Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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-I've got a parcel for you, mate. -Oh, cheers. | 0:00:24 | 0:00:26 | |
Could you sign this, please? | 0:00:26 | 0:00:28 | |
Cannae. | 0:00:38 | 0:00:39 | |
That'll do me. | 0:00:39 | 0:00:40 | |
Ta. | 0:00:41 | 0:00:42 | |
All right? | 0:00:48 | 0:00:49 | |
I'm Jolly Boy John. | 0:00:49 | 0:00:50 | |
Jolly Boy John acting the wide-o | 0:00:50 | 0:00:52 | |
is For Real. | 0:00:52 | 0:00:53 | |
For Real. What, what, what, what, | 0:00:53 | 0:00:55 | |
what, what, what, what? | 0:00:55 | 0:00:56 | |
Jolly Boy John acting the wide-o with his nephew's nappy on his head | 0:00:56 | 0:00:59 | |
is For Real. | 0:00:59 | 0:01:00 | |
Get tooled up if you want, mate-mate-mate. | 0:01:00 | 0:01:03 | |
I'm tooled up with wee chocolate bananas! | 0:01:03 | 0:01:07 | |
For Real! Come and get meee... | 0:01:07 | 0:01:10 | |
For Real! | 0:01:10 | 0:01:11 | |
Jolly Boy John acting the wide-o to the polis | 0:01:11 | 0:01:13 | |
with his nephew's nap-nap-nappies on his head | 0:01:13 | 0:01:15 | |
in his Aunty Mary's hooer boots | 0:01:15 | 0:01:16 | |
is For Real! | 0:01:16 | 0:01:17 | |
For Real! Here... | 0:01:17 | 0:01:19 | |
There'd better be a squad of yous to get me in that polis van | 0:01:19 | 0:01:22 | |
cos I'm game as fuuu... | 0:01:22 | 0:01:24 | |
For Real! | 0:01:24 | 0:01:25 | |
All right, ladies? | 0:01:25 | 0:01:27 | |
How do yous like me now I've got my sexy boots on? | 0:01:27 | 0:01:32 | |
Jolly Boy John buying a good sling off the Internet | 0:01:32 | 0:01:34 | |
and firing one of his nephew's pishy nap-nap-nappies that he's | 0:01:34 | 0:01:37 | |
kept in the freezer all night at a polis van in the street | 0:01:37 | 0:01:39 | |
is For Real! | 0:01:39 | 0:01:40 | |
# White boots and a nappy hat # All the chicks go hot for that. # | 0:01:40 | 0:01:44 | |
Ooh! Ahhh! | 0:01:44 | 0:01:46 | |
Ooh! Ahhh! | 0:01:46 | 0:01:48 | |
# White boots and a nappy hat | 0:01:48 | 0:01:50 | |
# All the chicks go hot for that. # | 0:01:50 | 0:01:51 | |
Columbo, TJ Hooker, Miss Marple, Arthur Bostrom. | 0:01:51 | 0:01:56 | |
Yous are all trying to solve the puzzle of how to be | 0:01:56 | 0:01:58 | |
as For Real as Jolly Boy John. | 0:01:58 | 0:02:00 | |
Get Real! | 0:02:00 | 0:02:01 | |
Ooh! Ahhh! Ooh! | 0:02:01 | 0:02:05 | |
It is here, on this very slope, | 0:03:15 | 0:03:18 | |
where Murdoch and his band of raggle-taggle bounty hunters | 0:03:18 | 0:03:22 | |
and soldiers of fortune attacked Lord Porter and his English army. | 0:03:22 | 0:03:27 | |
It is easy to imagine their hearts pounding in their chests, | 0:03:28 | 0:03:31 | |
the adrenaline coursing through their veins | 0:03:31 | 0:03:35 | |
as they charged down the slope towards the colossal enemy. | 0:03:35 | 0:03:39 | |
YAARGGHHH! | 0:03:39 | 0:03:41 | |
YEEE-AARRGGHH! | 0:03:41 | 0:03:43 | |
Listen hen, yer da's got a bit of a drink in him, | 0:03:53 | 0:03:56 | |
so gonnae take his shoes aff and get that fag out his hon | 0:03:56 | 0:04:00 | |
before you go to your bed? | 0:04:00 | 0:04:02 | |
I'm away up the stairs. | 0:04:02 | 0:04:03 | |
SHE SIGHS | 0:04:07 | 0:04:09 | |
New from Ciderson's Games, | 0:04:09 | 0:04:12 | |
it's Take yer Da's Shoes Aff Hen. | 0:04:12 | 0:04:14 | |
Can you get yer da's shoes aff | 0:04:16 | 0:04:18 | |
without waking him up? | 0:04:18 | 0:04:19 | |
