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I'm Chris Ramsey and these are some comedians from this year's Edinburgh Festival! | 0:00:03 | 0:00:07 | |
CHEERING AND APPLAUSE | 0:00:07 | 0:00:09 | |
This programme contains some strong language. | 0:00:16 | 0:00:26 | |
CHEERING AND APPLAUSE | 0:00:27 | 0:00:30 | |
So, give me a cheer if you've been to the Fringe before. | 0:00:30 | 0:00:34 | |
CHEERING | 0:00:34 | 0:00:36 | |
So, we've got another selection of absolutely fantastic comics | 0:00:36 | 0:00:39 | |
and acts coming up. | 0:00:39 | 0:00:40 | |
Oh, oh, you're just coming back in there! | 0:00:40 | 0:00:43 | |
All right, no-one saw you, mate! It's OK. | 0:00:43 | 0:00:45 | |
You looked like you were violently and terrifiedly | 0:00:45 | 0:00:47 | |
looking for some money you'd dropped! | 0:00:47 | 0:00:49 | |
CHUCKLING | 0:00:49 | 0:00:51 | |
LAUGHTER | 0:00:51 | 0:00:52 | |
The almost-falling-over run. | 0:00:52 | 0:00:55 | |
Just a bit what? Pissed? Good, I'm glad you are. | 0:00:55 | 0:00:58 | |
-CHEERING -Good, yeah. People normally go, "I'm drunk, fuck you!" | 0:00:58 | 0:01:02 | |
He went, "I'm just a bit drunk. I'm terribly sorry." | 0:01:02 | 0:01:05 | |
-Don't you apologise, you enjoy yourself, mate! -CHEERING | 0:01:05 | 0:01:08 | |
Well, you WERE apologising, don't go back on it! What's your name, pal? | 0:01:08 | 0:01:12 | |
-Hugo. -Hugo, of course it is. Hugo! Holy shit. | 0:01:12 | 0:01:15 | |
-LAUGHTER -Don't you dare tell me you're from Edinburgh. | 0:01:15 | 0:01:18 | |
-More or less. -More or less?! | 0:01:18 | 0:01:20 | |
You sound like you're from Surrey - what the hell's going on? | 0:01:20 | 0:01:22 | |
-Scottish people, I wouldn't be standing for that. I'd be furious! -LAUGHTER | 0:01:22 | 0:01:27 | |
What we're going to do, we are going to crack on now. | 0:01:27 | 0:01:29 | |
Please, go crazy, go wild, | 0:01:29 | 0:01:31 | |
go mental and raise the roof for the brilliant Jimeoin! | 0:01:31 | 0:01:35 | |
CHEERING AND APPLAUSE | 0:01:35 | 0:01:38 | |
IRISH ACCENT: Thank you. Hello, thank you. Thank you very much. | 0:01:44 | 0:01:47 | |
Thank you very much. How are we all? Good? Yes! | 0:01:47 | 0:01:50 | |
CHEERING | 0:01:50 | 0:01:51 | |
As if I care. No, I do. Erm... | 0:01:51 | 0:01:54 | |
I have a strong accent, I'm sorry about this. Ha! | 0:01:54 | 0:01:58 | |
Bit shy at the start and I tend to mumble quite a bit too so... | 0:01:58 | 0:02:02 | |
MUMBLES: Ha-ha, good luck with yous anyway, to even know the half of it would be good! Ha-ha! | 0:02:02 | 0:02:06 | |
HE MUMBLES ..so I did! | 0:02:06 | 0:02:08 | |
LAUGHTER | 0:02:08 | 0:02:10 | |
I am, I am a bit shy at the start. | 0:02:13 | 0:02:14 | |
Takes me a little bit of time just to get going, you know? | 0:02:14 | 0:02:17 | |
Like, you know when you go and see a band | 0:02:17 | 0:02:18 | |
and you want to cut loose, you want to really enjoy yourself | 0:02:18 | 0:02:21 | |
but you're just aware of yourself and all you can do is this... | 0:02:21 | 0:02:24 | |
LAUGHTER | 0:02:25 | 0:02:28 | |
..and you're talking to yourself. "Come on, go, you can do this!" | 0:02:28 | 0:02:32 | |
And there's that girl that starts dancing before everybody else | 0:02:35 | 0:02:38 | |
but she CAN'T dance. She's doing this... | 0:02:38 | 0:02:41 | |
She even stuffed the band up. | 0:02:45 | 0:02:46 | |
They can't even play in time any more. They're just... | 0:02:46 | 0:02:49 | |
LAUGHTER | 0:02:49 | 0:02:51 | |
Oh... | 0:02:57 | 0:02:59 | |
Good to be alive, isn't it? | 0:02:59 | 0:03:00 | |
Tedious, though. | 0:03:02 | 0:03:03 | |
Gets to the point where it's just the same shit over and over again. | 0:03:05 | 0:03:08 | |
Certain jobs in life remind you of that, isn't it? | 0:03:10 | 0:03:13 | |
Putting the bins out is very much one of those jobs. | 0:03:13 | 0:03:15 | |
Standing in the street going, "I hate this. Putting the bins out." | 0:03:15 | 0:03:19 | |
Sneaking rubbish into other people's bins... | 0:03:20 | 0:03:23 | |
LAUGHTER ..I enjoy that... | 0:03:23 | 0:03:25 | |
Bit of fun to be had there! | 0:03:26 | 0:03:29 | |
I hate it when I'm in bed and then I realise I haven't put the bins out. | 0:03:29 | 0:03:32 | |
"F...! Bin night!" Back out of bed, clothes back on. | 0:03:32 | 0:03:35 | |
Or bin morning, when you're in a deep sleep | 0:03:40 | 0:03:43 | |
and you can hear the bin truck and you haven't put the bins out. LAUGHTER | 0:03:43 | 0:03:46 | |
"Oh!" | 0:03:46 | 0:03:48 | |
