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I'm Chris Ramsey. Welcome to Comedy At The Fringe on BBC Three! | 0:00:02 | 0:00:05 | |
APPLAUSE | 0:00:05 | 0:00:08 | |
This programme contains some strong language | 0:00:08 | 0:00:11 | |
CHEERING AND APPLAUSE | 0:00:23 | 0:00:26 | |
Yes! | 0:00:29 | 0:00:32 | |
Edinburgh Festival! | 0:00:32 | 0:00:35 | |
Woo! Yes! | 0:00:35 | 0:00:38 | |
It's been good, this. It's been quite sunny at the Fringe this year. | 0:00:38 | 0:00:42 | |
It's been quite nice, hasn't it? I'm not used to it. | 0:00:42 | 0:00:44 | |
All the gigs have been quite full, cos it's all just Scottish people | 0:00:44 | 0:00:48 | |
running in cos they don't know what the sun is and they're terrified. | 0:00:48 | 0:00:51 | |
"The hell is that?! Aagh!" | 0:00:51 | 0:00:52 | |
There's guys standing outside pubs, | 0:00:52 | 0:00:55 | |
going, "The moon's getting a bit uppity." | 0:00:55 | 0:00:57 | |
I love Edinburgh. One of the funniest, maddest, weirdest, | 0:00:57 | 0:01:00 | |
most awkward things that ever happened to me | 0:01:00 | 0:01:02 | |
happened in Edinburgh. | 0:01:02 | 0:01:03 | |
I was up here doing a run of gigs at the Stand Comedy Club. | 0:01:03 | 0:01:06 | |
My first ever weekend away from home doing gigs, it was a weekend away, | 0:01:06 | 0:01:09 | |
Christmas gigs, I was doing the Thursday, Friday, Saturday. | 0:01:09 | 0:01:13 | |
On the Saturday before Christmas, | 0:01:13 | 0:01:15 | |
-I went for a meal on my own on the Saturday before Chris... -Aw! | 0:01:15 | 0:01:19 | |
Thank you! One man - "Awww!" | 0:01:19 | 0:01:23 | |
And yeah, so I went for a meal on my own in this restaurant | 0:01:23 | 0:01:26 | |
and I don't know if you've been for a meal on your own, | 0:01:26 | 0:01:28 | |
but that's what the weirdos do, isn't it? | 0:01:28 | 0:01:31 | |
And I walked in... I didn't want to, | 0:01:31 | 0:01:32 | |
I walked in and honestly, it was the most over the top... | 0:01:32 | 0:01:35 | |
I love Scottish people, I think you're great, | 0:01:35 | 0:01:37 | |
but when you're having a good time, you really aim it at other people. | 0:01:37 | 0:01:40 | |
You know what I mean? "Wahey!" | 0:01:40 | 0:01:42 | |
"All right, man, I'm on my own. Leave us alone, right?" | 0:01:42 | 0:01:44 | |
You genuinely know how to have a good time. It's a fantastic thing. | 0:01:44 | 0:01:47 | |
I walked into this place. No table smaller than a table of six, right? | 0:01:47 | 0:01:50 | |
These tables were massive. "Wahey!" Paper crowns, | 0:01:50 | 0:01:53 | |
Christmas decorations, singing, dancing, and I popped my foot in | 0:01:53 | 0:01:57 | |
and thought, "I'm not going to sit in here. | 0:01:57 | 0:01:59 | |
"This will be horrendous, eating a meal on my own in here, | 0:01:59 | 0:02:01 | |
"Saturday before Christmas, like the saddest puppy in the window." | 0:02:01 | 0:02:04 | |
So I thought, "I'll just leave." I went to turn round | 0:02:04 | 0:02:06 | |
and the bloke came in and went, "No, no, sir. Can we help you?" | 0:02:06 | 0:02:09 | |
I thought, "What can I do here?" And I thought of an amazing out. | 0:02:09 | 0:02:12 | |
I went, "Uh, yes. We were hoping to get a table, | 0:02:12 | 0:02:15 | |
"but it's clearly far too busy. We'll check somewhere else." | 0:02:15 | 0:02:18 | |
He went, "No, no, no! It's turnover quite fast. | 0:02:18 | 0:02:20 | |
"We've got three tables leaving now. How many is it for?" | 0:02:20 | 0:02:23 | |
"Shit." | 0:02:23 | 0:02:24 | |
And I quickly... I totally panicked. | 0:02:24 | 0:02:26 | |
I just went, "Um, it's just me. I lied. I'm sorry." I had nothing. | 0:02:26 | 0:02:30 | |
Now, in real life, until that day... | 0:02:30 | 0:02:32 | |
I went, "It's just a table for one." | 0:02:32 | 0:02:34 | |
In real life, until that day, I'd never heard a human go "Ooh?!" | 0:02:34 | 0:02:37 | |
Ever! Outside Scooby Doo, I'd never heard that happen, right? | 0:02:37 | 0:02:40 | |
So he went, "Ooh?!" And he went, "No, it's OK, sir." | 0:02:40 | 0:02:44 | |
Nice guy. Scottish people are lovely. You're accommodating people. | 0:02:44 | 0:02:47 | |
He went, "It's all right." We didn't expect anyone to come | 0:02:47 | 0:02:50 | |
"on the Saturday before Christmas on their own." | 0:02:50 | 0:02:53 | |
Thanks for repeating it, mate. It feels much better. | 0:02:53 | 0:02:55 | |
He went, "But it's all right, we'll sort you out." | 0:02:55 | 0:02:58 | |
