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This programme contains adult humour and some strong language | 0:00:02 | 0:00:10 | |
Hello and welcome to BBC Scotland's Comedy At The Fringe. | 0:00:15 | 0:00:18 | |
I'm Susan Calman and you're Edinburgh! | 0:00:18 | 0:00:20 | |
APPLAUSE | 0:00:20 | 0:00:23 | |
I'm from Glasgow myself. I'm from Glasgow. Thank you very much. | 0:00:25 | 0:00:29 | |
Sometimes people are afraid of Glaswegians. | 0:00:29 | 0:00:32 | |
It's the accent, the way we can make a compliment sound quite threatening. | 0:00:32 | 0:00:37 | |
For example, the compliment, "That's a pretty baby." | 0:00:37 | 0:00:42 | |
Sounds a wee bit different, eh? | 0:00:44 | 0:00:46 | |
You can't see on this stage but I'm quite a tiny person. | 0:00:47 | 0:00:51 | |
I am quite tiny. Yes, again. | 0:00:51 | 0:00:53 | |
Are you tiny as well, sweetie pie? How tall are you, gorgeous? | 0:00:53 | 0:00:56 | |
-Just under five foot. -Just under five foot? Snap! | 0:00:56 | 0:01:00 | |
I'm four foot 11. | 0:01:00 | 0:01:02 | |
Exactly the same height as Kylie Minogue. | 0:01:02 | 0:01:06 | |
That is where the similarity ends. | 0:01:08 | 0:01:11 | |
I am aware of that. | 0:01:11 | 0:01:12 | |
I have one talent being the short one talented is absolutely outstanding. | 0:01:12 | 0:01:17 | |
I can stand up completely straight in the back of a black cab. | 0:01:17 | 0:01:23 | |
-APPLAUSE -Thank you. | 0:01:23 | 0:01:25 | |
It's quite an expensive hobby but I really enjoy it. | 0:01:27 | 0:01:31 | |
There's a few disadvantages being this short. | 0:01:31 | 0:01:34 | |
I get IDd. I'm 37. You're quite young. | 0:01:34 | 0:01:37 | |
I get IDd all the time for booze and stuff. | 0:01:37 | 0:01:40 | |
I went to a pub and asked for a pint. They said, "Have you got any ID?" | 0:01:40 | 0:01:44 | |
I said, "I'm 37." He said, "Have you got any ID?" | 0:01:44 | 0:01:46 | |
I said, "Would I make that up, seriously? Who wants to be 37?" | 0:01:46 | 0:01:50 | |
I would have said 18, 19, 20 at a push. I'm really grumpy. | 0:01:50 | 0:01:54 | |
I love the festival, I adore the festival. | 0:01:54 | 0:01:56 | |
I've had some bad times at the festival. 2006 I did my first show. | 0:01:56 | 0:02:01 | |
I gave up my job as a lawyer to be a comedian. | 0:02:01 | 0:02:04 | |
My parents were desperately disappointed. | 0:02:04 | 0:02:06 | |
Being a lawyer just about made up for being a lesbian! | 0:02:06 | 0:02:10 | |
Or spinster, as they like to call me. | 0:02:10 | 0:02:13 | |
2006, I did a show at the Edinburgh Festival, £7,500, | 0:02:14 | 0:02:19 | |
I will get on the telly, living the dream. No bother at all. | 0:02:19 | 0:02:22 | |
I did a show. Two people came to see the show for the whole month. | 0:02:22 | 0:02:27 | |
Two Irishmen came, sat in the front row, | 0:02:27 | 0:02:30 | |
punched each other in the crotch for an hour. | 0:02:30 | 0:02:34 | |
It was a happening. | 0:02:34 | 0:02:36 | |
I was on the Royal Mile in Edinburgh, I was flyering, please come and see my show. | 0:02:36 | 0:02:40 | |
Dear God, come and see my show. Next thing I know, I was punched in the back. | 0:02:40 | 0:02:44 | |
I turned around, I expected to see a rugby player or a ninja. | 0:02:44 | 0:02:49 | |
It was a 12-year-old boy. | 0:02:49 | 0:02:52 | |
Now, I had two choices, right? Two choices. I could have let him go | 0:02:52 | 0:02:55 | |
or chased him down the Royal Mile and that's what I did! | 0:02:55 | 0:02:59 | |
As I was running, people were shouting, | 0:02:59 | 0:03:01 | |
"Why is wee Jimmy Krankie running down the Royal Mile!" | 0:03:01 | 0:03:04 | |
And I caught him. | 0:03:05 | 0:03:07 | |
I don't know who was more surprised, me or him | 0:03:07 | 0:03:09 | |
because I hadn't spilled a drop of my pint. | 0:03:09 | 0:03:12 | |
And again, I had two choices, | 0:03:12 | 0:03:15 | |
I could have let him go with a stern telling off or punched him back. | 0:03:15 | 0:03:18 | |
Give me a cheer if you would have punched him back? | 0:03:18 | 0:03:21 | |
AUDIENCE CHEER | 0:03:21 | 0:03:22 | |
And that's what I did! | 0:03:22 | 0:03:24 | |
