Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Contains adult humour. | 0:00:03 | 0:00:09 | |
There now follows a party political broadcast | 0:00:16 | 0:00:18 | |
from the Conservative Party. | 0:00:18 | 0:00:20 | |
Good evening. | 0:00:23 | 0:00:25 | |
In light of the recent economic downturn, | 0:00:25 | 0:00:28 | |
I felt it was important that I address some of the concerns | 0:00:28 | 0:00:32 | |
that you may have about what this means for you as an individual, | 0:00:32 | 0:00:37 | |
for your family and for the British people as a whole. | 0:00:37 | 0:00:41 | |
Over the last couple of... | 0:00:43 | 0:00:44 | |
SCREAMING | 0:00:44 | 0:00:47 | |
HE LAUGHS | 0:00:47 | 0:00:49 | |
Ya ha ha ha, oh, got you, got you good. | 0:00:49 | 0:00:56 | |
Classic. | 0:00:56 | 0:00:58 | |
Classic. | 0:00:58 | 0:00:59 | |
Over the last couple of... | 0:01:01 | 0:01:04 | |
What's the new alarm clock for? | 0:01:08 | 0:01:10 | |
It's this new speaking alarm clock. | 0:01:10 | 0:01:12 | |
You record your ain voice in it, right, | 0:01:12 | 0:01:14 | |
and then it talks you awake in the morning. | 0:01:14 | 0:01:16 | |
It's like your ain mind talking to you. | 0:01:16 | 0:01:18 | |
Aw, cool. | 0:01:18 | 0:01:20 | |
I've set it for six. | 0:01:20 | 0:01:22 | |
It's an early start for me tomorrow. | 0:01:22 | 0:01:24 | |
'Mate. Mate. Mate!' | 0:01:32 | 0:01:37 | |
Who is that? | 0:01:39 | 0:01:41 | |
'It's me. Alarm clock. You asleep?' | 0:01:41 | 0:01:44 | |
I'm no' noo. What is it? | 0:01:46 | 0:01:49 | |
'Nothing. Just checking.' | 0:01:49 | 0:01:51 | |
Sake! | 0:01:51 | 0:01:53 | |
'Mate. Mate.' | 0:01:58 | 0:02:01 | |
What? | 0:02:03 | 0:02:05 | |
'What do you think happens when you die?' | 0:02:06 | 0:02:09 | |
I don't know, do I? I'm trying to sleep. | 0:02:09 | 0:02:12 | |
'Do you think alarm clocks go to Heaven, mate?' | 0:02:12 | 0:02:16 | |
Aye, probably. Do you want to shut up? | 0:02:18 | 0:02:21 | |
'Sorry, mate.' | 0:02:21 | 0:02:22 | |
Unbelievable. | 0:02:22 | 0:02:25 | |
'Mate. Mate. Mate. Big man. | 0:02:27 | 0:02:32 | |
'Mate!' | 0:02:32 | 0:02:34 | |
What now? | 0:02:34 | 0:02:35 | |
'Do you think there's life on other planets?' | 0:02:35 | 0:02:39 | |
I don't know. I'm just a roofer. | 0:02:39 | 0:02:42 | |
I'm just a guy who works up the roofs. | 0:02:42 | 0:02:44 | |
'I'm just asking. | 0:02:44 | 0:02:46 | |
'I was just thinking about space and that there.' | 0:02:46 | 0:02:48 | |
I'm a roofer who is up they roofs at six tomorrow. | 0:02:48 | 0:02:51 | |
Do you want to shut up? | 0:02:51 | 0:02:52 | |
'Sake. Calm doon. Sorry. | 0:02:52 | 0:02:57 | |
'Sake. Grumpy.' | 0:02:57 | 0:03:01 | |
'Aw no, aw no, get up mate, get up! | 0:03:03 | 0:03:06 | |
'I slept in mate, it's hauf eleven. | 0:03:06 | 0:03:10 | |
'Sorry, mate, slept in. | 0:03:10 | 0:03:13 | |
'Slept in. | 0:03:13 | 0:03:14 | |
'I was up all night thinking about a lot of shite as per.' | 0:03:14 | 0:03:18 | |
All right? I'm Johnny Boy John. | 0:03:21 | 0:03:23 | |
Johnny Boy John eatin' pakora is for real. | 0:03:23 | 0:03:25 | |
Johnny Boy John shovin' a bit of pakora down his maw's old tights | 0:03:25 | 0:03:28 | |