He went to the back of the restaurant and he found me | 0:02:58 | 0:03:01 | |
-my very own table for one. What a guy. -Aw! | 0:03:01 | 0:03:04 | |
What a guy, man. Yeah, he found it. | 0:03:04 | 0:03:06 | |
He held it aloft. | 0:03:06 | 0:03:08 | |
He marched it through the entire restaurant, | 0:03:08 | 0:03:14 | |
causing so much mayhem and pandemonium, everyone's looking over, | 0:03:14 | 0:03:17 | |
he's going, "Yeah, we're making a table for the lonely man. | 0:03:17 | 0:03:19 | |
"He might cry. Let's watch." He was buzzing. Everyone was looking. | 0:03:19 | 0:03:23 | |
He put it - imagine he put in the window, how bad that would be. | 0:03:23 | 0:03:26 | |
He put it in the middle of four tables of six. | 0:03:26 | 0:03:29 | |
If you're looking from the roof, it went table of six, table of six, | 0:03:29 | 0:03:32 | |
table of six, table of six, me. Right in the middle! | 0:03:32 | 0:03:34 | |
They had to move their bags and shopping and shit! Right? | 0:03:34 | 0:03:38 | |
I was standing, I was purple, I was mortified. | 0:03:38 | 0:03:41 | |
He started setting the table. He made it worse. | 0:03:41 | 0:03:43 | |
Everyone's looking. He set the table - cloth, knife, fork, | 0:03:43 | 0:03:46 | |
plate, cup. He put, in front of everyone on that table, | 0:03:46 | 0:03:50 | |
a Christmas cracker. | 0:03:50 | 0:03:52 | |
What the hell am I supposed to do with that?! | 0:03:54 | 0:03:56 | |
Do I try to find a new friend from my circumference of happiness? | 0:03:56 | 0:03:59 | |
"Please! Please! Someone, please! | 0:03:59 | 0:04:02 | |
"You can keep the hat, I just want the joke!" | 0:04:02 | 0:04:07 | |
Or do I pull it on my own? How creepy would that be? | 0:04:07 | 0:04:10 | |
I can't lose, so... | 0:04:10 | 0:04:11 | |
Ha-ha-ha! | 0:04:13 | 0:04:15 | |
I opted for option three, which was creepier in hindsight. | 0:04:18 | 0:04:21 | |
I genuinely stood up and took it as I left. | 0:04:21 | 0:04:24 | |
Unbelievable. Unbelievable. | 0:04:25 | 0:04:27 | |
Right, are you ready for your first fantastic act? | 0:04:27 | 0:04:29 | |
CHEERING | 0:04:29 | 0:04:32 | |
Go crazy, go wild, welcome to the stage | 0:04:32 | 0:04:34 | |
the fantastic Hannibal Buress! | 0:04:34 | 0:04:36 | |
CHEERING AND APPLAUSE CONTINUES | 0:04:40 | 0:04:43 | |
Yeah, this was a bad idea. | 0:04:52 | 0:04:53 | |
It's very late. | 0:04:57 | 0:04:58 | |
I'm visiting here in Edinburgh. | 0:05:01 | 0:05:04 | |
I was at my flat the other morning. | 0:05:04 | 0:05:08 | |
Somebody knocked on my door at nine in the morning. | 0:05:08 | 0:05:11 | |
I'm thinking, "Who's knocking on my door? I don't know anybody here. | 0:05:11 | 0:05:14 | |
"Who knows that I live here?" | 0:05:14 | 0:05:16 | |
So I say, "Who is it?" | 0:05:16 | 0:05:18 | |
And the guy says, "Scottish Power!" | 0:05:18 | 0:05:22 | |
LAUGHTER | 0:05:26 | 0:05:29 | |
Good for you, man. | 0:05:29 | 0:05:31 | |
That is good for you. | 0:05:32 | 0:05:34 | |
Early-morning patriotism is a great thing. | 0:05:34 | 0:05:37 | |
I don't know why you knocking on my door about it... | 0:05:39 | 0:05:42 | |
Sometimes, I get drunk and get into arguments with taxi drivers | 0:05:48 | 0:05:52 | |
and I get out the cab and I slam the door. | 0:05:52 | 0:05:56 | |
That's not the way to win an argument with a taxi driver. | 0:05:56 | 0:05:59 | |
The way to win is, you get out the cab | 0:05:59 | 0:06:02 | |
and you leave the door open. | 0:06:02 | 0:06:03 | |
Then he has to step out, come around and close the door, | 0:06:05 | 0:06:08 | |
but while he's doing that, I'm on the other side, | 0:06:08 | 0:06:11 | |
opening the other doors... | 0:06:11 | 0:06:13 | |
..and we just keep going around and around and around and around, | 0:06:16 | 0:06:21 | |
and I got my own Benny Hill situation going on. | 0:06:21 | 0:06:24 | |
Life is great. Cue the music. | 0:06:26 | 0:06:27 | |
# Bada-ba-ba-bada-bada-ba... | 0:06:27 | 0:06:30 | |
# Ba...badum badum... | 0:06:30 | 0:06:32 | |
# Bowm... # | 0:06:32 | 0:06:34 | |
So I was here in the Fringe last year, here in Scotland, | 0:06:34 | 0:06:39 | |
and I had some Scottish money left over when I went to London in May. | 0:06:39 | 0:06:45 | |
-CROWD: -Ooh! | 0:06:45 | 0:06:49 | |
Yeah, I don't... Yeah, so I go into the place, | 0:06:49 | 0:06:53 | |
I give them the Scottish 20 at this shop in London | 0:06:53 | 0:06:57 | |
and the English guy just, "Literally, this is Scottish..." | 0:06:57 | 0:07:00 | |