And as I was punching a 12-year-old boy on the Royal Mile I thought, | 0:03:24 | 0:03:28 | |
"This is what the festival is all about!" | 0:03:28 | 0:03:31 | |
Bring a little bit of Glasgow to the situation. | 0:03:31 | 0:03:36 | |
Someone said to me, "You never did that, you never did that." I was like, "I did." | 0:03:36 | 0:03:41 | |
You know, like Michael Douglas in Falling Down. You lose it. | 0:03:41 | 0:03:44 | |
Like in Greggs, there's no discernible queueing pattern but you know where you are in the queue. | 0:03:44 | 0:03:49 | |
And then someone wonders in and goes, "Can I have a macaroni pie?" and you go, "Not today! | 0:03:49 | 0:03:54 | |
"Not on my watch!" | 0:03:54 | 0:03:57 | |
I almost got caught. The police were called. | 0:03:57 | 0:03:59 | |
But they said it was a brother and a sister having a tussle. | 0:03:59 | 0:04:04 | |
We have an amazing show for you, ladies and gentlemen. | 0:04:04 | 0:04:08 | |
Are you ready for a great comedian? | 0:04:08 | 0:04:10 | |
AUDIENCE WHOOP | 0:04:10 | 0:04:12 | |
Better than that, are you ready for a great comedian? | 0:04:12 | 0:04:16 | |
Ladies and gentlemen, please raise the roof for the awesome Janey Godley. | 0:04:16 | 0:04:21 | |
APPLAUSE | 0:04:21 | 0:04:26 | |
How are we doing, people? | 0:04:26 | 0:04:28 | |
My name is Janey. I am from the east end of Glasgow. | 0:04:28 | 0:04:32 | |
I come from a place where an Oxo cube is a starter. | 0:04:32 | 0:04:35 | |
I'm from a place where the Catholics hate the Protestants, | 0:04:37 | 0:04:40 | |
the Protestants hate the Catholics, | 0:04:40 | 0:04:42 | |
occasionally a brown person turned up and took the heat off everybody. | 0:04:42 | 0:04:46 | |
Good on you. | 0:04:46 | 0:04:47 | |
Also, just to let you know, that as a mother I've got a child. I know what you're thinking - | 0:04:47 | 0:04:54 | |
how did that happen? | 0:04:54 | 0:04:56 | |
I'm 51 and I've reached an age... I know, this skin is beautiful. | 0:04:56 | 0:05:00 | |
-AUDIENCE: -I love you, Janey! | 0:05:00 | 0:05:02 | |
You're scaring me, Mum! | 0:05:02 | 0:05:04 | |
Which is weird cos my mum's dead. | 0:05:06 | 0:05:09 | |
Anyway, I've reached the brilliant age at 51 which is amazing | 0:05:09 | 0:05:12 | |
because when I was 30 I was terrified people wouldn't like me, | 0:05:12 | 0:05:16 | |
"Look at me, come to my house for dinner." | 0:05:16 | 0:05:19 | |
At 40, I would have you round the tea. | 0:05:19 | 0:05:22 | |
At 51 I've realised I don't fecking like anybody. | 0:05:22 | 0:05:25 | |
"Get out of my house!" I only like five folk. | 0:05:25 | 0:05:27 | |
One came out of me, one goes in me and the other three are comedians. | 0:05:27 | 0:05:31 | |
APPLAUSE | 0:05:31 | 0:05:33 | |
And most of them have been here tonight. | 0:05:34 | 0:05:37 | |
My daughter Ashley is 26 and she went to a private school in Glasgow. | 0:05:37 | 0:05:43 | |
I'm hard-core working-class but my daughter is middle-class. She knows what cous cous is. | 0:05:43 | 0:05:47 | |
I thought it was a disease you got if you touched a boy fae Castlemilk! | 0:05:47 | 0:05:53 | |
But Ashley went to a private school, 75 grand's worth of private education. | 0:05:53 | 0:05:58 | |
That is a lot of heroin to shift. OK? | 0:05:58 | 0:06:01 | |
I'm joking, I own the pub, same effect, different drug. | 0:06:01 | 0:06:05 | |
Anyway, Ashley went to a posh school and as you can tell, | 0:06:05 | 0:06:09 | |
I'm not really one of those mothers that can bake. | 0:06:09 | 0:06:13 | |
I am no' a posh woman. | 0:06:13 | 0:06:16 | |
You know the kind of woman who have a scarf for every day of the week. | 0:06:16 | 0:06:19 | |
The kind of woman who bake. I don't understand that. Just buy a cake! | 0:06:19 | 0:06:23 | |
They sell that shit in the shops. Seriously, just buy it. | 0:06:23 | 0:06:27 | |
Who's blending flour into sugar, are you mad? | 0:06:27 | 0:06:30 | |
The kind of woman you and I know has never had sex up against a fridge. | 0:06:31 | 0:06:35 | |
Come on, we're Scottish! | 0:06:37 | 0:06:38 | |