What about the fag | 0:04:21 | 0:04:22 | |
from between his fingers? | 0:04:22 | 0:04:23 | |
No having a fly puff, now! | 0:04:23 | 0:04:26 | |
Hey, yer only a wean! | 0:04:26 | 0:04:28 | |
And if yer feeling really brave, | 0:04:31 | 0:04:33 | |
you can try and knock a tenner | 0:04:33 | 0:04:34 | |
from that wallet in his troosers! Go on. | 0:04:34 | 0:04:36 | |
Aw, no! | 0:04:36 | 0:04:38 | |
'Get yersel' tae fuck!' | 0:04:38 | 0:04:40 | |
Take Yer Da's Shoes Aff Hen, | 0:04:40 | 0:04:42 | |
from Ciderson's. | 0:04:42 | 0:04:44 | |
Here. | 0:04:54 | 0:04:56 | |
Have you noticed anything? | 0:04:56 | 0:04:58 | |
Naw. What? | 0:04:59 | 0:05:00 | |
Take a look about ye. | 0:05:00 | 0:05:03 | |
Oh, wait a buckin' minute. | 0:05:07 | 0:05:09 | |
Wait a buckin' minute is right. Is this a studenty place? | 0:05:09 | 0:05:12 | |
-Is this a studenty place? -This better no be a studenty place. | 0:05:12 | 0:05:15 | |
Oh, see if this is a studenty place... | 0:05:15 | 0:05:17 | |
Hey! | 0:05:18 | 0:05:19 | |
Are you a student? | 0:05:19 | 0:05:21 | |
Em, well, I go to college. | 0:05:21 | 0:05:23 | |
HE SIGHS | 0:05:23 | 0:05:25 | |
What's that you're drinking? | 0:05:25 | 0:05:26 | |
It better be tea, the same as us. | 0:05:26 | 0:05:28 | |
It's a mocha. | 0:05:28 | 0:05:30 | |
-A what?! -A mocha. | 0:05:30 | 0:05:32 | |
-A what?! -A mocha. | 0:05:32 | 0:05:33 | |
-A what?!? -A mocha. | 0:05:33 | 0:05:35 | |
A WHAT?!? | 0:05:35 | 0:05:37 | |
You, hen. | 0:05:37 | 0:05:39 | |
Please tell me that is a good, honest, working class cup of tea. | 0:05:39 | 0:05:43 | |
It's a caramel macchiato. | 0:05:43 | 0:05:46 | |
A caramel macca-what-noo? | 0:05:46 | 0:05:47 | |
Ho! Waitress! | 0:05:47 | 0:05:49 | |
Is... | 0:05:50 | 0:05:51 | |
..this a studenty place? | 0:05:53 | 0:05:55 | |
-What? -Is this, or is this no, | 0:05:55 | 0:05:58 | |
a studenty place full of wee iPad-using f-Pads? | 0:05:58 | 0:06:00 | |
THE TRUTH! | 0:06:00 | 0:06:01 | |
It's just a coffee shop. | 0:06:01 | 0:06:03 | |
Oh, I get it. | 0:06:03 | 0:06:05 | |
So everybody can act all exotic with their wee coffees? | 0:06:05 | 0:06:08 | |
Me-me-me-me-me! | 0:06:08 | 0:06:10 | |
You tell all your wee studenty pals | 0:06:10 | 0:06:14 | |
that we're no impressed with their exotic coffee. | 0:06:14 | 0:06:18 | |
-A WHAT?!? -A mocha! | 0:06:18 | 0:06:20 | |
Ohhh! | 0:06:20 | 0:06:21 | |
Joe! Up the road! | 0:06:22 | 0:06:24 | |
Up the road now! | 0:06:25 | 0:06:26 | |
-Up. -Up the road now. | 0:06:26 | 0:06:28 | |
Up the road. | 0:06:28 | 0:06:30 | |
Up the road. | 0:06:32 | 0:06:33 | |
Up the road! | 0:06:33 | 0:06:34 | |
Up the road now! | 0:06:37 | 0:06:38 | |
Hello. Tell yer quine to drap her breechs for Herry Maclowdery. | 0:06:42 | 0:06:49 | |
APPLAUSE | 0:06:49 | 0:06:51 | |
# Oh, ye dinna ken a geechie like awa' and tak' awa' | 0:06:51 | 0:06:56 | |
# When the faur faur winds ae wiy fae dearer | 0:06:56 | 0:07:01 | |
# An' a' ahint the braes an' afore tae tak' awa' | 0:07:01 | 0:07:05 | |
# There's hot new poolside pictures of Shakira. # | 0:07:05 | 0:07:09 | |
Well, Doctor? | 0:07:19 | 0:07:20 | |
Thank Christ I don't need to live with that wee prick. | 0:07:20 | 0:07:24 | |
On the run from the English army, | 0:07:49 | 0:07:51 | |
it is here in this beautiful meadow where Murdoch set up camp | 0:07:51 | 0:07:56 | |
and spent his wedding night. | 0:07:56 | 0:07:58 | |
