Browse content similar to The Comedy Marathon Spectacular. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. Contains adult humour. | 0:00:02 | 0:00:05 | |
Welcome to the Edinburgh Fringe Festival 2012. | 0:00:05 | 0:00:07 | |
I'm Jameela Jamil, and as all of you comedy fans know, | 0:00:07 | 0:00:09 | |
this is the location for the epic comedy marathon. | 0:00:09 | 0:00:11 | |
An eight-hour comedy onslaught featuring some of the finest | 0:00:11 | 0:00:13 | |
comedians that the Fringe has to offer. | 0:00:13 | 0:00:15 | |
It all took place in the red button. | 0:00:15 | 0:00:17 | |
If you missed it, you should we slightly ashamed of yourself. | 0:00:17 | 0:00:20 | |
But don't worry, because we've packaged it all up neatly into one bite-size chunk. | 0:00:20 | 0:00:24 | |
This is the story of that night, | 0:00:24 | 0:00:26 | |
and I'm not going to lie, it was awesome. | 0:00:26 | 0:00:29 | |
Hello, and welcome to the BBC Three Comedy Marathon, coming to you live from | 0:00:47 | 0:00:55 | |
Potter Row, slap bang in the middle of the world against arts festival. | 0:00:55 | 0:00:58 | |
I'm talking about Edinburgh 2012. | 0:00:58 | 0:01:00 | |
I'm Jameela Jamil, and over the next eight hours, | 0:01:00 | 0:01:03 | |
yes, I did say eight hours, and going to be serving you at some | 0:01:03 | 0:01:06 | |
of the finest comedy that the Fringe Festival has to offer. | 0:01:06 | 0:01:10 | |
This is the BBC's very own venue which, every night, | 0:01:10 | 0:01:13 | |
hosts a myriad of some of the best | 0:01:13 | 0:01:16 | |
and most exclusive acts to offer here, but tonight it belongs to us. | 0:01:16 | 0:01:20 | |
In fact, tonight it belongs to you. | 0:01:20 | 0:01:23 | |
Over there is our main stage, | 0:01:23 | 0:01:25 | |
and over here are our amazing, hungry audience, | 0:01:25 | 0:01:28 | |
waiting with bated breath to laugh themselves silly. | 0:01:28 | 0:01:31 | |
Now, guys, right now you live on the BBC, say hello. | 0:01:31 | 0:01:35 | |
CHEERING | 0:01:35 | 0:01:36 | |
Yes! Edinburgh Festival! | 0:01:39 | 0:01:44 | |
Jesus Christ, is anyone else warm in here? | 0:01:58 | 0:02:00 | |
Is this supposed happen? I don't know what's happening. | 0:02:13 | 0:02:16 | |
LAUGHING | 0:02:16 | 0:02:17 | |
I've got 50p! | 0:02:17 | 0:02:19 | |
You've got 50p? | 0:02:19 | 0:02:21 | |
For the meter? | 0:02:21 | 0:02:22 | |
Ah, I forgot that's how you people pay electricity. | 0:02:22 | 0:02:25 | |
CHEERING | 0:02:26 | 0:02:30 | |
This is what real comedy's like, get off your fucking sofa | 0:02:30 | 0:02:33 | |
and come and watch it, you bastard. | 0:02:33 | 0:02:35 | |
APPLAUSE | 0:02:35 | 0:02:38 | |
Let's do this. | 0:02:38 | 0:02:39 | |
CHEERING | 0:02:53 | 0:02:54 | |
There was a guy waving on the way in, | 0:02:54 | 0:02:55 | |
this is by far the most informal piece of broadcasting | 0:02:55 | 0:02:58 | |
I've ever been involved in. | 0:02:58 | 0:03:00 | |
We've done it. | 0:03:13 | 0:03:15 | |
Give it up for the wonderful Mr Chris Ramsey. | 0:03:18 | 0:03:21 | |
APPLAUSE | 0:03:21 | 0:03:22 | |
Yes, Edinburgh Festival! | 0:03:27 | 0:03:31 | |
Woo! | 0:03:31 | 0:03:33 | |
Yes, oh. | 0:03:34 | 0:03:36 | |
Good, so, give a cheer if you have been to the Fringe before. | 0:03:36 | 0:03:39 | |
CHEERING | 0:03:39 | 0:03:41 | |
Excellent stuff, give us a chair if it's your first time. | 0:03:41 | 0:03:43 | |
QUIETER CHEERING | 0:03:43 | 0:03:44 | |
Ha, one guy. | 0:03:44 | 0:03:46 | |
Mate, you look like it's the first time you've ever been out of the house. | 0:03:46 | 0:03:49 | |
"Yea-aaah! | 0:03:49 | 0:03:50 | |
"Sky is blue!" | 0:03:50 | 0:03:52 | |
Magic. | 0:03:54 | 0:03:55 | |
We've got an amazing, amazing night, | 0:03:55 | 0:03:57 | |
this is the maddest comedy night I've ever been part of. | 0:03:57 | 0:04:00 | |
There's nearly 50 acts I think, there's me, | 0:04:00 | 0:04:02 | |
there's going to be a couple of other comperes. | 0:04:02 | 0:04:04 | |
It's going to be good stuff, | 0:04:04 | 0:04:05 | |
you got your drink on the stage already, mate, disrespectful. | 0:04:05 | 0:04:08 | |
Good. It's all right, you can keep it there, | 0:04:08 | 0:04:10 | |
we all built this today so you could use this as a table, mate. | 0:04:10 | 0:04:12 | |
That's exactly what happened. | 0:04:12 | 0:04:14 | |
He put it back as well, fair play. | 0:04:14 | 0:04:16 | |
What's your name, pal? | 0:04:16 | 0:04:19 | |
Mark? | 0:04:19 | 0:04:21 | |
Yeah, he just froze after that, "Mark, it's all you're getting." | 0:04:21 | 0:04:24 | |
What have you been doing today, Mark? | 0:04:24 | 0:04:26 | |
Not much, really. | 0:04:26 | 0:04:28 | |
Mark's bottled it immediately. | 0:04:28 | 0:04:30 | |
What do you do? | 0:04:30 | 0:04:31 | |
I'm employed as of Monday. | 0:04:31 | 0:04:33 | |
You are employed as of Monday? Congratulations. | 0:04:33 | 0:04:36 | |
APPLAUSE | 0:04:36 | 0:04:38 | |
-That's amazing. What did you do before that, were you a student? -A student. | 0:04:38 | 0:04:42 | |
-What were you studying? -Geography. | 0:04:42 | 0:04:44 | |
Geography, fantastic. You find your way here, well done. | 0:04:44 | 0:04:47 | |
And what's the job? | 0:04:47 | 0:04:49 | |
It's selling charity challenge holidays. | 0:04:49 | 0:04:53 | |
Selling charity challenge holidays? | 0:04:53 | 0:04:56 | |
Four years at university well spent there, mate. | 0:04:56 | 0:05:00 | |
It's nice to be here though, I'm from South Shields originally. Good. | 0:05:00 | 0:05:06 | |
Literally nothing, fair enough, right, playing hardball, good, | 0:05:06 | 0:05:09 | |
I'm here all night, don't worry. | 0:05:09 | 0:05:12 | |
I live in Manchester now though. | 0:05:12 | 0:05:14 | |
CHEERING | 0:05:14 | 0:05:15 | |
Oh, you cheer that, will you? | 0:05:15 | 0:05:17 | |
One guy just went. | 0:05:17 | 0:05:19 | |
LAUGHING | 0:05:19 | 0:05:21 | |
I, I live in Manchester I get grief from accident in Manchester. | 0:05:21 | 0:05:24 | |
They got nerve. | 0:05:24 | 0:05:26 | |
Sorry, like, but I mean, | 0:05:26 | 0:05:27 | |
have you ever heard somebody who's so Manc it sounds like it hurts? | 0:05:27 | 0:05:31 | |
Awwwww. | 0:05:31 | 0:05:33 | |
It sounds like somebody fingering a sleeping cat. | 0:05:33 | 0:05:37 | |
You should try it at home, just use one though, | 0:05:37 | 0:05:40 | |
use two, it wakes up and goes mental. | 0:05:40 | 0:05:41 | |
Right, what we can to do, we're going to crack on now, please, | 0:05:43 | 0:05:46 | |
give it up for radio ones beatbox champion. | 0:05:46 | 0:05:49 | |
It's the fantastic Petebox! | 0:05:49 | 0:05:50 | |
APPLAUSE | 0:05:50 | 0:05:53 | |
BEATBOXES | 0:05:54 | 0:06:03 | |
CHEERING | 0:06:05 | 0:06:08 | |
BEATBOXES | 0:06:08 | 0:06:12 | |
CHEERING | 0:06:12 | 0:06:16 | |
Petebox, Petebox, everyone! | 0:06:16 | 0:06:18 | |
Thank you. | 0:06:21 | 0:06:23 | |
Brilliant stuff, man. Amazing. | 0:06:23 | 0:06:25 | |
Petebox is going to be sitting on stage, we might to interviews | 0:06:25 | 0:06:28 | |
with people and have a little bit of fun later on. Yeah, man? | 0:06:28 | 0:06:32 | |
Just ignore us, not a problem. | 0:06:33 | 0:06:35 | |
Just ignore us. | 0:06:35 | 0:06:37 | |
Are you ready for your first fantastic act? | 0:06:38 | 0:06:42 | |
Please, go crazy, go well, for the brilliant Marlon Davis. | 0:06:42 | 0:06:45 | |
Hello. | 0:06:53 | 0:06:55 | |
Evening, evening, evening, evening. | 0:06:56 | 0:06:58 | |
You all well? | 0:06:58 | 0:07:01 | |
I'm good myself, man. | 0:07:01 | 0:07:04 | |
There's a lot of mad people in the world, aren't there? | 0:07:04 | 0:07:06 | |
Yes. | 0:07:06 | 0:07:07 | |
Yeah, see, there's one there. | 0:07:07 | 0:07:09 | |
There is, I love mad people, my favourite mad person for a | 0:07:09 | 0:07:12 | |
while had to be the lady that put a cat in a wheelie bin. | 0:07:12 | 0:07:16 | |
Not that I'm a cat hater, | 0:07:17 | 0:07:19 | |
it's just the way how people reacted to the situation. | 0:07:19 | 0:07:22 | |
I wasn't even in the country at the time, I was in Glasgow, | 0:07:22 | 0:07:25 | |
and that counts. | 0:07:25 | 0:07:26 | |
But people were talking about it all over the world, | 0:07:26 | 0:07:29 | |
like American news, Australian news, they were like, | 0:07:29 | 0:07:32 | |
"how dare that lady do that, how dare she do such a thing!" | 0:07:32 | 0:07:35 | |
"Everybody knows cats go in the brown bin, everybody knows! | 0:07:36 | 0:07:40 | |
In the brown bin, and they're knocking on the door, they are, like, lady, | 0:07:40 | 0:07:44 | |
you need to come out, and say sorry to the cat. | 0:07:44 | 0:07:46 | |
She came out like she was a gangster though, I quite like that. | 0:07:46 | 0:07:49 | |
She came out, she was like I don't see what the problem is. | 0:07:49 | 0:07:53 | |
I mean, Top Cat has been living in bins for years. | 0:07:53 | 0:07:56 | |
Why is everyone outside my house? Why is these cameras here? | 0:07:56 | 0:08:00 | |
I think all she had was a moment of an us, but all she had. | 0:08:00 | 0:08:04 | |
She had a moment of madness, we have these things | 0:08:04 | 0:08:06 | |
