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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
Hello, and welcome to The Best of Three at the Fringe. | 0:00:15 | 0:00:18 | |
I'm Scott Mills, and you are about to see 30 minutes | 0:00:18 | 0:00:20 | |
of fantastic live comedy from some of the biggest names | 0:00:20 | 0:00:24 | |
and the freshest, most exciting new talent | 0:00:24 | 0:00:26 | |
performing at this year's Edinburgh Fringe. | 0:00:26 | 0:00:28 | |
Remember, you can check out the BBC3 website, | 0:00:28 | 0:00:30 | |
where you can access even more comedy performances | 0:00:30 | 0:00:33 | |
direct from the BBC's Edinburgh venue, | 0:00:33 | 0:00:35 | |
as well as a host of other exclusive interactive comedy. | 0:00:35 | 0:00:38 | |
Now, it's time to go over to the BBC Three main stage | 0:00:38 | 0:00:40 | |
and meet your compere for tonight's show, it's Mr Chris Ramsey. | 0:00:40 | 0:00:44 | |
You do loads of different of gigs. I gig all over the place, it's good. | 0:00:44 | 0:00:48 | |
I did a gig last year in Cambridge University, right, | 0:00:48 | 0:00:52 | |
and I don't know if anyone's been to Cambridge University, | 0:00:52 | 0:00:56 | |
but just go and visit it, right, because it is Hogwarts, it's amazing. | 0:00:56 | 0:01:00 | |
It's the poshest place I have ever been in my life. | 0:01:00 | 0:01:04 | |
Some of the students are so posh | 0:01:04 | 0:01:05 | |
that there's not even a word for how posh they are. | 0:01:05 | 0:01:08 | |
It's just a noise, and the noise is, "Harararara!" | 0:01:08 | 0:01:13 | |
Now, I'm not having a go at them properly, right, | 0:01:13 | 0:01:15 | |
but so posh, so posh, | 0:01:15 | 0:01:16 | |
it's almost a disability, and I mean that in the nicest... | 0:01:16 | 0:01:19 | |
You know what I mean? I know it's a bit harsh. | 0:01:19 | 0:01:22 | |
I did this gig, right, it was me and my mate, he's called Greg Davies, | 0:01:22 | 0:01:26 | |
he plays the really tall headmaster from The Inbetweeners. | 0:01:26 | 0:01:29 | |
We were standing on the riverbank, we'd done this gig for the students. | 0:01:29 | 0:01:33 | |
We're quite drunk, and we're quite annoyed. | 0:01:33 | 0:01:35 | |
And when I'm in a really posh situation, I don't know, | 0:01:35 | 0:01:38 | |
the working-class side of us just wants to destroy it, | 0:01:38 | 0:01:41 | |
do you know what I mean? | 0:01:41 | 0:01:43 | |
I really want to ruin it. There's a little Geordie fairy, | 0:01:43 | 0:01:45 | |
who lives on my shoulder and he gets annoyed, right? | 0:01:45 | 0:01:49 | |
We walked into Cambridge and he went, "What are you doing here? | 0:01:49 | 0:01:52 | |
"Steal everything. | 0:01:52 | 0:01:54 | |
"Put it in the back of your car. | 0:01:54 | 0:01:56 | |
"Do donuts on the lawn and put a scratch card on on the way home." | 0:01:56 | 0:02:00 | |
He was trying to drag us back down. | 0:02:00 | 0:02:01 | |
We were standing on the riverbank, me and Greg, | 0:02:01 | 0:02:04 | |
had a few drinks, we'd done the gig. It was about six in the morning, | 0:02:04 | 0:02:07 | |
the Cambridge students had been on a free bar all night. | 0:02:07 | 0:02:10 | |
This is how posh they were - none of them were unconscious, eating kebabs | 0:02:10 | 0:02:14 | |
or fingering each other. I was furious! | 0:02:14 | 0:02:16 | |
You know what they were doing half six in the morning | 0:02:16 | 0:02:19 | |
after a free bar all night? | 0:02:19 | 0:02:20 | |
They were punting along the river! | 0:02:20 | 0:02:23 | |
What are you doing? | 0:02:25 | 0:02:28 | |
Some of them who weren't driving, or whatever it is, | 0:02:28 | 0:02:30 | |
I don't know how to say it, like, propelling the punt, | 0:02:30 | 0:02:33 | |
they were lying on blankets eating cheese, right? | 0:02:33 | 0:02:35 | |
The Geordie was furious. | 0:02:35 | 0:02:37 | |
He dropped his chips and there was garlic sauce all down my shirt. | 0:02:37 | 0:02:40 | |
He was furious, right? | 0:02:40 | 0:02:42 | |
We spotted this guy standing on the front of his punt. | 0:02:42 | 0:02:45 | |
He drew our attention because a punt doesn't move very fast, | 0:02:45 | 0:02:48 | |
it probably moves about that fast, | 0:02:48 | 0:02:50 | |
it's just propelled with a stick. But there was one lad on the front, | 0:02:50 | 0:02:54 | |
posh-as-anything Cambridge lad, on the front of the punt... | 0:02:54 | 0:02:56 | |
..staring into his nautical future. "I'm discovering new worlds, Father." | 0:02:58 | 0:03:02 | |
Greg Davies went, "He looks like a bit of a bellend." | 0:03:02 | 0:03:05 | |
I went, "Yes, he really does." | 0:03:05 | 0:03:07 | |
It was confirmed he was a bellend | 0:03:07 | 0:03:08 | |
because Bellend's mate came next to us and shouted at him. | 0:03:08 | 0:03:11 | |