It is said that he consummated the marriage | 0:07:59 | 0:08:02 | |
on this very piece of ground. | 0:08:02 | 0:08:06 | |
It is easy to imagine making love to a beautiful young wife | 0:08:06 | 0:08:11 | |
for the first time in a beautiful place like this. | 0:08:11 | 0:08:16 | |
Oh! On her back, | 0:08:16 | 0:08:18 | |
feeling the grass beneath her, | 0:08:18 | 0:08:20 | |
as she looks up into the eyes of her heroic husband. | 0:08:20 | 0:08:24 | |
But... | 0:08:24 | 0:08:25 | |
..as legend has it, | 0:08:27 | 0:08:29 | |
Murdoch had not yet finished making love to his new wife | 0:08:29 | 0:08:33 | |
for the first time when Lord Porter's soldiers attacked. | 0:08:33 | 0:08:37 | |
YEEE-AARRGGHH! | 0:08:40 | 0:08:43 | |
AAARRGGHH! | 0:08:43 | 0:08:45 | |
AARRGGHH! | 0:08:45 | 0:08:48 | |
HE ROARS | 0:08:48 | 0:08:51 | |
Hello, tiger. | 0:09:01 | 0:09:02 | |
Excuse me? "Hello, tiger?" | 0:09:04 | 0:09:06 | |
Mmm, yes. Hello, tiger. | 0:09:06 | 0:09:08 | |
What's that patter about? | 0:09:08 | 0:09:10 | |
Well, the management have asked us | 0:09:10 | 0:09:12 | |
to be much nicer to the jobseekers from now on. | 0:09:12 | 0:09:14 | |
You know they way we normally behave, darlin'? | 0:09:14 | 0:09:16 | |
-Like snidey bastards? -That's right, tiger. | 0:09:16 | 0:09:19 | |
Well, we've to bin that, | 0:09:19 | 0:09:20 | |
and we've to be much nicer from now on, you wee smasher. | 0:09:20 | 0:09:23 | |
We have to get at least one compliment into every exchange. | 0:09:23 | 0:09:26 | |
-I don't think I like that, but. -Well, nae luck. | 0:09:26 | 0:09:28 | |
You're just a jobseeker, so as far as me being nice to you goes, | 0:09:28 | 0:09:31 | |
you'll have to like it or lump it, ya wee cutie pie. | 0:09:31 | 0:09:34 | |
Right, fair enough. | 0:09:34 | 0:09:36 | |
-So, have you been looking for work this week, stud? -Eh, aye. | 0:09:36 | 0:09:41 | |
Well, I'm gonnae need some proof of that, gorgeous. | 0:09:41 | 0:09:43 | |
A call centre. | 0:09:43 | 0:09:44 | |
I went for an interview, but nae joy. | 0:09:44 | 0:09:47 | |
One interview? That's your lot for a week? | 0:09:47 | 0:09:50 | |
I thought you were supposed to give me a compliment with every exchange. | 0:09:50 | 0:09:53 | |
Sorry, did I miss one there? | 0:09:53 | 0:09:55 | |
Erm...OK, let me... | 0:09:55 | 0:09:56 | |
Let me give you this rose here. | 0:09:56 | 0:09:58 | |
It goes nice with your lovely wee red sweater and that. | 0:09:58 | 0:10:03 | |
You know what I think, though? You're lazy. | 0:10:03 | 0:10:05 | |
You're lazy and sleekit. A lazy, sleekit, wee sweetheart. | 0:10:06 | 0:10:09 | |
Can I just sign on and go? All this patter's making me feel awkward. | 0:10:09 | 0:10:12 | |
"Just sign on and go?!" | 0:10:12 | 0:10:14 | |
Do you think we should just be giving free money | 0:10:14 | 0:10:17 | |
to any guy that walks in here with his beautiful, big brown eyes? | 0:10:17 | 0:10:20 | |
Like a lovely wee Shetland pony staring at you? | 0:10:20 | 0:10:23 | |
Look, I am looking for work, all right? | 0:10:23 | 0:10:25 | |
One interview a week isn't good enough. You should be out there | 0:10:25 | 0:10:28 | |
pounding those streets with those big, muscular feet. | 0:10:28 | 0:10:31 | |
I'm sick of you lot acting all high and mighty behind your desks. | 0:10:31 | 0:10:35 | |
See that job of yours, mate? | 0:10:35 | 0:10:37 | |
It's shite! | 0:10:37 | 0:10:38 | |
It's shite! | 0:10:38 | 0:10:39 | |