Running down the street, naked, with two bins behind you. | 0:03:49 | 0:03:52 | |
That's no way to start the day, is it? | 0:03:57 | 0:04:00 | |
Job I hate the most in life - you know when you go to bed at night | 0:04:01 | 0:04:04 | |
and you open the bedroom door... | 0:04:04 | 0:04:06 | |
and there is no sheets on the bed. | 0:04:06 | 0:04:08 | |
GROANING | 0:04:08 | 0:04:09 | |
No pillow slip, no cover and you're like, "Oh, no!" | 0:04:09 | 0:04:12 | |
"I only left enough strength to get to bed. | 0:04:14 | 0:04:17 | |
"I wasn't picturing having to do this at this time of night!" | 0:04:18 | 0:04:22 | |
You can't believe what you're looking at. | 0:04:22 | 0:04:24 | |
It's the bare mattress, is like a slab in a mortuary, | 0:04:24 | 0:04:26 | |
it's the opposite of what you're expecting. | 0:04:26 | 0:04:29 | |
You have to get everything off the bed, get everything off the bed... | 0:04:32 | 0:04:35 | |
Fitted sheets first. Fitted sheet won't play the game. | 0:04:35 | 0:04:39 | |
You can't unravel it, you don't know what corner's what - | 0:04:39 | 0:04:42 | |
you could have a false start. | 0:04:42 | 0:04:45 | |
And, you know, you have to walk around the bed - | 0:04:45 | 0:04:47 | |
it's at that bad-back height. | 0:04:47 | 0:04:50 | |
Walking around the bed trying to put the fitted sheet on, | 0:04:50 | 0:04:52 | |
talking to your partner going, | 0:04:52 | 0:04:53 | |
"Fuck, we had the whole day to do this!" | 0:04:53 | 0:04:56 | |
You have to lift the mattress up, get your knee in underneath. | 0:05:02 | 0:05:05 | |
It's like a drum. The cat won't clear off it. | 0:05:07 | 0:05:09 | |
CHUCKLING | 0:05:09 | 0:05:12 | |
It's cos he's underneath the sheet. | 0:05:12 | 0:05:15 | |
Pillow slips are next. | 0:05:17 | 0:05:19 | |
Yeah, I sit down and have a rest for those. | 0:05:19 | 0:05:22 | |
Sigh before I start. | 0:05:24 | 0:05:26 | |
HE SIGHS | 0:05:27 | 0:05:28 | |
Cos you're a long way from home... | 0:05:30 | 0:05:34 | |
you got the cover to do next! | 0:05:34 | 0:05:37 | |
How do you do the cover? | 0:05:37 | 0:05:39 | |
You're not too sure what you're doing, are you? | 0:05:39 | 0:05:41 | |
There's a woman with an option. What do you do, love? | 0:05:41 | 0:05:44 | |
-Inside out! -Inside out? | 0:05:44 | 0:05:46 | |
CHEERING Turn inside out... | 0:05:46 | 0:05:49 | |
grab the corners, grab the two corners, yes. | 0:05:49 | 0:05:52 | |
But there's heavy wafting in that technique, isn't there? | 0:05:52 | 0:05:55 | |
I like it. | 0:06:00 | 0:06:01 | |
I know you're on your own. No-one to help you. | 0:06:01 | 0:06:04 | |
I climb inside the cover. LAUGHTER | 0:06:05 | 0:06:08 | |
Climb right inside it - who's with me? | 0:06:08 | 0:06:11 | |
Pull the quilt in with me, grab the two corners and then go... | 0:06:11 | 0:06:15 | |
LAUGHTER AND APPLAUSE | 0:06:15 | 0:06:17 | |
I've slept inside the covers. | 0:06:23 | 0:06:26 | |
Pissed. | 0:06:26 | 0:06:27 | |
Pillow slip over my head. | 0:06:28 | 0:06:30 | |
Ha! | 0:06:30 | 0:06:32 | |
Dreamt I was in the Ku Klux Klan. | 0:06:32 | 0:06:35 | |
Paisley version. | 0:06:39 | 0:06:41 | |
We were nice. | 0:06:41 | 0:06:44 | |
I like to go to bed before my partner, | 0:06:44 | 0:06:46 | |
get her book - she's got a page folded back. | 0:06:46 | 0:06:48 | |
I go back about ten pages, fold that page back. | 0:06:48 | 0:06:51 | |
Very funny. | 0:06:54 | 0:06:56 | |
Watch her reading with that look on her face. | 0:06:56 | 0:06:58 | |
"This all seems very familiar." LAUGHTER | 0:07:04 | 0:07:07 | |
"Are you laughing?" "No, I'm having a wank." | 0:07:10 | 0:07:13 | |
That's the only joy I get out of life these days. | 0:07:18 | 0:07:21 | |
Winding my wife up. | 0:07:21 | 0:07:22 | |
Another time, she was in the bedroom, | 0:07:24 | 0:07:28 | |
I went into the bathroom to freshen up...! | 0:07:28 | 0:07:31 | |
Got me nuts into the sink. | 0:07:31 | 0:07:33 | |
LAUGHTER AND GROANING | 0:07:33 | 0:07:34 | |
As you do. | 0:07:37 | 0:07:39 | |
You always have to get up on your tiptoes | 0:07:39 | 0:07:40 | |
to get your nuts in the sink. | 0:07:40 | 0:07:42 | |
Doesn't matter what sink it is, always up on your tiptoes. | 0:07:44 | 0:07:47 | |
It's properly how the plumber measured the height of the sink. | 0:07:48 | 0:07:51 | |
No - a plumber with a saw? | 0:08:04 | 0:08:07 | |
It's ridiculous! | 0:08:07 | 0:08:09 | |
Anyway, that's all from me. Thank you very much, enjoy the rest of your night. | 0:08:09 | 0:08:12 | |
