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This programme could contain strong Hello. Welcome to BBC Three's | :00:32. | :00:37. | |
first-ever live comedy show. We are coming to you from the Edinburgh | :00:37. | :00:41. | |
Fringe. Over the next 90 minutes we will be serving up the most | :00:41. | :00:46. | |
exciting comedy talent - thanks - who have wowed the audiences at | :00:46. | :00:50. | |
this year's festival. Because you are at home doesn't mean you can't | :00:50. | :00:55. | |
get involved. We are totally interactive. This is why I love | :00:55. | :01:03. | |
Edinburgh! You can send your tweets to us by using #BBC3EDFRINGE. | :01:03. | :01:08. | |
There's loads more to come. Or you can go online for a live chat - hi! | :01:08. | :01:14. | |
With some stars of tonight's show and loads of exclusive extras. | :01:14. | :01:19. | |
APPLAUSE You can send us a heckle! Heckle us! We are live, we are BBC | :01:19. | :01:23. | |
Three, we are Friday night, the venue is packed to the rafters with | :01:23. | :01:29. | |
an audience who have the best ticket in town right here. Say | :01:29. | :01:32. | |
hello Edinburgh! AUDIENCE: Hello Edinburgh! You are | :01:32. | :01:37. | |
live on BBC Three. This is going to be fun. Between now and midnight we | :01:37. | :01:41. | |
have an amazing line-up of very, very funny people including Russell | :01:41. | :01:51. | |
:01:51. | :01:51. | ||
Kane, Roisin Conaty, Charlie Baker and Joe Wilkinson. Let's get going, | :01:51. | :01:56. | |
shall we? CHEERING Here is our first MC of the evening, he is a | :01:56. | :02:04. | |
total geezer who has kicked off a massive nationwide tour. He is | :02:04. | :02:14. | |
:02:14. | :02:16. | ||
ready to go. He is well good. He is Lee Nelson! APPLAUSE Hello, hello, | :02:16. | :02:23. | |
hello. Spread the love! Good evening, Edinburgh Festival. | :02:23. | :02:32. | |
Welcome to Three at the Fringe. I is your host, Lee Nelson! APPLAUSE | :02:32. | :02:41. | |
Yeah, people, I am in the mood of my life! I'm in ScottyLand! I love | :02:41. | :02:50. | |
it here, man. It is a magical mystical place. The Scotties reckon | :02:50. | :02:55. | |
they have this 10,000-year-old dinosaur stake thing that lives | :02:55. | :03:02. | |
under a lake, the Loch Ness monster. But they have a serious drinking | :03:02. | :03:10. | |
problem so don't believe shit! I've had such a fun couple of days. I | :03:10. | :03:16. | |
had my little boy's birthday party! We are the children's entertainer. | :03:16. | :03:22. | |
The kids absolutely loved him. I dunno what he done, he wouldn't let | :03:22. | :03:29. | |
grown ups in the room. LAUGHTER man, I love my little boy so much. | :03:29. | :03:35. | |
I read to him every night. It's the only way I'm going to learn. | :03:35. | :03:41. | |
LAUGHTER As a little birthday treat, I says to him, I'll read you any | :03:41. | :03:47. | |
book you like, any book in the whole wide world and does you know | :03:47. | :03:53. | |
what he said to me? Harry Potter. Harry Potter. What book do you want | :03:53. | :04:03. | |
:04:03. | :04:04. | ||
me to read in the whole world? Harry Potter. LAUGHTER It's a | :04:05. | :04:13. | |
bloody film! LAUGHTER What an idiot. Oh my gosh. You all right over | :04:13. | :04:21. | |
here? Yeah. Nice, baby. You got kids? No. Would you like some? | :04:21. | :04:27. | |
LAUGHTER That is how you bang girls in Scotty Land. Not wearing | :04:27. | :04:36. | |
ridiculous hats like that, my man. I bought him two dogs, yeah, Benson | :04:36. | :04:43. | |
and Hedges. Then pets - give us a cheer people with pets. CHEERING | :04:43. | :04:47. | |
reckon I can guess what pet people have just by looking at them and | :04:47. | :04:54. | |
that. I can. Let's have a look around here. Let's go for - we will | :04:54. | :05:03. | |
go for you. I think you would have a rabbit. Yeah? With batteries in | :05:03. | :05:11. | |
it! LAUGHTER You look absolutely filthy, sweetheart. Oh my gosh, you, | :05:11. | :05:16. | |
sweetie-pie, I haven't forgotten about you, you would have a Bird of | :05:16. | :05:26. | |
:05:26. | :05:26. | ||
Paradise. Or a thrush! I is determined, yeah, to be a better | :05:26. | :05:34. | |
old man to my little boy, than my old man ever was to me. I still | :05:34. | :05:39. | |
remember my mum and dad arguing over me in court. My mum was like, | :05:39. | :05:44. | |
"They were arguing over me in court" but my mum was like, "You | :05:44. | :05:49. | |
can see him once every two week." My old man was, like, "Screw that, | :05:49. | :05:54. | |
I am not seeing him that often!" I'm well happy with the step-dad I | :05:54. | :05:58. | |
have got at the moment, he is a nice fella. He says to me, "I want | :05:58. | :06:03. | |
you to start treating me like I'm your real dad." I was like, yeah, | :06:03. | :06:13. | |
:06:13. | :06:13. | ||
all right, then, where have you been for the last ten year? He | :06:13. | :06:19. | |
calls me son. I'm like particularly into that from my step-dad, he says, | :06:19. | :06:25. | |
"Lee, son, come and help your mother." I says, "I lovesout, | :06:25. | :06:33. | |
whatever, but you have to drop the son." He was all right about it. He | :06:33. | :06:43. | |
says "Sorry for offending here." LAUGHTER He is a Japanese legend, | :06:43. | :06:49. | |
man. All the boys rip out of me because he is Japanese, oh yeah, | :06:49. | :06:55. | |
your step-dad is Japanese, he must be into whaling. I don't know what | :06:55. | :07:00. | |
whaling is, man. I think it is like dogging but with fat birds. | :07:00. | :07:06. | |
LAUGHTER Oh, people, man, we has got a quality line-up for all of | :07:06. | :07:11. | |
yous tonight. Is you, you, you up for the first act of the evening? | :07:11. | :07:16. | |
AUDIENCE: Yes! The more love you give them the more love you get | :07:16. | :07:26. | |
:07:26. | :07:46. | ||
back so go mental for Joe Wilkinson. APPLAUSE CONTINUES | :07:46. | :07:50. | |
I've only got three minutes, what am I doing? Hello. Nice to be here. | :07:50. | :07:56. | |
Look at these. These are new. How are you? You well? Right, I'm Joe. | :07:56. | :08:01. | |
I am going to tell you some things I have done recently and then I'm | :08:01. | :08:08. | |
going to leave. LAUGHTER Cool. First thing, I haven't got any | :08:08. | :08:12. | |
structure so there's going to be a bit, I will tell you a bit, it will | :08:12. | :08:18. | |
end, it will peter off. My bits don't have ends. So if you are | :08:18. | :08:26. | |
wondering where something is going, it's not. So first bit. You ready? | :08:26. | :08:33. | |
Wooh! First, weirdly, my girlfriend told me this thing that apparently | :08:33. | :08:38. | |
I swear in my sleep. Yeah. I don't swear that much in the day, but at | :08:38. | :08:48. | |
:08:48. | :08:48. | ||
night I really let rip. She did an impression, she went, "You do this, | :08:48. | :08:56. | |
"Piss, shit, oh lock." Morning, I was worried about it. I thought I | :08:56. | :09:02. | |
will ask my mum. Talk to her about it. I said I'm a bit worried, mum. | :09:02. | :09:12. | |
:09:12. | :09:14. | ||
Apparently, I swear in my sleep. "Lucky you don't sleep with kids." | :09:14. | :09:24. | |
:09:24. | :09:26. | ||
Yeah. Don't want to pick up any bad habits. Like, I've got Wi-Fi in my | :09:26. | :09:34. | |
flat. I got quite a small flat so it goes everywhere. LAUGHTER And I | :09:34. | :09:39. | |
did - I thought I was being modern and I did a bit of online shopping | :09:39. | :09:46. | |
on the toilet, right? Oh yes. So I told my mum. "I did a bit of online | :09:46. | :09:52. | |
shopping on the toilet." She went, "Oh did you? Have you got a | :09:52. | :10:00. | |
laptop?" "Yes!" I didn't take a whole home computer into the toilet | :10:00. | :10:06. | |
with a hard drive and monitor on my lap! I want to buy something, but I | :10:06. | :10:14. | |
can't feel me legs. Oh dear. I tell you one last thing. I have heard | :10:14. | :10:18. | |
these two boys talking, these schoolboys, near where I live. One | :10:18. | :10:22. | |
of them was taking the piss out of his mate because his mate had done | :10:22. | :10:27. | |
that thing in school, that awful thing, where in the day had called | :10:27. | :10:35. | |
the teacher "dad" accidentally. I was like, "You poor bastard." That | :10:36. | :10:39. | |
is one of the worst things you could do. I remember doing it. I | :10:39. | :10:43. | |
felt sorry for him. I was this school, history lesson, I stuck my | :10:44. | :10:50. | |
hand up. I meant to say Mr Carr and I said "dad". Everyone started | :10:50. | :10:54. | |
laughing. What I remember most - just after I called the teacher dad | :10:54. | :11:04. | |
