Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains adult humour | 0:00:02 | 0:00:06 | |
MUSIC: "You Are Here" by Nathan Fake | 0:00:06 | 0:00:10 | |
Hello, I'm Charlie Brooker and you're watching Weekly Wipe, | 0:00:21 | 0:00:23 | |
a programme all about things that are happening. Things like this. | 0:00:23 | 0:00:27 | |
Human Pob and Education Minister Michael Gove has been under attack. | 0:00:27 | 0:00:31 | |
Critics say he's been giving jobs to his friends, | 0:00:31 | 0:00:33 | |
which isn't mathematically possible. | 0:00:33 | 0:00:36 | |
Child abuse allegations against Woody Allen resurface. | 0:00:36 | 0:00:39 | |
Woody? Could he? Did he? | 0:00:39 | 0:00:42 | |
Woody Allen has denied the allegations against him, | 0:00:42 | 0:00:44 | |
calling them disgraceful, | 0:00:44 | 0:00:46 | |
which I think was one of the kinder poster quotes from Match Point. | 0:00:46 | 0:00:49 | |
Stunning scenes as Amanda Knox is found guilty again. | 0:00:49 | 0:00:52 | |
As far as many are concerned there's still no clear verdict - | 0:00:52 | 0:00:55 | |
do we like her new bob or not? | 0:00:55 | 0:00:57 | |
Don't know about you but I definitely would... | 0:00:57 | 0:00:59 | |
instigate extradition proceedings at the next opportunity. | 0:00:59 | 0:01:02 | |
Yet more weather misery. | 0:01:02 | 0:01:04 | |
Somerset now contains more water than supermarket own-brand ham. | 0:01:04 | 0:01:08 | |
In gripping, faintly medieval Sky News coverage, | 0:01:08 | 0:01:10 | |
Prince Charles arrived on a mobile throne to see | 0:01:10 | 0:01:12 | |
if he could King Canute the water away but only managed to star | 0:01:12 | 0:01:15 | |
in a depressing repeat of the 2012 Thames pageant. | 0:01:15 | 0:01:19 | |
That's the kind of thing that's been going on | 0:01:19 | 0:01:21 | |
but we start with the Winter Olympics, | 0:01:21 | 0:01:22 | |
an event that's going to be unbearably exciting if, like me, | 0:01:22 | 0:01:25 | |
you find mankind's ability to slide on ice inherently fascinating. | 0:01:25 | 0:01:29 | |
This year's snowy Games are being held in Russia, | 0:01:29 | 0:01:31 | |
home of one-man charm offensive Vladimir Putin. | 0:01:31 | 0:01:34 | |
But the Games have run into controversy before they've begun. | 0:01:34 | 0:01:37 | |
Given recent terrorist incidents security is obviously a prime | 0:01:37 | 0:01:41 | |
concern but the reported 50 billion dollar cost is also problematic. | 0:01:41 | 0:01:45 | |
Another stumbling block is Russia's attitude towards gay people. | 0:01:45 | 0:01:48 | |
You'd think Russia would be accepting of homosexuality, | 0:01:48 | 0:01:50 | |
given one of their national heroes, Tchaikovsky, was homosexual himself. | 0:01:50 | 0:01:54 | |
And also, Red Square's so camp it looks like an even gayer Disneyland. | 0:01:54 | 0:01:58 | |
As recently as 2008, Russia won the Gay Olympics, | 0:01:58 | 0:02:01 | |
ie Eurovision, leading to triumphant and inspiring scenes | 0:02:01 | 0:02:03 | |
as their gold-medallist figure skating champion Evgeny Plushenko | 0:02:03 | 0:02:07 | |
joined Russell Howard-in-a-black-wig lookalike Dima Bilan on stage | 0:02:07 | 0:02:12 | |
in a routine that incredibly - and indeed impossibly - | 0:02:12 | 0:02:14 | |
made the Eurovision Song Contest look ten times gayer than it is. | 0:02:14 | 0:02:18 | |
But now Russia's passed an "anti-gay propaganda" bill | 0:02:18 | 0:02:21 | |
which controversially links homosexuality with paedophilia, | 0:02:21 | 0:02:24 | |
thus playing into extremist prejudices. | 0:02:24 | 0:02:27 | |
This in a country where authorities are already accused of turning | 0:02:27 | 0:02:30 | |
a blind eye to shocking Neo-Nazi attacks on suspected gay people. | 0:02:30 | 0:02:34 | |
Thanks to the bill, the notoriously tough Russian cops | 0:02:34 | 0:02:36 | |
must now arrest anyone who's promoting homosexuality, | 0:02:36 | 0:02:39 | |
and it's not clear what that means. | 0:02:39 | 0:02:41 | |
Does it mean, for instance, anyone wearing a uniform | 0:02:41 | 0:02:43 | |
with the word "HOMO" printed backwards on it? | 0:02:43 | 0:02:46 | |
I mean, presumably they'll definitely be rounding up | 0:02:46 | 0:02:48 | |
the butch hunks of Russia's own Interior Ministry, | 0:02:48 | 0:02:50 | |
because they recently uploaded a very camp YouTube video | 0:02:50 | 0:02:53 | |
in which they don uniforms and perform a popular disco hit, | 0:02:53 | 0:02:56 | |
just like the Village People. | 0:02:56 | 0:02:58 | |
# She's up all night to this song | 0:02:58 | 0:03:00 | |
# I'm up all night to get some | 0:03:00 | 0:03:02 | |
# She's up all night for good fun | 0:03:02 | 0:03:04 | |
# I'm up all night to get lucky... # | 0:03:04 | 0:03:06 | |
Of course, in Russia a gay person's considered to have "got lucky" | 0:03:06 | 0:03:09 | |
at the end of the night if they made it home alive. | 0:03:09 | 0:03:11 | |
Depressingly, lots of Russians seem to think paedophiles | 0:03:11 | 0:03:14 | |
and homosexuals are the same thing. | 0:03:14 | 0:03:16 | |
In worrying scenes, ITN caught up | 0:03:16 | 0:03:18 | |
with the none-too-bright leader of an anti-gay vigilante group | 0:03:18 | 0:03:21 | |
who's essentially a Russian Philomena Cunk. | 0:03:21 | 0:03:23 | |
TRANSLATION: Based on my personal statistics, | 0:03:23 | 0:03:27 | |
80% of paedophiles who engage are homosexuals. | 0:03:27 | 0:03:30 | |
"Personal statistics"? I think it's a complex numerological term | 0:03:30 | 0:03:33 | |
for numbers you've just pulled out of your arse. | 0:03:33 | 0:03:35 | |
Channel 4 News caught up with one of the anti-gay law's authors, | 0:03:35 | 0:03:38 | |
