Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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What's your name? | 0:00:17 | 0:00:19 | |
Donny McMonagle. Is there a problem, Officer? | 0:00:19 | 0:00:21 | |
We'll find out in a minute. Suck into this. | 0:00:21 | 0:00:24 | |
Suck? Do I not blow? | 0:00:26 | 0:00:28 | |
You suck these new ones. Hurry up. | 0:00:28 | 0:00:31 | |
Now what did you say your name was, again? | 0:00:39 | 0:00:41 | |
-SQUEAKY VOICE -Donny McMonagle. | 0:00:41 | 0:00:43 | |
THEY LAUGH | 0:00:43 | 0:00:45 | |
Hey, that's no funny! I'll be putting a complaint in about this! | 0:00:45 | 0:00:47 | |
BOTH: Quality polis, man! | 0:00:49 | 0:00:51 | |
Hey, see you later, Orville! | 0:00:51 | 0:00:53 | |
Em... Just a cappuccino, please. | 0:01:00 | 0:01:04 | |
To take away, or sit in? | 0:01:04 | 0:01:06 | |
Aw, to sit in, thanks. | 0:01:06 | 0:01:07 | |
OK. Right over here. | 0:01:07 | 0:01:09 | |
That's great, thanks. | 0:01:17 | 0:01:19 | |
THUMPING TECHNO | 0:01:19 | 0:01:20 | |
Awright? I'm Jolly Boy John. | 0:01:22 | 0:01:24 | |
Jolly Boy John holding a wee plank o' wood is for real. | 0:01:24 | 0:01:27 | |
Jolly Boy John sniffing a wee plank o' wood is for real. | 0:01:27 | 0:01:29 | |
I love sniffing planks. | 0:01:29 | 0:01:31 | |
Jolly Boy John phoning up joiners to tell them their planks o' wood | 0:01:41 | 0:01:44 | |
are getting sniffed is for real. | 0:01:44 | 0:01:46 | |
Awright, mate. Are you the joiner? You're getting your planks sniffed. | 0:01:46 | 0:01:49 | |
I'm coming down there to sniff your planks, wee man. | 0:01:49 | 0:01:52 | |
Your planks are getting sniffed, stupid joiner boy. | 0:01:52 | 0:01:56 | |
Jolly Boy John wearing all his da's false teeth like earrings | 0:01:56 | 0:01:58 | |
and getting a squirrel in a bunnet up his hoose | 0:01:58 | 0:02:00 | |
to sniff some planks of wood is for real. | 0:02:00 | 0:02:02 | |
# A squirrel in a bunnet A squirrel in a bunnet | 0:02:04 | 0:02:07 | |
# A squirrel in a bunnet Plank sniffers for life | 0:02:07 | 0:02:09 | |
# A squirrel in a bunnet A squirrel in a bunnet. # | 0:02:09 | 0:02:12 | |
Trevor McDonald. Moira Stewart. Peter Sissons. | 0:02:12 | 0:02:15 | |
Youse say the news is that youse want to be as For Real as Jolly Boy John. | 0:02:15 | 0:02:19 | |
Balls. | 0:02:44 | 0:02:45 | |
Balls. | 0:02:49 | 0:02:51 | |
Balls. | 0:03:02 | 0:03:04 | |
SMATTERING OF APPLAUSE | 0:03:05 | 0:03:08 | |
Here, boys, boys! | 0:03:13 | 0:03:15 | |
Here, Tommy! | 0:03:15 | 0:03:17 | |
Listen, I've got a new song for the day. | 0:03:17 | 0:03:19 | |
-Here we go. -What now? | 0:03:19 | 0:03:21 | |
You see, when the other mob score, we sing this. | 0:03:21 | 0:03:24 | |
# We don't like it when you score | 0:03:24 | 0:03:29 | |
# Please don't do it any more | 0:03:29 | 0:03:33 | |
# You're ruining a nice day out! # | 0:03:33 | 0:03:35 | |
-Terrible. -Terrible, Tommy. | 0:03:37 | 0:03:38 | |
# And youse are bastards. # | 0:03:38 | 0:03:41 | |
THEY LAUGH HAPPILY | 0:03:41 | 0:03:44 | |
There are lovers, and there are lovers. | 0:03:49 | 0:03:53 | |
And then there's me. | 0:03:53 | 0:03:55 | |
All right, lads? What do you want? | 0:04:00 | 0:04:03 | |
Vodka and coke for me and a pint of cider for my brah. | 0:04:03 | 0:04:06 | |
Your bra? | 0:04:06 | 0:04:08 | |
No, no my bra. My brah. | 0:04:08 | 0:04:11 | |
