58 | 0:08:00 | |
yet they had to mime to it. | 0:08:00 | 0:08:02 | |
HE LAUGHS | 0:08:02 | 0:08:03 | |
There was no guitar on that track. | 0:08:05 | 0:08:06 | |
There was no bass pedal solo on that track. | 0:08:06 | 0:08:08 | |
There were no vocals on that track | 0:08:08 | 0:08:11 | |
and there we all were miming | 0:08:11 | 0:08:13 | |
with instruments that aren't on track | 0:08:13 | 0:08:15 | |
to a song we didn't even play on. | 0:08:15 | 0:08:17 | |
I mean, I didn't go to public school to mime to a bloody song | 0:08:18 | 0:08:22 | |
on Top Of The bloody Pops. | 0:08:22 | 0:08:24 | |
Top Of The Pops was a dire experience, really. | 0:08:26 | 0:08:29 | |
It was an appalling thing to have to go through. | 0:08:29 | 0:08:33 | |
They'd herd 17 teenagers around an empty barn | 0:08:33 | 0:08:37 | |
whilst sort of various pop stars came on | 0:08:37 | 0:08:40 | |
and teetered around in massive heels | 0:08:40 | 0:08:42 | |
whilst pretending to sing their latest dire hit. | 0:08:42 | 0:08:45 | |
It was a very popular show. | 0:08:45 | 0:08:47 | |
That song was the bestselling Thotch song ever. | 0:08:47 | 0:08:51 | |
HE LAUGHS | 0:08:51 | 0:08:53 | |
That really hacked the fuckers off, I can tell you. | 0:08:53 | 0:08:56 | |
It would have been number one had it not been for | 0:08:56 | 0:08:58 | |
Bohemian fucking Rhapsody. | 0:08:58 | 0:09:00 | |
Oh, well. Bad timing. | 0:09:00 | 0:09:03 | |
# Christmas comes but once a year | 0:09:03 | 0:09:05 | |
# All the people raise good cheer... # | 0:09:05 | 0:09:07 | |
RHYS: For his Christmas charity album, | 0:09:07 | 0:09:09 | |
Brian has decided to record a jolly version of Black Christmas. | 0:09:09 | 0:09:12 | |
Roy Wood has come along for a listen. | 0:09:12 | 0:09:14 | |
# Christmas is here! # | 0:09:14 | 0:09:16 | |
What do you think? | 0:09:16 | 0:09:18 | |
Yeah, it's good, I really like it, you know, | 0:09:18 | 0:09:20 | |
but it's definitely short on a couple of things. | 0:09:20 | 0:09:23 | |
One, it needs a till at the beginning. | 0:09:23 | 0:09:26 | |
-And what else? -Definitely needs a kids choir at the end | 0:09:26 | 0:09:29 | |
to lift the spirits, get the grannies buying the record. | 0:09:29 | 0:09:31 | |
It's quarter past ten at night, Roy. | 0:09:31 | 0:09:33 | |
-Where are you going to get one of them? -No worries! | 0:09:33 | 0:09:35 | |
I've got one in the van. | 0:09:35 | 0:09:36 | |
-What's this charity for again? -It's for bipolar polar bears. | 0:09:41 | 0:09:45 | |
HE CHUCKLES | 0:09:45 | 0:09:47 | |
OK, you lot, take it! | 0:09:49 | 0:09:51 | |
# Christmas was here. # | 0:09:51 | 0:09:56 | |
TILL RINGS | 0:09:57 | 0:09:58 | |
OK, well done everybody. Back in the van now. | 0:09:58 | 0:10:00 | |
Can we go to McDonald's? | 0:10:00 | 0:10:02 | |
You'll have to give me some petrol money. | 0:10:02 | 0:10:04 | |
TRUMPET PLAYS | 0:10:04 | 0:10:07 | |
In 1983, | 0:10:07 | 0:10:08 | |
Brian had a surprise Christmas hit completely by mistake. | 0:10:08 | 0:10:12 | |
Christmas songs are generally quite naff. | 0:10:12 | 0:10:15 | |
But Brian Pern's I Wish I Was At Home With My Missus, | 0:10:15 | 0:10:17 | |
you know, it's a great Christmas record. | 0:10:17 | 0:10:19 | |
It really tugs at the heartstrings | 0:10:19 | 0:10:20 | |
and particularly in conjunction with that video. | 0:10:20 | 0:10:23 | |