a sort of ginger David Brent with a curiously small office. | 0:03:38 | 0:03:41 | |
Seriously, it looks like he's stuck in some sort of closet. | 0:03:41 | 0:03:44 | |
Captain Hate here is convinced gays are after children. | 0:03:44 | 0:03:47 | |
Why do they need our minors? | 0:03:47 | 0:03:49 | |
Why cannot you survive just having your same-sex friend, | 0:03:50 | 0:03:54 | |
having your common disease, | 0:03:54 | 0:03:56 | |
together with your invenerological disease or AIDS and live with him. | 0:03:56 | 0:04:00 | |
You know what, I assumed this guy would be intolerant | 0:04:00 | 0:04:03 | |
but when you actually hear him lay out his case like this, | 0:04:03 | 0:04:05 | |
he's really quite insane. | 0:04:05 | 0:04:07 | |
One man who won't be falling foul of any anti-gay law | 0:04:07 | 0:04:11 | |
is President Vladimir Putin who, as the eye opening blanket coverage | 0:04:11 | 0:04:14 | |
comprehensively proves, is 100% straight. | 0:04:14 | 0:04:17 | |
He's a one-man heterosexual megabloke. | 0:04:17 | 0:04:20 | |
Repeatedly pictured in thrilling scenes | 0:04:20 | 0:04:22 | |
shooting his bolt, | 0:04:22 | 0:04:23 | |
gripping his joystick, enjoying a ride with some leathermen, | 0:04:23 | 0:04:25 | |
practising his disco hustle, stretching his pelvis, | 0:04:25 | 0:04:29 | |
picking up a man and tossing him off, riding bareback with cowpokes, | 0:04:29 | 0:04:33 | |
getting stuck into a cockpit with his helmet all popping out the top, | 0:04:33 | 0:04:36 | |
fisting an entire male hockey team | 0:04:36 | 0:04:38 | |
and squeezing right up behind a young man, | 0:04:38 | 0:04:40 | |
holding on tight and shooting all the way up the pipe. | 0:04:40 | 0:04:42 | |
They don't get straighter than him. | 0:04:42 | 0:04:44 | |
Look, he's only kissing this fish cos it's a woman. Phwoar! | 0:04:44 | 0:04:47 | |
Putin's Winter Games are now on a collision course | 0:04:47 | 0:04:50 | |
with the anti-gay propaganda law and it's not hard to see why. | 0:04:50 | 0:04:53 | |
Just look at the double luge which, as you can see from this forensic, | 0:04:53 | 0:04:56 | |
dazzling and exciting coverage is possibly the only sport in the world | 0:04:56 | 0:04:59 | |
where two men could comfortably have anal sex in front of an audience | 0:04:59 | 0:05:02 | |
without anyone really noticing. | 0:05:02 | 0:05:04 | |
And they have a nice lie down and a tender cuddle. Aw! | 0:05:04 | 0:05:07 | |
Russia has no openly gay athletes, | 0:05:07 | 0:05:10 | |
a ridiculously outmoded state of affairs, | 0:05:10 | 0:05:12 | |
a bit like Britain in the 1920s or the Premier League today. | 0:05:12 | 0:05:16 | |
But will gay athletes from overseas be welcome at the Sochi Olympics? | 0:05:16 | 0:05:20 | |
Well, the Mayor of Sochi did his best to allay concerns | 0:05:20 | 0:05:22 | |
by announcing there's no homophobia at all in Sochi. | 0:05:22 | 0:05:25 | |
But only because there's no gay people at all in Sochi. | 0:05:25 | 0:05:28 | |
-TRANSLATION: -We don't have them in our town. | 0:05:28 | 0:05:30 | |
You don't have them in the town? Are you sure? | 0:05:30 | 0:05:34 | |
-TRANSLATION: -I'm not sure. I don't bloody know them. | 0:05:35 | 0:05:37 | |
I went to a gay bar last night. | 0:05:37 | 0:05:40 | |
Oh, hello! You're in there! | 0:05:40 | 0:05:42 | |
The mixed messages about what sort of reception gays can expect | 0:05:42 | 0:05:44 | |
continued in these unusual scenes, | 0:05:44 | 0:05:47 | |
when President Putin sat down with a bunch of Olympic volunteers | 0:05:47 | 0:05:49 | |
dressed like a gay Cirque Du Soleil, | 0:05:49 | 0:05:51 | |
to say homosexuals are welcome to visit the games if, | 0:05:51 | 0:05:54 | |
IF, they can leave kids alone. | 0:05:54 | 0:05:56 | |
That's why you can feel free, relax, but leave children in peace, please. | 0:05:56 | 0:06:01 | |
But if you're heterosexual, feel free to bother them. | 0:06:01 | 0:06:04 | |
This statement led to further negative headlines for Russia, | 0:06:04 | 0:06:07 | |
so to calm nerves Putin held a | 0:06:07 | 0:06:09 | |
charming journalistic coffee morning to answer questions on gay rights - | 0:06:09 | 0:06:13 | |
questions like whether homosexuality is a lifestyle decision | 0:06:13 | 0:06:15 | |
or just the way you're born. | 0:06:15 | 0:06:17 | |
That is beyond my professional interest. | 0:06:17 | 0:06:20 | |
I'm just not qualified to respond. | 0:06:20 | 0:06:21 | |
He leaves those sorts of questions to his chief eugenics officer. | 0:06:21 | 0:06:24 | |
Putin went on to claim some of his best friends are homosexual | 0:06:24 | 0:06:27 | |
and went out of his way to praise famous gay man Elton John. | 0:06:27 | 0:06:30 | |
IN TRANSLATION: For example, Elton John is an extraordinary person, | 0:06:30 | 0:06:34 | |
a distinguished musician, and millions of our people | 0:06:34 | 0:06:38 | |
sincerely love him, regardless of his sexual orientation. | 0:06:38 | 0:06:41 | |
Nice. I'm not sure they're aware what his sexual orientation is. | 0:06:41 | 0:06:45 | |
I mean, on one of his most high-profile visits to Russia, | 0:06:45 | 0:06:48 | |
in the sumptuous Nikita video, | 0:06:48 | 0:06:50 | |
he seemed to find romance with a female Russian doll. | 0:06:50 | 0:06:53 | |
# Nikita, you'll never know... # | 0:06:53 | 0:06:55 | |
Maybe he's the sort of gay guy they like, | 0:06:55 | 0:06:57 | |
the sort that falls in love with women. | 0:06:57 | 0:06:59 | |
But he's very well-known there. | 0:06:59 | 0:07:01 | |
I bet if Elton John walked through Moscow | 0:07:01 | 0:07:03 | |
holding hands with his partner today, they'd be mobbed. And beaten. | 0:07:03 | 0:07:06 | |