He wasn't called Bellend, | 0:03:11 | 0:03:12 | |
that would've been the greatest night of my life. | 0:03:12 | 0:03:15 | |
He was called Greg as well, but it was pronounced, "Gregory!" | 0:03:15 | 0:03:19 | |
His mate went, "Gregory! | 0:03:19 | 0:03:22 | |
"Gregory!" | 0:03:22 | 0:03:23 | |
Oo-ooh! Foxhorn turned round straight away. | 0:03:23 | 0:03:27 | |
"Gregory," he went, | 0:03:27 | 0:03:28 | |
"Greg, are we going into the food tent for some breakfast?" | 0:03:28 | 0:03:32 | |
Gregory went, "No, no bloody way! | 0:03:32 | 0:03:36 | |
"Drinks tent all morning! | 0:03:36 | 0:03:38 | |
"Bloody Marys all round! | 0:03:38 | 0:03:41 | |
"Bloody Marys... | 0:03:41 | 0:03:42 | |
"# Hi diddly dee, a sailor... #" | 0:03:42 | 0:03:44 | |
It was unbelievable, it was ridiculous. | 0:03:44 | 0:03:48 | |
Greg went, "It's confirmed - he's a weapons-grade bellend." | 0:03:48 | 0:03:51 | |
I went, "Yes." | 0:03:51 | 0:03:52 | |
We followed this guy into the tent, | 0:03:52 | 0:03:54 | |
and we're a bit drunk, I was a bit bad, | 0:03:54 | 0:03:56 | |
I was a bit upset for what we did. We sort of bullied the lad a bit. | 0:03:56 | 0:03:59 | |
But I'm only telling you about it because he was amazing, the kid. | 0:03:59 | 0:04:03 | |
He was just bulletproof, right? | 0:04:03 | 0:04:05 | |
Greg stood one side of him, I stood the other. | 0:04:05 | 0:04:07 | |
He went, "What do you want to drink, Chris?" | 0:04:07 | 0:04:09 | |
He was already ordering loads of Bloody Marys, this kid. | 0:04:09 | 0:04:12 | |
Greg went, "What do you want to drink, Chris?" I went... | 0:04:12 | 0:04:16 | |
"I don't know, Greg, maybe a...Bloody Mary." | 0:04:16 | 0:04:19 | |
The lad wasn't really... He sort of moved a bit, a bit of interest. | 0:04:21 | 0:04:24 | |
Greg went, "Yeah, but I don't even know what's IN a Bloody Mary!" | 0:04:24 | 0:04:29 | |
It's not the best bullying that I've ever been part of. | 0:04:29 | 0:04:32 | |
We were warming up. "I don't even know what's IN a bloody Mary!" | 0:04:32 | 0:04:36 | |
Six foot eight of Greg Davies leant over this kid | 0:04:36 | 0:04:38 | |
and an inch from his face screamed, | 0:04:38 | 0:04:40 | |
"I don't know what's IN a Bloody Mary!" | 0:04:40 | 0:04:42 | |
Was he intimidated? No. He turned to Greg and went, | 0:04:42 | 0:04:46 | |
"Vodka, tomato, Tabasco, pepper." | 0:04:46 | 0:04:48 | |
Turned back round. I nearly exploded. | 0:04:48 | 0:04:51 | |
Was he intimidated? No, he gave him a recipe, for God's sake! | 0:04:51 | 0:04:55 | |
It was phenomenal. I was out with the game, I couldn't breathe. | 0:04:55 | 0:04:58 | |
The best bit was because when he said "pepper", he enunciated his P | 0:04:58 | 0:05:02 | |
so perfectly, that he did an involuntary arm spasm. | 0:05:02 | 0:05:06 | |
"Pepper!," like that. | 0:05:06 | 0:05:07 | |
And he punched one of his Bloody Marys over, and it covered the thing. | 0:05:07 | 0:05:11 | |
I was going, "Ha-a-a-a-!" | 0:05:11 | 0:05:13 | |
Greg hadn't had enough. | 0:05:13 | 0:05:14 | |
It was amazing to watch, Greg went into that mode of the headmaster | 0:05:14 | 0:05:18 | |
from that show, he went into the mode, he went, "You stupid boy! | 0:05:18 | 0:05:21 | |
"Look at that, look at all that crap on there, look at what you've done. | 0:05:21 | 0:05:25 | |
"There's none of that shit in that glass, is there? | 0:05:25 | 0:05:28 | |
"That's not a Bloody Mary anymore, is it?" Was the lad intimidated? | 0:05:28 | 0:05:32 | |
Still not. He turned to Greg and went, "No, it's a bloody mess." | 0:05:32 | 0:05:37 | |
-Morning. -Morning, morning, morning. -Clink. No rest of the wicked, eh? | 0:05:40 | 0:05:44 | |
-Morning, morning, morning. -Oh. -Tea o'clock. | 0:05:44 | 0:05:47 | |
-Banter ahoy. -Lovely. Lovely. | 0:05:48 | 0:05:50 | |
Gentlemen, before we get the banter under way, | 0:05:50 | 0:05:54 | |
-where's Craig? -What's with him? | 0:05:54 | 0:05:56 | |
-Have you guys not heard about Craig? -No. -You remember Craig's girlfriend? | 0:05:56 | 0:06:00 | |
-Lovely girl. -She broke up with him at the weekend. -Poor Craig. | 0:06:00 | 0:06:03 | |
Yeah. He's not taking it well. | 0:06:03 | 0:06:05 | |
-Taken it badly? -You know what he's like under pressure. | 0:06:05 | 0:06:08 | |
-Cracks like ice. -He does, he cracks just like ice. | 0:06:08 | 0:06:11 | |
So listen, if you see Craig around and he's acting a bit weird, | 0:06:11 | 0:06:15 | |
a bit peculiar, just be normal around him. | 0:06:15 | 0:06:18 | |
-Just act normal around Craig. -Just play it cool around Craig. | 0:06:18 | 0:06:21 | |
Whatever he does, just be normal about it. | 0:06:21 | 0:06:23 | |
-It's what he needs. -We are his support network. -We are, though. | 0:06:23 | 0:06:27 | |
