Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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This programme contains strong language. | 0:00:12 | 0:00:23 | |
Hello I'm Charlie Brooker and you're watching Weekly Wipe, a programme | 0:00:24 | 0:00:28 | |
all about things that are happening. Things like this. Former Israeli PM | 0:00:29 | 0:00:32 | |
Ariel Sharon finally left the coma he'd been controversially occupying | 0:00:33 | 0:00:39 | |
since 2006. There's been outrage in France a Frenchmen's been accused of | 0:00:40 | 0:00:47 | |
having an affair. He's also rumoured to enjoy soft cheese and shrugging. | 0:00:48 | 0:00:58 | |
Sky News reveals ?250,000 has been spent on weirdly looking portraits. | 0:00:59 | 0:01:04 | |
Hanging is too good for them. But we start with television. I don't know | 0:01:05 | 0:01:07 | |
if you have seen it, but Channel 4 has launched a British remake of The | 0:01:08 | 0:01:14 | |
Wire. Benefits Street is a fly on the wall documentary. It's brought | 0:01:15 | 0:01:35 | |
to you by the letters DSS. Benefits Street is a fly-on-the-wall | 0:01:36 | 0:01:38 | |
documentary series, it's a bit like Sesame Street but brought to you by | 0:01:39 | 0:01:42 | |
the letters DWP. It follows some of the residents on an apparently | 0:01:43 | 0:01:44 | |
notorious Birmingham street, where, we're told, most of the residents | 0:01:45 | 0:01:47 | |
are on benefits. As well as impoverished single mums, it also | 0:01:48 | 0:01:50 | |
depicts petty criminals on the rob. On the one hand it's a gritty | 0:01:51 | 0:01:54 | |
slice-of-life expose, but it's also packaged with a knowing nod and | 0:01:55 | 0:01:57 | |
wink. And it's so full of larger than life characters, it almost | 0:01:58 | 0:02:01 | |
feels like a sitcom. A bit like Friends, with benefits. Usually when | 0:02:02 | 0:02:03 | |
people on the breadline are exploited for entertainment it's | 0:02:04 | 0:02:06 | |
done unsubtly on grubby bellowing chambers like the Jeremy Kyle Show. | 0:02:07 | 0:02:09 | |
Whereas Benefits Street is presented more like a safari park tour through | 0:02:10 | 0:02:13 | |
poor people's natural environments. It's even packaged a bit like a | 0:02:14 | 0:02:17 | |
nature show, complete with sweeping shots of the landscape so you could | 0:02:18 | 0:02:20 | |
see what benefits look like from a balloon. There's also footage of the | 0:02:21 | 0:02:23 | |
loveable offspring gambolling in the wild, sequences in which predators | 0:02:24 | 0:02:26 | |
scavenge for scraps, and the violent majesty of Darwinian survival. Some | 0:02:27 | 0:02:29 | |
have complained the programme depicts lazy neer-do-wells living | 0:02:30 | 0:02:32 | |
the high life sponging off the state, and to be fair the level of | 0:02:33 | 0:02:35 | |
luxury they're enjoying is outrageous. I mean, just look most | 0:02:36 | 0:02:39 | |
of them have got shoes. The sense of entitlement is amazing, they use | 0:02:40 | 0:02:41 | |
oxygen without even paying for it,they just inhale and convert into | 0:02:42 | 0:02:44 | |
carbon dioxide, selfishly leaving less for the tax payer. They've even | 0:02:45 | 0:02:49 | |
got sticks and bits of old fan. I haven't got sticks and bits of old | 0:02:50 | 0:02:53 | |
fan; why should they? And they're so lazy, they sit around on their | 0:02:54 | 0:02:56 | |
arses, contributing nothing of value to society, boozing themselves | 0:02:57 | 0:02:59 | |
stupid and stuffing their faces with cheap junk food. Wouldn't catch me | 0:03:00 | 0:03:03 | |
doing that. Oh, I'm nearly out of artisan crisps. Society likes to let | 0:03:04 | 0:03:08 | |
off steam by having a set of sanctioned hate figures it's OK to | 0:03:09 | 0:03:11 | |
openly deride, a list that changes with the times, and currently, | 0:03:12 | 0:03:15 | |
benefits claimants are on it. Under this blackboard with sanctioned hate | 0:03:16 | 0:03:17 | |
fires, Channel 4 says Benefits Street is about community spirit in | 0:03:18 | 0:03:20 | |
