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Hello! I'm Chris Ramsey. | 0:00:02 | 0:00:03 | |
Welcome to Comedy At The Fringe here on BBC3! | 0:00:03 | 0:00:05 | |
This programme contains strong language. | 0:00:08 | 0:00:16 | |
CHEERING | 0:00:25 | 0:00:27 | |
Ye-e-es! | 0:00:29 | 0:00:31 | |
Edinburgh Festival! | 0:00:31 | 0:00:33 | |
Whoo! | 0:00:33 | 0:00:35 | |
Yes! Ooh! | 0:00:35 | 0:00:38 | |
Give me a cheer if you've been to the Fringe before. | 0:00:38 | 0:00:42 | |
Excellent stuff. Give us a cheer if it's your first time. | 0:00:42 | 0:00:46 | |
One guy! | 0:00:46 | 0:00:48 | |
Mate, you look like it's the first time you've been out of the house! | 0:00:48 | 0:00:51 | |
"Yeah! | 0:00:51 | 0:00:53 | |
"The sky's blue!" | 0:00:53 | 0:00:56 | |
Magic. We've got an amazing, amazing night. It's the maddest comedy night I've ever been part of. | 0:00:56 | 0:01:02 | |
It's going to be good stuff. You've got your drink on the stage. Disrespectful. No, keep it there. | 0:01:02 | 0:01:07 | |
We all built this today so you could use it as a table. | 0:01:07 | 0:01:12 | |
He put it back! Fair play. | 0:01:12 | 0:01:14 | |
-What's your name, pal? -Mark. -Mark? He just froze after that. | 0:01:14 | 0:01:18 | |
"Mark. That's all you're getting." What have you been doing today? | 0:01:18 | 0:01:23 | |
-Er...not much. -Mark's bottled it immediately. | 0:01:23 | 0:01:28 | |
-What do you do? -I'm employed as of Monday. -Employed as of Monday? Congratulations! | 0:01:28 | 0:01:34 | |
-CHEERING -That's amazing. | 0:01:34 | 0:01:37 | |
-What did you do before? -Student. -Studying? -Geography. | 0:01:37 | 0:01:42 | |
Geography. Fantastic. You found your way here. Well done. | 0:01:42 | 0:01:46 | |
-What's the job? -Selling charity challenge holidays. | 0:01:46 | 0:01:50 | |
Selling charity challenge holidays. Four years at university well spent there, mate. | 0:01:50 | 0:01:57 | |
Right, we are going to crack on now. Please, give it up for Radio One's beatbox champion | 0:01:57 | 0:02:03 | |
It's the fantastic PETEBOX! | 0:02:03 | 0:02:07 | |
CHEERING | 0:02:07 | 0:02:09 | |
THROBBING BASS | 0:02:10 | 0:02:12 | |
DANCE BEAT BEGINS | 0:02:15 | 0:02:17 | |
Ye-eah! | 0:02:23 | 0:02:25 | |
So PETEBOX is going to be on and off introing acts on and stuff. | 0:02:26 | 0:02:30 | |
Instead of a little CD player to get acts on, he'll do the intros. | 0:02:30 | 0:02:35 | |
All good? Happy with that? You had no choice in the matter. | 0:02:35 | 0:02:40 | |
But I made it look like you did. Nice if it was a democracy, but it's not. | 0:02:40 | 0:02:45 | |
You're like, "If I haven't got a choice, I'm leaving." | 0:02:45 | 0:02:49 | |
Are you? Good. We have got all kinds of acts tonight. | 0:02:49 | 0:02:53 | |
It's stand up, it's sketch, it's musical. All kinds of acts. | 0:02:53 | 0:02:57 | |
Crazy stuff, avant garde, everything. This is a slice of the Fringe for the people at home | 0:02:57 | 0:03:03 | |
and for you people who just got drunk and came to something cos it said BBC. | 0:03:03 | 0:03:08 | |
Are you ready for your first fantastic act? | 0:03:08 | 0:03:12 | |
Welcome on stage the brilliant Naz Osmanoglu! | 0:03:12 | 0:03:16 | |
Hello! How are we doing? Are we well? | 0:03:21 | 0:03:25 | |
Hello, Edinburgh. My name is Naz Osmanoglu. I'm half-English, half-Turkish. | 0:03:25 | 0:03:29 | |
-It's very difficult being dual nationality. -Yeah! | 0:03:29 | 0:03:32 | |
Hello, there. There's my dad, my mum. | 0:03:32 | 0:03:34 | |
It's very difficult. | 0:03:34 | 0:03:36 | |
My father is Turkish, my mother is English. They're both a bit racist, | 0:03:36 | 0:03:40 | |