No your bra, your bra? | 0:04:11 | 0:04:14 | |
Did I say, "No my bra, my bra?" No, I said, "No my bra, my brah." | 0:04:14 | 0:04:18 | |
You saying my brah's calling me a bra? | 0:04:18 | 0:04:20 | |
All right, brah, I'll deal with this. | 0:04:20 | 0:04:22 | |
Now my brah things his ain brah's calling him a bra. | 0:04:22 | 0:04:25 | |
I don't want rumours I got called a bra by my ain brah. | 0:04:25 | 0:04:27 | |
-He wouldn't do that to me. -I wouldnae do that to my brah. | 0:04:27 | 0:04:29 | |
It sounds like you're saying bra. | 0:04:29 | 0:04:31 | |
Look, mate, it's simple, right? Mother, father, sister, brah. | 0:04:31 | 0:04:36 | |
My brah, mate. My brah. No my bra, no... | 0:04:37 | 0:04:40 | |
My bra. | 0:04:40 | 0:04:42 | |
No my bra. | 0:04:43 | 0:04:45 | |
SNORING | 0:04:58 | 0:05:00 | |
HE CONTINUES SNORING | 0:05:05 | 0:05:07 | |
Stop. Right. There. | 0:05:11 | 0:05:15 | |
'Sake, man. Every time. | 0:05:16 | 0:05:18 | |
You're on that couch sleeping all night and when I come in late | 0:05:18 | 0:05:21 | |
and try and sneak past you, you always catch me. | 0:05:21 | 0:05:24 | |
How do you do it, Da? | 0:05:24 | 0:05:25 | |
Cos I'm the best, hen. | 0:05:26 | 0:05:29 | |
Stop. Right. There. | 0:05:32 | 0:05:35 | |
Stop. Right. There. | 0:05:40 | 0:05:44 | |
Pish! | 0:05:44 | 0:05:46 | |
Stop. Right. There. | 0:05:48 | 0:05:52 | |
Arsehole! | 0:05:54 | 0:05:56 | |
I'm the best. | 0:05:57 | 0:06:00 | |
Hullo. Stick yer hauns up your wheecht for Harry MacLowdery. | 0:06:04 | 0:06:10 | |
HE APPLAUDS | 0:06:10 | 0:06:13 | |
# Awa deocht a drouth an ken tae wae a gley | 0:06:13 | 0:06:18 | |
# An tak awa the deoch ahin the haunsy | 0:06:18 | 0:06:22 | |
# Nae ken tae tak ye awa an tak awa | 0:06:22 | 0:06:26 | |
# An Lady Gaga's tourin' wi' Beyonce. # | 0:06:26 | 0:06:30 | |
OK, nice easy one to start off the quiz for you today, George. | 0:06:31 | 0:06:36 | |
'The national anthem of Great Britain.' | 0:06:36 | 0:06:38 | |
What's the missing word? | 0:06:38 | 0:06:39 | |
God Save The...? | 0:06:39 | 0:06:42 | |
Eh, God Save The... | 0:06:42 | 0:06:45 | |
Pandas? | 0:06:45 | 0:06:46 | |
No. Why would the national anthem be God Save The Pandas? | 0:06:48 | 0:06:52 | |
Well, they're nearly extinct. | 0:06:52 | 0:06:54 | |
It's God Save the Queen, George. | 0:06:54 | 0:06:56 | |
Ach, I would never have got that. I'm no into football. | 0:06:56 | 0:06:59 | |
Football? Let's move on to the next one. It's the musical odd one out. | 0:06:59 | 0:07:04 | |
Aw, cool. Music's my thing. | 0:07:04 | 0:07:06 | |
OK. Who is the odd one out? | 0:07:06 | 0:07:09 | |
John Lennon, Paul McCartney, George Harrison or Charlie Watts? | 0:07:09 | 0:07:14 | |
I assume you know who all these people are, George? | 0:07:14 | 0:07:17 | |
Aye. John Lennon, Paul McCartney and George Harrison were in The Beatles. | 0:07:17 | 0:07:21 | |
Charlie Watts is the drummer for the Rolling Stones. | 0:07:21 | 0:07:24 | |
'Exactly. So who's the odd one out?' | 0:07:24 | 0:07:26 | |
George Harrison? | 0:07:26 | 0:07:27 | |
Wrong. Why would you say George Harrison? | 0:07:27 | 0:07:30 | |
He's the only one with the same name as me. | 0:07:30 | 0:07:32 | |
The question isn't related to you, George, OK? | 0:07:32 | 0:07:34 | |
It's a musical odd one out. The musical element is the key. | 0:07:34 | 0:07:39 | |