adverse circumstances, but the problem is it's not called | 0:03:21 | 0:03:22 | |
'Community Spirit in Adverse Circumstances', it's called Benefits | 0:03:23 | 0:03:25 | |
Street, a button-pushing title attached to a programme with more | 0:03:26 | 0:03:30 | |
buttons than a shirt factory. They might as well have called it The | 0:03:31 | 0:03:33 | |
Great British Skive-Off or Layabout Way. To wear my earnest hat for a | 0:03:34 | 0:03:37 | |
moment I actually thought Benefit Street was broadly sympathetic to | 0:03:38 | 0:03:40 | |
it's participants, although being a TV show it also inevitably boiled | 0:03:41 | 0:03:43 | |
their lives down to eye-catching 'highlights' and outrageous | 0:03:44 | 0:03:45 | |
soundbytes. But thanks to that title, and the ingrained assumptions | 0:03:46 | 0:03:48 | |
of some viewers, on both sides of the political divide, it also caused | 0:03:49 | 0:03:51 | |
and the sort of noisy publicity-stoking press reaction | 0:03:52 | 0:03:54 | |
that must've had Channel 4 in dismay. The debate came alive on a | 0:03:55 | 0:03:57 | |
feisty edition of Newsnight as a man from Channel 4 had to defend himself | 0:03:58 | 0:04:01 | |
against accusations of being a poverty porn baron. | 0:04:02 | 0:04:08 | |
Are you comfortable with being a porn baron? I'm deeply uncomfortable | 0:04:09 | 0:04:14 | |
with that statement. That's true, Benefits Street isn't porn. I mean | 0:04:15 | 0:04:18 | |
what's pornographic about seeing six sweaty men crammed into one filthy | 0:04:19 | 0:04:24 | |
hole. There's not even any money shots. Well they haven't got any | 0:04:25 | 0:04:29 | |
money. The ideological lines were drawn: representing the unimpressed | 0:04:30 | 0:04:33 | |
left, pious newborn Owen Jones, who said Benefit Street was a damaging | 0:04:34 | 0:04:35 | |
distortion of society's most vulnerable. | 0:04:36 | 0:04:43 | |
Isn't that patronising? Of course it's not. You miss a turn. No sorry | 0:04:44 | 0:04:51 | |
that's far too patronising. Owen you lose ten points and miss a turn. | 0:04:52 | 0:04:54 | |
Amongst the unsympathetic reactees, opinion-pissing human clickbait | 0:04:55 | 0:04:56 | |
Katie 'Thatcher' Hopkins popped up on This Week to hector the work shy. | 0:04:57 | 0:05:02 | |
I don't care if it's raining, get out of bed and get a job. | 0:05:03 | 0:05:08 | |
Fair enough, I'll have yours. What the lock is it again? The show's | 0:05:09 | 0:05:15 | |
producers, aware of how much crap Hopkins spouts, cannily positioned | 0:05:16 | 0:05:18 | |
her in a toilet so she could at least mop up after herself. Or any | 0:05:19 | 0:05:20 | |
street. Don't sponge edge off the system, if | 0:05:21 | 0:05:35 | |
you can get a job, get one, even if it's one you don't want to do. We | 0:05:36 | 0:05:41 | |
do. Quite right, they're scared of doing the kind of tough minimum wage | 0:05:42 | 0:05:45 | |
job you're pretending to do here. Hardnut Hopkins disapproves of | 0:05:46 | 0:05:47 | |
ignorant scumbags living off money and handouts siphoned from | 0:05:48 | 0:05:50 | |
hardworking folk, which is why she refused to accept her BBC appearance | 0:05:51 | 0:05:54 | |
fee, possibly. And she used it as a springboard to call for further | 0:05:55 | 0:05:55 | |
cuts. There was a fascinating insight into | 0:05:56 | 0:06:12 | |
people who have next to nothing so you could you couldn't think | 0:06:13 | 0:06:18 | |
anything about them. They were different benefits that they weren't | 0:06:19 | 0:06:22 | |
entitled to because they were poor. Unemployed. Normally when you see | 0:06:23 | 0:06:26 | |
poor people, it's hard to judge them because you feel empoo dhi and | 0:06:27 | 0:06:30 | |
think, I hope humankind does something to help them. This was | 0:06:31 | 0:06:33 | |
clever because it stopped you feeling like that. I felt sort of | 0:06:34 | 0:06:37 | |
pity for the people in it. But when I went on Twitter, everyone was | 0:06:38 | 0:06:41 | |
