Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:05 | |
and adult humour from the start. | 0:00:05 | 0:00:06 | |
Weekly Wipes had these opening credit things | 0:00:06 | 0:00:08 | |
with all bathroom tiles flying around | 0:00:08 | 0:00:10 | |
and this music that went... | 0:00:10 | 0:00:12 | |
BARRY SINGS ALONG WITH THE THEME TUNE | 0:00:12 | 0:00:16 | |
PHILOMENA SINGS ALONG WITH THE THEME TUNE | 0:00:21 | 0:00:25 | |
BARRY SINGS ALONG WITH THE THEME TUNE | 0:00:30 | 0:00:33 | |
Sort of like that. | 0:00:34 | 0:00:36 | |
Hello, I'm Charlie Brooker. You are watching a special edition of Weekly Wipe. | 0:00:36 | 0:00:39 | |
Normally, with a TV series, there is, like, | 0:00:39 | 0:00:42 | |
six normal episodes, but what this did, which was brilliant, | 0:00:42 | 0:00:46 | |
was the sixth one was like some sort of compilation one | 0:00:46 | 0:00:49 | |
with some of the best bits in it in case you had forgotten them | 0:00:49 | 0:00:52 | |
because they happened so long ago, like well over a fortnight. | 0:00:52 | 0:00:55 | |
But just so you weren't sure | 0:00:55 | 0:00:57 | |
whether to just switch off if you had already seen those bits, | 0:00:57 | 0:01:00 | |
it had all these new bits in it too, sort of peppered throughout, | 0:01:00 | 0:01:03 | |
like if you had a burger made of old mince, but you put some new mince | 0:01:03 | 0:01:08 | |
in it as well, to sort of mask the cheap fucking stink. | 0:01:08 | 0:01:12 | |
Benefits Street is a fly on the fly-covered wall documentary series, | 0:01:12 | 0:01:16 | |
a bit like Sesame Street brought to you by the letters DSS and DWP. | 0:01:16 | 0:01:20 | |
It follows some of the residents | 0:01:20 | 0:01:21 | |
on an apparently notorious Birmingham street | 0:01:21 | 0:01:24 | |
where, we are told, most of the residents are on benefits. | 0:01:24 | 0:01:26 | |
As well as impoverished single mums, | 0:01:26 | 0:01:28 | |
it also depicts petty criminals on the rob. | 0:01:28 | 0:01:30 | |
On the one hand, it's a gritty slice-of-life expose, | 0:01:30 | 0:01:33 | |
but it's also packaged with a knowing nod and a wink | 0:01:33 | 0:01:35 | |
and it is so full of larger-than-life characters, | 0:01:35 | 0:01:37 | |
it almost feels like a sitcom, a bit like Friends...with benefits. | 0:01:37 | 0:01:42 | |
Some complained the programme depicts lazy ne'er-do-wells | 0:01:42 | 0:01:44 | |
living the high life, sponging off the state. | 0:01:44 | 0:01:46 | |
To be fair, the level of luxury they are enjoying is outrageous. | 0:01:46 | 0:01:49 | |
I mean, just look! | 0:01:49 | 0:01:50 | |
Most of them have got shoes! The sense of entitlement is amazing! | 0:01:50 | 0:01:54 | |
They use oxygen without even paying for it, | 0:01:54 | 0:01:56 | |
they just inhale it and convert it into carbon dioxide, | 0:01:56 | 0:01:59 | |
selfishly leaving less for the taxpayer. | 0:01:59 | 0:02:01 | |
They've even got sticks and bits of old fan. | 0:02:01 | 0:02:03 | |
I haven't got sticks and bits of old fan! Why should they? | 0:02:03 | 0:02:06 | |
Channel 4 says Benefits Street is about | 0:02:06 | 0:02:08 | |
community spirit in adverse circumstances, but the problem is, | 0:02:08 | 0:02:11 | |
it's not called Community Spirit In Adverse Circumstances, | 0:02:11 | 0:02:14 | |
it's called Benefits Street, a button-pushing title | 0:02:14 | 0:02:17 | |
attached to a programme with more buttons than a shirt factory. | 0:02:17 | 0:02:20 | |
They might as well have called it The Great British Skive-Off | 0:02:20 | 0:02:23 | |
or Layabout Way. | 0:02:23 | 0:02:24 | |
To wear my earnest hat for a moment, | 0:02:24 | 0:02:26 | |
I actually thought Benefits Street was broadly sympathetic | 0:02:26 | 0:02:29 | |
to its participants, although being a TV show, | 0:02:29 | 0:02:31 | |
it also inevitably boiled their lives down | 0:02:31 | 0:02:34 | |
to eye-catching highlights and outrageous sound bites, | 0:02:34 | 0:02:36 | |
but thanks to that title | 0:02:36 | 0:02:37 | |
and ingrained assumptions of some viewers | 0:02:37 | 0:02:39 | |
on both sides of the political divide, | 0:02:39 | 0:02:42 | |
it also caused the sort of noisy publicity-stoking press reaction | 0:02:42 | 0:02:45 | |
that must have had Channel 4 wanking with dismay. | 0:02:45 | 0:02:48 | |
The debate came alive | 0:02:48 | 0:02:49 | |
on a feisty edition of Newsnight, as a man from Channel 4 had to | 0:02:49 | 0:02:53 | |
defend himself against accusations of being a poverty porn baron. | 0:02:53 | 0:02:56 | |
Are you comfortable with the idea of poverty porn as an idea? | 0:02:56 | 0:03:00 | |
I am deeply uncomfortable with that phrase. I think it's inaccurate. | 0:03:00 | 0:03:04 | |
That's true. Benefits Street isn't porn. | 0:03:04 | 0:03:06 | |
I mean, what is pornographic about seeing six sweaty men | 0:03:06 | 0:03:09 | |
crammed into one filthy hole? | 0:03:09 | 0:03:10 | |
There's not even any money shots. Well, they haven't got any money. | 0:03:10 | 0:03:13 | |
There was this sort of detective programme called Sherlock, | 0:03:13 | 0:03:16 | |
which was really exciting, | 0:03:16 | 0:03:17 | |
about this hobbit who lives in London and he's friends with | 0:03:17 | 0:03:20 | |
this wizard called Sherlock who is really good at solving crimes. | 0:03:20 | 0:03:23 | |
It's brilliantly made. You can tell all the people in it | 0:03:23 | 0:03:26 | |
are really clever because they speak really quickly. | 0:03:26 | 0:03:28 | |
