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This programme contains some strong language | 0:00:02 | 0:00:10 | |
Hello, and welcome to the best of Three @ The Fringe. I'm Scott Mills, | 0:00:16 | 0:00:19 | |
and you're about to see 30 minutes of fantastic live comedy, | 0:00:19 | 0:00:23 | |
from some of the biggest names AND the freshest, most exciting new talent | 0:00:23 | 0:00:27 | |
performing at this year's Edinburgh Fringe Festival. | 0:00:27 | 0:00:30 | |
Remember to check out the BBC Three website, as well, | 0:00:30 | 0:00:33 | |
where you can access even more comedy performances | 0:00:33 | 0:00:35 | |
direct from the BBC's Edinburgh venue, right here, | 0:00:35 | 0:00:38 | |
as well as a host of exclusive interactive comedy. | 0:00:38 | 0:00:40 | |
But now, time to go over to the BBC Three main stage | 0:00:40 | 0:00:43 | |
and meet your compere for tonight's show. It's Mr Charlie Baker. | 0:00:43 | 0:00:46 | |
I'm Charlie Baker. It's lovely to be here. | 0:00:47 | 0:00:49 | |
I'm waiting for Jack Black to die. | 0:00:49 | 0:00:53 | |
"He looks like him, doesn't he? He looks like him! | 0:00:54 | 0:00:56 | |
"I thought he looked like someone and he said Jack Black. I thought, 'That's who he looks like.' " | 0:00:56 | 0:01:02 | |
I'm from Newton Abbot in Devon, | 0:01:02 | 0:01:04 | |
and what we're going to do is recreate the Newton Abbot cattle market. Is everybody up for that? | 0:01:04 | 0:01:08 | |
CHEERING Yes, some of you. That's good. | 0:01:08 | 0:01:11 | |
Dave, I've got a job for you. I'm going to say, "The first got is a bullock." | 0:01:11 | 0:01:15 | |
Dave, you're going to go, "You bastard! You said it was all cows!" | 0:01:15 | 0:01:20 | |
-That's your job, Dave. You got that? "You bastard! You said it was all cows!" -You bastard! | 0:01:20 | 0:01:24 | |
No, wait, Dave, wait! For goodness' sake. | 0:01:24 | 0:01:28 | |
Maybe get up and be a bit angrier with it. Really angry about it. | 0:01:28 | 0:01:32 | |
Off you go. The first lot is a bullock. | 0:01:32 | 0:01:35 | |
You bastard! You said it was all cows. | 0:01:35 | 0:01:37 | |
Very good. Round of applause for Dave. Very good. | 0:01:37 | 0:01:40 | |
Very good. | 0:01:40 | 0:01:41 | |
And then, the whole of Dave's row, the row behind him | 0:01:41 | 0:01:44 | |
AND the row behind him with Brian in, | 0:01:44 | 0:01:47 | |
you're going to say, under your breath, a bit more placid with it, | 0:01:47 | 0:01:51 | |
"Yeah, you bastard. You said it was all cows." | 0:01:51 | 0:01:54 | |
But under your breath, all right? Dave, off you go. | 0:01:54 | 0:01:56 | |
"You bastard! You said it was all cows." Then everyone else. So the first lot is a bullock. | 0:01:56 | 0:02:01 | |
You bastard. You said it was all cows! | 0:02:01 | 0:02:03 | |
-OTHERS: -You bastard. You said it was all cows. | 0:02:03 | 0:02:05 | |
Oh! | 0:02:05 | 0:02:07 | |
It was a bit Wicker Man, wasn't it? It was good, though. | 0:02:07 | 0:02:10 | |
That was very, very good. | 0:02:10 | 0:02:12 | |
And then, man over there in the white T-shirt and glasses. You, sir. | 0:02:12 | 0:02:16 | |
-What's your name? -Mark. -Stand up, Mark. You're going to go, | 0:02:16 | 0:02:19 | |
"It's all right, buddy. I like a bit of bullock." That's your line. | 0:02:19 | 0:02:23 | |