angry with them, so I thought, oh, I've got it wrong. Better join in | 0:06:42 | 0:06:47 | |
with that. So then I wrote these Tweet things about how they were | 0:06:48 | 0:06:52 | |
scum and I hoped the Government shoots them and stands over their | 0:06:53 | 0:06:57 | |
bodies pumping bullet after bullet into their benefit scummy bodies and | 0:06:58 | 0:07:02 | |
I got 20 new followers for that so it was a good programme, yes. People | 0:07:03 | 0:07:08 | |
say there's no community any more, but watching that interesting show | 0:07:09 | 0:07:13 | |
and joining in with everyone hating them together on the Internet | 0:07:14 | 0:07:19 | |
outdoing each other was amazing, expressing yourself so much to hate | 0:07:20 | 0:07:23 | |
someone. I never felt so much of a part of a big group with all this | 0:07:24 | 0:07:29 | |
anger. It made me feel ie r alye. Can't wait until next week's | 0:07:30 | 0:07:31 | |
episode. Gameshows! And BBC One locates a | 0:07:32 | 0:07:42 | |
clever way of stretching 45 seconds of action into 45 minutes of | 0:07:43 | 0:07:44 | |
entertainment with Reflex, a gameshow which should've been called | 0:07:45 | 0:07:47 | |
Every Second Counts but can't because Paul Daniels bagsied that | 0:07:48 | 0:07:50 | |
some time ago. It's a programme with Shane Richie in which every second | 0:07:51 | 0:07:56 | |
seems to last an eternity. Or in other words, it's a programme with | 0:07:57 | 0:07:59 | |
Shane Richie. Standing in the middle of the movie Tron, Shane and some | 0:08:00 | 0:08:03 | |
plucky members of the public compete in a series of high-speed physical | 0:08:04 | 0:08:06 | |
trials filmed with state-of-the-art slowmo cameras, which are then | 0:08:07 | 0:08:08 | |
replayed using every sodding FX filter they could find in | 0:08:09 | 0:08:11 | |
post-production. The tasks they have to do may look unspectacular, but | 0:08:12 | 0:08:15 | |
when they slow them down by a factor of 1,000, they're boring too. | 0:08:16 | 0:08:17 | |
Tragically even when you fast-forward it, you can't tell | 0:08:18 | 0:08:20 | |
you've fast forwarded it. The whole thing culminates in a stunning | 0:08:21 | 0:08:24 | |
finale in which a man in a crash helmet tries to avoid some | 0:08:25 | 0:08:25 | |
basketballs, slowly. America's got a fearsome reputation | 0:08:26 | 0:08:36 | |
for violence doesn't it, yes it does. But is it well deserved? Well | 0:08:37 | 0:08:41 | |
one person who thinks it isn't is US comedian and shambles Doug Stanhope. | 0:08:42 | 0:08:49 | |
I'm Doug Stanhope and this's why I drink. America has a reputation from | 0:08:50 | 0:08:57 | |
violence that we don't live up to in real life. There is a lot of gun | 0:08:58 | 0:09:01 | |
violence and some of that's necessary. Guns are the great | 0:09:02 | 0:09:07 | |
equaliser. They level the playing field against ass holes. You can be | 0:09:08 | 0:09:14 | |
the biggest bad ass bike, MMA, street fighter guy in the world, | 0:09:15 | 0:09:20 | |
they put you in a cage with any honey-boo-boo with a shotgun with | 0:09:21 | 0:09:25 | |
Las Vegas are going to alter drastically. America promotes | 0:09:26 | 0:09:30 | |
violence, we make violent movies, exploit the out out of violent news | 0:09:31 | 0:09:35 | |
stories. This is the coverage of the deadly rampage. When it comes to | 0:09:36 | 0:09:40 | |
day-to-day street violence, it's mostly all crap talk, chest-bumping, | 0:09:41 | 0:09:43 | |
everyone waiting for the bouncer to come and break it up. As opposed to, | 0:09:44 | 0:09:50 | |
in the UK, the most violent people I've ever seen in my life was on any | 0:09:51 | 0:09:55 | |
given Tuesday night when the pubs close, it's like USC in the street, | 0:09:56 | 0:09:59 | |
you don't know which corner to look at, people beat the out of each | 0:10:00 | 0:10:05 | |
other for no particular reason. It's like "don't look at my girl... | 0:10:06 | 0:10:12 | |