Because the repairs exceed the cost of the hat, | 0:03:28 | 0:03:30 | |
so he is mawkishly attached to it, but it's more than that. | 0:03:30 | 0:03:32 | |
One, perhaps two patches, would indicate sentimentality. | 0:03:32 | 0:03:34 | |
Which is good because it means they are not put off by the fact | 0:03:34 | 0:03:38 | |
that no-one actually speaks like that. | 0:03:38 | 0:03:40 | |
Sherlock is so brainy he can see words floating in the air | 0:03:40 | 0:03:43 | |
that tell him what's going on, | 0:03:43 | 0:03:45 | |
like he has done a spell | 0:03:45 | 0:03:46 | |
so he's got a Wikipedia in his eyes, you know. | 0:03:46 | 0:03:48 | |
Everything must look like a diagram to him. | 0:03:48 | 0:03:51 | |
Like when he does a piss, right, it must have "piss" written next to it | 0:03:51 | 0:03:55 | |
or something cleverer than "piss", like "urine". | 0:03:55 | 0:03:57 | |
It was like a film about a robot policeman, but on television, | 0:03:57 | 0:04:02 | |
so it wasn't really a film, | 0:04:02 | 0:04:04 | |
but it is so good they should do a film about a robot cop. | 0:04:04 | 0:04:09 | |
They could call it Robot Cop. | 0:04:09 | 0:04:11 | |
Sherlock's really smart and can use the internet, but he doesn't | 0:04:11 | 0:04:15 | |
seem to know that you can open more than one window at a time. | 0:04:15 | 0:04:19 | |
Like, when he wants to open a new window, he must have to just | 0:04:19 | 0:04:22 | |
buy a new laptop, so he's got loads of them. | 0:04:22 | 0:04:25 | |
He must have to do all the solving stuff | 0:04:25 | 0:04:27 | |
just to pay for all his computers. | 0:04:27 | 0:04:29 | |
What's good is it's sort of for the Twitter generation. | 0:04:29 | 0:04:32 | |
Like, because everyone watching is tweeting, "I love Sherlock," | 0:04:32 | 0:04:35 | |
all the time, there's these special bits of the programme | 0:04:35 | 0:04:38 | |
where nothing important happens, | 0:04:38 | 0:04:40 | |
so you can use your phone for a bit without missing anything. | 0:04:40 | 0:04:42 | |
It's unpredictable, which is brilliant. | 0:04:45 | 0:04:47 | |
Like sometimes it gets all excited | 0:04:47 | 0:04:50 | |
and sort of whooshes from one thing to another | 0:04:50 | 0:04:53 | |
in a really modern way, and sometimes it sort of turns into | 0:04:53 | 0:04:56 | |
Take Me Out, but with Sherlock Holmes instead of Paddy McGuinness. | 0:04:56 | 0:05:01 | |
-Describe him. -Short blond hair. -Dark hair. Long. -Ginger. I like gingers. | 0:05:01 | 0:05:06 | |
Seriously, it really was like Take Me Out. | 0:05:06 | 0:05:09 | |
Mmm, not you. | 0:05:09 | 0:05:10 | |
Not you, not you, not you, not you, not you. | 0:05:10 | 0:05:13 | |
Not you. | 0:05:13 | 0:05:14 | |
Food! And with the horse-meat scandal behind us, | 0:05:20 | 0:05:22 | |
the New Year got off to a grisly start as a Chinese branch of Walmart | 0:05:22 | 0:05:26 | |
discovered its donkey meat was tainted with fox. | 0:05:26 | 0:05:29 | |
These days, you just don't know what the FOX you are eating. | 0:05:29 | 0:05:31 | |
The sad news was expertly reported | 0:05:31 | 0:05:33 | |
on the slightly odd Blue Ocean Network, | 0:05:33 | 0:05:35 | |
anchored by the world's first Lego human. | 0:05:35 | 0:05:38 | |
A man that bought a package of what he thought was donkey meat | 0:05:38 | 0:05:41 | |
at a local Walmart turned out to be fox meat instead. | 0:05:41 | 0:05:44 | |
Talk about Fox News! Ha-ha-ha! | 0:05:44 | 0:05:47 | |
The report rounded off with a helpful Jamie Oliver-style | 0:05:47 | 0:05:50 | |
austerity cooking tip. | 0:05:50 | 0:05:51 | |
To be on the safe side, boil fox meat with spices before consuming. | 0:05:51 | 0:05:56 | |
And to be on the really safe side, throw it away. | 0:05:56 | 0:05:59 | |
Culture! And in unforgettable scenes, | 0:06:04 | 0:06:06 | |
This Morning screens a bizarre live test | 0:06:06 | 0:06:08 | |
in which Britain's foremost and indeed only rumpologist | 0:06:08 | 0:06:11 | |
demonstrates how to analyse people's backsides. | 0:06:11 | 0:06:13 | |
When I was focusing on Kelly's bottom, it's the right cheek | 0:06:13 | 0:06:17 | |
that was telling me all the sort of past things. | 0:06:17 | 0:06:19 | |
The left cheek is all the future things. | 0:06:19 | 0:06:22 | |
Which, as I suspected, makes the present a shithole. | 0:06:22 | 0:06:25 | |
Looking at this, you might think | 0:06:25 | 0:06:26 | |
This Morning is taking the piss, but it isn't, | 0:06:26 | 0:06:28 | |
although some of its guests are. | 0:06:28 | 0:06:30 | |
How do you start your day? Do you like an orange juice? | 0:06:30 | 0:06:33 | |
-I'm a coffee guy. -You're a coffee guy. | 0:06:33 | 0:06:35 | |
Maybe some of you are tea people. | 0:06:35 | 0:06:37 | |
Well, not this couple. | 0:06:37 | 0:06:38 | |
They kick off their day with a glass of their own urine. | 0:06:38 | 0:06:41 | |
Yes, in a thrilling episode, | 0:06:41 | 0:06:43 | |
This Morning interviewed a happy couple who drink their own urine. | 0:06:43 | 0:06:45 | |
Not to save money - they drink it for health reasons, | 0:06:45 | 0:06:48 | |
none of which are visible or indeed exist. | 0:06:48 | 0:06:50 | |
What difference did it make to you? | 0:06:50 | 0:06:52 | |
It just generally, it helps balance my head, | 0:06:52 | 0:06:55 | |
like my emotions were a lot calmer and I could just think clearer. | 0:06:55 | 0:06:59 | |
Clear enough to think, "I know! I'll drink my own piss!" | 0:06:59 | 0:07:02 | |
Is it an acquired taste? Could you ever try each others? | 0:07:02 | 0:07:05 | |