and had all of the time, but we don't choose to act it out. | 0:08:06 | 0:08:10 | |
Because all of us in this room right now, we're stuck in a realm, | 0:08:10 | 0:08:13 | |
where our conscience dictates what we can | 0:08:13 | 0:08:15 | |
and what we can't do in everyday life. | 0:08:15 | 0:08:18 | |
Right, have you ever been at a gym | 0:08:18 | 0:08:19 | |
and you've seen a fat person walking on a treadmill. | 0:08:19 | 0:08:23 | |
And you think to yourself, run, fatty, run, but you can't say that. | 0:08:23 | 0:08:26 | |
Because that's what we do, we protect people's feelings all of the time. | 0:08:26 | 0:08:30 | |
Have you ever been walking down the street, right, | 0:08:30 | 0:08:32 | |
and have you ever seen an ugly girl pushing a buggy? | 0:08:32 | 0:08:35 | |
And you think yourself, don't you, who did that? | 0:08:37 | 0:08:40 | |
LAUGHING | 0:08:40 | 0:08:42 | |
Even the baby is looking at you like... | 0:08:44 | 0:08:47 | |
LAUGHING | 0:08:47 | 0:08:48 | |
I don't know how I got here. | 0:08:48 | 0:08:50 | |
But I tell you what, it's a bit shameful, | 0:08:50 | 0:08:53 | |
she keeps picking me up from the nursery, | 0:08:53 | 0:08:55 | |
and the kids are like, is that your mum, and I'm like, no, I'm adopted. | 0:08:55 | 0:08:59 | |
LAUGHTER | 0:08:59 | 0:09:00 | |
But I love this, I love this job more than anything, travelling up | 0:09:00 | 0:09:04 | |
and down the country, it's fantastic. | 0:09:04 | 0:09:06 | |
The best place I like going to the most is sleepy towns. | 0:09:06 | 0:09:11 | |
I like going to the sleepy towns | 0:09:11 | 0:09:12 | |
because they appreciate the fact that you come so far to entertain them. | 0:09:12 | 0:09:16 | |
They always mesmerised with the fact that you come from London, | 0:09:16 | 0:09:19 | |
they're like, "you're from London?" | 0:09:19 | 0:09:20 | |
Yeah, they're like, "what's it like living in London? | 0:09:20 | 0:09:22 | |
Must be amazing, living in London, because you've got | 0:09:22 | 0:09:25 | |
people from other nationalities and cultures all in one place. | 0:09:25 | 0:09:29 | |
It must be great, I bet you've never really experienced racism." | 0:09:29 | 0:09:33 | |
I was like, what do you mean by that? | 0:09:34 | 0:09:37 | |
Am I going to experience it now? | 0:09:37 | 0:09:38 | |
Truth is, I don't really experience racism any more. | 0:09:40 | 0:09:43 | |
Not any more, ever since I stopped playing football. | 0:09:43 | 0:09:47 | |
LAUGHTER | 0:09:47 | 0:09:49 | |
No racism whatsoever. | 0:09:49 | 0:09:50 | |
Where a little bit confused, our generation, | 0:09:50 | 0:09:53 | |
if someone is suspiciously being a bit racist, what we do now, | 0:09:53 | 0:09:56 | |
we pull out of friends, video it, push onto YouTube. | 0:09:56 | 0:10:00 | |
YouTube be the deciding factor if someone is actually being racist. | 0:10:01 | 0:10:04 | |
It happened last year with the lady on a tram down in Croydon. | 0:10:04 | 0:10:08 | |
Can you remember this? | 0:10:08 | 0:10:10 | |
For the people who don't understand what happened, | 0:10:10 | 0:10:12 | |
there was an English lady who was on the tram, | 0:10:12 | 0:10:15 | |
and she just freaked out because she had other people from other nationalities on the tram with her. | 0:10:15 | 0:10:20 | |
She was effing and blinding because this isn't the same England that she remembers. | 0:10:20 | 0:10:24 | |
The people on the tram couldn't understand her, | 0:10:24 | 0:10:27 | |
because she was speaking English, right. | 0:10:27 | 0:10:30 | |
LAUGHING | 0:10:30 | 0:10:31 | |
But it went viral, it went all over the world, | 0:10:31 | 0:10:34 | |
and I read about it in a credible source, which was in the Metro, right. | 0:10:34 | 0:10:39 | |
And the lady wrote in, in the comment section, | 0:10:39 | 0:10:43 | |
"This lady has ashamed my race, she has made me ashamed to be white. | 0:10:43 | 0:10:50 | |
"This lady has ashamed my race." | 0:10:50 | 0:10:53 | |
Now, I didn't know one person from your race | 0:10:53 | 0:10:56 | |
makes you feel that way, I didn't know. | 0:10:56 | 0:10:58 | |
Because being black, we've got people that shame us all the time. | 0:10:58 | 0:11:03 | |
Like Ainslie Harriet, right. | 0:11:03 | 0:11:04 | |
APPLAUSE | 0:11:04 | 0:11:06 | |
Some people are clapping, I agree! | 0:11:06 | 0:11:08 | |
Some people are like, "no, I enjoy his couscous, please." | 0:11:08 | 0:11:11 | |
I was in Grimsby, right, | 0:11:14 | 0:11:16 | |
and I said the same thing to do audience in Grimsby once upon a time. | 0:11:16 | 0:11:20 | |
The people were very nice, you could even say sweet, right, | 0:11:20 | 0:11:23 | |
but you know what, they started naming other black people, | 0:11:23 | 0:11:26 | |
right, that I should be ashamed of. | 0:11:26 | 0:11:29 | |
Can you believe that? They were like, "what about Emile Hesky?" | 0:11:30 | 0:11:34 | |
I can't really defend Emile Hesky. | 0:11:34 | 0:11:36 | |
"What about Tim Westwood?" | 0:11:36 | 0:11:38 | |
LAUGHING | 0:11:38 | 0:11:41 | |
What? | 0:11:41 | 0:11:42 | |
APPLAUSE | 0:11:42 | 0:11:44 | |
But what really threw me, there was a guy right at the back, he said, | 0:11:45 | 0:11:49 | |
"what about Leroy?" and it travelled, Leroy, Leroy, Leroy. | 0:11:49 | 0:11:53 | |
I said, who the hell is Leroy? | 0:11:53 | 0:11:54 | |
"You don't know him, but if you did know him, you'd be ashamed." | 0:11:54 | 0:11:57 | |
LAUGHING | 0:11:57 | 0:11:59 | |
Thank you much, I'm Marlon Davis, good night. | 0:11:59 | 0:12:01 | |
APPLAUSE | 0:12:01 | 0:12:04 | |
Marlon Davis. | 0:12:05 | 0:12:06 | |
Marlon, Marlon, Marlon, what a man. Marlon Davis, everyone! | 0:12:06 | 0:12:11 | |
CHEERING | 0:12:13 | 0:12:14 | |
Yes, I did Tim Westwood's radio show once, as a guest on it, | 0:12:16 | 0:12:19 | |
and he was shouting and getting us to tell him jokes. | 0:12:19 | 0:12:22 | |
He was violent and he scared us. | 0:12:22 | 0:12:24 | |
I don't like him. | 0:12:24 | 0:12:25 | |
He said, yes, he had grenades and all kinds going off. | 0:12:25 | 0:12:29 | |
"Ramsay, tell me...bowwww-chhh! A joke." | 0:12:29 | 0:12:31 | |
It was like all kinds, it was like Basra, it was mental, right. | 0:12:32 | 0:12:36 | |
He went, "what would I say if I is a comedian, what would I say, | 0:12:36 | 0:12:39 | |
what would I say?" | 0:12:39 | 0:12:41 | |
And I went, if I was you, I would walk on, and I would say hi, | 0:12:41 | 0:12:44 | |
I'm Tim Westwood and the UK's biggest hip-hop DJ, | 0:12:44 | 0:12:47 | |
but I look like I should be selling TVs in Dixons. | 0:12:47 | 0:12:49 | |
All his cronies laughed, he looked at them and they stopped. | 0:12:49 | 0:12:53 | |
It was amazing. | 0:12:53 | 0:12:55 | |
Can we have another round of applause for Petebox, | 0:12:55 | 0:12:57 | |
who is going to be beat boxing and meeting people off the stage. | 0:12:57 | 0:13:01 | |
Mix it up, bring it higher, bring it higher! | 0:13:01 | 0:13:04 | |
Welcome to the stage, Mr Rhys Darby! | 0:13:04 | 0:13:08 | |
Rhys Darby. | 0:13:15 | 0:13:17 | |
Yes, thank you, good evening, it's good to be here tonight. | 0:13:17 | 0:13:21 | |
You're probably thinking, yes, he must be doing pretty well, | 0:13:21 | 0:13:23 | |
he's got his own T-shirt. | 0:13:23 | 0:13:26 | |
No, it's my brother's, Roger. | 0:13:26 | 0:13:28 | |
He's an electrician. | 0:13:30 | 0:13:31 | |
Woo! | 0:13:34 | 0:13:36 | |
Just wait for that applause to die down. | 0:13:36 | 0:13:39 | |
Ah, it's good to be here. | 0:13:39 | 0:13:40 | |
Over the last couple of years I've met a few people. "Have you?" | 0:13:40 | 0:13:46 | |
Yeah, it's all part and parcel of the performance activities. | 0:13:46 | 0:13:49 | |
I'm a keen handshake when I meet people, | 0:13:49 | 0:13:52 | |
I believe that the classic way to go. | 0:13:52 | 0:13:54 | |
These days, you get a lot of different offerings, | 0:13:54 | 0:13:56 | |
high-fives, hugs, I remember when the first fist came out of me, | 0:13:56 | 0:14:00 | |
I didn't know what to do with that, I just sort of grabbed it. | 0:14:00 | 0:14:03 | |
APPLAUSE | 0:14:03 | 0:14:04 | |
"No, you've got to pump it." | 0:14:06 | 0:14:09 | |
Oh, OK, pump it, there we go. | 0:14:09 | 0:14:14 | |
Oh, bump it? I'd rather just leave it. | 0:14:14 | 0:14:16 | |
It's weird, it's like you're trying to punch me | 0:14:16 | 0:14:18 | |
but you've missed by half a metre. LAUGHING | 0:14:18 | 0:14:20 | |
Do you want me to jump in to that, do you? | 0:14:20 | 0:14:23 | |
Ah! | 0:14:23 | 0:14:25 | |
Why would you do that? I just don't like it. | 0:14:25 | 0:14:27 | |
I think fisting's not right. | 0:14:27 | 0:14:29 | |
LAUGHING | 0:14:29 | 0:14:31 | |
I come in with the handshake just to make sure that's what | 0:14:31 | 0:14:34 | |
we get these days, I come in quite early, sometimes three metres. | 0:14:34 | 0:14:38 | |
I've even gone around corners with the handshake. | 0:14:41 | 0:14:44 | |
I know I'm meeting someone outside a shop, I know they are there, | 0:14:44 | 0:14:46 | |
