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This programme contains some strong language | 0:00:02 | 0:00:09 | |
Hello, I'm Charlie Brooker, and you're watching Weekly Wipe, | 0:00:21 | 0:00:24 | |
a programme all about things that are happening. | 0:00:24 | 0:00:26 | |
Things like this... | 0:00:26 | 0:00:27 | |
Britain angers Neptune, god of the sea. | 0:00:27 | 0:00:30 | |
Turns out Britannia might not rule the waves after all. | 0:00:30 | 0:00:33 | |
Snazzily-directed detective show Sherlock returned. | 0:00:33 | 0:00:36 | |
Some viewers were left confused as to why Sherlock didn't die | 0:00:36 | 0:00:39 | |
at the end of the previous series. | 0:00:39 | 0:00:41 | |
Well, the simple answer is, he was recommissioned. | 0:00:41 | 0:00:44 | |
Meanwhile, a freak polar vortex in America | 0:00:44 | 0:00:46 | |
has created some astonishing images. | 0:00:46 | 0:00:48 | |
Critics are praising this charming Broadway production of The Snowman. | 0:00:48 | 0:00:52 | |
But we start with Britain. Britain's brilliant, isn't it? | 0:00:52 | 0:00:55 | |
It's got everything, it's got Paddington Bear and Stonehenge | 0:00:55 | 0:00:58 | |
and regular bin collections... | 0:00:58 | 0:01:00 | |
But all of this hangs in the balance, thanks to immigration, | 0:01:00 | 0:01:03 | |
which is out of control. | 0:01:03 | 0:01:04 | |
These days everywhere you look there's a Polski Sklep | 0:01:04 | 0:01:07 | |
selling weird foreign food, like eggs. | 0:01:07 | 0:01:09 | |
What the hell is an egg? Well, no more. | 0:01:09 | 0:01:11 | |
Britain is full, | 0:01:11 | 0:01:12 | |
and we need to keep an eye on anyone new who wants to come here. | 0:01:12 | 0:01:15 | |
Which is why it's helpful that for over a year the news has kept us | 0:01:15 | 0:01:18 | |
informed of the imminent threat of inbound Romanians | 0:01:18 | 0:01:21 | |
and Bulgarians set to flood the country once EU restrictions | 0:01:21 | 0:01:24 | |
were lifted on New Year's Day. But who exactly are these people? | 0:01:24 | 0:01:28 | |
First, Bulgarians. | 0:01:28 | 0:01:29 | |
Bulgarians, as a series of eye-opening reports made | 0:01:29 | 0:01:32 | |
devilishly clear, live in a kind of medieval realm twinned with | 0:01:32 | 0:01:36 | |
Game Of Thrones, consisting entirely of horses and carts | 0:01:36 | 0:01:39 | |
and people lugging giant sacks around, | 0:01:39 | 0:01:41 | |
like they were in a live recreation of a Breughel painting. | 0:01:41 | 0:01:44 | |
Their world isn't entirely backward - | 0:01:44 | 0:01:46 | |
I mean, they do have, say, cars - | 0:01:46 | 0:01:48 | |
but only shit ones. | 0:01:48 | 0:01:49 | |
In fact, as Channel 4's footage made clear, | 0:01:49 | 0:01:51 | |
Bulgaria's a kind of open-air shit car museum, where the only | 0:01:51 | 0:01:54 | |
form of entertainment is driving over the nation's one speed bump. | 0:01:54 | 0:01:58 | |
Romania, meanwhile, | 0:01:58 | 0:01:59 | |
is apparently also a medieval Game Of Thrones Breughel-painting | 0:01:59 | 0:02:02 | |
squalor-pot, according to this news footage, | 0:02:02 | 0:02:05 | |
apparently beamed live from the year 1386. | 0:02:05 | 0:02:07 | |
The news certainly painted a graphic picture of deprivation | 0:02:07 | 0:02:10 | |
and hot horse-on-cart action. | 0:02:10 | 0:02:13 | |
I mean, look at this bleak existence, no utilities, | 0:02:13 | 0:02:16 | |
squalid conditions, people lugging sacks around everywhere. | 0:02:16 | 0:02:19 | |
And the only way to get about is on horseback. | 0:02:19 | 0:02:21 | |
They'd be better off in Britain. | 0:02:21 | 0:02:22 | |
Little wonder a tidal wave of immigrants was predicted by some, | 0:02:22 | 0:02:25 | |
and it didn't seem they were going to be welcomed with open arms. | 0:02:25 | 0:02:28 | |
It's hard to shake the suspicion that much of the hostility | 0:02:28 | 0:02:30 | |
towards immigrants who haven't even migrated yet might have | 0:02:30 | 0:02:33 | |
something to do with the level-headed, non-judgmental | 0:02:33 | 0:02:35 | |
and factually watertight reporting surrounding the issue. | 0:02:35 | 0:02:38 | |
Some of the language about floods and swarms is reminiscent | 0:02:38 | 0:02:41 | |
of dehumanising, anti-Semitic Nazi propaganda likening Jews to rats. | 0:02:41 | 0:02:45 | |
They are cunning, cowardly and cruel. | 0:02:45 | 0:02:48 | |
And usually appear in massive hoards. | 0:02:48 | 0:02:51 | |
And when not being compared with vermin, | 0:02:51 | 0:02:53 | |
they're routinely painted as scroungers or criminals. | 0:02:53 | 0:02:55 | |
Many Romanians were unimpressed with the coverage | 0:02:55 | 0:02:57 | |
and tried to redress the balance. | 0:02:57 | 0:02:59 | |
Sky News found an articulate Romanian barrister who | 0:02:59 | 0:03:01 | |
pointed out Romanians have been allowed to work here | 0:03:01 | 0:03:04 | |
since 2007, and apparently aren't all thieves. | 0:03:04 | 0:03:07 | |
I know lots of doctors, nurses, scientists, lawyers like myself. | 0:03:07 | 0:03:13 | |
We have integrated in this wonderful country, | 0:03:13 | 0:03:17 | |
and we have been contributing. | 0:03:17 | 0:03:19 | |