"where are you from? ! "Across the street". "There's only one side of | 0:10:13 | 0:10:17 | |
this street! ". I was in Manchester where I saw a poster, a public | 0:10:18 | 0:10:22 | |
service announcement poster on a men's room wall, something to the | 0:10:23 | 0:10:27 | |
effect of "don't beat up ambulance drivers". ". I don't remember the | 0:10:28 | 0:10:34 | |
specific text but that was the gist of it because evidently that's a | 0:10:35 | 0:10:37 | |
thing over there. I think the difference is, in the | 0:10:38 | 0:10:41 | |
United States, we don't have free universal health care and we do have | 0:10:42 | 0:10:45 | |
guns. That makes you think twice before you take a swing at a guy | 0:10:46 | 0:10:50 | |
over a pool game. I Juan that that hit that guy but even if I chip a | 0:10:51 | 0:10:55 | |
tooth, that's like 1500 bucks to get fixed. I can't get paid for that. | 0:10:56 | 0:11:00 | |
Over there, you have free health care and no guns, so take the risk | 0:11:01 | 0:11:07 | |
of beat each other's heads in. Worst case scenario, the state picks up | 0:11:08 | 0:11:08 | |
the tab to fix it. For the last few years Winter in | 0:11:09 | 0:11:16 | |
Britain's been all about been snow, snow, snow. But this year's shock | 0:11:17 | 0:11:19 | |
January weather has been a different kind of snow: warm snow, or what | 0:11:20 | 0:11:22 | |
scientists call rain. Yes, recently Britain's fluid intake went through | 0:11:23 | 0:11:26 | |
the roof, and much of the country was transformed into a sort of shit | 0:11:27 | 0:11:35 | |
rip off of Venice. The problem was water: specifically too much of it, | 0:11:36 | 0:11:43 | |
coming from overhead. Experts quickly traced the source of the | 0:11:44 | 0:11:46 | |
leak to an immense hole above us known as the sky. And the bad | 0:11:47 | 0:11:50 | |
weather had been going on for some time. As the news pointed out, the | 0:11:51 | 0:11:53 | |
country had just experienced its wettest December since 1993, as had | 0:11:54 | 0:11:57 | |
your mum, and according to ITN this deluge was caused by something | 0:11:58 | 0:11:59 | |
called the quasi biennial oscillation. And one look out the | 0:12:00 | 0:12:02 | |
window confirmed it was indeed quasi-biennially oscillating it | 0:12:03 | 0:12:05 | |
down. Anyway, in a bid to highlight just how shitty the current climate | 0:12:06 | 0:12:08 | |
was, the nation's reporters stood outside like miserable moaning | 0:12:09 | 0:12:09 | |
scarecrows. It's sad really. Awesome sight. The public were also | 0:12:10 | 0:12:46 | |
out, and so were their cameras. Thing is, while cautionary newspaper | 0:12:47 | 0:12:49 | |
front pages and the authorities were warning people to keep away from the | 0:12:50 | 0:12:53 | |
water's edge the news seemed to be almost encouraging viewers to head | 0:12:54 | 0:12:56 | |
outside and film the great national waterboarding for them, by | 0:12:57 | 0:12:58 | |
showcasing their depressing photos and alarming videos. It even started | 0:12:59 | 0:13:01 | |
advising people to hold their phones the right way round, so their | 0:13:02 | 0:13:03 | |
pictures would Film your pictures in land scope | 0:13:04 | 0:13:12 | |
mode. Idiots have been filming in portrait mode which is awful on the | 0:13:13 | 0:13:16 | |
news! If you witness a kill, for Gods' sake do the right thing and | 0:13:17 | 0:13:20 | |
turn your phone siteways before hitting record or you are ten times | 0:13:21 | 0:13:21 | |
worse than the murderer! . Of course those showy Americans | 0:13:22 | 0:13:34 | |
always have to go one better, and consequently their extreme weather | 0:13:35 | 0:13:37 | |
was extrem-ier than ours. Picturesque US news footage made | 0:13:38 | 0:13:40 | |
America look more like The United States of Narnia thanks to something | 0:13:41 | 0:13:43 | |
called the Polar Vortex which sent temperatures plunging so low the | 0:13:44 | 0:13:46 | |
best way to warm up was to stay indoors and climb inside the fridge. | 0:13:47 | 0:13:50 | |