I don't know why English people are always, "Literally! | 0:07:00 | 0:07:04 | |
"Literally, I was there! It literally...!" | 0:07:04 | 0:07:07 | |
Why you saying "literally"? | 0:07:07 | 0:07:09 | |
"Literally, I was there, and..." Shut up with your literally! | 0:07:09 | 0:07:12 | |
All your sentences will work without it, man! | 0:07:12 | 0:07:16 | |
"Literally!" | 0:07:16 | 0:07:17 | |
CHEERS AND CLAPPING | 0:07:17 | 0:07:19 | |
"So, yeah, it's Scottish money, man, so take it. | 0:07:19 | 0:07:23 | |
"Take the money. It's pounds." | 0:07:23 | 0:07:26 | |
I don't know what the beef is between England and Scotland. | 0:07:26 | 0:07:29 | |
I don't care, man. I'm not even going to research it. | 0:07:29 | 0:07:33 | |
Just know that I hate both of your countries equally. | 0:07:33 | 0:07:37 | |
LAUGHTER | 0:07:37 | 0:07:38 | |
-Boo! -And... -Woo! | 0:07:38 | 0:07:40 | |
I'm here for work only. | 0:07:40 | 0:07:42 | |
And I would never visit on my own. | 0:07:42 | 0:07:45 | |
Facts are facts. | 0:07:47 | 0:07:48 | |
Whenever I eat at a restaurant, | 0:07:51 | 0:07:54 | |
I never put the napkin in my lap. | 0:07:54 | 0:07:56 | |
I never put the napkin in my lap, | 0:07:56 | 0:08:00 | |
and people say, "Hannibal, | 0:08:00 | 0:08:02 | |
"why don't you put the napkin in your lap?" | 0:08:02 | 0:08:05 | |
Because I believe in myself. | 0:08:07 | 0:08:09 | |
APPLAUSE | 0:08:10 | 0:08:12 | |
I believe in my ability to not spill food on my pants | 0:08:12 | 0:08:16 | |
cos I'm a goddamn adult, | 0:08:16 | 0:08:18 | |
and I have mastered the art | 0:08:18 | 0:08:20 | |
of getting food from my plate to my mouth without soiling my jeans. | 0:08:20 | 0:08:24 | |
You can believe in yourself too and get your life together. | 0:08:24 | 0:08:27 | |
That's for babies. | 0:08:27 | 0:08:29 | |
Have some confidence in your hand-eye co-ordination | 0:08:29 | 0:08:33 | |
and eating abilities. | 0:08:33 | 0:08:35 | |
My favourite drink is a Flaming Dr Pepper. That's an amazing drink. | 0:08:36 | 0:08:40 | |
I'll tell you how to make one. Take a glass of beer, | 0:08:40 | 0:08:44 | |
a shot of Amaretto, a capful of Bacardi 150. | 0:08:44 | 0:08:46 | |
You put the capful in the Amaretto, | 0:08:46 | 0:08:48 | |
light it on fire, drop it in the beer, chug it | 0:08:48 | 0:08:52 | |
and it tastes just like Dr Pepper. | 0:08:52 | 0:08:54 | |
-This drink is magical. -Yeah. | 0:08:54 | 0:08:56 | |
Three different liquors and it tastes like Dr Pepper. | 0:08:56 | 0:08:59 | |
That shows you how dedicated the guy was that invented this drink, | 0:08:59 | 0:09:03 | |
because he said, "I want to get messed up, | 0:09:03 | 0:09:05 | |
"but only if it tastes like Dr Pepper." | 0:09:05 | 0:09:08 | |
You know how many times he failed before that worked out? | 0:09:08 | 0:09:10 | |
It didn't happen on the first try, that took patience and dedication. | 0:09:10 | 0:09:13 | |
He was trying stuff in his basement for years. | 0:09:13 | 0:09:16 | |
"Let's try vodka, let's try whiskey, | 0:09:16 | 0:09:18 | |
"let's try Grenadine. | 0:09:18 | 0:09:20 | |
"Dammit, that's not it!" | 0:09:20 | 0:09:22 | |
"Honey, come up for dinner!" | 0:09:22 | 0:09:25 | |
"Not right now, I'm working on something!" | 0:09:25 | 0:09:28 | |
"What are you working on?" | 0:09:28 | 0:09:29 | |
"I'm working on this magical drink that has three different liquors | 0:09:29 | 0:09:32 | |
"and it tastes like Dr Pepper, | 0:09:32 | 0:09:34 | |
"and it involves fire for no reason at all." | 0:09:34 | 0:09:37 | |
"That'll never work!" | 0:09:39 | 0:09:40 | |
"Yes, it will work, and guess what? | 0:09:40 | 0:09:42 | |
"When I make all this Flaming Dr Pepper money, | 0:09:42 | 0:09:45 | |
"I'm divorcing you, you unsupportive bitch! | 0:09:45 | 0:09:48 | |
"You never backed up my dreams!" | 0:09:48 | 0:09:51 | |
Hey, good night, y'all, thanks a lot. | 0:09:51 | 0:09:53 | |
CHEERING AND APPLAUSE | 0:09:53 | 0:09:56 | |
Hannibal Buress, everyone. | 0:10:00 | 0:10:01 | |
This next guy is awesome. | 0:10:01 | 0:10:03 | |
You'll love him. | 0:10:03 | 0:10:04 | |
Please go crazy, go wild for a good friend of mine | 0:10:04 | 0:10:06 | |
and a fantastic comic. Mr Carl Donnelly! | 0:10:06 | 0:10:09 | |
Hurray! How you doing? All right? | 0:10:14 | 0:10:17 | |
Good. My name's Carl Donnelly. | 0:10:17 | 0:10:19 | |
This is how I look. It's all right, innit? | 0:10:19 | 0:10:23 | |