Yeah, whatever. Come on, turn your pockets out! | 0:03:19 | 0:03:21 | |
Even statistics showing immigrants contribute more than | 0:03:21 | 0:03:23 | |
they take don't help, because, as the news demonstrated, | 0:03:23 | 0:03:26 | |
statistics don't really mean much to most people. | 0:03:26 | 0:03:28 | |
If you read the statistics, | 0:03:28 | 0:03:30 | |
most of the Romanians who are here have got jobs, are doing well... | 0:03:30 | 0:03:35 | |
Living here, it's... The statistics can't be right. | 0:03:35 | 0:03:38 | |
And when people aren't doubting statistics, | 0:03:38 | 0:03:41 | |
they just make them up on their own. | 0:03:41 | 0:03:42 | |
The majority are here to claim their benefits, innit? | 0:03:42 | 0:03:44 | |
-You think the majority are here to claim benefits? -Yeah, the majority. | 0:03:44 | 0:03:47 | |
-Yeah, definitely. -So you want to see a clamp down. | 0:03:47 | 0:03:50 | |
Big time! | 0:03:50 | 0:03:51 | |
Given the nature of the news coverage, | 0:03:51 | 0:03:52 | |
you'd think the Romanians would be rubbing their hands together, | 0:03:52 | 0:03:55 | |
looking at the clock and booking their tickets. | 0:03:55 | 0:03:57 | |
But weirdly, as some reporters pointed out, | 0:03:57 | 0:03:59 | |
they're just not that into us. | 0:03:59 | 0:04:01 | |
Having spoken to people here, it's clear that contrary to popular myth, | 0:04:01 | 0:04:05 | |
Romanians have no wish to go to the UK to live on benefits. | 0:04:05 | 0:04:09 | |
Yeah, I know, I read about it in the paper. | 0:04:09 | 0:04:11 | |
They can't wait to come here and STEAL from us. | 0:04:11 | 0:04:13 | |
Just listen to them. | 0:04:13 | 0:04:14 | |
"I would never leave my country," this woman says. | 0:04:14 | 0:04:16 | |
"For what? I'm a patriot." | 0:04:16 | 0:04:18 | |
Give me back my wallet. | 0:04:18 | 0:04:20 | |
What would be the pint of leaving Romania just for social benefits? | 0:04:20 | 0:04:24 | |
Yeah, whatever. Have you got a receipt for those kids? | 0:04:24 | 0:04:26 | |
I make my money here, I have my family here and my friends here. | 0:04:26 | 0:04:30 | |
I feel at home here, I would never go. | 0:04:30 | 0:04:32 | |
You lying thief. | 0:04:32 | 0:04:34 | |
Even their own officials denied they wanted to come here. | 0:04:34 | 0:04:36 | |
I can see at least one factor that makes the UK far less attractive, | 0:04:36 | 0:04:42 | |
and that's certainly the weather. | 0:04:42 | 0:04:44 | |
What? How dare you? What's wrong with our weather? | 0:04:44 | 0:04:47 | |
More disruption and misery after powerful gales | 0:04:48 | 0:04:51 | |
and heavy rainfall hit the UK for the second time this week. | 0:04:51 | 0:04:54 | |
Yes, in an apparent bid to scare off the great Eastern European invasion | 0:04:54 | 0:04:57 | |
scheduled for New Year's Day when the floodgates would open, | 0:04:57 | 0:05:00 | |
Britain's weather spent much of Christmas demonstrating what it | 0:05:00 | 0:05:03 | |
would look like if there were no floodgates at all. | 0:05:03 | 0:05:05 | |
Suddenly there was an intense sense of deja vu | 0:05:05 | 0:05:07 | |
about some of the coverage. | 0:05:07 | 0:05:08 | |
Look at this bleak existence - no utilities, | 0:05:08 | 0:05:11 | |
squalid conditions, people lugging sacks around everywhere | 0:05:11 | 0:05:14 | |
and the only way to get about is on horseback. | 0:05:14 | 0:05:16 | |
They'd be better off in Romania. | 0:05:16 | 0:05:18 | |
As New Year's Day arrived, the press pulled out all the stops | 0:05:18 | 0:05:21 | |
to welcome the expected horde of newcomers, | 0:05:21 | 0:05:23 | |
while in a last-ditch attempt to put anyone attempting | 0:05:23 | 0:05:26 | |
to enter the country, the Government stationed MP | 0:05:26 | 0:05:28 | |
and publicity tag nut Keith Vaz at Luton Airport. | 0:05:28 | 0:05:31 | |
In fact, as Sky News clearly proved | 0:05:31 | 0:05:33 | |
when the much anticipated planeload of Romanians arrived, | 0:05:33 | 0:05:35 | |
it turned out most of them already worked here. | 0:05:35 | 0:05:37 | |
But the news did find at least one new Romanian. | 0:05:37 | 0:05:40 | |
This guy, Viktor, who'd come to get a job washing cars | 0:05:40 | 0:05:42 | |
while wearing a green hat. | 0:05:42 | 0:05:45 | |
I don't come to rob your country, I come to work and you open the border. | 0:05:45 | 0:05:50 | |
I hope you've paid for that hat. | 0:05:50 | 0:05:51 | |
Ironically, while Viktor the one-man horde flooded Britain | 0:05:51 | 0:05:55 | |
and bravely withstood a coffee with Keith Vaz, | 0:05:55 | 0:05:57 | |
there were more British newcomers working in Romania | 0:05:57 | 0:05:59 | |
as reporters than new Romanians in Britain. | 0:05:59 | 0:06:02 | |
Anyway, now the country is ruined. | 0:06:02 | 0:06:04 | |
I miss the traditional British way of life, you know, | 0:06:04 | 0:06:07 | |
before we had the Bulgarians and Romanians and the Polish | 0:06:07 | 0:06:09 | |
and the Russians and the Australians and the Kurdish and the Turkish | 0:06:09 | 0:06:12 | |
and the Bengalis and the Pakistanis | 0:06:12 | 0:06:15 | |
and the Indians and the West Indians and the Africans | 0:06:15 | 0:06:17 | |