CHEERING AND APPLAUSE | 0:08:12 | 0:08:15 | |
Hello, everyone, how are we? Are we well? | 0:08:21 | 0:08:24 | |
CHEERING | 0:08:24 | 0:08:25 | |
Yes, it's good to have some people in here tonight. | 0:08:25 | 0:08:27 | |
How many Scots have we got in? Give me a cheer if you're Scottish! | 0:08:27 | 0:08:30 | |
CHEERING | 0:08:30 | 0:08:31 | |
I could tell by the rumble of drunkenness in the room. | 0:08:31 | 0:08:33 | |
-I knew that. I'm from Glasgow, it's nice being in Edinburgh... -Woo! | 0:08:33 | 0:08:38 | |
One "Woo!" That's my mum. Thank you. | 0:08:38 | 0:08:40 | |
She didn't know I was her son, so that's surprising. | 0:08:40 | 0:08:43 | |
I like being Scottish in Edinburgh when the Festival's on | 0:08:43 | 0:08:46 | |
cos you see a lot of tourists, and the tourists hear the accent, | 0:08:46 | 0:08:49 | |
and you get American tourists on the Royal Mile. | 0:08:49 | 0:08:51 | |
And I had two approach me going, "Are you from...? Are you from...?" | 0:08:51 | 0:08:54 | |
I don't why I gave this woman a stroke now, | 0:08:54 | 0:08:56 | |
"Are you from, are you from...? Can't feel my arm. | 0:08:56 | 0:08:58 | |
-"Are you... I smell toast." This woman's dead. -LAUGHTER | 0:08:58 | 0:09:02 | |
"Are you from...?" Thanks for the single applause there, | 0:09:02 | 0:09:05 | |
that was a doctor trying to find a vein. | 0:09:05 | 0:09:07 | |
Erm, "Are you, are you from Scotland?" | 0:09:07 | 0:09:09 | |
I'm like, "Yes! I'm from Scotland!" | 0:09:09 | 0:09:11 | |
She's deaf now, as well. And, erm, I said I'm from Gla... | 0:09:11 | 0:09:14 | |
"Are you from Glasgow?" "Yes, I'm from Glasgow." | 0:09:14 | 0:09:16 | |
And she said to me, she said, "Is Glasgow the same as Edinburgh?" | 0:09:16 | 0:09:19 | |
I was like, "What do you mean?" | 0:09:19 | 0:09:20 | |
She went, "Well, the tourists in Edinburgh, | 0:09:20 | 0:09:22 | |
"we go for a ghost walk at night, can you do that in Glasgow?" | 0:09:22 | 0:09:25 | |
"Well, you can go for a walk at night in Glasgow - | 0:09:27 | 0:09:29 | |
"you'll end up the ghost! Be my guest, love." | 0:09:29 | 0:09:32 | |
-LAUGHTER -She never came through. | 0:09:32 | 0:09:34 | |
Do you know what I like as well? | 0:09:34 | 0:09:35 | |
I like the fact the Olympics were on and Scotland embraced that. | 0:09:35 | 0:09:38 | |
I thought that was good. | 0:09:38 | 0:09:39 | |
I think part of it was the fact that we had some events in Scotland. | 0:09:39 | 0:09:42 | |
We had the Olympic football at Hampden Park - | 0:09:42 | 0:09:45 | |
still managed to mess that up but, hey! | 0:09:45 | 0:09:47 | |
If you're going to piss off certain countries in the world, | 0:09:47 | 0:09:49 | |
try not to make it North Korea, is that all right? | 0:09:49 | 0:09:53 | |
We had the North Korean ladies' football team | 0:09:53 | 0:09:55 | |
walk out to the wrong flag. | 0:09:55 | 0:09:57 | |
I mean, if you're going to get the wrong flag make it Estonia, | 0:09:57 | 0:10:00 | |
Belgium, have a laugh! | 0:10:00 | 0:10:01 | |
Don't put South Korea up there! | 0:10:01 | 0:10:03 | |
There's a wee guy in charge of the flags going, | 0:10:03 | 0:10:06 | |
"What, North Korea, South Korea, nae career, I'm finished, right!" | 0:10:06 | 0:10:10 | |
It was at that moment the British Olympics | 0:10:10 | 0:10:12 | |
became the Scottish Olympics - what a night, it was great! | 0:10:12 | 0:10:14 | |
LAUGHTER AND CHEERING | 0:10:14 | 0:10:16 | |
We loved it, and they came out, and they tried... | 0:10:16 | 0:10:19 | |
It was like that, they were trying to compare it to how it would be, | 0:10:19 | 0:10:22 | |
"It would be like the Scotland team walking out to the England flag." | 0:10:22 | 0:10:25 | |
I know we have a bit of banter but it's hardly the same thing! | 0:10:25 | 0:10:27 | |
By that comparison you're saying Scotland | 0:10:27 | 0:10:29 | |
is some kind of backward nation, | 0:10:29 | 0:10:31 | |
it is a cold, depressing place with a small leader | 0:10:31 | 0:10:33 | |
that wants to take over the world, with access to nuclear weap... | 0:10:33 | 0:10:36 | |
Actually, it is quite similar, to be fair. | 0:10:36 | 0:10:39 | |
-Now I think about it. -CHEERING AND APPLAUSE | 0:10:39 | 0:10:42 | |
It's got a lot going on there but I love it, I love Scotland. | 0:10:43 | 0:10:45 | |
I love the fact that we're proud of who we are, | 0:10:45 | 0:10:47 | |
I love the fact we watched the Olympic opening ceremony with pride | 0:10:47 | 0:10:51 | |
