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This programme contains adult humour and some strong language. | 0:00:02 | 0:00:09 | |
CHEERING | 0:00:14 | 0:00:16 | |
Hello and welcome to Comedy At The Fringe! | 0:00:21 | 0:00:25 | |
CHEERING | 0:00:25 | 0:00:28 | |
Thank you, ladies and gentlemen. | 0:00:28 | 0:00:30 | |
I'm Andrew Maxwell. Are you ready for some comedy? | 0:00:30 | 0:00:33 | |
Well, ladies and gentlemen, you have come to the right place, people. | 0:00:35 | 0:00:39 | |
Now before I even attempt to begin this show, | 0:00:41 | 0:00:44 | |
I want to say to you, Scottish people, I love your country! | 0:00:44 | 0:00:47 | |
-CHEERING -Yes! | 0:00:47 | 0:00:49 | |
I don't care whether it sounds like crowd-pleasing, I love Scotland! | 0:00:49 | 0:00:53 | |
I love this country. | 0:00:53 | 0:00:55 | |
Scotland makes me feel tall and classy. | 0:00:55 | 0:00:58 | |
-AUDIENCE MEMBER: -I'll take that as a compliment! | 0:01:00 | 0:01:03 | |
What's that? | 0:01:03 | 0:01:06 | |
You'll take that as a compliment? | 0:01:06 | 0:01:08 | |
It was a compliment. But with a twist. | 0:01:08 | 0:01:10 | |
Known as a punchline. | 0:01:10 | 0:01:12 | |
Who here is from the furthest away from here? | 0:01:19 | 0:01:22 | |
People putting hands up. | 0:01:23 | 0:01:26 | |
Where are you from? | 0:01:26 | 0:01:27 | |
Australia! | 0:01:27 | 0:01:28 | |
-MIMICS ACCENT: -"Australia!" | 0:01:28 | 0:01:31 | |
Welcome, my deeply educated friend. | 0:01:31 | 0:01:35 | |
Welcome, Australian. | 0:01:35 | 0:01:37 | |
Yeah? We like you. | 0:01:37 | 0:01:39 | |
You're nice people. | 0:01:39 | 0:01:41 | |
Yeah? Simple. But sweet. | 0:01:41 | 0:01:43 | |
But we also have a couple of bones to pick with you. Yeah? | 0:01:43 | 0:01:47 | |
And I'm going to air those situations right now, Australian. | 0:01:47 | 0:01:52 | |
-It's called a flip-flop! -LAUGHTER | 0:01:52 | 0:01:55 | |
Right, people? | 0:01:55 | 0:01:57 | |
APPLAUSE AND CHEERING | 0:01:57 | 0:01:59 | |
It's not called a THONG! | 0:01:59 | 0:02:02 | |
It's an onomatopoeic word. Yeah? | 0:02:04 | 0:02:07 | |
Flip, flop, flip, flop, flip, flop. | 0:02:07 | 0:02:10 | |
It doesn't go THONG...THONG... THONG...THONG... | 0:02:10 | 0:02:15 | |
# Thong, thong-thong, thong thong...# | 0:02:15 | 0:02:19 | |
No. | 0:02:19 | 0:02:21 | |
We reserve that word for a far more scanty, sexy garment. | 0:02:21 | 0:02:25 | |
Welcome, Aussie. Anybody else from anywhere else? | 0:02:26 | 0:02:29 | |
INDISTINCT CALLS | 0:02:29 | 0:02:30 | |
There's a man putting his hand up at the back. | 0:02:30 | 0:02:33 | |
I feel like Kilroy-Silk. Yes, sir! | 0:02:33 | 0:02:35 | |
-MAN SHOUTS -Where? | 0:02:35 | 0:02:37 | |
-Syria! -"Syria!" | 0:02:37 | 0:02:39 | |
You - a drunken, ginger, Scottish man... | 0:02:39 | 0:02:43 | |
LAUGHTER AND APPLAUSE | 0:02:43 | 0:02:45 | |
..are for some God-knows-what reason... | 0:02:45 | 0:02:50 | |
live on television, claiming... | 0:02:50 | 0:02:54 | |
that you're a Syrian. | 0:02:54 | 0:02:56 | |
Oh, why not? | 0:02:57 | 0:02:59 | |
That's full of sun-burned sectarian people too. | 0:03:01 | 0:03:05 | |
This is... | 0:03:07 | 0:03:08 | |
This is by far rowdiest thing | 0:03:08 | 0:03:12 | |
that anybody's tried to record and broadcast. | 0:03:12 | 0:03:14 | |
-AUDIENCE MEMBER: -Whooo! | 0:03:15 | 0:03:17 | |
And then she ruined it with "Whooo!" | 0:03:17 | 0:03:20 | |
There's a Ribena jumping in the air. | 0:03:20 | 0:03:24 | |