and the Huguenots and the Jews and the Normans and the Vikings | 0:06:17 | 0:06:20 | |
and the Angles and Saxons and the Romans and the Jutes and those | 0:06:20 | 0:06:23 | |
-bloody Celts who were first in the door, the foreign -BLEEP -idiots. | 0:06:23 | 0:06:26 | |
It's been downhill ever since. | 0:06:26 | 0:06:29 | |
Still, who cares what I think about immigration. | 0:06:29 | 0:06:32 | |
Let's ask a foreigner, specifically US comedian and shambles, | 0:06:32 | 0:06:36 | |
Doug Stanhope. | 0:06:36 | 0:06:37 | |
Here's his view. | 0:06:37 | 0:06:38 | |
ROUSING MUSIC PLAYS | 0:06:38 | 0:06:39 | |
I'm Doug Stanhope and that's why I drink. | 0:06:44 | 0:06:49 | |
Immigration, again, really? Who is it this time? | 0:06:49 | 0:06:54 | |
The Bulgarians are coming, the Bulgarians are coming, | 0:06:54 | 0:06:58 | |
bar the door and lock up the wives and hide the children and put your | 0:06:58 | 0:07:02 | |
pants on backwards so they don't get their mitts in your zipper. | 0:07:02 | 0:07:05 | |
You know what? Honestly, I was surprised to find out | 0:07:05 | 0:07:08 | |
the UK even had immigration laws of any kind. | 0:07:08 | 0:07:12 | |
As shitty and miserable and dire an existence as you live, | 0:07:12 | 0:07:16 | |
you think you'd welcome anyone willing to live there with open arms | 0:07:16 | 0:07:20 | |
and ask them stories about the outside world. | 0:07:20 | 0:07:23 | |
All the stereotypes you hear about immigration are always, | 0:07:23 | 0:07:26 | |
"Oh, they're lazy and they steal and they don't speak the language," | 0:07:26 | 0:07:31 | |
and then they turn around and go, "And they're stealing our jobs." | 0:07:31 | 0:07:34 | |
"Hey, Kevin, we'd like to keep you on, you've been great, | 0:07:34 | 0:07:37 | |
"but we've just found a slovenly, illiterate thief | 0:07:37 | 0:07:42 | |
"and we think he might do a little bit better than you, | 0:07:42 | 0:07:46 | |
"so you got to go." | 0:07:46 | 0:07:47 | |
Besides, I thought the Polish people already stole all your jobs, so maybe | 0:07:48 | 0:07:52 | |
the Bulgarians are just going to come in and steal Polish jobs, | 0:07:52 | 0:07:55 | |
so you can relax. | 0:07:55 | 0:07:57 | |
In the States, when we say immigrant, it's just another word for Mexican. | 0:07:57 | 0:08:01 | |
We live on the border of Bisbee. | 0:08:01 | 0:08:03 | |
We see the fucking border patrol hustling all these guys up, | 0:08:03 | 0:08:06 | |
11 at a time, coming out of Ford Tempo | 0:08:06 | 0:08:09 | |
like a fucking clown car. | 0:08:09 | 0:08:11 | |
After wandering the desert for six days and they just get over, | 0:08:11 | 0:08:15 | |
and they're dehydrated and filthy. | 0:08:15 | 0:08:17 | |
Yeah, you're probably right, they don't speak the language | 0:08:17 | 0:08:21 | |
and they probably have minimal education | 0:08:21 | 0:08:23 | |
and if that guy can show up like that as qualified for your job | 0:08:23 | 0:08:28 | |
as you are, you're a fucking loser | 0:08:28 | 0:08:32 | |
of such dynamic proportions, | 0:08:32 | 0:08:35 | |
I would be | 0:08:35 | 0:08:36 | |
ashamed and humiliated if anyone found out that guy just took my job. | 0:08:36 | 0:08:42 | |
How simple and menial a job do you have | 0:08:42 | 0:08:46 | |
where they can do the job training in pantomime? | 0:08:46 | 0:08:50 | |
"Here, crank, crank, crank, crank, crank?" | 0:08:50 | 0:08:53 | |
"Oh, si, crank, crank, crank, crank, crank." "Yeah, you got it." | 0:08:53 | 0:08:57 | |
"Can you go...?" | 0:08:57 | 0:09:00 | |
"Oh, no, no, you go..." | 0:09:00 | 0:09:02 | |
"Yes, you're hired." | 0:09:02 | 0:09:05 | |
You never hear people with legitimate skill sets | 0:09:05 | 0:09:07 | |
complaining about immigrants taking their jobs. | 0:09:07 | 0:09:10 | |
You don't hear brain surgeons sitting round the Beverly Hills Hotel | 0:09:10 | 0:09:14 | |
lounge going, "You know what chaps my arse, Patrick? | 0:09:14 | 0:09:17 | |
"These fucking Guatemalans come up here. Don't speak the language, | 0:09:17 | 0:09:22 | |
"they steal all of our neurosurgery positions. | 0:09:22 | 0:09:28 | |
"Let's go thunder down some Jack Daniels | 0:09:28 | 0:09:31 | |
"and put on our steel-toed boots | 0:09:31 | 0:09:34 | |
"and go out tonight, stomping Guats, what do you say?" | 0:09:34 | 0:09:38 | |
And the Romanians. | 0:09:38 | 0:09:39 | |
You see, I don't even think that one's a real country. | 0:09:39 | 0:09:42 | |
It's like from a fable or something. | 0:09:42 | 0:09:45 | |
Reality and grisly prick observation chamber Celebrity Big Brother | 0:09:51 | 0:09:55 | |
kicked off once again with a star-studded line-up. | 0:09:55 | 0:09:58 | |
This year's twist saw faded celebrities handcuffed | 0:09:58 | 0:10:00 | |
and incarcerated in front of a jeering crowd, | 0:10:00 | 0:10:03 | |
a gimmick they've stolen from Operation Yewtree. | 0:10:03 | 0:10:05 | |
This year's housemates include Judy Finnigan and Philip Seymour Hoffman. | 0:10:05 | 0:10:10 | |
A Bratislavian prince from a 1920s silent film, | 0:10:10 | 0:10:13 | |
Madeleine the rag doll, a young David Hasselhoff, | 0:10:13 | 0:10:16 | |