# It's -10 in No Man's Land | 0:10:23 | 0:10:25 | |
# I've got trench foot and I haven't got a hand | 0:10:25 | 0:10:28 | |
# But I don't care because it's Christmas | 0:10:28 | 0:10:31 | |
# We don't care because it's Christmas | 0:10:31 | 0:10:33 | |
IN GERMAN: # Es ist minus zehn im Niemandsland. # | 0:10:33 | 0:10:36 | |
I've always been fascinated by the First World War, um, | 0:10:36 | 0:10:39 | |
mainly because neither of my grandfathers died in it | 0:10:39 | 0:10:41 | |
and that kind of made me a bit angry, | 0:10:41 | 0:10:42 | |
so I thought I'd write a song about it. | 0:10:42 | 0:10:44 | |
# So put down your guns | 0:10:44 | 0:10:45 | |
# Shove on your shorts | 0:10:45 | 0:10:47 | |
# Put out your smokes | 0:10:47 | 0:10:48 | |
# Have a glass of port | 0:10:48 | 0:10:49 | |
# And let's all have a game of football | 0:10:49 | 0:10:52 | |
# Let's all have a game of football. # | 0:10:52 | 0:10:55 | |
I would say three. | 0:10:56 | 0:10:58 | |
-Three for you? -Yes. -Would you dance to it? | 0:10:58 | 0:11:00 | |
No, I wouldn't because there's no melody, | 0:11:00 | 0:11:03 | |
it didn't get anywhere and I wanted to say get on with it, | 0:11:03 | 0:11:05 | |
so I'm very much on the threesome side. | 0:11:05 | 0:11:07 | |
# Oh, how I wish | 0:11:07 | 0:11:09 | |
# I was | 0:11:09 | 0:11:11 | |
# At home with my Missus. # | 0:11:11 | 0:11:13 | |
It would have been number one had it not been for the Flying fucking Pickets. | 0:11:14 | 0:11:18 | |
MUSIC PLAYS | 0:11:18 | 0:11:19 | |
Oh, well, bad timing. | 0:11:19 | 0:11:21 | |
We're not having much luck with these cutting-edge artists, John. | 0:11:21 | 0:11:23 | |
-Well, I've got a bit of good news on the Adele front. -What's that? | 0:11:23 | 0:11:27 | |
She's sent you a lovely note. | 0:11:27 | 0:11:29 | |
In fact, we've had lots of lovely notes | 0:11:29 | 0:11:31 | |
from almost everyone we've asked, which is pretty positive. | 0:11:31 | 0:11:34 | |
Have we got any lovely yeses? | 0:11:34 | 0:11:36 | |
Chrissie. | 0:11:36 | 0:11:38 | |
She said yes? | 0:11:38 | 0:11:39 | |
Well, it's been 25 years. | 0:11:39 | 0:11:42 | |
# Little donkey | 0:11:42 | 0:11:44 | |
# Little donkey | 0:11:44 | 0:11:45 | |
# On that dusty road | 0:11:46 | 0:11:48 | |
# Got to keep on | 0:11:50 | 0:11:52 | |
# Plodding onwards | 0:11:52 | 0:11:53 | |
# With your precious load. # | 0:11:53 | 0:11:56 | |
TILL RINGS | 0:11:56 | 0:11:58 | |
Do you need any donkey noises? | 0:11:58 | 0:11:59 | |
I'm coming in. | 0:11:59 | 0:12:01 | |
No, no, no, no, no. No. | 0:12:02 | 0:12:03 | |
Chrissie, why'd you take the cans off? | 0:12:03 | 0:12:05 | |
You know what? You don't want to know. | 0:12:05 | 0:12:07 | |
You didn't hear it from me | 0:12:07 | 0:12:09 | |
but he and Chrissie had a bit of a thing a few decades ago. | 0:12:09 | 0:12:12 | |
-Thanks for coming. -Uh-hm. | 0:12:12 | 0:12:14 | |
-It's good to see you. -Oh, it's your lucky day. | 0:12:14 | 0:12:16 | |
Yeah, um, a few people helping us out here on the album and, er... | 0:12:16 | 0:12:20 | |
You know I'm doing this, it's an animal rights thing, | 0:12:20 | 0:12:23 | |
it's nothing to do with you, you know that? | 0:12:23 | 0:12:24 | |
Brian put more than his brass in her pocket, if you get my gist. | 0:12:24 | 0:12:27 | |
I can't even look at you, fuckhead. | 0:12:27 | 0:12:30 | |