-Off you go. -It's all right, buddy. I like a bit of bullock. | 0:02:23 | 0:02:26 | |
Very good, Mark. | 0:02:26 | 0:02:28 | |
Man in yellow T-shirt with glasses on. Hello, sir. You, stand up. | 0:02:28 | 0:02:32 | |
What's... Oh, there's three of you! Bloody marvellous! One in the... | 0:02:32 | 0:02:36 | |
You've stayed up. It's not musical chairs. One of you sit down. | 0:02:36 | 0:02:41 | |
Right. No, you've all sat down. You, you, yes. No, you've GOT a line. | 0:02:41 | 0:02:44 | |
You sit down. Mate, yellow T-shirt, middle one. Yeah, stand up. | 0:02:44 | 0:02:47 | |
You'll go, "Yeah, I'm in, an' all," which means, "I'm in, as well." | 0:02:47 | 0:02:51 | |
-Off you go. -Yeah, I'm in, an' all. -Very good. | 0:02:51 | 0:02:54 | |
That means we've got an auction on, so everybody cheers. | 0:02:54 | 0:02:57 | |
CHEERING Very good, then it'll go back and forth. Doof-doof-doof. Right. | 0:02:57 | 0:03:02 | |
You look like you can cope, so it's going to get to about 12 | 0:03:02 | 0:03:04 | |
and you're going to go, "Oh, that's too rich for me." | 0:03:04 | 0:03:07 | |
That's your line, "Oh, that's too rich for me." Have a go. | 0:03:07 | 0:03:10 | |
-Oh, that's too rich for me! -Oh, he's very good, isn't he? He's very good. | 0:03:10 | 0:03:14 | |
And then, man right at the back, hello, sir. | 0:03:14 | 0:03:17 | |
Looking stern, like you hate me. You, yes, you. Hello! | 0:03:17 | 0:03:20 | |
Stand up. You're going to go, "Put your wallets away, peasants. I'm buying..." | 0:03:20 | 0:03:24 | |
Put your wallets away, peasants. I'm buying the bloody bull. | 0:03:24 | 0:03:27 | |
Very, very good. Very good. | 0:03:27 | 0:03:29 | |
CHEERING AND APPLAUSE No, no, no. | 0:03:29 | 0:03:31 | |
Then everybody boos him. Boo, boo! | 0:03:31 | 0:03:33 | |
BOOING | 0:03:33 | 0:03:34 | |
That's it. And then... | 0:03:34 | 0:03:36 | |
that's it. | 0:03:36 | 0:03:38 | |
It's going to be brilliant, innit? "You bastard! You said it was all cows!" | 0:03:38 | 0:03:41 | |
"You said it was all cows." "It's all right. I like a bit of bullock." | 0:03:41 | 0:03:45 | |
"I'm in, an' all." Auction - hooray! Back and forth, gets to about 12. | 0:03:45 | 0:03:48 | |
"Oh, that's too rich for me." | 0:03:48 | 0:03:50 | |
"Put your wallets away, peasants, I'm buying the bloody bullock." Boo! | 0:03:50 | 0:03:53 | |
Right, now, if anyone's feeling left out, right, | 0:03:53 | 0:03:56 | |
this side of the room, what we'll have from you, for ambience, | 0:03:56 | 0:03:59 | |
we'll have some chicken noises from you. | 0:03:59 | 0:04:01 | |
Off we go. Chicken noises from this side. One, two, three, go. | 0:04:01 | 0:04:04 | |
-AUDIENCE: -Bwark, bwark! | 0:04:04 | 0:04:07 | |
Very good. You didn't do it. You can be the cock. Er... | 0:04:07 | 0:04:11 | |
This side of the room, we'll have pigs from you. Off we go, pigs. | 0:04:12 | 0:04:16 | |
-AUDIENCE: -Oink, oink. -Oink?! | 0:04:16 | 0:04:19 | |
What are you, six? | 0:04:19 | 0:04:21 | |
Pigs. Off we go. Pigs. SNORTING | 0:04:22 | 0:04:24 | |
Very good. Middle section, sheep from you. You'll be good at this. Here we go. | 0:04:24 | 0:04:28 | |
Teesside, sheep. | 0:04:28 | 0:04:30 | |
-AUDIENCE: -Baa! | 0:04:30 | 0:04:31 | |
That was very good. Now, that's just ambience. | 0:04:31 | 0:04:34 | |