-Ow! -Ow! | 0:10:23 | 0:10:25 | |
This is a haircut that I recently got because I turned 30, | 0:10:25 | 0:10:30 | |
and it's a weird thing. | 0:10:30 | 0:10:31 | |
I used to have long hair. I got it all cut off, | 0:10:31 | 0:10:33 | |
and anyone here who ever undergoes a big image change, | 0:10:33 | 0:10:36 | |
watch out for this, | 0:10:36 | 0:10:38 | |
it takes a few weeks to get your self-confidence back | 0:10:38 | 0:10:40 | |
and what you don't need, two weeks in, is to meet a friend for lunch | 0:10:40 | 0:10:43 | |
and him to point out that you look exactly like a young Rolf Harris. | 0:10:43 | 0:10:47 | |
LAUGHTER | 0:10:47 | 0:10:48 | |
I wouldn't mind, spot-on, but I'm not even a lookalike, | 0:10:48 | 0:10:50 | |
cos I've nicked Rolf Harris's younger head. | 0:10:50 | 0:10:53 | |
I had a bit of a bad experience with a haircut. | 0:10:53 | 0:10:56 | |
I accidentally showed a hairdresser a picture of me having a shit. | 0:10:56 | 0:10:59 | |
Yeah, I know it sounds weird. | 0:10:59 | 0:11:00 | |
It wasn't even on the first haircut. It was on the second. | 0:11:00 | 0:11:03 | |
After the first one, I went home | 0:11:03 | 0:11:04 | |
and I went for a post-haircut poo - normal poo, I'd just had a new look. | 0:11:04 | 0:11:08 | |
And this is a weird thing. Does anyone here remember | 0:11:08 | 0:11:11 | |
what it was like to have a shit before mobile phones? | 0:11:11 | 0:11:13 | |
There's a laugh from a few older guys who remember the dark days. | 0:11:13 | 0:11:16 | |
Young people now, you've got all that entertainment in the shit. | 0:11:16 | 0:11:20 | |
We used to have to sit there and cry and things, | 0:11:20 | 0:11:22 | |
but with mobile broadband, | 0:11:22 | 0:11:24 | |
now you can check your e-mails, Twitter, I've got a Scrabble app. | 0:11:24 | 0:11:28 | |
So I went for my post-haircut poo and I'm doing my admin | 0:11:28 | 0:11:31 | |
and I come up with an idea cos I like the haircut, | 0:11:31 | 0:11:33 | |
that I didn't realise some women do. | 0:11:33 | 0:11:35 | |
I thought I might take a photo of my head, | 0:11:35 | 0:11:37 | |
so when I go back to the hairdresser, I can show him | 0:11:37 | 0:11:39 | |
and say, "Can you make it look like that again?" Good idea, | 0:11:39 | 0:11:42 | |
but I'm on the toilet at the time, | 0:11:42 | 0:11:43 | |
so I think - I'll do it now. | 0:11:43 | 0:11:45 | |
So I bring my camera phone up - cos I've got one of them - | 0:11:45 | 0:11:47 | |
and I had about 45 minutes to kill, if I'm honest. | 0:11:47 | 0:11:50 | |
So I bring up the camera, smile and go, "do-doot!" | 0:11:50 | 0:11:52 | |
I look at it. I'm so obsessed with my new hair cut, | 0:11:52 | 0:11:55 | |
I don't register the full photo. | 0:11:55 | 0:11:56 | |
I see the hair and I'm like, "That's what I want to save!" | 0:11:56 | 0:11:59 | |
By not looking properly, I've missed the periphery of my head. | 0:11:59 | 0:12:02 | |
It ain't the only thing in the photo. | 0:12:02 | 0:12:03 | |
That is in the middle, smiling like that. | 0:12:03 | 0:12:05 | |
There is a toilet roll right next to it. | 0:12:05 | 0:12:08 | |
There's a flush sticking over my shoulder and a sink. | 0:12:08 | 0:12:10 | |
This photo is of a man having a shit and smiling about it. | 0:12:10 | 0:12:13 | |
I don't know that for two months, | 0:12:13 | 0:12:15 | |
until I go back to the hairdressers and I sit down. | 0:12:15 | 0:12:17 | |
They go, "What can I do for you?" I go, "Can you cut my hair short?" | 0:12:17 | 0:12:20 | |
He goes, "How short?" I go, "I don't know. I'm new to this." | 0:12:20 | 0:12:22 | |
I start panicking, then I remember the photo. | 0:12:22 | 0:12:24 | |
I went, "I took a photo 40 minutes after last time. | 0:12:24 | 0:12:27 | |
"If I show you that, can you copy?" | 0:12:27 | 0:12:28 | |
He goes, "Of course I can. Let's do this." | 0:12:28 | 0:12:30 | |
So I bring up my phone, and I get to the little version. | 0:12:30 | 0:12:33 | |
You know the little versions? They crop it. | 0:12:33 | 0:12:35 | |
Why don't they tell us that in the booklet? | 0:12:35 | 0:12:37 | |
I just saw my head and I was like, "Yes, here it is." | 0:12:37 | 0:12:39 | |
I go, "pop" to show him and enlarge. | 0:12:39 | 0:12:41 | |
As I do that, my life went into slow motion. | 0:12:41 | 0:12:45 | |
Because I did this. I went vooom... | 0:12:45 | 0:12:48 | |
We both realised it was me having a shit at the exact same moment, | 0:12:48 | 0:12:52 | |