-It's not a taste you want to acquire! -You don't like the taste of it? | 0:07:05 | 0:07:09 | |
-No! -When you begin, it smells and tastes like wee. | 0:07:09 | 0:07:13 | |
So it is socially unacceptable and it tastes horrible, | 0:07:13 | 0:07:16 | |
but on the plus side, it's also frowned upon by doctors, | 0:07:16 | 0:07:19 | |
specifically a telly doc who looks like Prince playing Doctor Who | 0:07:19 | 0:07:22 | |
doing his best to balance the piss-taking with medical fact. | 0:07:22 | 0:07:25 | |
It is not medically recommended, | 0:07:25 | 0:07:27 | |
especially if you're unwell or on medication. | 0:07:27 | 0:07:29 | |
-We would not recommend it. -It had been medically recommended. | 0:07:29 | 0:07:32 | |
Mm, yeah, I guess it all boils down, really, to who you want to believe - | 0:07:32 | 0:07:35 | |
the qualified medical professional who tells you not to drink piss | 0:07:35 | 0:07:38 | |
or the hairy bloke in the stripy jumper who does. | 0:07:38 | 0:07:41 | |
Things inevitably built towards the money shot | 0:07:41 | 0:07:43 | |
in which the happy couple would go on the piss, | 0:07:43 | 0:07:45 | |
necking a glass of home-brewed Pinot grigio live on air, | 0:07:45 | 0:07:48 | |
which was probably enough to get viewers experimenting | 0:07:48 | 0:07:50 | |
with swallowing their own vomit. | 0:07:50 | 0:07:52 | |
Look at that. You know what that is? That is Cameron's Britain. | 0:07:52 | 0:07:55 | |
Cameron's Britain, everybody! | 0:07:55 | 0:07:57 | |
CHARLIE SCOFFS | 0:07:57 | 0:07:58 | |
Inevitably, this informative item | 0:07:58 | 0:08:00 | |
prompted some lively viewer feedback, | 0:08:00 | 0:08:02 | |
which tight-panted bulge-displayer Jeff Brazier | 0:08:02 | 0:08:05 | |
did his best to reel off quickly | 0:08:05 | 0:08:06 | |
before he had some kind of weird fit. | 0:08:06 | 0:08:08 | |
Zoe says, "If that is what they want to do, then let them. | 0:08:08 | 0:08:11 | |
"People are too quick to judge." Now... | 0:08:11 | 0:08:14 | |
MUSIC: "I'm Gonna Love You Just A Little More, Baby" by Barry White | 0:08:14 | 0:08:19 | |
Mmm! | 0:08:19 | 0:08:20 | |
To be fair, this celebratory urine drinking isn't the most | 0:08:20 | 0:08:23 | |
upsetting fluid intake scene I have witnessed on ITV recently. | 0:08:23 | 0:08:26 | |
That would be Monday's harrowing Coronation Street, | 0:08:26 | 0:08:29 | |
in which Hayley Cropper drank the ultimate bedtime nightcap. | 0:08:29 | 0:08:31 | |
Come on, everyone. | 0:08:31 | 0:08:32 | |
# Down in one, down in one, down in one! # | 0:08:32 | 0:08:37 | |
Still, it was nice of her to give him a hand job on the way out. | 0:08:37 | 0:08:41 | |
I love you! | 0:08:42 | 0:08:43 | |
You know what I've noticed? Have a look at this. | 0:08:43 | 0:08:46 | |
X Factor! | 0:08:46 | 0:08:47 | |
Yeah, look at this. This sort of brightly lit spew, | 0:08:47 | 0:08:50 | |
this is popular culture. | 0:08:50 | 0:08:52 | |
This is popular! But it's terrible. | 0:08:52 | 0:08:54 | |
# It's going down! # | 0:08:54 | 0:08:56 | |
Makes you think, that, doesn't it? | 0:08:56 | 0:08:57 | |
Well, it makes nobody think more | 0:08:57 | 0:08:59 | |
than our resident inquisitive human, Limmy. | 0:08:59 | 0:09:02 | |
This is Limmy. | 0:09:02 | 0:09:03 | |
The world is full of mystery, the unexplained, | 0:09:07 | 0:09:09 | |
but I like to think I've got an ability to work out what is really | 0:09:09 | 0:09:13 | |
going on, to take a peek behind the curtain like in The Wizard Of Oz, | 0:09:13 | 0:09:16 | |
and show you, you know, like, | 0:09:16 | 0:09:17 | |
"Hey, look, it's been him the whole time!" | 0:09:17 | 0:09:20 | |
That kind of thing, but something has come up that | 0:09:20 | 0:09:22 | |
I just cannot get my head around and that's, erm... | 0:09:22 | 0:09:26 | |
That's, erm... | 0:09:26 | 0:09:27 | |
Pitbull. | 0:09:28 | 0:09:30 | |
I mean, erm, what?! | 0:09:30 | 0:09:32 | |
One minute there is nae Pitbull, | 0:09:32 | 0:09:34 | |
the next, there's this guy about 40, | 0:09:34 | 0:09:36 | |
jumping up and down on a stage in a suit | 0:09:36 | 0:09:38 | |
like he's just come straight out from work. | 0:09:38 | 0:09:40 | |
-'Mr Worldwide!' -Mr Worldwide? It's bizarre. | 0:09:40 | 0:09:43 | |
But what's most bizarre is that nobody is batting an eye. | 0:09:43 | 0:09:46 | |
It's like an alien's landed | 0:09:46 | 0:09:47 | |
and I'm like that, "Look, everybody! An alien!" | 0:09:47 | 0:09:50 | |
And everybody is like that. | 0:09:50 | 0:09:51 | |
What's most bizarre is that he's number one everywhere. | 0:09:51 | 0:09:54 | |
Somebody is buying the singles, but nobody's owning up. | 0:09:54 | 0:09:57 | |
I was in Victoria Park, painting the fence - somebody's got to - | 0:09:57 | 0:10:00 | |
and this school lassie walked by, so I asked her. | 0:10:00 | 0:10:02 | |
You into Pitbull, hen? She just ran away! | 0:10:02 | 0:10:05 | |
I even jumped on Twitter to speak to the man himself. | 0:10:05 | 0:10:08 | |
"Who are you?" Cos nobody else will talk to me. | 0:10:08 | 0:10:10 | |
It's like everybody's in fear to speak out, | 0:10:10 | 0:10:12 | |
like some kind of mafia thing. In fact, that's what it's like. | 0:10:12 | 0:10:15 | |
It's like Pitbull's some kind of mafia godfather who just woke up | 0:10:15 | 0:10:18 | |
one morning and decided, | 0:10:18 | 0:10:19 | |
"I want to be a pop star." Just one day decided, | 0:10:19 | 0:10:22 | |
"Mr Worldwide!" And everybody's just having to go along with it, or else. | 0:10:22 | 0:10:26 | |