So just shut your mouth | 0:10:39 | 0:10:41 | |
with your perfect, beautiful teeth | 0:10:41 | 0:10:44 | |
and your lovely full lips and that. | 0:10:44 | 0:10:48 | |
You've got me doing it now. | 0:10:48 | 0:10:50 | |
How dare you abuse me like that! | 0:10:50 | 0:10:52 | |
Coming in here shouting at me | 0:10:52 | 0:10:53 | |
with that commanding voice | 0:10:53 | 0:10:55 | |
with that rich tone, like an operatic tenor or something! | 0:10:55 | 0:10:58 | |
You dreamboat! | 0:10:58 | 0:10:59 | |
You know what? You can shove your benefit money, right? | 0:10:59 | 0:11:02 | |
Because I'm sick of listening to you | 0:11:02 | 0:11:05 | |
with all your charisma and your charm. | 0:11:05 | 0:11:08 | |
Like some kind of Benefits Office George Clooney or something, right? | 0:11:08 | 0:11:12 | |
You, mate, are marriage material! | 0:11:12 | 0:11:15 | |
MARRIAGE MATERIAL! | 0:11:15 | 0:11:16 | |
Get out! | 0:11:16 | 0:11:18 | |
Get that lovely wee firm tush of yours wiggling out of that door! | 0:11:18 | 0:11:22 | |
I hate to see you go, mate, | 0:11:22 | 0:11:24 | |
but I lo-ove to watch you leave! Mmm! | 0:11:24 | 0:11:28 | |
Hello, tiger. I'll be with you in a minute. | 0:11:29 | 0:11:31 | |
Mmm-mmm! | 0:11:32 | 0:11:34 | |
GAMESHOW JINGLE | 0:11:36 | 0:11:39 | |
Hello, my name's Gavin Teeth-Whitened, | 0:11:43 | 0:11:45 | |
and welcome back to Fight or Dirty Bit. | 0:11:45 | 0:11:49 | |
We're here with this week's contestant, Davey Crockett. | 0:11:49 | 0:11:53 | |
It's Croquette. | 0:11:53 | 0:11:55 | |
Like a potato croquette. | 0:11:55 | 0:11:56 | |
Sorry, Davey. | 0:11:56 | 0:11:58 | |
-Are you ready to play Fight or Dirty Bit? -Aye. | 0:11:58 | 0:12:02 | |
Let's take a look at this short film clip, | 0:12:02 | 0:12:05 | |
and then, Davey, you tell me what's coming next. | 0:12:05 | 0:12:08 | |
Fight or Dirty Bit? | 0:12:08 | 0:12:10 | |
RETRO MUSIC | 0:12:12 | 0:12:15 | |
The faucet's just over here. | 0:12:15 | 0:12:17 | |
That's good, cos I'm a plumber. | 0:12:17 | 0:12:21 | |
And I'm Susannah. | 0:12:21 | 0:12:24 | |
Let me just open the cupboard underneath the sink for you. | 0:12:24 | 0:12:28 | |
Davey, Fight, or Dirty Bit? | 0:12:33 | 0:12:35 | |
With a sexy wee arse on that yin like that? | 0:12:35 | 0:12:37 | |
It's got to be a dirty bit, Gavin. | 0:12:37 | 0:12:39 | |
Let's take a look. | 0:12:39 | 0:12:40 | |
Mmm...mmm-mmm. | 0:12:44 | 0:12:46 | |
GONG CLANGS | 0:12:46 | 0:12:49 | |
Get up, Susannah! | 0:12:50 | 0:12:51 | |
Or should I say... | 0:12:53 | 0:12:54 | |
..Scorpitarius the Spymaster. | 0:12:55 | 0:12:57 | |
You see this. But you didn't see this! | 0:12:58 | 0:13:02 | |
Damn you! | 0:13:02 | 0:13:03 | |
HE SQUEALS | 0:13:04 | 0:13:06 | |
I'm sorry, Davey. | 0:13:08 | 0:13:09 | |
BUZZERS SOUND | 0:13:09 | 0:13:12 | |
I'm afraid it was a fight. | 0:13:12 | 0:13:14 | |
Let's go to our ninth ad break of the show. | 0:13:14 | 0:13:18 | |
Tonight's BTV competition question is this. | 0:13:21 | 0:13:26 | |
What is a potato "crocket" made of? | 0:13:26 | 0:13:29 | |
Is it...? | 0:13:29 | 0:13:30 | |
The picture clue will flash on screen now. | 0:13:39 | 0:13:41 | |
And the word clue will flash up now. | 0:13:43 | 0:13:46 | |
My name's James Jumpstyle, | 0:13:48 | 0:13:50 | |
and the big news is that Jumpstyle beds and chairs | 0:13:50 | 0:13:52 | |
now delivers to your home, quickstyle! | 0:13:52 | 0:13:55 | |