like split-second moment. Our reactions were very different. | 0:12:52 | 0:12:56 | |
That poor guy froze like he'd just seen a T Rex come in | 0:12:56 | 0:12:59 | |
and just went like, "Ack!" | 0:12:59 | 0:13:00 | |
I made a noise I'd never made before. Have you done this, | 0:13:00 | 0:13:03 | |
when you make a noise that even you go, "What the shit?!" | 0:13:03 | 0:13:05 | |
It was like a primaeval scream, | 0:13:05 | 0:13:07 | |
in that it didn't come from my vocal chords - you control them. | 0:13:07 | 0:13:11 | |
It sounded like it came from the souls of my ancestors. | 0:13:11 | 0:13:14 | |
Imagine getting your hair cut and seeing what I did, | 0:13:14 | 0:13:17 | |
which is exactly how it went down, right? | 0:13:17 | 0:13:19 | |
I went, "Here it is, man. | 0:13:19 | 0:13:20 | |
"Vooom... Eargh!" | 0:13:20 | 0:13:23 | |
Screamed into a hairdresser's face! | 0:13:23 | 0:13:25 | |
I'm not even a fan of normal haircut chit-chat. | 0:13:25 | 0:13:28 | |
You don't know them, they're touching your head. It's awkward. | 0:13:28 | 0:13:30 | |
Try it when you've shown them a picture of you having a shit. | 0:13:30 | 0:13:33 | |
It's really awkward! | 0:13:33 | 0:13:34 | |
It's quite embarrassing as well. | 0:13:34 | 0:13:37 | |
I managed to embarrass myself on my own. Get a load of this. | 0:13:37 | 0:13:39 | |
I had one of the most embarrassing events of my life six weeks ago. | 0:13:39 | 0:13:44 | |
I was alone in the kitchen and I almost died during this event. | 0:13:44 | 0:13:49 | |
I almost choked to death on my own in the kitchen | 0:13:49 | 0:13:51 | |
because I tried eating a whole crumpet in one go. | 0:13:51 | 0:13:54 | |
I know it sounds dumb. It's a very male trait. | 0:13:54 | 0:13:57 | |
Getting competitive with food. I was doing it. | 0:13:57 | 0:13:59 | |
I was at home alone, cooking some crumpets. | 0:13:59 | 0:14:02 | |
I was not cooking some crumpets. I was toasting them. | 0:14:02 | 0:14:05 | |
I wasn't putting them in a wok! | 0:14:05 | 0:14:07 | |
I'd never have dreamed of attempting the crumpet | 0:14:07 | 0:14:10 | |
when I first took it out of the pack, because they're massive. | 0:14:10 | 0:14:13 | |
They're like sponges, yeah? | 0:14:13 | 0:14:15 | |
When I toasted it, it got smaller, | 0:14:15 | 0:14:17 | |
so I reckoned I had a chance. | 0:14:17 | 0:14:20 | |
It was a deciding factor when I put butter on it | 0:14:20 | 0:14:22 | |
and butter ran out of the bottom. | 0:14:22 | 0:14:24 | |
I'm no scientist, but that means actually, it ain't getting bigger. | 0:14:24 | 0:14:28 | |
If it's spitting stuff out, it ain't got nowhere to go, | 0:14:28 | 0:14:30 | |
so I thought, "I'm going to go for it." | 0:14:30 | 0:14:32 | |
So I rammed it into my mouth. | 0:14:32 | 0:14:34 | |
When I finally got it in, the crumpet opened up | 0:14:34 | 0:14:38 | |
its emergency air tanks. | 0:14:38 | 0:14:40 | |
Where did this come from? It went, "Brrrah!" | 0:14:40 | 0:14:43 | |
I couldn't get it out of my mouth and I couldn't breathe, | 0:14:43 | 0:14:46 | |
which are two of my least favourite things. | 0:14:46 | 0:14:49 | |
It was horrible. I was dying in my kitchen. | 0:14:49 | 0:14:52 | |
I don't know if anyone here has almost died - horrible feeling. | 0:14:52 | 0:14:55 | |
But I learned there's something worse than dying, and that's dying | 0:14:55 | 0:14:58 | |
in an embarrassing manner. | 0:14:58 | 0:15:00 | |
Because it adds a narrative | 0:15:00 | 0:15:01 | |
that shouldn't be there in your final moment. | 0:15:01 | 0:15:04 | |
Your final moment should be peaceful, | 0:15:04 | 0:15:06 | |
with you going, "I'm dying!" | 0:15:06 | 0:15:07 | |
But what it adds is your own voice in the background going, | 0:15:07 | 0:15:10 | |
"What are they going to tell everyone, you prick?" | 0:15:10 | 0:15:13 | |
I was running through the scene of them knocking | 0:15:13 | 0:15:16 | |
to tell my mum and dad that I was dead. | 0:15:16 | 0:15:19 | |
Imagine that conversation with the police. | 0:15:19 | 0:15:22 | |
"Mrs Donnelly, we think you should sit down." She sits down. | 0:15:22 | 0:15:24 | |
"What's happened?" "We've got some terrible news. | 0:15:24 | 0:15:29 | |
"We actually found Carl dead this morning." She's like, "What happened?" | 0:15:29 | 0:15:33 | |
"Well, we're not 100% sure at the minute, | 0:15:33 | 0:15:37 | |