so I...hate myself. | 0:03:40 | 0:03:43 | |
Yes, my dad is a very angry Turkish man. He's also very rude. | 0:03:43 | 0:03:47 | |
He sort of makes up his own language. It's a patois. | 0:03:47 | 0:03:51 | |
A combination between pidgin English and constant aggression. | 0:03:51 | 0:03:55 | |
He makes up his own phrases, such as, "Shut up your face!" That means, "Please be quiet." | 0:03:55 | 0:04:02 | |
"What the shit are you doing?" That means, "Lovely to meet you." | 0:04:02 | 0:04:06 | |
Sometimes he just abbreviates phrases. "Fuck out!" | 0:04:06 | 0:04:10 | |
My personal favourite, to be honest, is, "Fuck out, asshole!" | 0:04:11 | 0:04:16 | |
Which means, "Naz, not now." | 0:04:16 | 0:04:19 | |
He's very self-important, my father. Very self-important. | 0:04:19 | 0:04:22 | |
He's never really used public transport. He doesn't understand how buses work. | 0:04:22 | 0:04:29 | |
"No, keep going. I don't want to get off here. I have not yet reached my destination. | 0:04:29 | 0:04:35 | |
"I do not want to fuck out here." Even when he hails a cab. "Please, take me home." | 0:04:35 | 0:04:40 | |
He assumes people know where he lives. | 0:04:40 | 0:04:43 | |
Sometimes communication totally breaks down. Especially with women. | 0:04:43 | 0:04:48 | |
He was trying to compliment a lady on her perfume. It was innocent, but came out as, "I like your smell!" | 0:04:48 | 0:04:55 | |
This is my father. We're similar in some ways, though. | 0:04:55 | 0:05:00 | |
I'm awful with public transport. I hate it. I get overcharged by accident. | 0:05:00 | 0:05:05 | |
The other day I was travelling from London Paddington to Bristol. | 0:05:05 | 0:05:09 | |
I was trying to use my Young Person's Railcard, but it was void. | 0:05:09 | 0:05:13 | |
They treated me like I was no longer young or a person! They charged me £169 for a return journey. | 0:05:13 | 0:05:20 | |
£169! | 0:05:20 | 0:05:22 | |
I want to buy a train ticket, not the fucking train! | 0:05:22 | 0:05:26 | |
£169! The guy's there in the hi-vis jacket going, "No, no, no. Rules are rules. Don't shoot the messenger." | 0:05:26 | 0:05:32 | |
How can I?! I can't afford a fucking gun! What kind of maniac charges £169?! | 0:05:32 | 0:05:40 | |
For £169, I could fly to Greece and back...with Greece! | 0:05:40 | 0:05:44 | |
For £169 I expect my own personal carriage, | 0:05:45 | 0:05:49 | |
with a Jacuzzi on one end and the beach on the other! | 0:05:49 | 0:05:54 | |
I want a pedalo and I want a tan when I arrive! | 0:05:54 | 0:05:57 | |
And for £169, do you know what else? Toilets that don't smell of pish and shit! | 0:05:57 | 0:06:02 | |
Then, of course, came the inevitable delay. | 0:06:02 | 0:06:06 | |
"We are sorry for the delay to this service due to all the money we have taken off you | 0:06:06 | 0:06:11 | |
"weighing the train down!" | 0:06:11 | 0:06:14 | |
You've been absolutely lovely. Thank you, unless you are from the train company, in which case fuck out! | 0:06:15 | 0:06:22 | |
Thank you, good evening and good night. Bye bye! | 0:06:22 | 0:06:26 | |
Naz Osmanoglu, everyone! What about Naz Osmanoglu?! | 0:06:27 | 0:06:32 | |
Are you ready for Romesh Ranganathan? | 0:06:32 | 0:06:35 | |
Welcome, Romesh Ranganathan! | 0:06:35 | 0:06:39 | |
CHEERING AND APPLAUSE | 0:06:39 | 0:06:41 | |
Hello. I'm very excited to be here. | 0:06:43 | 0:06:47 | |
WHOOPING | 0:06:48 | 0:06:50 | |
-Are we enjoying the weather? -Yes! -I like the weather like this. | 0:06:50 | 0:06:53 | |
I don't like extremes. Last summer where I lived, it was extremely hot. | 0:06:53 | 0:06:58 | |