I've been dropped off over there. | 0:14:46 | 0:14:48 | |
I've come round the corner with it. | 0:14:48 | 0:14:51 | |
Oh, good day, mate. | 0:14:51 | 0:14:53 | |
Now and then I've gone to someone | 0:14:53 | 0:14:55 | |
and realised at the last minute I've realised that's not the person | 0:14:55 | 0:14:57 | |
I'm supposed to meet, and I've veered off, oh, sorry, mate. | 0:14:57 | 0:15:01 | |
I've just got a wayward handshake. | 0:15:01 | 0:15:04 | |
Shit, what am I going to do with that? | 0:15:04 | 0:15:06 | |
People can see it from across the street. | 0:15:06 | 0:15:08 | |
"Oh, no, that guy's got a wayward handshake!" | 0:15:08 | 0:15:10 | |
"Shit, he's got no-one to receive it!" | 0:15:10 | 0:15:12 | |
"Help!" | 0:15:12 | 0:15:14 | |
Help me, someone meet me! | 0:15:14 | 0:15:18 | |
I've just landed on the sidewalk. | 0:15:18 | 0:15:20 | |
I'm OK. | 0:15:23 | 0:15:24 | |
Ah, shit, where's he going? | 0:15:26 | 0:15:27 | |
Ah, he's going to the person we were supposed to meet. | 0:15:29 | 0:15:32 | |
He's not there. | 0:15:32 | 0:15:33 | |
He's not there, mate! | 0:15:33 | 0:15:35 | |
Get on the lift, boooooom. | 0:15:35 | 0:15:40 | |
Back in the pocket. | 0:15:40 | 0:15:41 | |
That's the wrong pocket. | 0:15:42 | 0:15:44 | |
You ever put your hand in the wrong pocket? | 0:15:45 | 0:15:48 | |
Yeah, I know it's the wrong pocket, I'll get away with it. | 0:15:49 | 0:15:52 | |
Ah, I'm into robots, | 0:15:56 | 0:15:57 | |
and jogging. | 0:15:57 | 0:16:00 | |
And chicks with dicks. | 0:16:00 | 0:16:02 | |
I'm joking, I'm joking! | 0:16:02 | 0:16:05 | |
I'm not into jogging. | 0:16:05 | 0:16:07 | |
APPLAUSE | 0:16:07 | 0:16:09 | |
I do like robots, in particular Transformers, | 0:16:09 | 0:16:13 | |
as a kid I used to make them and build them, enjoy them. | 0:16:13 | 0:16:17 | |
Then, of course, the movies came out, I had to see them as an adult. | 0:16:17 | 0:16:21 | |
Thought they were rubbish, the main problem for me is that they just | 0:16:21 | 0:16:24 | |
transform too quickly, in the movies it's just like, "bsssst, boom, boom." | 0:16:24 | 0:16:27 | |
Bullshit, anyone who has ever had a Transformer will tell you it | 0:16:27 | 0:16:31 | |
takes half a day to transform those things, you know? | 0:16:31 | 0:16:34 | |
It's not that easy. | 0:16:34 | 0:16:36 | |
This is what I expected to see in the movies | 0:16:36 | 0:16:37 | |
when the Transformers transformed. | 0:16:37 | 0:16:40 | |
Brrrrom. "Transformed." | 0:16:40 | 0:16:42 | |
Eeh, eeh, eeh, "oh, shit!" | 0:16:42 | 0:16:45 | |
My arm's stuck in the wheel housing, I can't get it round. | 0:16:45 | 0:16:49 | |
Oh, my head won't... Is that right? | 0:16:49 | 0:16:52 | |
No, I'm half a truck! | 0:16:52 | 0:16:56 | |
Shit, they're coming, quick, put me back in the packet. | 0:16:56 | 0:16:59 | |
# More than meets the eye...# | 0:17:01 | 0:17:04 | |
Well, we've all had a good laugh tonight, but I just want to | 0:17:07 | 0:17:09 | |
finish on a little, sort of, emotional piece, if you will. | 0:17:09 | 0:17:13 | |
It's about my grandfather who passed away last year, | 0:17:13 | 0:17:15 | |
he was a great man, he fought in all the wars, | 0:17:15 | 0:17:18 | |
did everything there was to do for a man of his age and time. | 0:17:18 | 0:17:23 | |
I say he's passed away, he's not fully dead, he's in a rest home, | 0:17:23 | 0:17:26 | |
but we don't visit him anymore, so he's dead to us. | 0:17:26 | 0:17:30 | |
I just want to perform to you a song which he passed on to me. | 0:17:31 | 0:17:34 | |
It's about one of the battles he was in, it's called 'Nam. | 0:17:35 | 0:17:39 | |
I hope you enjoy this and get a lot out of it like I have over the years. | 0:17:39 | 0:17:43 | |
PLAYS HARMONICA | 0:17:43 | 0:17:47 | |
BOOM! | 0:17:54 | 0:17:57 | |
EMULATES GUNFIRE | 0:17:57 | 0:17:59 | |
EMULATES BOMBS DROPPING | 0:18:07 | 0:18:08 | |
Ugh! Medic! | 0:18:08 | 0:18:13 | |
PLAYS HARMONICA | 0:18:13 | 0:18:14 | |
APPLAUSE | 0:18:17 | 0:18:19 | |
Thank you very much, good night! | 0:18:19 | 0:18:22 | |
Rhys Darby, everyone! | 0:18:22 | 0:18:25 | |
Bloody hell. | 0:18:25 | 0:18:28 | |
The next act coming up to the stage is a good friend of mine, | 0:18:28 | 0:18:31 | |
he's absolutely fantastic, you're going to love him. | 0:18:31 | 0:18:33 | |
Give it up for the brilliant Daniel Sloss. | 0:18:33 | 0:18:35 | |
Seriously building this up so much more, it's going to be shit. | 0:18:46 | 0:18:51 | |
Uh, just tell you a bit about my year. | 0:18:51 | 0:18:53 | |
Got a haircut, yeah, it's not that good, but thanks. | 0:18:53 | 0:18:57 | |
Uh, the reason I got my hair cut was for several reasons, first, | 0:18:57 | 0:19:00 | |
I genuinely thought it would make me look older, that backfired. | 0:19:00 | 0:19:03 | |
The other reason I've had this hair since I was, | 0:19:03 | 0:19:06 | |
like, 15 years old, then Justin Bieber turned up, | 0:19:06 | 0:19:09 | |
and everyone was like, "oh, you look like Justin Bieber." | 0:19:09 | 0:19:12 | |
And I don't want that, cos I'm straight. | 0:19:12 | 0:19:14 | |
Um, so I got it cut to this length, | 0:19:15 | 0:19:17 | |
and it turns out Justin Bieber has also had his hair cut to this length. | 0:19:17 | 0:19:21 | |
So next year, I'm going to fucking kill myself. And... | 0:19:21 | 0:19:26 | |
You're welcome, society! | 0:19:28 | 0:19:29 | |
CHEERING AND APPLAUSE | 0:19:29 | 0:19:33 | |
Make my birthday a national holiday. | 0:19:33 | 0:19:36 | |
Don't. It's September the 11th. | 0:19:36 | 0:19:38 | |
Possibly shouldn't celebrate that just yet. | 0:19:40 | 0:19:44 | |
Yep, that's my genuine birthday. | 0:19:44 | 0:19:45 | |
That's what I don't like, because that's the standard reaction. | 0:19:45 | 0:19:48 | |
"When your birthday?" | 0:19:48 | 0:19:49 | |
"Oh, it's September 11th." HE GASPS | 0:19:49 | 0:19:51 | |
I didn't do it! | 0:19:53 | 0:19:54 | |
It's not like my uncle came up to me and said, | 0:19:56 | 0:19:58 | |
"What you want for your birthday?" | 0:19:58 | 0:20:00 | |
And I went, "Ooh, I don't know. Surprise me." | 0:20:00 | 0:20:02 | |
LAUGHTER | 0:20:02 | 0:20:04 | |
Oh, he's got a crazy sense of humour, that Uncle Osama(!) No! | 0:20:04 | 0:20:08 | |
Sitting there watching the news, going, "Fuuuck! | 0:20:10 | 0:20:14 | |
"A card would have done!" | 0:20:14 | 0:20:16 | |
I moved out this year. I moved out. That's a big step. | 0:20:20 | 0:20:23 | |
It was very weird moving out. | 0:20:23 | 0:20:25 | |
It's always hard on parents when a child moves out. ONE parent. | 0:20:25 | 0:20:28 | |
ONE parent cares. The other one doesn't really give a crap. | 0:20:28 | 0:20:31 | |
And see if you can work out which one of my parents | 0:20:31 | 0:20:33 | |
was more upset when I moved out. | 0:20:33 | 0:20:35 | |
You've got two choices, | 0:20:35 | 0:20:36 | |
despite the fact that I am originally from Fife. You've got... | 0:20:36 | 0:20:39 | |
CHEERING AND APPLAUSE | 0:20:39 | 0:20:42 | |
You've got my loving, caring, friendly mum, | 0:20:42 | 0:20:47 | |
or my stepdad. | 0:20:47 | 0:20:48 | |
Now, I'll give you another clue. | 0:20:48 | 0:20:50 | |
He's not actually my stepdad. | 0:20:50 | 0:20:52 | |
I just call him that to piss him off. | 0:20:52 | 0:20:54 | |
LAUGHTER | 0:20:54 | 0:20:56 | |
"Call me Dad!" "Shut up, Martin!" | 0:20:58 | 0:21:00 | |
I am a proper mummy's boy. Deep down. | 0:21:02 | 0:21:05 | |
I love my mum. She's amazing. | 0:21:05 | 0:21:07 | |
She's had four kids, and you know that she loves us all the same, | 0:21:07 | 0:21:10 | |
but after the first two, she kind of stopped caring. | 0:21:10 | 0:21:13 | |
Because she'll always go on about how she was BLESSED with me, | 0:21:13 | 0:21:16 | |
and she was GIFTED with my sister. | 0:21:16 | 0:21:18 | |
Then she HAD my brother. | 0:21:18 | 0:21:20 | |
And she'll always remember the day | 0:21:20 | 0:21:21 | |
that she was DIAGNOSED with the other one. | 0:21:21 | 0:21:23 | |
LAUGHTER | 0:21:23 | 0:21:25 | |
We were all intentional, though. | 0:21:25 | 0:21:27 | |
Which is good, | 0:21:27 | 0:21:29 | |
because my mum's got a very healthy outlook to contraception. | 0:21:29 | 0:21:32 | |
Which is great, because her sister is actually anti-abortion. | 0:21:32 | 0:21:36 | |
Which is a cruel nickname, but she's had, like, five. | 0:21:36 | 0:21:38 | |
TENTATIVE APPLAUSE AND LAUGHTER | 0:21:38 | 0:21:42 | |
That was a tester joke. | 0:21:45 | 0:21:47 | |
Some of you passed. | 0:21:47 | 0:21:49 | |
Some of you should've been aborted. | 0:21:49 | 0:21:51 | |
LAUGHTER | 0:21:51 | 0:21:55 | |
I do like my dad. My dad's great. | 0:21:55 | 0:21:56 | |
He raised me an atheist, that's one of his big things. | 0:21:56 | 0:21:59 | |
I'm not one of these hardcore atheists. | 0:21:59 | 0:22:00 | |
I don't hate religious people. If you are religious, beautiful. | 0:22:00 | 0:22:03 | |
Well done, you. I wish I could have that faith. | 0:22:03 | 0:22:05 | |
I wish I could have that belief system. | 0:22:05 | 0:22:08 | |
But I went to school, so... | 0:22:08 | 0:22:09 | |