Not that Russia needs Elton John anyway. | 0:07:06 | 0:07:08 | |
As you can see from this inspiring coverage, | 0:07:08 | 0:07:10 | |
Putin can tickle the ivories just as well. | 0:07:10 | 0:07:13 | |
FALTERING PIANO MUSIC | 0:07:13 | 0:07:16 | |
The Games are now incredibly close and despite all the brickbats, | 0:07:21 | 0:07:24 | |
Putin hopes they'll shift how Russia's perceived | 0:07:24 | 0:07:26 | |
by the rest of the world. And he's right, they have already. | 0:07:26 | 0:07:29 | |
It used to be viewed as a corrupt mafia-dominated state - | 0:07:29 | 0:07:32 | |
now it's seen as a homophobic ski resort. | 0:07:32 | 0:07:35 | |
There was this exciting historical drama thing | 0:07:35 | 0:07:38 | |
about these four sort of hat-and-beard men | 0:07:38 | 0:07:40 | |
who had these lightsaber fights, | 0:07:40 | 0:07:43 | |
except the lightsabers are made out of | 0:07:43 | 0:07:45 | |
metal instead of electricity, | 0:07:45 | 0:07:47 | |
or whatever lightsabers are made out of. | 0:07:47 | 0:07:50 | |
It's like a children's thing | 0:07:50 | 0:07:52 | |
but for adults so it's like for adult children. | 0:07:52 | 0:07:56 | |
What was clever was they looked a bit like the bloke | 0:07:56 | 0:07:58 | |
off the Anonymous mask, so you really never know who was who. | 0:07:58 | 0:08:01 | |
And to make it more difficult, they all had, like, code names, | 0:08:01 | 0:08:05 | |
like they used names of Greek islands | 0:08:05 | 0:08:07 | |
to protect their identities. | 0:08:07 | 0:08:08 | |
So there was like Athos and Porthos and Aramis and, like, | 0:08:08 | 0:08:11 | |
I dunno, Mowgli or something? | 0:08:11 | 0:08:14 | |
They're all quite good-looking, they're like men in a yoghurt advert. | 0:08:14 | 0:08:17 | |
Like, if there was a woman in an office and her life's shit, | 0:08:17 | 0:08:21 | |
but then it's her lunch break so she opens a yoghurt | 0:08:21 | 0:08:25 | |
and these sexy men appear and they're sort of exotic | 0:08:25 | 0:08:30 | |
and her yoghurt's nice too, so she's happy. | 0:08:30 | 0:08:32 | |
It's like that but without the yoghurt. | 0:08:32 | 0:08:35 | |
You could tell by looking at it was historically accurated properly. | 0:08:35 | 0:08:39 | |
Like, it had people from paintings in it | 0:08:39 | 0:08:42 | |
and rooms with really complicated ceilings. | 0:08:42 | 0:08:44 | |
And they didn't have lifts so when they wanted to leave a building | 0:08:44 | 0:08:48 | |
they had to jump out of a window. | 0:08:48 | 0:08:50 | |
There was loads of sword fighting in it. | 0:08:50 | 0:08:52 | |
Sword fights are strange because although they sort of look exciting, | 0:08:52 | 0:08:55 | |
they never actually are. | 0:08:55 | 0:08:57 | |
Like, when you think about what a sword fight is, | 0:08:57 | 0:09:00 | |
you should be on the edge of your seat | 0:09:00 | 0:09:03 | |
because it's like all sharp things. | 0:09:03 | 0:09:05 | |
Like, once, my mate Paul was slicing a pear at a festival | 0:09:05 | 0:09:08 | |
with his penknife and it was just unbearably tense to watch | 0:09:08 | 0:09:13 | |
because he was really drunk and sort of cutting it in the hand | 0:09:13 | 0:09:17 | |
he was holding it in, and I could hardly stand to watch that. | 0:09:17 | 0:09:20 | |
But with sword fights, even though swords are bigger than penknives, | 0:09:20 | 0:09:24 | |
and they really wave them around, | 0:09:24 | 0:09:27 | |
it's like a dance routine or a sort of metal squabble. | 0:09:27 | 0:09:31 | |
There's never really the same sense of danger | 0:09:31 | 0:09:35 | |
there was with Paul and the pear. | 0:09:35 | 0:09:37 | |
What I liked was, because it had all the sort of things you expect - | 0:09:37 | 0:09:40 | |
like a bit where someone hides from a husband, | 0:09:40 | 0:09:42 | |
and a bit where a young bloke | 0:09:42 | 0:09:44 | |
earns the respect of a slightly older bloke, | 0:09:44 | 0:09:47 | |
and a bit where someone's framed for murder | 0:09:47 | 0:09:49 | |
because they picked up a knife and put a fingerprint on it, | 0:09:49 | 0:09:51 | |
and a bit where one of the main characters | 0:09:51 | 0:09:53 | |
is going to die and you're like, | 0:09:53 | 0:09:55 | |
"Oh, my God, one of the main characters is going to die!", | 0:09:55 | 0:09:57 | |
but then the person who was going to kill them gets shot | 0:09:57 | 0:10:00 | |
and it pulls focus and it's someone surprising who saved them - | 0:10:00 | 0:10:03 | |
cos it had all that stuff you already know, | 0:10:03 | 0:10:05 | |
you don't have to waste time working out what it was | 0:10:05 | 0:10:07 | |
or what you thought about it or, like, who these people were. | 0:10:07 | 0:10:11 | |
You could just sort of look at it | 0:10:11 | 0:10:13 | |
while your mind went into screensaver mode, | 0:10:13 | 0:10:15 | |
and that proves it's good drama. | 0:10:15 | 0:10:17 | |
CHEESY MUSIC | 0:10:17 | 0:10:22 | |
Technology! | 0:10:22 | 0:10:23 | |
And it's bad news for avian tossers as a comprehensively alarming | 0:10:23 | 0:10:26 | |
Sky News report featuring Mr Charisma Goggles Edward Snowden, | 0:10:26 | 0:10:29 | |
claims the NSA has been spying on people using Angry Birds. | 0:10:29 | 0:10:34 | |
Apparently they hoover up data about your age, location, | 0:10:34 | 0:10:37 | |
and even your sexuality. | 0:10:37 | 0:10:38 | |
God knows how they can tell your sexual orientation | 0:10:38 | 0:10:40 | |
simply from watching you finger a bird. | 0:10:40 | 0:10:42 | |
Why on earth would you tell a game what your sexual orientation was? | 0:10:42 | 0:10:46 | |
Well, it might be your only friend. | 0:10:46 | 0:10:48 | |