an old David Hasselhoff, some atoms in the shape of a woman, | 0:10:16 | 0:10:20 | |
thingy off thingamajig, Dorian Gray and his picture, | 0:10:20 | 0:10:23 | |
a typical American, businesswoman of the year and Jennifer Aniston. | 0:10:23 | 0:10:27 | |
Highlights thus far include Dappy's surprisingly successful | 0:10:27 | 0:10:30 | |
mating ritual, which has echoes of Hannibal Lecter. | 0:10:30 | 0:10:33 | |
Mmm... | 0:10:33 | 0:10:34 | |
It's too early to saw which ones are worth hating | 0:10:34 | 0:10:36 | |
and which ones aren't worth hating yet, | 0:10:36 | 0:10:38 | |
so you're best off hating all of them and then retrospectively | 0:10:38 | 0:10:41 | |
withdrawing some of that hate | 0:10:41 | 0:10:43 | |
if they break down or die or piss in Dappy's cornflakes. | 0:10:43 | 0:10:45 | |
Food! And with the horse meat scandal behind us, | 0:10:51 | 0:10:54 | |
the new year got off to a grizzly start as a Chinese branch of Walmart | 0:10:54 | 0:10:57 | |
discovered its donkey meat was tainted with fox. | 0:10:57 | 0:11:00 | |
These days you just don't know what the fox you're eating. | 0:11:00 | 0:11:03 | |
The sad news was expertly reported on the slightly odd | 0:11:03 | 0:11:05 | |
Blue Ocean Network, anchored by the world's first Lego human. | 0:11:05 | 0:11:09 | |
A man that bought a package of what he thought was donkey meat | 0:11:09 | 0:11:12 | |
at a local Walmart turned out to be fox meat instead. | 0:11:12 | 0:11:16 | |
Talk about Fox News! | 0:11:16 | 0:11:17 | |
The report rounded off with a helpful Jamie Oliver-style | 0:11:19 | 0:11:21 | |
austerity cooking tip. | 0:11:21 | 0:11:23 | |
To be on the safe side, boil fox meat with spices before consuming. | 0:11:23 | 0:11:27 | |
And to be on the really safe side, throw it away. | 0:11:27 | 0:11:30 | |
Still, if you think fox meat's bad, | 0:11:30 | 0:11:31 | |
what about the North Korean scandal where dog food has reportedly | 0:11:31 | 0:11:35 | |
been found to contain traces of uncle meat. | 0:11:35 | 0:11:38 | |
You know, it was this sort of nature show about dolphins. | 0:11:38 | 0:11:40 | |
It was just like a normal natural history programme, | 0:11:40 | 0:11:43 | |
but set underwater. | 0:11:43 | 0:11:45 | |
Sort of like Finding Nemo, but if fish were real. | 0:11:45 | 0:11:48 | |
Dolphins live downstairs where the sea is, | 0:11:48 | 0:11:51 | |
and the programme was really clever because they'd filmed it underwater | 0:11:51 | 0:11:55 | |
using magic robot animals. | 0:11:55 | 0:11:57 | |
It was like a game where you had to guess which things were | 0:11:57 | 0:12:00 | |
the real sea animals and which were the robot animals, | 0:12:00 | 0:12:03 | |
and sometimes it was like an advert for robots, you know? | 0:12:03 | 0:12:06 | |
Spy Dolphin reaches 50mph and also has HD cameras for eyes. | 0:12:06 | 0:12:11 | |
The thing is, the robot sea animals were so sophisticated, | 0:12:12 | 0:12:16 | |
they were loads more interesting than the real sea animals, | 0:12:16 | 0:12:19 | |
so some of the real sea animals got jealous | 0:12:19 | 0:12:21 | |
and attacked the robot sea animals. | 0:12:21 | 0:12:24 | |
It was like a war between robots and the sea, | 0:12:25 | 0:12:29 | |
which is something I didn't expect to see in my lifetime, | 0:12:29 | 0:12:32 | |
if I'm honest. | 0:12:32 | 0:12:33 | |
But then I was surprised when wi-fi came out, so maybe that's just me. | 0:12:33 | 0:12:38 | |
It told you all this stuff you didn't know, like the dolphins | 0:12:38 | 0:12:40 | |
talk by making noises like a squeaky floorboard, | 0:12:40 | 0:12:44 | |
which gets on your tits after about six seconds. | 0:12:44 | 0:12:46 | |
Usually dolphins are pretty, | 0:12:50 | 0:12:51 | |
which is why unhappy people have big posters of dolphins | 0:12:51 | 0:12:55 | |
jumping over sunsets on their walls | 0:12:55 | 0:12:56 | |
with slogans that pretend life's worth living printed on them. | 0:12:56 | 0:13:00 | |
But in this, because the dolphins didn't know the cameras were there, | 0:13:00 | 0:13:04 | |
they were filmed from all these unflattering angles. | 0:13:04 | 0:13:07 | |
So you saw that dolphins are actually sort of ugly. | 0:13:07 | 0:13:11 | |
Like a grey undersea pig. | 0:13:11 | 0:13:14 | |
You wouldn't want that on your wall. | 0:13:14 | 0:13:16 | |
The thing is, it was really magical | 0:13:16 | 0:13:18 | |
and fascinating with all this incredible footage of dolphins | 0:13:18 | 0:13:21 | |
jumping in the air, and you're like, "That's amazing," you know. | 0:13:21 | 0:13:24 | |
And then they're jumping in the air again and you're still amazed, | 0:13:24 | 0:13:27 | |
but not as much. | 0:13:27 | 0:13:28 | |
And then they jump and spin at the same time, and you're like, | 0:13:28 | 0:13:31 | |
"OK, that's clever. That is clever." | 0:13:31 | 0:13:33 | |
And then they jump and spin again and you're like, "Do something else." | 0:13:33 | 0:13:36 | |
But they don't. They just keep jumping and spinning | 0:13:36 | 0:13:39 | |
and jumping and spinning, and just landing back in the sea. | 0:13:39 | 0:13:42 | |