It's really nice that you say that, it's a really lovely thing. | 0:06:27 | 0:06:31 | |
-Yeah. -Holidays this year. | 0:06:31 | 0:06:33 | |
-Yeah. -Any recommendations? | 0:06:33 | 0:06:35 | |
-I was thinking about going to Croatia. -OK. | 0:06:35 | 0:06:37 | |
-Hello. -What is there to do, though? | 0:06:37 | 0:06:40 | |
I want somewhere where I can go on the beach for a few days. | 0:06:40 | 0:06:43 | |
You want a busy holiday? | 0:06:43 | 0:06:44 | |
I don't know if I want a busy holiday, but I want the option. | 0:06:44 | 0:06:47 | |
You went Dubrovnik, it was lovely. | 0:06:47 | 0:06:49 | |
You strike me as kind of adventurous. | 0:06:49 | 0:06:52 | |
Hello! | 0:06:52 | 0:06:54 | |
-Adventurous. It's been said before. -Rally biking? | 0:06:54 | 0:06:57 | |
No. I don't want to do anything too... | 0:06:57 | 0:07:02 | |
-Hello, shifty! -I want to relax as well. | 0:07:02 | 0:07:04 | |
Maybe not a beach necessarily, but a nice city that you can unwind in. | 0:07:04 | 0:07:09 | |
-Nice city, yes. -Yeah, city break. -Bruges, perhaps? | 0:07:09 | 0:07:12 | |
Or maybe I should go to a couple of places over the course of a month? | 0:07:12 | 0:07:15 | |
-Yes. -You could InterRail. | 0:07:15 | 0:07:17 | |
-I could InterRail. Could be fun. -Yes. | 0:07:17 | 0:07:21 | |
Maybe I'll do that. | 0:07:21 | 0:07:22 | |
-Yeah? -Guys, guys, shh. | 0:07:22 | 0:07:24 | |
Hey, guys, did you hear about my girlfriend? | 0:07:24 | 0:07:27 | |
Yeah. Sorry, Craig. Sorry. | 0:07:27 | 0:07:30 | |
Late-night gimp fight. | 0:07:31 | 0:07:33 | |
# I could stay awake just to hear you breathing | 0:08:03 | 0:08:09 | |
# Watch you smile while you are sleeping | 0:08:11 | 0:08:14 | |
# While you're far away and dreaming | 0:08:14 | 0:08:19 | |
# I could spend my life in this sweet surrender | 0:08:19 | 0:08:25 | |
# I could stay lost in this moment | 0:08:26 | 0:08:30 | |
# Forever | 0:08:30 | 0:08:32 | |
# Every moment spent with you | 0:08:34 | 0:08:37 | |
# Is a moment I treasure | 0:08:37 | 0:08:44 | |
# Don't want to close my eyes | 0:08:44 | 0:08:47 | |
# I don't want to fall asleep because I'd miss you, baby | 0:08:47 | 0:08:52 | |
# And I don't want to miss a thing | 0:08:52 | 0:08:55 | |
# Cos even when I dream of you | 0:08:55 | 0:08:59 | |
# The sweetest dream would never do I'd still miss you, baby | 0:08:59 | 0:09:03 | |
# And I don't want to miss a thing | 0:09:03 | 0:09:07 | |
# Lying close to you | 0:09:14 | 0:09:16 | |
# Feeling your heart beating | 0:09:16 | 0:09:22 | |
# And I'm wondering what you're dreaming | 0:09:22 | 0:09:25 | |
# Wondering if it's me you're seeing | 0:09:25 | 0:09:30 | |
# Then I kiss your eyes | 0:09:30 | 0:09:33 | |
# And thank God we're together | 0:09:33 | 0:09:37 | |
# And I just want to stay with you | 0:09:37 | 0:09:41 | |
# In this moment forever | 0:09:41 | 0:09:44 | |
# Forever and ever | 0:09:44 | 0:09:47 | |
# I don't want to close my eyes... # | 0:09:47 | 0:09:50 | |
LAUGHTER AND APPLAUSE | 0:09:50 | 0:09:53 | |
Zoe Lyons, everyone! | 0:09:53 | 0:09:55 | |
Hello! | 0:10:05 | 0:10:07 | |
Hi. Oh, Edinburgh, I love you. I love you, Edinburgh. | 0:10:07 | 0:10:10 | |
Things happen here late at night in Edinburgh. | 0:10:10 | 0:10:13 | |
Last night, two o'clock in the morning, I was walking home. | 0:10:13 | 0:10:16 | |
I got wolf whistled by a tramp, ladies and gentlemen. Oh, yes, I did. | 0:10:16 | 0:10:21 | |
I did, and it's amazing how you can sort of turn things around | 0:10:21 | 0:10:24 | |
to your way of thinking, can't you? | 0:10:24 | 0:10:26 | |
Because I looked at that man, sitting in a puddle of his own making, | 0:10:26 | 0:10:30 | |
with one tooth rattling lonely in his head, with his life savings | 0:10:30 | 0:10:34 | |
in a takeaway box on his lap, | 0:10:34 | 0:10:35 | |
and I thought, "You might not have always made the right life choices, | 0:10:35 | 0:10:40 | |
"but you've certainly got a keen eye when it comes to the ladies." | 0:10:40 | 0:10:43 | |
And I like that in a man/tramp. | 0:10:43 | 0:10:47 | |
I do. I do. It's a bit of a challenge here, being at the festival. | 0:10:47 | 0:10:51 | |
The weather is often a bit of a challenge. | 0:10:51 | 0:10:53 | |
You can entertain yourselves, though, in the rain, can't you? You can. | 0:10:53 | 0:10:57 | |
I love watching women who insist on wearing Ugg boots despite the fact | 0:10:57 | 0:11:00 | |
that it's raining biblically. Have you seen them? | 0:11:00 | 0:11:03 | |
If you can stand beside them, | 0:11:03 | 0:11:04 | |
you can actually hear them sucking up water like osmosis, | 0:11:04 | 0:11:08 | |
and then they're forced to walk away | 0:11:08 | 0:11:10 | |