He had them all back in the day. | 0:12:30 | 0:12:32 | |
Dusty, Lulu, Suzy, Debbie, Chrissie, Bananaramas, Marilyn. | 0:12:32 | 0:12:37 | |
Ooh, Brian got a bit of a shock | 0:12:37 | 0:12:39 | |
when he pulled 'her' pants down, I can tell you. | 0:12:39 | 0:12:42 | |
Brian treated plasticine | 0:12:42 | 0:12:44 | |
better than he treated women. | 0:12:44 | 0:12:46 | |
In the '80s, | 0:12:46 | 0:12:48 | |
Brian's, if you like, relationship with plasticine | 0:12:48 | 0:12:50 | |
really developed and it actually had a very negative effect on him. | 0:12:50 | 0:12:53 | |
Evil. | 0:12:55 | 0:12:57 | |
I mean, he would just run off to the toilet | 0:12:57 | 0:12:59 | |
and mould some plasticine in minutes and rush back | 0:12:59 | 0:13:02 | |
and want to show it to you and, I mean, | 0:13:02 | 0:13:05 | |
I didn't know what to say. | 0:13:05 | 0:13:06 | |
RHYS: Brian quit plasticine for good in 1989. | 0:13:06 | 0:13:10 | |
That December, Brian and the rest of his Thotch bandmates | 0:13:10 | 0:13:13 | |
famously appeared on the same episode of Top Of The Pops, | 0:13:13 | 0:13:16 | |
though not together. | 0:13:16 | 0:13:18 | |
All of them had solo singles competing for Christmas number one, | 0:13:18 | 0:13:21 | |
which was great for me. It was like having three horses in the Grand National. | 0:13:21 | 0:13:24 | |
Tony had teamed up with Paul Hardcastle | 0:13:24 | 0:13:27 | |
and remixed In Dulce Yuletide | 0:13:27 | 0:13:29 | |
into some bloody dance track. | 0:13:29 | 0:13:30 | |
Brian and that, um, chubby opera singer - what's her name? - | 0:13:32 | 0:13:36 | |
were there with Winter In Winnipeg, | 0:13:36 | 0:13:38 | |
which was the official song for the Winter Olympics. | 0:13:38 | 0:13:41 | |
# Winter in Winnipeg | 0:13:41 | 0:13:46 | |
# Snowfalls of pride | 0:13:46 | 0:13:48 | |
# Aaaah! # | 0:13:48 | 0:13:50 | |
I was called in to write the lyrics as Brian knew fuck-all about sport. | 0:13:50 | 0:13:53 | |
# The snow falls hard upon the dark. # | 0:13:53 | 0:13:57 | |
Or Winnipeg. | 0:13:57 | 0:13:58 | |
# Aaaah! | 0:13:58 | 0:14:00 | |
# Aaaah! # | 0:14:02 | 0:14:04 | |
Over here, quickly. | 0:14:06 | 0:14:08 | |
And Pat's new band, | 0:14:08 | 0:14:10 | |
Pat And The Patios, were on with Christmas In My Car. | 0:14:10 | 0:14:12 | |
# Christmas in my car | 0:14:12 | 0:14:14 | |
# I want to spend Christmas in my car | 0:14:14 | 0:14:18 | |
# Snow on the M25 | 0:14:18 | 0:14:23 | |
# 25. # | 0:14:23 | 0:14:24 | |
Thotch had effectively split up and legally we couldn't use the name. | 0:14:24 | 0:14:27 | |
In fact, I spent the summer doing a degree in law | 0:14:27 | 0:14:31 | |
simply so that I could talk to the other guys in the band. | 0:14:31 | 0:14:34 | |
And John, Mike and I renamed ourselves Pat And The Patios. | 0:14:34 | 0:14:38 | |
And I wrote Christmas In My Car stuck in a traffic jam on the M25. | 0:14:38 | 0:14:43 | |
It just came to me, you know? | 0:14:43 | 0:14:44 | |
# When you've got Brussels sprouts. # | 0:14:44 | 0:14:48 | |
So I quickly bashed down the chords on the dashboard, you know, | 0:14:48 | 0:14:53 | |
scribbling the lyric on the back of the tax disc. | 0:14:53 | 0:14:57 | |
And that's why I crashed. | 0:14:57 | 0:14:59 | |
I mean, I came out unscathed, luckily. | 0:14:59 | 0:15:02 | |
Unfortunately, I'd driven | 0:15:02 | 0:15:04 | |