Nobody dares mention the suit. Or the voice. | 0:10:26 | 0:10:28 | |
Or the fact that he's about 40 years old, calling himself Pitbull | 0:10:28 | 0:10:31 | |
and jumping up and down on the stage shouting, "Mr Worldwide!" | 0:10:31 | 0:10:34 | |
Nobody dares, unless they want to find themselves at the bottom of the | 0:10:34 | 0:10:37 | |
Clyde, wearing a Columbian necktie and a pair of concrete boots. | 0:10:37 | 0:10:41 | |
# Oh, oh, oh, oh! | 0:10:46 | 0:10:49 | |
-# I just want to feel this moment. # -Pitbull! | 0:10:49 | 0:10:52 | |
Britain's brilliant, isn't it? It's got everything. | 0:10:52 | 0:10:55 | |
It's got Paddington Bear and flags and the Bake Off. | 0:10:55 | 0:10:59 | |
But all of this hangs in the balance thanks to immigration, | 0:10:59 | 0:11:02 | |
which is completely out of control, apparently. | 0:11:02 | 0:11:05 | |
Which is why it's helpful that for over a year, the news has kept us | 0:11:05 | 0:11:08 | |
informed of the imminent threat of inbound Romanians | 0:11:08 | 0:11:11 | |
and Bulgarians set to flood the country once EU restrictions | 0:11:11 | 0:11:14 | |
were lifted on New Year's Day. | 0:11:14 | 0:11:16 | |
But who exactly are these people? First, Bulgarians. | 0:11:16 | 0:11:20 | |
Bulgarians, as a series of eye-opening reports made devilishly | 0:11:20 | 0:11:23 | |
clear, live in a kind of Medieval realm, twinned with Game of Thrones. | 0:11:23 | 0:11:27 | |
Consisting entirely of horses and carts and people lugging giant | 0:11:27 | 0:11:31 | |
sacks around like they're in a live recreation of a Bruegel painting. | 0:11:31 | 0:11:34 | |
Their world isn't entirely backward. I mean, they do have, say, cars. | 0:11:34 | 0:11:38 | |
But only shit ones. | 0:11:38 | 0:11:40 | |
In fact, as Channel 4's footage made clear, | 0:11:40 | 0:11:41 | |
Bulgaria's a kind of open air shit car museum, where the only | 0:11:41 | 0:11:45 | |
form of entertainment is driving over the nation's one speed bump. | 0:11:45 | 0:11:48 | |
Romania, meanwhile, is apparently also | 0:11:48 | 0:11:50 | |
a Medieval Game of Thrones Bruegel painting squalor pot, | 0:11:50 | 0:11:53 | |
according to this news footage, | 0:11:53 | 0:11:55 | |
apparently beamed live from the year 1386. | 0:11:55 | 0:11:58 | |
The news certainly painted a graphic picture of deprivation | 0:11:58 | 0:12:01 | |
and hot horse-on-cart action. I mean, look at this bleak existence! | 0:12:01 | 0:12:05 | |
No utilities, squalid conditions, | 0:12:05 | 0:12:07 | |
people lugging sacks around everywhere. | 0:12:07 | 0:12:09 | |
And the only way to get about is on horseback. | 0:12:09 | 0:12:11 | |
They'd be better off in Britain. | 0:12:11 | 0:12:13 | |
Little wonder a tidal wave of immigrants was being predicted by | 0:12:13 | 0:12:15 | |
some, and it didn't seem they were going to be welcomed with open arms. | 0:12:15 | 0:12:18 | |
It's hard to shake the suspicion that much of the hostility | 0:12:18 | 0:12:21 | |
towards immigrants who haven't even migrated might have | 0:12:21 | 0:12:23 | |
something to do with the level-headed, non-judgemental | 0:12:23 | 0:12:26 | |
and factually watertight reporting surrounding the issue. | 0:12:26 | 0:12:29 | |
Given the nature of the news coverage, | 0:12:29 | 0:12:31 | |
you'd think the Romanians would be rubbing their hands together, | 0:12:31 | 0:12:34 | |
looking at the clock and booking their tickets. | 0:12:34 | 0:12:36 | |
But weirdly, as some of the reporters pointed out, | 0:12:36 | 0:12:38 | |
they're just not that into us. | 0:12:38 | 0:12:39 | |
Having spoken to people here, it's clear that contrary to popular myth, | 0:12:39 | 0:12:43 | |
Romanians have no wish to go to the UK to live on benefits. | 0:12:43 | 0:12:47 | |
Yeah, I know. I've read about it in the paper. | 0:12:47 | 0:12:49 | |
They can't wait to come and steal from us. Just listen to them. | 0:12:49 | 0:12:52 | |
I would never leave my country, this woman says. For what? | 0:12:52 | 0:12:55 | |
-I'm a patriot. -Give me back my wallet! | 0:12:55 | 0:12:58 | |
What would be the point of leaving Romania just for social benefits? | 0:12:58 | 0:13:02 | |
Yeah, whatever. Have you got a receipt for those kids? | 0:13:02 | 0:13:05 | |
I make my money here. I have my family here, and my friends here. | 0:13:05 | 0:13:08 | |
-I feel at home here, I would never go. -You lying thief! | 0:13:08 | 0:13:12 | |
Even their own officials denied they wanted to come here. | 0:13:12 | 0:13:15 | |
I can see at least one factor that makes the UK far less attractive, | 0:13:15 | 0:13:21 | |
-and that's certainly the weather. -What, how dare you?! | 0:13:21 | 0:13:23 | |
What's wrong with our weather?! | 0:13:23 | 0:13:25 | |
More disruption and misery after powerful gales | 0:13:25 | 0:13:29 | |
and heavy rainfall hit the UK for the second time this week. | 0:13:29 | 0:13:32 | |
Yes, in an apparent bid to scare off the great Eastern European | 0:13:32 | 0:13:35 | |
invasion scheduled for New Year's Day when the floodgates would open, | 0:13:35 | 0:13:38 | |
Britain's weather spent much of Christmas demonstrating | 0:13:38 | 0:13:41 | |
what it'd look like if there were no floodgates at all. | 0:13:41 | 0:13:43 | |
Suddenly, there was an intense sense of deja vu about some of the coverage. | 0:13:43 | 0:13:47 | |
I mean, look at this bleak existence. | 0:13:47 | 0:13:48 | |
No utilities, squalid conditions, | 0:13:48 | 0:13:51 | |