and we loved it - apart from one small group of people. | 0:10:51 | 0:10:53 | |
The small group of people in Glasgow | 0:10:53 | 0:10:54 | |
who are tasked with organising the Commonwealth Games opening ceremony | 0:10:54 | 0:10:58 | |
in two years. Watching how good that was, going, "Oh, shite!" | 0:10:58 | 0:11:02 | |
"Gonnae cancel the Krankies! It's no' gonnae work, right? | 0:11:03 | 0:11:07 | |
"Get the big guns - | 0:11:07 | 0:11:08 | |
-"have you got the number for SuBo and Lorraine Kelly?" -LAUGHTER | 0:11:08 | 0:11:12 | |
Yes, we have the Commonwealth Games. | 0:11:12 | 0:11:13 | |
The next big sporting event in Britain, | 0:11:13 | 0:11:15 | |
it two years' time, there, in Glasgow! | 0:11:15 | 0:11:17 | |
We've no idea how we won the bid! | 0:11:17 | 0:11:19 | |
Think the organisers turned up in Glasgow, | 0:11:19 | 0:11:21 | |
saw all of us walking about in tracksuits | 0:11:21 | 0:11:23 | |
and thought, "Oh, they must be sporty!" | 0:11:23 | 0:11:26 | |
DES LAUGHS | 0:11:26 | 0:11:27 | |
"Gie's yer wallet, there's 100 metres! Thanks, mate!" | 0:11:27 | 0:11:31 | |
We love it. | 0:11:31 | 0:11:32 | |
We watched the last Commonwealth Games from Delhi, in India. | 0:11:32 | 0:11:34 | |
They came on TV and went, "These are the most violent and aggressive Commonwealth Games of all time." | 0:11:34 | 0:11:39 | |
Us in Glasgow went, "Aye, we'll see about that, big man!" | 0:11:39 | 0:11:42 | |
"We've all got our own javelins, get it up ye, right?" | 0:11:42 | 0:11:44 | |
I love the little stories that come out of this. | 0:11:46 | 0:11:48 | |
There's a little woman in the East End of Glasgow. | 0:11:48 | 0:11:50 | |
They're trying to move her out of her house | 0:11:50 | 0:11:52 | |
to build the stuff for the Commonwealth Games | 0:11:52 | 0:11:54 | |
and she did this reaction that certain women of a certain age have when they want to prove a point. | 0:11:54 | 0:11:58 | |
They move their head side to side when they're angry, | 0:11:58 | 0:12:00 | |
"Don't you talk to me!" | 0:12:00 | 0:12:03 | |
"I'm not moving..." | 0:12:03 | 0:12:04 | |
It's the opposite of guys trying to chat ladies up. | 0:12:04 | 0:12:07 | |
They move their heads forward, like pigeon. "Oh, like to have sex?" | 0:12:07 | 0:12:10 | |
Right? "Don't talk to me!" | 0:12:10 | 0:12:11 | |
Between the two you've got all the compass points covered, it's great! | 0:12:11 | 0:12:15 | |
This little woman's like that, "I'm not moving house!" | 0:12:15 | 0:12:17 | |
I think good on that woman, she's lived there all her life. | 0:12:17 | 0:12:19 | |
They should be forced to build the whole Commonwealth Games | 0:12:19 | 0:12:22 | |
around that wee woman! I think that would be brilliant. | 0:12:22 | 0:12:24 | |
She should live in the sandpit for the long jump, I'd love that! | 0:12:24 | 0:12:27 | |
Come out every two minutes, "That was NEVER eight metres, you wank!" | 0:12:27 | 0:12:30 | |
I'd love that! | 0:12:30 | 0:12:33 | |
Listen, I need to go in a minute. I need the toilet but... | 0:12:33 | 0:12:37 | |
It's been lovely to speak to you people tonight. | 0:12:37 | 0:12:39 | |
You will notice, the visitors that ever come | 0:12:39 | 0:12:41 | |
and visit this great country, is that we're very lovable and friendly | 0:12:41 | 0:12:44 | |
but we're accidentally aggressive to each other. | 0:12:44 | 0:12:47 | |
Don't mind that, that's nothing wrong. | 0:12:47 | 0:12:48 | |
We're aggressive to each other even in couples. | 0:12:48 | 0:12:51 | |
I had an ex-girlfriend argue with me one night, she hated me. | 0:12:51 | 0:12:53 | |
Half an hour she went on, she went, "Your eyelashes..." | 0:12:53 | 0:12:56 | |
Sorry, "Your eyelashes are too long!" | 0:12:56 | 0:12:58 | |
-"Gonnae have sex with me," right? -LAUGHTER | 0:12:58 | 0:13:01 | |
She's right, the eyelashes ARE too long. | 0:13:03 | 0:13:05 | |
There's nothing I can do about that. | 0:13:05 | 0:13:07 | |
"Your eyelashes are too long, that's not fair, | 0:13:07 | 0:13:09 | |
"they don't belong on a guy!" | 0:13:09 | 0:13:10 | |
I'm like, "I say nothing about your moustache, what's the problem?" | 0:13:10 | 0:13:13 | |
You've been amazing, Edinburgh. I'll see you again soon. | 0:13:15 | 0:13:18 | |
-Thanks very much, good night! -CHEERING AND APPLAUSE | 0:13:18 | 0:13:21 | |
We've got two guys, two fantastic guys coming to the stage now. | 0:13:21 | 0:13:24 | |
They're called Totally Tom, they were also nominated last year, | 0:13:24 | 0:13:27 | |