into the back of a horse box | 0:15:04 | 0:15:07 | |
and maimed a young foal. | 0:15:07 | 0:15:09 | |
-PRODUCER WHISPERS: -Zoom in, I think he's going to cry. | 0:15:09 | 0:15:11 | |
Which very sadly had to be put down. | 0:15:11 | 0:15:13 | |
Um, um. | 0:15:15 | 0:15:18 | |
I've subsequently had many a sleepless night | 0:15:18 | 0:15:22 | |
about that and many a dark night of the soul. | 0:15:22 | 0:15:26 | |
Dark night of the foal. | 0:15:26 | 0:15:28 | |
Um... | 0:15:28 | 0:15:30 | |
And to this day I, um... | 0:15:30 | 0:15:33 | |
Actually, can... | 0:15:33 | 0:15:35 | |
..can we stop there, please? | 0:15:36 | 0:15:38 | |
Sorry. | 0:15:40 | 0:15:42 | |
Anyway, Pat got the highest entry, kept off the top by Band Aid II. | 0:15:42 | 0:15:45 | |
Band-Aid II? I mean, come on. | 0:15:45 | 0:15:48 | |
Like doing a remake of 12 Years A Slave with Richard Blackwood. | 0:15:48 | 0:15:51 | |
Or Arthur with Russell Brand. | 0:15:51 | 0:15:54 | |
Oh, they've done that, haven't they? | 0:15:55 | 0:15:57 | |
# Very merry Christmas | 0:15:57 | 0:16:01 | |
# And a happy new year | 0:16:01 | 0:16:05 | |
# Let's hope it's a good one | 0:16:05 | 0:16:09 | |
# Without any fear... | 0:16:09 | 0:16:11 | |
HE PLAYS STATUS QUO RIFF | 0:16:11 | 0:16:13 | |
# A very merry Christmas | 0:16:13 | 0:16:16 | |
# And a happy new year... # | 0:16:17 | 0:16:19 | |
-What are you doing? -Nothing. | 0:16:19 | 0:16:22 | |
You look such an idiot. | 0:16:22 | 0:16:23 | |
-We'll go for one, OK? -OK. | 0:16:23 | 0:16:25 | |
-Just try it out. -I'm to start? Yes? -Uh-hm. | 0:16:25 | 0:16:27 | |
BOTH: # Follow that star tonight. # | 0:16:27 | 0:16:31 | |
-It's a really good cause, isn't it? So, er... -Yeah. | 0:16:31 | 0:16:34 | |
Oh, actually, what is it again? What's it for? | 0:16:34 | 0:16:36 | |
Bipolar polar bears. | 0:16:36 | 0:16:38 | |
What? | 0:16:38 | 0:16:39 | |
# Simply | 0:16:39 | 0:16:41 | |
# Having | 0:16:41 | 0:16:42 | |
# A wonderful Christmas time | 0:16:42 | 0:16:46 | |
# Simply | 0:16:46 | 0:16:47 | |
# Having | 0:16:47 | 0:16:49 | |
# A wonderful Christmas time. # | 0:16:49 | 0:16:51 | |
BOTH: # You scumbag, you maggot | 0:16:51 | 0:16:53 | |
# You cheap lousy faggot | 0:16:53 | 0:16:54 | |
# Happy Christmas, your arse | 0:16:54 | 0:16:56 | |
# I pray God it's our last | 0:16:56 | 0:16:58 | |
# And the boys of the NYPD choir | 0:16:58 | 0:17:02 | |
# Still singing Galway Bay | 0:17:02 | 0:17:05 | |
# And the bells are ringing out | 0:17:05 | 0:17:08 | |
# For | 0:17:08 | 0:17:09 | |
# Christmas Day. # | 0:17:09 | 0:17:14 | |
Can't you harmonise? | 0:17:15 | 0:17:18 | |
Um, yeah, I didn't realise we were doing harmonies on this bit. | 0:17:18 | 0:17:20 | |
-We're doing harmonies. -Are we not just doing the lead vocal for now? | 0:17:20 | 0:17:23 | |
Can you just cut it for a second? | 0:17:23 | 0:17:25 | |
If Melanie is not ready for the harmonies, I mean, I am ready | 0:17:25 | 0:17:27 | |
but if Melanie's not ready then... | 0:17:27 | 0:17:30 | |
I'll sing the lyrics and you do the ding-dongs. | 0:17:30 | 0:17:32 | |
-I'm not doing the fucking ding-dongs. -Well, someone has to. | 0:17:32 | 0:17:35 | |
Get Mel C to fucking do them, I'm not doing them. | 0:17:35 | 0:17:37 | |
# Donkey, donkey | 0:17:37 | 0:17:38 | |
-# Donkey, donkey -Poor little, little donkey | 0:17:38 | 0:17:42 | |