I was sitting in the barber's, complaining about how hot it was. | 0:06:58 | 0:07:02 | |
This complete stranger turned to me and he says, "I can't believe you lot. | 0:07:02 | 0:07:07 | |
"I can't believe you lot. You come over here, don't you, eh? | 0:07:08 | 0:07:12 | |
"Come over here and complain about how bloody hot it is!" | 0:07:12 | 0:07:16 | |
And I thought, "I am going to put this prick in his place." Assuming that I'm an immigrant! | 0:07:16 | 0:07:22 | |
So I said to him, "Well, actually, sir, the climatic conditions in Crawley, | 0:07:22 | 0:07:28 | |
"where I originate from are very similar to the ones that we're experiencing here. | 0:07:28 | 0:07:34 | |
"Just goes to show you." | 0:07:36 | 0:07:38 | |
To which his genuine response was, "Bloody hell, mate! You're picking up the language brilliantly." | 0:07:40 | 0:07:46 | |
So I complained about that, but in the winter one of my favourite pastimes | 0:07:48 | 0:07:53 | |
is to pretend to passers-by that I've just arrived in the country | 0:07:53 | 0:07:58 | |
and I'm seeing snow for the very first time. | 0:07:58 | 0:08:02 | |
On a really good day, they take photographs, which is lovely. | 0:08:06 | 0:08:11 | |
I'm quite an antisocial person. Life keeps telling me I shouldn't interact with anyone at all. | 0:08:11 | 0:08:17 | |
I'll give you an example of this. I was on my way to a concert at the O2 - | 0:08:17 | 0:08:22 | |
I'm not showing off, but things are going all right - and I was on the train | 0:08:22 | 0:08:28 | |
and speaking to a mate I was meeting and I said as a bit of banter, | 0:08:28 | 0:08:32 | |
"How will I know which one is the O2?" | 0:08:32 | 0:08:36 | |
Not excellent, I admit, but I was oiling the wheels of conversation. | 0:08:36 | 0:08:40 | |
This woman opposite me looks at me and goes, "It looks like a big tent." | 0:08:40 | 0:08:46 | |
So a) she thought that I really didn't know what it looked like | 0:08:46 | 0:08:50 | |
and b) she thought I wouldn't recognise it when I got there, | 0:08:50 | 0:08:55 | |
like I might knock on the door of somebody's house and go, "Is Dizzee Rascal in here or what?" | 0:08:55 | 0:09:01 | |
Then it occurred to me that this woman is actually trying to help me. | 0:09:01 | 0:09:05 | |
I don't want to act like an idiot. | 0:09:05 | 0:09:07 | |
So I thought, "How can I respond in a way that makes it look like that was the right thing for her to do?" | 0:09:07 | 0:09:15 | |
So I just turned to her and said... | 0:09:15 | 0:09:18 | |
COMEDY INDIAN ACCENT: Thank you very much. | 0:09:18 | 0:09:21 | |
And then I remembered that she had heard the rest of the conversation. | 0:09:21 | 0:09:25 | |
So I just looked like a nutter. | 0:09:25 | 0:09:28 | |
I, um, I used to be a teacher. You might not be able to tell. WHOOPING | 0:09:28 | 0:09:33 | |
-Are there teachers in? -Whoo! | 0:09:33 | 0:09:35 | |
I definitely don't want to have a conversation with you. | 0:09:35 | 0:09:39 | |
-I used to be a Maths teacher. -Whoo! | 0:09:39 | 0:09:42 | |
Oh, my God. People are cheering Maths. I wasn't expecting that. | 0:09:42 | 0:09:47 | |
The school that I taught at, they had uniform. | 0:09:47 | 0:09:50 | |
They wanted us to clamp down on uniform, to make sure that shirts were tucked in et cetera. | 0:09:50 | 0:09:56 | |
Don't worry about spelling and numeracy. Let's get this sorted out. | 0:09:56 | 0:10:00 | |
And we had a Sixth Form at our school and telling Sixth Form lads to sort their uniform out | 0:10:00 | 0:10:08 | |
is absolutely not a problem. I've got no issue with that. | 0:10:08 | 0:10:12 | |