We can have sex up against a fridge and fry an omelette! | 0:06:40 | 0:06:45 | |
As soon as you're finished, mate, there's some fried goods here. | 0:06:45 | 0:06:49 | |
These women hated me. | 0:06:49 | 0:06:51 | |
They used to look at me and go, "I know who you are." | 0:06:51 | 0:06:54 | |
"You're that little girl in junior six's mum, the comedienne. | 0:06:54 | 0:06:57 | |
I'd say, "Actually I'm a hooker and your husband owes me a fiver!" | 0:06:57 | 0:07:01 | |
So, I love men. When you see female stand-ups, you always assume, "They hate me." | 0:07:04 | 0:07:10 | |
I love men. I'll tell you why. Men like five things. | 0:07:10 | 0:07:15 | |
They like their house, kids, job, sex and sausages. | 0:07:15 | 0:07:19 | |
And if you show them a picture of a shark they're over the moon. | 0:07:19 | 0:07:23 | |
If you said, "I'm going to give you sex and a sausage | 0:07:23 | 0:07:28 | |
"and then show you a shark," he'd be like, "I'm going to tile your bathroom, bitch." | 0:07:28 | 0:07:33 | |
Totally. | 0:07:33 | 0:07:35 | |
Men love that stuff. | 0:07:35 | 0:07:38 | |
I love the fact that men love sex and sausages and sharks. | 0:07:38 | 0:07:42 | |
I think that would be the cure for world peace. | 0:07:42 | 0:07:45 | |
If Kofi Annan ever has time off, I would go to the Middle East, | 0:07:45 | 0:07:50 | |
stand on a car, get a loudspeaker and go, "Everybody calm down. | 0:07:50 | 0:07:55 | |
"We have sex and sausages, clearly not pork. That would be offensive. | 0:07:55 | 0:08:00 | |
"And then we are going to show you that and give you a shark." | 0:08:01 | 0:08:05 | |
The Al-Qaeda would be like that, "I'm done with this now." | 0:08:05 | 0:08:10 | |
Obviously no' in a Scottish accent. "I'm done with this. | 0:08:10 | 0:08:15 | |
"There's a woman out there going to give us sex and sausages | 0:08:15 | 0:08:18 | |
"and I am going to find out what a shark is." | 0:08:18 | 0:08:21 | |
It'd be brilliant. Women are different. Women approach a relationship like this... | 0:08:21 | 0:08:26 | |
CLICKS | 0:08:26 | 0:08:28 | |
"I'm an emotional Rubik's cube, can you work me out yet?" | 0:08:28 | 0:08:32 | |
Poor men are like, "I'll fecking give it a go." | 0:08:32 | 0:08:36 | |
"Are you pulling the stickers off that?" | 0:08:36 | 0:08:39 | |
"No. I just cannae work that out. | 0:08:39 | 0:08:44 | |
"Can I just have sex and a sausage, please?" | 0:08:44 | 0:08:47 | |
I'm going to end on this. I am 50. | 0:08:50 | 0:08:52 | |
I thought last year I was pregnant, terrifying, | 0:08:52 | 0:08:55 | |
nobody wants to be pregnant at 50. | 0:08:55 | 0:08:57 | |
I went to the chemist. I said to Ashley, "I think I'm pregnant." | 0:08:57 | 0:09:01 | |
She said, "It's no' mine." | 0:09:01 | 0:09:04 | |
Said, "You're a weird child, that's why I love you. | 0:09:04 | 0:09:07 | |
And then I ran to the chemist and like every woman in this room, | 0:09:07 | 0:09:11 | |
the minute you pay £25 for a pregnancy test, you're like, "I'd better be pregnant now!" | 0:09:11 | 0:09:16 | |
Came home, peed on it, gave it to Ashley | 0:09:17 | 0:09:20 | |
because she has to watch it because I have to have a fight with my man. | 0:09:20 | 0:09:23 | |
I'm like, "You. Aye, you! This is your fault. Come here!" He's like, "It's no' my fault." | 0:09:23 | 0:09:28 | |
Not only that, my husband has Asperger's | 0:09:28 | 0:09:31 | |
I have sex with a man who shouts, "Is that written in a black pen!" | 0:09:31 | 0:09:36 | |
So horny. Ooh! | 0:09:36 | 0:09:38 | |
And then Ashley went, "Mum, it's got two lines on it. You're pregnant!" | 0:09:41 | 0:09:46 | |
I went, "Oh!" | 0:09:46 | 0:09:47 | |
My husband made the noise all men make at a positive pregnancy test. | 0:09:47 | 0:09:51 | |
He went... (SUBDUED) .."Yay!" | 0:09:51 | 0:09:54 | |
And then Ashley went, "Ha ha! I'm joking. I drew a line on it." | 0:09:55 | 0:09:58 | |
My husband went, "Is that in a black pen?" | 0:10:00 | 0:10:03 | |
Guys... | 0:10:04 | 0:10:05 | |
APPLAUSE | 0:10:05 | 0:10:08 | |
Thank you very much. I've been Janey, good night! | 0:10:08 | 0:10:12 | |
Ladies and gentlemen, Janey Godley! | 0:10:16 | 0:10:20 | |