"but early signs are that he tried to eat a whole crumpet... | 0:15:37 | 0:15:40 | |
"in one go, which is actually incredibly difficult. | 0:15:40 | 0:15:44 | |
"You should be very proud." | 0:15:44 | 0:15:46 | |
It's been a pleasure. I'm Carl Donnelly. | 0:15:46 | 0:15:49 | |
APPLAUSE AND CHEERING | 0:15:49 | 0:15:52 | |
Please go crazy, go wild | 0:15:54 | 0:15:57 | |
for the brilliant Celia Pacquola! | 0:15:57 | 0:16:00 | |
APPLAUSE AND CHEERING | 0:16:00 | 0:16:02 | |
WHISTLING | 0:16:02 | 0:16:03 | |
Hello. Can I say... | 0:16:03 | 0:16:05 | |
WHISTLING | 0:16:05 | 0:16:06 | |
Wow! Thank you. You're only human. Really? | 0:16:06 | 0:16:10 | |
Can I just say, honestly, it's really nice to be on a bill with | 0:16:10 | 0:16:12 | |
so many other women. Usually, it's just me and a bunch of dudes. | 0:16:12 | 0:16:16 | |
Usually, it's a bit of a sausage fest. | 0:16:16 | 0:16:19 | |
You have that too? Tonight, there's a bunch of us. | 0:16:19 | 0:16:22 | |
It's turning into some sort of clam jamboree here. It's beautiful. | 0:16:22 | 0:16:26 | |
Too much, too soon? Come on! | 0:16:26 | 0:16:28 | |
I'm from Australia, which I know isn't a big deal, | 0:16:28 | 0:16:30 | |
but when I left, everyone was like, "My God, so brave what you're doing. | 0:16:30 | 0:16:33 | |
"So brave, moving to another country." I was like, is it? | 0:16:33 | 0:16:36 | |
It's not like I flew with Ryanair. What? I don't know. | 0:16:36 | 0:16:38 | |
I've not flown with them. Our budget airline is called Tiger. | 0:16:38 | 0:16:42 | |
Tiger Airways, which is the dumbest name. | 0:16:42 | 0:16:44 | |
If you had an airline, why would you name it after an animal | 0:16:44 | 0:16:48 | |
that can't fly and kills people? | 0:16:48 | 0:16:50 | |
I mean, I've done some brave stuff, like one day, | 0:16:52 | 0:16:54 | |
I got a big pile of money and I just burnt it. | 0:16:54 | 0:16:57 | |
Sorry, I joined a gym. I did that. | 0:16:57 | 0:17:02 | |
It was weighing me down. | 0:17:02 | 0:17:04 | |
I have had a win though. I had a pretty big win. | 0:17:04 | 0:17:07 | |
I was drinking in a beer garden | 0:17:07 | 0:17:08 | |
in the daytime with eight or nine friends. | 0:17:08 | 0:17:10 | |
Drinking for a little while. Not drunk. Tipsy. Not drunk. | 0:17:10 | 0:17:14 | |
Flirt with the bouncer, wouldn't take him home. See? | 0:17:14 | 0:17:17 | |
Important distinction. Not as drunk as a girl can be. | 0:17:17 | 0:17:20 | |
You know that a girl is drunk by, very simple, how hard | 0:17:20 | 0:17:24 | |
she opens a toilet door. | 0:17:24 | 0:17:25 | |
Women are laughing. Guys are like, really? Yeah, really. Very simple. | 0:17:25 | 0:17:30 | |
Not drunk - boosh - drunk! I was putting my make-up on one night. | 0:17:30 | 0:17:33 | |
This girl comes in - boosh - something must receive wee. | 0:17:33 | 0:17:36 | |
Move it! | 0:17:36 | 0:17:38 | |
I mean, she didn't say that, but that was the vibe I got. | 0:17:38 | 0:17:42 | |
I wasn't that drunk - not as drunk as when I start playing ugly dance moves, | 0:17:42 | 0:17:45 | |
where you go to a public place and do the ugliest dance possible. | 0:17:45 | 0:17:48 | |
A lot of people make the mistake of thinking for things to be ugly, | 0:17:48 | 0:17:51 | |
they need to be big. Not true. This... | 0:17:51 | 0:17:53 | |
LAUGHTER | 0:17:53 | 0:17:56 | |
WHISTLING | 0:17:56 | 0:17:58 | |
..is revolting, and if you couldn't see that up the back, you're welcome. | 0:17:58 | 0:18:03 | |
I wasn't that drunk, but because I'd been drinking for a while, | 0:18:03 | 0:18:06 | |
I went to reapply my lipstick. My friend sitting next to me | 0:18:06 | 0:18:08 | |
goes, "Celia can you stop making yourself look prettier? | 0:18:08 | 0:18:11 | |
"Make yourself look uglier." In a flash, I grabbed the half-full | 0:18:11 | 0:18:14 | |
pint of beer in front of me and just went - splash. | 0:18:14 | 0:18:17 | |
It's like my brain went, can I? Yeah. Heaps more. | 0:18:17 | 0:18:22 | |
Really quickly. Make yourself look uglier. Bang. Half a pint. | 0:18:22 | 0:18:25 | |
My eyes were open. I was soaked. The people behind me were soaked. | 0:18:25 | 0:18:29 | |
My friends erupted in laughter. The greatest thing they'd ever seen. | 0:18:29 | 0:18:33 | |
"Oh, my God, we can't believe you went so far for a joke, Celia! | 0:18:33 | 0:18:36 | |
"You're a comedy legend." And I was like, "Yes, I live for the funny. | 0:18:36 | 0:18:39 | |
"You may worship me now." | 0:18:39 | 0:18:40 | |