Whooo! | 0:03:24 | 0:03:25 | |
-LADY-LIKE: -"I'm quite rowdy. | 0:03:25 | 0:03:28 | |
"If I've had too much lactose through the day." | 0:03:28 | 0:03:31 | |
AUDIENCE MEMBER HECKLES | 0:03:33 | 0:03:34 | |
-What's that? -Haggis, dude. | 0:03:34 | 0:03:36 | |
-Haggis dude? -Yeah. | 0:03:36 | 0:03:39 | |
Is that a new superhero? | 0:03:39 | 0:03:41 | |
# Haggis Dude! | 0:03:41 | 0:03:43 | |
# Nobody knows what's inside him! | 0:03:43 | 0:03:46 | |
# Only tourists eat him! | 0:03:48 | 0:03:50 | |
# It's Haggis Dude! # | 0:03:50 | 0:03:53 | |
-WHOOPS -Oh, somebody knows Haggis Dude. | 0:03:53 | 0:03:56 | |
CHEERING | 0:03:56 | 0:03:58 | |
Mild-mannered Callum McGlinchie. | 0:03:58 | 0:04:00 | |
By day, works in a Vodafone shop. | 0:04:00 | 0:04:04 | |
By night, he transforms into a big horrible bag of horrible shite | 0:04:05 | 0:04:10 | |
that failed to make it into sausages. | 0:04:10 | 0:04:12 | |
CHEERING AND APPLAUSE | 0:04:12 | 0:04:14 | |
"You're lookin' at Haggis Dude!" | 0:04:17 | 0:04:21 | |
"What are your super-powers?" | 0:04:21 | 0:04:23 | |
"Ruinin' New Years." | 0:04:23 | 0:04:25 | |
Has anybody here attempted actually to eat haggis? | 0:04:28 | 0:04:31 | |
CHEERING | 0:04:31 | 0:04:33 | |
Scottish people. Yeah, look at them! | 0:04:35 | 0:04:37 | |
He actually raised his pint! "Yurrrgh!" | 0:04:37 | 0:04:40 | |
"Who wouldn't actually try and eat that bladder... | 0:04:40 | 0:04:43 | |
"..filled with... | 0:04:45 | 0:04:46 | |
"..the anuses of chickens... | 0:04:48 | 0:04:50 | |
"and the tears of pigs? | 0:04:50 | 0:04:53 | |
"No, that's the combination that makes it so tasty. | 0:04:53 | 0:04:58 | |
"Mmm..! That pig died a tragic death. | 0:04:58 | 0:05:01 | |
"Murrh! | 0:05:01 | 0:05:03 | |
-"Beauty." -MAN CALLS OUT | 0:05:03 | 0:05:04 | |
-What's that, fella? -It tastes like the rainbow. | 0:05:04 | 0:05:07 | |
It tastes like a rainbow? | 0:05:07 | 0:05:09 | |
< Like Skittles! | 0:05:12 | 0:05:14 | |
Yes, my friend over here who has heckled you, | 0:05:14 | 0:05:17 | |
and I don't know if that's ever happened in your life before... | 0:05:17 | 0:05:21 | |
That's what we've descended into, people. Hecklers heckling hecklers. | 0:05:21 | 0:05:25 | |
That's right. | 0:05:27 | 0:05:28 | |
My honourable friend from the other side of the parliament... | 0:05:28 | 0:05:33 | |
has pointed out that's in fact a Skittles logo, my friend. | 0:05:33 | 0:05:36 | |
It's haggis. > | 0:05:37 | 0:05:39 | |
No, not haggis. Haggis doesn't have a logo. | 0:05:39 | 0:05:42 | |
Eh? It just sits in the window | 0:05:42 | 0:05:46 | |
until some rather drunken Canadian gives it a go. | 0:05:46 | 0:05:50 | |
"Hey, I think I can eat that. | 0:05:50 | 0:05:53 | |
"That looks like a moose's cock that's been blown up, eh?" | 0:05:53 | 0:05:56 | |
Any of the Scottish people ever been to Canada? | 0:05:59 | 0:06:02 | |
CHEERING | 0:06:02 | 0:06:03 | |
If you haven't been there, you should go. | 0:06:03 | 0:06:05 | |
Canadians are essentially hydroponically grown Scotsmen. | 0:06:05 | 0:06:09 | |
So that's it. | 0:06:11 | 0:06:13 | |
We've got an Australian, a Syrian... | 0:06:13 | 0:06:15 | |
Where are you from in Syria? | 0:06:17 | 0:06:19 | |
Damascus. | 0:06:19 | 0:06:21 | |
He actually pointed to it! | 0:06:21 | 0:06:23 | |
"Damascus! | 0:06:23 | 0:06:26 | |
"Over that way! | 0:06:26 | 0:06:28 | |
"I'm from the East Side of Damascus, we're largely Hibs fans." | 0:06:28 | 0:06:31 | |