:11:04. | :11:06. | ||
the kid next to me lent in and went, "You want to bum him." LAUGHTER I | :11:06. | :11:11. | |
don't know what goes on in your house my friend. Here is the number | :11:11. | :11:21. | |
:11:21. | :11:26. | ||
for ChildLine. APPLAUSE Wilkinson! APPLAUSE Oh yes. Funny. | :11:26. | :11:30. | |
You knows, people, sometimes like people get the wrong idea about me. | :11:30. | :11:37. | |
I'm like a nice man, you know, I'm a family man. I'm still proper, | :11:37. | :11:41. | |
genuine absolutely gutted that me and my brother fell out and, yeah, | :11:41. | :11:45. | |
we don't see each other no more and that and we used to get on. But | :11:45. | :11:51. | |
then he started hanging out with the wrong sort of people and mixing | :11:51. | :11:58. | |
with the wrong crowd and his life just went down the wrong path, | :11:58. | :12:02. | |
innit. We tried to stop him but it was too late and it's really sad | :12:02. | :12:11. | |
what happened to him. Because my brother ended up going to | :12:11. | :12:19. | |
university. LAUGHTER Is you up for your next act of the night? | :12:19. | :12:29. | |
:12:29. | :12:33. | ||
AUDIENCE: Yes! Time for the World Champion at Swingball. I see you | :12:33. | :12:38. | |
later. I see you later, guys. No problem. I catch up with you later. | :12:38. | :12:48. | |
:12:48. | :12:51. | ||
Real good. I see you soon. There's nobody there. Say it with me | :12:51. | :12:56. | |
everybody swing-a-ball, the sport of champions. Invented by my father | :12:56. | :13:05. | |
when he hung himself. Swingball is a sport as timeless as shit. I'm | :13:05. | :13:09. | |
international swingball star. You guys want to learn how to play the | :13:09. | :13:13. | |
marvellous sport? Simple. You follow my three rules. Of which | :13:13. | :13:17. | |
there are four stkphr. One, the racquet. The tool of the trade. You | :13:17. | :13:21. | |
need to take him wherever you go. You need to eat with him, sleep | :13:21. | :13:27. | |
with him, drink with him and sleep with him. This one, he never leave | :13:27. | :13:33. | |
my side. You take. Take as hard as you can. You see, you can't! It's | :13:33. | :13:38. | |
because I had it grafted to the palm of my hand. That way I'm | :13:38. | :13:42. | |
always ready to return serve. But I know what you are thinking, sat | :13:42. | :13:49. | |
there with your sly and sexy smile, you are thinking Pedro, are you not | :13:49. | :13:58. | |
a right handed guy? LAUGHTER You would be right. This is a mistake. | :13:58. | :14:02. | |
A horrible mistake. I did the stitching myself whilst sat at home | :14:02. | :14:08. | |
looking in the mirror and who knows, but great talking to you. See you | :14:08. | :14:12. | |
in ten lines time. Next we need the uniform of the champion, the shirt, | :14:12. | :14:17. | |
the shorts and the trainer shoes. For this I recommend the lifting of | :14:17. | :14:24. | |
the shop. Finally, you need a sweaty band, this one is woven | :14:24. | :14:29. | |
together from many of the hamstrings I have torn throughout | :14:29. | :14:33. | |
my career, both my own and the money I have taken from the | :14:33. | :14:37. | |
children who I teach. Now we are ready to play. Give him a round of | :14:37. | :14:42. | |
applause, get on up here! APPLAUSE Let's play some swingball, my | :14:42. | :14:52. | |
:14:52. | :14:56. | ||
Give yourself a twirl. You're popular in the room. Don't worry, I | :14:56. | :15:03. | |
will take care of that. Say it with me, swing a ball. Swing ball. | :15:03. | :15:10. | |
say it from the ball, let it travel up and out your mouth like two | :15:10. | :15:16. | |
furry testicles. Swing ball. Swing ball. Do it with the movement. | :15:16. | :15:25. | |
Swing. Wait for the other one to catch up and then a ball. Go. | :15:25. | :15:32. | |
Wait for the other one to catch up. And go. And a ball. Not bad. That | :15:32. | :15:37. | |
is cool. Now we're going to show you thousand play swing ball. First | :15:37. | :15:42. | |
you have to warm up. In the backstage area, I placed a bottle | :15:42. | :15:47. | |
of the finest wine, as a gift from me to you for helping me with this | :15:47. | :15:55. | |
demonstration. Round of applause for me. Your job is to run | :15:55. | :15:59. | |
backstage and grab that wine and come back here as quick as you can, | :15:59. | :16:04. | |
before we all count to 20. Wait for me to send you off. You think you | :16:04. | :16:12. | |
can do this? I will try. No. Yeah. Swing ball, do it. You have to say | :16:12. | :16:21. | |
it too. Swing a ball. Swing a ball. Good. So here we go. Everybody | :16:21. | :16:30. | |
count with me, one, two, three four, five, six, seven... Eight there no | :16:30. | :16:37. | |
wine. That was just to get him out of the way, so I could hit on his | :16:37. | :16:45. | |
Sweetheart here. Give me that music. Swing a ball. Look at you. You got | :16:45. | :16:52. | |
a twirl. You got a swing a boob for me. Swing a boob, swing a ball. I | :16:52. | :17:02. | |
:17:02. | :17:02. | ||
love this. Keep doing it. Have you ever been... Oh senor. Your acting | :17:02. | :17:12. | |
:17:12. | :17:15. | ||
is overshadowing mine. Sit down you crazy people. She just winked at me. | :17:15. | :17:20. | |
You think you're done for the night. No my friend, we're going to play | :17:20. | :17:26. | |
the game. We're going play extreme swing ball. Doubles edition. You | :17:26. | :17:32. | |
take the racquet and you take a pole. Now, how we play extreme | :17:32. | :17:39. | |
swing ball is... We swing the ball around our head and, let me exflain | :17:39. | :17:49. | |
:17:49. | :17:51. | ||
rule. We come at each other like gladiators in Rome. We get to | :17:51. | :17:56. | |
within striking distance, you plunge the ball deep into the | :17:56. | :17:59. | |
forehead of your competitor and hammer it in with the racquet like | :17:59. | :18:06. | |
that. And we play best of three. I'm just kidding. Senor, jump up on | :18:06. | :18:10. | |
the stage. You hold the ball for me. We're going to swing the ball | :18:10. | :18:20. | |
:18:20. | :18:24. | ||
around here, two hands. No, I swing the ball. It is like Roger Moore in | :18:24. | :18:29. | |
Moon Raker. If you get behind me. Hold the ball, the same as him and | :18:29. | :18:35. | |
let the ball do the work. That is good. We play back-to-back, OK and | :18:35. | :18:41. | |
how we do it. It we hit the ball and then we switch and then we hit | :18:41. | :18:47. | |
the ball and then we switch. The winner is the one who arrives in | :18:47. | :18:52. | |
accident and emergency second! But that is not all. Because the icing | :18:52. | :18:57. | |
on the extreme swing ball cake is we play it in total darkness. So | :18:57. | :19:05. | |
let's go. Hit the ball. Hit the ball. Hit the ball. Hit the ball. | :19:05. | :19:15. | |
:19:15. | :19:17. | ||
Hit the ball... Senor I have embarrassed you in front of your | :19:17. | :19:23. | |
friend. But the thing is these guys are still swinging the balls. | :19:23. | :19:33. | |
:19:33. | :19:41. | ||
Please take a seat. Thank you. senor Pedro. Legend. Yeah, you know | :19:41. | :19:50. | |
I do try and be good, but sometimes I am like a little bit naughty. I | :19:50. | :19:54. | |
popped in a disabled baby the other night. It was the wrong thing to do, | :19:54. | :20:03. | |
but it was 10.30 at night. I thought they went to bed early. -- | :20:03. | :20:08. | |
I parked in a disabled bay. The warden said I'm going to give you a | :20:08. | :20:17. | |
ticket. You haven't got a disability. I said yes, I have got | :20:17. | :20:27. | |
:20:27. | :20:27. | ||
Tourettes - you locking banker! Yes! Oh yeah. I got toed away. -- | :20:27. | :20:33. | |
towed away. Is you up for your next act? No excuses, pop your nut and | :20:33. | :20:43. | |
:20:43. | :20:43. | ||
get laughing for Tom Rosenthal. Hello, cheers mate. Hello everyone. | :20:43. | :20:50. | |
Are you well? Thank you so much. It is kind of you. This is my trophy. | :20:50. | :21:00. | |
:21:00. | :21:03. | ||
I won this for being the funniest student. I brought this along for | :21:03. | :21:10. | |
confidence really. I'm going to leave it there. And what you guys | :21:10. | :21:15. | |
can do, is not enjoying what is going on, just look at the trophy | :21:15. | :21:20. | |
and realise that you're probably wrong. Good that is the system. It | :21:20. | :21:27. | |
is lovely being in Scotland. Economy opinions on Andy Murray? -- | :21:27. | :21:34. | |
any opinions on Andy Murray. Quite keen. Well he doesn't impress me. | :21:34. | :21:40. | |
There is something unlookable about you. He is the only man whose | :21:40. | :21:45. | |