# Aaah! | 0:17:42 | 0:17:44 | |
# Real big donkey | 0:17:44 | 0:17:46 | |
-# Donkey -Donkey. # | 0:17:46 | 0:17:48 | |
THEY SING IN HIGH-PITCHED TONE | 0:17:48 | 0:17:51 | |
Oh. | 0:17:51 | 0:17:53 | |
Argh. | 0:17:53 | 0:17:54 | |
You, you, where is she? | 0:17:54 | 0:17:57 | |
Melanie? | 0:17:59 | 0:18:01 | |
HE MOANS | 0:18:01 | 0:18:04 | |
Give me a break, I've just got in from Newfoundland. | 0:18:04 | 0:18:06 | |
-What've you been doing there, clubbing seals? -You've stepped over the mark there, Perny. | 0:18:06 | 0:18:10 | |
You might get that checked out. | 0:18:10 | 0:18:11 | |
No, I've had it checked out, it's fine. | 0:18:11 | 0:18:13 | |
I would very much like to fuck you. | 0:18:13 | 0:18:16 | |
I've had enough of this, I've had enough of this bollocks. | 0:18:16 | 0:18:19 | |
-Dirty bugger. -Ah, Brian, you want to fuck me now, eh? Yeah? | 0:18:19 | 0:18:23 | |
Bonjour, robby-diddy-bop. | 0:18:23 | 0:18:25 | |
-She's a fucking nutter, David. -I didn't sing that bad. | 0:18:25 | 0:18:28 | |
I will get you down. | 0:18:28 | 0:18:30 | |
RHYS: Brian's manager John Farrow has asked him to come for an unscheduled meeting. | 0:18:35 | 0:18:39 | |
John. | 0:18:39 | 0:18:41 | |
Come up. Take your shoes off. | 0:18:41 | 0:18:43 | |
Brian. | 0:18:44 | 0:18:45 | |
You know the scheme you invested a lot of money in? | 0:18:46 | 0:18:49 | |
The one you suggested? | 0:18:49 | 0:18:50 | |
Did I? I can't remember. | 0:18:50 | 0:18:52 | |
Anyway, it turns out it's one of them... | 0:18:52 | 0:18:54 | |
tax avoidance things | 0:18:54 | 0:18:56 | |
that Osborne's decided to get shirty about all of a sudden. | 0:18:56 | 0:18:58 | |
-Oh, John. -No, no, no, don't panic, it's all under control. | 0:18:58 | 0:19:01 | |
I've spoken to HMRC, they've given you a few months to pay back what you owe. Nobody's going to prison. | 0:19:01 | 0:19:05 | |
For the minute. | 0:19:05 | 0:19:07 | |
Well, how much do I owe? | 0:19:07 | 0:19:08 | |
Seven. | 0:19:09 | 0:19:10 | |
What, 7,000? | 0:19:10 | 0:19:11 | |
Million. | 0:19:11 | 0:19:14 | |
How much have you got put aside? | 0:19:14 | 0:19:15 | |
I have nothing. | 0:19:16 | 0:19:18 | |
-What have you spent it on? -Well... | 0:19:19 | 0:19:21 | |
There's the musical and I invested in a couple of apps. | 0:19:21 | 0:19:25 | |
-Fedge. -Fedge? What the fuck is Fedge? | 0:19:25 | 0:19:28 | |
Fedge is a prototype unshatterable plastic. | 0:19:28 | 0:19:31 | |
It will revolutionise the way we use rulers. | 0:19:31 | 0:19:33 | |
What? | 0:19:33 | 0:19:34 | |
Not just rulers, John, protractors, set squares, | 0:19:34 | 0:19:37 | |
all kinds of office miscellanea. | 0:19:37 | 0:19:38 | |
-Fucking hell. -The money you saved me in tax this year, | 0:19:38 | 0:19:41 | |
I wanted to spend on something worthwhile. | 0:19:41 | 0:19:43 | |
I mean, the polar bears are up against the wall, John. | 0:19:43 | 0:19:46 | |
They're losing their habitat. | 0:19:46 | 0:19:48 | |
Well, you'll be losing your habitat if you're not careful. | 0:19:48 | 0:19:51 | |
What am I going to do? | 0:19:51 | 0:19:53 | |
RHYS: And then, we were asked to turn off the cameras. | 0:19:53 | 0:19:55 | |
You could re-form Thotch, do a world tour. | 0:19:57 | 0:19:59 | |
No, that's a prison sentence in itself. | 0:19:59 | 0:20:00 | |
OK, you could sell everything. | 0:20:00 | 0:20:03 | |