We have another act for you, ladies and gentlemen. | 0:10:20 | 0:10:24 | |
And he is absolutely remarkable. I want you to raise the roof, literally raise the roof. | 0:10:24 | 0:10:28 | |
It's the wonderful Mr Des Clarke. | 0:10:28 | 0:10:32 | |
APPLAUSE | 0:10:32 | 0:10:36 | |
Hello, everyone are we well? | 0:10:38 | 0:10:41 | |
Yes, it's good to have some people here tonight. | 0:10:41 | 0:10:44 | |
Give me a cheer if you're Scottish. | 0:10:44 | 0:10:46 | |
CHEERING | 0:10:46 | 0:10:47 | |
I could tell by the rumble of drunkenness in the room. I knew that. | 0:10:47 | 0:10:51 | |
I'm from Glasgow. It's nice being in Edinburgh. One "whoo". That's my mum, thank you. | 0:10:51 | 0:10:56 | |
She didn't know I was her son, so that's surprising. | 0:10:56 | 0:10:59 | |
I like being Scottish in Edinburgh when the festival is on. | 0:10:59 | 0:11:02 | |
You see a lot of tourists. | 0:11:02 | 0:11:04 | |
You get American tourists on the Royal Mile and I had two | 0:11:04 | 0:11:08 | |
approach me - "Are you from..." I don't know why I gave this woman a stroke... | 0:11:08 | 0:11:13 | |
"I can't feel my arm." | 0:11:13 | 0:11:15 | |
"I smell toast." This woman's dead. | 0:11:15 | 0:11:18 | |
"Are you from..." | 0:11:18 | 0:11:20 | |
Thanks for the single applause, that was a doctor trying to find a vein. | 0:11:20 | 0:11:24 | |
"Are you from Scotland?" "Yes, I'm from Scotland." | 0:11:24 | 0:11:29 | |
She's deaf now as well. I said, "Yes, I'm from Glasgow." | 0:11:29 | 0:11:32 | |
She said to me, "Is Glasgow the same as Edinburgh?" I was like, "What do you mean?" | 0:11:32 | 0:11:37 | |
She said, "The tourists in Edinburgh, we go for a ghost walk at night. | 0:11:37 | 0:11:40 | |
"Can you do that in Glasgow?" | 0:11:40 | 0:11:43 | |
"Well, you can go for a walk at night in Glasgow. You'll end up the ghost! Be my guest, love." | 0:11:43 | 0:11:48 | |
She never came through. | 0:11:48 | 0:11:51 | |
I like the fact the Olympics were on and Scotland embraced that. | 0:11:51 | 0:11:54 | |
I thought that was good. | 0:11:54 | 0:11:55 | |
I think part of it was the fact we have some events in Scotland. | 0:11:55 | 0:11:58 | |
We had the Olympic football at Hampden Park, | 0:11:58 | 0:12:01 | |
still managed to mess that up but hey. | 0:12:01 | 0:12:03 | |
If you're going to piss off certain countries, | 0:12:03 | 0:12:06 | |
try not to make it North Korea, is that all right? | 0:12:06 | 0:12:09 | |
We had the North Korean ladies football team walk out to the wrong flag. | 0:12:09 | 0:12:14 | |
If you're going to get the wrong flag, make it Estonia, Belgium, have a laugh. | 0:12:14 | 0:12:17 | |
Don't put South Korea up there. | 0:12:17 | 0:12:19 | |
The guy in charge of the flags, "North Korea, South Korea? Nae career. I'm finished." | 0:12:19 | 0:12:26 | |
The British Olympics suddenly became the Scottish Olympics. What a night. It was great(!) | 0:12:26 | 0:12:30 | |
We loved it and they came out and I thought it was good, | 0:12:32 | 0:12:35 | |
they tried to compare it to how it would be...like the Scotland team walking out to the England flag. | 0:12:35 | 0:12:40 | |
No, we have a bit of banter but it's hardly the same thing. | 0:12:40 | 0:12:44 | |
By comparison you're saying Scotland is some backward nation, | 0:12:44 | 0:12:47 | |
a cold depressing place with a small leader that wants to take over the world, | 0:12:47 | 0:12:51 | |
with access to nuclear weapons... It is quite similar, to be fair! | 0:12:51 | 0:12:54 | |
APPLAUSE Now I think about it. | 0:12:54 | 0:12:57 | |
Got a lot going on there. | 0:12:59 | 0:13:01 | |
I love Scotland, I love the fact we are proud of who we are, | 0:13:01 | 0:13:03 | |
and we watched the Olympic Opening Ceremony with pride and we loved it | 0:13:03 | 0:13:07 | |
apart from one small group of people, the small group in Glasgow | 0:13:07 | 0:13:10 | |
who have tasked with organising the Commonwealth Games Opening Ceremony | 0:13:10 | 0:13:15 | |
in two years, watching how good that was, going, "Aw, shite. | 0:13:15 | 0:13:18 | |