It was great. I was great. The whole thing was great. | 0:18:40 | 0:18:43 | |
The thing I didn't tell them, that I'm going to tell you, is that | 0:18:43 | 0:18:45 | |
I thought the glass was empty. | 0:18:45 | 0:18:48 | |
I thought I was performing a hilarious mime. | 0:18:48 | 0:18:51 | |
"Wouldn't it be funny...?!" Which is why my eyes were open. | 0:18:51 | 0:18:54 | |
Got a bit of a shock and just pretended I nailed it. | 0:18:54 | 0:18:59 | |
It was a very sudden emotional shift. | 0:18:59 | 0:19:01 | |
You know like when you're patting a cat and it changes its mind? | 0:19:01 | 0:19:06 | |
You know? When they're like, yeah, good patting. Really enjoying that! | 0:19:06 | 0:19:11 | |
Yeah, really good. GET OFF! | 0:19:11 | 0:19:13 | |
It's always at the point when the person whose cat it is walks in | 0:19:13 | 0:19:16 | |
and is like, "What the hell are you doing to my cat?!" | 0:19:16 | 0:19:18 | |
"Nothing. It was liking it. I swear." The cat's like, "Yeah!" | 0:19:18 | 0:19:23 | |
I think sometimes, I read into things in a different way to others. | 0:19:23 | 0:19:26 | |
A friend of mine had an anniversary with her boyfriend. | 0:19:26 | 0:19:29 | |
She goes, "As a surprise, I'm going to rent sexy costumes." | 0:19:29 | 0:19:32 | |
I said "First, don't bloody rent them. | 0:19:32 | 0:19:34 | |
"That's the most disgusting thing I've ever heard." | 0:19:34 | 0:19:38 | |
Can you imagine wearing a rented skimpy crotchless Cleopatra thing? | 0:19:38 | 0:19:43 | |
Bleurgh! This reeks of last resort. Gross. I said, "Don't rent them." | 0:19:43 | 0:19:47 | |
She said, "All right, I won't." "What are you going to get?" | 0:19:47 | 0:19:50 | |
She goes, "I read an article which says the sexiest occupation a man | 0:19:50 | 0:19:53 | |
-"can have is..." Any guesses? Pretty obvious. -Fireman. | 0:19:53 | 0:19:55 | |
-Fireman - bang! And for a woman is...? -Nurse. -Nurse. | 0:19:55 | 0:19:58 | |
"I'm going to get a fireman outfit for him, nurse for me." | 0:19:58 | 0:20:01 | |
I'm not a scientist, but even I... Shocking, I know! ..even I know | 0:20:01 | 0:20:05 | |
that in terms of sexual role-play, a fireman and nurse will never work. | 0:20:05 | 0:20:09 | |
Why? Because they're both helpers. OK? | 0:20:09 | 0:20:12 | |
Firemen and nurses don't work for the same reason that damsel in distress | 0:20:12 | 0:20:15 | |
and wounded soldier wouldn't work, as they'd both be like, "You take care of me." "No, you take care of me." | 0:20:15 | 0:20:20 | |
"I'm weak and vulnerable." "So am I." You see what I'm saying? It's not a gender thing, it's a status thing. | 0:20:20 | 0:20:24 | |
It's simple maths. Fireman plus damsel in distress equals sexy. | 0:20:24 | 0:20:28 | |
Hot nurse plus wounded soldier equals sexy. | 0:20:28 | 0:20:31 | |
Fireman and nurse doesn't work | 0:20:31 | 0:20:33 | |
for the same reason that policeman and schoolgirl is awkward and creepy. | 0:20:33 | 0:20:37 | |
You know, I've heard. But I'm weird about sex stuff anyway. | 0:20:37 | 0:20:41 | |
A friend of mine told me that she likes to masturbate by candlelight. | 0:20:41 | 0:20:46 | |
I was like, "Jeez, that must make birthdays awkward." | 0:20:46 | 0:20:49 | |
# Happy birthday to... # | 0:20:49 | 0:20:51 | |
What are you doing?! | 0:20:51 | 0:20:53 | |
Thank you for having me. Enjoy the rest of your night. See you later! | 0:20:53 | 0:20:56 | |
APPLAUSE AND CHEERING | 0:20:56 | 0:20:58 | |
Yes, Celia Pacquola! | 0:20:58 | 0:21:01 | |
Next act coming to the stage | 0:21:01 | 0:21:03 | |
is absolutely fantastic. | 0:21:03 | 0:21:04 | |
You'll love this guy, you'll have seen him on stuff - Buzzcocks, etc. | 0:21:04 | 0:21:08 | |
He's great, you'll love him. Go crazy, wild, raise the roof | 0:21:08 | 0:21:11 | |
for the brilliant Paul Foot! | 0:21:11 | 0:21:13 | |
CHEERING AND APPLAUSE | 0:21:13 | 0:21:15 | |
Greetings. So, this is quite nice. | 0:21:23 | 0:21:28 | |
What I thought I might do is, some of these jokes here | 0:21:28 | 0:21:31 | |
that I read off the backs of these cards. | 0:21:31 | 0:21:35 | |
They're all individually hand decorated. | 0:21:35 | 0:21:38 | |
Actually, I say jokes, but that's perhaps slightly the wrong word. | 0:21:38 | 0:21:43 | |
A bit misleading. They're kind of thoughts from my own mind, really. | 0:21:43 | 0:21:48 | |
I think probably a better word for them would be disturbances. | 0:21:48 | 0:21:54 | |