Good! Now, I have to ask, are you ready for your first act? | 0:06:34 | 0:06:39 | |
CHEERING | 0:06:39 | 0:06:41 | |
Let's do this thing, ladies and gentlemen. | 0:06:41 | 0:06:43 | |
Whether you're Australian, whether you're possibly Syrian, | 0:06:43 | 0:06:47 | |
will you please give it up for Jimeoin?! | 0:06:47 | 0:06:51 | |
CHEERING | 0:06:51 | 0:06:54 | |
Thank you. Thank you very much. | 0:07:01 | 0:07:03 | |
How are you all, good? Good? | 0:07:03 | 0:07:06 | |
As if I care. No, I do. | 0:07:06 | 0:07:08 | |
Erm. I have a strong accent, I'm sorry about this... | 0:07:08 | 0:07:14 | |
Bit shy at the start and I tend to mumble quite a bit too, | 0:07:14 | 0:07:18 | |
-so good luck... -BEGINS TO RAMBLE INCOHERENTLY | 0:07:18 | 0:07:22 | |
..so I did. | 0:07:22 | 0:07:24 | |
I am a bit shy at the start. | 0:07:28 | 0:07:30 | |
It takes me a bit of time just to get going, you know? | 0:07:30 | 0:07:32 | |
You know when you go and see a band and you want to cut loose, | 0:07:32 | 0:07:35 | |
you want to really enjoy yourself but you're aware of yourself | 0:07:35 | 0:07:38 | |
and all you can do is this? | 0:07:38 | 0:07:40 | |
And you're talking to yourself. "Come on, let go, you can do this." | 0:07:43 | 0:07:47 | |
There's that girl that starts dancing before everybody else, but she can't dance. She's doing... | 0:07:50 | 0:07:55 | |
She stuffed the band up, they can't play in time any more. They're... | 0:08:00 | 0:08:04 | |
Hmmm... | 0:08:12 | 0:08:13 | |
Good to be alive, isn't it? | 0:08:15 | 0:08:16 | |
Tedious, though. | 0:08:18 | 0:08:19 | |
Gets to a point where it's just the same shit over and over again. | 0:08:21 | 0:08:25 | |
Certain jobs in life remind you of that. | 0:08:25 | 0:08:28 | |
Putting the bins out, that's very much one of those jobs. | 0:08:28 | 0:08:31 | |
Standing in the street going, "I hate this. | 0:08:31 | 0:08:34 | |
"Putting the bins out." | 0:08:34 | 0:08:36 | |
Sneaking rubbish into other people's bins, | 0:08:36 | 0:08:39 | |
I enjoy that. | 0:08:39 | 0:08:41 | |
Bit of fun to be had there. | 0:08:41 | 0:08:44 | |
I hate it when I'm in bed and then I realise I haven't put the bins out. | 0:08:44 | 0:08:47 | |
"Fuck, bin night!" Back out of bed, clothes back on. | 0:08:47 | 0:08:50 | |
Or bin morning, when you're in a deep sleep | 0:08:56 | 0:08:58 | |
and you can hear the bin truck and you haven't put the bins out. | 0:08:58 | 0:09:02 | |
HE GASPS | 0:09:02 | 0:09:05 | |
Running down the street naked with two bins behind you. | 0:09:05 | 0:09:07 | |
That's no way to start the day, is it? | 0:09:13 | 0:09:16 | |
The job I hate the most in life, you know when you go to bed at night | 0:09:16 | 0:09:19 | |
and you open the bedroom door, and there's no sheets on the bed? | 0:09:19 | 0:09:23 | |
No pillowslip, no cover. You're like, "Oh, no... | 0:09:25 | 0:09:28 | |
"I only allowed enough strength to get to bed. | 0:09:29 | 0:09:33 | |
"I wasn't picturing having to do this at this time of night." | 0:09:33 | 0:09:37 | |
You can't believe what you're looking at, | 0:09:37 | 0:09:39 | |
it's a bare mattress, it's like a slab in a mortuary, | 0:09:39 | 0:09:42 | |
it's the opposite of what you were expecting. | 0:09:42 | 0:09:45 | |
You get everything off the bed, get everything off. | 0:09:47 | 0:09:50 | |
Fitted sheets first. Fitted sheet won't play the game. | 0:09:52 | 0:09:55 | |
You can't unravel it, you don't know what corner's what. | 0:09:55 | 0:09:58 | |