Right, right, I've got you. | 0:07:39 | 0:07:40 | |
Right, OK. So, who's the odd one out? | 0:07:40 | 0:07:42 | |
George Harrison. | 0:07:42 | 0:07:43 | |
-No! -Aye. He's the only one that plays lead guitar. | 0:07:43 | 0:07:47 | |
Look. They all play different instruments George, OK? | 0:07:47 | 0:07:49 | |
We're not going to have a wrong answer. We're going to get it right. | 0:07:49 | 0:07:52 | |
Now, it's far more obvious than that. | 0:07:52 | 0:07:56 | |
Mair obvious? Right. OK. | 0:07:56 | 0:07:57 | |
The most obvious, George, the most obvious. So, what's the answer? | 0:07:57 | 0:08:02 | |
George Harrison. | 0:08:02 | 0:08:04 | |
He's the only one whose initials follow each other in the alphabet. | 0:08:04 | 0:08:07 | |
GH. | 0:08:07 | 0:08:09 | |
No! Look, you practically told me what the answer was | 0:08:09 | 0:08:12 | |
when you said who they were and what bands they were in. | 0:08:12 | 0:08:14 | |
So it's something to do with The Beatles and the Rolling Stones? | 0:08:14 | 0:08:17 | |
Of course it is. | 0:08:17 | 0:08:19 | |
'Right, right, OK.' | 0:08:19 | 0:08:20 | |
Charlie Watts is in the Rolling Stones. | 0:08:20 | 0:08:22 | |
John Lennon and Paul McCartney, I think, | 0:08:22 | 0:08:25 | |
wrote one of the Rolling Stones' first singles, | 0:08:25 | 0:08:29 | |
so the odd one out is George Harrison | 0:08:29 | 0:08:31 | |
because he didn't have anything to do with the Stones. | 0:08:31 | 0:08:33 | |
No, George! No! The answer is not George Harrison. | 0:08:33 | 0:08:37 | |
'It's obvious. Three of them played in what band?' | 0:08:37 | 0:08:40 | |
The Beatles. | 0:08:40 | 0:08:42 | |
And one of them played in what other band? | 0:08:42 | 0:08:45 | |
The Rolling Sto... | 0:08:45 | 0:08:46 | |
What an idiot. Right, I've got you, I've got you now, I've got you. | 0:08:49 | 0:08:53 | |
You're sure? | 0:08:53 | 0:08:54 | |
Aye, aye. | 0:08:54 | 0:08:56 | |
You're not going to say George Harrison again? | 0:08:56 | 0:08:58 | |
-HE SCOFFS -No. | 0:08:58 | 0:08:59 | |
OK. John Lennon, Paul McCartney, George Harrison and Charlie Watts, | 0:08:59 | 0:09:04 | |
finally, George, who's the odd one out? | 0:09:04 | 0:09:07 | |
Ringo Starr. | 0:09:07 | 0:09:09 | |
-No! -Aye. He's the only one of The Beatles left out. | 0:09:09 | 0:09:12 | |
He wasn't even an option! | 0:09:12 | 0:09:14 | |
You swapped Ringo Starr for Charlie Watts. | 0:09:14 | 0:09:17 | |
Yes, so Charlie Watts is the odd one out. | 0:09:17 | 0:09:19 | |
No. Charlie Watts is the odd one in. Charlie's in. Ringo's out. | 0:09:19 | 0:09:24 | |
Oh, God! | 0:09:24 | 0:09:26 | |
Hullo? Mate, do you have any quizzes about fish suppers? | 0:09:27 | 0:09:31 | |
Or any quizzes about sausage suppers? | 0:09:31 | 0:09:34 | |
Can I say hello to my friends at the Society for Lopsided Goats? | 0:09:34 | 0:09:38 | |
Mate? | 0:09:38 | 0:09:40 | |
Wooden pallets. | 0:09:40 | 0:09:42 | |
Wooden pallets. | 0:09:42 | 0:09:44 | |
Wooden pallets. Wooden pallets. | 0:09:44 | 0:09:47 | |
Wooden pallets. | 0:09:47 | 0:09:50 | |
Wooden pallets. Wooden pallets. | 0:09:50 | 0:09:53 | |
Wooden pallets. | 0:09:53 | 0:09:55 | |
Wooden pallets. | 0:09:55 | 0:09:58 | |
Pallets. | 0:10:01 | 0:10:02 | |
Pallets. | 0:10:02 | 0:10:04 | |
Pallets. | 0:10:04 | 0:10:06 | |
Wooden palle-e-e-ts. | 0:10:08 | 0:10:10 | |