But I'm genuinely not against religion. | 0:22:11 | 0:22:13 | |
I've got an uncle who is a minister. | 0:22:13 | 0:22:15 | |
He is 5ft 2, so we call him a mini-ster. | 0:22:15 | 0:22:17 | |
I mean, he hates it, but what's he going to do about it, eh? | 0:22:19 | 0:22:22 | |
LAUGHTER | 0:22:22 | 0:22:24 | |
No! | 0:22:24 | 0:22:25 | |
Go talk to your imaginary friend, eh? | 0:22:27 | 0:22:29 | |
And the thing he does that is quite annoying as he does that thing | 0:22:31 | 0:22:34 | |
a lot of religious people do, in that he quotes the bible at me. | 0:22:34 | 0:22:38 | |
"Daniel, you will know the truth | 0:22:38 | 0:22:40 | |
"and the truth will set you free. John: 19:32" | 0:22:40 | 0:22:43 | |
What? | 0:22:43 | 0:22:46 | |
Can I do that? Can I randomly quote stuff at people? | 0:22:46 | 0:22:48 | |
"If you want know what a man is truly like, | 0:22:48 | 0:22:50 | |
"look at how he treats his inferiors, and not his equals." | 0:22:50 | 0:22:53 | |
Harry Potter and the Goblet of Fire. | 0:22:53 | 0:22:55 | |
The exact same thing. Good quote, made-up source. | 0:22:55 | 0:22:57 | |
Because I think we can all agree fans of Harry Potter | 0:22:57 | 0:23:00 | |
are slightly less annoying than fans of the bible. | 0:23:00 | 0:23:02 | |
Because they've definitely started less wars. | 0:23:04 | 0:23:06 | |
Not as annoying as fans of Twilight, though. | 0:23:06 | 0:23:08 | |
CHEERING I hate Twilight. | 0:23:08 | 0:23:11 | |
If you've never seen the films, | 0:23:11 | 0:23:12 | |
allow me to quickly summarise all four of them for you. | 0:23:12 | 0:23:15 | |
"Jacob!" "What?" Fffft! Done. | 0:23:15 | 0:23:18 | |
You've got, very quickly, you've got your three main characters. | 0:23:19 | 0:23:22 | |
Jacob, who is a weird werewolf. | 0:23:22 | 0:23:23 | |
You've got Robert Pattinson, who plays a vampire. | 0:23:23 | 0:23:26 | |
If you don't know who Robert Pattinson is, | 0:23:26 | 0:23:28 | |
he's got the emotional range of Keanu Reeves after a stroke. | 0:23:28 | 0:23:32 | |
And then you've finally got Bella Swan. | 0:23:33 | 0:23:36 | |
Bella Swan is the most miserable woman | 0:23:36 | 0:23:38 | |
that's ever existed in fact or fiction. | 0:23:38 | 0:23:40 | |
It's like she's constantly on her period, | 0:23:40 | 0:23:42 | |
which I imagine he fucking loves. | 0:23:42 | 0:23:44 | |
APPLAUSE AND CHEERING | 0:23:44 | 0:23:46 | |
That'll do. | 0:23:49 | 0:23:51 | |
APPLAUSE AND CHEERING | 0:23:51 | 0:23:54 | |
Daniel Sloss! | 0:23:54 | 0:23:56 | |
-BEATBOXING MUSIC -Daniel Sloss, everyone! | 0:23:56 | 0:23:59 | |
Scotland's own! | 0:23:59 | 0:24:01 | |
Scotland's very own. Wow! | 0:24:01 | 0:24:04 | |
BEATBOXING MUSIC FADES | 0:24:04 | 0:24:06 | |
It's like someone's shut the door, innit? | 0:24:06 | 0:24:09 | |
Great, so the door shut. To the music room, right? | 0:24:09 | 0:24:12 | |
HE MAKES CREAKING DOOR SOUND MUSIC GETS LOUDER | 0:24:12 | 0:24:15 | |
-APPLAUSE -Keep that fucking racket down, will you? | 0:24:15 | 0:24:18 | |
MUSIC FADES | 0:24:18 | 0:24:20 | |
LAUGHTER AND APPLAUSE | 0:24:20 | 0:24:22 | |
MUSIC GETS LOUDER | 0:24:22 | 0:24:26 | |
MUSIC STOPS CHEERS AND WHISTLES | 0:24:26 | 0:24:28 | |
Petebox, everyone! | 0:24:28 | 0:24:30 | |
Thank you very much. | 0:24:30 | 0:24:33 | |
The next act coming to the stage | 0:24:33 | 0:24:35 | |
is the wonderful Ellie Taylor! | 0:24:35 | 0:24:38 | |
APPLAUSE AND CHEERING | 0:24:38 | 0:24:41 | |
Hey, Edinburgh! How are we doing? | 0:24:43 | 0:24:45 | |
CHEERING | 0:24:45 | 0:24:47 | |
Ooh! We're very good! So, hello, my name is Ellie, | 0:24:47 | 0:24:49 | |
I am quite tall. | 0:24:49 | 0:24:51 | |
But it's always been a good thing for me, because my blokes | 0:24:51 | 0:24:53 | |
say things like, "Ellie, you are like an Amazonian warrior." | 0:24:53 | 0:24:56 | |
Ooh! Brilliant! Then I had another boyfriend say, | 0:24:56 | 0:24:59 | |
"Ellie, you're like a king-size Mars bar." | 0:24:59 | 0:25:02 | |
And I said, "What, because I offer that little bit extra, | 0:25:02 | 0:25:04 | |
"and only every man can handle me?" | 0:25:04 | 0:25:06 | |
And he said, "No, because you seem like a good idea, | 0:25:06 | 0:25:08 | |
"but I feel sick afterwards." | 0:25:08 | 0:25:09 | |
LAUGHTER | 0:25:09 | 0:25:11 | |
Not as good. Which is a shame, | 0:25:11 | 0:25:12 | |
because I always think I'm the right side of tall. | 0:25:12 | 0:25:15 | |
Like I'm useful, but not freakish. | 0:25:15 | 0:25:17 | |
I'm very good at changing lightbulbs | 0:25:17 | 0:25:19 | |
and getting things off shelves, | 0:25:19 | 0:25:20 | |
but still within the requirements | 0:25:20 | 0:25:22 | |
to have a sham marriage to Tom Cruise. | 0:25:22 | 0:25:23 | |
APPLAUSE | 0:25:23 | 0:25:25 | |
Big Tom Cruise fan over there, clearly! | 0:25:25 | 0:25:27 | |
Being tall as a kid was quite tricky, | 0:25:27 | 0:25:29 | |
because as a grown-up, I've plateaued. | 0:25:29 | 0:25:31 | |
As a child, I was FUCKING EPIC. | 0:25:31 | 0:25:33 | |
I was. | 0:25:33 | 0:25:34 | |
Pictures of me at primary school with my friends | 0:25:34 | 0:25:37 | |
just make me look like a Sylvanian Families enthusiast. | 0:25:37 | 0:25:40 | |
This is my collection. | 0:25:40 | 0:25:42 | |
Oh, I just squashed Jessica! Sorry! | 0:25:42 | 0:25:45 | |
Being tall as a grown-up has its downfalls as well. | 0:25:45 | 0:25:47 | |
It's made me quite discriminate about people who are under 5ft 5. | 0:25:47 | 0:25:50 | |
WOMAN CHEERS | 0:25:50 | 0:25:52 | |
The same Tom Cruise fan! What a surprise! | 0:25:52 | 0:25:54 | |
I don't mean to be discriminate of you, darling. | 0:25:54 | 0:25:57 | |
I just don't see you. | 0:25:57 | 0:25:59 | |
The other day, I walked directly into a short woman wearing a burka, | 0:25:59 | 0:26:02 | |
because my peripheral vision had labelled her out as a bollard. | 0:26:02 | 0:26:06 | |
LAUGHTER AND APPLAUSE | 0:26:06 | 0:26:09 | |
If you ever find yourself in that situation, | 0:26:09 | 0:26:12 | |
it does not help things when you say, | 0:26:12 | 0:26:14 | |
"Sorry, I thought you were a bollard." | 0:26:14 | 0:26:16 | |
Not good. So I looked after my little nephew last weekend. | 0:26:16 | 0:26:19 | |
He is two years old, and my sister said before she left me with him, | 0:26:19 | 0:26:22 | |
"Careful, he's got a bit naughty lately. | 0:26:22 | 0:26:24 | |
"Turned into a bit of a monkey." And she was right. | 0:26:24 | 0:26:26 | |
She been gone ten minutes, | 0:26:26 | 0:26:27 | |
he'd nicked the windscreen wiper off my car, | 0:26:27 | 0:26:29 | |
shat on the bonnet, scaled a tree. | 0:26:29 | 0:26:31 | |
You've got to be on them, don't you? | 0:26:31 | 0:26:32 | |
And I find it tricky when I look after him, | 0:26:32 | 0:26:35 | |
because as a woman in her late 20s, | 0:26:35 | 0:26:36 | |
I started thinking, "God, am I ready to become a mother?" | 0:26:36 | 0:26:40 | |
And I'm not sure, right, because on one hand, | 0:26:40 | 0:26:42 | |
I look at the boys in One Direction, and I think, | 0:26:42 | 0:26:45 | |
"Gosh, your parents must be so proud of you. | 0:26:45 | 0:26:47 | |
"I hope you packed enough socks and taken your multivitamins. Ooh!" | 0:26:47 | 0:26:51 | |
And then on the other hand, I want to sit on Harry's face. | 0:26:51 | 0:26:54 | |
LAUGHTER | 0:26:54 | 0:26:58 | |
Which may be suggesting I'm not quite ready to be a mother. | 0:27:00 | 0:27:04 | |
Or sort of ready to hang out with people under the age of 19 alone. | 0:27:04 | 0:27:07 | |
Really. But...anyone here been in a photo? | 0:27:07 | 0:27:11 | |
AUDIENCE: Yes! | 0:27:11 | 0:27:12 | |
One or two, that's handy! Lovely! | 0:27:12 | 0:27:14 | |
I've been doing a photography course recently, | 0:27:14 | 0:27:17 | |
and I've learned quite a lot from it. | 0:27:17 | 0:27:18 | |
I've learned, for instance, | 0:27:18 | 0:27:20 | |
that 98% of women will take photos of any old shit. | 0:27:20 | 0:27:22 | |
We love a photo, don't we? | 0:27:22 | 0:27:24 | |
But it has given rise to some awesome Facebook photo albums. | 0:27:24 | 0:27:27 | |
You know the ones I'm talking about, with the kind of crazy titles. | 0:27:27 | 0:27:30 | |
Things like, "Just another quiet Friday night, winky face emoticon!" | 0:27:30 | 0:27:34 | |
"Ooh! Mental!" | 0:27:34 | 0:27:36 | |
Then will come the photos, | 0:27:36 | 0:27:38 | |
and the equally inane photo captions. | 0:27:38 | 0:27:40 | |
So they're always start with something like, | 0:27:40 | 0:27:42 | |
"Me and my friends at the beginning of the night. | 0:27:42 | 0:27:44 | |
"What gorgeous girls I'm friends with! | 0:27:44 | 0:27:46 | |
"Us ordering the first bottle of wine. | 0:27:46 | 0:27:48 | |
"First of many, because we are such alkies! | 0:27:48 | 0:27:51 | |
"The bottle of wine. My glass. | 0:27:51 | 0:27:54 | |
"Laura's glass. Jenny's glass. | 0:27:54 | 0:27:56 | |
"Us all facing to the left. Ooh! | 0:27:56 | 0:27:59 | |
"Us all facing to the right. Ooh! | 0:27:59 | 0:28:01 | |
"An arty one of just our shoes." | 0:28:01 | 0:28:04 | |
LAUGHTER AND APPLAUSE | 0:28:04 | 0:28:07 | |