You could have a false start. | 0:09:58 | 0:10:00 | |
And you have to walk round, it's at that bad back height. | 0:10:00 | 0:10:04 | |
Walking round the bed trying to put the fitted sheet on, | 0:10:04 | 0:10:08 | |
talking to your partner, "Fuck, we had the whole day to do this." | 0:10:08 | 0:10:12 | |
Lift the mattress up, get your knee in underneath. | 0:10:17 | 0:10:20 | |
It's like a drum. | 0:10:22 | 0:10:23 | |
The cat won't clear off. | 0:10:23 | 0:10:25 | |
That's cos he's underneath the sheet. | 0:10:26 | 0:10:29 | |
Pillowslips are next. | 0:10:33 | 0:10:35 | |
Yeah. I sit down and have a rest for those. | 0:10:35 | 0:10:38 | |
Sigh before I start. | 0:10:39 | 0:10:41 | |
HE SIGHS | 0:10:42 | 0:10:44 | |
Cos you're a long way from home. | 0:10:46 | 0:10:48 | |
You've got the cover to do next. | 0:10:49 | 0:10:51 | |
How do you do the cover? You're not too sure what you're doing, are you? | 0:10:53 | 0:10:57 | |
There's a woman, what do you do, love? | 0:10:57 | 0:11:00 | |
-Inside out! -Inside out. Turn inside out. | 0:11:00 | 0:11:03 | |
Grab the corners? Grab the two corners? Yes. | 0:11:04 | 0:11:08 | |
But there's heavy wafting in that technique, isn't there? | 0:11:08 | 0:11:12 | |
I like it. I know you're on your own. No-one to help you. | 0:11:16 | 0:11:20 | |
I climb inside the cover. Climb right inside it. | 0:11:21 | 0:11:25 | |
Who's with me? | 0:11:25 | 0:11:27 | |
Pull the quilt in with me, grab the two corners and then go... | 0:11:27 | 0:11:30 | |
I've slept inside the cover... | 0:11:38 | 0:11:40 | |
..pissed. | 0:11:41 | 0:11:43 | |
Pillowslip over my head. | 0:11:43 | 0:11:45 | |
Dreamt I was in the Ku Klux Klan. | 0:11:47 | 0:11:49 | |
Paisley version. | 0:11:53 | 0:11:55 | |
We were nice. | 0:11:57 | 0:11:58 | |
I like to go to bed before my partner. | 0:12:00 | 0:12:02 | |
Get her book, she's got a page folded back, I go back about ten pages, fold that page back. | 0:12:02 | 0:12:07 | |
Very funny. | 0:12:10 | 0:12:11 | |
Watch her reading with that look on her face. | 0:12:11 | 0:12:14 | |
"This all seems very familiar. | 0:12:20 | 0:12:22 | |
"Are you laughing?" "No, I'm having a wank." | 0:12:25 | 0:12:27 | |
That's the only joy I get out of life these days. | 0:12:33 | 0:12:36 | |
Winding my wife up. | 0:12:36 | 0:12:38 | |
Another time she was in the bedroom, | 0:12:40 | 0:12:42 | |
I went into the bathroom to freshen up. | 0:12:42 | 0:12:45 | |
Got my nuts into the sink. | 0:12:47 | 0:12:50 | |
As you do. | 0:12:52 | 0:12:54 | |
You always have to go up on your tiptoes to get your nuts in the sink. | 0:12:54 | 0:12:58 | |
It doesn't matter what sink it is, always up on your tiptoes. | 0:12:59 | 0:13:03 | |
It's probably how the plumber measured the height of the sink. | 0:13:03 | 0:13:07 | |
HE CHUCKLES | 0:13:18 | 0:13:21 | |
No. Plumber with a saw? It's ridiculous. | 0:13:21 | 0:13:24 | |
Anyway, that's all from me. Thank you very much. | 0:13:24 | 0:13:26 | |
Enjoy the rest of your night. | 0:13:26 | 0:13:28 | |
CHEERING | 0:13:28 | 0:13:30 | |
Jimeoin! | 0:13:34 | 0:13:37 | |
Eleanor Tiernan! | 0:13:39 | 0:13:41 | |
CHEERING | 0:13:41 | 0:13:43 | |
Hello, how are you? | 0:13:47 | 0:13:49 | |
How's it going? | 0:13:49 | 0:13:50 | |
Hello, my name is Eleanor, I'm a comedian from Ireland. | 0:13:50 | 0:13:54 | |
I present a television programme over there. | 0:13:54 | 0:13:57 | |
Yeah, it's where I take Irish celebrities | 0:13:57 | 0:14:00 | |