"Gonnae cancel the Krankies, it's not going to work. | 0:13:20 | 0:13:22 | |
"Get the big guns. Have you got a number for Subo and Lorraine Kelly?" | 0:13:22 | 0:13:26 | |
Yes, we have the Commonwealth Games, | 0:13:27 | 0:13:29 | |
the next big sporting event in Britain. | 0:13:29 | 0:13:31 | |
They're in Glasgow, we've no idea how we won the bid. | 0:13:31 | 0:13:35 | |
I think the organisers turned up in Glasgow, | 0:13:35 | 0:13:37 | |
saw us walking about in tracksuits and thought, "They must be sporty." | 0:13:37 | 0:13:40 | |
"Give us your wallet!" There's 100 metres. "Thanks, mate." We love it. | 0:13:43 | 0:13:47 | |
We watched the last Commonwealth Games from Delhi in India. | 0:13:47 | 0:13:50 | |
"These are the most violent | 0:13:50 | 0:13:52 | |
"and aggressive Commonwealth Games of all time." | 0:13:52 | 0:13:55 | |
I was in Glasgow, "We'll see about that, big man. | 0:13:55 | 0:13:58 | |
"We've all got our own javelins. Get it up, you." | 0:13:58 | 0:14:02 | |
I love the little stories that come out of this. | 0:14:02 | 0:14:04 | |
There's a woman in Glasgow, | 0:14:04 | 0:14:06 | |
they're trying to move her out to build the stuff for the Commonwealth Games. | 0:14:06 | 0:14:10 | |
She did this reaction that I think certain women of a certain age have when they want to prove a point. | 0:14:10 | 0:14:14 | |
They move their head side to side when they're angry. "Don't you talk to me. | 0:14:14 | 0:14:18 | |
"I'm not moving oot. I don't care." | 0:14:18 | 0:14:20 | |
It's the opposite of guys trying to chat ladies up. | 0:14:20 | 0:14:23 | |
They move their head forward like a pigeon. "Would you like to have sex?" | 0:14:23 | 0:14:26 | |
"Don't talk to me." | 0:14:26 | 0:14:27 | |
Between the two of them, you've got all the compass points covered. | 0:14:27 | 0:14:31 | |
This little woman, "I am not moving house." | 0:14:31 | 0:14:33 | |
Good on her, she's lived there all her life. | 0:14:33 | 0:14:35 | |
They should be forced to build the whole Commonwealth Games around that wee woman. | 0:14:35 | 0:14:39 | |
It would be brilliant. She should live in the sandpit for the long jump, I'd love that! | 0:14:39 | 0:14:43 | |
Every two minutes, "That was never eight metres, you wank!" | 0:14:43 | 0:14:46 | |
I'd love that! | 0:14:46 | 0:14:48 | |
Listen, I need to go, I need the toilet. | 0:14:49 | 0:14:52 | |
But it's been lovely to speak to you people here tonight. | 0:14:52 | 0:14:55 | |
You will notice, the visitors that come and visit this great country, | 0:14:55 | 0:14:58 | |
that we are very lovable and friendly | 0:14:58 | 0:15:00 | |
but we're accidentally aggressive to each other. | 0:15:00 | 0:15:03 | |
Don't mind that. We are aggressive to each other even in couples. | 0:15:03 | 0:15:07 | |
I had an ex-girlfriend argue with me one night. | 0:15:07 | 0:15:09 | |
She hated me. For half an hour, she went, "Your eyelashes..." | 0:15:09 | 0:15:12 | |
Sorry - "Your eyelashes are too long! Right?" | 0:15:12 | 0:15:14 | |
INDISTINCT | 0:15:14 | 0:15:16 | |
She's right. The eyelashes are too long. There's nothing I can do about that. | 0:15:19 | 0:15:23 | |
"Your eyelashes are too long. That's no' fair, they don't belong on a guy." | 0:15:23 | 0:15:26 | |
I'm like, "I say nothing about your moustache, what's the problem?" | 0:15:26 | 0:15:29 | |
You've been amazing, Edinburgh! See you again soon. Thank you very much, good night. | 0:15:31 | 0:15:35 | |
CHEERING | 0:15:35 | 0:15:39 | |
Ladies and gentlemen, Des Clarke! Beautiful. | 0:15:43 | 0:15:48 | |
Now, at the Edinburgh Fringe, sometimes things aren't particularly good. | 0:15:48 | 0:15:52 | |
What you need at this point is something to cheer you up. | 0:15:52 | 0:15:55 | |
You need a ray of sunshine, some happiness in your lives. And I've got that for you. | 0:15:55 | 0:15:59 | |
Ladies and gentlemen, | 0:15:59 | 0:16:00 | |
please welcome onto the stage | 0:16:00 | 0:16:02 | |
essentially the epitome of everything that is joyous in life. | 0:16:02 | 0:16:05 | |
Please go wild and crazy | 0:16:05 | 0:16:07 | |