And they don't stop doing it, it's all they do. Fucking dolphins! | 0:13:42 | 0:13:45 | |
Fuck 'em! And fuck everyone who likes them! | 0:13:45 | 0:13:47 | |
If dolphins are the best thing the ocean's got to offer, | 0:13:47 | 0:13:49 | |
they might as well concrete over the sea. | 0:13:49 | 0:13:52 | |
EastEnders, the BBC's expertly realised ongoing simulation | 0:13:52 | 0:13:55 | |
of what London might look like if human beings spoke | 0:13:55 | 0:13:58 | |
and behaved in unrealistic ways, has been facing a crisis. | 0:13:58 | 0:14:01 | |
Viewers were turning away in droves, even though | 0:14:01 | 0:14:03 | |
no-one knows what a drove is. | 0:14:03 | 0:14:04 | |
It's not quite clear why people haven't been enjoying this tale | 0:14:04 | 0:14:07 | |
of downtrodden proletarians suffering endless miseries | 0:14:07 | 0:14:10 | |
beneath a battleship-grey sky. | 0:14:10 | 0:14:12 | |
It can't be the fault of the richly-drawn characters | 0:14:12 | 0:14:15 | |
like Purple Ronnie here, or Ian, or Kat, | 0:14:15 | 0:14:17 | |
or Ian, or Dot, or Ian or, I don't know, who's that? Colin? | 0:14:17 | 0:14:21 | |
Or the bald one, or the other bald one, or the sort of newer bald one. | 0:14:21 | 0:14:25 | |
Actually, there's so many bald heads in it it's like watching | 0:14:25 | 0:14:28 | |
Finding Chemo. Seriously, when two of them meet, | 0:14:28 | 0:14:30 | |
they must think they're looking in a mirror. | 0:14:30 | 0:14:32 | |
Anyway, now there's a new boss driving the East End bus | 0:14:32 | 0:14:34 | |
and the square's being sexed up, literally, with some mature erotica. | 0:14:34 | 0:14:38 | |
They've paired Phil Mitchell up with Sharon again, | 0:14:38 | 0:14:40 | |
which is good news for anyone who's ever wondered what it might | 0:14:40 | 0:14:43 | |
look like if scientists made a woman mate with a giant thumb, | 0:14:43 | 0:14:45 | |
and bad news for anyone who doesn't want to witness his delighted | 0:14:45 | 0:14:48 | |
post-coital gasping. | 0:14:48 | 0:14:50 | |
HE SIGHS | 0:14:53 | 0:14:54 | |
Just like old times, eh? | 0:14:56 | 0:14:58 | |
"Oh, thanks for that, love. | 0:14:58 | 0:15:00 | |
"Just going to go pat me dick dry on a tea cosy." | 0:15:00 | 0:15:03 | |
But these thrilling developments were nothing compared to the news | 0:15:03 | 0:15:06 | |
that Cockney actor Danny Dyer, the thinking man's Dick Van Dyke, | 0:15:06 | 0:15:09 | |
was joining the Square to play the exotically named Mick Carter, | 0:15:09 | 0:15:13 | |
a mystery wrapped in an enigma cocooned within a bloke. | 0:15:13 | 0:15:16 | |
Git Carter has purchased the Queen Vic, | 0:15:16 | 0:15:18 | |
an iconic Walford landmark used for absorbing meaningful | 0:15:18 | 0:15:21 | |
looks from characters as well as housing countless brooding | 0:15:21 | 0:15:23 | |
grudges and impromptu shouting contests. | 0:15:23 | 0:15:26 | |
What?! | 0:15:26 | 0:15:28 | |
Maxie! | 0:15:28 | 0:15:29 | |
Swear down, touch me again and I'll rip your bits of! | 0:15:29 | 0:15:32 | |
Despite buying the Vic late in the afternoon | 0:15:32 | 0:15:34 | |
on Christmas Day, Carter apparently had a licence to sell alcohol | 0:15:34 | 0:15:37 | |
granted by the 27th, | 0:15:37 | 0:15:38 | |
which makes Walford Council more efficient than the Nazis. | 0:15:38 | 0:15:41 | |
Contrary to popular opinion, Danny Dyer can act | 0:15:41 | 0:15:44 | |
although he seemed uncertain at first, | 0:15:44 | 0:15:46 | |
openly asking other cast members how he should perform each scene. | 0:15:46 | 0:15:50 | |
I was thinking, how do I play this? | 0:15:50 | 0:15:53 | |
Do I...try tears? | 0:15:53 | 0:15:54 | |
I don't know, Danny, what does it say in the script? | 0:15:54 | 0:15:57 | |
How am I going to tell Linda that tomorrow our little girl is | 0:15:57 | 0:15:59 | |
getting married to a man we hate? | 0:15:59 | 0:16:01 | |
Oh, you are supposed to do it gruffly, apparently. | 0:16:01 | 0:16:04 | |
Dyer is surrounded by a supporting cast of Carters, | 0:16:04 | 0:16:07 | |
including a wife who walks around in the street in curlers like | 0:16:07 | 0:16:10 | |
she has just wandered out of Birds Of A Feather, | 0:16:10 | 0:16:12 | |
a daughter who inexplicably dresses like she is in EMF, | 0:16:12 | 0:16:14 | |
a son who is gay but won't talk about it, | 0:16:14 | 0:16:16 | |
and a sister who's gay but won't talk about anything else. | 0:16:16 | 0:16:19 | |
Right, that is it, I am splitting the room, building a les-zanine. | 0:16:19 | 0:16:22 | |
No-one is building a les-zanine. | 0:16:22 | 0:16:24 | |
Shirley there is Mick's other sister, | 0:16:24 | 0:16:26 | |
and her sex life has been horrible | 0:16:26 | 0:16:28 | |
because in the past she has also been filled in by the human thumb, | 0:16:28 | 0:16:31 | |
hence their loaded glances, but then she is not picky. | 0:16:31 | 0:16:34 | |
It won't last, Shirley. | 0:16:34 | 0:16:36 | |
You'll blow it. Just like you blow everything. | 0:16:36 | 0:16:39 | |
And everyone. | 0:16:39 | 0:16:40 | |
SHE VOMITS | 0:16:40 | 0:16:42 | |
Nice. | 0:16:42 | 0:16:43 | |
Not all the language is that racy. | 0:16:43 | 0:16:45 | |