HAPPY HARDCORE MUSIC PLAYS | 0:13:55 | 0:13:58 | |
We will come to your home, jumpstyle | 0:13:58 | 0:14:00 | |
and put your furniture EXACTLY where you want it! | 0:14:00 | 0:14:02 | |
Shelves! Chairs! | 0:14:06 | 0:14:07 | |
Couch chairs! Bed chairs! | 0:14:07 | 0:14:09 | |
All delivered by my Jumpstyle boys | 0:14:09 | 0:14:11 | |
to the loudest, happiest hardcore music you can imagine. | 0:14:11 | 0:14:14 | |
FURNITURE CLATTERS | 0:14:21 | 0:14:23 | |
FUNERAL MUSIC PLAYS | 0:14:26 | 0:14:30 | |
HAPPY HARDCORE MUSIC INTERRUPTS | 0:14:30 | 0:14:33 | |
And, yes, the rumours are true! We're happy to introduce | 0:14:37 | 0:14:40 | |
James Jumpstyle's Funeral Service. | 0:14:40 | 0:14:42 | |
Go out in style! | 0:14:42 | 0:14:43 | |
Go out in Jumpstyle! | 0:14:43 | 0:14:45 | |
I came back to Burnistoun because I was born here | 0:15:01 | 0:15:04 | |
and in Hong Kong, my Scottish accent | 0:15:04 | 0:15:07 | |
made my filmmaking career impossible. | 0:15:07 | 0:15:09 | |
No-one could understand my Scottish patter. | 0:15:09 | 0:15:11 | |
Kung-Fu legend Micky Mann is a unique director, | 0:15:12 | 0:15:17 | |
in that in his films, | 0:15:17 | 0:15:19 | |
he is the only performer who knows he's in a movie. | 0:15:19 | 0:15:23 | |
When you punch an actor, or you kick an actor, it looks not real. | 0:15:23 | 0:15:27 | |
It looks fake. That is why I use real people. | 0:15:27 | 0:15:31 | |
In a Micky Mann movie, you see real people get kicked. | 0:15:31 | 0:15:34 | |
In the spectacular finale of Beatdown in Burnistoun, | 0:15:36 | 0:15:39 | |
an entire pub full of unwitting Burnistoun locals | 0:15:39 | 0:15:42 | |
are destroyed in a whirlwind of Micky's kung-fu moves. | 0:15:42 | 0:15:46 | |
Hello, there. What can I get you? | 0:15:46 | 0:15:48 | |
Using Hong Kong dubbing techniques, these innocent pub punters | 0:15:48 | 0:15:51 | |
are placed into the world of Micky Mann's movie. | 0:15:51 | 0:15:55 | |
-DUBBED VOICE: -Idiot, you should not have come here! | 0:15:55 | 0:15:58 | |
I'm not leaving without the sacred idol. | 0:15:58 | 0:16:00 | |
You will have to defeat us all, fool! | 0:16:00 | 0:16:02 | |
-DUBBED VOICE: -I would like to see him try! | 0:16:02 | 0:16:05 | |
You will pay for your insolence! | 0:16:07 | 0:16:09 | |
This is sacred ground! | 0:16:14 | 0:16:16 | |
Yahhh! | 0:16:17 | 0:16:19 | |
Thank you, kind old lady. | 0:16:19 | 0:16:21 | |
Try my King Kong Palm! | 0:16:23 | 0:16:24 | |
There are a lot of injuries | 0:16:30 | 0:16:31 | |
in my movies, yes, because it is real. | 0:16:31 | 0:16:34 | |
Because I am really hurting these people. | 0:16:34 | 0:16:37 | |
That makes a better movie. | 0:16:37 | 0:16:39 | |
In this iconic scene from Beatdown In Burnistoun, | 0:16:39 | 0:16:42 | |
this old man has no idea that the camera is rolling. | 0:16:42 | 0:16:46 | |
Son, can you tell me if the 56 has gone by yet? | 0:16:47 | 0:16:52 | |
-DUBBED VOICE: -Where are the diamonds? | 0:16:52 | 0:16:55 | |
I want to know, where are my friends?! | 0:16:58 | 0:17:00 | |
-DUBBED VOICE: -Give me the diamonds, you little punk! | 0:17:01 | 0:17:04 | |
I decided to stay in Burnistoun and make a new movie every weekend. | 0:17:12 | 0:17:14 | |
Please, if you see me out there, do come over and say hello. | 0:17:14 | 0:17:17 | |
Here y'are. Happy birthday, Peter. | 0:17:29 | 0:17:31 | |
Cheers, Scott. | 0:17:35 | 0:17:36 | |
-What's the script with this? -It's a hat. | 0:17:57 | 0:18:01 | |