like homeless astronauts with rickets, | 0:11:10 | 0:11:13 | |
because there's no support in those puppies whatsoever, is there? | 0:11:13 | 0:11:16 | |
You've got to look at them and go, "What are you doing, love? | 0:11:16 | 0:11:19 | |
"You're wearing sheepskin on your feet, | 0:11:19 | 0:11:21 | |
"it's a highly-absorbent piece of material." | 0:11:21 | 0:11:23 | |
It doesn't make any sense, it's like going out into the rain | 0:11:23 | 0:11:26 | |
in a papier-mache anorak, for God's sakes. | 0:11:26 | 0:11:28 | |
I mean, sheep don't wear sheepskin on their feet, do they? | 0:11:28 | 0:11:33 | |
Even they've had a little think to themselves, haven't they? | 0:11:35 | 0:11:38 | |
They've taken the time to think it through and gone, | 0:11:38 | 0:11:41 | |
"Hang on, that's never going to work, is it? | 0:11:41 | 0:11:43 | |
"I'm going to stop the sheepskin | 0:11:43 | 0:11:46 | |
"at the knee | 0:11:46 | 0:11:48 | |
"and grow a little hoof, that's what I'm going to do." | 0:11:48 | 0:11:51 | |
I have friends who tell me they enjoy it when their boyfriends | 0:11:51 | 0:11:54 | |
are in touch with their feminine side. Have you ever heard that? | 0:11:54 | 0:11:57 | |
Ever heard that expression? Yeah, you have. | 0:11:57 | 0:12:01 | |
My friend Maggie, she's like, | 0:12:01 | 0:12:02 | |
"I love it when Richard's in touch with his feminine side, I love it. | 0:12:02 | 0:12:06 | |
"Last week he came home, he brought me some flowers, some chocolates, | 0:12:06 | 0:12:11 | |
"a DVD, we watched it together, he had a little cry. | 0:12:11 | 0:12:14 | |
"I looked round, I thought, | 0:12:14 | 0:12:15 | |
"'I love it when he's in touch with his feminine side.'" | 0:12:15 | 0:12:18 | |
I've never heard Richard saying the opposite. | 0:12:18 | 0:12:21 | |
I've never gone round and gone, "Where's Maggie?" | 0:12:21 | 0:12:24 | |
"She's playing Mortal Kombat, drinking lager and cracking one off. | 0:12:24 | 0:12:27 | |
"She came home drunk last night. I found her peeing on the DVD player. | 0:12:30 | 0:12:33 | |
"She's very much in touch with her masculine side." | 0:12:33 | 0:12:37 | |
I tell you what I noticed watching the lootings and riotings in London. | 0:12:40 | 0:12:44 | |
It was disgusting, abhorrent, horrible, mindless violence, | 0:12:44 | 0:12:47 | |
but I also noticed there weren't many women my age taking part. | 0:12:47 | 0:12:51 | |
I thought, "I know why that is, our expectations are through the roof - | 0:12:51 | 0:12:54 | |
"but what we want out of life now has changed. | 0:12:54 | 0:12:57 | |
"I want an Aga, that's what I want." | 0:12:57 | 0:12:59 | |
I'd be the idiot trying to leave John Lewis with a Smeg fridge. | 0:12:59 | 0:13:02 | |
They'd just find me under a ton of Smeg outside the shop. | 0:13:05 | 0:13:09 | |
Let me tell you that would be the first and last time I'd be found | 0:13:09 | 0:13:12 | |
under a ton of Smeg, ladies and gentlemen, | 0:13:12 | 0:13:15 | |
the first and last time. | 0:13:15 | 0:13:17 | |
It's crazy stuff. People are rioting | 0:13:18 | 0:13:20 | |
because they want stuff they don't need. We're surrounded by that. | 0:13:20 | 0:13:24 | |
You just have to look in shops. | 0:13:24 | 0:13:27 | |
Do you know what I found in a shop the other day? Organic cat food. | 0:13:27 | 0:13:31 | |
Organic. | 0:13:31 | 0:13:33 | |
Cat food. Cat food... | 0:13:33 | 0:13:36 | |
that is organic. | 0:13:36 | 0:13:38 | |
Are you telling me I now live on a planet where cats are demanding | 0:13:38 | 0:13:42 | |
organic cat food? Is that the level? | 0:13:42 | 0:13:45 | |
Cats are just wandering in, looking at their dinners going, | 0:13:45 | 0:13:48 | |
"Oh... | 0:13:48 | 0:13:50 | |
"no. | 0:13:50 | 0:13:52 | |
"No, I'm sorry I can't possibly eat that, I'm sorry. | 0:13:52 | 0:13:55 | |
"Don't be embarrassed, | 0:13:55 | 0:13:56 | |
"I should have said something prior to the dining experience, | 0:13:56 | 0:14:00 | |
"but I'm on a strictly organic diet. I don't even lick the mice here, | 0:14:00 | 0:14:04 | |
"they're full of toxins. | 0:14:04 | 0:14:05 | |
"I get them shipped in from a small farmer in Somerset. | 0:14:05 | 0:14:08 | |
"They're very small, but they're exploding with flavour. | 0:14:08 | 0:14:11 | |
"Is that milk? This is doubly awkward. | 0:14:13 | 0:14:16 | |
"I'm so sorry, I am lactose intolerant, this isn't good." | 0:14:16 | 0:14:20 | |
That never happens, does it? You put food in front of a cat, | 0:14:20 | 0:14:23 | |
the cat will just look at it and go, "Food, ta. Oh, that is delicious. | 0:14:23 | 0:14:27 | |
"I've been licking my own arsehole all day." | 0:14:27 | 0:14:30 | |
Thank you so much for listening. | 0:14:30 | 0:14:31 | |