In fact, most of the time there is no language at all | 0:16:45 | 0:16:47 | |
because the inhabitants of Albert Square chiefly seem to | 0:16:47 | 0:16:50 | |
communicate by staring mutely at each other in some sort of weird | 0:16:50 | 0:16:53 | |
silent theatre of the mind. | 0:16:53 | 0:16:55 | |
SHE SIGHS | 0:17:03 | 0:17:04 | |
Prompt! | 0:17:04 | 0:17:05 | |
To be fair, this is some of the best dialogue Albert Square has | 0:17:17 | 0:17:20 | |
seen in years. | 0:17:20 | 0:17:21 | |
Anyway after a couple of episodes, something disturbing happened. | 0:17:21 | 0:17:24 | |
The old soap osmosis kicks in. | 0:17:24 | 0:17:26 | |
Before long, I was caring about what happened to the characters. | 0:17:26 | 0:17:29 | |
Like Ian and bald man, and Kat and Alfie, | 0:17:29 | 0:17:31 | |
and Ian and bald man two, and Ian again. | 0:17:31 | 0:17:33 | |
But mainly, Danny Dyer. | 0:17:33 | 0:17:34 | |
And then I realised that rather than watching EastEnders so I could | 0:17:34 | 0:17:37 | |
laugh at Danny Dyer, I was watching EastEnders BECAUSE of Danny Dyer. | 0:17:37 | 0:17:40 | |
He's a canny choice because of something weirdly | 0:17:40 | 0:17:42 | |
watchable about him, no matter what blokey thing he is doing - | 0:17:42 | 0:17:45 | |
whether he is picking up a bird, | 0:17:45 | 0:17:47 | |
standing around looking hard or enjoying a steamy threesome. | 0:17:47 | 0:17:50 | |
Come on, then. There's a good girl. | 0:17:50 | 0:17:53 | |
-Come on. -Come on. | 0:17:53 | 0:17:54 | |
-Come on. -Big jump. | 0:17:54 | 0:17:55 | |
-Yeah. -Good girl. | 0:17:55 | 0:17:57 | |
You know, even if that dog joined in, | 0:17:57 | 0:17:59 | |
it still wouldn't be as disturbing | 0:17:59 | 0:18:00 | |
as that bit where Phil came out of the bed sheets all satiated | 0:18:00 | 0:18:04 | |
like a manatee surfacing for air after a big underwater shit. | 0:18:04 | 0:18:07 | |
PHIL SIGHS | 0:18:08 | 0:18:09 | |
Urgh. | 0:18:09 | 0:18:10 | |
It's a big, bewildering world, isn't it? | 0:18:10 | 0:18:12 | |
We're just trying to make sense of the damn thing, aren't we? | 0:18:12 | 0:18:15 | |
Well, yes, we are. | 0:18:15 | 0:18:16 | |
Well, here's someone who is trying harder than most. | 0:18:16 | 0:18:18 | |
He's trying to make sense of everything from geopolitical | 0:18:18 | 0:18:21 | |
tensions to Russell Brand, and he is called Limmy. | 0:18:21 | 0:18:25 | |
This is Limmy. | 0:18:25 | 0:18:26 | |
Hi. So I just started hearing Russell Brand getting mentioned everywhere. | 0:18:31 | 0:18:35 | |
"I saw Brand, I saw Brand." | 0:18:35 | 0:18:37 | |
"Russell Brand." So I checked it out and he's | 0:18:39 | 0:18:42 | |
gone on about how we shouldn't bother voting because "what's the point?" | 0:18:42 | 0:18:46 | |
And I thought, "Good on you." | 0:18:46 | 0:18:48 | |
Then I thought, "No, hold on... Don't vote?" | 0:18:48 | 0:18:51 | |
And just lot that walk straight in? | 0:18:55 | 0:18:57 | |
Whose side is he on anyway? | 0:19:00 | 0:19:03 | |
Is he one of us or... | 0:19:03 | 0:19:05 | |
..one of them? | 0:19:08 | 0:19:09 | |
I mean... | 0:19:11 | 0:19:13 | |
What's going on? | 0:19:13 | 0:19:14 | |
So I tweeted him. | 0:19:15 | 0:19:18 | |
"What's going on?" | 0:19:18 | 0:19:19 | |
Nae reply. | 0:19:21 | 0:19:23 | |
So I headed out because believe it or not I have bigger fish | 0:19:23 | 0:19:26 | |
to fry than Russell Brand. | 0:19:26 | 0:19:27 | |
I'm sending a video to the council about the state of the fences | 0:19:27 | 0:19:30 | |
in Victoria Park, I don't know if you've seen them. | 0:19:30 | 0:19:32 | |
Look at the state of that, look. | 0:19:32 | 0:19:33 | |
It was there that I remembered Katy Perry. | 0:19:33 | 0:19:35 | |
Katy Perry. | 0:19:35 | 0:19:36 | |
Katy Perry. | 0:19:36 | 0:19:37 | |
'The ex-wife. She knows what is going on. | 0:19:37 | 0:19:40 | |
It's all there in the lyrics.' | 0:19:40 | 0:19:41 | |
"I see it all, I see it now and I'm wide awake wake-wake-wake." | 0:19:41 | 0:19:45 | |
You can see that she is wanting to tell people but she knows that they | 0:19:45 | 0:19:48 | |
are watching, she knows that he is watching so she is doing it | 0:19:48 | 0:19:51 | |
in riddles and rhymes for the people who can work it out, like a code. | 0:19:51 | 0:19:54 | |
I sent her a code to tell her she can tell me, "I'm wide awake". | 0:19:54 | 0:19:58 | |
Follow me, please, so I can DM you. | 0:19:58 | 0:20:01 | |
Big fan. | 0:20:01 | 0:20:02 | |
Nae reply. | 0:20:03 | 0:20:05 | |
And nae reply from the council either. | 0:20:05 | 0:20:07 | |
The New Year began as it always does, with mankind declaring | 0:20:16 | 0:20:19 | |
war on the sky, and exciting news reports of world leaders | 0:20:19 | 0:20:22 | |
delivering inspiring words of hope | 0:20:22 | 0:20:24 | |
in their thrilling New Year speeches. | 0:20:24 | 0:20:26 | |
SPEAKS RUSSIAN | 0:20:26 | 0:20:28 | |
Showing the world how New Year's Eve addresses should be done, the | 0:20:33 | 0:20:36 | |
star of the North Korean remake of Game Of Thrones, | 0:20:36 | 0:20:38 | |
Kim Jong-Joffrey, took to an outside ornamental tissue box with | 0:20:38 | 0:20:42 | |