Excuse me. Do you sell wooden pallets? | 0:10:10 | 0:10:14 | |
Naw. | 0:10:14 | 0:10:16 | |
HE GIGGLES | 0:10:18 | 0:10:20 | |
Just banter. It's all we sell. | 0:10:20 | 0:10:22 | |
Wooden pallets. What else is there to know? | 0:10:23 | 0:10:26 | |
Here's the shop. | 0:10:26 | 0:10:29 | |
Here it is on a map. | 0:10:29 | 0:10:31 | |
Here's yer maw inside the shop. | 0:10:31 | 0:10:34 | |
Wooden. Wooden. Wooden. Wooden. | 0:10:35 | 0:10:37 | |
Wooden. Wooden. Wooden. Wooden. | 0:10:37 | 0:10:39 | |
Wooden. Wooden. Wooden. Wooden. | 0:10:39 | 0:10:40 | |
-Woode-e-e-e-n. -Pallets! | 0:10:40 | 0:10:43 | |
-Woode-e-e-e-n. -Pallets! | 0:10:43 | 0:10:46 | |
-Woode-e-e-e-n. -Pallets! | 0:10:46 | 0:10:49 | |
Woode-e-e-e-n. | 0:10:49 | 0:10:50 | |
Pallets! Pallets! Pallets! Pallets! Pallets! | 0:10:50 | 0:10:53 | |
Pallets! Pallets! Pallets! Pallets! Pallets! | 0:10:53 | 0:10:57 | |
Wooden pallets. | 0:11:00 | 0:11:02 | |
Lewis, so glad to see you finally made it. What happened? | 0:11:07 | 0:11:10 | |
My dad said to give you this. | 0:11:10 | 0:11:12 | |
OK, Lewis, that's fine. Go and sit down. | 0:11:16 | 0:11:18 | |
-John, thanks for coming. -Thanks for asking me to come. | 0:11:25 | 0:11:29 | |
Thanks for reading the email so promptly. | 0:11:29 | 0:11:31 | |
Thanks for pencilling me in so quickly. | 0:11:31 | 0:11:32 | |
Thanks for making yourself available at such short notice. | 0:11:32 | 0:11:35 | |
-Thanks for being so polite. -Thanks for noticing. | 0:11:35 | 0:11:37 | |
-Would you like a cup of tea? -Yes, thank you for asking. | 0:11:37 | 0:11:41 | |
Oh, there you are now. | 0:11:41 | 0:11:44 | |
Thanks for not being difficult and asking for a different drink. | 0:11:44 | 0:11:47 | |
Thanks for having some tea at hand in spite of you preferring coffee. | 0:11:47 | 0:11:50 | |
Thanks for noticing coffee is my favourite drink. | 0:11:50 | 0:11:52 | |
Thanks for noticing how observant I am. | 0:11:52 | 0:11:54 | |
Thanks. | 0:11:54 | 0:11:56 | |
I'll tell you what it is. It's about... Oh, before that. | 0:11:56 | 0:11:59 | |
Thanks for filling in this application form so tidily. | 0:11:59 | 0:12:02 | |
Thanks for issuing such a straight forward application form. | 0:12:02 | 0:12:05 | |
Thanks for using block capitals and a black pen. | 0:12:05 | 0:12:07 | |
Thanks for insisting on a black pen, my favourite colour of pen. | 0:12:07 | 0:12:10 | |
Thanks for telling me your favourite colours and beverages. | 0:12:10 | 0:12:13 | |
Thanks for making me this lovely cup of tea. | 0:12:13 | 0:12:15 | |
Thanks for not slurping your tea there but silently sipping. | 0:12:20 | 0:12:23 | |
-Thanks. -Thanks. -Thanks. | 0:12:23 | 0:12:25 | |
Anyway, this application form... Oh, by the way, | 0:12:25 | 0:12:28 | |
thanks for the lovely pressed flowers. | 0:12:28 | 0:12:30 | |
Oh, thanks for inspiring me to start my flower pressing hobby again. | 0:12:30 | 0:12:33 | |
HE SNIFFS PAPER | 0:12:33 | 0:12:35 | |
Thanks for reminding me of summer days on my grandfather's farm. | 0:12:35 | 0:12:38 | |
Thanks for reminding me of my late grandmother, who I dearly loved. | 0:12:38 | 0:12:41 | |
-Thanks. -Thanks. -So here's the issue. | 0:12:41 | 0:12:44 | |
At the end of the personal bio, there's a word | 0:12:44 | 0:12:46 | |
and it's the one word that we can't understand here in the office | 0:12:46 | 0:12:49 | |