Poggle West, Poggle East, Poggle Letchworth, | 0:20:03 | 0:20:05 | |
the helicopter, Segway, all the houses, | 0:20:05 | 0:20:07 | |
take the kids out of Sherborne. | 0:20:07 | 0:20:09 | |
Float Poggle Records on the stock market | 0:20:09 | 0:20:11 | |
and auction off all your old costumes. | 0:20:11 | 0:20:12 | |
Not the Segway, John. How will I get from A to B? | 0:20:12 | 0:20:15 | |
Or you could take the profits from the Christmas album, | 0:20:15 | 0:20:18 | |
the charity, and filter it into your bank account. | 0:20:18 | 0:20:22 | |
What? That's completely immoral, John. | 0:20:22 | 0:20:24 | |
You should be ashamed for even thinking that. | 0:20:24 | 0:20:26 | |
Well, have you got a choice? | 0:20:26 | 0:20:28 | |
It's the most immediate way to make the money back | 0:20:28 | 0:20:30 | |
and we're looking at 18 months inside. | 0:20:30 | 0:20:33 | |
BRIAN BREATHES HEAVILY | 0:20:33 | 0:20:35 | |
I feel sick. | 0:20:35 | 0:20:36 | |
Don't do it here, let me walk you downstairs. | 0:20:36 | 0:20:38 | |
TILL RINGS | 0:20:38 | 0:20:40 | |
RHYS: It's almost midnight and Brian has one last song | 0:20:40 | 0:20:43 | |
to record to complete the album. | 0:20:43 | 0:20:45 | |
OK, it's Mary's Boy Child. This is take four. | 0:20:45 | 0:20:48 | |
Just try and just stay in a pocket. | 0:20:48 | 0:20:51 | |
Which pocket? | 0:20:52 | 0:20:53 | |
# Mary's boy child, Hesus Christ was born on Christmas... # | 0:20:54 | 0:20:59 | |
-It's Jesus. -Sorry? | 0:20:59 | 0:21:01 | |
You have to say Jesus. | 0:21:01 | 0:21:02 | |
That is what I am saying, Hesus. | 0:21:02 | 0:21:04 | |
-Just go again. -OK. | 0:21:04 | 0:21:06 | |
TILL RINGS | 0:21:06 | 0:21:07 | |
# Mary's boy child JESUS Christ... # | 0:21:07 | 0:21:10 | |
-I'm coming in. -No. No, no, don't come in, please. | 0:21:10 | 0:21:13 | |
Please don't enter the inner sanctum of the artist. | 0:21:13 | 0:21:15 | |
No! Don't come in! | 0:21:15 | 0:21:17 | |
What are you doing?! This is not a game! | 0:21:17 | 0:21:19 | |
-This is a charity record! -I know, I love... | 0:21:19 | 0:21:22 | |
For fucking polar bears! | 0:21:22 | 0:21:23 | |
-It's not about you fucking showing your knickers on YouTube! -OK. | 0:21:23 | 0:21:28 | |
Don't push me! | 0:21:28 | 0:21:29 | |
Oh, you said don't push! | 0:21:31 | 0:21:33 | |
-I had all this with Julie Covington! -Who is Julie Covington? | 0:21:33 | 0:21:37 | |
She's a singer! | 0:21:37 | 0:21:39 | |
-She was in Rock Follies. -And what is Rock Follies? | 0:21:39 | 0:21:42 | |
It was a TV drama based in the music industry | 0:21:42 | 0:21:45 | |
about three women vocalists. Idiots, like you. | 0:21:45 | 0:21:48 | |
Can I see it on repeat? | 0:21:48 | 0:21:49 | |
On DVD? | 0:21:51 | 0:21:53 | |
What is Rock Follies? | 0:21:53 | 0:21:55 | |
RHYS: But after months of hard work on the album, | 0:21:55 | 0:21:57 | |
the stress finally caught up with Brian. | 0:21:57 | 0:22:00 | |
Some breaking news now. | 0:22:00 | 0:22:02 | |
The rock star and campaigner Brian Pern | 0:22:02 | 0:22:04 | |
has suffered a major heart attack. | 0:22:04 | 0:22:06 | |
He was taken to hospital in London earlier this evening. | 0:22:06 | 0:22:09 | |
Thought to be in a deep coma, | 0:22:09 | 0:22:11 | |
he's reported to be in a critical condition. | 0:22:11 | 0:22:14 | |
FOOTSTEPS APPROACH | 0:22:14 | 0:22:15 | |
Thanks for coming in at such short notice, John. | 0:22:16 | 0:22:20 | |