Lots of people caught in reports had to virtually mummify themselves to | 0:13:51 | 0:13:53 | |
avoid freezing to death, to the point where some reports resembled | 0:13:54 | 0:13:56 | |
bulletins from the Anarchist News Network. Having delighted viewers | 0:13:57 | 0:13:58 | |
with his cheap Batman impression, he then performed a sort of David | 0:13:59 | 0:14:02 | |
Blaine magic trick with a cup of boiling water. | 0:14:03 | 0:14:06 | |
Yes, someone somewhere had discovered that if you throw a cup | 0:14:07 | 0:14:16 | |
of boiling water in the air in super sub zero conditions, you can make | 0:14:17 | 0:14:19 | |
instant snow, something the news didn't tire of demonstrating, | 0:14:20 | 0:14:21 | |
occasionally offering a step-by-step how-to guide and encouraging | 0:14:22 | 0:14:25 | |
You can do it at home with your kids. | 0:14:26 | 0:14:32 | |
It is a fun experiment isn't it? At least it makes me laugh. | 0:14:33 | 0:14:40 | |
Ha ha, serves you right: next time, landscape mode. Yes it turns out the | 0:14:41 | 0:14:48 | |
downside of repeatedly showing millions of people a trick in which | 0:14:49 | 0:14:51 | |
you throw boiling water around is that people might actually try and | 0:14:52 | 0:14:55 | |
do it, turning scenes from what should've been a Winter Wonderland | 0:14:56 | 0:14:58 | |
into something more like When Idiots Happen. Still it's going to get cold | 0:14:59 | 0:15:01 | |
here too and that's worrying people already. And it's worrying no-one | 0:15:02 | 0:15:04 | |
more than our resident inquisitive human, Limmy. This is Limmy. | 0:15:05 | 0:15:11 | |
See the news? It's cold out there. Cold in winter? ! Bit serious. | 0:15:12 | 0:15:21 | |
People are dying. Happens every year. Stick up the price of gas and | 0:15:22 | 0:15:28 | |
still another granny in the ground. Don't blame us fat cats. It's | 0:15:29 | 0:15:30 | |
because the world is running out of gas and wholesale prices are up. | 0:15:31 | 0:15:34 | |
It's because blah blah blah, but I know it's not. Cos I worked it out. | 0:15:35 | 0:15:41 | |
It was when I was on the phone. My granny was freezing. I tried to keep | 0:15:42 | 0:15:48 | |
her spirits up. She has some amazing stories to tell. There is a three | 0:15:49 | 0:15:54 | |
for two offer on the go for lentils. I said, that's it, the more you buy, | 0:15:55 | 0:15:58 | |
they lower the price, but the less you buy, the higher the price and | 0:15:59 | 0:16:03 | |
that's gone on with the fat cats. Still here... I mean, have you not | 0:16:04 | 0:16:08 | |
noticed. They only start to stick the price up if we started to cut | 0:16:09 | 0:16:12 | |
down, trying to save the planet. What? You think that's just a | 0:16:13 | 0:16:19 | |
coincidence? Come on! They can't come out and say stop saving the | 0:16:20 | 0:16:23 | |
planet and we'll save you money. No, this offer's only available for | 0:16:24 | 0:16:25 | |
people who can read between the lines. So I turned it all, all up | 0:16:26 | 0:16:30 | |
and told my granny to do the same. Full last. I told the world. "Get it | 0:16:31 | 0:16:37 | |
up. We can do this. But we need to do it together | 0:16:38 | 0:16:42 | |
# Fullblast. " Now I'm telling you to tell your granny, "get it up, | 0:16:43 | 0:16:49 | |
right up. Let's have ourselves the warmest winter since records began". | 0:16:50 | 0:16:52 | |
As for the gas bill trurks me, I think we are in for a big surprise. | 0:16:53 | 0:16:59 | |
-- trust me. Gadgets! And nerd mecca the Consumer | 0:17:00 | 0:17:10 | |
Electronics Show opens in Las Vegas, the one bit of America too hot to | 0:17:11 | 0:17:14 | |
freeze. It's your first chance to guess just which unnecessary bit of | 0:17:15 | 0:17:16 | |
microchipped bibble might be enslaving us all tomorrow, as | 0:17:17 | 0:17:19 | |
various effusive news reports unveiled an exciting vision of a | 0:17:20 | 0:17:22 | |
future we should probably be fending off with sticks. One of the biggest | 0:17:23 | 0:17:26 | |