I've been Zoe Lyons, you've been gorgeous. Take care! | 0:14:31 | 0:14:34 | |
Hello. | 0:14:40 | 0:14:42 | |
Hello, I'm John Luke Roberts, or you can call me by my rap name, | 0:14:42 | 0:14:45 | |
N-O-T-O-R-I-O-U-S | 0:14:45 | 0:14:49 | |
Big. | 0:14:49 | 0:14:50 | |
I think I said that right. | 0:14:52 | 0:14:53 | |
So, what I like to do generally at a comedy gig is just insult you all | 0:14:53 | 0:14:57 | |
to your faces, individually. | 0:14:57 | 0:14:58 | |
It's just to lower the self-confidence of the room, | 0:14:58 | 0:15:01 | |
make you more nervous and giggly. Exactly right, sir. | 0:15:01 | 0:15:03 | |
So I don't want to hurt anyone, though, | 0:15:03 | 0:15:06 | |
so I'm just going to do it in order, off these cards. | 0:15:06 | 0:15:09 | |
So, it's nothing to do with you, | 0:15:09 | 0:15:10 | |
it's just what happens to be on the card I'm looking at | 0:15:10 | 0:15:13 | |
when I'm also looking at your face. | 0:15:13 | 0:15:15 | |
And some of them do happen to be spookily accurate, | 0:15:15 | 0:15:18 | |
but it's entirely coincidental. | 0:15:18 | 0:15:20 | |
Oh, if you do end up crying, can you try and do that heave-y crying, | 0:15:20 | 0:15:25 | |
which can easily be mistaken for laughter from behind? | 0:15:25 | 0:15:28 | |
So when I point at you, shout your name at me, | 0:15:28 | 0:15:30 | |
I'll insult you, and then we'll get on with our lives. | 0:15:30 | 0:15:33 | |
-Harry. -Harry! | 0:15:33 | 0:15:34 | |
I've just been to the top of Ben Nevis, | 0:15:34 | 0:15:38 | |
and by comparison, you are a terrible view. | 0:15:38 | 0:15:42 | |
So that's a sort of warning shot. I don't pull punches. | 0:15:45 | 0:15:48 | |
How do you feel, Harry? OK, great. | 0:15:48 | 0:15:50 | |
Kate, people say a lot of nice things about you, Kate, | 0:15:52 | 0:15:55 | |
but they also do this a lot. | 0:15:55 | 0:15:58 | |
Mark, they broke the mould when they made you. | 0:16:01 | 0:16:04 | |
No, just BEFORE they made you! | 0:16:04 | 0:16:06 | |
I'm implying that Mark is defective. | 0:16:06 | 0:16:10 | |
Caroline, it's like your face is in 3D | 0:16:12 | 0:16:15 | |
but I haven't got the glasses on. | 0:16:15 | 0:16:17 | |
Linda, if opposites attract, you must be going out with someone kind, | 0:16:20 | 0:16:25 | |
attractive | 0:16:25 | 0:16:27 | |
and continent. | 0:16:27 | 0:16:30 | |
Sarah, the one thing Israel and Palestine CAN agree on | 0:16:31 | 0:16:35 | |
is that YOU are a douchebag. | 0:16:35 | 0:16:38 | |
Keith, if you were a cow, sheep, chicken or any other form | 0:16:40 | 0:16:45 | |
of livestock, even Morrissey would happily eat you. | 0:16:45 | 0:16:49 | |
Susan, your filing system is inadequate. | 0:16:52 | 0:16:55 | |
Dawn, if you went through | 0:16:57 | 0:16:59 | |
a high-profile divorce with Katie Price, | 0:16:59 | 0:17:02 | |
the public sympathy would be with her. | 0:17:02 | 0:17:05 | |
Alex, no-one has ever had a sex dream about you | 0:17:07 | 0:17:11 | |
without waking up and feeling distinctly uneasy. | 0:17:11 | 0:17:15 | |
Stewart, no-one can play the song What A Wonderful World near you | 0:17:18 | 0:17:22 | |
without seeming terribly insincere. | 0:17:22 | 0:17:24 | |
We'll skip back to the second row there. | 0:17:24 | 0:17:26 | |
Ollie, everyone who has ever loved you | 0:17:26 | 0:17:30 | |
has done so sarcastically. | 0:17:30 | 0:17:32 | |
Danny, in a dystopian vision of the future, | 0:17:34 | 0:17:38 | |
you would remain the same. | 0:17:38 | 0:17:41 | |
Mike. Last one, Mike, think you can take it? | 0:17:44 | 0:17:46 | |
All right, Mike, if Peter Parker was bitten by a radioactive you, | 0:17:46 | 0:17:51 | |
he wouldn't be Spiderman, he'd be Dickheadman. | 0:17:51 | 0:17:55 | |
I've been John Luke Roberts. No offence. Thanks very much! | 0:17:55 | 0:17:58 | |
CHEERING | 0:17:58 | 0:18:00 | |
Joe Lysett, everyone. Yes! | 0:18:02 | 0:18:05 | |
Lovely. Hello. Are you well? | 0:18:14 | 0:18:17 | |
-AUDIENCE: -Yes. -Oh, I'm sure you can do better than that. Are you well? | 0:18:17 | 0:18:20 | |
-AUDIENCE: -Yes! -Wonderful news. Hello. Nice to see you all. | 0:18:20 | 0:18:23 | |
I'm really happy to be here, I love the Fringe. | 0:18:23 | 0:18:26 | |
I love the mental stuff that happens - | 0:18:26 | 0:18:28 | |
there's always something ridiculous. | 0:18:28 | 0:18:30 | |
This year - yesterday, actually, in fact - I was at the Udderbelly, | 0:18:30 | 0:18:34 | |
the outdoor bar at the Udderbelly, and this girl came up next to me | 0:18:34 | 0:18:37 | |
with a hotdog in one hand and her bag in the other, she ordered | 0:18:37 | 0:18:40 | |
a white wine and the man behind the bar said, "Can I see some ID?" | 0:18:40 | 0:18:44 | |
Now, what I think she meant to say was, | 0:18:44 | 0:18:46 | |