Sky News went out and found people who were appalled, | 0:10:48 | 0:10:50 | |
but not so appalled that they could stop playing the game. | 0:10:50 | 0:10:53 | |
It's not right people should have more and more access | 0:10:53 | 0:10:55 | |
to what I consider private information. | 0:10:55 | 0:10:58 | |
-BLEEP -talking to us, | 0:10:58 | 0:10:59 | |
those gold stars won't collect themselves. | 0:10:59 | 0:11:01 | |
I think it's good people keep an eye on us, | 0:11:01 | 0:11:04 | |
but not to the extent of checking out our apps and the things we play. | 0:11:04 | 0:11:09 | |
Sh, they can hear you say that. | 0:11:09 | 0:11:10 | |
Not that everyone's up in arms about it. | 0:11:10 | 0:11:12 | |
In these informative scenes Sky's | 0:11:12 | 0:11:14 | |
Eamonn Holmes sounded impressed. | 0:11:14 | 0:11:16 | |
Everybody gets so annoyed about this. | 0:11:16 | 0:11:18 | |
Should you not say, "How clever is that?" | 0:11:18 | 0:11:20 | |
Al-Qaeda people are out there and they don't know | 0:11:20 | 0:11:22 | |
when they're playing Angry Birds they're spied on! | 0:11:22 | 0:11:25 | |
Should people not be saying, "Smart"? | 0:11:25 | 0:11:27 | |
To be honest, I imagine Al-Qaeda don't bother with Angry Birds. | 0:11:27 | 0:11:30 | |
They mastered the art of knocking down structures | 0:11:30 | 0:11:32 | |
by flying into them headlong about 13 years ago. | 0:11:32 | 0:11:34 | |
But not everyone's worried about being spied on | 0:11:34 | 0:11:36 | |
while using technology, as clearly demonstrated by the irritating | 0:11:36 | 0:11:39 | |
and disturbing series of Amazon Kindle ads | 0:11:39 | 0:11:41 | |
where a berk romances a MILF, | 0:11:41 | 0:11:43 | |
-and by MILF I mean machine he'd like to -BLEEP. | 0:11:43 | 0:11:46 | |
Hello. My niece is coming over and she'll be using my new Kindle Fire. | 0:11:46 | 0:11:49 | |
-Great! The Fire's perfect for kids! -Only for the first few seconds, | 0:11:49 | 0:11:52 | |
then they kind of turn black and start screaming. | 0:11:52 | 0:11:54 | |
-Yeah, but I don't want her glued to it all day. -Got it. | 0:11:54 | 0:11:57 | |
Glued? What have you been doing to make the Kindle sticky? | 0:11:57 | 0:12:00 | |
Actually, don't answer that I think I can guess. | 0:12:00 | 0:12:02 | |
Amy shows the sicko how to limit the time kids can use his Kindle for. | 0:12:02 | 0:12:05 | |
When that limit runs out, they'll react rationally(!) | 0:12:05 | 0:12:08 | |
-Could use the time limits myself! -Oh, really? | 0:12:11 | 0:12:13 | |
Yeah, I've got a serious Plants vs Zombies addiction. | 0:12:13 | 0:12:16 | |
For me it's Candy Crush Saga. It's becoming a real problem. | 0:12:16 | 0:12:19 | |
Yeah that's nothing, I'm hooked on a game called Kindle Smash Magic. | 0:12:19 | 0:12:22 | |
It's ever so therapeutic. | 0:12:22 | 0:12:24 | |
At least he's dealing with a girl his own age | 0:12:28 | 0:12:31 | |
unlike the man in this grim sales pitch. | 0:12:31 | 0:12:33 | |
You appear to be in a financial quandary, young fellow. | 0:12:33 | 0:12:36 | |
At Wonga, you choose exactly how much to borrow and for how long. | 0:12:36 | 0:12:39 | |
Really? | 0:12:39 | 0:12:41 | |
You'll need quite a bit to cover the counselling you'll need | 0:12:41 | 0:12:43 | |
after the psychotic breakdown you're clearly having. | 0:12:43 | 0:12:46 | |
-Ahem! -No, no. I'm not kissing my phone. -Kiss it! | 0:12:46 | 0:12:50 | |
Uh-oh, she'll charge him for that. Kissing costs extra. | 0:12:53 | 0:12:56 | |
Seems you can't go anywhere these days without some | 0:12:56 | 0:12:58 | |
sort of device staring at you, prying into your business. | 0:12:58 | 0:13:01 | |
Makes you think, doesn't it? | 0:13:01 | 0:13:03 | |
Well, it makes no-one think more than our resident inquisitive human, | 0:13:03 | 0:13:06 | |
Limmy. | 0:13:06 | 0:13:08 | |
Big Brother is watching. He's like this...isn't he? | 0:13:12 | 0:13:15 | |
'He's watching me on Twitter, ready to pounce. | 0:13:15 | 0:13:18 | |
'I'm terrified to tweet in case it's taken the wrong way. | 0:13:18 | 0:13:21 | |
'He's watching my porn, spying on my choices, | 0:13:21 | 0:13:23 | |
'no doubt loving every minute, with his trousers round his ankles. | 0:13:23 | 0:13:26 | |
'And even in the park, there he is again, watching, | 0:13:26 | 0:13:28 | |
'pointing, laughing his head off.' | 0:13:28 | 0:13:30 | |
But enough's enough. Cannae be letting Big Brother have all the fun. | 0:13:30 | 0:13:33 | |
'Two can play that game! | 0:13:33 | 0:13:34 | |
'I walk through the park with a wee secret in my hands. | 0:13:34 | 0:13:37 | |
'Heroin? Drug money? That's for me to know and Big Brother to find out. | 0:13:37 | 0:13:40 | |
'I looked up some porn that I'm sure isnae Big Brother's cup of tea, | 0:13:40 | 0:13:43 | |
'but he wants to be the all-seeing eye - good luck un-seeing that! | 0:13:43 | 0:13:47 | |
'And then I jumped on Twitter to play with his mind.' | 0:13:47 | 0:13:49 | |
"When I hit this city, it's gonnae be TRAGIC." | 0:13:49 | 0:13:51 | |
When Big Brother kicks down my door I'll say, | 0:13:51 | 0:13:54 | |
"No, I'm heading up to town to a club. | 0:13:54 | 0:13:56 | |
"You should see my dancing, it's tragic. | 0:13:56 | 0:13:58 | |
'Sorry to waste your time! What a laugh! | 0:13:58 | 0:14:02 | |
'I must've came across as a dodgy bastard.' | 0:14:02 | 0:14:04 | |
I was pretty convincing. | 0:14:04 | 0:14:05 | |
Then I thought "Right enough. "What if I'm that convincing | 0:14:05 | 0:14:08 | |
"when I tell Big Brother I'm joking he doesnae believe me?" | 0:14:08 | 0:14:11 | |
'I showed them I'm empty-handed so they gave me a strip search, | 0:14:11 | 0:14:14 | |