for Best Newcomer at the Edinburgh Fringe Awards | 0:13:27 | 0:13:29 | |
so please go crazy, go wild, | 0:13:29 | 0:13:30 | |
welcome to the stage the brilliant Totally Tom! | 0:13:30 | 0:13:33 | |
CHEERING AND APPLAUSE | 0:13:33 | 0:13:35 | |
Dead man walking! | 0:13:42 | 0:13:44 | |
Convict, step forward! | 0:13:44 | 0:13:46 | |
Now, we're going to walk you through this, kid, like we rehearsed. | 0:13:48 | 0:13:50 | |
-I'm nervous. -Course you are, kid. You're about to be killed. -Ha! | 0:13:50 | 0:13:55 | |
Convict has had his last meal. | 0:13:55 | 0:13:57 | |
Doritos and cream cheese - heavy on the cream cheese. | 0:13:57 | 0:14:02 | |
-Are you satisfied? -No. Made me all thirsty. | 0:14:02 | 0:14:05 | |
I'm sorry, there's no such thing as a last drink. | 0:14:05 | 0:14:08 | |
Well, I wish I'd ordered something different. | 0:14:08 | 0:14:10 | |
Convict will now say his last words. | 0:14:10 | 0:14:14 | |
You know when... | 0:14:16 | 0:14:18 | |
You know... | 0:14:18 | 0:14:20 | |
You know that guy from... | 0:14:22 | 0:14:24 | |
-Convict... -No, you wait! | 0:14:26 | 0:14:27 | |
-SQUEAKS: -You know...? | 0:14:31 | 0:14:33 | |
Nah. | 0:14:33 | 0:14:35 | |
Convict will now be played his last song. Track three! | 0:14:35 | 0:14:40 | |
Convict will now perform his last interpretive dance! As rehearsed. | 0:14:43 | 0:14:48 | |
# And I'd give up for ever to touch you | 0:14:52 | 0:14:56 | |
# Cos I know that you feel me somehow | 0:14:57 | 0:15:01 | |
# You're the closest to heaven... # | 0:15:01 | 0:15:04 | |
Prison guard will now involve himself in interpretive dance! As rehearsed. | 0:15:04 | 0:15:08 | |
Good luck, kid. | 0:15:10 | 0:15:12 | |
# All I could taste is this moment | 0:15:12 | 0:15:15 | |
# And all I can breathe is your life | 0:15:16 | 0:15:21 | |
# And sooner or later it's over | 0:15:21 | 0:15:25 | |
# I just don't want to miss you tonight | 0:15:25 | 0:15:29 | |
# And I don't want the world to see me | 0:15:29 | 0:15:34 | |
# Cos I don't think that they'd understand | 0:15:34 | 0:15:39 | |
# When everything's made to be broken | 0:15:39 | 0:15:44 | |
# I just want you to know who I am... # | 0:15:44 | 0:15:48 | |
MUSIC CONTINUES | 0:15:48 | 0:15:50 | |
THEY MOVE IN TIME TO THE DRUMBEATS | 0:16:00 | 0:16:03 | |
CHEERING AND APPLAUSE | 0:16:37 | 0:16:39 | |
Now, er, may I just say what an honour that was | 0:16:40 | 0:16:43 | |
-to dance with you, kid. -And may I just say... | 0:16:43 | 0:16:46 | |
# And I don't want the world to see me... # | 0:16:46 | 0:16:50 | |
We're Totally Tom! Thank you! CHEERING AND APPLAUSE | 0:16:50 | 0:16:53 | |
-Totally Tom! -CHEERING AND APPLAUSE | 0:16:55 | 0:16:58 | |
Hello, how are you? How's it going? | 0:17:00 | 0:17:04 | |
Hello, my name is Eleanor, I'm a comedian from Ireland. | 0:17:04 | 0:17:07 | |
I present a television programme over there. | 0:17:07 | 0:17:11 | |
Yeah, it's where I take Irish celebrities | 0:17:11 | 0:17:13 | |
and find out what the ancestors were doing during the famine. | 0:17:13 | 0:17:17 | |
We call it Who Do You Think You Ate? | 0:17:19 | 0:17:22 | |
Give me a cheer if you drive a car. | 0:17:24 | 0:17:26 | |
CHEERING Excellent, excellent. | 0:17:26 | 0:17:29 | |
I have a little tip for you, people. | 0:17:29 | 0:17:31 | |
Here's how anybody at all can park in the mother-and-baby spot, OK? | 0:17:31 | 0:17:37 | |
What you do is you park there, you go in, you get your shopping, | 0:17:37 | 0:17:42 | |
you come back out, and that's when somebody will strike. | 0:17:42 | 0:17:46 | |
OK, somebody is going to come over to you at that point and they'll go, | 0:17:46 | 0:17:49 | |
"Excuse me... | 0:17:49 | 0:17:51 | |
"you're supposed to be a mother and a baby to park there." | 0:17:51 | 0:17:55 | |
At this point your acting ability must kick in. | 0:17:56 | 0:18:00 | |
What you have to do now is go... | 0:18:00 | 0:18:02 | |
"Oh, no!" | 0:18:07 | 0:18:09 | |
"I'm after losing her!" | 0:18:10 | 0:18:13 | |
They get upset for you then. | 0:18:13 | 0:18:15 | |
They'll be like, "You've lost your baby?!" | 0:18:15 | 0:18:18 | |
And you can be like, "No, I've lost my mother." | 0:18:18 | 0:18:21 | |
I think that I would have made an excellent supermodel | 0:18:23 | 0:18:26 | |
if I'd been given the chance | 0:18:26 | 0:18:28 | |
because there is a technique to supermodelling | 0:18:28 | 0:18:30 | |
that supermodels must have to learn at some point in their careers | 0:18:30 | 0:18:34 | |
but I figured it out all on my own. | 0:18:34 | 0:18:36 | |