and using them as a punch bag is for real. | 0:03:28 | 0:03:30 | |
Johnny Boy John wearin' his dad's pants on his heid | 0:03:30 | 0:03:34 | |
and eatin' pakora sauce oot of a chocolate fountain is for real. | 0:03:34 | 0:03:37 | |
Saucy pant-muncher! | 0:03:37 | 0:03:38 | |
Johnny Boy John stuffin' a chocolate fountain down his Uncle Danny's Speedos | 0:03:40 | 0:03:44 | |
and telling Joe Calzaghe that his dad smokes roll-ups is for real! | 0:03:44 | 0:03:47 | |
I'm no' trying to take away from your achievements | 0:03:47 | 0:03:51 | |
but my old man's been puffin' on the roll-ups for 40 year noo. | 0:03:51 | 0:03:54 | |
Pakora, pakora, pakora. Oi, deal with it, Calzaghe | 0:03:54 | 0:04:00 | |
Oi, Calzaghe, you'd better learn how to deal with Johnny Boy John. | 0:04:00 | 0:04:04 | |
For real! | 0:04:04 | 0:04:06 | |
Professor Brian Cox, the actor Brian Cox, | 0:04:06 | 0:04:08 | |
a guy from up my Uncle Nubby's bit called Brian Cox who got | 0:04:08 | 0:04:11 | |
jailed for trying to shove cocodamol up a copper's nostril. | 0:04:11 | 0:04:13 | |
You think being called Brian Cox makes | 0:04:13 | 0:04:15 | |
you as real as Johnny Boy John? | 0:04:15 | 0:04:17 | |
Get real! | 0:04:17 | 0:04:18 | |
You should meet my mate Gordy, you'd love him. Gordy! | 0:04:21 | 0:04:23 | |
Asleep already and after only one can. | 0:04:23 | 0:04:28 | |
BOTH: What a Wan Can Dan, man! | 0:04:28 | 0:04:31 | |
Are you a Wan Can Dan? | 0:04:31 | 0:04:33 | |
Then you need Alex Ciderson's mini can. | 0:04:33 | 0:04:37 | |
We've split wan can across 21 tiny cans | 0:04:37 | 0:04:40 | |
so nobody can ever call you a Wan Can Dan ever again. | 0:04:40 | 0:04:44 | |
You should meet my mate Gordy, you'd love him. | 0:04:44 | 0:04:47 | |
Mmm, I'd only love him if he's a right good boozer. | 0:04:47 | 0:04:50 | |
This is my 15th can of the night. | 0:04:50 | 0:04:53 | |
Take me! | 0:04:53 | 0:04:55 | |
Thanks, Alex. She thinks I'm a proper alky. | 0:04:57 | 0:04:59 | |
Wan Can Dan? No Can Do! | 0:04:59 | 0:05:03 | |
Please drink responsibly. | 0:05:03 | 0:05:05 | |
No more than 65 cans a night. | 0:05:05 | 0:05:07 | |
There are dogs with waggly tails and there are dogs with waggly tails. | 0:05:16 | 0:05:20 | |
And then there's me. | 0:05:22 | 0:05:23 | |
So, Mr Comely, I hope you've been satisfied in your dealings | 0:05:31 | 0:05:34 | |
with Teddy Thomson Taxidermy. | 0:05:34 | 0:05:36 | |
Hopefully your next dog won't be such a fan of sunbeds. | 0:05:36 | 0:05:39 | |
Are you going to show me Jessie before you go? | 0:05:39 | 0:05:41 | |
Well, it can be an emotional moment. | 0:05:41 | 0:05:44 | |
We find it's best if we are miles away by the time it happens. | 0:05:44 | 0:05:48 | |
Show me the work before you go. | 0:05:48 | 0:05:52 | |
Right. | 0:05:52 | 0:05:53 | |
There you are. | 0:05:59 | 0:06:01 | |
I'll leave you to get on with your grieving and your grooving. | 0:06:01 | 0:06:04 | |
Can I see the whole lot? | 0:06:04 | 0:06:07 | |
Right, of course. Of course. | 0:06:08 | 0:06:11 | |
HE SCREAMS | 0:06:12 | 0:06:14 | |
That's all right. Just a sparrow. | 0:06:16 | 0:06:19 | |
Are you quite happy with that then? | 0:06:19 | 0:06:21 | |