success is both mundane and arrogant. When he wins, he throws | :21:45. | :21:52. | |
his sweat bands into the crowd. No, no one wants your sweaty wrist wear, | :21:52. | :21:59. | |
you prick. He wins a point and goes like this and goes Andy Murray. | :21:59. | :22:07. | |
That is like me doing a good joke and going yes, I'm so locking funny. | :22:07. | :22:16. | |
When his opponents make an error, he still goes yes! Who brought him | :22:16. | :22:23. | |
up? The Rock? If another comedian's set is going badly and going, yes | :22:23. | :22:28. | |
I'm better than you by default. When he signs autographs, Rafael | :22:28. | :22:33. | |
Nadal is like pleasure to meet you. Andy Murray walks past people with | :22:33. | :22:39. | |
a pen. Just drawing on their faces. I'm Andy Murray, I have got places | :22:39. | :22:44. | |
to be, people to bore. You might think he is a nice guy. About this | :22:44. | :22:49. | |
time last year, his girlfriend left him. I thought did he claet on her? | :22:49. | :22:54. | |
No the reason she left is because she played Playstation 3 for seven | :22:54. | :23:04. | |
:23:04. | :23:05. | ||
hours a day. Playing virtual tennis as a virtual version... Of himself. | :23:05. | :23:11. | |
You can imagine in the Andy Murray wing of Andy Murray mansion, Andy | :23:11. | :23:19. | |
Murray versus Andy Murray on the PS three, massive wide-screen, | :23:19. | :23:22. | |
surrounded by mirrors, the Andy Murray song, singing Andy Murray, | :23:22. | :23:28. | |
the girlfriend says, what, mouthful of Murray mints. Can we have six r | :23:28. | :23:33. | |
sex now? No, Andy Murray's playing. And put your Andy Murray mask back | :23:33. | :23:43. | |
:23:43. | :23:49. | ||
on. That is all I have got time for. Thank you. The legend, yes, Tom | :23:49. | :23:56. | |
Rosenthal. That people is all we have got time for. Oh no! Yeah I | :23:56. | :24:02. | |
got a go and I got a very long night ahead of me.... With her. | :24:02. | :24:07. | |
Listen I have been Lee Nelson, catch my second series next week on | :24:07. | :24:17. | |
:24:17. | :24:17. | ||
BBC Three. Laters Edinburgh! Fantastic, thank you Lee Nelson. | :24:17. | :24:23. | |
BBC Three is coming to you live and fully interactive from the | :24:23. | :24:33. | |
Edinburgh Festival. I lope you enjoyed Adam rifpls. We have an | :24:33. | :24:40. | |
extended set from him later. They are all on the web-site. -- Adams | :24:40. | :24:45. | |
Riches. Look who is joining me now. It is only bloody Charlie Baker. | :24:45. | :24:50. | |
How is your Edinburgh? I like it. You never know if they're doing a | :24:50. | :24:55. | |
show or if they're just drunk. have already been heckled. Just as | :24:55. | :25:01. | |
I opened the show. They're like your jacket is too small. But you | :25:01. | :25:10. | |
look nice. You're here and you have a hash tag set up for us. Hash tag | :25:10. | :25:16. | |
celeb spot. What we want is a famous face in a mundane place. | :25:16. | :25:22. | |
Like I saw John Nettles in a pound shop buying batteries. I saw him. | :25:22. | :25:27. | |
Have you seen anyone famous doing anything bore something It is not | :25:27. | :25:35. | |
that boring, David hossle Hoffe came to my -- Hasselhoff came to my | :25:36. | :25:45. | |
:25:46. | :25:48. | ||
mum's house and he piste in my mum's -- piste in my mum's garden. | :25:48. | :25:57. | |
If you have met a celebrity in a dull situation, hash tag celeb spot. | :25:58. | :26:06. | |
It could turned into instant comedy. Well I will read them out. If you | :26:06. | :26:11. | |
have met a famous face in a mundane place let us know. The festival is | :26:11. | :26:15. | |
awash with celebrities. They get every where in Edinburgh, including | :26:15. | :26:20. | |
the toilets. I'm not the type who hang around in the men's to its, | :26:20. | :26:29. | |
but I know a bloke who does. Earlier Mr Joey Essex, he bumped | :26:29. | :26:39. | |
:26:39. | :26:39. | ||
into our glamorous toilet attendant, Mr Tony Izzet. Are you if fellow | :26:39. | :26:46. | |
off that show? Yeah the only way is Essex. I'm not sure whether it is a | :26:46. | :26:52. | |
drama or a dookmentry. - documentary. It is like what you | :26:52. | :26:56. | |
call it a reality TV show. But it is confusing, you're not sure what | :26:56. | :27:02. | |
is real and what isn't. Most of it is real. But it is like, sometimes | :27:02. | :27:09. | |
the scenes are set up to do it. It is weird. Your definitely like, you | :27:09. | :27:15. | |
are no one's playing you now. I'm myself. And the kark Der you | :27:15. | :27:25. | |
play is... Joe Izzet. I can't understand, are we in the drama | :27:25. | :27:35. | |
:27:35. | :27:35. | ||
now? Hmm, the drama is act innit? We're not acting? No I don't think | :27:35. | :27:45. | |
:27:45. | :27:46. | ||
we're. Don't think so. That is Tony Izzet. We have leds of his toileted | :27:46. | :27:51. | |
a -- loads o' of his toilet adventures on the web-site. Now | :27:51. | :27:57. | |
over to the Baby Bubble for live musical comedy. His show has been | :27:57. | :28:03. | |
doing well and you are about to find out why. Performing a song 15 | :28:03. | :28:12. | |
can have reasons, put some money in the swear box and give it foup up - | :28:12. | :28:22. | |
:28:22. | :28:26. | ||
# I got five good reasons to make you stay # I got five good reasons | :28:26. | :28:30. | |
to make you stay I got five good reasons to make you stay # I got | :28:30. | :28:39. | |
five good reasons to make you stay # No 1 I got a real nice house # I | :28:39. | :28:44. | |
share it with my parents, but they're quiet as a mouse and I real | :28:44. | :28:51. | |
tiez plural for mouse is mice, so if you're pick chug a mouse, you | :28:51. | :28:58. | |
had better picture it twice. Two, I'm reliable I will never leave | :28:58. | :29:04. | |
your side, I will always remember important dates and # I'm hardly | :29:04. | :29:12. | |
ever late # Three, I'm handy with a tool # I'm good at clearing, I | :29:12. | :29:18. | |
ain't no fool I will do the shopping # I will even clop the | :29:18. | :29:24. | |
wood if the wood needs chopping. No 4 I don't like football I don't get | :29:24. | :29:29. | |
it at all. # All the teams and the players look just the same # If I | :29:29. | :29:36. | |
had to sum it up I'd say it's just a game # I'm good at cooking # I | :29:36. | :29:41. | |
got five more reasons to make you stay # I got five more reasons to | :29:41. | :29:48. | |
make you stay # I got five more reasons to make you stay I got five | :29:48. | :29:56. | |
# Six # I like walking on the beach | :29:56. | :30:00. | |
# Sunsets and fireworks # The stuff you can't teach | :30:00. | :30:03. | |
# Dogs and monkeys # Hamsters and parrots | :30:03. | :30:10. | |
# I'll serve it up with carrots # Seven, heaven, heaven | :30:10. | :30:17. | |
# Heaven, heaven, heaven # Heaven, heaven, heaven, heaven | :30:17. | :30:22. | |
# Heaven, heaven, heaven # Me and you in Devon | :30:22. | :30:28. | |
# Eight, Devon, Devon # Devon, Devon, Devon | :30:28. | :30:32. | |
# Devon, Devon, Devon, Devon # Devon, Devon, Devon | :30:32. | :30:37. | |
# Me and you in Devon # Number nine | :30:37. | :30:41. | |
# I'm really sensitive # I realise I might be a bit too | :30:41. | :30:45. | |
sensitive # But if I can try and be a bit | :30:45. | :30:51. | |
less sensitive # I'll be just there | :30:51. | :30:56. | |
# Ten # I'm good at fucking | :30:56. | :31:01. | |
# I got five less reasons to make you stay | :31:01. | :31:04. | |
# I got five less reasons to make you stay | :31:04. | :31:08. | |
# I've got five less reasonsss # To make you stay | :31:08. | :31:13. | |
# 11, OK I'm not so good at fucking # But I'm willing to improve | :31:13. | :31:17. | |
# That is surely worth something # I'll buy a book about it | :31:17. | :31:20. | |
# I'll practice on my breathing # I'll do anything you want me to | :31:20. | :31:27. | |
# If I don't stop you leaving # 12, I'll buy you so much stuff | :31:27. | :31:32. | |
until it's enough # I know you are not a very | :31:32. | :31:34. | |
materialistic girl # But the stuff that I buy you | :31:34. | :31:37. | |
# Will be the best stuff in the world | :31:37. | :31:43. | |
# Number 14, what happened to 13? # 13 is unlucky so I skipped that | :31:43. | :31:46. | |
# And I changed the rhyme structure in the end | :31:46. | :31:53. | |
# But you got to understand that it's a real long song | :31:53. | :31:57. | |
# 15, I bought a gun # I got 15 reasons to make you stay | :31:57. | :32:07. | |
:32:07. | :32:25. | ||
# I got 15 reasons to make you stay. Thank you very much. That was Nick | :32:25. | :32:28. | |
Helm live on BBC Three. Time to go back to the Bubble and have some | :32:28. | :32:35. | |