"Best night ever!" Oh, my God! | 0:28:09 | 0:28:12 | |
The only thing worse than seeing one of those albums | 0:28:12 | 0:28:15 | |
is when you re-look at the title, | 0:28:15 | 0:28:17 | |
and see that it actually says, "Part one." | 0:28:17 | 0:28:20 | |
Whereas if a bloke does decide for some reason | 0:28:22 | 0:28:24 | |
to take a camera out with him, | 0:28:24 | 0:28:25 | |
he'll take one to two photos before getting bored, leaving him | 0:28:25 | 0:28:29 | |
with a record of the evening that consists of, | 0:28:29 | 0:28:32 | |
"Dave downing a pint. Mike's knob. Done." | 0:28:32 | 0:28:34 | |
LAUGHTER AND APPLAUSE | 0:28:34 | 0:28:37 | |
And he'll think he's been very thorough. | 0:28:37 | 0:28:39 | |
Guys, you've been wonderful. | 0:28:39 | 0:28:41 | |
Enjoy the rest of your evening. Good night! | 0:28:41 | 0:28:43 | |
APPLAUSE AND CHEERING | 0:28:43 | 0:28:45 | |
Ellie Taylor! Yes! | 0:28:46 | 0:28:49 | |
Brilliant! | 0:28:51 | 0:28:52 | |
BEATBOXING MUSIC | 0:28:52 | 0:28:54 | |
HE LAUGHS | 0:28:56 | 0:28:58 | |
I want him instead of a CD player! | 0:28:58 | 0:29:00 | |
Alarm clock, CD player, ring tone. | 0:29:00 | 0:29:02 | |
-I just want him to go, "Hey..." -HE BEATBOXES | 0:29:02 | 0:29:05 | |
And I'd go, "Yeah, stop spitting on us. That's me phone." | 0:29:05 | 0:29:08 | |
Amazing. I want a party trick. I haven't got a party trick. | 0:29:08 | 0:29:11 | |
Everyone gets drunk and talks shit at a party. | 0:29:11 | 0:29:14 | |
That's all I do. | 0:29:14 | 0:29:15 | |
Are you ready for the next act? | 0:29:15 | 0:29:16 | |
APPLAUSE AND CHEERING | 0:29:16 | 0:29:20 | |
Please welcome to the stage | 0:29:20 | 0:29:21 | |
the brilliant character comedy of Adam Riches! | 0:29:21 | 0:29:24 | |
APPLAUSE AND CHEERING | 0:29:24 | 0:29:27 | |
GONG CLANGS REPEATEDLY | 0:29:27 | 0:29:31 | |
Greetings, gamers! I'm Mastermind. | 0:29:35 | 0:29:39 | |
A mysterious and enigmatic millionaire | 0:29:39 | 0:29:42 | |
who travels the globe, | 0:29:42 | 0:29:43 | |
risking it all for the thrill of the game. | 0:29:43 | 0:29:46 | |
I'm blind. | 0:29:46 | 0:29:47 | |
I'm prone to periods of bizarre self-description, | 0:29:47 | 0:29:50 | |
and I wear a leg bag and catheter, | 0:29:50 | 0:29:51 | |
purely for cosmetic reasons. | 0:29:51 | 0:29:54 | |
This is my beautiful concubine, Sunatra. | 0:29:56 | 0:29:58 | |
I won her in a particularly high stakes game of Skill in 2003. | 0:30:00 | 0:30:05 | |
Who amongst you will accept my challenge, | 0:30:05 | 0:30:08 | |
and face me in a do-or-die game of wit and elan? | 0:30:08 | 0:30:12 | |
And the chance to win my entire fortune, | 0:30:12 | 0:30:15 | |
plus the hand of my beautiful concubine, Sunatra? | 0:30:15 | 0:30:18 | |
LAUGHTER | 0:30:18 | 0:30:20 | |
Sunatra, water, please. | 0:30:20 | 0:30:22 | |
No! Like starlings do! | 0:30:29 | 0:30:31 | |
AUDIENCE GROANS | 0:30:34 | 0:30:37 | |
AUDIENCE SQUEALS | 0:30:39 | 0:30:41 | |
AUDIENCE GROANS | 0:30:45 | 0:30:48 | |
LAUGHTER AND CHEERING | 0:30:52 | 0:30:57 | |
Sunatra, groom me, please. | 0:30:57 | 0:30:59 | |
No! Use your beak, like starlings do! | 0:31:03 | 0:31:07 | |
Ahhh....ahhh! | 0:31:10 | 0:31:13 | |
Now, feed me those tiny grubs. | 0:31:13 | 0:31:15 | |
Again, like starlings do. | 0:31:15 | 0:31:17 | |
LAUGHTER | 0:31:21 | 0:31:24 | |
AUDIENCE GROANS | 0:31:24 | 0:31:27 | |
What the hell was that stream?! | 0:31:32 | 0:31:34 | |
APPLAUSE AND CHEERING | 0:31:34 | 0:31:37 | |
But, enough of this! | 0:31:38 | 0:31:41 | |
Let the games commence! | 0:31:41 | 0:31:44 | |
GONG CLANGS HE CROWS LIKE A BIRD | 0:31:44 | 0:31:46 | |
GONG CLANGS HE CROWS | 0:31:46 | 0:31:50 | |
GONG CLANGS HE CROWS | 0:31:50 | 0:31:53 | |
The game itself is simple. | 0:31:53 | 0:31:55 | |
Mastermind, voted game of the year four years running. | 0:31:55 | 0:32:00 | |
Yet never with any particular year specified. | 0:32:00 | 0:32:04 | |
It is a game almost simple in its complexity. | 0:32:04 | 0:32:06 | |
Guess which three coloured pegs I have hidden in my hand. | 0:32:06 | 0:32:10 | |
The arena is set. The atmosphere charged. | 0:32:10 | 0:32:14 | |
All that remains is for Sunatra to find me a combatant... HIM! | 0:32:14 | 0:32:17 | |
LAUGHTER | 0:32:17 | 0:32:20 | |
Sunatra, find me that combatant! | 0:32:20 | 0:32:22 | |
GONG CLANGS | 0:32:22 | 0:32:24 | |
Ah! Yeah! Bring him to me! | 0:32:24 | 0:32:27 | |
APPLAUSE Yes! | 0:32:27 | 0:32:28 | |
Bring him, so I may feel his face. | 0:32:30 | 0:32:33 | |
HE SHRIEKS | 0:32:33 | 0:32:36 | |
I like him! What is your name, traveller? | 0:32:36 | 0:32:39 | |
-AUDIENCE: -Steve! | 0:32:39 | 0:32:42 | |
LAUGHTER | 0:32:42 | 0:32:45 | |
Tell me a bit about yourself, Steve. | 0:32:48 | 0:32:50 | |
Your hopes and your dreams. | 0:32:50 | 0:32:52 | |
AUDIENCE SHOUTS OUT | 0:32:52 | 0:32:54 | |
What you might spend my money on, should you win, | 0:32:54 | 0:32:57 | |
and whilst you do, | 0:32:57 | 0:32:58 | |
Sunatra will empty my leg bag, | 0:32:58 | 0:33:00 | |
so I may face you fully drained. | 0:33:00 | 0:33:03 | |
AUDIENCE GROANS AND LAUGHS | 0:33:03 | 0:33:07 | |
Speak, Steve! this is your moment! | 0:33:07 | 0:33:10 | |
LAUGHTER | 0:33:10 | 0:33:13 | |
Steve, you would spend my money well, I presume? | 0:33:13 | 0:33:17 | |
You're so coy, Steve! | 0:33:17 | 0:33:20 | |
I like you, Steve! | 0:33:21 | 0:33:23 | |
AUDIENCE SQUEALS | 0:33:23 | 0:33:25 | |
AUDIENCE GROANS | 0:33:26 | 0:33:29 | |
LAUGHTER | 0:33:29 | 0:33:31 | |
Sunatra, where are my manners?! | 0:33:33 | 0:33:36 | |
Offer our guest a drink! | 0:33:36 | 0:33:38 | |
Like starlings do, Steve! | 0:33:39 | 0:33:42 | |
AUDIENCE SQUEALS AND APPLAUDS | 0:33:42 | 0:33:45 | |
With such little provocation, too! | 0:33:54 | 0:33:56 | |
Steve, pass me the pegs. | 0:33:56 | 0:34:00 | |
I will select three coloured pegs from the box, | 0:34:00 | 0:34:02 | |
and keep them hidden in my hand. | 0:34:02 | 0:34:05 | |
Your quest will be to guess the colours of those pegs, | 0:34:05 | 0:34:07 | |
Steve, in the correct order, to crack my code. | 0:34:07 | 0:34:10 | |
So, selection of the pegs. | 0:34:10 | 0:34:12 | |
'Challenger, this is Sunatra. | 0:34:16 | 0:34:18 | |
'Speaking to you through the power of telepathy. | 0:34:18 | 0:34:22 | |
'For too long, I've been held captive in this weirdo's web. | 0:34:22 | 0:34:26 | |
'Watch me throughout the game, | 0:34:26 | 0:34:29 | |
'and I will mime to you the colours of the pegs. | 0:34:29 | 0:34:31 | |
'Win for me, challenger.' | 0:34:31 | 0:34:33 | |
Apologies for that awkward silence, whilst I selected the pegs. | 0:34:33 | 0:34:37 | |
But I'm ready to play now. | 0:34:38 | 0:34:40 | |
Good luck, Steve. Peg number one. | 0:34:40 | 0:34:42 | |
HEART BEATS | 0:34:43 | 0:34:47 | |
-White. -White! | 0:34:47 | 0:34:49 | |
The colour of white! | 0:34:49 | 0:34:51 | |
APPLAUSE AND CHEERING | 0:34:51 | 0:34:55 | |
Fortunate guess, Steve. | 0:34:55 | 0:34:57 | |
But I think you'll find peg number two harder to crack. Guess again. | 0:34:57 | 0:35:00 | |
Blue. | 0:35:02 | 0:35:03 | |
HE LAUGHS Blue! | 0:35:03 | 0:35:05 | |
Is there such a colour?! | 0:35:05 | 0:35:07 | |
Blue!! | 0:35:07 | 0:35:08 | |
APPLAUSE AND CHEERING | 0:35:08 | 0:35:11 | |
Now, no, that's not right! | 0:35:11 | 0:35:13 | |
Something's afoot! Stop the heart CD! | 0:35:13 | 0:35:15 | |
Stop it! Sunatra, look at me! | 0:35:15 | 0:35:18 | |
Look at me! | 0:35:18 | 0:35:19 | |
I smell treachery on your tits! | 0:35:19 | 0:35:21 | |
You have betrayed me for the last time! It's the last round. | 0:35:23 | 0:35:26 | |
Steve will guess alone. Face away! | 0:35:26 | 0:35:29 | |
'He's blind, | 0:35:31 | 0:35:33 | |
'so whatever peg he holds up, | 0:35:33 | 0:35:35 | |
'just get the audience to cheer anyway. | 0:35:35 | 0:35:37 | |
'Fuck him!' | 0:35:37 | 0:35:39 | |
LAUGHTER AND APPLAUSE | 0:35:39 | 0:35:41 | |
Ah! | 0:35:42 | 0:35:44 | |
So, peg number three. | 0:35:44 | 0:35:45 | |
Good luck, my friend. | 0:35:45 | 0:35:47 | |
Yellow. | 0:35:50 | 0:35:51 | |
APPLAUSE AND CHEERING | 0:35:51 | 0:35:55 | |
HE LAUGHS | 0:35:55 | 0:35:56 | |
There appears to be a slight loophole there, I feel! | 0:35:58 | 0:36:00 | |
LAUGHTER | 0:36:00 | 0:36:03 | |
Unless that is, of course, | 0:36:03 | 0:36:04 | |
we just have some fans of the colour yellow in here tonight. | 0:36:04 | 0:36:07 | |
CHEERING | 0:36:07 | 0:36:09 | |
In which case, that makes perfect sense. | 0:36:09 | 0:36:11 | |
Sticking with yellow, Steve? | 0:36:11 | 0:36:13 | |
-Sticking with yellow. -Yellow! | 0:36:13 | 0:36:16 | |
APPLAUSE AND CHEERING | 0:36:16 | 0:36:19 | |
'Take me to your seat, loverboy! | 0:36:19 | 0:36:21 | |
'So that I may sit on your lap | 0:36:21 | 0:36:23 | |
'until your leg goes dead. | 0:36:23 | 0:36:26 | |
'By the way... | 0:36:26 | 0:36:28 | |
'I'm a man.' | 0:36:28 | 0:36:29 | |
LAUGHTER | 0:36:29 | 0:36:32 | |
Steve has left me. | 0:36:32 | 0:36:35 | |
Who will tend to my leg bag now? | 0:36:35 | 0:36:37 | |
You! | 0:36:37 | 0:36:39 | |
Get up here, now! | 0:36:39 | 0:36:42 | |