and find out what their ancestors were doing during the famine. | 0:14:00 | 0:14:04 | |
Potato! > | 0:14:04 | 0:14:06 | |
We call it Who Do You Think You Ate? | 0:14:06 | 0:14:08 | |
Give me a cheer if you drive a car! | 0:14:11 | 0:14:14 | |
Excellent. Excellent. | 0:14:14 | 0:14:16 | |
I have a little tip for you people. | 0:14:16 | 0:14:18 | |
Here's how anybody at all can park in the mother-and-baby spot, OK? | 0:14:18 | 0:14:23 | |
What you do is you park there, you go in, you get your shopping, | 0:14:23 | 0:14:29 | |
you come back out and that's when somebody will strike. | 0:14:29 | 0:14:32 | |
OK? Somebody is going to come over to you at that point and go, | 0:14:32 | 0:14:36 | |
"Excuse me. | 0:14:36 | 0:14:37 | |
"You're supposed to be a mother and a baby to park there." | 0:14:37 | 0:14:41 | |
At this point your acting ability must kick in. | 0:14:42 | 0:14:47 | |
What you have to do now is go... | 0:14:47 | 0:14:48 | |
.."Oh, no. | 0:14:54 | 0:14:57 | |
"I'm after losing her!" | 0:14:57 | 0:14:59 | |
They get upset for you then. | 0:15:00 | 0:15:02 | |
They'll be like, "You've lost your baby?" | 0:15:02 | 0:15:05 | |
And you can be like, "No. | 0:15:05 | 0:15:06 | |
"I've lost my mother." | 0:15:06 | 0:15:08 | |
I think I would've made an excellent supermodel if given the chance, | 0:15:12 | 0:15:15 | |
because there is a technique to supermodelling | 0:15:15 | 0:15:17 | |
that supermodels must have to learn at some point in their careers. | 0:15:17 | 0:15:21 | |
But I figured it out all on my own. | 0:15:21 | 0:15:23 | |
The technique is that when you're walking down the catwalk, | 0:15:23 | 0:15:26 | |
you must walk down as if you have something very important to tell everyone. | 0:15:26 | 0:15:31 | |
But at the very last minute, | 0:15:31 | 0:15:32 | |
you decide that they wouldn't understand. | 0:15:32 | 0:15:35 | |
Here we go. | 0:15:36 | 0:15:38 | |
CHEERING | 0:15:41 | 0:15:43 | |
CHEERING | 0:15:52 | 0:15:54 | |
Does anybody here know a television programme | 0:15:55 | 0:15:58 | |
called America's Next Top Model? CHEERING | 0:15:58 | 0:16:01 | |
It's brilliant. There's America's, Canada's, Britain's, Australia's. | 0:16:01 | 0:16:04 | |
I am dying to see the Irish version of America's Next Top Model. | 0:16:04 | 0:16:08 | |
Except for Ireland doesn't really have a top model, | 0:16:08 | 0:16:11 | |
so I think I would have to be called Ireland's First Half Decent Model. | 0:16:11 | 0:16:16 | |
I think I would be a good hostess for that show. | 0:16:18 | 0:16:20 | |
When the job comes up, I'm going to go for it. | 0:16:20 | 0:16:23 | |
I'd get up there and say things like, "Fiona... | 0:16:23 | 0:16:26 | |
"you came here a shy, nervous, | 0:16:26 | 0:16:30 | |
"impressionable girl from Waterford. | 0:16:30 | 0:16:33 | |
"And now you're full of shit. | 0:16:33 | 0:16:35 | |
"But we're not seeing it in your photographs. | 0:16:38 | 0:16:41 | |
"Claire from Cork, | 0:16:42 | 0:16:45 | |
"we sent you to meet one of the world's top fashion designers. | 0:16:45 | 0:16:48 | |
"You showed up hammered drunk, | 0:16:48 | 0:16:51 | |
"parked illegally | 0:16:51 | 0:16:52 | |
"and put your head through the windscreen of a traffic warden's van. | 0:16:52 | 0:16:56 | |
"You walked into that boardroom with bits of glass in your hair | 0:16:56 | 0:17:00 | |
"and blood streaming from your left eye | 0:17:00 | 0:17:02 | |
"and you told Jean Paul Gaultier to go fuck himself. | 0:17:02 | 0:17:05 | |