more live comedy. Our next MC was the winner of last year's Edinburgh | :32:35. | :32:45. | |
:32:45. | :32:52. | ||
Comedy Award. It's the one and only Hello. How you doing? We are live | :32:52. | :32:59. | |
on BBC Three. I can say spunk and they can't stop me! Spunk, spunk! | :32:59. | :33:04. | |
Nothing they can do. We have three amazing acts in this section. Are | :33:04. | :33:09. | |
you excited? Some of you are struggling to recognise me. I'm not | :33:09. | :33:12. | |
Nick Grimshaw! This is me, I'm in the middle of a breakdown which is | :33:12. | :33:17. | |
why I look the aborted trip let of Jedward. Get rid of it mother, it | :33:17. | :33:23. | |
is not one of ours! LAUGHTER This is my weird career. The last time I | :33:23. | :33:31. | |
was live on the BBC Television, I was dressed as Beyonce dancing and | :33:31. | :33:39. | |
at the time I was single, very confusing for a man to be split up | :33:39. | :33:46. | |
and dressed as a woman. I will become my own woman. Imagine what | :33:46. | :33:51. | |
my ex must have thought? He's coping really badly! I thought | :33:51. | :33:55. | |
afterwards it is not going to interfere, but a lot of straight | :33:55. | :34:01. | |
women - I am straight by the way! This is straight sexuality in | :34:01. | :34:11. | |
:34:11. | :34:16. | ||
London. I can't explain it I like Lisa Minelli and vag! I got some | :34:16. | :34:20. | |
weird e-mails from girls. I don't understand what I felt when I saw | :34:20. | :34:25. | |
you dressed as a woman. I don't want to analyse it. Please meet me | :34:25. | :34:35. | |
for a sloppy Gieuseppi. I was only dating girls with low self-esteem. | :34:35. | :34:38. | |
I have no confidence since my boyfriend left me. Get in the van, | :34:38. | :34:42. | |
you'll do. The hunt was on for a girl. I do like talking about my | :34:42. | :34:47. | |
job, but not too much. So you don't want to go out for a pizza and | :34:47. | :34:51. | |
speak about yourself. I went out for this one girl, she was perfect, | :34:51. | :34:57. | |
not overly confident. More like Natalie Portman when she was having | :34:57. | :35:02. | |
a bad moment in Black Swan. Get in the van! We got on. We spoke about | :35:02. | :35:06. | |
comedy a bit. She wasn't too impressed. I started to feel not | :35:06. | :35:11. | |
only in the pants but in the heart as well, I get the ET lump. It was | :35:11. | :35:16. | |
time to invite her back to mine. I'm always staying at hotels. It is | :35:16. | :35:20. | |
a creepy place to invite a girl back to. Come back to the hotel and | :35:21. | :35:25. | |
clean up with the tiny soaps. Want a small whisky?! It didn't matter | :35:25. | :35:29. | |
because it was comfortable and fun and we had so much in common and I | :35:29. | :35:33. | |
knew we were going to do it for the first time. Because it took me so | :35:33. | :35:37. | |
long to lose my virginity I have not lost the excitement of doing it | :35:37. | :35:41. | |
for the first time. I can't believe I'm going to do it. I still have to | :35:41. | :35:46. | |
go for a victory dance in the bathroom. Going to stick my willy - | :35:47. | :35:54. | |
don't come in - willy going in! LAUGHTER And so we are kissing, | :35:54. | :35:59. | |
this girl is bang up my street. She got the Japanese cartoon haircut, | :35:59. | :36:03. | |
stick-thin, rocking back-and-forth, I don't know what I like, I have no | :36:03. | :36:06. | |
confidence. I'm exaggerating! LAUGHTER We are in the hotel room, | :36:06. | :36:11. | |
we are snogging. Mwah, the type where we are going to do it. We are | :36:11. | :36:14. | |
both in our underwear. I can't remember what underwear she had on. | :36:14. | :36:19. | |
I was in my H&M multi-pack like these ones! The ones that look | :36:19. | :36:23. | |
humiliating for a man - there is nothing good about being a man and | :36:23. | :36:33. | |
:36:33. | :36:33. | ||
being naked. It is nice of you girls to pretend! Now we can | :36:33. | :36:40. | |
consume male flesh! You don't mean a fully naked man. You mean - there | :36:40. | :36:45. | |
is something - I know girls are thinking nonsense, it is worse to | :36:45. | :36:50. | |
have the body of a woman. How dare you generalise. Think of the | :36:51. | :36:54. | |
changes our bodies go through, through pregnancy, it is so hard to | :36:54. | :36:58. | |
have the body of a woman. Girls, in this highly educated festival | :36:58. | :37:02. | |
audience, how many of you have ever stopped to think what it is like to | :37:02. | :37:08. | |
have a humiliating rod of flesh jut out from your body the moment you | :37:08. | :37:14. | |
find anyone vaguely attractive? Do you like me or not? That will be | :37:14. | :37:21. | |
telling! Oh my God, why am I being so random?! LAUGHTER That was the - | :37:21. | :37:27. | |
so true and personal, I'm getting the weird lips. So it is snogging. | :37:27. | :37:32. | |
You know when it is going to happen. We are connected on every level. | :37:32. | :37:36. | |
Mwah, all of a sudden the stop, that feeling where the hand goes on | :37:36. | :37:41. | |
the chest. Please wait, no. What? What is it? Have you got a | :37:41. | :37:47. | |
boyfriend? Has the spell worn off? It is like a spell wearing off in | :37:47. | :37:53. | |
Harry Potter! It can happen when you stop being funny. I wish I was | :37:53. | :37:57. | |
a good enough writer, people of Britain, live on BBC Three, to | :37:57. | :38:05. | |
invent what came out of this girl's mouth. Such is the weird world that | :38:05. | :38:09. | |
I have gone into, these are the genuine words that came out of the | :38:09. | :38:16. | |
girl's mouth - what is it? She said, "Please do the Beyonce dance." I | :38:16. | :38:20. | |
swear to God. I was so desperate to bang her, I did it! I did it, | :38:20. | :38:25. | |
ladies and gentlemen. I plugged my travel iPod speaker in - the creepy | :38:25. | :38:30. | |
one you buy on an aeroplane. I can't, I have injured my shoulder. | :38:31. | :38:37. | |
Shut up! I plugged it in. Have you any idea what that dance looks | :38:37. | :38:47. | |
:38:47. | :38:48. | ||
like... Da-da-oh-oh-na-na! It finishes with a dramatic - like | :38:48. | :38:53. | |
that. I thought when I turned round she would be, the pre-sexual lafter | :38:53. | :39:02. | |
that can exist between lovers -- laughter that can exist between | :39:03. | :39:08. | |
lovers. She was so aroused by my primal dance she launched from the | :39:08. | :39:16. | |
bed and went at me like a sewing machine in a power surge. Drrrrr... | :39:16. | :39:21. | |
LAUGHTER So there is no punchlines, I'm post-modern, relax. Ladies and | :39:21. | :39:27. | |
gentlemen, I was spolzed to come on and warm you up -- supposed to come | :39:27. | :39:32. | |
on and warm you up but you were so lovely I indulged myself. Give | :39:32. | :39:37. | |
yourself a round of applause. APPLAUSE Give all the acts lots of | :39:37. | :39:42. | |
love when they come in. I will come in in between. It is like - spunk, | :39:42. | :39:48. | |
there is nothing you can do about it - I'm over running - spunk! It | :39:48. | :39:53. | |
is so liberating. It is time for the first act. Please go wild, | :39:53. | :39:57. | |
start with a smattering of applause, almost like we are not bothered, | :39:57. | :40:01. | |
building up to a working-class chunky clap, cheering like | :40:01. | :40:09. | |
Americans, welcome to the stage, Roisin Conaty. | :40:09. | :40:13. | |
CHEERING AND APPLAUSE Hello, Edinburgh. You well? | :40:13. | :40:17. | |
AUDIENCE: Yes. I wish Russell told me he didn't want to do the dance, | :40:17. | :40:21. | |
I would have let it go. Good. Lovely to be here. I will tell you | :40:21. | :40:27. | |
about myself. Three minutes. I'm 32, single, I have moved out of home! | :40:27. | :40:31. | |
CHEERING Thank you. When did they start charging for water? Pricks! | :40:31. | :40:38. | |
No idea that happened. You pay for this? What happens next? Air? I was | :40:38. | :40:41. | |
living with my grandmother before I moved out. She went to get her | :40:41. | :40:45. | |
passport photos done and she phoned me up and she was like, "I don't | :40:46. | :40:54. | |
look right in these photos." I was like nan, you are 85, 75 is a | :40:54. | :40:59. | |
distant lifetime away. She is all suited and booted to go to the | :40:59. | :41:03. | |
passport agency. Show me the photos. She showed me. You know when you go | :41:03. | :41:08. | |
into the machine you can choose the background? My nan was stood in the | :41:09. | :41:15. | |
middle of the Manchester United football team just sitting next to | :41:15. | :41:18. | |