Telling Sixth Form girls to sort their uniform out is something I feel more uncomfortable about. | 0:10:12 | 0:10:18 | |
I don't want to have that conversation. It's embarrassing. | 0:10:18 | 0:10:22 | |
But I found if I just looked at them for long enough, they soon covered themselves up. | 0:10:22 | 0:10:28 | |
I mean the lazy eye helped. Just... | 0:10:28 | 0:10:31 | |
And the thing is, right, the textbooks are multi-cultural. | 0:10:33 | 0:10:39 | |
So every single question has got to have a black kid and a white kid. | 0:10:39 | 0:10:43 | |
Or a white kid and an Asian kid. | 0:10:43 | 0:10:46 | |
I don't know about you, but I wouldn't want to hang out with a kid of another colour | 0:10:46 | 0:10:52 | |
if every time I met up with him he wanted to do bloody Maths! | 0:10:52 | 0:10:56 | |
-I don't want to disappoint anybody, but I am actually married. -Awww! | 0:10:56 | 0:11:02 | |
Oh, piss off. I've got two children, right, | 0:11:02 | 0:11:05 | |
and I've been very excited because I found a way to tell off other people's children. | 0:11:05 | 0:11:10 | |
I love my children, but when you go out, you have to deal with other people's children. Very awkward. | 0:11:10 | 0:11:17 | |
I don't want to tell them off, but I found a way. | 0:11:17 | 0:11:21 | |
I was at the cinema recently. This kid was being a little prick. | 0:11:21 | 0:11:25 | |
Throwing popcorn about and stuff. His parents did nothing about it. | 0:11:25 | 0:11:29 | |
So I just crouched down quietly and said, "Listen, you little shithead, | 0:11:29 | 0:11:33 | |
"pull that again and I'm going to punch you in the face. Understand?" | 0:11:33 | 0:11:37 | |
And then as his parents approached me and could hear, I went, | 0:11:37 | 0:11:41 | |
"And that's why you shouldn't say that to brown people. OK? Sorry. | 0:11:41 | 0:11:46 | |
"Don't worry about it. | 0:11:46 | 0:11:48 | |
"Don't worry, it's fine." | 0:11:48 | 0:11:51 | |
You should try it, but you'll have to brown up. It's worth it. | 0:11:51 | 0:11:55 | |
I've been Romesh Ranganathan. Thank you very much! CHEERING | 0:11:55 | 0:12:00 | |
Yes! Romesh Ranganathan, everyone! | 0:12:00 | 0:12:02 | |
Give it up, give it up! | 0:12:02 | 0:12:05 | |
We're going to do a song for you now. | 0:12:05 | 0:12:08 | |
It's a love song and it's called Horse Outside. | 0:12:08 | 0:12:11 | |
It's about being at a wedding and things go really well. | 0:12:13 | 0:12:17 | |
# Oh | 0:12:19 | 0:12:20 | |
# Oh | 0:12:21 | 0:12:22 | |
# I'm fucking so in love with you | 0:12:22 | 0:12:27 | |
# Ah | 0:12:27 | 0:12:29 | |
# I'm at Amanda's wedding In the church on Thomas Street | 0:12:36 | 0:12:40 | |
# I'm looking at a bridesmaid and she's looking back at me | 0:12:40 | 0:12:45 | |
# And when the service ends I ask her if she wants a lift | 0:12:45 | 0:12:49 | |
# Back to the hotel and if it goes well Finger and a shift | 0:12:49 | 0:12:53 | |
# She says, "Fitzy drives a Mitzy And he offered me a spin | 0:12:53 | 0:12:58 | |
# "And Enda has a Honda So I might just go with him | 0:12:58 | 0:13:01 | |
# "And Derek said he'd bring me in his Subaru | 0:13:01 | 0:13:05 | |
# "So what the fuck would make you think I'd wanna go with you?" | 0:13:05 | 0:13:09 | |
# I said fuck your Honda Civic I've a horse outside | 0:13:09 | 0:13:13 | |
# Fuck your Subaru I have a horse outside | 0:13:13 | 0:13:17 | |
# And fuck your Mitsubishi I've a horse outside | 0:13:17 | 0:13:22 | |
# If you're looking for a ride I've a horse outside | 0:13:22 | 0:13:26 | |
# She said, "I don't believe you" I said it's fucking true | 0:13:26 | 0:13:30 | |