You will be my Sunatra now. | 0:36:42 | 0:36:44 | |
CHEERING | 0:36:47 | 0:36:49 | |
Now, put this on. | 0:36:49 | 0:36:50 | |
Ladies and gentlemen, we have reached the end of our tournament. | 0:36:50 | 0:36:54 | |
I hope you have enjoyed the show. | 0:36:54 | 0:36:55 | |
We will return when you least expect, or indeed, wish, | 0:36:55 | 0:36:58 | |
to risk all for the thrill of the game that is Mastermind. | 0:36:58 | 0:37:02 | |
But for now, | 0:37:02 | 0:37:03 | |
you, pull me off. | 0:37:03 | 0:37:06 | |
LAUGHTER | 0:37:06 | 0:37:07 | |
Like starlings do. | 0:37:07 | 0:37:09 | |
APPLAUSE AND CHEERING | 0:37:09 | 0:37:12 | |
-HE LAUGHS -Adam Riches, everyone! | 0:37:17 | 0:37:19 | |
Oh, man! | 0:37:21 | 0:37:23 | |
I know it's a night-long marathon, but is it just me, | 0:37:23 | 0:37:26 | |
or was Jameela looking rough as fuck during that? | 0:37:26 | 0:37:28 | |
LAUGHTER | 0:37:28 | 0:37:30 | |
I wasn't even supposed to come back on, | 0:37:30 | 0:37:32 | |
but I thought, "I'm going to come on and say that." | 0:37:32 | 0:37:35 | |
For now, I'm Chris Ramsey, welcome on Susan Calman. | 0:37:35 | 0:37:39 | |
APPLAUSE AND CHEERING Thank you. | 0:37:39 | 0:37:42 | |
Evening, Edinburgh! | 0:37:42 | 0:37:44 | |
APPLAUSE AND CHEERING | 0:37:44 | 0:37:47 | |
This is where it starts getting real. | 0:37:47 | 0:37:49 | |
It's coming up to midnight. | 0:37:49 | 0:37:50 | |
This is where we can get slightly dirty. | 0:37:50 | 0:37:52 | |
Slightly... I don't know why I'm looking at you, sir. | 0:37:52 | 0:37:55 | |
I'm a lesbian. Welcome. | 0:37:55 | 0:37:56 | |
LAUGHTER | 0:37:56 | 0:37:58 | |
You look like one of my ex-girlfriends. More feminine. | 0:37:58 | 0:38:00 | |
But welcome, and let me just check where we are all from. | 0:38:00 | 0:38:03 | |
Cheer if you're from Edinburgh. CHEERING | 0:38:03 | 0:38:06 | |
Oh, a guy giving me the thumbs up! | 0:38:06 | 0:38:09 | |
Nice one, mate! You're six? Good. | 0:38:09 | 0:38:11 | |
Cheer if you are from Glasgow. | 0:38:11 | 0:38:13 | |
CHEERING Quite a few of you. | 0:38:13 | 0:38:15 | |
Cheer if you're English. CHEERING AND BOOS | 0:38:15 | 0:38:18 | |
There's three of them! | 0:38:18 | 0:38:19 | |
We've got them penned up there! LAUGHTER | 0:38:19 | 0:38:22 | |
Welsh in? | 0:38:22 | 0:38:23 | |
None! | 0:38:23 | 0:38:24 | |
LAUGHTER | 0:38:24 | 0:38:27 | |
Dear God in heaven! Any Irish? CHEERING | 0:38:27 | 0:38:29 | |
Just a fist! | 0:38:29 | 0:38:30 | |
That's a different thing for lesbians, sir. Watch yourself. | 0:38:30 | 0:38:34 | |
That's a proposal of marriage where I come from. | 0:38:34 | 0:38:37 | |
And is there anyone in from abroad? Anywhere glamorous? | 0:38:37 | 0:38:40 | |
QUIET CHEERS | 0:38:40 | 0:38:42 | |
Oh, you're clapping yourself, sweetie! | 0:38:42 | 0:38:44 | |
Where are you from? Australia? | 0:38:44 | 0:38:45 | |
CHEERING | 0:38:45 | 0:38:47 | |
Oh, you got a round of applause | 0:38:47 | 0:38:48 | |
from the nice lady there. You look quite young. | 0:38:48 | 0:38:50 | |
How young are you, before I do anything inappropriate? | 0:38:50 | 0:38:53 | |
Too young for you! | 0:38:53 | 0:38:54 | |
Too young for me? | 0:38:54 | 0:38:55 | |
LAUGHTER | 0:38:55 | 0:38:56 | |
I will be the judge of that, son, thanks very much indeed. | 0:38:56 | 0:38:59 | |
As long as it's legal, it's fine. | 0:38:59 | 0:39:02 | |
Er...you're 20? See? | 0:39:02 | 0:39:05 | |
I have to moderate my language, ladies and gentlemen. | 0:39:07 | 0:39:10 | |
You'll see me often going like that. | 0:39:10 | 0:39:13 | |
Because I am from Glasgow myself, I'm from Glasgow. | 0:39:14 | 0:39:17 | |
CHEERING | 0:39:17 | 0:39:18 | |
Thank you very much indeed. Sometimes people are afraid of Glaswegians. | 0:39:18 | 0:39:22 | |
It's the accent, the way we can make even a compliment sound threatening. | 0:39:22 | 0:39:26 | |
GRUFFLY: For example, the compliment, "That's a pretty baby!" | 0:39:26 | 0:39:31 | |
Sounds a wee bit different, eh? | 0:39:33 | 0:39:35 | |
You can't see on this stage, but I'm actually quite a tiny person, | 0:39:37 | 0:39:41 | |
I'm quite tiny. Yes. | 0:39:41 | 0:39:43 | |
Are you tiny as well, sweetie pie? | 0:39:43 | 0:39:45 | |
How tall are you, gorgeous? | 0:39:45 | 0:39:47 | |
-Just under five foot. -Just under five foot - snap! | 0:39:47 | 0:39:49 | |
I'm 4'11". | 0:39:49 | 0:39:52 | |
Exactly the same height as Kylie Minogue. | 0:39:52 | 0:39:56 | |
That is where the similarity ends. | 0:39:57 | 0:40:00 | |
I'm aware of that. | 0:40:00 | 0:40:02 | |
I have one talent, being this short, one talent, it is absolutely outstanding. | 0:40:02 | 0:40:07 | |
I can stand up completely straight in the back of a black cab. | 0:40:07 | 0:40:12 | |
Thank you very much, thank you very much. | 0:40:12 | 0:40:15 | |
CHEERING AND APPLAUSE | 0:40:15 | 0:40:17 | |
It's quite an expensive hobby, but I really enjoy it, to be honest. | 0:40:17 | 0:40:21 | |
I love the Festival, I adore the Festival. | 0:40:21 | 0:40:24 | |
I've had some bad times at the Festival. | 0:40:24 | 0:40:27 | |
2006. 2006, did my first show. | 0:40:27 | 0:40:29 | |
Gave up my job as a lawyer to be a comedian. | 0:40:29 | 0:40:32 | |
My parents were desperately disappointed | 0:40:32 | 0:40:34 | |
because being a lawyer just about made up for being a lesbian. | 0:40:34 | 0:40:37 | |
Or spinster, as they like to call me. | 0:40:37 | 0:40:40 | |
2006, I did a show, here at the Edinburgh Festival. | 0:40:40 | 0:40:44 | |
I thought it'd be amazing. | 0:40:44 | 0:40:46 | |
£7,500, I'll get on the telly, living the dream, no bother at all. | 0:40:46 | 0:40:50 | |
Did a show. Two people came to see the show. | 0:40:50 | 0:40:53 | |
For the whole month! | 0:40:53 | 0:40:55 | |
AUDIENCE GROAN Two Irish men came, sat in the front row, | 0:40:55 | 0:40:58 | |
punched each other in the crotch for an hour. | 0:40:58 | 0:41:01 | |
It was a happening. | 0:41:01 | 0:41:03 | |
I was on the Royal Mile in Edinburgh and I was flyer... | 0:41:03 | 0:41:06 | |
"Please come and see my show. Dear God, come and see my show." | 0:41:06 | 0:41:09 | |
Next thing I know, I was punched in the back. | 0:41:09 | 0:41:12 | |
I turned round, I expected to see a rugby player or a Ninja. | 0:41:12 | 0:41:17 | |
It was a 12-year-old boy. | 0:41:17 | 0:41:19 | |
I had two choices, right, I had two choices. | 0:41:19 | 0:41:22 | |
I can let him go, or I could have chased him down the Royal Mile. | 0:41:22 | 0:41:25 | |
And that's what I did. | 0:41:25 | 0:41:27 | |
And as I was running down the Royal Mile, people were shouting, | 0:41:27 | 0:41:30 | |
"Why's wee Jimmy Krankie running down the Royal Mile?" | 0:41:30 | 0:41:33 | |
And I caught him. And I don't know who was more surprised, me or him, | 0:41:33 | 0:41:37 | |
cos I hadn't spilled a drop of my pint. | 0:41:37 | 0:41:40 | |
And again, I had two choices. | 0:41:40 | 0:41:42 | |
I could have let him go with a stern telling-off, or I could have punched him back. | 0:41:42 | 0:41:46 | |
Now, give me a cheer if you'd have punched him back. | 0:41:46 | 0:41:48 | |
CHEERING | 0:41:48 | 0:41:50 | |
And that's what I did. | 0:41:50 | 0:41:52 | |
And as I was punching a 12-year-old boy on the Royal Mile, I thought, | 0:41:52 | 0:41:56 | |
"This is what the Festival's all about!" | 0:41:56 | 0:41:58 | |
Brought a bit of Glasgow to the situation. | 0:41:58 | 0:42:02 | |
Someone said to me the other day, "You never did that, you never did that." | 0:42:02 | 0:42:06 | |
And I was like, "I did." | 0:42:06 | 0:42:08 | |
You know, like Michael Douglas in Falling Down, where you just lose it. | 0:42:08 | 0:42:11 | |
Like when you're in Greggs and there's no discernible queuing pattern, | 0:42:11 | 0:42:15 | |
but you all know where you are in the queue | 0:42:15 | 0:42:17 | |
and then someone wanders in and goes, "Can I have a macaroni pie?" | 0:42:17 | 0:42:21 | |
And you go, "Not today, not on my watch!" | 0:42:21 | 0:42:23 | |
I almost got caught, actually. The police were called, | 0:42:25 | 0:42:27 | |
but they just thought it was a brother and sister having a tussle. | 0:42:27 | 0:42:31 | |
I'm going to pass you on now to the wonderful Mr Chris Ramsey! | 0:42:32 | 0:42:38 | |
CHEERING AND APPLAUSE | 0:42:38 | 0:42:40 | |
Susan Calman, everyone! | 0:42:42 | 0:42:45 | |
-CHEERING AND APPLAUSE -We'll have to go fast now. We're running over slightly. | 0:42:45 | 0:42:49 | |
So please keep the clapping going. Build it up for Mr Rob Beckett! | 0:42:49 | 0:42:54 | |
CHEERING, WHISTLING AND APPLAUSE | 0:42:54 | 0:42:58 | |
How good was that? A bit arrogant. Are you all right? | 0:42:59 | 0:43:02 | |
CHEERING | 0:43:02 | 0:43:04 | |
Good, I'm Rob. You seem nice, but normally, when I do gigs, | 0:43:04 | 0:43:07 | |
I normally get all heckles and abuse because of my face. | 0:43:07 | 0:43:11 | |
Um...cos I look like a lot of people. | 0:43:11 | 0:43:14 | |
Right? And people shout this at me. | 0:43:14 | 0:43:16 | |