"I haven't got a spare hand, so I can't get my ID out of my bag." | 0:18:46 | 0:18:49 | |
But what actually came out was, | 0:18:49 | 0:18:50 | |
"I'm 24 and I'm holding a sausage!" | 0:18:50 | 0:18:52 | |
That is proof, proof. | 0:18:54 | 0:18:56 | |
It's delightful, isn't it? So sweet. | 0:18:56 | 0:18:58 | |
But not all daft things are quite as fun as that. | 0:18:58 | 0:19:00 | |
Like, I'm a massive worrier. | 0:19:00 | 0:19:02 | |
I worry about all of these things, because I think, "Who checked these?" Because if that falls on your head, | 0:19:02 | 0:19:05 | |
you're fucked, aren't you? I'm a massive hypochondriac, too. | 0:19:05 | 0:19:08 | |
Are there any hypochondriacs in? | 0:19:08 | 0:19:10 | |
No, they don't generally leave the house, so that's perfectly acceptable. | 0:19:10 | 0:19:13 | |
I get a bit of a cold and I immediately think, | 0:19:13 | 0:19:15 | |
"That'll be face cancer," | 0:19:15 | 0:19:17 | |
and start planning the funeral. Absolute nightmare! | 0:19:17 | 0:19:19 | |
Perfect example of this - one evening I had a whole bottle of red wine | 0:19:19 | 0:19:23 | |
and then a hot chocolate | 0:19:23 | 0:19:24 | |
and I threw up and there were brown bits and I thought, | 0:19:24 | 0:19:27 | |
"That's not right." So I went on Wikipedia, | 0:19:27 | 0:19:29 | |
the finest of all diagnostic tools, | 0:19:29 | 0:19:31 | |
and Wikipedia said, | 0:19:31 | 0:19:32 | |
"You are shitting out of your mouth? Everything's going wrong!" | 0:19:32 | 0:19:36 | |
So I called up NHS Direct and she said, | 0:19:36 | 0:19:38 | |
"Have you had anything brown to eat or drink recently?" | 0:19:38 | 0:19:40 | |
I said, "I've had a hot chocolate." She essentially told me to fuck off. | 0:19:40 | 0:19:44 | |
Not good at all. | 0:19:44 | 0:19:46 | |
Yes, some of you might have realised by now that I'm quite middle class. | 0:19:46 | 0:19:50 | |
Are there other middle-class people? Cheer if you're middle class. | 0:19:50 | 0:19:54 | |
SOME CHEERING | 0:19:54 | 0:19:55 | |
Oh, so there's three people here, | 0:19:55 | 0:19:57 | |
a couple over there and the rest of you are poor? | 0:19:57 | 0:19:59 | |
I see. Well, hello, poor people. | 0:19:59 | 0:20:01 | |
Give me a wave, middle-class people. | 0:20:01 | 0:20:03 | |
Oh, I see. This gentleman here, you're middle class, are you? | 0:20:03 | 0:20:06 | |
What's your favourite cheese? Do you know what cheese is? | 0:20:06 | 0:20:10 | |
Camembert? Working class. | 0:20:11 | 0:20:13 | |
Why didn't you just say Dairylea? | 0:20:15 | 0:20:17 | |
I should also establish some of you might be thinking, | 0:20:17 | 0:20:19 | |
"There's a homosexual on stage." | 0:20:19 | 0:20:21 | |
I'm not gay, I should clear this up. I'm actually bisexual, | 0:20:21 | 0:20:24 | |
which means you're all at risk. | 0:20:24 | 0:20:27 | |
Watch out. Yes! | 0:20:27 | 0:20:30 | |
People get very confused by bisexuality, | 0:20:30 | 0:20:32 | |
they think it doesn't exist. It definitely does. | 0:20:32 | 0:20:35 | |
I try and use it to puncture serious situations, because I hate authority. | 0:20:35 | 0:20:39 | |
I recently did my driving test, | 0:20:39 | 0:20:40 | |
which is a situation where you are definitely told what to do. | 0:20:40 | 0:20:43 | |
I had an examiner called Richard who had this horrible voice and he said, | 0:20:43 | 0:20:47 | |
"My name is Richard, what do you want me to call you?" | 0:20:47 | 0:20:49 | |
I said, "You can call me whatever you like," | 0:20:49 | 0:20:51 | |
to see if he was up for some fun. He wasn't. We got... | 0:20:51 | 0:20:54 | |
We got into the car and he went, | 0:20:54 | 0:20:56 | |
"Right, Joe, I want you to pull off out of the test centre." | 0:20:56 | 0:21:00 | |
Not like that! You're making your own jokes now. | 0:21:00 | 0:21:03 | |
So I started to pull off and said, | 0:21:03 | 0:21:05 | |
"Do you want me to turn left or right, Richard?" | 0:21:05 | 0:21:07 | |
And he said, "I've not decided yet." | 0:21:07 | 0:21:10 | |
To which I said, "You are such a tease, Richard!" | 0:21:10 | 0:21:13 | |
Without missing a beat he went, "I am not a tease." | 0:21:16 | 0:21:19 | |
All right, touched a nerve! | 0:21:19 | 0:21:20 | |
In my defence, he did have his cock out, so what are you going to do? | 0:21:20 | 0:21:24 | |
This has been a delight. I hope you have a wonderful Fringe. I've been Joe Lycett. Ta-ta. | 0:21:24 | 0:21:28 | |
Hello, how are you doing? Some of you are struggling to recognise me. | 0:21:40 | 0:21:44 | |
I'm not Nick Grimshaw having a breakdown, this is me. | 0:21:44 | 0:21:47 | |
No, this is me, I'm in the middle of a breakdown, which is why I look like the aborted triplet of Jedward. | 0:21:47 | 0:21:52 | |