because the ink is smudged. | 0:12:49 | 0:12:50 | |
Oh, thanks for letting me know. | 0:12:50 | 0:12:52 | |
It starts with a T. | 0:12:52 | 0:12:53 | |
-A T? -Yes. | 0:12:53 | 0:12:56 | |
"And that is why I think I'll be a perfect fit for your company | 0:12:56 | 0:12:59 | |
"and the type of people who work there". | 0:12:59 | 0:13:01 | |
And then that word, T-smudge-S. | 0:13:01 | 0:13:03 | |
T and then an S at the end. | 0:13:03 | 0:13:06 | |
Thanks for trying to work this out. Very helpful here. | 0:13:06 | 0:13:09 | |
Thanks. | 0:13:09 | 0:13:11 | |
Oooooh, no, sorry, no idea what I was going on about there. | 0:13:11 | 0:13:14 | |
Well, there's a theory in the office that it might be the word tossers. | 0:13:14 | 0:13:18 | |
Tossers?! | 0:13:18 | 0:13:21 | |
"And that is why I think I might be a perfect fit for your company | 0:13:21 | 0:13:24 | |
"and the type of people who work there, tossers." | 0:13:24 | 0:13:26 | |
Oh, dear, dear, dear, dear, dear. I suppose it must be that then | 0:13:26 | 0:13:29 | |
because I can't think what else it could possibly be. | 0:13:29 | 0:13:31 | |
Well, in that case, your application is rejected. Thanks for coming. | 0:13:31 | 0:13:35 | |
-Thanks for asking me. -Thanks. -Thanks. -Thanks. -Thanks. | 0:13:35 | 0:13:39 | |
-Seriously, thanks. -Thanks. | 0:13:39 | 0:13:41 | |
-Thanks. -Thank you. | 0:13:41 | 0:13:43 | |
John, John, thanks. | 0:13:43 | 0:13:46 | |
Let me tell you this, I thank you. | 0:13:46 | 0:13:49 | |
-Thanks. -Thanks. | 0:13:49 | 0:13:51 | |
Balls. | 0:13:57 | 0:13:58 | |
No balls. | 0:13:58 | 0:13:59 | |
-Balls. -No balls. | 0:14:02 | 0:14:04 | |
-Balls. -No balls. | 0:14:04 | 0:14:06 | |
-Balls. -No balls. | 0:14:06 | 0:14:08 | |
Balls. | 0:14:08 | 0:14:10 | |
Where do you think you're going? | 0:14:13 | 0:14:16 | |
Where do you think you're going? | 0:14:20 | 0:14:23 | |
Aw, pish! | 0:14:23 | 0:14:26 | |
Where do you think you're going? | 0:14:27 | 0:14:29 | |
How do you always know? | 0:14:30 | 0:14:32 | |
Cos I'm the best, hen. The best. | 0:14:32 | 0:14:36 | |
THEY GIGGLE | 0:14:46 | 0:14:49 | |
HE SIGHS DISGUSTEDLY | 0:14:49 | 0:14:52 | |
'Sake! | 0:14:57 | 0:14:59 | |
Come on. | 0:15:05 | 0:15:08 | |
Right, that's it! Get a room, you pair. | 0:15:08 | 0:15:12 | |
Come on, May, we're leaving. | 0:15:12 | 0:15:15 | |
'The University of Burnistoun presents Snide Looks 101. | 0:15:22 | 0:15:25 | |
'A beginners' guide to pulling snidey faces.' | 0:15:25 | 0:15:28 | |
Coming to a cinema this fall, | 0:15:57 | 0:16:00 | |
open your heart to cinema's hottest new hunky star. | 0:16:00 | 0:16:05 | |
I've never dated a Scotsman before. | 0:16:05 | 0:16:07 | |
Are you as wild and crazy as people say? | 0:16:07 | 0:16:10 | |
Oh, there's nothing so wild and crazy as the Scoddish. | 0:16:10 | 0:16:14 | |
What ye talking like that fur? | 0:16:15 | 0:16:18 | |
Sorry, who are you? | 0:16:19 | 0:16:21 | |
Oh, I'm just a real guy, mate. Just like the old guys from Scotland. | 0:16:21 | 0:16:26 | |
The question is, who are you, mate? Where are you fae? | 0:16:26 | 0:16:29 | |
I'm from Scodland. | 0:16:29 | 0:16:31 | |
Scodland? Who says Scotland like that, mate? | 0:16:31 | 0:16:34 | |
I'll tell ye who. | 0:16:34 | 0:16:35 | |
Scottish actors that have slagged their way to Hollywood... | 0:16:35 | 0:16:39 | |
and fannies. | 0:16:39 | 0:16:40 | |