Is everybody ready for the auction? Very good. | 0:04:34 | 0:04:37 | |
Bit of pigs, bit of pigs, bit of pigs. Bit of pigs. | 0:04:37 | 0:04:39 | |
SNORTING | 0:04:39 | 0:04:41 | |
-Chickens, fade in. AUDIENCE: -Bwark! | 0:04:41 | 0:04:42 | |
-Louder! Fade it in. Sheep. AUDIENCE: -Baa! | 0:04:42 | 0:04:45 | |
Ladies and gentlemen, welcome to the cattle auction. | 0:04:45 | 0:04:48 | |
First lot, first lot is a bullock. | 0:04:48 | 0:04:49 | |
First lot is a bullock. | 0:04:49 | 0:04:52 | |
For fuck... | 0:04:52 | 0:04:53 | |
Where are you, Dave? You were mouthy before. You ready, Dave? | 0:04:56 | 0:04:59 | |
It's all on you, mate. "You bastard! You said it was all cows." Pigs, pigs, pigs. | 0:04:59 | 0:05:03 | |
Sheep, sheep. Chickens. Fade it up. | 0:05:03 | 0:05:08 | |
Fade it out, fade it out. And welcome to the cattle auction. | 0:05:08 | 0:05:11 | |
First lot, first lot is a bullock. First lot is a bullock. | 0:05:11 | 0:05:14 | |
You bastard! You said it was all cows. | 0:05:14 | 0:05:17 | |
Yeah, you said it was all cows. | 0:05:17 | 0:05:18 | |
Terribly sorry. Anyone else interested at all? Anyone interested at all? | 0:05:18 | 0:05:22 | |
-It's all right, buddy. I like a bit of bullock. -He likes bullock. Anyone else? | 0:05:22 | 0:05:26 | |
-I'm in, an' all. -We've got an auction, everybody. CHEERING | 0:05:26 | 0:05:31 | |
And six and seven, and nine, and nine, and ten, and 11, and 12. | 0:05:31 | 0:05:34 | |
And 12. With you at 12. | 0:05:34 | 0:05:36 | |
Oh, that's too rich for me! | 0:05:36 | 0:05:38 | |
That's too rich for him. Anyone else interested at all? | 0:05:38 | 0:05:41 | |
Put your... | 0:05:41 | 0:05:42 | |
Put your wallets away, peasants. I'm buying the bloody bullock. | 0:05:42 | 0:05:47 | |
BOOING | 0:05:47 | 0:05:49 | |
You were excellent. Well done. | 0:05:49 | 0:05:51 | |
Give yourselves a massive round of applause. | 0:05:51 | 0:05:53 | |
The magnificent Mr David O'Doherty! | 0:05:55 | 0:05:57 | |
CHEERING AND APPLAUSE | 0:05:57 | 0:06:00 | |
BEAT PLAYS ON KEYBOARD Uh-oh! Uh-oh! | 0:06:05 | 0:06:08 | |
Someone's got the party machine! | 0:06:08 | 0:06:11 | |
Do you have the time? Sir, do you have the time? | 0:06:11 | 0:06:14 | |
It's party time. Stop looking at your watch. | 0:06:14 | 0:06:17 | |
I would have accepted "David O'Doherty time", as well. | 0:06:17 | 0:06:20 | |
It's going to be like a party in my house. That's what the next five minutes is all about. | 0:06:20 | 0:06:24 | |
In many ways, it WON'T be like a party at my house, | 0:06:24 | 0:06:27 | |
as I'll be the one doing most of the partying | 0:06:27 | 0:06:29 | |
and you'll just be sitting in the dark, receiving the party. | 0:06:29 | 0:06:32 | |
Which sounds pretty sleazy when you put it like that, | 0:06:32 | 0:06:35 | |
considering you have paid to receive the party. | 0:06:35 | 0:06:39 | |