I know it's a hat. What am I meant to do with a hat? | 0:18:01 | 0:18:03 | |
Wear it. | 0:18:03 | 0:18:04 | |
Do I wear hats? | 0:18:04 | 0:18:06 | |
Have you ever once seen me wearing a hat? | 0:18:06 | 0:18:08 | |
Naw. But you'll be wearing them soon, won't you? | 0:18:08 | 0:18:12 | |
How? | 0:18:12 | 0:18:13 | |
What? | 0:18:15 | 0:18:16 | |
No, no, your... | 0:18:19 | 0:18:21 | |
-What? My heid? -No, your hair, mate. | 0:18:22 | 0:18:25 | |
You'll be wearing hats, what with you going baldy. | 0:18:25 | 0:18:27 | |
I'm... I'm going bald? | 0:18:28 | 0:18:30 | |
I wasn't wanting to just hit out with it like that, know what I mean, | 0:18:30 | 0:18:33 | |
-but, aye, you're receding. -Am I shite! | 0:18:33 | 0:18:35 | |
At first, right, I thought it was mebbe just your nose getting longer, | 0:18:35 | 0:18:38 | |
like, at the top, up the way, but then I was like that, | 0:18:38 | 0:18:41 | |
"No, Scott, noses don't grow upwards," | 0:18:41 | 0:18:43 | |
and then I realised it was your hair, mate. | 0:18:43 | 0:18:45 | |
That's garbage, mate. I've got a full heid of hair, just the same as my da'. | 0:18:45 | 0:18:48 | |
Aye, but your ma's baldy, but. She looks like Buddha. | 0:18:48 | 0:18:51 | |
That was stress that caused that, right? | 0:18:51 | 0:18:53 | |
You're always stressed, mate. Everybody's talking about it, mate. | 0:18:53 | 0:18:56 | |
You being a baldy bastard. | 0:18:56 | 0:18:58 | |
-Like who? -Wee Barry for one. | 0:18:58 | 0:19:01 | |
We saw you going into the barber's last week | 0:19:01 | 0:19:03 | |
and I was like that to him, "What's he away in there for? To read the meter?" | 0:19:03 | 0:19:06 | |
There must be something wrong with your eyesight, mate, | 0:19:06 | 0:19:09 | |
if you think this is a baldy guy's heid. | 0:19:09 | 0:19:10 | |
See if you shine a light through your hair, mate, | 0:19:10 | 0:19:14 | |
it goes all translucent like a ghost. | 0:19:14 | 0:19:16 | |
That's what they call you down the pub, mate - haunted heid. | 0:19:16 | 0:19:20 | |
-Nope. -I was like that to that wee barmaid last week, | 0:19:20 | 0:19:24 | |
"His heid looks like a grey dandelion, man. | 0:19:24 | 0:19:26 | |
"You could blow on it and make a wish." | 0:19:26 | 0:19:29 | |
Grey? It's like a BLACK dandelion, mate, right? | 0:19:29 | 0:19:34 | |
I better no hear anybody saying my heid looks like a dandelion, right? | 0:19:34 | 0:19:38 | |
You know what? You're just raging because it's my birthday, right? | 0:19:38 | 0:19:41 | |
You're trying to ruin it as per, | 0:19:41 | 0:19:43 | |
trying to give me a negative body image. | 0:19:43 | 0:19:46 | |
What did you get me last year? Do you remember? | 0:19:46 | 0:19:48 | |
A male corset. | 0:19:48 | 0:19:49 | |
Aye, that's right. And this year it's my hair. Well, I'm no havin' it. | 0:19:49 | 0:19:53 | |
You can shove your present right up your translucent arse. | 0:19:53 | 0:19:57 | |
Just because it's cold outside, mate, right? | 0:20:09 | 0:20:12 | |
We are gathered here today to unveil this tribute to a Burnistoun legend. | 0:20:17 | 0:20:22 | |
The greatest hero that Burnistoun has ever produced. | 0:20:22 | 0:20:27 | |
Must we list his achievements? Ten Olympic gold medals. | 0:20:27 | 0:20:31 | |
Undisputed boxing champion of the world. | 0:20:31 | 0:20:34 | |
The winner of five Oscars, four Grammys and three Tony awards. | 0:20:34 | 0:20:39 | |