seven inset microphones to swap feel-good stories | 0:20:42 | 0:20:44 | |
about executing your own uncle. | 0:20:44 | 0:20:46 | |
Back home, mechanical pri-minidroid David Camero-bot | 0:20:46 | 0:20:49 | |
stood in the factory that made him to deliver | 0:20:49 | 0:20:51 | |
an inspiring message of hope with a slightly distracting | 0:20:51 | 0:20:54 | |
glistening chin like he had just been fellating the devil, | 0:20:54 | 0:20:57 | |
which I am legally obliged to assure you, he hadn't. | 0:20:57 | 0:21:01 | |
But he wasn't as worried about greasy chins as the prospect | 0:21:01 | 0:21:04 | |
of Scottish independence. | 0:21:04 | 0:21:05 | |
This year, let the message go out from England, Wales | 0:21:05 | 0:21:08 | |
and Northern Ireland to everyone in Scotland. | 0:21:08 | 0:21:11 | |
We want you to stay. | 0:21:11 | 0:21:13 | |
Yes, or to put it in terms you'd understand. | 0:21:13 | 0:21:15 | |
Och aye the noo. | 0:21:15 | 0:21:16 | |
Please don't...gooo. | 0:21:16 | 0:21:19 | |
On the other side of the ideological curtain, | 0:21:19 | 0:21:21 | |
Labour's head firebrand Ed Miliband starred his own New Year's message, | 0:21:21 | 0:21:25 | |
bits of which resembled Where's Wally. | 0:21:25 | 0:21:27 | |
There he is, the sexy one. | 0:21:27 | 0:21:29 | |
Red Hot Ed was shown posing for snapshots with delighted | 0:21:29 | 0:21:31 | |
members of the public who couldn't believe | 0:21:31 | 0:21:33 | |
they'd met a future Prime Minister because they hadn't. | 0:21:33 | 0:21:36 | |
And he articulated their angry voices in his own sort of dorky one. | 0:21:36 | 0:21:39 | |
People are thinking, look, I have made the sacrifices, | 0:21:39 | 0:21:42 | |
where is the benefit? | 0:21:42 | 0:21:43 | |
The Government keeps telling me that everything is fixed. | 0:21:43 | 0:21:46 | |
It doesn't seem fixed for me. | 0:21:46 | 0:21:48 | |
He is just like Nelson Mandela, isn't it? | 0:21:48 | 0:21:50 | |
Sadly irrelevant in 2014. | 0:21:50 | 0:21:52 | |
It being a New Year, the mystery of time is on everyone's mind. | 0:21:52 | 0:21:55 | |
Well, to properly explore that mystery, you need an expert, | 0:21:55 | 0:21:58 | |
and luckily, we have one in the form of our very own | 0:21:58 | 0:22:00 | |
Philomena Cunk who will explore time for us and you | 0:22:00 | 0:22:03 | |
in the first of her landmark mini documentary series, | 0:22:03 | 0:22:06 | |
Moments Of Wonder. | 0:22:06 | 0:22:08 | |
Time is precious. | 0:22:22 | 0:22:25 | |
Well, it's not like other precious things. | 0:22:25 | 0:22:28 | |
You can't hold it's like a necklace | 0:22:28 | 0:22:31 | |
or taste it like money. | 0:22:31 | 0:22:33 | |
Time has existed | 0:22:37 | 0:22:39 | |
since before time began, | 0:22:39 | 0:22:42 | |
and today, it is all around us. | 0:22:42 | 0:22:45 | |
On our phones, | 0:22:45 | 0:22:46 | |
in the corner of the news. | 0:22:46 | 0:22:49 | |
But once upon a time, if you wanted the time, then you had to come | 0:22:49 | 0:22:53 | |
here, to the headquarters of time. | 0:22:53 | 0:22:57 | |
Greenwich Clock Museum. | 0:22:57 | 0:22:59 | |
All the clocks in the world are set from here, | 0:23:02 | 0:23:05 | |
which must take ages. | 0:23:05 | 0:23:07 | |
So, what is clocks? | 0:23:08 | 0:23:11 | |
Clocks was invented by the ancient Mesopotamians | 0:23:11 | 0:23:16 | |
in ancient Mesopotamian times. | 0:23:16 | 0:23:19 | |
But they did not know it was ancient Mesopotamian times | 0:23:19 | 0:23:23 | |
because there were no clocks to see what the times was. | 0:23:23 | 0:23:27 | |
Because of the shape of clocks, | 0:23:29 | 0:23:31 | |
you might think that time goes in a circle. | 0:23:31 | 0:23:36 | |
But it actually goes in a line. | 0:23:36 | 0:23:38 | |
This is the famous Greenwich Marillion Line, | 0:23:38 | 0:23:42 | |
named after the band Marillion, who were named after this line. | 0:23:42 | 0:23:46 | |
Every day that's ever happened starts exactly here, | 0:23:46 | 0:23:51 | |
coming out of that time transmitter, | 0:23:51 | 0:23:54 | |
and running along this metal line on the ground. | 0:23:54 | 0:23:57 | |
That's why this is the only place in the world where | 0:23:58 | 0:24:02 | |
I can be in the past and the future, | 0:24:02 | 0:24:05 | |
with the present running right up through my middle bits. | 0:24:05 | 0:24:08 | |
No wonder time is such a mystery. | 0:24:11 | 0:24:14 | |
Literally, no-one can understand it apart from science men. | 0:24:14 | 0:24:18 | |
One science man who knows all about time | 0:24:18 | 0:24:21 | |
is this science man. | 0:24:21 | 0:24:23 | |
Hello, Science Man. Who are you? | 0:24:23 | 0:24:26 | |
I'm Dr Stuart Clark. I'm an astronomy writer | 0:24:26 | 0:24:29 | |
and a Fellow of the Royal Astronomical Society. | 0:24:29 | 0:24:31 | |
What is time? | 0:24:31 | 0:24:33 | |
We don't actually know. | 0:24:33 | 0:24:35 | |
There are a couple of possibilities. | 0:24:35 | 0:24:37 | |
Either time could be a physical thing that flows like a river, | 0:24:37 | 0:24:42 | |
or it could be more of a psychological thing... | 0:24:42 | 0:24:45 | |
When you say it's like a river, what do you mean? | 0:24:45 | 0:24:48 | |