I still haven't seen it. | 0:06:21 | 0:06:23 | |
Mate, you're acting like you've got something to hide. Show me it. | 0:06:23 | 0:06:26 | |
What the hell was that? | 0:06:31 | 0:06:34 | |
Show me thae legs. | 0:06:34 | 0:06:35 | |
No yours. Jesse's. | 0:06:40 | 0:06:42 | |
He's got cat's legs. | 0:06:56 | 0:06:57 | |
Aye, see, that's the oils and stuff that we use. | 0:06:57 | 0:07:01 | |
They can make a leg look a bit catty. | 0:07:01 | 0:07:03 | |
A bit catty? My dug has got cat legs. | 0:07:03 | 0:07:08 | |
What are you saying? You'd have preferred we gave him cow's legs? | 0:07:08 | 0:07:10 | |
No, I would have preferred you left his ain legs attached. | 0:07:10 | 0:07:14 | |
I'll be honest with you, mate. | 0:07:14 | 0:07:18 | |
We did stuff you dog the normal way - ain legs, the lot. | 0:07:18 | 0:07:22 | |
Put him in the lorry with a bunch of other animals for delivery... | 0:07:22 | 0:07:27 | |
What happened? | 0:07:27 | 0:07:29 | |
The driver had an improbable flashback to Vietnam | 0:07:29 | 0:07:32 | |
and hit a lorry at a level crossing. | 0:07:32 | 0:07:34 | |
-Bang! -Hit by a train? | 0:07:34 | 0:07:37 | |
Helicopter. Hell of a mess. Animal body parts everywhere. | 0:07:37 | 0:07:41 | |
I mean, we managed to find most of the pieces | 0:07:41 | 0:07:44 | |
but there was no way to tell what part went with what. | 0:07:44 | 0:07:47 | |
You cannae tell apart a dog's leg and a cat's leg? | 0:07:47 | 0:07:50 | |
All legs look much the same when you're drunk, mate. | 0:07:50 | 0:07:52 | |
Mebbe you shouldn't have been drunk. | 0:07:52 | 0:07:55 | |
Everybody's got Catch 22 vision in hindsight. | 0:07:55 | 0:07:58 | |
I don't want my beloved dog having cat's legs or a rabbit's teeth | 0:07:58 | 0:08:03 | |
or a wasp's foreskin or a pig's arse. | 0:08:03 | 0:08:05 | |
Oh. | 0:08:08 | 0:08:09 | |
Why are you saying, "Oh"? | 0:08:12 | 0:08:13 | |
Do you have anything to say? | 0:08:31 | 0:08:34 | |
You'd dae well at Crufts with that thing. | 0:08:35 | 0:08:37 | |
KNOCK AT DOOR | 0:08:46 | 0:08:48 | |
Open up, it's the polis. | 0:08:48 | 0:08:50 | |
It's the government's mad squad, know that way? | 0:08:50 | 0:08:54 | |
Evening, sir. My name's Officer McGregor of the polis carry-on. | 0:08:54 | 0:08:59 | |
This is Officer Toshan. | 0:08:59 | 0:09:02 | |
I'm a polis an' all, sure I am, McGregor? | 0:09:02 | 0:09:05 | |
I think he'll have sussed that for hissel'. Or do you think | 0:09:05 | 0:09:07 | |
he mebbe thought it was me taking my boy round the doors for Halloween? | 0:09:07 | 0:09:11 | |
What have I told you? | 0:09:11 | 0:09:12 | |
Quality polis all the way. Keep the geggy clamped. | 0:09:12 | 0:09:15 | |
What's this about? | 0:09:15 | 0:09:16 | |
We've had reports of a mad party happening in here. | 0:09:16 | 0:09:19 | |
Party? I've got a few friends round. Has there been a complaint? | 0:09:19 | 0:09:22 | |
Could pure hear you blasting your music out the windae, man. | 0:09:22 | 0:09:26 | |
Bit of Go West, bit of Call Me. I was like that... | 0:09:26 | 0:09:28 | |
# Call me, call me... # | 0:09:28 | 0:09:31 | |
Doing that dance he did. | 0:09:31 | 0:09:32 | |
HE SINGS | 0:09:32 | 0:09:35 | |