# Cos there's a party starting right now | 0:06:39 | 0:06:42 | |
# You are all invited | 0:06:42 | 0:06:44 | |
# Party starting right now | 0:06:44 | 0:06:46 | |
# Time to get excited | 0:06:46 | 0:06:49 | |
# It's as if the neighbours on this side | 0:06:49 | 0:06:50 | |
# Have gone away | 0:06:50 | 0:06:52 | |
# And the neighbours on this side are old and | 0:06:52 | 0:06:55 | |
# Pretty much deaf | 0:06:55 | 0:06:57 | |
# Party, party, party Party, party, party | 0:06:58 | 0:07:01 | |
# People standing in the kitchen talking about The King's Speech | 0:07:02 | 0:07:05 | |
# "Pretty good film" is the general consensus | 0:07:07 | 0:07:09 | |
# There's gonna be | 0:07:09 | 0:07:10 | |
# Lots of ladies and men | 0:07:10 | 0:07:13 | |
# There's some cheese | 0:07:13 | 0:07:14 | |
# In the kitchen Babybels | 0:07:14 | 0:07:17 | |
# There'll be streamers flying | 0:07:17 | 0:07:19 | |
# Through the air | 0:07:19 | 0:07:21 | |
# Someone'll probably go home wearing someone else's coat... # | 0:07:21 | 0:07:23 | |
It's going to be fucking mayhem! | 0:07:23 | 0:07:26 | |
# Tell all your friends and invite them along | 0:07:26 | 0:07:29 | |
# But not friends of friends | 0:07:29 | 0:07:31 | |
# That would be too many friends | 0:07:31 | 0:07:34 | |
# And my party needs some basic ground rules | 0:07:34 | 0:07:37 | |
# You don't want a situation like at Rob's party last year | 0:07:39 | 0:07:42 | |
# Where a CD went missing | 0:07:42 | 0:07:44 | |
# Someone broke a chair | 0:07:44 | 0:07:47 | |
# And someone tried to fill Rob's dog with helium | 0:07:47 | 0:07:50 | |
# Tried to stick him on to the "celium" | 0:07:51 | 0:07:54 | |
# But he didn't float up or bark high-pitched | 0:07:55 | 0:07:58 | |
# He just became violently ill | 0:07:58 | 0:08:01 | |
# Party, party, party, party, party! | 0:08:01 | 0:08:03 | |
# Someone's drinking through a straw from a coconut | 0:08:04 | 0:08:07 | |
# We're going to party on through | 0:08:11 | 0:08:13 | |
# Till the break of dawn | 0:08:13 | 0:08:15 | |
# Or until I come down | 0:08:15 | 0:08:17 | |
# In my dressing gown | 0:08:17 | 0:08:19 | |
# And say "That's it, everyone fuck off | 0:08:19 | 0:08:21 | |
# "Party over | 0:08:21 | 0:08:22 | |
# "I'm going to bed | 0:08:23 | 0:08:26 | |
# "Can you please take your coats off my bed?" | 0:08:26 | 0:08:28 | |
# Party, party, p... | 0:08:30 | 0:08:32 | |
# Oh, was someone doing it in the coats? Party. # | 0:08:32 | 0:08:34 | |
It's that sort of party. Thank you. CHEERING AND APPLAUSE | 0:08:34 | 0:08:37 | |
Wow! Thank you. | 0:08:37 | 0:08:39 | |
Yeah, here he comes. It's Josh Widdicombe! | 0:08:43 | 0:08:45 | |
Hello. | 0:08:55 | 0:08:56 | |
-AUDIENCE: -Hello. -You well? | 0:08:56 | 0:08:58 | |
-Yes. -Yes. Excited? | 0:08:58 | 0:09:00 | |
Yes. | 0:09:00 | 0:09:01 | |
Good. Good. | 0:09:01 | 0:09:03 | |
-I'm enjoying Edinburgh. Are we enjoying Edinburgh? -Yes! | 0:09:03 | 0:09:06 | |
Good. You reply like you're in assembly. It's lovely! | 0:09:06 | 0:09:09 | |
I'm living in quite a nice area in Edinburgh. | 0:09:09 | 0:09:13 | |
I live in a nicer area in Edinburgh than in real life. I moved six months ago, to quite a rough area. | 0:09:13 | 0:09:18 | |
To give you an idea, the estate agent, one of the ways he sold it to us, he said, | 0:09:18 | 0:09:21 | |
"Well, it's a great location, cos you're just across the road from Argos Extra." | 0:09:21 | 0:09:26 | |
If you don't know Argos Extra, it's a smaller version of Argos. | 0:09:27 | 0:09:30 | |
They've used the rare definition of "extra" to mean "far, far less". | 0:09:30 | 0:09:34 | |
They've got the normal catalogue, so it's full of things they've never had in stock. | 0:09:36 | 0:09:40 | |