# I swapped him for a bag of yokes in 1992 | 0:13:30 | 0:13:35 | |
# I don't need insurance I don't need no parking space | 0:13:35 | 0:13:39 | |
# And if you try to clamp my horse He'll kick you in the face | 0:13:39 | 0:13:43 | |
# I don't pay no tax Fuck MOT | 0:13:43 | 0:13:47 | |
# You'll arrive in style if you ride with me | 0:13:47 | 0:13:51 | |
# And the boys are walking over Jingling their keys | 0:13:51 | 0:13:56 | |
# I look the fuckers up and down And give them one of these | 0:13:56 | 0:14:00 | |
# I said fuck your Honda Civic I've a horse outside | 0:14:00 | 0:14:04 | |
# Fuck your Subaru I have a horse outside | 0:14:04 | 0:14:08 | |
# And fuck your Mitsubishi I've a horse outside | 0:14:08 | 0:14:13 | |
# If you're looking for a ride I've a horse outside | 0:14:13 | 0:14:17 | |
# Giddy up now, baby Bless my soul | 0:14:17 | 0:14:21 | |
# I rode the fucker off the field Since he was a foal | 0:14:21 | 0:14:25 | |
# He runs a bit like Shergar And he jumps like Tir na Nog | 0:14:25 | 0:14:29 | |
# He looks like Billie Piper after half an ounce of coke | 0:14:29 | 0:14:33 | |
# And the boys are looking jealous As I lead Joanne away | 0:14:33 | 0:14:37 | |
# And just before I close the door I look at her and say | 0:14:37 | 0:14:41 | |
# Would you be my girl She says, "I will, of course | 0:14:41 | 0:14:45 | |
# "If you grab me by the ponytail and ride me like a horse" | 0:14:45 | 0:14:49 | |
# Fuck your Honda Civic I've a horse outside | 0:14:49 | 0:14:53 | |
# Fuck your Subaru I have a horse outside | 0:14:53 | 0:14:58 | |
# And fuck your Mitsubishi I've a horse outside | 0:14:58 | 0:15:02 | |
# If you're looking for a ride I've a horse outside | 0:15:02 | 0:15:06 | |
# Giddy up now, baby Giddy up now, baby | 0:15:06 | 0:15:11 | |
# Giddy up, giddy up Giddy up and get back, ow! | 0:15:11 | 0:15:15 | |
# Giddy up | 0:15:15 | 0:15:17 | |
# Giddy up, giddy up | 0:15:17 | 0:15:20 | |
# Giddy up, giddy up My fucking horse, yeah. # | 0:15:20 | 0:15:24 | |
Thank you very much! | 0:15:24 | 0:15:27 | |
We're the Rubberbandits. You're lovely! Good night! | 0:15:27 | 0:15:31 | |
CHEERING AND APPLAUSE | 0:15:31 | 0:15:33 | |
Let me hear you shout, "Janey!" | 0:15:38 | 0:15:40 | |
How are we doing, people? CROWD CHEER | 0:15:40 | 0:15:44 | |
My name is Janey. I am from the East End of Glasgow. | 0:15:44 | 0:15:48 | |
I come from a place where an Oxo cube is a starter. | 0:15:48 | 0:15:52 | |
I'm from a place where the Catholics hate the Protestants, the Protestants hate the Catholics, | 0:15:52 | 0:15:58 | |
occasionally a brown person turned up and took the heat off everybody. | 0:15:58 | 0:16:02 | |
Good on you. | 0:16:02 | 0:16:04 | |
Also, just to let you know, | 0:16:04 | 0:16:07 | |
that as a mother, I've got a child. I know you're thinking, "How did that happen?" | 0:16:07 | 0:16:12 | |
-I'm 51 and I've reached an age... -Aww! -I know, this skin is beautiful. | 0:16:12 | 0:16:17 | |
-I love you, Janey! -You're scaring me, Mum! So... | 0:16:18 | 0:16:22 | |
It's weird, cos my mum's dead. Anyway... | 0:16:22 | 0:16:26 | |
I've reached a brilliant age at 51. Amazing. When I was 30, I was terrified people wouldn't like me. | 0:16:26 | 0:16:32 | |
"Hello, look at me. Come to my house for dinner." | 0:16:32 | 0:16:36 | |
At 40 I'd have you round for tea. Now at 51 I've realised I don't fecking like anybody. | 0:16:36 | 0:16:42 | |
Get oot ma hoose. I only like five folk. One came oot me, one goes in me and the others are comedians. | 0:16:42 | 0:16:48 | |
CHEERING | 0:16:48 | 0:16:50 | |