Never you mind Go West, right? You should go wheesht. | 0:09:37 | 0:09:41 | |
Can you keep the noise down? My man's sleeping. | 0:09:41 | 0:09:44 | |
Can YOU keep the noise down, hen? | 0:09:44 | 0:09:46 | |
We're aboot to make a major arrest here. | 0:09:46 | 0:09:48 | |
Guy's a pure junkie and all that, know the way? | 0:09:48 | 0:09:51 | |
We're the polis. | 0:09:52 | 0:09:53 | |
We can make as much noise as we want. | 0:09:53 | 0:09:57 | |
THEY CHANT AND WHISTLE | 0:09:57 | 0:10:00 | |
So just you get yersel' back in there. | 0:10:04 | 0:10:07 | |
Hang on, I'm no a junkie. | 0:10:10 | 0:10:11 | |
You firing into that neighbour, huh? She's a wee honey. | 0:10:13 | 0:10:16 | |
A wee darling. Looks like Boy George or something. | 0:10:16 | 0:10:19 | |
Boy George? | 0:10:20 | 0:10:22 | |
-Aye, when she was young, I mean, obviously. -What is all this? | 0:10:22 | 0:10:26 | |
Listen. We've heard you're having a party and since we're off duty | 0:10:26 | 0:10:31 | |
in about seven hours, we thought we'd bring some cans and that. | 0:10:31 | 0:10:37 | |
Got a munchy box an' all, in case you've got any Class Bs on the go. | 0:10:39 | 0:10:43 | |
What? You're saying you want to come in? | 0:10:43 | 0:10:45 | |
Aye. | 0:10:45 | 0:10:46 | |
It's no really a choice, in't it no, McGregor? | 0:10:46 | 0:10:50 | |
It's kinda the law, in't it, Toshan? | 0:10:50 | 0:10:53 | |
Aye, aye, come in. Why not? Plenty of room. | 0:10:53 | 0:10:58 | |
Boys! In yous come. | 0:11:00 | 0:11:03 | |
Mark's bringing his new bird here tonight. | 0:11:07 | 0:11:10 | |
Oh, aye? That'll be interesting. | 0:11:10 | 0:11:12 | |
DOOR OPENS | 0:11:12 | 0:11:15 | |
Right, boys? Let me introduce you to Vanessa. | 0:11:24 | 0:11:29 | |
-Vanessa de Tiali. Hello. -ECHOING: Pleased... Pleased... | 0:11:29 | 0:11:33 | |
Sorry, I think my hearing's went funny. | 0:11:33 | 0:11:38 | |
That's not fair. Not fair! | 0:11:38 | 0:11:42 | |
S-S-S... Ma stutter's came back. | 0:11:44 | 0:11:50 | |
You should see the thing I married. | 0:11:50 | 0:11:54 | |
Can I get you a drink? | 0:11:56 | 0:11:57 | |
Mm. I would love one. | 0:11:57 | 0:11:58 | |
I cannae get my tongue back in. | 0:12:03 | 0:12:05 | |
I need to sit down. | 0:12:05 | 0:12:06 | |
Let me get you a chair. | 0:12:06 | 0:12:08 | |
THUDDING | 0:12:10 | 0:12:12 | |
My pacemaker! | 0:12:12 | 0:12:15 | |
How did yous two meet? | 0:12:15 | 0:12:17 | |
Oh, never mind that. | 0:12:17 | 0:12:19 | |
At Mark's work, at the Benefits Office. | 0:12:19 | 0:12:22 | |
I go there all the time to grass up benefits cheats. | 0:12:22 | 0:12:25 | |
I'm a benefits grass. | 0:12:25 | 0:12:28 | |
Nae accounting for taste, is there? | 0:12:37 | 0:12:40 | |
Hound. | 0:12:40 | 0:12:42 | |
I'm just glad we could finally get this extension started. | 0:12:55 | 0:13:00 | |
Between the planning permission and you being available, | 0:13:00 | 0:13:03 | |
I thought this was never going to happen. | 0:13:03 | 0:13:05 | |
Well, it's full steam ahead from now on. | 0:13:05 | 0:13:07 | |
I'm so glad. | 0:13:07 | 0:13:09 | |
-Right, that's us done for the day, hen. -What do you mean? It's only eight o'clock in the morning. | 0:13:12 | 0:13:17 | |