Dialling into the stock check for 20 minutes. Nothing came up. The guy came over. "You all right?" | 0:09:40 | 0:09:45 | |
I said, "Well, you haven't got anything." He said, | 0:09:45 | 0:09:47 | |
"Well, we've got a greatly reduced range. | 0:09:47 | 0:09:50 | |
"To give you an idea, that warehouse out the back is actually | 0:09:50 | 0:09:53 | |
"no bigger than this room we're having the discussion in now." | 0:09:53 | 0:09:56 | |
I said, "Well, here's an idea - go out the back, get that stuff, | 0:09:56 | 0:10:00 | |
"bring it through here. We'll call the whole thing a shop." | 0:10:00 | 0:10:03 | |
Cos currently, what I'm doing is dialling numbers, | 0:10:04 | 0:10:07 | |
trying to guess what's the other side of a wall. | 0:10:07 | 0:10:09 | |
I mean, this isn't shopping - this is Battleships. | 0:10:11 | 0:10:14 | |
I said, "I've been here 20 minutes. I don't even remember what I came in for. | 0:10:15 | 0:10:19 | |
"I'm just dialling in random numbers. | 0:10:19 | 0:10:21 | |
"The only thing I've found that you've got in stock is a Playboy themed hot-water bottle." | 0:10:21 | 0:10:26 | |
He said, "Yeah, that's one of our sexier items." | 0:10:26 | 0:10:29 | |
I said, "When did the hot-water bottle become a sexy item? | 0:10:29 | 0:10:33 | |
"From my experience, it's used for two things - | 0:10:33 | 0:10:35 | |
"cold feet and period pains." | 0:10:35 | 0:10:38 | |
Call me a weirdo - I've never been turned on by either of them! | 0:10:38 | 0:10:41 | |
If there IS a relationship between the hot-water bottle and sex, | 0:10:41 | 0:10:45 | |
it's that when you see that your partner is filling up a hot-water bottle, | 0:10:45 | 0:10:48 | |
you are not having sex. | 0:10:48 | 0:10:50 | |
I came out of a relationship about six months ago. | 0:10:51 | 0:10:54 | |
The worst bit's just after. No-one knows what to say, so they say, | 0:10:54 | 0:10:57 | |
"Well, think of the good times. It's better to have loved and lost than never to have loved at all." | 0:10:57 | 0:11:02 | |
But that's not true, is it? | 0:11:02 | 0:11:04 | |
Cos that's not how losing things works. | 0:11:04 | 0:11:07 | |
Cos when you lose your phone, your first reaction isn't, | 0:11:07 | 0:11:09 | |
"Well, at least I HAD a phone. I mean... | 0:11:09 | 0:11:13 | |
"It's better to have had a phone and lost a phone, isn't it, | 0:11:13 | 0:11:16 | |
"than never to have phoned at all. | 0:11:16 | 0:11:19 | |
"All those phone calls - they're memories I'll always cherish." | 0:11:19 | 0:11:22 | |
It's like those relationships that petered out. | 0:11:22 | 0:11:24 | |
She said, "I think this has petered out." | 0:11:24 | 0:11:26 | |
I agreed, we split up and I went away and thought, | 0:11:26 | 0:11:29 | |
"I've got no idea what petering is." | 0:11:29 | 0:11:31 | |
"The only thing I know about petering is it's bad news, cos it always goes in the same direction - out." | 0:11:31 | 0:11:37 | |
Nothing's ever petered in, has it? | 0:11:37 | 0:11:40 | |
Ever said to someone, "How did you two get together?" | 0:11:40 | 0:11:42 | |
"Well, we were friends but, er, then we started petering together." | 0:11:42 | 0:11:46 | |
"Before I knew, we petered all the way in, yeah." | 0:11:47 | 0:11:50 | |
If I'd known I was petering out, I would've stopped petering. | 0:11:50 | 0:11:54 | |