Paul Scholes. That is the reason you look weird! You are old, like a | :41:18. | :41:23. | |
lot of people wouldn't notice 11 grown men stood next to them. Then | :41:23. | :41:27. | |
she phoned me up, "I will have to tell you something, I was at the | :41:28. | :41:37. | |
bingo and I spoke to my friend, she ended up in Postman Pat's van." I'm | :41:37. | :41:41. | |
single. Give me a cheer if you are single CHEERING Give me a cheer if | :41:41. | :41:47. | |
you are in a relationship. CHEERING Some of you didn't answer. I went | :41:47. | :41:51. | |
on a date for the first time in a while. A lovely man. He invited me | :41:51. | :41:55. | |
around to his house. It is quite, you know when someone tries to | :41:55. | :42:01. | |
seduce you too openly, it can make you feel uncomfortable. There were | :42:01. | :42:06. | |
candles everywhere. There's a fine line between romantic and | :42:06. | :42:09. | |
sacrificial. I didn't know if he was going to ask me to go to bed | :42:09. | :42:15. | |
with him or kill a goat. The last time anything like this happened to | :42:15. | :42:25. | |
:42:25. | :42:25. | ||
me was when I was with my ex. Ladies and gentlemen, that's been | :42:25. | :42:29. | |
my time. It's been lovely. Enjoy the rest of your time. Good night. | :42:29. | :42:38. | |
APPLAUSE Roisin Conaty, ladies and gentlemen. How about that. APPLAUSE | :42:38. | :42:42. | |
I like it when I have a bit of admin to do. We are running over so | :42:42. | :42:45. | |
we are going to turn it over in between acts. Go wild, welcome to | :42:45. | :42:55. | |
:42:55. | :42:59. | ||
the stage, the one, the only John Luke Robert! APPLAUSE You can call | :42:59. | :43:09. | |
:43:09. | :43:11. | ||
me by my rap name - what I like to do is to insult you all to your | :43:11. | :43:15. | |
faces individually. It is to lower the self-confidence of the room, | :43:15. | :43:20. | |
make you more nervous, a bit more giggly. I don't want to hurt anyone, | :43:20. | :43:23. | |
though. I will do it off these cards. It is nothing to do with you. | :43:23. | :43:33. | |
It is what happens to be at the card. Some of them do happen to be | :43:33. | :43:40. | |
spookily accurate. So - if you do end up crying, can you do that | :43:40. | :43:45. | |
crying that can be mistaken for laughter. Shout your name at me, I | :43:45. | :43:53. | |
will insult you. Harry! I have been to the top of Ben Nevis and by | :43:53. | :43:59. | |
comparison YOU are a terrible view. LAUGHTER That is the sort of | :43:59. | :44:04. | |
warning shot. I don't pull punches. How do you feel? OK? Great. Kate. | :44:05. | :44:10. | |
People say a lot of nice things about you, Kate. They also do this | :44:10. | :44:18. | |
a lot. LAUGHTER Mark. They broke the mould when they made you. No, | :44:18. | :44:23. | |
just before they made you! I'm implying that Mark is defective. | :44:23. | :44:30. | |
LAUGHTER Caroline. It's like your face is in 3D, but I haven't got | :44:30. | :44:36. | |
the glasses on. LAUGHTER Linda. If opposites attract, you must be | :44:36. | :44:45. | |
going out with someone kind, attractive and continent! Sarah. | :44:46. | :44:53. | |
The one thing Israel and Palestine can agree on is that you are a | :44:53. | :45:00. | |
dooshbag! Keith. If you were a cow, sheep, chicken or any other form of | :45:00. | :45:10. | |
:45:10. | :45:11. | ||
livestock, even Morrissey would Susan, your filing system is | :45:11. | :45:15. | |
inadequate. Dawn if you went through a high profile divorce with | :45:16. | :45:23. | |
Katie Price, the public sympathy would be with her. Alex, no one has | :45:23. | :45:30. | |
ever had a sex dream about you, without waking up and feeling | :45:30. | :45:36. | |
distinctly uneasy. Stuart, nobody can play the song what a wonderful | :45:36. | :45:41. | |
world near you, without seeming insincere. Back to the second row. | :45:41. | :45:48. | |
Ollie, everyone who has ever loved you, has done so sarcastically. | :45:48. | :45:57. | |
Danny in a dystopian vision of the future, you would remain the same. | :45:57. | :46:05. | |
Mike, last one, think you can take it? If Peter Parker was bitten by a | :46:05. | :46:12. | |
radioactive you, he wouldn't be Spiderman, he would be Dickheadman. | :46:12. | :46:22. | |
:46:22. | :46:24. | ||
Thank you very much. Brilliant. John Luke Roberts. It is almost | :46:24. | :46:32. | |
time for our final act. I'm so excited. He is a talented guy. Did | :46:32. | :46:36. | |
his first Edinburgh last year. Strap n are you ready? Of course | :46:36. | :46:45. | |
you are. Start with a smatering of applause, like the vicar has | :46:45. | :46:54. | |
provided a nice flan, building up to I just pierced my baby's ear. | :46:55. | :47:04. | |
:47:05. | :47:39. | ||
Welcome to the stage The Boy With # There's only you in my life # The | :47:39. | :47:49. | |
:47:49. | :47:52. | ||
only thing that's right # # Mi first love, you're every breath | :47:52. | :48:02. | |
:48:02. | :48:09. | ||
that I take #Y step I make And I # I want to share all my love with | :48:09. | :48:19. | |
:48:19. | :48:25. | ||
you # No one else will do # your eyes Your eyes, your eyes # | :48:25. | :48:35. | |
:48:35. | :48:38. | ||
They tell me how much you care # Oh yeah # You will always be... # My | :48:38. | :48:48. | |
:48:48. | :48:48. | ||
Apology for the loss of subtitles for 70 seconds | :48:48. | :49:59. | |
# Hey baby come ore here # I'm not denying # We're flying above it all | :49:59. | :50:09. | |
:50:09. | :50:13. | ||
# Hold my hand, don't let me go # You have such Amazing Grace # I've | :50:13. | :50:23. | |
:50:23. | :50:50. | ||
never felt this way # Oh # Show me The Boy With Tape On His Face! We | :50:50. | :50:56. | |
have reached the end of our section. Thank you, I have been Russell Kane, | :50:56. | :51:03. | |
you have been a fantastic audience. Thank you and good night. Russell | :51:04. | :51:08. | |
Kane there and I love the The Boy With Tape On His Face. If you have | :51:08. | :51:13. | |
just got home from the pub, hello, where have you been? Tonight we're | :51:13. | :51:18. | |
live and we're interactive from the Edinburgh Fringe. In a place call | :51:19. | :51:27. | |
The BBC Bubble. We're on TV, online and we're live. If you liked John | :51:27. | :51:31. | |
Luke Roberts insulting the audience, you can generate one of your own | :51:31. | :51:37. | |
insults by our exclusive insult generator. If you log on and you | :51:37. | :51:42. | |
can receive an insult from the man himself. Or if you prefer, you can | :51:42. | :51:50. | |
send an insult to a friend of family member or a loved one. But | :51:50. | :51:58. | |
not your Nan. And we have created a an online experience with the The | :51:58. | :52:02. | |
Boy With Tape On His Face. Go to the web-site and you can spend | :52:02. | :52:07. | |
hours getting up to no good. We still need your tweets for Charlie | :52:07. | :52:13. | |
Baker now. He needs your tales of spotting famous faces in mundane | :52:13. | :52:18. | |
places. If you have bumped into Wayne Rooney in the post office | :52:18. | :52:28. | |
:52:28. | :52:29. | ||
Charlie Baker might be using your story on the BBC Three stage | :52:29. | :52:33. | |
tonight. Just spotted by me, Neil and Christine Hamilton trying to | :52:33. | :52:38. | |
get into the BBC Bubble and failing. Amazing! Have you come across the | :52:38. | :52:48. | |
:52:48. | :52:49. | ||
toilet attendant yet? Look who it is. It is Lee Nelson! Yeah! Hello | :52:49. | :52:55. | |
Scottie. A fist bump. There we go. That was a nice start to the show. | :52:55. | :53:00. | |
I thought you were going to kiss me. No man, we're just mates. I have | :53:00. | :53:06. | |
told you about 15 times. How was it for you? It's a buzz telly. You do | :53:06. | :53:12. | |
radio, I know you do some things, but radio is your thing. You like | :53:12. | :53:17. | |
it? Yeah. He has made a proper effort. Look at his little thing. | :53:17. | :53:23. | |
He has gone for the tailored look and blown �25 on that. I don't even | :53:23. | :53:28. | |
know what is wrong with my jacket know what is wrong with my jacket | :53:28. | :53:34. | |
tonight. I think it looks fine. stitches is on the outside and | :53:34. | :53:41. | |
they're meant to be on inside. Come here girlys. Do you find it... | :53:41. | :53:46. | |
down on my lap and then we'll talk about the first thing that comes up. | :53:46. | :53:53. | |
Do you find it easier to get girls now you're on the telly. Yes they | :53:53. | :53:59. | |
love a bit of famous. With that and my looks, I have got a TV face, you | :53:59. | :54:06. | |
have got a radio face. But that is what they love. Women you, where | :54:06. | :54:14. | |