people lugging sacks around everywhere. | 0:13:51 | 0:13:52 | |
And the only way to get about is on horseback. | 0:13:52 | 0:13:55 | |
They'd be better off in Romania. | 0:13:55 | 0:13:56 | |
As New Year's Day arrived, the press pulled out all the stops | 0:13:56 | 0:13:59 | |
to welcome the expected horde of newcomers, | 0:13:59 | 0:14:01 | |
while in a last-ditch attempt to put off anyone | 0:14:01 | 0:14:03 | |
attempting to enter the country, the government stationed MP | 0:14:03 | 0:14:06 | |
and publicity tagnut Keith Vaz at Luton Airport. | 0:14:06 | 0:14:09 | |
In fact, as Sky News clearly proved, | 0:14:09 | 0:14:11 | |
when the much anticipated planeload of Romanians arrived, | 0:14:11 | 0:14:13 | |
it turned out most of them already worked here. | 0:14:13 | 0:14:16 | |
But the news did find at least one new Romanian - this guy, Victor, | 0:14:16 | 0:14:20 | |
who'd come to get a job washing cars while wearing a green hat. | 0:14:20 | 0:14:23 | |
I don't come to rob your country, | 0:14:23 | 0:14:26 | |
I come to work, and you open the border. | 0:14:26 | 0:14:28 | |
Hope you paid for that hat. | 0:14:28 | 0:14:30 | |
Ironically, while Victor the one-man horde flooded Britain | 0:14:30 | 0:14:33 | |
and bravely withstood a coffee with Keith Vaz, | 0:14:33 | 0:14:35 | |
there were more British newcomers | 0:14:35 | 0:14:36 | |
working in Romania as reporters than new Romanians in Britain. | 0:14:36 | 0:14:40 | |
Anyway, now the country is ruined. | 0:14:40 | 0:14:43 | |
I miss the traditional British way of life, you know, | 0:14:43 | 0:14:45 | |
before we had the Bulgarians and the Romanians. | 0:14:45 | 0:14:47 | |
And the Polish and the Russians and the Australians. | 0:14:47 | 0:14:50 | |
And the Kurdish and the Turkish. | 0:14:50 | 0:14:52 | |
And the Bengalis and the Pakistanis, | 0:14:52 | 0:14:53 | |
and the Indians, and the West Indians | 0:14:53 | 0:14:55 | |
and the Africans and the Huguenots. | 0:14:55 | 0:14:57 | |
And the Jews and the Normans and the Vikings | 0:14:57 | 0:14:59 | |
and the Angles and Saxons and the Romans and the Jutes. | 0:14:59 | 0:15:01 | |
And those bloody Celts who were first in the door, | 0:15:01 | 0:15:04 | |
-the foreign -BLEEP -idiots. | 0:15:04 | 0:15:05 | |
It's been downhill ever since. | 0:15:05 | 0:15:07 | |
Food now, and have you ever seen Sunday Brunch? | 0:15:07 | 0:15:10 | |
It's a kind of ladsy, blokesy, cooksy kind of show | 0:15:10 | 0:15:13 | |
that lasts for about 600 years every weekend on Channel 4. | 0:15:13 | 0:15:16 | |
But don't worry if you couldn't eat the whole episode of that, | 0:15:16 | 0:15:18 | |
Mr Jake Yapp is here to reduce it down to a matter of seconds. | 0:15:18 | 0:15:23 | |
Here he is. Start the clock. | 0:15:23 | 0:15:24 | |
Good morning, welcome to Sunday Brunch, with me, Tim Lovejoy. | 0:15:28 | 0:15:31 | |
A completely different format to Something For The Weekend | 0:15:31 | 0:15:33 | |
which I hosted in the same slot on BBC Two. | 0:15:33 | 0:15:35 | |
That was all about celebs and cooking, | 0:15:35 | 0:15:37 | |
this is all about food and famous people. | 0:15:37 | 0:15:39 | |
Anyway, it's no biggie, it's only telly, | 0:15:39 | 0:15:41 | |
just a couple of top blokes slightly too old for their low-rise jeans | 0:15:41 | 0:15:44 | |
hanging out for classic bants. | 0:15:44 | 0:15:46 | |
Look at me, I'm just leaning on the set, owning the space. | 0:15:46 | 0:15:49 | |
Scouse sidekick, what are you cooking up for us today? | 0:15:49 | 0:15:51 | |
Well, I'm doing French toast with... | 0:15:51 | 0:15:53 | |
Yeah, all right, mate, that's enough of you. Back to me. | 0:15:53 | 0:15:55 | |
Only joking! BARKING LAUGH | 0:15:55 | 0:15:57 | |
He's laughing. He's laughing as well. | 0:15:57 | 0:16:00 | |
I'm the new Des Lynam when you think about it, | 0:16:00 | 0:16:02 | |
I'm just so bloody laid-back. | 0:16:02 | 0:16:04 | |
All right, let's do some autocue, | 0:16:04 | 0:16:05 | |
watch my eyes glaze over, remedial time. | 0:16:05 | 0:16:07 | |
HALTINGLY: Our guests today were famous in a pop group around 1997. | 0:16:07 | 0:16:13 | |
Welcome, guys, just hang out, help yourselves to anything, | 0:16:13 | 0:16:16 | |
my parents aren't back till September and I'll be at uni by then. | 0:16:16 | 0:16:18 | |
Anyway, let's interview you, | 0:16:18 | 0:16:20 | |
didn't bother to read the notes, I'll just wing it. | 0:16:20 | 0:16:22 | |
Er, how did you... | 0:16:22 | 0:16:25 | |
What's the most...er... Who are you? | 0:16:25 | 0:16:27 | |
OK, I've completely lost control of the interview now. | 0:16:27 | 0:16:30 | |
Good job the sound man's remembered that I'm supposed to be in charge. | 0:16:30 | 0:16:33 | |
Time to say something blindingly obvious as though | 0:16:33 | 0:16:36 | |
it's something only my keenly analytical mind could work out. | 0:16:36 | 0:16:39 | |
Music's really important, isn't it? Speaking of which, | 0:16:39 | 0:16:42 | |
here's a bit of a pop video we've been checking out on MySpace. | 0:16:42 | 0:16:44 | |
They're called Coldplay, and we think they're going places. Here it is... | 0:16:44 | 0:16:48 | |
Time now for me to stand next to Simon | 0:16:48 | 0:16:49 | |
while he cooks, all a bit awkward, | 0:16:49 | 0:16:51 | |
like a neighbour standing in your kitchen at your New Year's party. | 0:16:51 | 0:16:54 | |
Later on Simon will stand awkwardly next to our guest chef, | 0:16:54 | 0:16:57 | |
keeping that whole redundant bloke standing about vibe going. | 0:16:57 | 0:17:00 | |