I mean that time flows like the water in the river | 0:24:48 | 0:24:53 | |
and that the events in our lives | 0:24:53 | 0:24:55 | |
are like things in the river that that water encounters. | 0:24:55 | 0:24:58 | |
Like fish and stuff? | 0:24:58 | 0:25:00 | |
Yes. | 0:25:00 | 0:25:03 | |
You know when you store time on a clock? | 0:25:03 | 0:25:06 | |
How do you get it back out again? | 0:25:06 | 0:25:10 | |
Because when I was winding my watch up, | 0:25:10 | 0:25:13 | |
I accidentally put it forward, | 0:25:13 | 0:25:17 | |
so I'd got two hours more in my clock. | 0:25:17 | 0:25:21 | |
But then I put it back | 0:25:21 | 0:25:24 | |
but I thought, "Is it still in there? Is the time still in the clock?" | 0:25:24 | 0:25:27 | |
-So your watch doesn't actually measure time. -Well, it does. | 0:25:27 | 0:25:31 | |
-Cos it's... -It measures the oscillation | 0:25:31 | 0:25:35 | |
of a crystal, | 0:25:35 | 0:25:37 | |
and the change in the physical state of that crystal | 0:25:37 | 0:25:41 | |
has to happen in what we call a certain amount of time. | 0:25:41 | 0:25:45 | |
So, from one moment to another, | 0:25:45 | 0:25:47 | |
physical systems everywhere in the universe changes its state, | 0:25:47 | 0:25:51 | |
and that change takes place in what we call time, | 0:25:51 | 0:25:55 | |
and that's the only way we can infer the existence of time, | 0:25:55 | 0:25:59 | |
but actually, what time is... we don't know. | 0:25:59 | 0:26:04 | |
Right. | 0:26:04 | 0:26:05 | |
So even the people who understand time | 0:26:05 | 0:26:10 | |
don't understand what time is. | 0:26:10 | 0:26:12 | |
It'll always be an unknowable mystery, | 0:26:12 | 0:26:15 | |
like why the seasons change | 0:26:15 | 0:26:17 | |
or how a telephone works. | 0:26:17 | 0:26:19 | |
Next time, I'll be asking, | 0:26:19 | 0:26:22 | |
"What are these? | 0:26:22 | 0:26:25 | |
"And why are they everywhere?" | 0:26:25 | 0:26:27 | |
Gambling! And in a chilling online bingo advert, | 0:26:35 | 0:26:38 | |
London is invaded by pop giant Mel B | 0:26:38 | 0:26:40 | |
clomping through the streets like Godzilla-zig-ah, | 0:26:40 | 0:26:43 | |
terrifying pedestrians with the biggest camel toe in history | 0:26:43 | 0:26:46 | |
Not that it's that unusual a sight. | 0:26:46 | 0:26:49 | |
The City is full of massive twats. | 0:26:49 | 0:26:50 | |
Actually, I don't know why they've shown her playing bingo in the City. | 0:26:50 | 0:26:54 | |
It's not a place anyone associates with huge destructive idiots | 0:26:54 | 0:26:56 | |
mindlessly gambling and crushing the man on the street. | 0:26:56 | 0:26:59 | |
She is massive. | 0:26:59 | 0:27:01 | |
You think I'm massive? Get a load of this jackpot! | 0:27:01 | 0:27:04 | |
Looks like someone's sitting on a full house. | 0:27:04 | 0:27:06 | |
Bingo joke! | 0:27:06 | 0:27:08 | |
Furniture! And in an alarming promo for a sofa and chair emporium, | 0:27:14 | 0:27:18 | |
a woman enjoys a domestic date with a two-faced kind of fella. | 0:27:18 | 0:27:21 | |
I got it for the design. And it's really comfy. | 0:27:21 | 0:27:24 | |
-That and the fact that we saved a bundle. -Would you like some popcorn? | 0:27:24 | 0:27:28 | |
What's worrying is he comes across like he's suffering from a split personality disorder. | 0:27:28 | 0:27:32 | |
I like a man that's cost conscious. | 0:27:32 | 0:27:34 | |
You can thank me later. | 0:27:34 | 0:27:35 | |
Would you like me to take your coat? | 0:27:35 | 0:27:38 | |
I'll wear your skin like a coat. | 0:27:38 | 0:27:40 | |
Breaks! With 2014 already proving too miserable to bother with, | 0:27:45 | 0:27:49 | |
holiday companies are doing their best to make us temporarily emigrate | 0:27:49 | 0:27:53 | |
with this uplifting tale of a family in which Dad is a monster. | 0:27:53 | 0:27:55 | |
Not a monster in the sinister tabloid sense, | 0:27:55 | 0:27:58 | |
but a sort of cuddly ogre. | 0:27:58 | 0:27:59 | |
After a bit of fun chillaxing on holiday, | 0:27:59 | 0:28:01 | |
he finds out he no longer has the horn in bed with his wife | 0:28:01 | 0:28:04 | |
and attempts to run into the sea in a bid to end it all, | 0:28:04 | 0:28:06 | |
only to find himself transformed into a sort of climaxing Chippendale. | 0:28:06 | 0:28:09 | |
It's all quite heart-warming, until you realise | 0:28:09 | 0:28:12 | |
they'll have to fly back to Gatwick in 48 hours | 0:28:12 | 0:28:15 | |
for the whole soul-shitting cycle to begin all over again | 0:28:15 | 0:28:17 | |
until next year, when another holiday makes him human again. | 0:28:17 | 0:28:20 | |
He's only got a few more years of that left until his daughter wants | 0:28:20 | 0:28:23 | |
to go to Ibiza with her real mates, | 0:28:23 | 0:28:25 | |
leaving him and his poxy wife alone to bicker and read books | 0:28:25 | 0:28:28 | |
in lonely silence on the beach... | 0:28:28 | 0:28:30 | |
Actually, maybe I'm reading too much into this. | 0:28:30 | 0:28:33 | |
I need a holiday. | 0:28:33 | 0:28:35 | |
Hmm. Well, that's all we've got time for this week. | 0:28:35 | 0:28:38 | |
Till next time, go away. | 0:28:38 | 0:28:40 |