'right there in the park, ball naked. | 0:14:14 | 0:14:15 | |
'What if they tell the papers the porn I've been looking up? | 0:14:15 | 0:14:18 | |
'Once Granny reads that, she won't be able to look me in the eye. | 0:14:18 | 0:14:21 | |
'Or what if I really am in the club one night, mad wi' it, and they go,' | 0:14:21 | 0:14:23 | |
"Your dancing doesn't look that tragic to us, you're pretty good. | 0:14:23 | 0:14:27 | |
"You're nicked!" Next thing I'm waking up in Guantanamo. | 0:14:27 | 0:14:29 | |
Imagine waking up in Guantanamo wi' a come down? | 0:14:29 | 0:14:32 | |
HE INHALES SHARPLY | 0:14:32 | 0:14:34 | |
But it's cool. | 0:14:34 | 0:14:35 | |
You know I'm only joking, Big Brother, and this video's the proof. | 0:14:35 | 0:14:38 | |
Unless, of course, this is just one big, | 0:14:38 | 0:14:40 | |
elaborate cover story for my drug empire, and my fiendish porn habits | 0:14:40 | 0:14:45 | |
and my plans to do something unspeakably tragic. | 0:14:45 | 0:14:49 | |
Hey? Nah! | 0:14:49 | 0:14:51 | |
CHEESY MUSIC | 0:14:51 | 0:14:55 | |
Bubbles! And Hollywood actress | 0:14:58 | 0:15:00 | |
Scarlett Johansson becomes the face of DIY fizzy drinks in a glossy, | 0:15:00 | 0:15:04 | |
promotional video for SodaStream. But wait! | 0:15:04 | 0:15:07 | |
It turns out SodaStream started an independent | 0:15:07 | 0:15:09 | |
state of Fizzrael in occupied territory. | 0:15:09 | 0:15:12 | |
Yes, as far as international law is concerned, | 0:15:12 | 0:15:14 | |
one of their factories is in an illegal West Bank settlement. | 0:15:14 | 0:15:17 | |
There's nothing worse than a fizzy drink that's settled. | 0:15:17 | 0:15:20 | |
This was a particular problem for Scarlett | 0:15:20 | 0:15:22 | |
because she was an Oxfam ambassador, | 0:15:22 | 0:15:23 | |
as you can see in these inspiring scenes, | 0:15:23 | 0:15:26 | |
and Oxfam campaigns against factories in the occupied West Bank, | 0:15:26 | 0:15:29 | |
saying they further Palestinian oppression. | 0:15:29 | 0:15:31 | |
So she was facing a tricky ethical choice - | 0:15:31 | 0:15:33 | |
do you stick with the charity that works to save the desperate, | 0:15:33 | 0:15:36 | |
the dispossessed and the dying, | 0:15:36 | 0:15:37 | |
or promote a machine that farts in your drink? | 0:15:37 | 0:15:40 | |
In the end, she chose the drink. Sorry, guys! | 0:15:40 | 0:15:42 | |
In informative coverage Soda Stream's CEO defended the factory, | 0:15:42 | 0:15:46 | |
which employs 500 Palestinians who do depend on those wages. | 0:15:46 | 0:15:49 | |
And he defended Scarlett too. | 0:15:49 | 0:15:51 | |
I know Scarlett and she's not only a superhero in her movies, | 0:15:51 | 0:15:56 | |
-she's a superhero in real life. -Yeah, the Incredible Icewoman. | 0:15:56 | 0:16:00 | |
Still, as the illuminating behind the scenes video made plain, | 0:16:00 | 0:16:03 | |
Scarlett's conscience is clear. | 0:16:03 | 0:16:04 | |
'My favourite thing about SodaStream | 0:16:04 | 0:16:07 | |
'is that I...' | 0:16:07 | 0:16:10 | |
don't feel guilty when I enjoy beverages at home, | 0:16:10 | 0:16:14 | |
I don't feel like I'm being wasteful. | 0:16:14 | 0:16:16 | |
Yeah well, not everyone's got a SodaStream yet. | 0:16:16 | 0:16:18 | |
As CNN depicted, some families living a stone's throw | 0:16:18 | 0:16:21 | |
from the factory scarcely have a decent water supply. | 0:16:21 | 0:16:24 | |
-Never mind fizzy drinks on tap, that poor -BLEEP -would settle for a tap. | 0:16:24 | 0:16:28 | |
Speaking of hose, | 0:16:28 | 0:16:30 | |
the ad Scarlett sold herself for was glossy and impressive. | 0:16:30 | 0:16:33 | |
Like most doctors, my real job is saving the world. | 0:16:33 | 0:16:36 | |
Start with plain water, add bubbles, | 0:16:36 | 0:16:39 | |
mix in the perfect flavour. | 0:16:39 | 0:16:41 | |
Look, a soda that's better for you and all of us. | 0:16:41 | 0:16:43 | |
Less sugar, less bottles. | 0:16:43 | 0:16:45 | |
Not less bottles! FEWER bottles! | 0:16:45 | 0:16:48 | |
-BLEEP -me! Like this advert wasn't controversial enough! | 0:16:48 | 0:16:51 | |
If only I can make this message go viral. | 0:16:51 | 0:16:53 | |
Er, think you've managed that. | 0:16:53 | 0:16:55 | |
But no, to make the message go viral, Scarlett disrobes, | 0:16:55 | 0:16:58 | |
sensationally revealing she's fully clothed? | 0:16:58 | 0:17:01 | |
I don't really get it. I think we're supposed to think | 0:17:01 | 0:17:03 | |
she's sucking that straw really sexily. But that's not enough. | 0:17:03 | 0:17:06 | |
I mean, I guess if she was slurping that drink in front of that | 0:17:06 | 0:17:09 | |
poor boy from the harrowing CNN footage, | 0:17:09 | 0:17:11 | |
I guess that'd be an ironic juxtaposition that could go viral. | 0:17:11 | 0:17:14 | |
Especially when he looks plaintively down the lens, almost like he's | 0:17:14 | 0:17:17 | |
looking at her, and she's just sort of looking back taunting him. | 0:17:17 | 0:17:20 | |
And then she could turn to camera at the end and say, | 0:17:20 | 0:17:22 | |
"Mm, evilicious!" But that hasn't happened. | 0:17:22 | 0:17:24 | |
It's all a bit flat really. Could use more bubbles. | 0:17:24 | 0:17:27 | |
Scarlett's super advert aired during the Superbowl, | 0:17:27 | 0:17:29 | |
which as well as being a huge sporting event comes complete | 0:17:29 | 0:17:32 | |
with blistering half-time entertainment like this year's | 0:17:32 | 0:17:35 | |
barnstorming performance by Bruno Mars and the Red Hot Chilli Peppers. | 0:17:35 | 0:17:39 | |
# What I got You gotta get it, put it in ya | 0:17:39 | 0:17:41 | |
# What I got You gotta get it, put it in ya... # | 0:17:41 | 0:17:43 | |
But who needs some American Superbowl half-time show, | 0:17:43 | 0:17:46 | |