trends is for wearable tech, like video glasses that will utterly | 0:17:27 | 0:17:27 | |
transform the way you 2014 is the year of the smart | 0:17:28 | 0:17:37 | |
glasses. Yes, super computerised video | 0:17:38 | 0:17:47 | |
glasses aim to change the way you accidentally molest passers-by | 0:17:48 | 0:17:49 | |
forever. The incredi-specs will allow you to do astounding things, | 0:17:50 | 0:17:53 | |
such as switching lights on and of, just like you can with your real | 0:17:54 | 0:17:57 | |
hands! But that's not all! There were also computer enhanced domestic | 0:17:58 | 0:18:00 | |
gadgets that defy sense and description entirely, including one | 0:18:01 | 0:18:02 | |
called Mother. Never mind what 'Mother' looks like, who knew | 0:18:03 | 0:18:07 | |
Penfold was real? Turns out the oddly-named 'Mother' is a horrendous | 0:18:08 | 0:18:09 | |
central intelligence agency for the home that keeps tabs on everything | 0:18:10 | 0:18:13 | |
in your house, from how you flush the bog to how well you brush your | 0:18:14 | 0:18:17 | |
teeth, as it monitors how closely each individual is sticking to their | 0:18:18 | 0:18:18 | |
dental hygiene routine. It's a fun way of getting children | 0:18:19 | 0:18:27 | |
to brush their teeth instead of shouting at them. | 0:18:28 | 0:18:30 | |
Yes, according to a series of informative reports, soon absolutely | 0:18:31 | 0:18:35 | |
every gadget in your home will be connected to the internet, whether | 0:18:36 | 0:18:38 | |
you want it to be or not. Why, soon you'll be able to conduct Google | 0:18:39 | 0:18:41 | |
searches by entering them orally into your toaster. How many people | 0:18:42 | 0:18:46 | |
died in the 1854 cholera epidemic? 1616. Wow. Other innovations include | 0:18:47 | 0:18:55 | |
a range of exciting bendable televisions seen here flaunting | 0:18:56 | 0:18:58 | |
their curves. TV screens used to be a bit curved, which was rubbish, so | 0:18:59 | 0:19:02 | |
we made them flat, which was rubbish, so now they're going to be | 0:19:03 | 0:19:05 | |
a bit curved again, which is brilliant. So what advantages does a | 0:19:06 | 0:19:07 | |
curvy TV have? That is a bench TV. Apart from none? Luckily a CNET tech | 0:19:08 | 0:19:15 | |
guru spotted some pluses in his perky report. Sometimes things are | 0:19:16 | 0:19:22 | |
muddled. If you have window, the reflections could be slightly less | 0:19:23 | 0:19:24 | |
annoying. Yeah and if that doesn't work, buy | 0:19:25 | 0:19:30 | |
some curtains. Still, no matter what kind of TV you're using the shows | 0:19:31 | 0:19:34 | |
remain the same. This Morning on a curvy TV is still This Morning. It | 0:19:35 | 0:19:39 | |
still takes three hours to watch. If only there was a more efficient way | 0:19:40 | 0:19:43 | |
to ingest it. Well, guess what there is. A Mr Jake Yapp has condensed | 0:19:44 | 0:19:46 | |
This Morning down to to 97 seconds as he'll prove to you now. Start the | 0:19:47 | 0:19:49 | |
clock. Welcome to This Morning, coming up | 0:19:50 | 0:20:01 | |
in the show then, it's a TV nursery for ex-boy band members who've seen | 0:20:02 | 0:20:06 | |
presenters in a strange TV limbo for the Paul Rosses and Phil Vickeries | 0:20:07 | 0:20:11 | |
who never quite manage to attain the velocity to get into real prime time | 0:20:12 | 0:20:16 | |
TV, an event horizon. Let's find out more of what you have been saying | 0:20:17 | 0:20:21 | |
about that. Jeff brazier. You can smell the aftershave before I come | 0:20:22 | 0:20:25 | |
on screen. Popular with the house wives. Let's read out your TV Tweets | 0:20:26 | 0:20:30 | |
before we throw to the competition with that one off Big Brother. Hi | 0:20:31 | 0:20:35 | |
guys, do you fancy tearing up your mortgage for two months and give us | 0:20:36 | 0:20:41 | |
what is left on the pay-as-you-go and you could be in with a chance of | 0:20:42 | 0:20:46 | |
a hope of a possibility and I'll say good luck even though it's | 0:20:47 | 0:20:49 | |