A Nobel prize-winning heart surgeon. | 0:20:39 | 0:20:42 | |
A best-selling novelist and a war hero. | 0:20:42 | 0:20:45 | |
And we immortalise him today in this statue, | 0:20:53 | 0:20:56 | |
captured in his most famous photo moment, | 0:20:56 | 0:20:58 | |
as he sticks the Scottish flag into the surface of the planet Mars. | 0:20:58 | 0:21:04 | |
Burnistoun's greatest man - the world's greatest man - | 0:21:05 | 0:21:09 | |
ladies and gentlemen - | 0:21:09 | 0:21:10 | |
my son...when he grows up. | 0:21:10 | 0:21:14 | |
(Nae pressure.) | 0:21:14 | 0:21:16 | |
So you've been wi' us for a while now, son. | 0:21:35 | 0:21:38 | |
Four years. | 0:21:38 | 0:21:39 | |
So you understand that the three standard cakes that we do here | 0:21:39 | 0:21:43 | |
are the football pitch for the boys, the girl on the pony for the girls | 0:21:43 | 0:21:47 | |
and the plain one with the birthday message for the adults. | 0:21:47 | 0:21:50 | |
Yes. | 0:21:50 | 0:21:52 | |
Good. So, could you possibly explain to me this cake here? | 0:21:52 | 0:21:58 | |
Well. The dove is the bird of love, obviously, | 0:22:01 | 0:22:05 | |
and here we see it being decapitated by society's sword of oppression. | 0:22:05 | 0:22:08 | |
This is to represent the fact that society always tries to kill | 0:22:08 | 0:22:11 | |
any love that's different to how they define it. | 0:22:11 | 0:22:15 | |
And what are these wee men falling on to this man and woman here? | 0:22:15 | 0:22:19 | |
It isn't a man and woman - it's a lesbian couple. And these wee men here represent organised religion. | 0:22:19 | 0:22:24 | |
They're falling from the sky because they're the dove's last shit. | 0:22:24 | 0:22:27 | |
Man's attempt to organise and categorise spirituality | 0:22:27 | 0:22:30 | |
has caused the dove of love to defecate on this blameless couple. | 0:22:30 | 0:22:34 | |
So. | 0:22:34 | 0:22:35 | |
You want me to put, in the front window of my family baker's, | 0:22:35 | 0:22:39 | |
a cake that shows the image of the world's spiritual leaders | 0:22:39 | 0:22:44 | |
being shat out of a decapitated dove's arse | 0:22:44 | 0:22:46 | |
and landing on top of some giant lesbians? | 0:22:46 | 0:22:49 | |
Yes. | 0:22:49 | 0:22:51 | |
It's supposed to be a wean's birthday cake, son. | 0:22:51 | 0:22:54 | |
Now, I'm nothing if no an open-minded baker, right, but - and correct me if I'm wrong - | 0:22:54 | 0:22:59 | |
I don't think Gregg's managed to be the country's biggest baker's | 0:22:59 | 0:23:03 | |
by putting violent visual representations | 0:23:03 | 0:23:05 | |
of the plight of the lesbians on their steak bakes! | 0:23:05 | 0:23:08 | |
Now, what is this one here? | 0:23:09 | 0:23:12 | |
Well, this is a four-year-old boy saying goodbye to his nursery friend | 0:23:13 | 0:23:17 | |
who is an asylum seeker that the British government | 0:23:17 | 0:23:19 | |
is deporting back to his country of origin | 0:23:19 | 0:23:22 | |
where his family will almost certainly be put to death. | 0:23:22 | 0:23:25 | |
He's saying, "My friend is going away to die. | 0:23:25 | 0:23:28 | |
"And also there is no God and no Heaven." | 0:23:28 | 0:23:31 | |
Oh-ho! Happy days, eh(?) | 0:23:31 | 0:23:34 | |
Happy birthday memories(!) | 0:23:34 | 0:23:37 | |
Weans usually fight over who gets the bit of cake | 0:23:37 | 0:23:39 | |
with a football on it. I don't see anybody going, | 0:23:39 | 0:23:42 | |