for the wonderful Mr Damien Crow! | 0:16:07 | 0:16:10 | |
CHEERING | 0:16:10 | 0:16:14 | |
-Hello. AUDIENCE: -Hello! | 0:16:22 | 0:16:24 | |
My name's Damien. Happy to be here. | 0:16:24 | 0:16:29 | |
You might think this is an unusual concept - | 0:16:29 | 0:16:31 | |
a Goth doing stand-up comedy. | 0:16:31 | 0:16:35 | |
That's only because you believe all the negative stereotypes about my people. | 0:16:35 | 0:16:38 | |
That we're miserable, depressed, unhappy. It's not true. | 0:16:39 | 0:16:43 | |
We like to have a good time. Like to have a good laugh. | 0:16:43 | 0:16:47 | |
Like to tell a good joke from time to time, you know? What's your name? | 0:16:50 | 0:16:54 | |
-Steve. -Steve. Stupid name, isn't it? | 0:16:54 | 0:16:58 | |
How many Goths does it take to change a lightbulb, Steve? | 0:16:58 | 0:17:00 | |
Don't know. | 0:17:00 | 0:17:02 | |
None! Leave the lights off, leave me alone! | 0:17:02 | 0:17:05 | |
SOBS | 0:17:05 | 0:17:06 | |
We are misrepresented in the media, so that makes it hard. | 0:17:09 | 0:17:12 | |
People think they understand me cos they've seen Newt in Hollyoaks. That's just not fair. | 0:17:12 | 0:17:17 | |
I thought my gran might understand me because she is from an older generation, a bit less pretentious. | 0:17:17 | 0:17:22 | |
But she doesn't get it. The last time I visited, she turned off all the lights in the house. | 0:17:22 | 0:17:26 | |
I had to say, "I'm a Goth, a Goth, not a bloody moth. Jesus Christ!" | 0:17:26 | 0:17:29 | |
They don't understand me or my sound that I'm trying to produce. Yeah. | 0:17:33 | 0:17:37 | |
Not only is it the most aesthetically pleasing instrument a Goth can play, it is also a very powerful beast. | 0:17:37 | 0:17:42 | |
When my dad first got me this, so I could play at family gatherings, I wanted to rebel. | 0:17:42 | 0:17:46 | |
I didn't want to play the way he wanted it to be played. I thought, "I'll just play the black keys." | 0:17:46 | 0:17:51 | |
But there's really not a lot you can do with just the black keys, | 0:17:51 | 0:17:57 | |
other than the knuckle song. And it's not very good. | 0:17:57 | 0:18:00 | |
APPLAUSE | 0:18:08 | 0:18:10 | |
No, it's shit. Don't. It's not good enough. | 0:18:10 | 0:18:14 | |
I thought, "I can't wallow in this self-pity. I need to step it up. | 0:18:14 | 0:18:17 | |
"What can I do to make this cooler? I could start my own band. | 0:18:17 | 0:18:20 | |
"Yeah, Damien Crow and the Black Knight of Dark Black Darkness." | 0:18:20 | 0:18:23 | |
And I could play music, but it's really hard to find sheet music for the music | 0:18:23 | 0:18:27 | |
I want to play, Goth metal, heavy metal, thrash metal and punk metal, and metal metal, | 0:18:27 | 0:18:31 | |
so I wasn't really getting any gigs. | 0:18:31 | 0:18:33 | |
I had to start playing music that I didn't necessarily want to play but it was the only thing I could do. | 0:18:33 | 0:18:37 | |
It doesn't really fit the image, but... | 0:18:37 | 0:18:39 | |
HE PLAYS JOLLY TUNE | 0:18:39 | 0:18:42 | |
I'm deadly serious, I'm available for weddings and ceilidhs and seances, if anyone's interested. | 0:18:57 | 0:19:03 | |
But there you go. | 0:19:03 | 0:19:04 | |
That's all from me, I got to go. | 0:19:04 | 0:19:06 | |
I really have two, my dad picks me up afterwards, so... | 0:19:06 | 0:19:09 | |
OK. I've been Damien Crow, thank you very much. | 0:19:09 | 0:19:12 | |
CHEERING | 0:19:12 | 0:19:14 | |
Ladies and gentlemen, Damien Crow! | 0:19:14 | 0:19:18 | |
Are you ready for another act? | 0:19:18 | 0:19:20 | |
AUDIENCE CHEERS | 0:19:20 | 0:19:21 | |
Better than that! Are you ready for another act?! | 0:19:21 | 0:19:24 | |
LOUD CHEERING | 0:19:24 | 0:19:25 | |
Please raise the roof for the wonderful Nina Conti! | 0:19:25 | 0:19:29 | |
Hi. | 0:19:35 | 0:19:37 | |
Hello. This year, I did a silly thing | 0:19:39 | 0:19:42 | |
and donated one of my favourite puppets to a museum in America. | 0:19:42 | 0:19:47 | |
And I missed her. So I've had her duplicated and she's here tonight. | 0:19:47 | 0:19:51 | |