"Fair play to you! | 0:17:06 | 0:17:08 | |
"You're still in with a shout of becoming Ireland's First Half Decent Model!" | 0:17:08 | 0:17:12 | |
Folks, I've been Eleanor Tiernan. Thank you so much, goodbye! | 0:17:16 | 0:17:19 | |
Eleanor Tiernan! | 0:17:32 | 0:17:34 | |
CHEERING | 0:17:34 | 0:17:35 | |
Good. Now, I have to ask foreigners in the room, | 0:17:35 | 0:17:41 | |
are you fans of Scottish football? | 0:17:41 | 0:17:43 | |
MUTED RESPONSE | 0:17:43 | 0:17:45 | |
Oh, man, you're missing out! Oh, God, I love the SPL. | 0:17:45 | 0:17:51 | |
Oh, I love the Scottish football league so much. | 0:17:51 | 0:17:55 | |
It's so good for the self-esteem. | 0:17:55 | 0:17:57 | |
You can be on the terrace at a Scottish football game | 0:17:59 | 0:18:02 | |
and be able to say to yourself, looking at the play on the pitch, | 0:18:02 | 0:18:06 | |
"I could do that!" | 0:18:06 | 0:18:07 | |
"If I had this season's strip, I could be out there." | 0:18:10 | 0:18:14 | |
Granted, there's a little bit of sectarianism in Scottish football. | 0:18:15 | 0:18:19 | |
Do foreigners know this? | 0:18:19 | 0:18:21 | |
Well, I don't assume that you know everything about Scotland. | 0:18:21 | 0:18:25 | |
Let me break it down for you. Basically, there's two... | 0:18:25 | 0:18:27 | |
Well, up till very recently... | 0:18:27 | 0:18:30 | |
Two football teams in Glasgow. | 0:18:36 | 0:18:40 | |
Rangers, they're Protestant. | 0:18:40 | 0:18:44 | |
Celtic and they're Catholic, and they hate each other! | 0:18:44 | 0:18:50 | |
Traditionally, they play each other every four days. | 0:18:50 | 0:18:55 | |
Do you know this stuff is in America now? | 0:19:00 | 0:19:03 | |
The Rangers-Celtic stuff. Did you know that? | 0:19:03 | 0:19:06 | |
It blew my mind when I found out. | 0:19:06 | 0:19:08 | |
There's Boston Celtic and New York Rangers. | 0:19:08 | 0:19:11 | |
But they rarely play each other | 0:19:11 | 0:19:14 | |
because one of them's a basketball team | 0:19:14 | 0:19:17 | |
and the other one's an ice hockey team. | 0:19:17 | 0:19:19 | |
But when they do... | 0:19:19 | 0:19:22 | |
..it's mayhem! | 0:19:23 | 0:19:25 | |
Some say it's too slippy, some say it's too bouncy. | 0:19:26 | 0:19:29 | |
That's religion for you. | 0:19:31 | 0:19:33 | |
CHEERING | 0:19:36 | 0:19:39 | |
Yeah, this was a bad idea. | 0:19:44 | 0:19:46 | |
It's very late. | 0:19:50 | 0:19:51 | |
I'm visiting here in Edinburgh. | 0:19:53 | 0:19:57 | |
I was at my flat the other morning. | 0:19:57 | 0:20:01 | |
Somebody knocked on my door at nine in the morning. | 0:20:01 | 0:20:04 | |
I'm thinking, "Who's knocking on my door? | 0:20:04 | 0:20:06 | |
"I don't know anybody here. Who knows that I live here?" | 0:20:06 | 0:20:09 | |
So I said, "Who is it?!" | 0:20:09 | 0:20:11 | |
And a guy says, "Scottish Power!" | 0:20:11 | 0:20:15 | |
LAUGHTER | 0:20:15 | 0:20:17 | |
"Oh, good for you, man. | 0:20:22 | 0:20:25 | |
"That is good for you. | 0:20:25 | 0:20:27 | |
"Early-morning patriotism is a great thing. | 0:20:27 | 0:20:30 | |
"I don't know why you're knocking on my door about it." | 0:20:32 | 0:20:35 | |
So I was here in the Fringe last year in Scotland, | 0:20:38 | 0:20:43 | |
and I had some Scottish money left over when I went to London in May. | 0:20:43 | 0:20:49 | |
GROANING | 0:20:49 | 0:20:51 | |
Yeah, so I go into the place, I give them a Scottish 20 at the shop | 0:20:53 | 0:21:00 | |