That's all we can do the noo before the plumber starts his work. | 0:13:17 | 0:13:20 | |
You put down one brick. | 0:13:20 | 0:13:22 | |
See you next week. | 0:13:22 | 0:13:24 | |
I'm surprised they put that brick there. | 0:13:24 | 0:13:28 | |
-That's stopping me fae doing anything the noo. -It's a brick. | 0:13:28 | 0:13:32 | |
I thought they'd have put it in about half an inch to the left. | 0:13:32 | 0:13:34 | |
Move it then. | 0:13:34 | 0:13:36 | |
Tell you what I could do. I could maybe put a tap in the now. | 0:13:36 | 0:13:39 | |
Right, that's me done for the day. | 0:13:41 | 0:13:44 | |
What's he put that tap there for? That's stopping us from doing anything now. | 0:13:46 | 0:13:50 | |
He says the brick should be half an inch to the left. | 0:13:50 | 0:13:53 | |
You'll need to get the architect to take a look at that. | 0:13:53 | 0:13:55 | |
Right, that's us done for the day. | 0:13:55 | 0:13:57 | |
It's Mrs McIntyre again. | 0:14:00 | 0:14:02 | |
Mrs McIntyre? | 0:14:02 | 0:14:03 | |
Mrs McIntyre? | 0:14:06 | 0:14:08 | |
Mrs McIntyre? I'm afraid he's done for the day. | 0:14:10 | 0:14:16 | |
I'm the electrician. That's me done for the day. | 0:14:17 | 0:14:20 | |
-You have not even set foot in this garden. -You see that brick? | 0:14:20 | 0:14:24 | |
I was of the understanding that that brick was going to be | 0:14:24 | 0:14:26 | |
a half inch to the left. | 0:14:26 | 0:14:27 | |
I cannae do anything until the glazier's been anyway. | 0:14:27 | 0:14:31 | |
There's a brick and a tap stuck in some grass. | 0:14:31 | 0:14:35 | |
What the hell is a glazier going to do? | 0:14:35 | 0:14:37 | |
There. | 0:14:44 | 0:14:46 | |
Oh, dear, dear, dear. | 0:14:46 | 0:14:49 | |
I wish you hadn't moved that by yourself. | 0:14:49 | 0:14:51 | |
This is a death trap noo, hen. | 0:14:51 | 0:14:52 | |
We're going to have to put our price up now. | 0:14:52 | 0:14:55 | |
That lassie slippered my arse. | 0:14:55 | 0:14:57 | |
-We're going to have to demolish that brick and start again. -Go then. | 0:15:01 | 0:15:04 | |
Aw, I'd love to, hen, love to, hen, in years gone by mebbe, | 0:15:04 | 0:15:06 | |
but just no insuranced to do that now. | 0:15:06 | 0:15:11 | |
What can you do now, then? | 0:15:11 | 0:15:13 | |
I cannae do anything until he does what he's doing. | 0:15:13 | 0:15:16 | |
And I cannae do anything until he's done doing what he's doing. | 0:15:16 | 0:15:19 | |
I can get a wee bit of what I'm doing done | 0:15:19 | 0:15:21 | |
and once he's done doing that, I can be done doing what I'm doing. | 0:15:21 | 0:15:24 | |
When I'm done doing done and he's doing done doing, | 0:15:24 | 0:15:26 | |
we'll be done doing done da-do-ron-ron-da-do-ron-ron. | 0:15:26 | 0:15:29 | |
Do you know what? I actually know a wee bit about demolishing bricks myself. | 0:15:32 | 0:15:36 | |
LAUGHTER | 0:15:36 | 0:15:38 | |
If I could get you all to hold one of these, thank you very much. Thank you. | 0:15:40 | 0:15:44 | |
And I'll go and make us all a nice wee cup of tea, eh? | 0:15:44 | 0:15:47 | |
Milk and two, thanks. | 0:15:47 | 0:15:50 | |
EXPLOSION | 0:15:55 | 0:15:58 | |
NOOBSLAYER666 says hello. NOOBSLAYER666 says hello. | 0:16:09 | 0:16:14 | |