And most of them have been here tonight, so, yeah, | 0:16:50 | 0:16:54 | |
my daughter, Ashley, she's 26 and she went to a private school in Glasgow. I'm working class, | 0:16:54 | 0:17:01 | |
she's middle class. She likes couscous. I thought it was a disease if you touched a Castlemilk boy. | 0:17:01 | 0:17:08 | |
But... | 0:17:08 | 0:17:10 | |
Ashley went to a private school. 75 grand's worth of private education. | 0:17:10 | 0:17:15 | |
That's a lot of heroin to shift. I'm joking. I owned a pub. Same effect, different drug. | 0:17:15 | 0:17:21 | |
Anyway, Ashley went to a posh school and, as you can tell, I'm not really one of those mothers | 0:17:21 | 0:17:28 | |
that can bake. | 0:17:28 | 0:17:30 | |
I'm no' a posh wummin. You know wummin with a scarf for every day? | 0:17:30 | 0:17:35 | |
You know wummin who bake? I don't understand that. Buy a cake. They sell that shit in the shops. | 0:17:35 | 0:17:42 | |
Seriously, just buy it. Who's blending flour into sugar? Are you mad? | 0:17:42 | 0:17:47 | |
You know the kind of woman you and I know has never had sex up against a fridge? | 0:17:47 | 0:17:53 | |
Come on! We're Scottish! | 0:17:53 | 0:17:55 | |
We can have sex up against a fridge and fry an omelette. | 0:17:55 | 0:18:01 | |
"As soon as you've finished, mate, there's some fried goods." | 0:18:01 | 0:18:05 | |
These women hated me. They used to look at me and go, "I know who you are. | 0:18:05 | 0:18:10 | |
"You're that little girl's mum. The comedienne." | 0:18:10 | 0:18:14 | |
I'd say, "Actually, I'm a hooker and your husband owes me a fiver." | 0:18:14 | 0:18:19 | |
No, I'm not in with them. | 0:18:19 | 0:18:21 | |
So I love...I love men. When you see females stand-ups, you always assume they hate men. I love men. | 0:18:21 | 0:18:27 | |
I'll tell you why I love men. Men like five things. | 0:18:27 | 0:18:31 | |
Their house, their kids, their job, they like sex and sausages. | 0:18:31 | 0:18:35 | |
And see if you show them a picture of a shark, they're o'er the moon. | 0:18:35 | 0:18:39 | |
There isnae a man here in this room if you said, "I'm gonnae gie you sex and a sausage | 0:18:39 | 0:18:44 | |
"and then show you a shark," he'd be like, "I'm gonnae tile your bathroom, bitch!" Totally. | 0:18:44 | 0:18:51 | |
Men love that stuff. I love the fact that men love sex and sausages and sharks. | 0:18:51 | 0:18:58 | |
In fact, I think that would be the cue for world peace. | 0:18:58 | 0:19:02 | |
And if Kofi Annan ever has time off, I will go to the Middle East, stand on a car, | 0:19:02 | 0:19:07 | |
get a loudspeaker and go, "Everybody calm down! We've got sex and sausages. | 0:19:07 | 0:19:14 | |
"Clearly not pork. That would be offensive. | 0:19:14 | 0:19:17 | |
"And then we'll gie you a shark." I tell you, the al-Qaeda would be like that. | 0:19:17 | 0:19:24 | |
"I'm done wi' this noo." Obviously no' with a Scottish accent. | 0:19:24 | 0:19:28 | |
"I'm done wi' this. There's a woman gonnae gie us sex and sausages | 0:19:29 | 0:19:34 | |
"and I'm gonnae find oot what a shark is." Brilliant. | 0:19:34 | 0:19:38 | |
Women are different. Women approach a relationship like this. | 0:19:38 | 0:19:42 | |
CLICKING | 0:19:42 | 0:19:44 | |
"I'm an emotional Rubik's cube. Can you work me out yet?" | 0:19:44 | 0:19:48 | |
Poor men are like, "Eh, I'll feckin' gie it a go." | 0:19:48 | 0:19:53 | |
"Are you pullin' the stickers off that?" "No! | 0:19:54 | 0:19:58 | |
"I just cannae work that oot. Can I just have sex and a sausage, please?" | 0:19:58 | 0:20:04 | |
I'm gonnae end on this. I'm 50. I thought last year I was pregnant. | 0:20:06 | 0:20:10 | |