when you can see a super show at the bowls, right here in Britain? | 0:17:46 | 0:17:49 | |
Specifically the World Indoor Bowls Championships | 0:17:49 | 0:17:52 | |
in Great Yarmouth, which was enlivened considerably by | 0:17:52 | 0:17:55 | |
this powerfully moving performance | 0:17:55 | 0:17:57 | |
of Something Inside So Strong by Barry off EastEnders. | 0:17:57 | 0:18:01 | |
# We're gonna do it anyway | 0:18:01 | 0:18:05 | |
# Because there's something inside so strong | 0:18:05 | 0:18:10 | |
# I know that I can make it | 0:18:11 | 0:18:14 | |
# Though you're doing me wrong so wrong... # | 0:18:14 | 0:18:17 | |
Where, where are you going? Come back, come back! | 0:18:17 | 0:18:20 | |
The man's singing his heart out, you bastards! | 0:18:20 | 0:18:23 | |
# There's something inside so strong | 0:18:24 | 0:18:27 | |
# Oh | 0:18:27 | 0:18:29 | |
# There's something inside so strong | 0:18:29 | 0:18:32 | |
# There's something inside so strong... # | 0:18:32 | 0:18:36 | |
CHEESY MUSIC | 0:18:36 | 0:18:39 | |
Drizzle! | 0:18:41 | 0:18:42 | |
And as Britain continues to lose it's ongoing war with the cloud gods | 0:18:42 | 0:18:45 | |
there were astonishing scenes as Sky News visited the undersea kingdom | 0:18:45 | 0:18:49 | |
of Somerset, where the locals are taking part in an exciting race to | 0:18:49 | 0:18:52 | |
see whether the authorities can bail them out before they evolve gills. | 0:18:52 | 0:18:55 | |
Patches of Somerset were absolutely sopping wet | 0:18:55 | 0:18:58 | |
and required sustained and heavy pumping - | 0:18:58 | 0:19:00 | |
carried out around the clock by tireless yet anonymous members | 0:19:00 | 0:19:03 | |
of the fire brigade - just like your mum does. | 0:19:03 | 0:19:05 | |
What is it with her? | 0:19:05 | 0:19:06 | |
After the Government was accused of leaving the Somerset folk | 0:19:06 | 0:19:09 | |
to marinade in their own filth they sent in the army | 0:19:09 | 0:19:12 | |
to stand around and look commanding on the news. | 0:19:12 | 0:19:14 | |
'But even those who live here were unclear about their role.' | 0:19:14 | 0:19:18 | |
It seems a good idea, | 0:19:18 | 0:19:19 | |
but what exactly they're going to do? I don't know. | 0:19:19 | 0:19:21 | |
It's obvious. They're going to kick raindrops back into the sky. | 0:19:21 | 0:19:24 | |
In dispiriting scenes, | 0:19:24 | 0:19:25 | |
Sky's crack anchorwoman and cap stand, Kay Burley, visited Langport, | 0:19:25 | 0:19:29 | |
an area of farmland twinned with the Atlantic Ocean, | 0:19:29 | 0:19:31 | |
and achieved a career best by making the sky weep openly on camera. | 0:19:31 | 0:19:35 | |
She interviewed a man from the environment agency, | 0:19:35 | 0:19:38 | |
wearing a Hi-Vis jacket | 0:19:38 | 0:19:39 | |
so you could see him, even in deluge-o-vision. | 0:19:39 | 0:19:41 | |
We've got enormous sympathy for the people who have been flooded. | 0:19:41 | 0:19:45 | |
They don't, they want you to dredge. | 0:19:45 | 0:19:46 | |
-I hope they do care. -It doesn't help, does it? | 0:19:46 | 0:19:48 | |
I'm sure they want us to have sympathy. | 0:19:48 | 0:19:50 | |
Never mind the river, I think my screen needs dredging. | 0:19:50 | 0:19:53 | |
Worried about health issues, Sky commissioned a scientist | 0:19:53 | 0:19:55 | |
to sample the water | 0:19:55 | 0:19:56 | |
and find out how much of a health hazard it might be. | 0:19:56 | 0:19:58 | |
This would be something like streptococcus, | 0:19:58 | 0:20:01 | |
group A streptococcus, | 0:20:01 | 0:20:03 | |
which could cause quite a nasty skin infection if it got into a wound. | 0:20:03 | 0:20:06 | |
See, that looks horrible, | 0:20:06 | 0:20:07 | |
but on the plus side it tastes absolutely great on rye bread. Mm! | 0:20:07 | 0:20:12 | |
A few miles away in Waterworld, the news revealed helicopters | 0:20:12 | 0:20:15 | |
plugging a gap in the sea wall with sandbags. | 0:20:15 | 0:20:17 | |
While in Fishguard, | 0:20:17 | 0:20:18 | |
eight one-tonne bags of aggregate have been placed in the lower town | 0:20:18 | 0:20:22 | |
to protect properties ahead of high tides tomorrow morning. | 0:20:22 | 0:20:26 | |
I'm no expert but I reckon the water | 0:20:26 | 0:20:28 | |
might get round that. | 0:20:28 | 0:20:29 | |
With their fulsome and well-balanced coverage, | 0:20:29 | 0:20:32 | |
ITV proved it's grim up Aberystwyth way, | 0:20:32 | 0:20:34 | |
but at least the good folk there | 0:20:34 | 0:20:35 | |
have got used to dealing with the cruddy weather. | 0:20:35 | 0:20:38 | |
I think we are, we are getting better in this, you know? | 0:20:38 | 0:20:41 | |
Now we have more experience. | 0:20:41 | 0:20:43 | |
I don't know that you've mastered the umbrella. | 0:20:43 | 0:20:45 | |
Finance now and money is either good news or bad news, isn't it? | 0:20:45 | 0:20:49 | |
But for as long as anyone can remember, | 0:20:49 | 0:20:51 | |
which incidentally is 2008, it's been bad news. | 0:20:51 | 0:20:54 | |
Until recently, when suddenly it wasn't. Apparently. | 0:20:54 | 0:20:57 | |
The biggest fall in unemployment in 17 years | 0:20:57 | 0:21:01 | |
as the British economy begins to rocket into action. | 0:21:01 | 0:21:04 | |
Yes, thanks to these animated numbers the financial crisis | 0:21:04 | 0:21:07 | |
was totally over and everyone in Britain | 0:21:07 | 0:21:08 | |
was a fully-employed millionaire. | 0:21:08 | 0:21:10 | |
To think, just a few weeks ago | 0:21:10 | 0:21:12 | |
Channel 4's grimly depressing Benefits Street was current affairs, | 0:21:12 | 0:21:15 | |
now it's period drama. | 0:21:15 | 0:21:16 | |