The technique is that when you're walking down the catwalk | 0:18:36 | 0:18:39 | |
you must walk down the catwalk | 0:18:39 | 0:18:41 | |
as if you have something very important to tell everyone | 0:18:41 | 0:18:44 | |
but at the very last minute you decide that they wouldn't understand. | 0:18:44 | 0:18:47 | |
Here we go. | 0:18:49 | 0:18:51 | |
-MAN: -Woo! | 0:18:54 | 0:18:56 | |
LAUGHTER, CHEERING AND APPLAUSE | 0:19:04 | 0:19:07 | |
Does anybody here know a television programme called America's Next Top Model? | 0:19:09 | 0:19:13 | |
CHEERING It's brilliant. There's America's, Canada's, Britain's, Australia's - | 0:19:13 | 0:19:17 | |
I am dying to see the Irish version of America's Next Top Model. | 0:19:17 | 0:19:21 | |
Except for Ireland doesn't really have a top model | 0:19:21 | 0:19:25 | |
so I think it would have to be called Ireland's First Half-Decent Model. | 0:19:25 | 0:19:29 | |
LAUGHTER | 0:19:29 | 0:19:31 | |
I think I would be a good hostess for that show. | 0:19:31 | 0:19:33 | |
When the job comes up I'm going to go for it. | 0:19:33 | 0:19:36 | |
I'd get up there and say things like, | 0:19:36 | 0:19:37 | |
"Fiona...you came here...a shy, | 0:19:37 | 0:19:42 | |
"nervous, impressionable girl from Waterford | 0:19:42 | 0:19:47 | |
"and now you're full of shit..." | 0:19:47 | 0:19:49 | |
"..but we're not seeing it in your photographs." | 0:19:51 | 0:19:54 | |
"Claire, from Cork, | 0:19:56 | 0:19:58 | |
"we sent you to meet one of the world's top fashion designers. | 0:19:58 | 0:20:01 | |
"You showed up hammered drunk, parked illegally | 0:20:01 | 0:20:05 | |
"and put your head through the windscreen of a traffic warden's van. | 0:20:05 | 0:20:09 | |
"You walked into that boardroom with bits of glass in your hair | 0:20:09 | 0:20:12 | |
"and blood streaming from your left eye, | 0:20:12 | 0:20:15 | |
"and you told John Paul Gaultier to go fuck himself..." | 0:20:15 | 0:20:18 | |
"Fair play to you. | 0:20:20 | 0:20:21 | |
"You're still in with a shout of becoming | 0:20:21 | 0:20:23 | |
"Ireland's First Half-Decent Model." | 0:20:23 | 0:20:25 | |
Folks, I've been Eleanor Tiernan, thank you so much. Goodbye! CHEERING AND APPLAUSE | 0:20:29 | 0:20:34 | |
Next act coming to the stage - are we ready? | 0:20:34 | 0:20:38 | |
CHEERING AND APPLAUSE | 0:20:38 | 0:20:40 | |
Oh, I love you people, I swear! | 0:20:40 | 0:20:41 | |
Next act coming to the stage is Big D. Go crazy, go wild for Big D! | 0:20:41 | 0:20:45 | |
CHEERING AND APPLAUSE, MUSIC STARTS | 0:20:45 | 0:20:47 | |
-RAPS: -What you say your name was? You know you're sexy right now? | 0:20:47 | 0:20:51 | |
You and your girls | 0:20:51 | 0:20:53 | |
You're a good girl | 0:20:53 | 0:20:54 | |
Why don't you take off your jacket? | 0:20:54 | 0:20:56 | |
What's your name, baby? | 0:20:56 | 0:20:58 | |
Word. OK. Tell your friend... | 0:20:58 | 0:21:03 | |
I didn't ask them to play any music. | 0:21:03 | 0:21:05 | |
LAUGHTER | 0:21:05 | 0:21:07 | |
Easy, what's going on? Is everyone feeling so good? | 0:21:07 | 0:21:11 | |
CHEERING | 0:21:11 | 0:21:12 | |
It worked. Erm, er... | 0:21:12 | 0:21:15 | |
None of yous lot could hear what was going on backstage, could you? No? | 0:21:15 | 0:21:19 | |
See, I wasn't crying, anyways. Ha-ha-ha! | 0:21:19 | 0:21:22 | |
And even if I was it's probably just cos I was thirsty, like. | 0:21:22 | 0:21:26 | |
Sometimes you've just got to get high of your own supply, like. | 0:21:26 | 0:21:30 | |
"High" as in hydrated! | 0:21:30 | 0:21:32 | |
Erm, I'm going to have to be, like, | 0:21:32 | 0:21:34 | |
deadly serious with you lot for a second, though, yeah? | 0:21:34 | 0:21:37 | |
Erm, well, I'm kind of pranging out | 0:21:37 | 0:21:39 | |
and getting a bit panicky and shit but, erm... | 0:21:39 | 0:21:42 | |
Well, for two reasons - | 0:21:42 | 0:21:43 | |
number one, I didn't know that I was going to be surrounded by scaffolding | 0:21:43 | 0:21:46 | |
when I came on stage like this. It's kind of egging me out, like. | 0:21:46 | 0:21:49 | |
I thought they would have built the stage by the time I came on stage. | 0:21:49 | 0:21:52 | |
We're nearly at the end of the night, innit, and it's still there. | 0:21:52 | 0:21:55 | |
I keep expecting a builder to, like, fall on my head, innit? | 0:21:55 | 0:21:58 | |
They should have given me a hard hat but instead they just put some Sellotape on my hat | 0:21:58 | 0:22:02 | |