It's my granny. Who is based on my own granny, who lived here in Edinburgh. | 0:19:51 | 0:19:55 | |
I'll just get her out of the bag. | 0:19:55 | 0:19:57 | |
-Gran? -Yes, dear? | 0:19:57 | 0:20:00 | |
-You OK? -Oh, lovely, dear. | 0:20:00 | 0:20:03 | |
-Fresh air! -Yes. -Hello, Edinburgh. -Let's get you out. | 0:20:04 | 0:20:09 | |
What am I pointing at, dear? | 0:20:09 | 0:20:11 | |
Can't read it upside down. | 0:20:13 | 0:20:15 | |
Never mind my eyes are painted on. | 0:20:15 | 0:20:19 | |
All right, there you go. Comfortable? | 0:20:19 | 0:20:21 | |
-It's very hot in here tonight. -I know. | 0:20:21 | 0:20:24 | |
-She's sort of sweating inside my head. -I'm sorry. | 0:20:24 | 0:20:27 | |
-Right, now, who have we got here? -What's your name, dear? -Louise. | 0:20:30 | 0:20:34 | |
What do you do with your life, Louise? You work in a shop? That's lovely. | 0:20:34 | 0:20:39 | |
Is it an exciting shop? A naughty shop? | 0:20:39 | 0:20:43 | |
Not a naughty shop? | 0:20:43 | 0:20:45 | |
By the look of you and your leopardskin, I thought it might be a wee bit risque. | 0:20:45 | 0:20:49 | |
Not at all. Is that your husband? | 0:20:49 | 0:20:51 | |
Do you know each other? | 0:20:51 | 0:20:55 | |
-Unfortunately, you do. -You're together? -No. -Would you ever like to be? | 0:20:55 | 0:21:00 | |
-Are you single, sir? -Er, yes. -You are? -And you are, too? | 0:21:01 | 0:21:06 | |
Oh, this is boding well! | 0:21:06 | 0:21:07 | |
I think you should use your comedy to bring people together. | 0:21:08 | 0:21:12 | |
-What do you do, dear? -I work in an insurance company. | 0:21:12 | 0:21:15 | |
You work in an insurance company? OK, now let's get on with it. | 0:21:15 | 0:21:19 | |
This is hopeless! | 0:21:19 | 0:21:22 | |
It will make sense later. | 0:21:22 | 0:21:25 | |
We know enough about these two. | 0:21:25 | 0:21:27 | |
We don't have to go through the whole room. Look at them getting tense and hating it. | 0:21:27 | 0:21:32 | |
-Working out what profession they might say they do. -OK, Gran. | 0:21:33 | 0:21:37 | |
-You are going to sing? -I'd like to sing with you, dear. | 0:21:37 | 0:21:39 | |
-Oh no, I can't sing. -Oh, come on, dear. A wee duet? | 0:21:39 | 0:21:44 | |
-No, I can't sing with you. -Not simultaneously? -No, I'd struggle! | 0:21:44 | 0:21:50 | |
-I'd struggle to sing simultaneously. -Well, this is an old favourite. | 0:21:50 | 0:21:54 | |
It's from the war. I'd like you to hit the music, please. | 0:21:54 | 0:21:58 | |
-Do the best you can. -OK. | 0:21:58 | 0:22:00 | |
# We'll meet again | 0:22:02 | 0:22:06 | |
# Don't know where, don't know when | 0:22:06 | 0:22:11 | |
# But I know we'll meet again, some sunny day... # | 0:22:11 | 0:22:17 | |
-Join in with me, dear! -I'll try. | 0:22:18 | 0:22:21 | |
# ..Keep smiling through... # Join in! | 0:22:21 | 0:22:25 | |
-TOGETHER: -# Just like you always do | 0:22:25 | 0:22:30 | |
# Till the blue skies drive the dark clouds far away. # | 0:22:30 | 0:22:38 | |
Well done, dear. You know how to prerecord yourself, anyway. | 0:22:38 | 0:22:42 | |
-Thank you very much. I'm going now. -That was my granny. | 0:22:44 | 0:22:48 | |
What I would like to do now is try | 0:22:48 | 0:22:50 | |
and bring people together with my comedy. | 0:22:50 | 0:22:52 | |
I wonder if you would join me on stage. What was your name? Louise. | 0:22:52 | 0:22:56 | |
Can we give it up for Louise, please? | 0:22:56 | 0:22:58 | |
Thank you very much. Here we go. I'm going to give you a little makeover. | 0:22:58 | 0:23:02 | |
It will take the heat off. You don't have to worry about what you say. | 0:23:02 | 0:23:05 | |
-All right. Are you comfortable? Face the front. -Oh, this is lovely! | 0:23:05 | 0:23:11 | |
-This is exciting! -OK. -I'm glad I sat in the front row! | 0:23:13 | 0:23:20 | |
-Yeah. -You're glad you sat in the front row? | 0:23:20 | 0:23:23 | |
And I felt comfortable enough to take my shoes off. | 0:23:23 | 0:23:26 | |
-So you came with this guy? -Yeah, isn't he lovely? | 0:23:30 | 0:23:34 | |
-Yes, but you're not together? -Not yet, anyway. -Really? | 0:23:34 | 0:23:38 | |