How d'ye no just say Sco'land like a real guy, | 0:16:40 | 0:16:42 | |
like your da or your uncle would say it. | 0:16:42 | 0:16:44 | |
Sco'land. Sco'land. Sco'land. | 0:16:44 | 0:16:47 | |
Nae D sound in there, mate. | 0:16:47 | 0:16:50 | |
No even a T sound in there. | 0:16:50 | 0:16:51 | |
Just an UH. Sco-uh-land. | 0:16:51 | 0:16:54 | |
Look, buddy, we're trying to have a romandic dinner here. | 0:16:55 | 0:16:59 | |
Buddy? | 0:17:01 | 0:17:02 | |
Buddy, mate? Who says buddy in Scotland? | 0:17:04 | 0:17:08 | |
Why can ye no call guys things that real guys call guys? | 0:17:08 | 0:17:11 | |
Things like mucker, mate, Jim, chief, pal, big yin, wee yin. | 0:17:11 | 0:17:15 | |
Things like yer da, yer uncle would call yer uncle or da. | 0:17:15 | 0:17:19 | |
Here, mucker, ye goin' to the Scotland game tonight? | 0:17:19 | 0:17:21 | |
Naw, naw, naw, naw, naw, naw, naw, naw, | 0:17:21 | 0:17:24 | |
I'm goin' tae Hollywood so I can say Scotland like this. | 0:17:24 | 0:17:28 | |
Scodland. | 0:17:28 | 0:17:29 | |
And call a real guy...buddy. | 0:17:29 | 0:17:32 | |
What do ye want fer yer dinner? | 0:17:33 | 0:17:36 | |
I'll have the chicken. | 0:17:36 | 0:17:37 | |
I'll have the toona. | 0:17:37 | 0:17:38 | |
Toona? | 0:17:38 | 0:17:40 | |
Chuna, mate, chuna. Ch, ch, ch, chuna. | 0:17:41 | 0:17:45 | |
What's with arseholes and the letter T? | 0:17:45 | 0:17:48 | |
Scottish guys, mate, real guys, we pronounce the letter T wi' a CH. | 0:17:48 | 0:17:51 | |
Mon, hen, 'mon you wi' a real guy, cos this guy... | 0:17:52 | 0:17:58 | |
is a cunch. | 0:17:58 | 0:18:00 | |
HE LAUGHS | 0:18:25 | 0:18:27 | |
Here, Emma, come and see this stoater. | 0:18:27 | 0:18:29 | |
SHE LAUGHS | 0:18:32 | 0:18:33 | |
When you're that out of it, you're stoating like that, | 0:18:35 | 0:18:38 | |
-there's nothing will stop ye. -I know. | 0:18:38 | 0:18:41 | |
-What speed do you think he's going? -Mmm, three mile an hour? | 0:18:41 | 0:18:45 | |
That's what I thought. | 0:18:45 | 0:18:48 | |
ALARM BEEPS | 0:18:59 | 0:19:01 | |
HE CHUCKLES | 0:19:07 | 0:19:10 | |
There he is, there he's there. | 0:19:10 | 0:19:12 | |
Aw, you've got Sat Nav now? | 0:19:26 | 0:19:29 | |
Aye, got it for my birthday. | 0:19:29 | 0:19:31 | |
Got a celebrity voice on it? | 0:19:31 | 0:19:34 | |
Naw. Came with my dad's voice on it. | 0:19:34 | 0:19:37 | |
Your dad's voice? | 0:19:37 | 0:19:39 | |
'D'ye never think of giein the inside of this motor a clean, son? | 0:19:39 | 0:19:42 | |
'Left, left, left, left, left! | 0:19:42 | 0:19:44 | |
'I said left for buck's sake. Are you deef?' | 0:19:44 | 0:19:48 | |
I was past the turn before you said it. | 0:19:48 | 0:19:50 | |
'Should have buckin drove myself. Burly about.' | 0:19:50 | 0:19:53 | |
-HE LAUGHS -That's pretty good. That sounds just like him. | 0:19:53 | 0:19:56 | |
'Are you no a fan of indicators, Derek? | 0:19:56 | 0:19:58 | |
'They're these wee flashing lights | 0:19:58 | 0:20:00 | |
'that let other drivers know your manoeuvres. | 0:20:00 | 0:20:03 | |
'Sack that, go straight on. Whenever you're ready.' | 0:20:03 | 0:20:06 | |
INDICATOR TICKS | 0:20:06 | 0:20:07 | |
'Switch that indicator off. It's no big deal. | 0:20:07 | 0:20:10 | |
'It's only the language of the road that the rest of us all use. | 0:20:10 | 0:20:12 | |
'It's no Brands Hatch, son.' | 0:20:12 | 0:20:14 | |