you staying? At my home with my husband. It is a pity he won't be | :54:14. | :54:20. | |
enjoying himself. Just filming the whole thing. You have got a new | :54:20. | :54:25. | |
show starting? Yes I have got BBC Three 10.30, 25 of August. Brand- | :54:25. | :54:32. | |
new series. And it is going to be a proper buzz. It is got me and | :54:32. | :54:36. | |
Omelette. And we have got my Nan there and we have got jokes and | :54:36. | :54:41. | |
girls. We have got everything. It will be a proper buzz. I can't wait. | :54:41. | :54:45. | |
Have you been here for the whole festival? No I have been back in | :54:45. | :54:55. | |
:54:55. | :54:55. | ||
London. But it is fun. Scotyland is amazing. Are you a Scottie girl. | :54:55. | :55:01. | |
All I knew was that SuBo girl. So she is well nice. I hope I am an | :55:01. | :55:08. | |
improvement. You is proper. don't you two do off and chat | :55:08. | :55:13. | |
properly. Thank you. Nice one Lee. Loving you back. Our toilet | :55:13. | :55:22. | |
attendant is next. Someone else has been man handled there and let's go | :55:22. | :55:32. | |
:55:32. | :55:36. | ||
You look like that David hassle Hoffe. Only younger. Thank you. I | :55:36. | :55:45. | |
am actually... I Aamer Anwar David Hasselhoff. I grew up watching the | :55:46. | :55:54. | |
Knight Rider and you were my dad's age. Now you look like Benjamin | :55:54. | :56:01. | |
Button. How do you keep in shape. work out. I'm rubbish at that. | :56:01. | :56:08. | |
You're giving away candy. Don't eat sugar. I like it. You drink pints? | :56:08. | :56:14. | |
Yes. Stay away with that stuff. When cu look at yourself, do you | :56:14. | :56:22. | |
see an actor, o'er a singer or a lifeguard? I see myself as a dad. | :56:22. | :56:26. | |
Oh! What are you doing in here. have to go to the rest room. | :56:26. | :56:31. | |
these your daughters. Who is the better singer out of the three of | :56:31. | :56:40. | |
you. I is dad. We're all different. He is musical theatre and poppy. | :56:40. | :56:50. | |
:56:50. | :56:53. | ||
We're all different. You're like a female Jedward. Now, as you know, | :56:53. | :56:57. | |
we have been broadcasting footage from here in Edinburgh at the | :56:57. | :57:04. | |
fringe all week on the red button. Let's have a look at one of the | :57:04. | :57:11. | |
highlights. A load 06 you - of you love watching him. I is the | :57:11. | :57:17. | |
fantastic Andrew Lawrence. Thank you. Why not if we're going to have | :57:17. | :57:25. | |
a ginger man on the stage, have an orange backdrop. Then no one will | :57:25. | :57:29. | |
notice hi hair. Who is from Edinburgh. Give me a chair. Just | :57:29. | :57:33. | |
the ladies at the back. I like the Edinburgh people. I think you're | :57:33. | :57:37. | |
hard working people. If you go north there is Dundee, Aberdeen, | :57:37. | :57:42. | |
Inverness, those places only exist as a constant reminder to people of | :57:42. | :57:46. | |
Edinburgh, if you don't keep working hard and making money, that | :57:46. | :57:52. | |
is where you could ends up. It is nice to, I have having a nice time. | :57:52. | :57:57. | |
I took a day off and drove up the coast. I stopped off at the | :57:57. | :58:02. | |
services on the way to use the men's toilets was out of order. The | :58:02. | :58:07. | |
ladies were out and I had to use the disabled. I went in, did what I | :58:07. | :58:11. | |
needed to do, came out and the man at the station was there, he said, | :58:11. | :58:17. | |
those toilets are for disabled customers only. I said I am disable. | :58:17. | :58:24. | |
He said what is your disability. I said I have poor hand/high co- | :58:24. | :58:30. | |
ordination. It is not a disability. Tell me after you have seen how | :58:30. | :58:34. | |
much piddle I have left on the floor. I am treating it as a hol | :58:34. | :58:39. | |
day, although I don't like British holidays, when I was 13 I went to | :58:39. | :58:45. | |
Weymouth and walked along the beach and stepped on syringe. Now say | :58:45. | :58:49. | |
what you like about heroin, when your a teenager on holiday with | :58:49. | :58:53. | |
your parents, its make things better actually. I don't remember | :58:53. | :58:58. | |
much about that holiday. There was a man walking up and down the beach | :58:58. | :59:04. | |
selling ice-creams. He has no top on and an abnormal number of | :59:04. | :59:08. | |
nipples. I don't want to buy products from a man with five | :59:08. | :59:15. | |
nipples. I like festivals. I'm a bit old for them. Especial think | :59:15. | :59:21. | |
music festivals. I -- especially the music festivals. I can't go it | :59:21. | :59:30. | |
is an abomb daigs. What is not to like? I think cack-smeared toilets, | :59:30. | :59:36. | |
punching all who venture, brain- crippling stench of hell, a fear | :59:36. | :59:42. | |
some fat drunk will collapse on top of your tents and crash you into a | :59:42. | :59:46. | |
sack of shattered bones and you have to crawl through mud to the | :59:46. | :59:52. | |
ambulance, who are too busy pumping the stomachs of teenagers to attend | :59:52. | :59:57. | |
to my internal bleeding and Sunday you collapse in the back of | :59:57. | :00:00. | |
someone's 15-year-old car, consider yourself lucky to be alive as you | :00:00. | :00:05. | |
spend what seemed like a ten hour motorway journey trying to claw a | :00:05. | :00:10. | |
pinch wrist band off your arm. Apart from that they a barrel of | :00:10. | :00:16. | |
laughs. Sign me up immediately! has been a privilege tonight. Thank | :00:16. | :00:26. | |
:00:26. | :00:27. | ||
If you are a fan of Andrew - you a fan? Yes! We also have filmed more | :00:27. | :00:31. | |
of him this week as part of our of him this week as part of our | :00:31. | :00:36. | |
coverage on BBC Three. Details are on your screen right now - | :00:36. | :00:45. | |
bbc.co.uk/three. Shall we have some more music? Live on BBC Three from | :00:45. | :00:50. | |
the Baby Bubble, it is Australia's undisputed Kings of Comedy Rock. | :00:50. | :00:58. | |
Here to perform their four-lettered tribute to boy racers, give it up | :00:58. | :01:05. | |
for The Axis of Awesome. Thank you. I'm Jordan. Stkpwhri I'm Lee. ALL: | :01:05. | :01:15. | |
:01:15. | :01:15. | ||
We are -- I'm Lee. ALL: We are The Axis of Awesome. There have been | :01:15. | :01:25. | |
:01:25. | :01:25. | ||
landmark songs throughout history. Hannah Montana's Pass The Fucking | :01:25. | :01:33. | |
Crackpot. If you are not crying now, you will be by the end of this. | :01:33. | :01:35. | |
# It's Friday night # Gonna feel all right | :01:35. | :01:38. | |
# It's party night # All right, all right | :01:38. | :01:41. | |
# All right # Yeah | :01:41. | :01:47. | |
# Gonna see the sights # Gonna drive through town tonight | :01:48. | :01:54. | |
# Gonna crank the volume when I get # Gonna crank the volume when I get | :01:54. | :01:58. | |
to the lights # Can you hear the fucking music | :01:58. | :02:02. | |
coming out of my car # Can you hear the fucking music | :02:02. | :02:08. | |
coming out of my car # Can you hear the fucking music | :02:08. | :02:13. | |
coming out of my car # There's a lot of fucking music | :02:13. | :02:23. | |
:02:23. | :02:25. | ||
coming out of my car # The car is stopped and the bass | :02:25. | :02:29. | |
is thumping # Everybody on the street get this | :02:29. | :02:32. | |
party jumping # Around midnight I'll turn into a | :02:32. | :02:42. | |
pumpkin # Do you like the fucking music | :02:42. | :02:46. | |
coming out of my car # Do you like the fucking music | :02:46. | :02:50. | |
coming out of my car # Do you like the fucking music | :02:50. | :02:56. | |
coming out of my car # There's a lot of fucking music | :02:56. | :03:06. | |
:03:06. | :03:17. | ||
# You can hear my fucking music # You can hear it on the streets | :03:17. | :03:24. | |
# You can hear it while you sleep # You can hear it from my car! | :03:24. | :03:30. | |
# I love the fucking music coming out of my car | :03:30. | :03:34. | |
# I love the fucking music coming out of my car | :03:34. | :03:38. | |
# I love the fucking music coming out of my car | :03:38. | :03:48. | |
:03:48. | :03:49. | ||
# There's a lot of fucking music # There's a lot of fucking music | :03:49. | :03:54. | |
coming out of my car. # I love those guys. They were | :03:54. | :03:57. | |
brilliant on the Fun and Filth Cabinet. That was The Axis of | :03:57. | :04:02. | |
Awesome. Time to join our final Master of Ceremonies. If you have | :04:02. | :04:07. | |
been sendinginging us your celebspot stories, watch care | :04:07. | :04:12. | |
tkphri right now. Your story may be on the stage -- watch carefully | :04:12. | :04:16. | |