Absolutely terrifying. Nobody wants to be pregnant at 50. I said to Ashley, "I think I'm pregnant." | 0:20:10 | 0:20:17 | |
She said, "It's no' mine." | 0:20:17 | 0:20:20 | |
You're a weird child. That's why I love you. | 0:20:20 | 0:20:23 | |
And then I ran to the chemist and, like every woman in this room, | 0:20:23 | 0:20:28 | |
the minute you pay £25 for a pregnancy test, you're like, "I better be pregnant noo." | 0:20:28 | 0:20:33 | |
Came hame, peed on it, gave it to Ashley, | 0:20:33 | 0:20:37 | |
cos she has to watch it cos I have to have a fight with my man. | 0:20:37 | 0:20:41 | |
"You! This is your fault." "It's no' ma fault!" | 0:20:41 | 0:20:45 | |
My husband's got Asperger's. I have sex with a man who shouts, "Is that written in a black pen?" | 0:20:45 | 0:20:51 | |
So horny. | 0:20:51 | 0:20:53 | |
Ooh. | 0:20:53 | 0:20:54 | |
And then...Ashley came out and said, "Mum! It's got two lines on it! You're pregnant!" | 0:20:57 | 0:21:03 | |
I went, "Oh!" My husband made that noise that all men make. | 0:21:03 | 0:21:07 | |
He went..."Yay." LAUGHTER | 0:21:07 | 0:21:10 | |
And then Ashley went, "Ha ha! I'm joking! I drew a line on it." | 0:21:10 | 0:21:15 | |
My husband went, "Is that in a black pen?" | 0:21:15 | 0:21:19 | |
Guys... | 0:21:20 | 0:21:22 | |
Thank you very much. You've been nice. I've been Janey. Yeah! | 0:21:24 | 0:21:29 | |
CHEERING AND APPLAUSE | 0:21:29 | 0:21:31 | |
Please go crazy, go wild for this fantastic guy. An Australian man. | 0:21:31 | 0:21:36 | |
He's brilliant, he's crazy. You're going to love him. Mr Sam Simmons, everyone! | 0:21:36 | 0:21:42 | |
CHEERING | 0:21:42 | 0:21:43 | |
Thank you. | 0:21:43 | 0:21:45 | |
Aw. Hello, ladies and gentlemen. | 0:21:50 | 0:21:52 | |
Welcome to me doing some things! | 0:21:52 | 0:21:56 | |
-CHEERING # -Things! -# | 0:21:56 | 0:21:58 | |
No, you missed the sound cue. Welcome to me doing some things! | 0:21:58 | 0:22:02 | |
-# -Things! -# | 0:22:02 | 0:22:04 | |
Things. Don't clap that. It's not good. | 0:22:04 | 0:22:08 | |
Most of the stories you're about to hear right now are real. Only some of the names, contents, words | 0:22:09 | 0:22:14 | |
-and actual stories have been changed to make them better. # -Make them better! -# | 0:22:14 | 0:22:19 | |
-I may or may not say cupboard wank. # -Cupboard wank! -# | 0:22:19 | 0:22:24 | |
-Before I actually get into it, I've got some rules. # -Rules! -# | 0:22:24 | 0:22:31 | |
-May I please have some rules music? # -Rules music! -# | 0:22:31 | 0:22:34 | |
RHYTHMIC BEAT | 0:22:34 | 0:22:37 | |
CLAPPING ALONG Don't clap! It's not kindy! | 0:22:38 | 0:22:42 | |
These are the rules for tonight. Rule Number One: no running with scissors at the gig! | 0:22:46 | 0:22:53 | |
If you run with scissors, you're liable to snip a nipple. | 0:22:57 | 0:23:01 | |
Snipple! | 0:23:01 | 0:23:03 | |
Rule Number Two: | 0:23:05 | 0:23:08 | |
If you're a horticulturalist and brought a rake along tonight, make sure you keep it horizontal. | 0:23:08 | 0:23:14 | |
You don't want to obscure the gig for people sitting behind you. | 0:23:15 | 0:23:19 | |
No? All right. Fair enough. | 0:23:21 | 0:23:24 | |
Rule Number Three: no molesting people at the gig! Unless you know them, then molest away! | 0:23:24 | 0:23:30 | |
Rule Number Four: if you brought a moth along tonight, make sure he's wearing little tiny shorts. | 0:23:32 | 0:23:38 | |
Safety first! | 0:23:38 | 0:23:40 | |
Rule Number Five: there will be no Viennetta! NO VIENNETTA! | 0:23:43 | 0:23:47 | |
Don't do that! | 0:23:50 | 0:23:52 | |