Thanks to the economic turnaround, instead of worrying about this, | 0:21:16 | 0:21:19 | |
we can just marvel at how great it looks on our HD tellies. | 0:21:19 | 0:21:22 | |
Wow! Their suffering is pin sharp! | 0:21:22 | 0:21:24 | |
Some cynics claim employment figures are only rising | 0:21:24 | 0:21:27 | |
because Cameron's been touring the country for weeks | 0:21:27 | 0:21:29 | |
disguising himself as a manual worker | 0:21:29 | 0:21:31 | |
on countless occasions to boost the numbers. | 0:21:31 | 0:21:34 | |
Look, here he's playing a surveyor, here he's a factory worker, | 0:21:34 | 0:21:37 | |
here he's a salt of the earth Tetley tea man, | 0:21:37 | 0:21:39 | |
here a tour guide showing French dickslingers around, | 0:21:39 | 0:21:41 | |
and here he is as a malevolent lizard blackness-from-the-stars | 0:21:41 | 0:21:45 | |
temporarily shape-shifted into human form. | 0:21:45 | 0:21:47 | |
But the apparently good financial news is bad news | 0:21:47 | 0:21:50 | |
for plasticine buzzkill Ed Miliband, | 0:21:50 | 0:21:52 | |
seen here accepting a glass of beer | 0:21:52 | 0:21:53 | |
from a man who looks like Ant and Dec. | 0:21:53 | 0:21:56 | |
He's recently been trying to | 0:21:56 | 0:21:57 | |
drum the notion of a cost of living crisis into the national brain | 0:21:57 | 0:22:00 | |
by repeating the phrase so often it becomes a kind of echo. | 0:22:00 | 0:22:03 | |
I talked about the cost of living crisis and the squeezed middle. | 0:22:03 | 0:22:06 | |
Is the cost of living crisis really such a big deal? | 0:22:06 | 0:22:09 | |
The cost of living crisis is the single biggest challenge | 0:22:09 | 0:22:13 | |
our country faces. | 0:22:13 | 0:22:15 | |
That is the cost of living crisis. | 0:22:15 | 0:22:17 | |
Of course, many people's view of the entire country's financial | 0:22:17 | 0:22:20 | |
situation depends on their own personal circumstances | 0:22:20 | 0:22:23 | |
and whether the cost of things they're spending money on | 0:22:23 | 0:22:25 | |
is rising faster than their incomes. | 0:22:25 | 0:22:27 | |
For instance, many feel the squeeze | 0:22:27 | 0:22:29 | |
because of factors like skyrocketing energy bills. | 0:22:29 | 0:22:31 | |
Although to be honest, I'd be happy to pay more for gas | 0:22:31 | 0:22:34 | |
and electricity if energy companies would stop running this | 0:22:34 | 0:22:36 | |
sort of twee, bollock-lazy, animal whimsy, ukulele sing-song, | 0:22:36 | 0:22:40 | |
cartoon horseshit | 0:22:40 | 0:22:41 | |
in every other ad break. | 0:22:41 | 0:22:43 | |
This is Hive, it lets you control your heating from anywhere | 0:22:43 | 0:22:46 | |
with your phone. | 0:22:46 | 0:22:47 | |
So why aren't you... # Surfing on a cab | 0:22:47 | 0:22:49 | |
# Going to visit your mad dad | 0:22:49 | 0:22:51 | |
# Or shopping for some trousers | 0:22:51 | 0:22:53 | |
# When it starts snowing on your schnauzers | 0:22:53 | 0:22:55 | |
# While Hive is busy controlling your heating at home. # | 0:22:55 | 0:22:58 | |
Or you could... | 0:22:58 | 0:23:00 | |
# Sing about tigers from Burma while Gran dies of hypothermia | 0:23:00 | 0:23:03 | |
# Poor cow dropped dead with the chills | 0:23:03 | 0:23:05 | |
# Cos she can't pay your swollen bills | 0:23:05 | 0:23:07 | |
# While I'm withstanding this terrible advert at home. # | 0:23:07 | 0:23:11 | |
So what exactly is going on with money? | 0:23:12 | 0:23:14 | |
And what is money anyhow? | 0:23:14 | 0:23:15 | |
Well, don't worry if you don't know because Philomena Cunk is here now | 0:23:15 | 0:23:19 | |
to unravel that mystery in this week's Moments of Wonder. | 0:23:19 | 0:23:23 | |
EPIC MUSIC | 0:23:23 | 0:23:25 | |
BUSY STRING MUSIC | 0:23:33 | 0:23:36 | |
Money is at the heart of the UK economy, and many others. | 0:23:36 | 0:23:40 | |
People fight for it, die for it and put it in china pigs. | 0:23:40 | 0:23:44 | |
So what is money? | 0:23:46 | 0:23:48 | |
Put simply, money is the best way we have | 0:23:48 | 0:23:52 | |
of telling how much money you've got. | 0:23:52 | 0:23:54 | |
Over the centuries, many things have been used as money including amber, | 0:23:56 | 0:24:00 | |
wheat, eggs, traveller's cheques, feathers, book vouchers, lobsters, | 0:24:00 | 0:24:06 | |
beads, gold, leather, | 0:24:06 | 0:24:08 | |
Nectar points, rice, peas, mugs and money. | 0:24:08 | 0:24:12 | |
It was only the last of these that caught on. | 0:24:12 | 0:24:15 | |
Increasingly these days, | 0:24:18 | 0:24:20 | |
money isn't something you can hold in your hand or bite on | 0:24:20 | 0:24:23 | |
like a pirate because it's stored in the imaginations of computers | 0:24:23 | 0:24:28 | |
and some of those computers are probably here, | 0:24:28 | 0:24:31 | |
in the Bank of England. | 0:24:31 | 0:24:33 | |
But that computer money is in crisis. | 0:24:35 | 0:24:38 | |
UK Government debt is now £1 trillion, | 0:24:38 | 0:24:41 | |
and even Wonga can't help. | 0:24:41 | 0:24:43 | |
So who can? | 0:24:43 | 0:24:45 | |
Maybe a money expert can tell us what money is and what to do. | 0:24:45 | 0:24:48 | |
Who are you and why are you an expert on money? | 0:24:50 | 0:24:52 | |
I'm Will Hutton, I'm an economist and I'm an economic writer. | 0:24:52 | 0:24:56 | |
What's the difference between ee-conomics and economics? | 0:24:56 | 0:25:01 | |
Nothing. | 0:25:02 | 0:25:04 | |
It's just the way you pronounce the e. | 0:25:04 | 0:25:06 | |
I think I prefer economics to ee-conomics. | 0:25:06 | 0:25:10 | |
But I wonder what... You could put the same question to the Chancellor | 0:25:10 | 0:25:14 | |
and the Governor of the Bank of England | 0:25:14 | 0:25:16 | |
and see whether they like the hard E or the soft E. | 0:25:16 | 0:25:18 | |