Well, we've got to the end of the programme | 0:17:00 | 0:17:02 | |
and no-one's worked out what my role is. | 0:17:02 | 0:17:04 | |
Time for a low key, no eye contact finale. See you later. | 0:17:04 | 0:17:07 | |
Cinema! And in a lushly composed and thought-provoking promo | 0:17:15 | 0:17:18 | |
for a satellite film channel, | 0:17:18 | 0:17:20 | |
Harrison Ford himself shuffles glumly around | 0:17:20 | 0:17:22 | |
asking us relentless questions about the silver screen. | 0:17:22 | 0:17:25 | |
What was the last movie... | 0:17:25 | 0:17:27 | |
..you couldn't stop thinking about? | 0:17:28 | 0:17:30 | |
Hmm. That'd be Edward Penishands. I saw it on VHS, like, 20 years ago. | 0:17:30 | 0:17:34 | |
Still see it every night in here. | 0:17:34 | 0:17:37 | |
When was the last time you saw a movie you really wanted to watch? | 0:17:37 | 0:17:41 | |
Oh, Edward Penishands. As soon as I heard that title, I was in. | 0:17:41 | 0:17:44 | |
What was the last movie you just had to tell someone about? | 0:17:44 | 0:17:48 | |
Edward Penishands. Seriously, he's got penises for hands. | 0:17:48 | 0:17:51 | |
What's the last movie you saw that sent a shiver down your spine? | 0:17:51 | 0:17:56 | |
Oh, Edward Penishands. There's an eerie bit | 0:17:56 | 0:17:57 | |
where he has to eat spaghetti with the family, | 0:17:57 | 0:18:00 | |
-and it's really uncomfortable. -He's disgusting! | 0:18:00 | 0:18:02 | |
Now, Susan, be polite. | 0:18:02 | 0:18:04 | |
That was the last movie that really impacted on me. | 0:18:04 | 0:18:07 | |
What will be the next? | 0:18:07 | 0:18:09 | |
That will probably be Edward Penishands 2, | 0:18:09 | 0:18:11 | |
but that won't be on Sky Movies, so sling your hook, Dr Jones. | 0:18:11 | 0:18:14 | |
Culture now, and it seems a lot of what we watch on TV | 0:18:14 | 0:18:16 | |
doesn't have anything to say. | 0:18:16 | 0:18:18 | |
Well, some people don't think that's a bad thing. | 0:18:18 | 0:18:22 | |
Namely US comedian and shambles, Doug Stanhope. Here he is. | 0:18:22 | 0:18:26 | |
DISTORTED "HAIL TO THE CHIEF" PLAYS | 0:18:26 | 0:18:29 | |
I'm Doug Stanhope, | 0:18:32 | 0:18:33 | |
and that's why I drink. | 0:18:33 | 0:18:34 | |
They always said Seinfeld was a show about nothing. | 0:18:38 | 0:18:41 | |
And I enjoy that concept, cos that's what I look for in a TV show. | 0:18:41 | 0:18:46 | |
Nothing. | 0:18:46 | 0:18:47 | |
At this age, I don't want to learn anything. | 0:18:47 | 0:18:49 | |
I don't want to have to care or pay attention. | 0:18:49 | 0:18:52 | |
That's why I try not to read books, | 0:18:52 | 0:18:54 | |
cos it gets you all thinking and stuff. Who needs that? | 0:18:54 | 0:18:57 | |
But even Seinfeld could not have imagined the levels of nothing | 0:18:57 | 0:19:02 | |
that television could one day reach. | 0:19:02 | 0:19:05 | |
Nobody does nothing better than the Norwegians. | 0:19:05 | 0:19:08 | |
They've mastered a concept they call slow TV. | 0:19:08 | 0:19:12 | |
One show that's 12 hours long about knitting, | 0:19:12 | 0:19:16 | |
nothing but relentless knitting. | 0:19:16 | 0:19:19 | |
GENTLE LOUNGE JAZZ PLAYS | 0:19:19 | 0:19:21 | |
That is paradise to me. | 0:19:29 | 0:19:32 | |
They put cameras on a cruise ship in Norway | 0:19:32 | 0:19:36 | |
and filmed an entire six day voyage. | 0:19:36 | 0:19:40 | |
134 hours, one episode. | 0:19:40 | 0:19:44 | |
I would have watched that show in my cabin on that cruise ship. | 0:19:44 | 0:19:51 | |
Thanking God I didn't have to lift my neck all the way up to the window | 0:19:51 | 0:19:55 | |
to see this. I could just see it, it's right here on TV! | 0:19:55 | 0:20:00 | |
I hope we don't dock before this is over! | 0:20:00 | 0:20:03 | |
I need to know how this cruise ends! | 0:20:03 | 0:20:06 | |
If only I could make these segments about nothing. | 0:20:07 | 0:20:10 | |
Cos this is not really who I am. I'm not this angry all the time. | 0:20:10 | 0:20:14 | |
Do you think this is what I do at home? Get drunk and go, "Ahh?!" | 0:20:14 | 0:20:18 | |
No, that's why I only do half a dozen of these segments a year. | 0:20:18 | 0:20:21 | |
The rest of the time, I'm kind of all right. | 0:20:21 | 0:20:23 | |
I'm not like a Sean Hannity, | 0:20:23 | 0:20:25 | |
who's going to be angry and outraged every goddamn night. | 0:20:25 | 0:20:29 | |
I'll bet you 10,000, your charity versus mine, | 0:20:29 | 0:20:32 | |
that Congress has a special subsidy the American people don't have. | 0:20:32 | 0:20:36 | |
You going to take the bet, Congressman? | 0:20:36 | 0:20:38 | |
Are you going to take the bet? | 0:20:38 | 0:20:40 | |
Are you going to take that bet? | 0:20:40 | 0:20:41 | |
-No, I... -Because you're lying, that's why. | 0:20:41 | 0:20:43 | |
How do you live like that, Sean? Relax! | 0:20:43 | 0:20:46 | |
Just grab a drink and settle down. | 0:20:46 | 0:20:50 | |
There's nothing going on and you're missing it. | 0:20:50 | 0:20:53 | |
EastEnders, the BBC's expertly realised ongoing simulation | 0:20:53 | 0:20:57 | |
of what London might look like if human beings spoke | 0:20:57 | 0:21:00 | |
and behaved in unrealistic ways, | 0:21:00 | 0:21:01 | |
has been facing a crisis. | 0:21:01 | 0:21:03 | |
Viewers were turning away in droves, | 0:21:03 | 0:21:05 | |
even though no-one knows what a drove is. | 0:21:05 | 0:21:06 | |
It's not quite clear why people haven't been enjoying | 0:21:06 | 0:21:09 | |
this tale of downtrodden proletarians | 0:21:09 | 0:21:11 | |