"Mammy, can I have the bit of cake with the sad boy | 0:23:42 | 0:23:45 | |
"grieving o'er his doomed pal and questioning the existence of God?" | 0:23:45 | 0:23:49 | |
If they eat good art it will enrich their soul. | 0:23:49 | 0:23:51 | |
This one, I like. | 0:23:51 | 0:23:53 | |
A wee bit of Greek mythology there. Medusa with the snakes for hair. | 0:23:55 | 0:24:00 | |
Well, that's an interesting interpretation, | 0:24:00 | 0:24:03 | |
but this isn't Medusa and these arenae snakes. | 0:24:03 | 0:24:06 | |
I know they're not snakes! | 0:24:06 | 0:24:08 | |
It's a woman with a hair cut full of willies! | 0:24:08 | 0:24:10 | |
It represents women's eternal subjugation by men. | 0:24:10 | 0:24:13 | |
There's old wifeys who shop in here | 0:24:13 | 0:24:15 | |
who have only ever seen their husbands' willies in the dark | 0:24:15 | 0:24:18 | |
and you want me to show them this? | 0:24:18 | 0:24:20 | |
-Yes. -What were you planning on writing on it? | 0:24:20 | 0:24:24 | |
"Happy fourth birthday, Connor". | 0:24:25 | 0:24:27 | |
I cannae see it working, son. I cannae see people going, | 0:24:29 | 0:24:32 | |
"It's my son's fourth birthday this weekend. | 0:24:32 | 0:24:34 | |
"Any chance I could get one of they cakes with a subjugated woman | 0:24:34 | 0:24:37 | |
"with a tadger demi wave?" | 0:24:37 | 0:24:39 | |
But these... | 0:24:39 | 0:24:40 | |
No. | 0:24:40 | 0:24:42 | |
The great artists innovate within the restrictions | 0:24:42 | 0:24:45 | |
that are laid out for them. That is what makes them great. | 0:24:45 | 0:24:49 | |
Football pitches...and ponies. | 0:24:49 | 0:24:52 | |
Now get back to work. | 0:24:52 | 0:24:54 | |
Gingerbread ladyboy! | 0:25:10 | 0:25:13 | |
There are three-course pre-theatre menus | 0:25:22 | 0:25:24 | |
and there are three-course pre-theatre menus. | 0:25:24 | 0:25:28 | |
And then there's me. | 0:25:28 | 0:25:30 | |
# Brother, I've got another question | 0:25:41 | 0:25:44 | |
# I cannae get it out ma heid | 0:25:44 | 0:25:46 | |
# I'd find the answer In a book if I could | 0:25:46 | 0:25:48 | |
# But you know That I cannae even read | 0:25:48 | 0:25:51 | |
# I know who the question's about, mate | 0:25:51 | 0:25:53 | |
# It's women Frae young uns to mammies | 0:25:53 | 0:25:56 | |
# And why they're all out Cuttin' about | 0:25:56 | 0:25:58 | |
# Wearin' their motherbuckin' jammies | 0:25:58 | 0:26:00 | |
# Why are you cuttin' aboot In jammies | 0:26:00 | 0:26:03 | |
# Why are you cuttin' about In jammies | 0:26:03 | 0:26:05 | |
# Jammies, jam, jam Jam, jammies | 0:26:05 | 0:26:07 | |
# Why are you cuttin' aboot In jammies | 0:26:07 | 0:26:09 | |
# DJ, break it doon for the PJ. # | 0:26:09 | 0:26:11 | |
What you see below you is now a car park, | 0:26:26 | 0:26:30 | |
but in Murdoch's time this was a popular spot for English soldiers | 0:26:30 | 0:26:35 | |
travelling north to set up camp. | 0:26:35 | 0:26:38 | |
Murdoch made an educated guess | 0:26:38 | 0:26:41 | |
that Lord Porter's soldiers would end up here. | 0:26:41 | 0:26:45 | |
This is Murdoch's sword. | 0:26:45 | 0:26:48 | |
He made a promise to his men that if Lord Porter rode into this place | 0:26:48 | 0:26:54 | |
he would first remove him from his horse | 0:26:54 | 0:26:57 | |
and then remove his head from his body. | 0:26:57 | 0:27:00 | |
HE ROARS | 0:27:02 | 0:27:04 | |
CAR ENGINE ROARS AWAY | 0:27:23 | 0:27:25 | |
Subtitles by Red Bee Media Ltd | 0:27:49 | 0:27:52 |