So what I'll do is, I'll run through that now, and then crack on with some actual jokes. Happy with that? | 0:43:16 | 0:43:22 | |
-Yeah! -Well, it's happening, you might as well get on board. | 0:43:22 | 0:43:25 | |
It'll be a bit awkward otherwise. | 0:43:25 | 0:43:27 | |
I'm Rob Beckett and I look like, but I'm not, | 0:43:27 | 0:43:29 | |
Boris Johnson, Jack Swagger, Jeff Brazier, Biff Tannen. | 0:43:29 | 0:43:33 | |
SCATTERED LAUGHTER | 0:43:33 | 0:43:36 | |
James Earl Jones, the Milky Bar Kid... | 0:43:36 | 0:43:38 | |
..Princess Diana, Leslie Ash... | 0:43:39 | 0:43:42 | |
LAUGHTER | 0:43:42 | 0:43:43 | |
..Philip Seymour Hoffman, Myra Hindley, Craig Bellamy, | 0:43:43 | 0:43:47 | |
Eidur Gudjohnsen, Miss Piggy... | 0:43:47 | 0:43:49 | |
..Natasha Bedingfield, a frog... | 0:43:51 | 0:43:53 | |
LAUGHTER | 0:43:53 | 0:43:55 | |
..Kirk Nielson, Johnny Bravo, Buzz, Peggy Mitchell, Ian Bell, Oliver Kahn... | 0:43:57 | 0:44:02 | |
Pat Butcher, Scott Walker, Peter Lorre, Bam Bam, | 0:44:02 | 0:44:05 | |
the Honey Monster, Jill Dando, Billie Piper and a lesbian. | 0:44:05 | 0:44:09 | |
CHEERING AND APPLAUSE | 0:44:09 | 0:44:12 | |
Any others while I'm here? | 0:44:15 | 0:44:17 | |
H from Steps. | 0:44:17 | 0:44:19 | |
H from Steps? | 0:44:19 | 0:44:21 | |
Not too bad. You're being nice. I normally get Clare Balding at this point. | 0:44:21 | 0:44:26 | |
I did a gig the other week and this little old lady was in the crowd. | 0:44:26 | 0:44:30 | |
She came to me at the end and went, "I've got a look-alikey for you." | 0:44:30 | 0:44:33 | |
Thinking it'd be someone from the '50s I wasn't aware of. | 0:44:33 | 0:44:36 | |
She looked at me square in the face and went, "Quasimodo." | 0:44:36 | 0:44:40 | |
So offensive! | 0:44:41 | 0:44:42 | |
If it's a lad my age, "Leave it out, will you?" | 0:44:42 | 0:44:45 | |
But she was so little and old, like my nan, I just had to go, "Oh, thanks, cheers. | 0:44:45 | 0:44:50 | |
"I'll take that on board." | 0:44:50 | 0:44:52 | |
You're a nice crowd. Sometimes you do gigs to horrible people. | 0:44:52 | 0:44:56 | |
Like the other week, before this gig, I needed to go to the toilet. | 0:44:56 | 0:44:59 | |
I decided to use the disabled toilet, just wanted to stretch my legs. It's nice in there, innit? | 0:44:59 | 0:45:04 | |
Loads of room, it's clean, it's like an indoor balcony on holiday. | 0:45:04 | 0:45:07 | |
To be honest with you, the reason I was using this disabled toilet, | 0:45:07 | 0:45:11 | |
it was a big one, needed the grip while I was in there. | 0:45:11 | 0:45:14 | |
We've all been there, don't judge me. | 0:45:14 | 0:45:16 | |
All right? It was barbecue season, meat every week, right? | 0:45:16 | 0:45:20 | |
So I'm in this disabled toilet, doing my business, | 0:45:20 | 0:45:24 | |
this bloke knocks on the door, goes, "Somebody in there?" | 0:45:24 | 0:45:26 | |
I was like, "Yeah, I'm in here, mate." | 0:45:26 | 0:45:28 | |
Then he said the worst thing anyone's ever said to me, | 0:45:28 | 0:45:31 | |
he went, "Well, I hope you're disabled." Right? | 0:45:31 | 0:45:34 | |
I go, "Fair enough, mate, I'm in the wrong, but you can't wish that on anyone." | 0:45:37 | 0:45:41 | |
What an awful thing to say to someone. | 0:45:41 | 0:45:44 | |
It's not as if anyone's waiting, | 0:45:44 | 0:45:46 | |
and even if they were, they'd have a seat anyway. It annoyed me. | 0:45:46 | 0:45:49 | |
Know what else annoys me? Have you seen the word "lisp" written down? | 0:45:49 | 0:45:53 | |
Why stick an S in the middle? You're not helping them. | 0:45:53 | 0:45:57 | |
Have you seen how dyslexia's spelt? | 0:45:57 | 0:46:00 | |
LAUGHTER | 0:46:00 | 0:46:02 | |
I'm not dyslexic and I can't spell it! | 0:46:02 | 0:46:04 | |
How do you think they feel? | 0:46:04 | 0:46:06 | |
I think I should change it, help 'em out. | 0:46:06 | 0:46:08 | |
Get rid of the "dyslexi" part, just call it "a", right? | 0:46:08 | 0:46:11 | |
It'll be a rubbish word at Scrabble, but I doubt they're playing it. | 0:46:11 | 0:46:15 | |
It'd be much easier, wouldn't it? | 0:46:15 | 0:46:17 | |
"What's wrong with you, mate?" "I've got a." | 0:46:17 | 0:46:20 | |
Bit of a nightmare, but easy to spell, they've changed it. | 0:46:20 | 0:46:23 | |
"How d'you spell it then?" "Oh, it's just T...it's A, A." | 0:46:23 | 0:46:27 | |
Quick question - why are you so tall? | 0:46:28 | 0:46:31 | |
Don't know if you saw what I was doing there. | 0:46:31 | 0:46:34 | |
Looking up higher than normal for the... | 0:46:34 | 0:46:37 | |
Cos of the...imaginary up there. | 0:46:37 | 0:46:39 | |
Don't worry about it. Um... | 0:46:39 | 0:46:41 | |
not done me down. My imaginary dyslexic mate's six foot seven. | 0:46:41 | 0:46:45 | |
He thinks he's seven foot six, we don't argue. | 0:46:45 | 0:46:48 | |
Hassle for me, innit? | 0:46:48 | 0:46:49 | |
I've enjoyed this. I like doing comedy. | 0:46:49 | 0:46:52 | |
My girlfriend's not a massive fan though, cos there's a lot of late-night drinking. | 0:46:52 | 0:46:56 | |
She's worried I might cheat on her. I never would. I love her to bits. | 0:46:56 | 0:46:59 | |
I always try and reassure her with a classic Paul Newman quote. I say, | 0:46:59 | 0:47:02 | |
"Look, why would I go and have a burger when I've got steak at home?" | 0:47:02 | 0:47:06 | |
But the problem is, when you're drunk, burgers are well nice. | 0:47:06 | 0:47:10 | |
I'm Rob Beckett, lovely to see you, good night. | 0:47:10 | 0:47:13 | |
CHEERING AND APPLAUSE | 0:47:13 | 0:47:15 | |
Before I even attempt to begin this show, | 0:47:24 | 0:47:26 | |
I want to say to you Scottish people, "I love your country!" | 0:47:26 | 0:47:30 | |
CHEERING | 0:47:30 | 0:47:32 | |
I don't care whether it sounds like crowd pleasing, I love Scotland. | 0:47:32 | 0:47:36 | |
I love this country. | 0:47:36 | 0:47:37 | |
Scotland makes me feel tall and classy. | 0:47:37 | 0:47:41 | |
I'll take that as a compliment. > | 0:47:43 | 0:47:46 | |
What's that? | 0:47:46 | 0:47:47 | |
I'll take that as a compliment. | 0:47:47 | 0:47:49 | |
You'll take that as a compliment. | 0:47:49 | 0:47:50 | |
It was a compliment, but with a twist, known as the punch line. | 0:47:50 | 0:47:55 | |
LAUGHTER | 0:47:55 | 0:47:57 | |
That's... | 0:47:57 | 0:47:59 | |
HE LAUGHS | 0:48:00 | 0:48:02 | |
Who here...who here's from the furthest away from here? | 0:48:02 | 0:48:05 | |
People putting hands up! | 0:48:07 | 0:48:09 | |
Where are you from? | 0:48:09 | 0:48:11 | |
Australia. > | 0:48:11 | 0:48:12 | |
Australia! | 0:48:12 | 0:48:14 | |
Welcome, my deeply educated friend. | 0:48:14 | 0:48:17 | |
Welcome, Australian. | 0:48:19 | 0:48:21 | |
Yeah? | 0:48:21 | 0:48:22 | |
We like you. | 0:48:22 | 0:48:23 | |
You're nice people, yeah? Simple, but sweet. | 0:48:23 | 0:48:27 | |
We also have a couple of bones to pick with you. Yeah? | 0:48:27 | 0:48:31 | |
And I'm going to air those situations right now, Australian. | 0:48:31 | 0:48:35 | |
It's called a flip-flop. | 0:48:35 | 0:48:38 | |
Right, people? | 0:48:39 | 0:48:41 | |
CHEERING AND APPLAUSE | 0:48:41 | 0:48:43 | |
It's not called a thong. | 0:48:43 | 0:48:46 | |
It's an onomatopoeic word, yeah? Flip...flop. | 0:48:46 | 0:48:51 | |
Flip...flop, flip...flop, flip...flop. | 0:48:51 | 0:48:54 | |
It doesn't go thong! | 0:48:54 | 0:48:56 | |
Thong! Thong! Thong! | 0:48:56 | 0:48:59 | |
Thong-da-daon-dong-dong. | 0:48:59 | 0:49:02 | |
No. | 0:49:02 | 0:49:04 | |
We reserve that word for a far more scanty, sexy garment. | 0:49:05 | 0:49:09 | |
Welcome, Aussie. Do we have anyone else from anywhere else? | 0:49:09 | 0:49:13 | |
INDISTINCT SHOUT | 0:49:13 | 0:49:14 | |
There's a man putting his hand up at the back. I feel like Kilroy-Silk. | 0:49:14 | 0:49:18 | |
Yes, sir. | 0:49:18 | 0:49:19 | |
-Syria. -Where? | 0:49:19 | 0:49:21 | |
-Syria. -Syria! | 0:49:21 | 0:49:23 | |
You, a drunken, ginger Scottish man... | 0:49:23 | 0:49:26 | |
..are for some God-knows-what reason, | 0:49:29 | 0:49:33 | |
live on television, claiming... | 0:49:33 | 0:49:37 | |
that you're a Syrian. | 0:49:37 | 0:49:40 | |
Well, why not? | 0:49:41 | 0:49:42 | |
HE LAUGHS | 0:49:42 | 0:49:45 | |
That's full of sunburnt sectarian people too. | 0:49:45 | 0:49:48 | |
APPLAUSE | 0:49:48 | 0:49:50 | |
This is by far the rowdiest thing that anybody's ever tried to record and broadcast. | 0:49:52 | 0:49:58 | |
WOMAN YELPS | 0:49:58 | 0:50:00 | |
And then she ruined it with "Whoo!" | 0:50:00 | 0:50:02 | |
I don't think...it's Ribena jumping in the air. | 0:50:04 | 0:50:07 | |
Whoo! | 0:50:07 | 0:50:09 | |
"I'm quite rowdy. Ha-ha-ha! | 0:50:09 | 0:50:11 | |
"Cos I've had too much lactose through the day." | 0:50:11 | 0:50:15 | |
Mmm. | 0:50:15 | 0:50:16 | |
INDISTINCT COMMENT > | 0:50:16 | 0:50:18 | |
What's that? | 0:50:18 | 0:50:19 | |
Haggis, dude. > | 0:50:19 | 0:50:20 | |
Haggis, dude. | 0:50:20 | 0:50:22 | |
Is that a new superhero? | 0:50:22 | 0:50:24 | |
# Haggis Dude! | 0:50:25 | 0:50:27 | |
# Nobody knows what's inside him | 0:50:27 | 0:50:30 | |
# Only tourists eat him | 0:50:32 | 0:50:34 | |
# It's Haggis Dude! # | 0:50:34 | 0:50:36 | |
WHOOPING | 0:50:36 | 0:50:37 | |