meaningless but I'm saying this to all of you. Time for the sad bit. | 0:20:50 | 0:20:56 | |
Wendy Pleb's son died of something. We'll have a two-minute filler | 0:20:57 | 0:21:03 | |
interview with her ahead of Gino di-Campo. Meatballs with the six | 0:21:04 | 0:21:10 | |
inch sausages, a couple #07 Fern buns and lovely jubbly coconuts with | 0:21:11 | 0:21:17 | |
sauce! Laughing so hard. Didn't see that | 0:21:18 | 0:21:21 | |
one coming. Coming! Oh, still laughing! See you next time on Fizz | 0:21:22 | 0:21:28 | |
Morning, "Fizz Morning! ". ". Music! And for several weeks the | 0:21:29 | 0:21:42 | |
nation's been utterly weirded out by this creepy ad depicting the | 0:21:43 | 0:21:44 | |
inevitable future in which scientists start breeding children | 0:21:45 | 0:21:47 | |
specifically to perform on talent contests. Er OK, that one sings: | 0:21:48 | 0:21:51 | |
drown the others!It was of course promoting BBC1's electrifying | 0:21:52 | 0:21:54 | |
sing-em-up The Voice, the third mesmeric series of which kicked off | 0:21:55 | 0:21:57 | |
this Saturday, presented by a cat and a man and a foursome of | 0:21:58 | 0:22:00 | |
sit-and-swivel judges: namely Colonel Sanders, Madge Off | 0:22:01 | 0:22:02 | |
Neighbours, the Protective Eyewear Must Be Worn symbol, and the crew | 0:22:03 | 0:22:05 | |
member who'd get killed in an episode of Star Trek. In order, | 0:22:06 | 0:22:09 | |
that's Tom Jones, Kylie, William, and it's essentially a quest to find | 0:22:10 | 0:22:13 | |
the forgotten stars of tomorrow as members of the public perform John | 0:22:14 | 0:22:16 | |
Lewis cover versions of well-known hits. | 0:22:17 | 0:22:21 | |
# Up all night to get some # Up all night to get lucky... # | 0:22:22 | 0:22:31 | |
More interesting was what started proceedings. It's | 0:22:32 | 0:22:37 | |
# I predict a riot... # # I predict a riot... # | 0:22:38 | 0:22:46 | |
Which was an unfortunate choice on the same night a vigil was held in | 0:22:47 | 0:22:50 | |
Tottenham while news cameras looked on, apparently hoping it might kick | 0:22:51 | 0:22:53 | |
off. Which was an unfortunate choice on the same night a vigil was held | 0:22:54 | 0:22:57 | |
in Tottenham while news cameras looked on, apparently hoping that | 0:22:58 | 0:23:00 | |
bus would catch fire again. What with the Duggan verdict and recent | 0:23:01 | 0:23:03 | |
Plebgate admissions, trust in the police seems to be at a pretty low | 0:23:04 | 0:23:06 | |
ebb. Of course without dem feds, crime would run wild. But what is | 0:23:07 | 0:23:10 | |
crime anyway? To explore what it is and who put it there, here's our | 0:23:11 | 0:23:13 | |
resident expert Philomena Cunk with another of her Moments of Wonder. | 0:23:14 | 0:23:15 | |
Cinema! One in 20 people has been a victim | 0:23:16 | 0:23:23 | |
of crime. Which means that 19 out of 20 people are criminals. No wonder | 0:23:24 | 0:23:27 | |
we need police. In the olden days, if someone did | 0:23:28 | 0:23:36 | |
something wrong, there was nothing you could do except form a mob with | 0:23:37 | 0:23:40 | |
your neighbours and hunt them down and kill them. But today, we've got | 0:23:41 | 0:23:44 | |
one other option, thanks to Sir Robert Peel who in 1829 discovered | 0:23:45 | 0:23:49 | |
the police here on a spot marked today by a ceremonial wind turbine. | 0:23:50 | 0:23:54 | |
Once the police had been invented, victims of crime knew who to ask for | 0:23:55 | 0:23:59 | |
help, because of their special hats. Designed to be visible at a distance | 0:24:00 | 0:24:03 | |
by people being murdered in the London fog. Police tried to stop | 0:24:04 | 0:24:08 | |
crime, but couldn't exist without it. If there was no crime, what | 0:24:09 | 0:24:13 | |
would they do? Except spend all day putting dresses on bikes with their | 0:24:14 | 0:24:19 | |
hammer. If no-one's going to steal those bikes, that's just deck | 0:24:20 | 0:24:21 | |
rating. Of course, there's no point fighting | 0:24:22 | 0:24:26 | |