Hang on. Turn off the music, man. | 0:23:55 | 0:23:58 | |
That's a Meximo. | 0:23:58 | 0:24:01 | |
It's like a Meximo... | 0:24:02 | 0:24:05 | |
Well, it's... Like an Eskimo/Mexican hybrid. | 0:24:05 | 0:24:09 | |
It's not PC, a Meximo. | 0:24:09 | 0:24:11 | |
It's like an Inuit Latino or an Inuino... That's more appropriate. | 0:24:11 | 0:24:17 | |
That's Clayton. He can't find his backpack anywhere. | 0:24:19 | 0:24:23 | |
And there's a mystical vortex in the egg compartment in the fridge. | 0:24:29 | 0:24:34 | |
That's some hard-core toast. | 0:24:37 | 0:24:39 | |
This is when I went to Sea World on the Gold Coast and accidentally touched a dolphin on the eyeball. | 0:24:42 | 0:24:48 | |
Then they made me go away from Sea World forever. | 0:24:50 | 0:24:54 | |
OK. | 0:24:54 | 0:24:55 | |
-Knock knock! -Who's there? | 0:24:55 | 0:24:58 | |
-Come on! KNOCK KNOCK! -WHO'S THERE? | 0:24:58 | 0:25:00 | |
-Fridge! -Fridge who? -Fridge Cat! | 0:25:00 | 0:25:04 | |
This is me showing off. It's just a really good picture. | 0:25:08 | 0:25:12 | |
A starfish yelling at a hand. | 0:25:12 | 0:25:14 | |
No? All right. | 0:25:16 | 0:25:18 | |
AAAAAAARGH! | 0:25:20 | 0:25:22 | |
AUDIENCE GROAN | 0:25:24 | 0:25:26 | |
That's the wrong way to milk a cow. | 0:25:29 | 0:25:32 | |
No! That would have been the first way! They didn't know to do that. | 0:25:32 | 0:25:36 | |
That reminds me of... You've got those shops over here. Poundsaver. | 0:25:42 | 0:25:46 | |
Poundland. Always got stupid names. | 0:25:46 | 0:25:49 | |
One in Edinburgh's called Thistle Do Nicely. Terrible shop. They sell useless stuff, redundant items. | 0:25:49 | 0:25:55 | |
Go into one of those shops. They've got crazy names in Australia. Crazy Clinton's Bargain Warehouse. | 0:25:55 | 0:26:01 | |
Anyway, you go on in. This is fun. You look for the most redundant item you can find. | 0:26:01 | 0:26:06 | |
I found this - a ceramic reindeer standing on a grassy mound with a thermometer out of the side. | 0:26:06 | 0:26:13 | |
You know when you need a reindeer thermometer heaps quick? No? | 0:26:13 | 0:26:17 | |
I wander back four days later and I say, "Excuse me, sir. I'm looking for something in a reindeer. | 0:26:17 | 0:26:23 | |
"Doesn't have to be a reindeer. Any type of hooved animal. | 0:26:23 | 0:26:28 | |
"But it has to have some type of measurement of weather attached." | 0:26:28 | 0:26:32 | |
He lost his mind! "Oh, my God! I've got exactly that item!" | 0:26:32 | 0:26:36 | |
When he brings it back, just go, "It's kind of like what I was looking for..." | 0:26:37 | 0:26:43 | |
That's where macaroons come from. | 0:26:46 | 0:26:49 | |
A Shetland person. | 0:26:52 | 0:26:54 | |
This is a fun game - wood, wood, not wood. We played when I was a kid. | 0:26:56 | 0:27:00 | |
Two unrelatable items of wood and one that's not wood. | 0:27:00 | 0:27:05 | |
Wood! | 0:27:05 | 0:27:06 | |
Wood! | 0:27:06 | 0:27:08 | |
Not wood! | 0:27:08 | 0:27:10 | |
It's fun. Now what's going on here? | 0:27:10 | 0:27:15 | |
This fella here, he's accidentally drunk an entire bottle of dishwashing detergent. OK? | 0:27:15 | 0:27:21 | |
And then the natural progression of that is what happens after that. | 0:27:21 | 0:27:26 | |
He shubbles, shubbles. | 0:27:26 | 0:27:29 | |
Shubbles. | 0:27:29 | 0:27:31 | |
CHEERING AND APPLAUSE | 0:27:35 | 0:27:39 | |
That's Sam Simmons, everyone! | 0:27:42 | 0:27:45 | |
All that's left to say is thank you to all of tonight's acts. You've been watching Comedy At The Fringe! | 0:27:48 | 0:27:54 | |
Good night! | 0:27:54 | 0:27:56 | |
Subtitles by Red Bee Media Ltd | 0:28:15 | 0:28:17 |