Let's start with the first one. | 0:21:57 | 0:22:00 | |
There are various levels of homophobia. | 0:22:00 | 0:22:06 | |
The top level is when you attack someone just because | 0:22:06 | 0:22:10 | |
they're not homophobic. | 0:22:10 | 0:22:12 | |
When you think about it, that's the most homophobic it's possible | 0:22:15 | 0:22:18 | |
to be, isn't it? Level-A homophobia. | 0:22:18 | 0:22:22 | |
You don't think about it that much. | 0:22:22 | 0:22:24 | |
The most common type of homophobia is people punching gay people. | 0:22:24 | 0:22:29 | |
That's only really level B. | 0:22:29 | 0:22:31 | |
LAUGHTER | 0:22:31 | 0:22:32 | |
In fact, those people would probably be quite angry | 0:22:32 | 0:22:36 | |
if they were to find out they're not being as homophobic as they could be. | 0:22:36 | 0:22:40 | |
Well, as you've probably all noticed by now, I come from the seaside. | 0:22:45 | 0:22:52 | |
LAUGHTER | 0:22:52 | 0:22:54 | |
Good, so you're getting the idea of the disturbances now. | 0:23:12 | 0:23:16 | |
They are pointless. | 0:23:16 | 0:23:19 | |
I quite like doing the disturbances. They're slightly audience-dividing. | 0:23:20 | 0:23:24 | |
It's like, some people, they're really laughing about the seaside thing, | 0:23:24 | 0:23:28 | |
and some people are looking slightly confused. | 0:23:28 | 0:23:31 | |
If you're in that latter category, then the mistake you're making | 0:23:31 | 0:23:36 | |
is searching for hidden meaning. | 0:23:36 | 0:23:40 | |
Do not analyse the humour. Yield to it. Fact. | 0:23:40 | 0:23:45 | |
This next disturbance is in the form of a fact. Fact. | 0:23:45 | 0:23:51 | |
The deepest parts of the ocean are deeper | 0:23:51 | 0:23:55 | |
than the tallest mountains are tall. | 0:23:55 | 0:23:59 | |
To put it another way, if you took the Himalayan mountain range | 0:23:59 | 0:24:03 | |
and turned it upside down into the sea, | 0:24:03 | 0:24:06 | |
loads of sanctimonious charity climbers... | 0:24:06 | 0:24:09 | |
..people pushing themselves to the limits of physical endurance | 0:24:11 | 0:24:16 | |
to discover themselves, | 0:24:16 | 0:24:19 | |
Tibetan wise-men and other losers would drown. | 0:24:19 | 0:24:23 | |
I'm a top international businessman and, yes, I have a disability. | 0:24:28 | 0:24:34 | |
I'm asthmatic. But I can still do deals like any other executive. | 0:24:34 | 0:24:39 | |
I just have to remember my inhaler, that's all. | 0:24:39 | 0:24:42 | |
Sometimes, I leave that disturbance there, but as a bonus, I'll do | 0:24:47 | 0:24:53 | |
the final part, and that's the part where I become the businessman. | 0:24:53 | 0:24:56 | |
So, the contracts for 450,000 - I'll get my PA to fax it through | 0:24:56 | 0:25:03 | |
and we'll firm up the details the next time I'm in Zurich. | 0:25:03 | 0:25:07 | |
Tsss! | 0:25:07 | 0:25:10 | |
As her body pulsates with orgasm, | 0:25:21 | 0:25:25 | |
a lamp smashes | 0:25:25 | 0:25:28 | |
and a clumsy young woman comes to a sinking realisation | 0:25:28 | 0:25:32 | |
that she's never going to be the competent prostitute she'd envisaged. | 0:25:32 | 0:25:38 | |
That, I think, brings us to the conclusion of these proceedings. | 0:25:43 | 0:25:48 | |
Thank you very much. Good evening. | 0:25:48 | 0:25:50 | |
CHEERING AND APPLAUSE | 0:25:50 | 0:25:53 | |
Paul Foot! Paul Foot, everyone! | 0:25:53 | 0:25:57 | |
Awesome stuff. It's all good. | 0:25:57 | 0:26:02 | |
It's all good. I'm enjoying it. | 0:26:02 | 0:26:05 | |
Are you just going to leave it in the background just there? Yeah? | 0:26:05 | 0:26:09 | |
Open the door... Can I do this door? The door's shut to the music room. | 0:26:12 | 0:26:16 | |
CREAKING | 0:26:16 | 0:26:18 | |
MAN BEATBOXES | 0:26:18 | 0:26:20 | |
Keep that fucking racket down, will you?! | 0:26:20 | 0:26:23 | |
LAUGHTER | 0:26:23 | 0:26:26 | |
I've got the door shut. Now... | 0:26:33 | 0:26:36 | |
MAN BEATBOXES SOFTLY | 0:26:36 | 0:26:40 | |
It felt like it was in my head! | 0:26:40 | 0:26:44 | |
That's great, man. Pete Box, everyone! Come on! | 0:26:44 | 0:26:47 | |
CHEERING AND APPLAUSE | 0:26:47 | 0:26:52 | |
All that's left to say is thanks to all of tonight's acts. | 0:26:52 | 0:26:55 | |
I'm Chris Ramsey. You've been watching Comedy At The Fringe. | 0:26:55 | 0:26:57 | |
Good night! | 0:26:57 | 0:26:59 | |
CHEERING AND APPLAUSE | 0:26:59 | 0:27:01 | |
Subtitles by Red Bee Media Ltd | 0:27:18 | 0:27:22 |