crime if you don't know what it is. That's where rules come in. | 0:24:27 | 0:24:33 | |
But what is rules? A rules is basically a collection of laws. The | 0:24:34 | 0:24:38 | |
first example being the Ten Commandments which were left on a | 0:24:39 | 0:24:43 | |
hill by God. Many of those laws, killing, gravity and the one about | 0:24:44 | 0:24:48 | |
not interfering with oxes, are still used today. Even though God's dead. | 0:24:49 | 0:24:55 | |
So, who decides what's right and what's not right? And works out what | 0:24:56 | 0:25:00 | |
the punishment should be and then writes it down? Maybe an expert can | 0:25:01 | 0:25:05 | |
help us get to the truth. Hello, who are you and what are you | 0:25:06 | 0:25:10 | |
an expert on? I'm Chris Williams, a senior lecturer at the Open | 0:25:11 | 0:25:13 | |
University and I'm an expert on the history of crime, policing and | 0:25:14 | 0:25:17 | |
justice. If a policeman broke the law, would he be able to arrest | 0:25:18 | 0:25:24 | |
himself? I don't think so, no. Under the Police and Criminal Evidence | 0:25:25 | 0:25:26 | |
Act, the arresting officer has to sign the prisoner over to the | 0:25:27 | 0:25:30 | |
custody officer and if they were one and the same person, I can't see how | 0:25:31 | 0:25:34 | |
that would work. Also, I don't know how the investigator can interview | 0:25:35 | 0:25:38 | |
themselves legally under that Act. If the case ever got to court, which | 0:25:39 | 0:25:43 | |
I don't think it would, the defendant would be in a position to | 0:25:44 | 0:25:49 | |
cross-examine himself -- wouldn't be in a position to cross-examine | 0:25:50 | 0:25:52 | |
himself. I think the judge would then stop the crime. So no would be | 0:25:53 | 0:25:56 | |
the answer to your question. When you do reconstructions, you know, on | 0:25:57 | 0:25:59 | |
telly, they are dead convincing, aren't they? Have any of them, sort | 0:26:00 | 0:26:05 | |
of, like, got a bit out of hand and turned back into an actual crime? | 0:26:06 | 0:26:11 | |
Not to my knowledge, no. It money happened. Must have. Probably not. . | 0:26:12 | 0:26:59 | |
Cinema. And in a lushly-composed and thought provoking promo for a | 0:27:00 | 0:27:03 | |
satellite film channel, Harrison Ford himself shuffles glumly around | 0:27:04 | 0:27:06 | |
asking us relentless questions about the silver screen. Um that'd be, | 0:27:07 | 0:27:09 | |
Edward Penishands. I saw it on VHS like 20 years ago. | 0:27:10 | 0:27:15 | |
When was the last time you saw a movie you really wanted to watch? | 0:27:16 | 0:27:23 | |
What was the last movie you had to tell someone about? Edward | 0:27:24 | 0:27:30 | |
Penishands. Seriously, he's got penises for hands. | 0:27:31 | 0:27:38 | |
What was the last movie you had to tell somebody about. Disgusting. | 0:27:39 | 0:27:52 | |
What would be the next? What will be the next? Err, that'd probably be | 0:27:53 | 0:27:55 | |
Edward Penishands 2. But that won't be on Sky Movies, so sling your hook | 0:27:56 | 0:27:59 | |
Dr Jones. Hotels 4U Websites! And a candy-coloured couple mug their way | 0:28:00 | 0:28:02 | |
through a garish advert with the accent on irritation. | 0:28:03 | 0:28:07 | |
Find us a hotel in the comforts of home. Anything for you cup cake? I'm | 0:28:08 | 0:28:18 | |
pretty sure this is the most pitiless, unrelenting attempt to | 0:28:19 | 0:28:21 | |
hammer a catchphrase into the public consciousness since Zieg Heil. | 0:28:22 | 0:28:25 | |
Anything for yow cupcake Hahaha! It's funny cos he's brummie! I don't | 0:28:26 | 0:28:32 | |
think I'll ever tire of him saying that. Anything for yow cupcake | 0:28:33 | 0:28:35 | |
Hahaha! Anything for yow cupcake Ha ha ha. Anything for yow cupcake Hm. | 0:28:36 | 0:28:39 | |
Anything for yow cupcake That's enoof listening to yow, foockface. | 0:28:40 | 0:28:43 | |
Well that's all we've got for this week. Until next time, do go away. | 0:28:44 | 0:28:52 |