Oh, somebody knows Haggis Dude. | 0:50:37 | 0:50:40 | |
Mild-mannered Calum McGlinchy. | 0:50:41 | 0:50:44 | |
By day, works in a Vodafone shop... | 0:50:44 | 0:50:48 | |
..by night, he transforms into a big horrible bag of horrible shite | 0:50:49 | 0:50:54 | |
that failed to make it into sausages. | 0:50:54 | 0:50:56 | |
CHEERING AND APPLAUSE | 0:50:56 | 0:50:59 | |
You're looking at Haggis Dude! | 0:51:01 | 0:51:04 | |
What are your superpowers? | 0:51:04 | 0:51:07 | |
Ruining New Years. | 0:51:07 | 0:51:09 | |
Has anybody ever attempted to actually eat haggis? | 0:51:12 | 0:51:15 | |
CHEERING | 0:51:15 | 0:51:17 | |
Look at them! Scottish people, yeah, look at 'em. | 0:51:17 | 0:51:20 | |
He actually raised his pint, eughhh! | 0:51:20 | 0:51:23 | |
Who wouldn't try and eat that... | 0:51:23 | 0:51:26 | |
bladder... | 0:51:26 | 0:51:27 | |
..filled with... | 0:51:28 | 0:51:31 | |
..the anuses of chickens | 0:51:32 | 0:51:34 | |
and the tears of pigs? | 0:51:34 | 0:51:36 | |
No, that's the combination that makes it so tasty. | 0:51:36 | 0:51:40 | |
Mmm! That pig died a tragic death. | 0:51:40 | 0:51:44 | |
Beauty. MAN SHOUTS | 0:51:47 | 0:51:49 | |
-What's that, fella? -It tastes like the rainbow. | 0:51:49 | 0:51:51 | |
It tastes like a rainbow. | 0:51:51 | 0:51:53 | |
LAUGHTER | 0:51:53 | 0:51:55 | |
< That's Skittles! | 0:51:55 | 0:51:57 | |
Yes, my friend over here, who has heckled you - | 0:51:57 | 0:52:01 | |
and I don't know if that's ever happened in your life before - | 0:52:01 | 0:52:05 | |
that's what we've descended into, people, hecklers heckling hecklers. | 0:52:05 | 0:52:09 | |
That's right. My honourable friend from the other side of the parliament | 0:52:11 | 0:52:15 | |
has pointed out that that's in fact the Skittles logo, my friend. | 0:52:15 | 0:52:20 | |
LAUGHTER | 0:52:20 | 0:52:21 | |
No, not haggis. Haggis doesn't have a logo. | 0:52:23 | 0:52:26 | |
Yeah? It just sits in the window until some rather drunken Canadian gives it a go. | 0:52:26 | 0:52:34 | |
So that's it. | 0:52:34 | 0:52:35 | |
We've got an Australian, a Syrian... | 0:52:35 | 0:52:39 | |
Where are you from in Syria? | 0:52:41 | 0:52:43 | |
Damascus. | 0:52:43 | 0:52:45 | |
He actually pointed to...Damascus! | 0:52:45 | 0:52:48 | |
Over that way. | 0:52:49 | 0:52:51 | |
"I'm from the east side of Damascus. We're largely Hibs fans." | 0:52:51 | 0:52:55 | |
All right, ladies and gentlemen, I've been Andrew Maxwell. | 0:52:57 | 0:53:00 | |
Good night! | 0:53:00 | 0:53:01 | |
CHEERING AND APPLAUSE | 0:53:01 | 0:53:04 | |
We...have... | 0:53:10 | 0:53:13 | |
one...act...left | 0:53:13 | 0:53:17 | |
-CHEERING -Don't shake your head. You've come this far, brother. | 0:53:17 | 0:53:20 | |
You can't leave now. Stick with it. | 0:53:20 | 0:53:23 | |
You're having another pint, good. | 0:53:23 | 0:53:25 | |
What is it a pint of? Cos it looks like urine. | 0:53:25 | 0:53:28 | |
I wish it was breakfast. > | 0:53:28 | 0:53:29 | |
You wish it was breakfast? Pretend it's breakfast. | 0:53:29 | 0:53:32 | |
You get some cereal in that stuff, man. | 0:53:32 | 0:53:34 | |
Please welcome to the stage | 0:53:34 | 0:53:38 | |
the final act of the Comedy Marathon. | 0:53:38 | 0:53:41 | |
My saints, my army of martyrs and troopers, | 0:53:41 | 0:53:46 | |
one more time, raise the roof for the final act of the Comedy Marathon, | 0:53:46 | 0:53:52 | |
Joey Page! | 0:53:52 | 0:53:55 | |
CHEERING AND APPLAUSE | 0:53:55 | 0:53:58 | |
Edinburgh Festival, you lunatics! | 0:54:00 | 0:54:02 | |
It's still live, it's still going, are you all right? | 0:54:02 | 0:54:06 | |
CHEERING | 0:54:06 | 0:54:08 | |
If you guys are good, I'll rattle through this and we can go home. | 0:54:08 | 0:54:12 | |
If you're not, I'm going to take for ever. Um... | 0:54:12 | 0:54:15 | |
some people are looking at me, thinking, "Who's this indie douche-bag | 0:54:15 | 0:54:18 | |
"who looks like he roams the streets of Camden Town bursting chavs' bulldogs with his winkle-pickers | 0:54:18 | 0:54:23 | |
"whilst fishing through a dustbin for a teapot to drink gin out of ironically, | 0:54:23 | 0:54:26 | |
"at some kind of skin-style party whilst talking to a girl who looks like Anne Boleyn | 0:54:26 | 0:54:30 | |
"in period dress cos she's done so many drugs she's got her own head tucked underneath her arm." | 0:54:30 | 0:54:35 | |
I'm actually nothing like that. | 0:54:35 | 0:54:38 | |
When I'm not on stage, I like nothing better | 0:54:38 | 0:54:41 | |
than to be sat at home in my old Umbro shorts from Year 8 PE, | 0:54:41 | 0:54:44 | |
eating a bowl of mashed potato watching WWF wrestling, so it's all going to be all right. | 0:54:44 | 0:54:49 | |
Um, I do realise that this is an arts festival, | 0:54:49 | 0:54:53 | |
so I've written a play. I'd like to do that for you now. | 0:54:53 | 0:54:55 | |
It's called Pencils, and I hope you enjoy it. | 0:54:55 | 0:54:59 | |
"All right, Tony?" | 0:55:06 | 0:55:08 | |
"All right, Alan?" | 0:55:08 | 0:55:10 | |
"Oh, no, we've got the same jumper on again." | 0:55:10 | 0:55:12 | |
"I told you, I bought a brand-new yellow and black jumper, | 0:55:12 | 0:55:16 | |
"please don't wear the same thing as me." | 0:55:16 | 0:55:18 | |
"Don't have a go at me, I've been at work all day, I just grabbed the first thing I could find. | 0:55:18 | 0:55:23 | |
"I'm well worn down." | 0:55:23 | 0:55:24 | |
Pencils, ladies and gentlemen. | 0:55:26 | 0:55:27 | |
CHEERING AND APPLAUSE | 0:55:27 | 0:55:30 | |
So, it was my nan's birthday recently and I forgot to buy her | 0:55:30 | 0:55:33 | |
a present. I didn't really forget, I didn't have any money. I used this excuse and got away with it. | 0:55:33 | 0:55:38 | |
So if anyone's got a birthday coming up, you can use this one. | 0:55:38 | 0:55:41 | |
I rung her up and went, "Hello, Nan, you know I work in that shop? This man came in every day for five days. | 0:55:41 | 0:55:46 | |
"And he bought one mango each day for five days, but this man, he had a claw for a hand, | 0:55:46 | 0:55:51 | |
"and he came in, day one, a mango, day two, a mango, day three, day four, | 0:55:51 | 0:55:55 | |
"a mango, a mango. On the fifth day he came, his phone rang and he went, | 0:55:55 | 0:55:58 | |
"'Hello, Dr Chris Law?' | 0:55:58 | 0:56:00 | |
"I thought, 'That evil Dr Claw, how's he planning on taking over the Earth only using five mangoes? | 0:56:00 | 0:56:05 | |
"'How does he plan to destroy society using five fruits?' | 0:56:05 | 0:56:09 | |
"So I followed him out of the shop, back to his house, | 0:56:09 | 0:56:11 | |
"I broke in and hid in a cupboard and watched him like a hawk. | 0:56:11 | 0:56:14 | |
"Like a hawk in a confined space, | 0:56:14 | 0:56:16 | |
"going about his evil, suspicious ways, | 0:56:16 | 0:56:18 | |
"wondering how he used his iPhone without scratching the front with his claw. | 0:56:18 | 0:56:22 | |
"But he didn't know I was on to him. | 0:56:22 | 0:56:24 | |
"He didn't know I realised that each day one of the mangoes was disappearing, | 0:56:24 | 0:56:27 | |
"until on the fifth day, the last one disappeared and I realised that he was just a normal GP | 0:56:27 | 0:56:31 | |
"whose hand got cut off in a scuba-diving accident | 0:56:31 | 0:56:33 | |
"and he was no threat to society, he just liked eating mangoes. | 0:56:33 | 0:56:36 | |
"So I spent five days hidden in his cupboard watching him like a hawk in a confined space. | 0:56:36 | 0:56:40 | |
"I haven't had time to buy you a birthday present, soz." | 0:56:40 | 0:56:43 | |
LAUGHTER | 0:56:43 | 0:56:45 | |
I've been Joey Page. See you again some time. God bless, cheers. | 0:56:45 | 0:56:49 | |
CHEERING AND APPLAUSE | 0:56:49 | 0:56:52 | |
Enjoy that? | 0:56:53 | 0:56:55 | |
Yes. | 0:57:01 | 0:57:03 | |
That was it. | 0:57:03 | 0:57:04 | |
Please welcome on stage the fantastic, the beautiful Jameela Jamil! | 0:57:04 | 0:57:09 | |
Yes, good stuff, here she is. | 0:57:09 | 0:57:12 | |
-There are so many of you left here, I can't believe it. -There's loads. | 0:57:12 | 0:57:16 | |
-5am! -Yeah, it's all good. | 0:57:16 | 0:57:19 | |
Now, can we all get on our feet, we'll count down, we'll finish this | 0:57:19 | 0:57:22 | |
-and we'll all go... -Let's do this right. -Let's do it, everyone get up. -It's been a big night. | 0:57:22 | 0:57:27 | |
Shall we count down from 10? | 0:57:27 | 0:57:29 | |
Yeah? 10... | 0:57:29 | 0:57:31 | |
9... | 0:57:31 | 0:57:32 | |
8...7... | 0:57:32 | 0:57:34 | |
6...5... | 0:57:34 | 0:57:36 | |
4...3... | 0:57:36 | 0:57:38 | |
2...1... | 0:57:38 | 0:57:41 | |
five hours! Thank you, Edinburgh! | 0:57:41 | 0:57:44 | |
She's been Jameela Jamil. I've been Chris Ramsey. | 0:57:44 | 0:57:48 | |
That's Pete Fox. | 0:57:48 | 0:57:50 | |
Thank you very much, Edinburgh. | 0:57:50 | 0:57:52 | |
Thank you at home. Good night. | 0:57:52 | 0:57:53 | |
Subtitles by Red Bee Media Ltd | 0:58:09 | 0:58:12 |