I realise that's why... "Get rid of it, Mother, it's not one of ours." | 0:21:52 | 0:21:56 | |
This is my weird career. | 0:21:56 | 0:21:59 | |
I didn't ask for it. Do you know what I was doing the last time I was on the BBC? | 0:21:59 | 0:22:03 | |
Dressed as Beyonce, dancing. | 0:22:03 | 0:22:05 | |
So desperate am I to be liked, right? And at the time, I was newly single. | 0:22:05 | 0:22:09 | |
Very confusing for a man to be newly single, | 0:22:09 | 0:22:13 | |
split up, and then dressed as a woman as a way of addressing those issues. | 0:22:13 | 0:22:16 | |
"I'll become my own woman, I'll do it with myself." It doesn't work, we've all tried it. | 0:22:16 | 0:22:20 | |
And I imagine what my ex must have thought if she'd switched | 0:22:20 | 0:22:23 | |
on the TV and saw me as a woman - "He's coping really badly." | 0:22:23 | 0:22:28 | |
And I thought afterwards that it wouldn't interfere, | 0:22:28 | 0:22:31 | |
but a lot of straight women... | 0:22:31 | 0:22:33 | |
I am straight by the way, I'll throw that in. | 0:22:33 | 0:22:35 | |
There's this straight sexuality in London. | 0:22:35 | 0:22:37 | |
I like Liza Minnelli and vag - I can't explain it, I like both. | 0:22:37 | 0:22:40 | |
Just throw that in. You looked uncomfortable! | 0:22:42 | 0:22:45 | |
"I thought you were one of the other team, mate. | 0:22:45 | 0:22:47 | |
"I'm so heterosexual, I'm a bit crippled from my heterosexuality." | 0:22:47 | 0:22:52 | |
I got some weird e-mails from girls. | 0:22:52 | 0:22:55 | |
"I don't understand what I felt when I saw you dressed as a woman, | 0:22:55 | 0:22:59 | |
"and I don't want to analyse it. | 0:22:59 | 0:23:00 | |
"Please meet me for a Sloppy Giuseppe." | 0:23:00 | 0:23:03 | |
As though the only woman I'm going to meet is a woman who finds me attractive as a woman?! | 0:23:03 | 0:23:08 | |
My confidence was so low. | 0:23:08 | 0:23:09 | |
I was only dating girls with low self-esteem at that point. | 0:23:09 | 0:23:12 | |
"I've got no confidence since my boyfriend left me." "Get in the van, you'll do!" | 0:23:12 | 0:23:16 | |
So the hunt was on a for a girl that... I do like talking about my job when I'm out, but not too much. | 0:23:16 | 0:23:21 | |
My career is speaking about myself, | 0:23:21 | 0:23:23 | |
so you don't want to have pizza and then speak about yourself. | 0:23:23 | 0:23:25 | |
I went out with this one girl. Bang up my street, my type, | 0:23:25 | 0:23:28 | |
not overly confident, | 0:23:28 | 0:23:30 | |
like Natalie Portman having a bad moment in Black Swan. | 0:23:30 | 0:23:33 | |
Sort of like, "I'll never be the Black Swan." "Get in the van, you'll do." | 0:23:33 | 0:23:37 | |
And we got on. We spoke about comedy a bit, but she wasn't too impressed. | 0:23:38 | 0:23:42 | |
And I start to feel it not only in the pants, but in the heart as well. | 0:23:42 | 0:23:45 | |
It's like, This is going so well, | 0:23:45 | 0:23:47 | |
"it's time to invite her back to mine." | 0:23:47 | 0:23:49 | |
And I'm always staying at hotels. | 0:23:49 | 0:23:51 | |
It's a creepy place to invite a girl back to. | 0:23:51 | 0:23:53 | |
"Do you want to come back to my hotel and clean up with the tiny soaps? | 0:23:53 | 0:23:58 | |
"And do you want a small whisky?" | 0:23:58 | 0:23:59 | |
But it didn't matter, because it was all comfortable | 0:24:01 | 0:24:04 | |
and ironic and fun, and we had so much in common, | 0:24:04 | 0:24:06 | |
and I knew we were going to do it for the first time. | 0:24:06 | 0:24:09 | |
Because it took me ages to lose my virginity, | 0:24:09 | 0:24:11 | |
I've not lost the excitement of doing it, | 0:24:11 | 0:24:13 | |
I'm still a teenager in my head, "I can't believe I'm going to do it!" | 0:24:13 | 0:24:17 | |
I have to still go for a victory dance in the bathroom. | 0:24:17 | 0:24:21 | |
"I'm going to have sex, I'm going to stick my willy..." Don't come in! | 0:24:21 | 0:24:24 | |
"Willy going in!" | 0:24:26 | 0:24:29 | |
And so we're kissing, this girl, she is bang up my street, | 0:24:30 | 0:24:33 | |
you know, she's got the Japanese cartoon haircut, stick thin, | 0:24:33 | 0:24:37 | |
rocking back and forth, "I don't know what I like, | 0:24:37 | 0:24:40 | |
"I've got no confidence." I'm exaggerating. | 0:24:40 | 0:24:43 | |
We're in the hotel room, snogging, the type of snogging where | 0:24:43 | 0:24:46 | |
it's, "We're going to do it," and we're both in our underwear. | 0:24:46 | 0:24:49 | |
I can't remember what underwear she had on, I was so blind with lust. | 0:24:49 | 0:24:53 | |
I was in my H&M multipack, like these ones, | 0:24:53 | 0:24:56 | |
the ones that look humiliating for a man. | 0:24:56 | 0:24:58 | |