and that's not going to protect me from anything, like. | 0:22:02 | 0:22:05 | |
Erm, and the second thing is that I didn't know | 0:22:05 | 0:22:09 | |
that this whole comedy thing tonight was going to be, like, a... | 0:22:09 | 0:22:14 | |
comedy thing, tonight. | 0:22:14 | 0:22:16 | |
Erm, and not actually a comedian. | 0:22:16 | 0:22:19 | |
Ha-ha-ha! | 0:22:19 | 0:22:20 | |
Erm, I'm actually, I'm a musician, like an MC, like, a beat maker, | 0:22:20 | 0:22:25 | |
like, erm, a "rapsmith", if you will. | 0:22:25 | 0:22:27 | |
Smithing raps. | 0:22:27 | 0:22:29 | |
Erm, so, yeah, I don't really know what to do. | 0:22:29 | 0:22:32 | |
Like, when I got to the front door the guy was like, | 0:22:32 | 0:22:34 | |
"Oh, yeah, you know it's comedy?" And I was like... | 0:22:34 | 0:22:37 | |
I said to him, I went, "What, man?!" | 0:22:37 | 0:22:40 | |
Just cos I was so shocked at the situation, like, | 0:22:40 | 0:22:43 | |
I swear, I just pranged out. | 0:22:43 | 0:22:44 | |
I ran out the studio, like, just running around saying, like, | 0:22:44 | 0:22:47 | |
"Oh, no!" | 0:22:47 | 0:22:48 | |
Just cos I was so, like, confronted by the situation but, like, I did, | 0:22:48 | 0:22:53 | |
like, although, I'm here now, so, I could just do a tune, innit? | 0:22:53 | 0:22:56 | |
Is everyone comfy of hearing a tune? | 0:22:56 | 0:22:58 | |
CHEERING | 0:22:58 | 0:23:00 | |
I ain't never had a response like that before, I'm telling you! | 0:23:00 | 0:23:04 | |
This is, like, 20 times the size of the audience. | 0:23:04 | 0:23:06 | |
Wait, how many, how much is one into 100? | 0:23:06 | 0:23:10 | |
Anyways, but yeah, so, I'll do a tune. | 0:23:10 | 0:23:12 | |
OK, so... But I don't have my DJ. | 0:23:12 | 0:23:15 | |
Sir, could you come up on stage for one second? Is that cool? | 0:23:15 | 0:23:17 | |
Yeah, yeah, come on up. Give him a round of applause, innit? | 0:23:17 | 0:23:20 | |
I'll tell you what you're going to do in one second | 0:23:20 | 0:23:22 | |
but I need you lot, you're not all off the hook! | 0:23:22 | 0:23:25 | |
There's going to be some audience partici-cation - | 0:23:25 | 0:23:27 | |
I don't know if you've heard of that. It's just really fun for you, innit? | 0:23:27 | 0:23:30 | |
The tune is called Boys And Girls, yeah? | 0:23:30 | 0:23:32 | |
CHEERING | 0:23:32 | 0:23:34 | |
You know it? Shit. | 0:23:34 | 0:23:36 | |
OK, so when I say "boys" I need all the boys in the house to say, "Yeah." | 0:23:36 | 0:23:41 | |
Is that cool? Everyone got that? So I say boys. | 0:23:41 | 0:23:43 | |
-ALL: -Yeah! | 0:23:43 | 0:23:44 | |
You're not a boy! TITTERING | 0:23:44 | 0:23:46 | |
Unless I'm mistaken, like! But that was... One more time, boys! | 0:23:46 | 0:23:50 | |
-BOYS: -Yeah! -Sick. You lot got it down, man. | 0:23:50 | 0:23:53 | |
We should all meet up and just do that together one time. | 0:23:53 | 0:23:56 | |
Just say yeah, innit? Be really weird. | 0:23:56 | 0:23:58 | |
I don't know, probably quite boring. Anyways... | 0:23:58 | 0:24:00 | |
When I say "girls," I need the girls in the house to go... | 0:24:00 | 0:24:02 | |
IN HIGH VOICE: "What is it?" | 0:24:02 | 0:24:04 | |
And that's, "What is it?", and that's the thing, we don't know, | 0:24:04 | 0:24:07 | |
that's why it's so intriguing. | 0:24:07 | 0:24:09 | |
OK, so it's, "What is it?" So, I say, "Girls". | 0:24:09 | 0:24:11 | |
-GIRLS: -What is it? | 0:24:11 | 0:24:13 | |
Tingles, like! | 0:24:13 | 0:24:15 | |
You lot said, "What is it?" before, like? Snap. | 0:24:15 | 0:24:17 | |
-OK, cool, OK, so, you lot done. So I say "boys". BOYS: -Yeah! | 0:24:17 | 0:24:21 | |
-Girls! GIRLS: -What is it? -Snap! You got it! | 0:24:21 | 0:24:23 | |
OK, so, what I need from you, sir, basically, I have no natural sense of rhythm, | 0:24:23 | 0:24:27 | |
I need you to just do, like, a steady clap for me. | 0:24:27 | 0:24:29 | |
Just like a... Yeah, yet you got it. OK, just a bit better. | 0:24:29 | 0:24:32 | |
Just a little. OK. All right. OK. | 0:24:34 | 0:24:37 | |
OK, now, just slow it down. | 0:24:37 | 0:24:39 | |
OK, just take it right down. | 0:24:39 | 0:24:40 | |
No, ridiculously slow. | 0:24:40 | 0:24:42 | |
Take it down, man. Slow. Slow. Slow. Slow. | 0:24:42 | 0:24:46 | |
Now, we're getting somewhere. | 0:24:46 | 0:24:48 | |
Bruv, take it right down. You got it, man. | 0:24:48 | 0:24:50 | |
You're the captain. | 0:24:50 | 0:24:51 | |
Bruv, sail the ship, man. | 0:24:51 | 0:24:53 | |
We're going down to Cornwall, man, we're going south. | 0:24:53 | 0:24:56 | |