Bullet in the head, preeeek. | 0:16:14 | 0:16:16 | |
Bullet in the head, preeeek. | 0:16:16 | 0:16:18 | |
Who you talking to? | 0:16:18 | 0:16:20 | |
I'm playing online, Da'. | 0:16:20 | 0:16:22 | |
Why are you speaking to people like that? | 0:16:22 | 0:16:23 | |
Because I'm the best, all right, and they need to know. | 0:16:23 | 0:16:26 | |
You sound like a pain in the arse. | 0:16:26 | 0:16:29 | |
Whooo. NOOBSLAYER666 just put a bullet to your head, preeeeek. | 0:16:29 | 0:16:36 | |
You shoot like a girl. | 0:16:36 | 0:16:38 | |
20 kill streaker, I'm just on. I'm no' even set up. I'm eating crisps. 21, kill streak, preek! | 0:16:38 | 0:16:45 | |
22, kill streak, preek... Da'! | 0:16:45 | 0:16:49 | |
Hello there. This is NOOBSLAYER666's faither here. | 0:16:49 | 0:16:55 | |
Just to let yous all know that he might have a 22 kill streak, | 0:16:55 | 0:16:58 | |
but he's lucky if he's got four pubes to his name. | 0:16:58 | 0:17:02 | |
Bullet to the head, prick. | 0:17:02 | 0:17:05 | |
Joe, Joe, Joe, Joe, Joe. | 0:17:22 | 0:17:26 | |
Have you noticed anything? | 0:17:28 | 0:17:30 | |
Naw. What? | 0:17:30 | 0:17:32 | |
-Is that lassies' chocolate? -Are we buying lassies' chocolate? | 0:17:46 | 0:17:50 | |
We better no' be stauning here wi' lassies' chocolate like a couple of chocolate-loving lassies. | 0:17:50 | 0:17:54 | |
'SCUSE ME! Is that lassies' chocolate? | 0:17:54 | 0:17:58 | |
-What? -The truth! We want the truth. | 0:17:58 | 0:18:02 | |
-Is that lassies' chocolate? -No. It's just chocolate. | 0:18:02 | 0:18:06 | |
-It's all that patter, but. -What patter? | 0:18:06 | 0:18:10 | |
"Better than sex." Is it all that patter? Is it lassies' chocolate? | 0:18:10 | 0:18:15 | |
Is it better than an orgasm, eating this chocolate? | 0:18:15 | 0:18:17 | |
Is it all that patter? | 0:18:17 | 0:18:20 | |
Do we look like we prefer eating chocolate to having sex | 0:18:20 | 0:18:23 | |
with our husbands? Do we? Is it all that patter? | 0:18:23 | 0:18:25 | |
Hey, is there a problem here? | 0:18:25 | 0:18:27 | |
Aye, mate. Is that lassies' chocolate? | 0:18:27 | 0:18:30 | |
Do we look like a couple of chocolate-loving lassies? | 0:18:30 | 0:18:35 | |
It's just chocolate. | 0:18:35 | 0:18:37 | |
How come there's a lassie buying that chocolate and us? | 0:18:37 | 0:18:43 | |
We cannae all prefer chocolate to sex, mate. | 0:18:43 | 0:18:47 | |
It can't all just be coincidence to prefer eating | 0:18:47 | 0:18:51 | |
bars of chocolate to making love to your husbands, mate. | 0:18:51 | 0:18:53 | |
Is that lassies' chocolate? | 0:18:53 | 0:18:56 | |
Is this a lassies' shop? | 0:18:56 | 0:18:58 | |
Is going into a shop a lassies' thing? | 0:18:58 | 0:19:00 | |
Is having a husband a lassies' thing? | 0:19:00 | 0:19:02 | |
Is it all that patter? | 0:19:02 | 0:19:06 | |
-Up the road. -Up the road, Joe. | 0:19:06 | 0:19:11 | |
Up the road. Up the road, Joe. | 0:19:11 | 0:19:14 | |
-Here, boys. Boys. -Tommy. | 0:19:21 | 0:19:24 | |
I've made up a new song for the day. | 0:19:24 | 0:19:27 | |
-Aw naw. -What now? | 0:19:27 | 0:19:29 | |
See when the other mob tackles oor lot, we sing this... | 0:19:29 | 0:19:34 | |