-You'd like to be? -I'd love to be! -Are you sure? | 0:23:38 | 0:23:42 | |
-It seemed like there was a bit of tension. -Just sexual tension. | 0:23:42 | 0:23:46 | |
-Are you sure? -I think he's lovely. | 0:23:46 | 0:23:48 | |
-Really? -I love his sweaty head. | 0:23:48 | 0:23:51 | |
Do you? | 0:23:51 | 0:23:52 | |
-He is so butch. -OK. -Yes, I'd like to run my hand over his sweaty head. | 0:23:54 | 0:23:59 | |
-OK. Well, before you get carried away... -I feel liberated! | 0:23:59 | 0:24:03 | |
I can say anything! | 0:24:03 | 0:24:04 | |
-It IS a sex shop I work in. -Is it? That's a surprise. | 0:24:09 | 0:24:14 | |
I thought Granny was being facetious. | 0:24:14 | 0:24:16 | |
-No, she hit the nail on the head. -Anyway, this friend of yours, you kind of like him? | 0:24:16 | 0:24:21 | |
-Yes, can you get him up here? -Are you sure? -Yeah, get him up here now, | 0:24:21 | 0:24:24 | |
I'll tell him how I really feel. | 0:24:24 | 0:24:26 | |
-Are you sure? -Yes. | 0:24:26 | 0:24:28 | |
-Can you come on up? -Come on up! -Thank you very much. -Ooh, here he comes! | 0:24:28 | 0:24:35 | |
Oh, God! Look how tall he is! | 0:24:35 | 0:24:39 | |
OK, I was wondering, can I give you the same treatment? Thank you very much. | 0:24:39 | 0:24:45 | |
And I am just going to put this on you. | 0:24:45 | 0:24:48 | |
Oh God, your eyes have completely disappeared. | 0:24:48 | 0:24:53 | |
-All right. How are you? -I'm loving this! She's gone away. | 0:24:53 | 0:24:59 | |
Come back here, now! We're going to have it all out tonight. | 0:24:59 | 0:25:03 | |
I've gone all funny! | 0:25:08 | 0:25:10 | |
-You all right? -Yeah, the drugs are kicking in! | 0:25:12 | 0:25:16 | |
I knew they would, round about now. | 0:25:17 | 0:25:20 | |
-Do you want to walk forward a little bit? -All the way to the altar! | 0:25:23 | 0:25:27 | |
-Are you sure? -Hasn't she got sexy feet? -Yes, she's got lovely feet. | 0:25:27 | 0:25:34 | |
-Thank you. I'll put them on your head later. -This is going wrong. | 0:25:34 | 0:25:39 | |
-This is disgusting. -So you're not together? -Not yet, no. | 0:25:39 | 0:25:44 | |
-I'm planning something later. -Really? -Oh, what is it? | 0:25:44 | 0:25:49 | |
-Marriage proposal? -Yes, indeed. -Is it really? | 0:25:49 | 0:25:52 | |
-Are you sure? -Yes, I think that's what he's planning. -It is. | 0:25:52 | 0:25:56 | |
-She read my mind. -I don't want you to be under any pressure. | 0:25:56 | 0:26:00 | |
-No pressure felt. This has been building up. -You're not even dating! -No! | 0:26:00 | 0:26:05 | |
I just said that because I'm not really with him. | 0:26:05 | 0:26:09 | |
-What do you mean? -I'm married to someone else. I shouldn't be here tonight. | 0:26:09 | 0:26:12 | |
I'm laughing through the truth. | 0:26:16 | 0:26:18 | |
-I don't want to hurry things... -Yeah, but let's see if she'll kiss me. | 0:26:18 | 0:26:24 | |
-Really? You want a kiss? -Yes, can't wait. -Are you sure? | 0:26:24 | 0:26:28 | |
Yeah, let's just clap our faces together. | 0:26:28 | 0:26:31 | |
-And let the magic continue from there. -All right, | 0:26:31 | 0:26:35 | |
-I think this is about the end of the time I have on set... -Let's just get on with it then, shall we? | 0:26:35 | 0:26:41 | |
-You feeling all right? -Yeah, I'm very excited. | 0:26:41 | 0:26:43 | |
You can sit down any time. | 0:26:44 | 0:26:46 | |
-I'm not sitting down, not till I've had my kiss! -Here, I'm ready! | 0:26:46 | 0:26:49 | |
-I'm ready. -Here I come. | 0:26:49 | 0:26:52 | |
I love insurance! | 0:26:52 | 0:26:54 | |
-Come on, let's kiss. -Oh, please do, I'll never get offstage! -Thank you. | 0:26:57 | 0:27:02 | |
You're gorgeous. | 0:27:02 | 0:27:04 | |
Wow, well done, guys. You were awesome. Thank you so much. | 0:27:04 | 0:27:09 | |
Give a huge round of applause. | 0:27:09 | 0:27:12 | |
Ladies and gentlemen, the extraordinary Nina Conti! | 0:27:18 | 0:27:23 | |
That's all we've got time for tonight. | 0:27:25 | 0:27:27 | |
I'm Susan Calman and you have been watching Comedy At The Fringe. Good night! | 0:27:27 | 0:27:31 | |
Subtitles by Red Bee Media Ltd | 0:27:51 | 0:27:55 |