I wasnae goin' fast. | 0:20:14 | 0:20:15 | |
'Pull over, I'll just walk. | 0:20:15 | 0:20:17 | |
'I always said I wanted cremated but no right now | 0:20:17 | 0:20:20 | |
'in some fireball accident you've caused.' | 0:20:20 | 0:20:22 | |
Well, walk, then. | 0:20:22 | 0:20:24 | |
'Left, left! Oh, you've missed it again.' | 0:20:24 | 0:20:26 | |
Can you give me a bit of warning? | 0:20:26 | 0:20:28 | |
'Is this a prison ship we're on?' | 0:20:28 | 0:20:30 | |
-No. -'Then why are you right up that guy's arse? | 0:20:30 | 0:20:33 | |
CAR BRAKES | 0:20:33 | 0:20:34 | |
You drive. | 0:20:36 | 0:20:37 | |
'Aw, what have I said now? | 0:20:37 | 0:20:39 | |
'Honestly, you're like a bloody wallflower. | 0:20:39 | 0:20:42 | |
'I'll say what I want about your driving, right? You know why? | 0:20:42 | 0:20:45 | |
'Yer 35 year old and you're still on my insurance. | 0:20:45 | 0:20:49 | |
'Your ma won't let me take you off it. | 0:20:49 | 0:20:51 | |
'You're on my rescue recovery an all. You're costing me a fortune. | 0:20:51 | 0:20:54 | |
'Turn left!' | 0:20:54 | 0:20:55 | |
Balls. | 0:21:25 | 0:21:27 | |
MILD APPLAUSE | 0:21:27 | 0:21:29 | |
All right, Scott? | 0:21:42 | 0:21:43 | |
PHONE KEY TONES SOUND | 0:21:43 | 0:21:46 | |
Scott? | 0:21:46 | 0:21:49 | |
Scott? | 0:21:49 | 0:21:51 | |
Scott! | 0:21:54 | 0:21:56 | |
What? | 0:21:56 | 0:21:57 | |
I said, "All right." | 0:21:57 | 0:21:59 | |
Hold on a minute, eh? Trying to do a Tweet here. | 0:21:59 | 0:22:02 | |
Telling my followers what's happening. | 0:22:02 | 0:22:05 | |
Did you just say followers? | 0:22:05 | 0:22:08 | |
Scott, mate, the only people that follow you | 0:22:08 | 0:22:10 | |
are investigators fae the social. | 0:22:10 | 0:22:13 | |
Mate, I've got 207 followers on this now, | 0:22:13 | 0:22:16 | |
and now they're all updated with my gossip. | 0:22:16 | 0:22:19 | |
All what gossip? What did you just Tweet them? | 0:22:19 | 0:22:21 | |
I just Tweeted, "That's Peter coming in." | 0:22:21 | 0:22:24 | |
Oh, well. That must have them gripped, eh? | 0:22:25 | 0:22:28 | |
I mean, that revelation must really have them on the edge of their seat. | 0:22:28 | 0:22:33 | |
If they're allowed seats in a mental hospital, | 0:22:33 | 0:22:35 | |
where your followers must live. | 0:22:35 | 0:22:37 | |
Well, mate, @cara20 just tweeted back at me... | 0:22:37 | 0:22:41 | |
"Is Peter as cute as you are?" | 0:22:41 | 0:22:45 | |
You're cute? | 0:22:45 | 0:22:47 | |
HE LAUGHS | 0:22:47 | 0:22:48 | |
Did she get her guide dog to Tweet that for her? | 0:22:48 | 0:22:51 | |
Just a bit of flirting, all right? I flirt with all my followers. | 0:22:51 | 0:22:56 | |
Mate, gonnae stop saying followers, right. | 0:22:56 | 0:22:58 | |
D'ye think you're some kind of inspirational leader or something? | 0:22:58 | 0:23:02 | |
-What ye doing? -Just taking yer photo for Facebook, man. -Er, why? | 0:23:02 | 0:23:06 | |
Well, cos this is happening, isn't it? | 0:23:06 | 0:23:08 | |
This is something that's happening. | 0:23:08 | 0:23:10 | |
So I want to put it on my timeline so I can look at it. | 0:23:10 | 0:23:14 | |
Scott, mate, I come over here every single day. | 0:23:14 | 0:23:18 | |
We live this miserable day together, every single day. | 0:23:18 | 0:23:22 | |
Who could possibly want to see photies of it? | 0:23:22 | 0:23:25 | |