# Please be careful with those legs You could hurt our friends | 0:19:34 | 0:19:41 | |
# Don't be nasty Live a good life. # | 0:19:41 | 0:19:47 | |
That's dire. | 0:19:47 | 0:19:48 | |
Dire, Tommy. | 0:19:48 | 0:19:50 | |
# And we pumped your wife. # | 0:19:50 | 0:19:53 | |
ENTHUSIASTIC CHEERS | 0:19:53 | 0:19:55 | |
Sake. What's going on down there, you clarty bastard? | 0:20:06 | 0:20:10 | |
It's nothing like that, mate. | 0:20:10 | 0:20:13 | |
Well, what is it then? | 0:20:13 | 0:20:15 | |
It's because I'm shaved down there, know what I mean? | 0:20:15 | 0:20:18 | |
Sorry, you'll need to repeat that. I didn't hear it | 0:20:18 | 0:20:21 | |
because I've got a man's ears. | 0:20:21 | 0:20:23 | |
See when you're like perfectly smooth down there, gets pretty itchy | 0:20:23 | 0:20:26 | |
when the hair starts to grow back. | 0:20:26 | 0:20:29 | |
Are you joking? Are you sitting there, bold as brass, with a pair of smooth baws? | 0:20:29 | 0:20:36 | |
All the guys have got them shaved these days. It's not my fault you're out of touch. | 0:20:36 | 0:20:40 | |
I don't want to be in touch | 0:20:40 | 0:20:42 | |
if it involves taking a razor to my haw-maws. | 0:20:42 | 0:20:45 | |
Well, the women love it, mate, so it's your loss. | 0:20:45 | 0:20:48 | |
I don't want to be with a woman that likes a guy with nae pubes. | 0:20:48 | 0:20:51 | |
There's a name for a woman like that. | 0:20:51 | 0:20:54 | |
Aye, mate, there's a phone number for a woman like that an' aw, | 0:20:54 | 0:20:57 | |
and I've got it in here. | 0:20:57 | 0:20:59 | |
How many phone numbers you got on your phone, Peter? | 0:20:59 | 0:21:02 | |
I'm no shaving my pubes. | 0:21:02 | 0:21:07 | |
Well, the world's changed, Peter. | 0:21:07 | 0:21:10 | |
It's time you changed with it, hairy sacks. | 0:21:10 | 0:21:12 | |
-What you daein'? -Just checking. | 0:21:23 | 0:21:26 | |
Looks like you've got Susan Boyle's heid living down there. | 0:21:26 | 0:21:29 | |
That's it. You crossed a line there. | 0:21:29 | 0:21:32 | |
Makes your willy look bigger an' aw, so it does. | 0:21:32 | 0:21:35 | |
Huh? | 0:21:35 | 0:21:37 | |
The balder the giraffe, mate, the longer the neck. Fact. | 0:21:37 | 0:21:43 | |
-Do you need blades or will an electric razor do? -Blades, mate. | 0:21:43 | 0:21:47 | |
Buck's sake, man | 0:21:47 | 0:21:49 | |
-You spilled my pint, mate? -Look... | 0:22:04 | 0:22:07 | |
You know what's happening. | 0:22:11 | 0:22:12 | |
Wait a minute. Let me get my stuntman in. You all right, Vince? | 0:22:12 | 0:22:16 | |
I'm no' waiting. | 0:22:16 | 0:22:18 | |
Right, you finished? Come on, Vince. | 0:22:20 | 0:22:23 | |
Boys, hold that stuntman. | 0:22:23 | 0:22:25 | |
Right, that's us noo. Come on, Vince. | 0:22:34 | 0:22:38 | |
Boys, throw that stuntman out of here. | 0:22:38 | 0:22:43 | |
Noo, I'm punching you. | 0:22:43 | 0:22:47 | |
Hey, that's plenty. Come on, Vince. | 0:22:56 | 0:22:58 | |
Just you. | 0:22:58 | 0:23:00 | |
Cash machines are rare, aren't they, son? | 0:23:20 | 0:23:23 | |
Aye, Da'. | 0:23:23 | 0:23:24 | |
They werenae always like this. | 0:23:24 | 0:23:26 | |
See back in my day, they were very different. | 0:23:26 | 0:23:30 | |
Very different indeed. | 0:23:30 | 0:23:31 | |