in London and the English guy says, "Literally, this is Scottish mon..." | 0:21:00 | 0:21:05 | |
I don't know why English people are always, "Literally! | 0:21:05 | 0:21:08 | |
"Literally, I was there!" | 0:21:08 | 0:21:11 | |
Why are you saying "literally"? | 0:21:11 | 0:21:13 | |
"Literally, I was..." Shut up with your "literally"! | 0:21:13 | 0:21:17 | |
All your sentences will work without it, man! | 0:21:17 | 0:21:20 | |
"Literally!" | 0:21:20 | 0:21:21 | |
So, yes, it's Scottish money, man, so take it. Take the money! It's pounds. | 0:21:23 | 0:21:29 | |
I don't know what the beef is between England and Scotland, | 0:21:29 | 0:21:33 | |
I don't care, man, I'm not even going to research it. | 0:21:33 | 0:21:37 | |
Just know that I hate both of your countries equally. | 0:21:37 | 0:21:40 | |
And I'm here for work only and I would never visit on my own. | 0:21:43 | 0:21:48 | |
A fact's a fact. | 0:21:51 | 0:21:53 | |
Whenever I eat at a restaurant, I never put the napkin in my lap. | 0:21:55 | 0:21:59 | |
I never put the napkin in my lap | 0:22:00 | 0:22:04 | |
and people say, "Hannibal... | 0:22:04 | 0:22:07 | |
"why don't you put the napkin in your lap?" | 0:22:07 | 0:22:09 | |
Because I believe in myself. | 0:22:11 | 0:22:12 | |
I believe in my ability to not spill food on my pants | 0:22:16 | 0:22:19 | |
because I am a goddamn adult and I have mastered the art | 0:22:19 | 0:22:23 | |
of getting food from my plate to my mouth without soiling my jeans. | 0:22:23 | 0:22:27 | |
You need to believe in yourself too and get your life together. | 0:22:27 | 0:22:31 | |
That's for babies. | 0:22:31 | 0:22:33 | |
Have some confidence in your hand-eye coordination. | 0:22:33 | 0:22:36 | |
You need abilities. | 0:22:37 | 0:22:39 | |
My favourite drink is a Flaming Dr Pepper, that's an amazing drink. | 0:22:41 | 0:22:45 | |
I'll tell you how to make one. | 0:22:45 | 0:22:46 | |
Take a glass of beer, a shot of Amaretto, a capful of Bacardi 151. | 0:22:46 | 0:22:50 | |
You put a capful in the Amaretto, light it on fire, | 0:22:50 | 0:22:54 | |
drop it in the beer, chug it, and it tastes just like Dr Pepper. | 0:22:54 | 0:22:58 | |
This drink is magical. | 0:22:58 | 0:23:00 | |
Three different liquors and it tastes like Dr Pepper. | 0:23:00 | 0:23:03 | |
That shows you how dedicated the guy was that invented this drink | 0:23:03 | 0:23:07 | |
because he said, "I want to get messed up | 0:23:07 | 0:23:09 | |
"but only if it tastes like Dr Pepper." | 0:23:09 | 0:23:12 | |
Do you know how many times he's failed before that worked out? | 0:23:12 | 0:23:14 | |
It didn't happen on the first try. It took patience and dedication. | 0:23:14 | 0:23:17 | |
He was trying stuff in his basement. | 0:23:17 | 0:23:19 | |
"Let's try vodka, let's try whisky, let's try grenadine. | 0:23:19 | 0:23:24 | |
"Dammit, that's not it!" | 0:23:24 | 0:23:26 | |
"Honey, come up for dinner." | 0:23:26 | 0:23:28 | |
"No, not right now, I'm working on something." | 0:23:28 | 0:23:32 | |
"What are you working on?" | 0:23:32 | 0:23:33 | |
"I'm working on this magical drink that has three different liquors | 0:23:33 | 0:23:36 | |
"and tastes like Dr Pepper and involves fire for no reason at all." | 0:23:36 | 0:23:43 | |
"That will never work!" | 0:23:43 | 0:23:44 | |
"Yes, it will work and guess what? | 0:23:44 | 0:23:47 | |
"When I make all this Flaming Dr Pepper money I'm divorcing you, | 0:23:47 | 0:23:50 | |
"you unsupportive bitch! You never backed up my dreams!" | 0:23:50 | 0:23:54 | |