suffering endless miseries beneath a battleship grey sky. | 0:21:11 | 0:21:14 | |
It can't be the fault of the richly drawn characters | 0:21:14 | 0:21:17 | |
like Purple Ronnie here, or Ian, or Kat, | 0:21:17 | 0:21:19 | |
or Ian, or Dot, or Ian, | 0:21:19 | 0:21:21 | |
or, I don't know, who's that? Colin? | 0:21:21 | 0:21:23 | |
Or the bald one, or the other bald one, or the sort of newer bald one. | 0:21:23 | 0:21:27 | |
Actually, there's so many bald heads in it, | 0:21:27 | 0:21:29 | |
it's like watching Finding Chemo. Seriously, when two of them meet, | 0:21:29 | 0:21:32 | |
they must think they're looking in a mirror. | 0:21:32 | 0:21:34 | |
Anyway, now there's a new boss driving the East End bus | 0:21:34 | 0:21:36 | |
and the Square's being sexed up. Literally, with some mature erotica. | 0:21:36 | 0:21:40 | |
They've paired Phil Mitchell up with Sharon again. | 0:21:40 | 0:21:42 | |
Good news for anyone who's ever wondered what it might look like | 0:21:42 | 0:21:45 | |
if scientists made a woman mate with a giant thumb, | 0:21:45 | 0:21:48 | |
and bad news for anyone who doesn't want to witness | 0:21:48 | 0:21:50 | |
his delighted post-coital gasping. | 0:21:50 | 0:21:52 | |
CONTENTED SIGH | 0:21:54 | 0:21:56 | |
Just like old times, eh? | 0:21:59 | 0:22:00 | |
"Whurrr! Thanks for that, love. | 0:22:00 | 0:22:02 | |
"Just going to go pat my dick dry on a tea cosy." | 0:22:02 | 0:22:04 | |
But these thrilling developments were nothing compared to the news | 0:22:04 | 0:22:08 | |
that cockney actor Danny Dyer, the thinking man's Dick Van Dyke, | 0:22:08 | 0:22:11 | |
was joining the Square to play the exotically-named Mick Carter, | 0:22:11 | 0:22:15 | |
a mystery wrapped in an enigma cocooned within a bloke. | 0:22:15 | 0:22:18 | |
Contrary to popular opinion, Danny Dyer can act. | 0:22:18 | 0:22:21 | |
Although he seemed uncertain at first, | 0:22:21 | 0:22:23 | |
openly asking other cast members how he should perform each scene. | 0:22:23 | 0:22:26 | |
I was thinking, how do I play this? Do I try tears? | 0:22:26 | 0:22:31 | |
I don't know, Danny, what does it say in the script? | 0:22:31 | 0:22:33 | |
How am I going to tell Linda that tomorrow | 0:22:33 | 0:22:35 | |
our little girl is getting married to a man we hate? | 0:22:35 | 0:22:38 | |
Oh, er...you're supposed to do it gruffly, apparently. | 0:22:38 | 0:22:41 | |
But most of the time, there's no dialogue at all, | 0:22:41 | 0:22:43 | |
because the inhabitants of Albert Square chiefly seem to communicate | 0:22:43 | 0:22:46 | |
by staring mutely at each other | 0:22:46 | 0:22:48 | |
in some sort of weird silent theatre of the mind. | 0:22:48 | 0:22:51 | |
SIGHS DEEPLY | 0:22:58 | 0:23:00 | |
Prompt! | 0:23:01 | 0:23:02 | |
To be fair, this is some of the best dialogue | 0:23:13 | 0:23:15 | |
Albert Square has seen in years. | 0:23:15 | 0:23:17 | |
Gambling, and in a chilling online bingo advert, | 0:23:23 | 0:23:26 | |
London is invaded by pop giant Mel B, | 0:23:26 | 0:23:28 | |
clomping through the streets like Godzilla-ziggah. | 0:23:28 | 0:23:31 | |
Terrifying pedestrians with the biggest camel toe in history. | 0:23:31 | 0:23:35 | |
Not that it's that unusual a sight. The city is full of massive twats. | 0:23:35 | 0:23:38 | |
Actually, I don't know why they've shown her playing bingo in the city. | 0:23:38 | 0:23:41 | |
It's not a place anyone associates with huge destructive idiots | 0:23:41 | 0:23:44 | |
mindlessly gambling and crushing the man on the street. | 0:23:44 | 0:23:47 | |
She's massive! | 0:23:47 | 0:23:49 | |
You think I'm massive? Get a load of this jackpot. | 0:23:49 | 0:23:52 | |
Looks like someone's sitting on a full house. | 0:23:52 | 0:23:55 | |
Bingo joke! | 0:23:55 | 0:23:56 | |
There was this brilliant documentary thing called Splash. | 0:23:56 | 0:24:00 | |
Where Daley Thompson off the Olympics taught famous people | 0:24:00 | 0:24:03 | |
how to fall off a shelf. | 0:24:03 | 0:24:04 | |
They all had different techniques, | 0:24:04 | 0:24:06 | |
like, some of them fell in sort of elegantly, | 0:24:06 | 0:24:09 | |
and others sort of like people just begrudgingly doing it for money. | 0:24:09 | 0:24:12 | |
It was sort of fun, but the main problem was that all the celebrities | 0:24:14 | 0:24:18 | |
fell sort of at the same speed. | 0:24:18 | 0:24:19 | |
Like, even the bigger ones went at the same speed. | 0:24:19 | 0:24:22 | |
So it was hard to tell who was winning. | 0:24:22 | 0:24:24 | |
Because all they had to do was fall, even dead people could have done it. | 0:24:24 | 0:24:28 | |
And if they'd had dead people, | 0:24:28 | 0:24:30 | |
they could have got more famous celebrities | 0:24:30 | 0:24:31 | |
than the ones they ended up with. | 0:24:31 | 0:24:33 | |
Like, they could've had Marlon Brando being pushed in the water | 0:24:33 | 0:24:36 | |
instead of any of them. | 0:24:36 | 0:24:38 | |
Although I suppose Marlon Brando would sort of mush apart | 0:24:38 | 0:24:41 | |
and sink like chunks of green mud | 0:24:41 | 0:24:43 | |
if you dropped him from any great height onto water. | 0:24:43 | 0:24:46 | |
Which might not be very, sort of, Saturday night. | 0:24:46 | 0:24:49 | |
The famous people weren't people you'd associate with falling, | 0:24:49 | 0:24:52 | |
so that was surprising. | 0:24:52 | 0:24:53 | |
Like, they had an actor man, and a funny hair boy, | 0:24:53 | 0:24:56 | |
and a sort of sexy wildlife woman. | 0:24:56 | 0:24:58 | |