right now. Your story may be on the stage in the next few minutes. Time | :04:16. | :04:26. | |
:04:26. | :04:29. | ||
We all right? Yes, thank you. Thank you. Calm down, I might be rubbish. | :04:30. | :04:34. | |
We all right? Having a lovely time? AUDIENCE: Yes. We are live on BBC | :04:34. | :04:40. | |
Three. Shout something. Woo-hooh! You pleased with your choice? Good. | :04:40. | :04:45. | |
Enough. You are live on BBC Three. Hello, I'm Charlie Baker. Enough | :04:45. | :04:51. | |
now. It is not an auction. I'm Charlie Baker. I'm waiting for Jack | :04:51. | :05:01. | |
:05:01. | :05:03. | ||
Black to die. LAUGHTER He looks like him! It's funny looking like | :05:03. | :05:08. | |
someone famous. When ever I meet someone famous I get nervous. Who | :05:08. | :05:12. | |
have you met? No-one. No-one to me live on BBC Three. Thank you very | :05:12. | :05:18. | |
much(!) I will let you know, before you said no-one, I asked this last | :05:18. | :05:26. | |
night and someone said, "Jet from Gladiators." Have you met anyone | :05:26. | :05:36. | |
:05:36. | :05:42. | ||
famous? The Wenger Boys. I like it when you meet rappers. I met Kanye | :05:42. | :05:46. | |
West. I always think he sounds like a service station. Where did you | :05:46. | :05:55. | |
get that pasty? Kanye West. 1.49 for diesel. The world's biggest | :05:55. | :06:03. | |
rapper, Jay-Z. Wooh! And I got quite nervous meeting Jay-Z. When | :06:03. | :06:09. | |
ever I meet someone super-famous I get a voice that goes, "There's | :06:09. | :06:17. | |
Jay-Z there. Jay-Z, speak to Jay-Z. Say something to Jay-Z. Speak to | :06:17. | :06:22. | |
him. Say something to Jay-Z. Get him out of his friendship ring." I | :06:22. | :06:31. | |
have to say something to Jay-Z. So I will say this, "Jay-Z..." I went | :06:31. | :06:36. | |
for a high-five, ladies and gentlemen, a high-five. And I stood | :06:36. | :06:42. | |
there thinking, you look a right knob now, you look a penis. He did, | :06:42. | :06:46. | |
ladies and gentlemen, bang on the high-five from Jay-Z. Yes, | :06:46. | :06:52. | |
everybody! Come here. Come here. Woah! That was a confident high- | :06:52. | :06:57. | |
five. You feeling good now about yourself? In six degrees of | :06:57. | :07:04. | |
separation way, you have touched a hand that's touched a hand that has | :07:04. | :07:08. | |
touched Beyonce's knockers! Pretty good - a round of applause. | :07:08. | :07:15. | |
APPLAUSE Have another go. Fuck off, she is not a slag. LAUGHTER You | :07:15. | :07:18. | |
liked it, you should have put a ring on it! There we are, ladies | :07:18. | :07:22. | |
and gentlemen, we are going to bring our next act out. They have | :07:22. | :07:27. | |
had a brilliant festival. They are excellent. Please welcome to stage, | :07:27. | :07:37. | |
:07:37. | :07:40. | ||
the magnificent Frisky and Mannish. APPLAUSE Hi, there. Now, as pop | :07:40. | :07:44. | |
academics, we could not let this event past without making reference | :07:44. | :07:49. | |
to the tragic end of one of the greatest acts in pop history. | :07:49. | :07:54. | |
course, this is the 79 month anniversary of the disbanding of | :07:54. | :07:58. | |
Busted. # One day | :07:58. | :08:02. | |
# When I came home # At lunch time | :08:02. | :08:08. | |
# I heard # Went out to the backyard | :08:08. | :08:13. | |
# Stood there # He told me he made a Time Machine | :08:13. | :08:17. | |
like one in a film I had seen # Yeah | :08:17. | :08:21. | |
# I said I've been to the year 3,000 | :08:21. | :08:26. | |
# Not much has changed... # But the rains came and swept the | :08:26. | :08:33. | |
land and the animals rose up # Made slaves of the men and | :08:33. | :08:38. | |
everything was death # And great, great, great- | :08:38. | :08:44. | |
granddaughter... # Didn't make it. # | :08:44. | :08:51. | |
Thank you. We don't have much time so we are going to finish by | :08:51. | :08:56. | |
looking at the work of an artist who we both feel will come to be | :08:56. | :09:02. | |
seen as one of the most important female singer-songwriters in the | :09:02. | :09:12. | |
:09:12. | :09:15. | ||
history of music. # Out on the windy moors | :09:15. | :09:21. | |
# You had a temper # Like my jealousy | :09:21. | :09:25. | |
# How could you leave me # When I needed to | :09:25. | :09:28. | |
# Possess you # I hated you | :09:28. | :09:33. | |
# I loved you too # Bad dreams in the night | :09:33. | :09:36. | |
# Told me I was going to lose the fight | :09:36. | :09:42. | |
# Leave her # Wutherg | :09:42. | :09:46. | |
# Heathcliff # Kathy, I've come home | :09:46. | :09:52. | |
# Let me in at your window # Oh, Heathcliff | :09:52. | :09:54. | |
# It's me # Oh Kathy | :09:55. | :09:58. | |
# I've come home # Let me in at your window | :09:58. | :10:01. | |
# Oh, oh # My fingertips are holding on to | :10:01. | :10:07. | |
# The cracks in the window pane # And I know that I should let go | :10:07. | :10:12. | |
but I can't # And every time we find | :10:13. | :10:18. | |
# I know it's not right # Every time you are upset | :10:18. | :10:23. | |
# I know I should forget but I can't | :10:23. | :10:25. | |
# Ooh # Let me have it | :10:25. | :10:29. | |
# Let me grab your soul away # You | :10:29. | :10:35. | |
# Let me have it # Let me grab your soul away | :10:35. | :10:38. | |
# You know # It's me | :10:38. | :10:46. | |
# Kathy. # I just want your kiss boy. | :10:46. | :10:49. | |
# Kiss boy # I just want your kiss | :10:49. | :10:56. | |
# I just want your kiss boy # Heathcliff | :10:56. | :11:01. | |
# He's running up that hill # I just want your kiss boy | :11:01. | :11:09. | |
# The hounds of love are hunted # I want your soul boy | :11:09. | :11:19. | |
:11:19. | :11:20. | ||
# I just want your soul # Oooh, ooh | :11:20. | :11:28. | |
# Woah, aah # Catherine is a victim | :11:28. | :11:36. | |
# Catherine sits in her room playing killer, killer beats. # | :11:36. | :11:46. | |
:11:46. | :12:00. | ||
That was Frisky and Mannish. Hooray for them. Still clapping. They are | :12:00. | :12:06. | |
still clapping. I'm out here in the guts of the Edinburgh Fringe | :12:06. | :12:10. | |
festival tent. She is not clapping there. Just clap. Very good. Man in | :12:10. | :12:16. | |
hat indoors, can we see him? Well done, Sir. Having a pint, look at | :12:16. | :12:21. | |
this man in his leather jacket. Well done, Sir. Very good. I'm - | :12:21. | :12:26. | |
hello. I'm good, thank you. What is your name? Anni. Have you ever met | :12:26. | :12:33. | |
anyone famous? I met Steps on Live and Kicking. It doesn't get any | :12:33. | :12:36. | |
better(!) that is marvellous. What is the best show you have seen this | :12:37. | :12:46. | |
summer? Wedding Band by Charlie Baker at 2.45. Very good. How | :12:46. | :12:50. | |
marvellous. Sounds excellent. What is the best show you have seen this | :12:50. | :12:54. | |
summer? I haven't seen any yet so this one. Yes, what a glowing | :12:54. | :12:58. | |
review that is(!) LAUGHTER Excellent. We are going to bring | :12:59. | :13:03. | |
out our next act. APPLAUSE Please welcome all the way from Australia, | :13:03. | :13:13. | |
:13:13. | :13:26. | ||
Do you like bread? Yeah. Do you like fully get into it? Not fully. | :13:26. | :13:31. | |
I know you are talking about bread. You know bread? I don't know bread. | :13:31. | :13:41. | |
:13:41. | :13:42. | ||
I like toast. I like toast. I fully get into bread. I like bread when | :13:42. | :13:47. | |
I... What? What the fuck are you talking about? I know you are | :13:47. | :13:52. | |
talking about bread! What is going on with this disco music, man? | :13:53. | :13:58. | |
it is for the bread. What do you mean it's for bread? Like, when you | :13:58. | :14:05. | |
putting on bread shoes. You should have said that! Bread shoes. Oh | :14:05. | :14:09. | |
yeah, this one is going out to all the ladies out there who like to | :14:09. | :14:19. | |
:14:19. | :14:50. | ||
Bring it on back. Come on, throw it at me! Come on bring it all back. | :14:50. | :15:00. | |
:15:00. | :15:38. | ||
There's a famine! You're looking at me like, fuck, it's the guy from | :15:39. | :15:48. | |
:15:49. | :15:51. | ||
Guess Who! If you want to hire me out, I don't just do bread, I also | :15:51. | :15:59. | |
do soup. I once wiped my arse with a slice of bread. I ran out and had | :15:59. | :16:04. | |
to use the crust, so my finger wouldn't tear through. Don't use | :16:04. | :16:14. | |
:16:14. | :16:33. | ||
APPLAUSE. Sam Symonds everyone. There is loads of bread on the | :16:33. | :16:39. | |
floor. There is people stafbing. This is like North London last week. | :16:40. | :16:47. | |