Let's go to the beach, man. | 0:24:56 | 0:24:58 | |
I got some vinegar for our chips, innit? | 0:24:58 | 0:25:01 | |
Oh, my God. | 0:25:02 | 0:25:04 | |
Bruv, that is savoury, bruv. | 0:25:04 | 0:25:06 | |
Slower, take it down, man. | 0:25:06 | 0:25:07 | |
You're in control, let's go to the core of the Earth, innit? | 0:25:07 | 0:25:11 | |
Bruv, you've got something there, Bruv. That is dirty, Bruv! | 0:25:11 | 0:25:14 | |
Oh, my God. Oh, my God! | 0:25:15 | 0:25:18 | |
Bruv, we should record this and release it, innit? | 0:25:18 | 0:25:21 | |
Just you clapping and me complimenting your clapping, like. | 0:25:21 | 0:25:24 | |
I don't know if there's a market for it but I'd buy, like, 100. | 0:25:24 | 0:25:28 | |
Sell it to my family, they'd be so proud. | 0:25:28 | 0:25:30 | |
Actually, you know, cut it. It's not working. | 0:25:30 | 0:25:32 | |
But can you stay on stage anyway | 0:25:32 | 0:25:34 | |
cos when I'm MCing I like it to look like I've got a crew. | 0:25:34 | 0:25:36 | |
And what a crew - look at this guy, like! | 0:25:36 | 0:25:40 | |
CHEERING | 0:25:40 | 0:25:41 | |
What's that? Is that a Scottish thing? I don't know, man. | 0:25:41 | 0:25:44 | |
But, like, yeah, man, what a crew, innit? | 0:25:44 | 0:25:46 | |
This guy's so cool, like, innit? | 0:25:46 | 0:25:48 | |
Like, he's the kind of guy that even though he's standing like this | 0:25:48 | 0:25:51 | |
he looks like standing like this, innit? | 0:25:51 | 0:25:53 | |
Joker. Anyway, OK, we're going to do the tune! | 0:25:53 | 0:25:55 | |
Everyone remember what they're doing? When I say "boys," what will they do? | 0:25:55 | 0:25:59 | |
-BOYS: -Yeah! -When I say "girls," what will they do? | 0:25:59 | 0:26:01 | |
-GIRLS: -What is it? | 0:26:01 | 0:26:02 | |
-Snap! OK, let's go, let's do this. OK, so, boys! -Yeah! -Girls! | 0:26:02 | 0:26:05 | |
-Yeah! -Yeah, boys! -Yeah! -Girls, man! -What is it? | 0:26:05 | 0:26:08 | |
-Yeah, boys! Yeah! Girls! -What is it? -Boys! | 0:26:08 | 0:26:10 | |
-Yeah! -Mix it up, say boys again, boys! | 0:26:10 | 0:26:13 | |
-Yeah! -Girls! -What is it? -Yeah, boys, louder! -Yeah! | 0:26:13 | 0:26:16 | |
-Girls! -What is it? -OK, let's go. | 0:26:16 | 0:26:17 | |
QUIET GARBLED RAPPING I talked... Do... | 0:26:17 | 0:26:21 | |
Never going to do a thing... | 0:26:21 | 0:26:22 | |
Well I'll get fresh, get real, | 0:26:22 | 0:26:24 | |
You know what I'm talking about, bruv! | 0:26:24 | 0:26:25 | |
Got to say it again We gotta get real and do it fresh | 0:26:25 | 0:26:29 | |
You sound like you're going mad And I ain't gonna do a thing | 0:26:29 | 0:26:32 | |
Get right, get fresh, get seen | 0:26:32 | 0:26:34 | |
Get down, get down Get feel, get a f... Get seen... | 0:26:34 | 0:26:38 | |
# Every time I turn around I see bad pain and bad suffering | 0:26:38 | 0:26:42 | |
# So I look to the heavens and I say... # | 0:26:42 | 0:26:46 | |
Oh, no! | 0:26:46 | 0:26:48 | |
# And I just want to live my life and get a wife and do a smile | 0:26:48 | 0:26:52 | |
# And I just want to raise my kids in a world where they never die | 0:26:52 | 0:26:57 | |
# And everyone is acting crazy Like a maniac | 0:26:57 | 0:27:00 | |
# And I don't know why | 0:27:00 | 0:27:03 | |
# I look in the mirror and I see myself as a child | 0:27:03 | 0:27:07 | |
# But I look closer | 0:27:08 | 0:27:09 | |
# And he's holding a samosa | 0:27:09 | 0:27:12 | |
# And I realise it's a window It's not a mirror | 0:27:12 | 0:27:15 | |
# Who is this child? | 0:27:15 | 0:27:17 | |
-Girls! -What is it? | 0:27:17 | 0:27:18 | |
-Boys! -Yeah! | 0:27:18 | 0:27:20 | |
Thank you very much, that's me, good night. | 0:27:20 | 0:27:22 | |
Give him a round of applause! Thank you. Live your lives! CHEERING AND APPLAUSE | 0:27:22 | 0:27:26 | |
Yes! | 0:27:28 | 0:27:30 | |
Round of applause for this man here. | 0:27:32 | 0:27:34 | |
He came to the early show, he's been here all night! | 0:27:34 | 0:27:37 | |
You've been waiting for that all night, haven't you? | 0:27:37 | 0:27:39 | |
Standing on stage, on telly, looking like a jaundiced hobbit! | 0:27:39 | 0:27:42 | |
-LAUGHTER -Good man! What a man! | 0:27:42 | 0:27:45 | |
Yes, all that is left to say is thank you to all of tonight's acts. | 0:27:45 | 0:27:49 | |
I've been Chris Ramsey and you've been watching Comedy At The Fringe. | 0:27:49 | 0:27:52 | |
-Good night! -CHEERING AND APPLAUSE | 0:27:52 | 0:27:54 | |
Subtitles by Red Bee Media Ltd | 0:28:13 | 0:28:16 |