You weren't sure if they even would fall. | 0:24:58 | 0:25:00 | |
Like, they might have just hovered in the air. | 0:25:00 | 0:25:02 | |
But then when they stepped off, they did actually fall after all. | 0:25:02 | 0:25:05 | |
I read something about falling afterwards, and apparently | 0:25:07 | 0:25:10 | |
everything falls if there isn't something stopping it from falling. | 0:25:10 | 0:25:15 | |
The only things that don't fall are air, clouds, and bees. | 0:25:15 | 0:25:20 | |
And no-one knows why bees don't fall. | 0:25:20 | 0:25:23 | |
Then, because ITV tested how famous people fall in water, | 0:25:23 | 0:25:26 | |
Channel 4 tested how they fall onto ice, | 0:25:26 | 0:25:28 | |
with this entertaining The Jump thing. | 0:25:28 | 0:25:31 | |
Which was amazing. | 0:25:31 | 0:25:32 | |
It was even more scientific than Splash cos it was in Switzerland, | 0:25:32 | 0:25:35 | |
so they put them in the Large Hadron Collider. | 0:25:35 | 0:25:37 | |
Where they sort of flew around on their tummies | 0:25:37 | 0:25:41 | |
like atoms or whatever it is. | 0:25:41 | 0:25:42 | |
What was amazing was they put cameras on the celebrities. | 0:25:42 | 0:25:46 | |
So you could see what sort of faces famous people pull | 0:25:46 | 0:25:48 | |
when they're worried about breaking a bone or paralysing themselves. | 0:25:48 | 0:25:51 | |
And it turns out, it's the same sort of face you pull on the toilet | 0:25:51 | 0:25:54 | |
when there's something you can't quite push out | 0:25:54 | 0:25:57 | |
unless you take a bit of a mental run-up at it. | 0:25:57 | 0:25:59 | |
At the end of each episode, some of them had to do a jump, | 0:25:59 | 0:26:02 | |
which looked sort of shit. | 0:26:02 | 0:26:04 | |
So everyone moaned about how unspectacular it was. | 0:26:04 | 0:26:08 | |
But then they all started sort of hurting themselves. | 0:26:08 | 0:26:11 | |
It was quite interesting, really, to see | 0:26:11 | 0:26:13 | |
how injured someone can get and it still be entertaining. | 0:26:13 | 0:26:17 | |
Like, there were broken ribs and things. | 0:26:17 | 0:26:19 | |
I reckon if someone's leg had broken backwards at the knee, | 0:26:19 | 0:26:23 | |
and all blood came out | 0:26:23 | 0:26:24 | |
and they'd been screaming and vomiting into the snow, | 0:26:24 | 0:26:27 | |
it might not have been as much fun. | 0:26:27 | 0:26:30 | |
But maybe that'll happen in the second series, so I can be sure. | 0:26:30 | 0:26:34 | |
As you may have noticed, | 0:26:34 | 0:26:36 | |
Britain endured some pretty extreme weather earlier this year. | 0:26:36 | 0:26:39 | |
So did America, but in typical fashion, | 0:26:39 | 0:26:42 | |
theirs was extreme-ier than ours. And beautiful. | 0:26:42 | 0:26:45 | |
Picturesque US news footage made America look more like | 0:26:45 | 0:26:48 | |
the United States of Narnia, | 0:26:48 | 0:26:49 | |
thanks to something called the polar vortex. | 0:26:49 | 0:26:52 | |
Which sent temperatures plunging so low, | 0:26:52 | 0:26:53 | |
the best way to warm up was to stay indoors and climb inside the fridge. | 0:26:53 | 0:26:57 | |
Lots of people in reports had to virtually mummify themselves | 0:26:57 | 0:26:59 | |
to avoid freezing to death. | 0:26:59 | 0:27:01 | |
To the point where some reports resembled | 0:27:01 | 0:27:03 | |
bulletins from the Anarchist News Network. | 0:27:03 | 0:27:05 | |
Well, it's just before dawn here in Minneapolis | 0:27:05 | 0:27:08 | |
and it's about as cold as it's going to get. | 0:27:08 | 0:27:10 | |
Having delighted viewers with his cheap Batman impersonation, | 0:27:10 | 0:27:13 | |
he then performed a sort of David Blaine magic trick | 0:27:13 | 0:27:15 | |
using a cup of boiling water. | 0:27:15 | 0:27:17 | |
It freezes before it even reaches the pavement. | 0:27:17 | 0:27:19 | |
Yes, someone had discovered that if you throw a cup of boiling water | 0:27:19 | 0:27:23 | |
in the air in super sub-zero conditions, | 0:27:23 | 0:27:24 | |
you can make instant snow, and the news didn't tire | 0:27:24 | 0:27:27 | |
of demonstrating this, occasionally offering a step-by-step guide. | 0:27:27 | 0:27:30 | |
Put it in the microwave for about two or three minutes, | 0:27:30 | 0:27:33 | |
make sure it gets really hot. | 0:27:33 | 0:27:35 | |
And encouraging viewers to try it at home. | 0:27:35 | 0:27:38 | |
A pretty fun experiment, you can do that at home with the kids. | 0:27:38 | 0:27:41 | |
Yeah, it is a fun experiment, isn't it? At least it makes me laugh. | 0:27:41 | 0:27:44 | |
Oh, my God, it's burning me! | 0:27:47 | 0:27:49 | |
LAUGHS HEARTILY | 0:27:49 | 0:27:50 | |
HE SCREAMS | 0:27:51 | 0:27:53 | |
Yes, it turns out the downside of repeatedly showing | 0:27:53 | 0:27:56 | |
millions of people a trick in which you throw boiling water around | 0:27:56 | 0:27:58 | |
is that people might actually try and do it, | 0:27:58 | 0:28:01 | |
turning scenes from what should have been a winter wonderland | 0:28:01 | 0:28:03 | |
into something more like When Idiots Happen. | 0:28:03 | 0:28:06 | |
Ow, ow, ow, ow, ow, ow! | 0:28:06 | 0:28:08 | |
At the end of the Weekly Wipes programme, | 0:28:08 | 0:28:10 | |
the sort of angry for money man | 0:28:10 | 0:28:12 | |
would say goodbye in this really, like, dismissive way. | 0:28:12 | 0:28:15 | |
Hmm. Well, that's all we've got time for. | 0:28:15 | 0:28:18 | |
Until next time, whenever that is, go away. | 0:28:18 | 0:28:20 | |
And you're like, no. You go away, mate. | 0:28:20 | 0:28:23 |