-- people starving. She is going, she is in the production of Bugsy | :16:47. | :16:53. | |
Malone. She tap dancers as well. See that, Koch watcher, got him, 1- | :16:53. | :17:00. | |
0, cock watching bastard. Can't take his eyes off it. We have been | :17:00. | :17:06. | |
asking people to tweet in. Some people are faxed in. Someone did a | :17:06. | :17:09. | |
pager. And people have been tweeting in with famous people they | :17:09. | :17:14. | |
have seen in mundane places doing Munn Tain things. My favourite is | :17:14. | :17:24. | |
:17:24. | :17:25. | ||
steps on Live and Kicking. Well done. -- mundane. Is the bread | :17:25. | :17:30. | |
gone? It didn't deserve that much of a round of applause A few years | :17:30. | :17:36. | |
ago, from stof e Sophie, I saw Peter String fellow buying a | :17:36. | :17:41. | |
casserole dish at a market. Isn't that lovely. That is a lovely one. | :17:41. | :17:46. | |
Some people going what. He doesn't care. He is working on the sound. | :17:46. | :17:54. | |
Seen that mate? No. We will try another one. He is not look. I met | :17:54. | :17:59. | |
big Mo from East Ender in a yellow bikini. That put a few people off. | :18:00. | :18:05. | |
He is laughing at that. The other week I saw Jason Orange just | :18:05. | :18:10. | |
walking past my bus. Everyone hated that one. There we're. We're going | :18:10. | :18:15. | |
to bring on our headline act, are we excited about David O'Doherty? | :18:15. | :18:25. | |
:18:25. | :18:33. | ||
Yes so here he comes, the Oh someone's got the party machine! | :18:33. | :18:39. | |
Do you have the time, Sir, do you have the time? It's party time. | :18:39. | :18:43. | |
Stop looking at your watch. I will accept David O'Doherty time. It is | :18:43. | :18:48. | |
going to be like a party in my house. In many ways it won't be | :18:48. | :18:53. | |
like a party in my house, as I will be doing most of the partying, you | :18:53. | :18:59. | |
will just be sitting receiving the party that. Sounds sleazy when you | :18:59. | :19:04. | |
put it like that, considering you paid to receive the party. There's | :19:04. | :19:10. | |
a party starting right now # Party starting right now # Time to get | :19:10. | :19:16. | |
excited # The neighbour on this side have gone away and the | :19:16. | :19:25. | |
neighbours are old and pretty much deaf # Party, party, party! People | :19:25. | :19:30. | |
standing in the kitchen, they're talking about the King's Speech # | :19:30. | :19:35. | |
Pretty good film is the general consensus # There's going to be | :19:35. | :19:42. | |
lots of ladies and men # There is some cheese in the kitchen # There | :19:42. | :19:47. | |
will be streamers flying through the air # Someone will go home | :19:47. | :19:54. | |
wearing someone else's coat. It is going to be fuck mayhem. # Invite | :19:54. | :19:58. | |
your friends, but not friends of friend, # That would be too many | :19:58. | :20:03. | |
and my party needs some ground rules # You don't want a situation | :20:03. | :20:09. | |
like at Rob's party last year # Where a CD went missing # Someone | :20:09. | :20:17. | |
broke a Claire and someone tried to fill his dog with helium # Tried to | :20:17. | :20:25. | |
stim hill on the ceiling # But he didn't float up, # Just became | :20:25. | :20:32. | |
violently ill # Party party party # Somebody's drinking through a straw | :20:32. | :20:37. | |
from a coconut # We're going to party on through to the break of | :20:37. | :20:44. | |
Dan # Or until I come down in my dressing gown and say that's it | :20:45. | :20:49. | |
everyone fuck off # Party over # I'm going to bed # Can you please | :20:49. | :20:56. | |
take your coats off my bed? # Party, party, ore was someone doing it in | :20:56. | :21:06. | |
the coats. It is that sort of party. Thank you. Wow. I am, thank you, I | :21:06. | :21:16. | |
:21:16. | :21:16. | ||
am David O'Doherty, I Tam creator of Wangury. It is like November, | :21:16. | :21:21. | |
but instead of growing a moustache, you go the full way and leave your | :21:21. | :21:27. | |
cock and bulls out for all of January. -- balls out for all of | :21:27. | :21:32. | |
January. It is a pleasure to close this show. I would like to finish | :21:32. | :21:38. | |
with a love song # Sometimes I wonder how my life would be if we | :21:38. | :21:44. | |
had never met at hull # But nobody there in the evening # To hold # To | :21:44. | :21:54. | |
:21:54. | :21:55. | ||
call # Going to bed feeling lonely # But not knowing lonely for who # | :21:55. | :22:05. | |
:22:05. | :22:05. | ||
This I how my life might be without you # Or... # I might be banging, | :22:05. | :22:12. | |
banging in the morning, barning in the night # But please queue up sh | :22:12. | :22:18. | |
I have only got one Wang, but you wait your turn we can have some | :22:18. | :22:24. | |
sweet banging # In the club with my click, I have an idea, let's start | :22:24. | :22:31. | |
banging, let the banging begin, it is not race it just bang. Obviously | :22:31. | :22:37. | |
that an immature view of single life. There is more to it than bang | :22:37. | :22:43. | |
will is also # Humping, after the show when the party pumping # All | :22:43. | :22:53. | |
right ladies the place is small and we have to hump in the hall # It is | :22:53. | :22:59. | |
around around the back # Banging, banging, humping, this is an | :22:59. | :23:09. | |
alternative view of how things might be without all of you! Thank | :23:09. | :23:19. | |
:23:19. | :23:29. | ||
you. Lady and gentlemen. Are you coming off or staying on. You have | :23:29. | :23:34. | |
been marvellous. I think you have got to go. It is a live show. He's | :23:34. | :23:39. | |
gone. There is bread. David O'Doherty. Bread. There he goes. | :23:39. | :23:43. | |
There is the bread for you. We have come to the end of the show. It is | :23:43. | :23:50. | |
the end of the show. I will read out everyone's who has been on. Lee | :23:50. | :23:58. | |
Nelson, Joe Wilkinson, Adam Riches, Tom Rosenthal, Roisin Conaty # The | :23:58. | :24:04. | |
Boy With Tape On His Face # Nick Helm, Axis of Awesome, and David | :24:04. | :24:09. | |
O'Doherty. Thank you for coming out tonight to the Edinburgh Festival. | :24:09. | :24:16. | |
And the three at the fringe. And you can buy find more BBC comedy on | :24:16. | :24:21. | |
the BBC comedy web-site and thank you for coming. I have been Charlie | :24:21. | :24:29. | |
Baker and over to you Scott Mills. Thank you very much. Love him. | :24:29. | :24:33. | |
Charlie Baker there. Thank you and thank you for your tweet and | :24:33. | :24:41. | |
messages. And we will have an appearance from the midnight beast | :24:41. | :24:50. | |
on Monday on BBC Three. Good. Hi Frisky. How was that? It was fun. | :24:50. | :24:56. | |
have been here a week, and I... Need vegetables and sleep. How the | :24:56. | :25:02. | |
hell do you do this for a months? We're clean living. It is not cool | :25:02. | :25:10. | |
to say. We don't drink. That is not actually true. I saw you in the bar | :25:10. | :25:14. | |
Shush. I was having physio today. This is brutal. Like comedy at the | :25:14. | :25:20. | |
rough edge. It is so good. The first time it has been on BBC Three | :25:20. | :25:26. | |
live. Russell Kane hi. Hello. was it for you? Good my cold and | :25:26. | :25:32. | |
flu medication held up. I have been breaded. A string of snot went down | :25:32. | :25:36. | |
as I was talking about my sex life. I was advertising that I was single | :25:36. | :25:42. | |
and I snotted. Do you wants some of this lady. Or bread. There is | :25:42. | :25:47. | |
plenty of bread. Can I have some some. We're thinking we should do | :25:47. | :25:53. | |
this every year. This is great. Why aren't we doingy year. We should | :25:53. | :25:58. | |
celebrate the fringe. Comedians used to be geeks, now we're like | :25:58. | :26:03. | |
rock stars. A lot of people think that the festival is a bit too arty | :26:03. | :26:10. | |
farty. This proves that there is something for everyone. Yeah, they | :26:10. | :26:17. | |
proved I'm sweary moron. Are you having a lovely time. It is like a | :26:17. | :26:22. | |
dinosaur wrapped in a space ship w a swords on fire. The Boy With Tape | :26:22. | :26:26. | |
On His Face, are you having a nice On His Face, are you having a nice | :26:26. | :26:31. | |
time? Less my favourite. Listen, thank you for being on the show. I | :26:31. | :26:35. | |
think it was a success. Let's do it again. If you enjoyed tonight's | :26:35. | :26:40. | |
show there a week's worth of performances on the BBC Three web- | :26:40. | :26:46. | |
site. Covered in bread now. And you can tune into BBC Three on Mondays | :26:46. | :26:50. |