There's nothing good about being a man and being naked, is there? | 0:24:58 | 0:25:01 | |
It's nice of you girls | 0:25:01 | 0:25:02 | |
to pretend now that feminism has finished its journey, | 0:25:02 | 0:25:05 | |
"We can look at men like we looked at women in the '60s. | 0:25:05 | 0:25:08 | |
"Hooray for feminism, now we can consume male flesh, hoorah." | 0:25:08 | 0:25:11 | |
But you don't mean a fully-naked man. | 0:25:11 | 0:25:14 | |
You don't mean... | 0:25:14 | 0:25:16 | |
You mean, there is something, and I know girls are thinking, | 0:25:16 | 0:25:19 | |
"Nonsense, it's worse to have the body of a woman! | 0:25:19 | 0:25:22 | |
"How dare you generalise, Third Russell of Comedy! | 0:25:22 | 0:25:25 | |
"How dare you generalise!" Yeah? | 0:25:25 | 0:25:27 | |
"Think of the changes our bodies go through | 0:25:27 | 0:25:29 | |
"over our careers and pregnancy, | 0:25:29 | 0:25:30 | |
"it's so hard to have the body of a woman." Right? | 0:25:30 | 0:25:33 | |
But, girls, be honest, in this highly-educated festival audience, | 0:25:33 | 0:25:37 | |
how many of you have actually ever stopped to think | 0:25:37 | 0:25:40 | |
what it's like to have a humiliating rod of flesh | 0:25:40 | 0:25:43 | |
jut out from your body the moment you find anyone vaguely attractive? | 0:25:43 | 0:25:47 | |
"Do you like me or not?" | 0:25:47 | 0:25:49 | |
"That would be telling." | 0:25:49 | 0:25:51 | |
"Oh, my God, why am I being so random?" | 0:25:51 | 0:25:54 | |
So that was the... | 0:25:56 | 0:25:59 | |
It's so true and personal, I'm actually getting the weird lips. | 0:25:59 | 0:26:02 | |
So, you know when it's definitely happening, there's no way it won't, | 0:26:02 | 0:26:06 | |
we're connected on every level, | 0:26:06 | 0:26:08 | |
philosophical, emotional, spiritual, the humour... | 0:26:08 | 0:26:11 | |
Then, stop. That horrible feeling when the hand goes on the chest. | 0:26:11 | 0:26:14 | |
"Please wait, no." I'm like, "What is it? | 0:26:14 | 0:26:16 | |
"Have you got a boyfriend? Has the spell worn off? | 0:26:16 | 0:26:18 | |
"You've realised that, whilst amusing, I'm repulsive?" | 0:26:18 | 0:26:21 | |
It will happen, as a comedian. | 0:26:21 | 0:26:23 | |
It's like a spell wearing off in Harry Potter. "I'll run back to Gryffindor." | 0:26:23 | 0:26:27 | |
It can happen when you stop being funny. | 0:26:27 | 0:26:30 | |
I wish I was a good enough writer to invent what came out of this girl's mouth. | 0:26:30 | 0:26:34 | |
I would be less worried about writing next year's Edinburgh show | 0:26:34 | 0:26:37 | |
if I could think up funny stuff like this. | 0:26:37 | 0:26:39 | |
Such is the weird world | 0:26:39 | 0:26:40 | |
that I've gone into these are the genuine words that came from her. | 0:26:40 | 0:26:43 | |
"Wait, please stop." Hand on the chest. "What is it, babe?" | 0:26:43 | 0:26:46 | |
This is what she said, "Please do the Beyonce dance." | 0:26:46 | 0:26:50 | |
I swear to God, | 0:26:50 | 0:26:52 | |
I was so desperate to bang her, I did it! I did it, ladies and gentlemen! | 0:26:52 | 0:26:56 | |
I plugged my little travel iPod speaker in. | 0:26:56 | 0:26:59 | |
You know the creepy one you buy on an aeroplane? | 0:26:59 | 0:27:01 | |
"I injured my shoulder doing it, I might have to have an arthroscopy in December, you evil bitch, shut up." | 0:27:01 | 0:27:07 | |
I plugged it in. Do you have any idea what that dance looks like at a three-quarters canter? | 0:27:08 | 0:27:12 | |
Right. | 0:27:12 | 0:27:13 | |
# Oh-oh, oh-oh, oh-oh, oh-na-na. # | 0:27:13 | 0:27:15 | |
And it finishes - those of you that remember it - | 0:27:18 | 0:27:21 | |
it finishes with a dramatic... like that. | 0:27:21 | 0:27:24 | |
And I thought when I turned round she'd be... | 0:27:24 | 0:27:26 | |
You know the sort of pre-sexual laughter that can exist | 0:27:26 | 0:27:29 | |
between lovers where it's a bit ironic and then it resolves itself | 0:27:29 | 0:27:32 | |
into mutually-splendid lovemaking? | 0:27:32 | 0:27:34 | |
It wasn't that at all. As I did the "Boom", | 0:27:34 | 0:27:37 | |
she was so aroused by my primal dance that she launched | 0:27:37 | 0:27:42 | |
from the bed and went at me like a sewing machine in a power surge. | 0:27:42 | 0:27:46 | |
So there's no punchlines. I'm post-modern. Relax. | 0:27:51 | 0:27:54 | |
Ladies and gentlemen, I've been Russell Crane, you've been a fantastic audience. Goodnight! | 0:27:56 | 0:28:01 | |
If you enjoyed all that, there is loads more great comedy | 0:28:06 | 0:28:09 | |
right now on the BBC Three website. | 0:28:09 | 0:28:11 | |
Thanks for watching. OK, bye. | 0:28:11 | 0:28:14 | |
Subtitles by Red Bee Media Ltd | 0:28:27 | 0:28:31 | |
E-mail [email protected] | 0:28:31 | 0:28:34 |