What do you mean? | 0:23:31 | 0:23:32 | |
'Hello? What d'ye want?' | 0:23:45 | 0:23:46 | |
Is this the cash machine? | 0:23:46 | 0:23:47 | |
'Aye. What is it?' | 0:23:47 | 0:23:50 | |
Can I lift some of my money? | 0:23:50 | 0:23:52 | |
'What for?' | 0:23:52 | 0:23:53 | |
I'm going up the dancing the night. | 0:23:53 | 0:23:56 | |
-'How much?' -20 quid. -'20 quid?!' -Aye. | 0:23:56 | 0:24:00 | |
'Sake. Putting you on hold.' | 0:24:00 | 0:24:03 | |
-You the guy that wants 20 quid? -Aye. | 0:24:09 | 0:24:12 | |
Haun oot. | 0:24:12 | 0:24:14 | |
Fiver. 10, 11, 12. | 0:24:23 | 0:24:30 | |
-This for going to the dancing you say? -Aye. | 0:24:30 | 0:24:33 | |
20 quid frittered away on drink. Shocking. | 0:24:33 | 0:24:38 | |
13, 14, 15. | 0:24:38 | 0:24:44 | |
-Who's going? -Me and my mates. | 0:24:44 | 0:24:49 | |
16, 17, | 0:24:49 | 0:24:54 | |
17.10, 17.20. 17.30, 17.40. | 0:24:57 | 0:25:01 | |
-I'm short. -I'm wanting 20. -That'll do you. -But I need... | 0:25:01 | 0:25:08 | |
That'll dae ye. | 0:25:08 | 0:25:10 | |
-Hello? -'That'll dae ye.' | 0:25:16 | 0:25:18 | |
-That sounds terrible, Da'. -It was, son. The past was garbage. | 0:25:24 | 0:25:30 | |
Never forget that right, it was garbage. | 0:25:30 | 0:25:33 | |
I've run out of bog roll. I think my fish supper | 0:25:40 | 0:25:43 | |
from last night's still in the bath. | 0:25:43 | 0:25:45 | |
Just use the paper fae that, if that's what you're needing. | 0:25:45 | 0:25:49 | |
It isnae. | 0:25:49 | 0:25:51 | |
Aye, man, see since I started shaving old stovies, havenae looked back. | 0:25:51 | 0:25:56 | |
No point being a caveman if the women want a cavalier, know what I mean? That's my motto. | 0:25:56 | 0:25:59 | |
Get in on the slick stovies act, man. | 0:26:01 | 0:26:04 | |
You'll soon be having the same success with the women as I do. | 0:26:04 | 0:26:08 | |
DOOR CLOSES | 0:26:08 | 0:26:10 | |
Did someone just come in the door there? Peter? | 0:26:10 | 0:26:14 | |
Hello. Take a jock to yer janglies for Harry MacLowdrie. | 0:26:18 | 0:26:24 | |
# The wifies all went dreich | 0:26:26 | 0:26:30 | |
# And the wifies all went wheech | 0:26:30 | 0:26:32 | |
# And the wifies all bent o'er the muslin | 0:26:32 | 0:26:35 | |
# And all the quinies went wheecht | 0:26:35 | 0:26:38 | |
# And went alang the dreecht | 0:26:38 | 0:26:40 | |
# Cos all the lassies fancy Ryan Gosling. # | 0:26:40 | 0:26:43 | |
'Mate, mate, mate. Did you lock the back door, mate?' | 0:26:44 | 0:26:51 | |
Aye. 'You sure, mate? Mate? | 0:26:51 | 0:26:53 | |
'Mate? Mate?' | 0:26:53 | 0:26:57 | |
I locked it. | 0:26:57 | 0:26:59 | |
'Gonnae just double check, mate? | 0:26:59 | 0:27:00 | |
'I'll no be able to sleep for worrying about | 0:27:00 | 0:27:02 | |
'whether or not the back door's locked. | 0:27:02 | 0:27:06 | |
'Last thing you want is somebody coming in your house | 0:27:06 | 0:27:09 | |
'when you're asleep, mate.' | 0:27:09 | 0:27:10 | |
I locked the back door. | 0:27:11 | 0:27:14 | |
Are you sure you locked it? | 0:27:17 | 0:27:20 | |
'Gonnae make sure the oven's switched off while you're up?' | 0:27:22 | 0:27:25 | |
Subtitles by Red Bee Media Ltd | 0:27:37 | 0:27:41 |