-Hardy or softie? -Economics, ee-conomics. | 0:25:19 | 0:25:22 | |
-Ee-conomics? Economics? -OK. | 0:25:24 | 0:25:28 | |
-Money's all stored in computers these days, isn't it? -Yes. | 0:25:28 | 0:25:32 | |
How does a computer know what money looks like? | 0:25:32 | 0:25:36 | |
How does it know? | 0:25:36 | 0:25:37 | |
Well the, uh... How does it recognise anything? | 0:25:37 | 0:25:40 | |
-How does a computer recognise, you know, erm... -So you don't know? | 0:25:40 | 0:25:46 | |
It's... You know in principle but you don't know in detail, no. | 0:25:47 | 0:25:51 | |
Do you know what I think's happened? | 0:25:51 | 0:25:53 | |
Someone's told a computer what money looks like. | 0:25:53 | 0:25:56 | |
They've gone up to a computer and they've said, | 0:25:56 | 0:25:59 | |
"This is, like, a five pound note." | 0:25:59 | 0:26:02 | |
And then that computer's told the others. | 0:26:02 | 0:26:04 | |
When you have a coin, where is the money in that coin? | 0:26:04 | 0:26:10 | |
If I were to take a coin and cut it open, | 0:26:10 | 0:26:13 | |
could I take the money out of that coin and then it'd be empty? | 0:26:13 | 0:26:17 | |
No, the coin is a token. | 0:26:17 | 0:26:19 | |
The whole point about the coins in your pocket | 0:26:19 | 0:26:22 | |
is they are universally accepted as a way of buying things, | 0:26:22 | 0:26:26 | |
that's what the money is. | 0:26:26 | 0:26:27 | |
How much does it cost to make a one pence piece? | 0:26:27 | 0:26:31 | |
Because if it's less than one pence then it's a con, isn't it? | 0:26:31 | 0:26:37 | |
But if it's, like, more than one pence, then... | 0:26:37 | 0:26:41 | |
-Do you see what I mean? -Yeah. | 0:26:41 | 0:26:43 | |
-Sort of not worth it then. -Yeah, yeah. | 0:26:43 | 0:26:45 | |
It costs a TINY amount of money to make create a one penny piece | 0:26:45 | 0:26:50 | |
-and that's... -So they're ripping us off? | 0:26:50 | 0:26:53 | |
It seems no-one really knows what money is. | 0:26:53 | 0:26:57 | |
It will always be an unsolvable problem, | 0:26:57 | 0:26:59 | |
like a crossword or a Rubik's cube. | 0:26:59 | 0:27:02 | |
Next time on Moments of Wonder, | 0:27:03 | 0:27:05 | |
I'll be asking why there's more water in a tap | 0:27:05 | 0:27:08 | |
than you'd expect. | 0:27:08 | 0:27:10 | |
MUSIC: "Take On Me" by a-ha | 0:27:10 | 0:27:13 | |
Courts! | 0:27:15 | 0:27:17 | |
And as the hacking trial enters it's ninth decade, | 0:27:17 | 0:27:19 | |
things perk up as one of the Laws of the land | 0:27:19 | 0:27:21 | |
walks the legal red carpet on his way to give evidence. | 0:27:21 | 0:27:24 | |
Yes, Hollywood starlet Jude Law was appearing in court | 0:27:24 | 0:27:26 | |
and as ITV News made clear, | 0:27:26 | 0:27:28 | |
he's playing a young Tony Blair in the production - | 0:27:28 | 0:27:30 | |
perhaps the most fully drawn character he's tackled yet. | 0:27:30 | 0:27:33 | |
In fact, I'd go so far as to say that is the most moving scene | 0:27:33 | 0:27:35 | |
featuring Jude Law I've ever watched. | 0:27:35 | 0:27:38 | |
Actually, looking at the BBC footage I'd say he's had work done. | 0:27:38 | 0:27:41 | |
It doesn't even look like him | 0:27:41 | 0:27:42 | |
any more. It's very sad. | 0:27:42 | 0:27:44 | |
Shortly afterwards, Jude's former girlfriend | 0:27:44 | 0:27:46 | |
Sienna Miller also popped up to give evidence. | 0:27:46 | 0:27:48 | |
The poor thing, these modern HD cameras are so unforgiving. | 0:27:48 | 0:27:50 | |
Look, you can see all her lines. I have to say, | 0:27:50 | 0:27:53 | |
ITN's coverage was far less patchy than that. | 0:27:53 | 0:27:55 | |
I mean, just look at it, it's practically a work of art. | 0:27:55 | 0:27:58 | |
It's so good, it's already been released on DVD, | 0:27:58 | 0:28:00 | |
where it's proved so compelling, | 0:28:00 | 0:28:02 | |
as you can see, an appreciative audience has already been drawn in. | 0:28:02 | 0:28:05 | |
Of course, Jude and Sienna are movie stars | 0:28:05 | 0:28:07 | |
but by pulling a face like a doodle | 0:28:07 | 0:28:09 | |
they're drawing on a TV tradition that started back in the '80s, | 0:28:09 | 0:28:11 | |
when it was pioneered by a-ha's Morten Haarket | 0:28:11 | 0:28:14 | |
in the astonishing video for Take On Me. | 0:28:14 | 0:28:16 | |
# Take on me | 0:28:16 | 0:28:21 | |
# Take on me... # | 0:28:21 | 0:28:22 | |
And it's a trend that continues, | 0:28:22 | 0:28:24 | |
as you can see from the BBC footage | 0:28:24 | 0:28:26 | |
of controversial courtroom drama Allegation Street. | 0:28:26 | 0:28:29 | |
Which features a handsome drawing of Ken Barlow | 0:28:29 | 0:28:31 | |
and a beautiful drawing of his wife - Deidre Barlow. | 0:28:31 | 0:28:34 | |
It's good but it's not as exciting as EastEnders, | 0:28:34 | 0:28:36 | |
where a family of coloured pencils just moved in to 2B, | 0:28:36 | 0:28:39 | |
causing a right pen-and-ink, | 0:28:39 | 0:28:40 | |
then these proper EastEnd thugs called the Crayon Twins turned up | 0:28:40 | 0:28:43 | |
for a cheeky sharpener at the Vic, and then Phil got rubbed out. | 0:28:43 | 0:28:46 | |
'God that was awful! Pencil puns? What is this, Crackerjack? | 0:28:46 | 0:28:50 | |
'I think I got away with it. I doubt anyone will even notice, | 0:28:50 | 0:28:53 | |
'unless they've mic'd up my mind again. | 0:28:53 | 0:28:55 | |
'I hate it when they do that. | 0:28:55 | 0:28:57 | |
'Probably best to end the show to be sure.' | 0:28:57 | 0:28:59 | |
Hmm. Well, that's all we've got time for this week. | 0:28:59 | 0:29:02 | |
Until next time, go away. | 0:29:02 | 0:29:04 | |
MUSIC: "You Are Here" by Nathan Fake | 0:29:04 | 0:29:06 |