How is Brian? | 0:22:20 | 0:22:21 | |
Well, touch and go. Pretty serious. | 0:22:21 | 0:22:24 | |
And what are the chances he might die, do you think? | 0:22:26 | 0:22:28 | |
Pre-Christmas or post? | 0:22:30 | 0:22:31 | |
Why do you ask? | 0:22:35 | 0:22:36 | |
I'm just trying to plan the release schedule, you know. | 0:22:36 | 0:22:39 | |
If he dies, then we need to be ready | 0:22:39 | 0:22:41 | |
with the re-releases of his greatest hits. Um... | 0:22:41 | 0:22:44 | |
Maybe even push through, sort of... | 0:22:44 | 0:22:47 | |
Best Of Thotch And Brian Pern Comp. | 0:22:47 | 0:22:50 | |
You know what it's like when somebody dies. | 0:22:51 | 0:22:53 | |
When would you prefer he died? | 0:22:55 | 0:22:57 | |
Um... | 0:22:59 | 0:23:00 | |
Ideally... | 0:23:00 | 0:23:02 | |
Pre-Christmas. | 0:23:02 | 0:23:04 | |
Yeah, it'd be great publicity for his Christmas album and if not then, then... | 0:23:04 | 0:23:07 | |
..February. | 0:23:09 | 0:23:10 | |
It'd be a great boost to the market in that sort of post-sales slump. | 0:23:10 | 0:23:13 | |
You're disgusting, you know that? | 0:23:16 | 0:23:17 | |
I thought I was bad enough but you take the fucking biscuit. | 0:23:17 | 0:23:20 | |
Come on, John. | 0:23:22 | 0:23:23 | |
It's called show business, not show friendship. | 0:23:23 | 0:23:27 | |
Thought you'd know that better than anyone. | 0:23:27 | 0:23:29 | |
And you're like all the rest in this place. | 0:23:29 | 0:23:31 | |
You're a corporate monkey star-fucker. | 0:23:31 | 0:23:33 | |
You don't do this for love or passion. | 0:23:33 | 0:23:35 | |
You do it just so you can just post fucking Instagrams of yourself on Facebook | 0:23:35 | 0:23:38 | |
with bloody Katy Perry or bloody Harry Styles | 0:23:38 | 0:23:40 | |
to show off to all the girls who used to bully you at school. | 0:23:40 | 0:23:43 | |
Well, you can stick this record deal up your disgusting arse, | 0:23:43 | 0:23:46 | |
if there's any room. | 0:23:46 | 0:23:47 | |
We won't be re-signing. | 0:23:47 | 0:23:49 | |
If Brian dies, you're not having a penny. | 0:23:49 | 0:23:51 | |
However, as you know, always happy to come to an arrangement. | 0:23:53 | 0:23:56 | |
PEPITA GASPS | 0:23:59 | 0:24:02 | |
Oh, Brian. | 0:24:02 | 0:24:04 | |
PEPITA INHALES HEAVILY Are you dead? | 0:24:05 | 0:24:08 | |
Do you mind shoes? | 0:24:16 | 0:24:18 | |
'Gusta' you my shoes? | 0:24:18 | 0:24:21 | |
Oh, oh, you're so cold. | 0:24:21 | 0:24:23 | |
You're like an ice lolly. | 0:24:23 | 0:24:25 | |
PEPITA WHIMPERS | 0:24:25 | 0:24:27 | |
PEPITA HUMS A SONG | 0:24:27 | 0:24:31 | |
RHYS: Thankfully, Brian came out of his coma | 0:24:41 | 0:24:44 | |
and I was fortunate enough to be the first person to interview him. | 0:24:44 | 0:24:47 | |
-So, Brian, thanks for seeing me. -Thank you. | 0:24:47 | 0:24:51 | |
I just wanted to, what's, what's wrong with you? What's happened? | 0:24:51 | 0:24:54 | |
Well, um, I had a heart attack. | 0:24:54 | 0:24:57 | |
Quite bad, brought on by stress and then I fell | 0:24:57 | 0:25:01 | |
and I broke this arm so I've been ordered to just lay off | 0:25:01 | 0:25:06 | |
everything for two months. | 0:25:06 | 0:25:09 | |
Right, it's now December 12th and the album is on the shelves, isn't it? | 0:25:09 | 0:25:12 | |
And it's doing quite well, I understand? | 0:25:12 | 0:25:14 | |