Good night, y'all. Thanks a lot. | 0:23:54 | 0:23:56 | |
CHEERING | 0:23:56 | 0:23:58 | |
Thank you, ladies and gentlemen. | 0:24:04 | 0:24:06 | |
You're very, very welcome. | 0:24:06 | 0:24:08 | |
Come here. | 0:24:10 | 0:24:12 | |
It's great to be here. Well, I was over there and I didn't like it. | 0:24:13 | 0:24:17 | |
I got the taxi tonight. He said, "That'll be six quid." | 0:24:20 | 0:24:23 | |
I said, "I've only got a fiver, could you reverse back a bit?" | 0:24:23 | 0:24:27 | |
Do you know, it's lovely to be here in Edinburgh. | 0:24:28 | 0:24:31 | |
I rang up the railway station, you know. | 0:24:31 | 0:24:33 | |
I said, "Railway station, come closer to the phone. | 0:24:33 | 0:24:36 | |
"What time does the next train go to Edinburgh?" | 0:24:36 | 0:24:39 | |
He said, "Look it up online." I mean, how dangerous is that? | 0:24:39 | 0:24:42 | |
Eh?! | 0:24:42 | 0:24:44 | |
You're walking up and down the line, the trains are whizzing by. | 0:24:45 | 0:24:48 | |
So I went to the ticket office personally. | 0:24:48 | 0:24:52 | |
Come here. | 0:24:52 | 0:24:53 | |
I said, "A return, please." | 0:24:53 | 0:24:55 | |
He said, "Where to?" | 0:24:55 | 0:24:56 | |
I said, "Back here." | 0:24:56 | 0:24:57 | |
Well, where else am I going to go? | 0:24:59 | 0:25:01 | |
I said, "I want to go to Edinburgh." | 0:25:03 | 0:25:05 | |
He said, "Change at Newcastle." | 0:25:05 | 0:25:07 | |
I said, "I want my change here." | 0:25:07 | 0:25:09 | |
But I got my own back. I bought a return ticket and I never went back. | 0:25:14 | 0:25:18 | |
What a dream I had the other night. Can I share this with you? | 0:25:20 | 0:25:25 | |
I'm walking through the desert | 0:25:25 | 0:25:28 | |
and who should I see but Westlife. | 0:25:28 | 0:25:31 | |
SCATTERED CHEERS | 0:25:31 | 0:25:33 | |
I thought it was Westlife, it turned out to be Oasis. | 0:25:33 | 0:25:36 | |
Ladies and gentlemen, I'm going to do a few impressions now. | 0:25:40 | 0:25:45 | |
CHEERING | 0:25:47 | 0:25:48 | |
That was an impression... | 0:25:48 | 0:25:50 | |
That was an impression | 0:25:50 | 0:25:52 | |
of a comedian taking his coat off. | 0:25:52 | 0:25:54 | |
And now, a man going upstairs. | 0:25:54 | 0:25:58 | |
He's in a lift. | 0:26:01 | 0:26:02 | |
LAUGHTER | 0:26:02 | 0:26:05 | |
And now, my impression of Olympic bronze medallist Tom Daley | 0:26:05 | 0:26:08 | |
going into a dive. | 0:26:08 | 0:26:09 | |
Hello, any chance of a late-night drink? | 0:26:10 | 0:26:13 | |
LAUGHTER | 0:26:13 | 0:26:16 | |
Oh! An impression in the future. | 0:26:19 | 0:26:22 | |
But I'm going to do it now. | 0:26:22 | 0:26:24 | |
A man having a cup of tea up in outer space. | 0:26:24 | 0:26:27 | |
GIGGLING | 0:26:39 | 0:26:42 | |
APPLAUSE AND CHEERING | 0:26:44 | 0:26:47 | |
Now, ladies and gentlemen, | 0:26:54 | 0:26:56 | |
I'd like to leave you all with a thought. | 0:26:56 | 0:26:59 | |
If you want to live longer, | 0:26:59 | 0:27:00 | |
find out where you're going to die and stay away from there. | 0:27:00 | 0:27:03 | |
Thank you very much, ladies and gentlemen. Good night. | 0:27:05 | 0:27:08 | |
CHEERING | 0:27:12 | 0:27:13 | |
Ladies and gentlemen, that is all we have time for tonight. | 0:27:15 | 0:27:18 | |
I've been Andrew Maxwell. | 0:27:18 | 0:27:20 | |
You've been watching Comedy At The Fringe. Good night! | 0:27:20 | 0:27:22 | |
CHEERING | 0:27:22 | 0:27:24 | |
Subtitles by Red Bee Media Ltd | 0:27:30 | 0:27:33 |