Your doctor when you're trying to get a prescription for anti depressants? | 0:23:25 | 0:23:30 | |
Listen, mate, I dinnae want to go here, but... | 0:23:30 | 0:23:33 | |
Do you want to stop being such a Luddite. | 0:23:33 | 0:23:35 | |
Such a whit now? | 0:23:35 | 0:23:37 | |
A Luddite, mate. You're scared of technology. | 0:23:37 | 0:23:40 | |
You're no engaging with any of it, mate. | 0:23:40 | 0:23:42 | |
I says to wee Barry the other day, I was like that, | 0:23:42 | 0:23:44 | |
"See Peter, he's no across any of these new technologies. | 0:23:44 | 0:23:47 | |
"He's no sharing content the way the rest of us are." | 0:23:47 | 0:23:49 | |
Whit? | 0:23:51 | 0:23:52 | |
See me and wee Barry, Peter, we're frictionlessly sharing playlists | 0:23:52 | 0:23:55 | |
and other stuff we've curated all the time, man. | 0:23:55 | 0:23:58 | |
Even your maw's started live streaming now. | 0:23:58 | 0:24:00 | |
Everybody's daein it. You're getting left behind, mate. | 0:24:00 | 0:24:03 | |
Well, you know what, Scott? | 0:24:05 | 0:24:08 | |
I'd rather be a Luddite than a Fuddite. | 0:24:08 | 0:24:12 | |
I'd rather be a Luddite than a Fuddite? That's a belter. | 0:24:14 | 0:24:18 | |
Yes, five retweets already, man. | 0:24:18 | 0:24:21 | |
There are bedroom gymnasts and there are bedroom gymnasts. | 0:24:29 | 0:24:34 | |
And then there's me. | 0:24:34 | 0:24:36 | |
Hey, man, welcome to Look Good For The Lassies But Feel Like A Dickhead. | 0:25:53 | 0:25:58 | |
How can I help you? | 0:25:58 | 0:26:00 | |
I'm looking for some claes that would make lassies mebbe fancy me, | 0:26:00 | 0:26:03 | |
but at the same time kind of make me feel like a total dickhead. | 0:26:03 | 0:26:07 | |
Well, you've come to the right place. | 0:26:07 | 0:26:09 | |
What do you think I need? | 0:26:09 | 0:26:10 | |
Come and have a look at our mannequins. | 0:26:10 | 0:26:13 | |
What one of these mannequins do you most feel like hooking in the jaw? | 0:26:16 | 0:26:20 | |
Well, the one in the middle looks like the biggest arsehole, | 0:26:22 | 0:26:25 | |
you know what I mean, with his wee man bag and his braces and all that | 0:26:25 | 0:26:29 | |
but having said that, he probably has zero problems getting his hole. | 0:26:29 | 0:26:32 | |
Well, that's the outfit for you. | 0:26:32 | 0:26:35 | |
Let's go and try some of these clothes on. | 0:26:35 | 0:26:37 | |
Oh, I don't know, man. I kind of hate myself, know what I mean? | 0:26:48 | 0:26:53 | |
Don't get me wrong, if I'm a lassie | 0:26:53 | 0:26:55 | |
I'm probably firing right into this Mumford and Sons-looking fanny here, | 0:26:55 | 0:26:58 | |
but if I saw myself walking into a Burnistoun boozer | 0:26:58 | 0:27:01 | |
I'd probably want to toe my ain baws. | 0:27:01 | 0:27:04 | |
I think you look great. | 0:27:04 | 0:27:06 | |
You look like a total dickhead but my sister would be all over you. | 0:27:06 | 0:27:10 | |
I feel like knocking you spark out. You look fantastic. | 0:27:10 | 0:27:13 | |
All right, man, I'll take them. | 0:27:13 | 0:27:15 | |
Four, seven, five, eight. | 0:27:19 | 0:27:22 | |
Right, give me a wee ring some time and we'll sort something out. | 0:27:22 | 0:27:26 | |
Sounds great. Bye. | 0:27:26 | 0:27:29 | |
THEY LAUGH | 0:27:33 | 0:27:35 | |
Nice hat, ya fanny! | 0:27:35 | 0:27:38 | |
Yaaaas! | 0:27:38 | 0:27:40 | |
Subtitles by Red Bee Media Ltd | 0:27:55 | 0:27:58 |