-Well, we've raised about £15 million. -Wow. | 0:25:14 | 0:25:16 | |
Which is unbelievable. | 0:25:16 | 0:25:18 | |
So that'll help out some of those bears who are really blue. | 0:25:18 | 0:25:22 | |
And I see it's all changed for Poggle Studios? | 0:25:22 | 0:25:25 | |
Um, I had to make a decision, you know, | 0:25:25 | 0:25:28 | |
and it was probably the toughest decision I made. | 0:25:28 | 0:25:30 | |
Well, I don't want to go into the ins and outs of it all, | 0:25:30 | 0:25:33 | |
just to say that that I am selling Poggle Sound | 0:25:33 | 0:25:36 | |
and I'm retiring from the music industry. | 0:25:36 | 0:25:39 | |
-Really? -Yes. | 0:25:39 | 0:25:41 | |
-Well, what will you do? -Well, I have an open canvas. | 0:25:41 | 0:25:45 | |
I've always wanted to learn Urdu, Joni Mitchell has asked me | 0:25:45 | 0:25:50 | |
to go out to California and help her with her almond harvest | 0:25:50 | 0:25:53 | |
and I've also bought myself a big Slush Puppie machine. | 0:25:53 | 0:25:57 | |
I'm just going to sit around and drink some grape Slush, | 0:25:57 | 0:26:00 | |
watch some old reruns of Hindsight, Columbo... | 0:26:00 | 0:26:03 | |
There's lots of stories in the paper | 0:26:03 | 0:26:04 | |
the day after you had the heart attack about tax evasion. | 0:26:04 | 0:26:07 | |
Hmm, I'm pretty tired now. | 0:26:13 | 0:26:15 | |
Brian, looking better today. | 0:26:18 | 0:26:21 | |
-Thanks, John. -Got some good news. -Really? | 0:26:21 | 0:26:25 | |
The house, the helicopter, the studios - all off the market, | 0:26:25 | 0:26:27 | |
-you don't have to sell. -Really? | 0:26:27 | 0:26:30 | |
Got talking to some big fans of yours last week at dinner, | 0:26:30 | 0:26:33 | |
told them all about the tax thing and your plans to sell up, | 0:26:33 | 0:26:37 | |
maybe even retire, and they said, "Brian Pern, he can't retire. | 0:26:37 | 0:26:40 | |
"He can't sell his world music label or the best studio in the world | 0:26:40 | 0:26:44 | |
"to some bloody corporation," so they paid the tax bill for you. | 0:26:44 | 0:26:47 | |
-What's the catch, John? There must be a catch. -No catch, Brian. | 0:26:48 | 0:26:51 | |
Apart from the fact that they want to come in and see you. | 0:26:51 | 0:26:54 | |
Are they weirdos? | 0:26:54 | 0:26:55 | |
A bit. Come in, chaps. | 0:26:55 | 0:26:58 | |
-Hi, Brian. -Hello, Pat. Hi, Tony. | 0:27:04 | 0:27:08 | |
-Hi. -Hi. -Hi. | 0:27:10 | 0:27:14 | |
Are you sure about this? | 0:27:17 | 0:27:19 | |
Of course, Brian, you're our oldest friend. | 0:27:19 | 0:27:23 | |
And it's Christmas, after all. | 0:27:25 | 0:27:27 | |
I guess it is Christmas. | 0:27:30 | 0:27:32 | |
I really don't know what to say, I just want to say thank you. | 0:27:38 | 0:27:41 | |
BRIAN SNIFFS | 0:27:41 | 0:27:43 | |
Thank you. | 0:27:44 | 0:27:46 | |
Thank you so much. | 0:27:47 | 0:27:48 | |
Is there anything else we can do for you, Brian? | 0:27:50 | 0:27:52 | |
Ah, yes, actually, you could change my bedpan. | 0:27:52 | 0:27:55 | |
Just, it's brimming up. | 0:27:55 | 0:27:58 | |
HE WINCES | 0:28:07 | 0:28:10 | |
HE GROANS | 0:28:10 | 0:28:11 | |
HE SIGHS | 0:28:11 | 0:28:13 | |
It's so hot. | 0:28:13 | 0:28:15 | |
DOOR OPENS | 0:28:16 | 0:28:18 | |
Hello? Who's there? | 0:28:20 | 0:28:22 | |
MUSIC: Ave Satani by Jerry Goldsmith | 0:28:25 | 0:28:29 | |
BRIAN SCREAMS | 0:28:29 | 0:28:31 |