Problem is, you're only told once you've petered. | 0:11:54 | 0:11:56 | |
It's very similar to when someone's had it up to here with you. | 0:11:56 | 0:12:00 | |
They only let you know when you've reached that level, don't they? | 0:12:02 | 0:12:06 | |
I think they should give you a warning at the half-way stage. | 0:12:06 | 0:12:09 | |
"Just so you know, I've had it up to about here with you. | 0:12:09 | 0:12:12 | |
"If you do keep taking that cheese that's meant for the lasagne, | 0:12:12 | 0:12:16 | |
"you'll be up to here by bedtime and that is the danger zone." | 0:12:16 | 0:12:19 | |
It doesn't explain anything, "petering". | 0:12:19 | 0:12:21 | |
Just turn up at an autopsy and go, "Worked out what happened?" | 0:12:21 | 0:12:24 | |
"Yeah, we've had a look and, er, we think he petered out." | 0:12:24 | 0:12:27 | |
"Either that, or he'd had it up to here with drowning - we're not sure." | 0:12:28 | 0:12:32 | |
It's difficult - the cliches are the problem. | 0:12:34 | 0:12:36 | |
I phoned up my dad. I was talking to him about being single. | 0:12:36 | 0:12:39 | |
He said, "Oh, are you worried about dying alone?" | 0:12:39 | 0:12:42 | |
I said, "Well, not till now, no." | 0:12:44 | 0:12:47 | |
I don't understand this phrase - why are we bringing dying into it? | 0:12:47 | 0:12:51 | |
If anything, the time you don't want to be alone is when you're alive. | 0:12:51 | 0:12:54 | |
For me, the dying will solve the loneliness. | 0:12:54 | 0:12:56 | |
If I'm given 24 hours to live and I'm single, I'm just going to accept it. | 0:12:57 | 0:13:01 | |
I'm not going to get on Guardian Soulmates. | 0:13:01 | 0:13:04 | |
"My interests? Long walks. Not too long - I haven't got all day, literally." | 0:13:04 | 0:13:08 | |
"What am I looking for? One-night stand/life partner. It's the very same thing." | 0:13:10 | 0:13:14 | |
These myths about dying - they're... Like, when someone says, | 0:13:15 | 0:13:19 | |
"Oh, at least he died doing something he loved. That's a consolation, isn't it?" | 0:13:19 | 0:13:22 | |
No. No, it's not, cos never, when I've been doing something I loved, have I ever thought, | 0:13:22 | 0:13:27 | |
"Well, this is good. | 0:13:27 | 0:13:29 | |
"But I tell you what'd top this off - | 0:13:29 | 0:13:31 | |
"a bit of the old death, that's what I'm looking for here." | 0:13:31 | 0:13:34 | |
On a roller coaster going, "I really hope I fall out in a minute - that'd be perfect." | 0:13:34 | 0:13:38 | |
Doing a bungee jump. "Cut the cord - I'm having the best day of my life. End it now." | 0:13:38 | 0:13:42 | |
It's not when you want to die. | 0:13:42 | 0:13:44 | |
You want to die when you're doing something horrible. | 0:13:44 | 0:13:47 | |
You want to die when you're cleaning up, hung over, after a house party. | 0:13:47 | 0:13:51 | |
That's when you actually go, "I wish I was dead. I genuinely wish I was dead." | 0:13:51 | 0:13:54 | |
When you mistake a woman for a man - that's when you want to die, isn't it? | 0:13:54 | 0:13:59 | |
You have been lovely. You have some awesome acts coming up. | 0:13:59 | 0:14:02 | |
My name is Josh Widdicombe. Thank you very much. Goodnight. | 0:14:02 | 0:14:05 | |
The magnificent Kurt Braunohler! | 0:14:09 | 0:14:13 | |
CHEERING AND APPLAUSE | 0:14:13 | 0:14:15 | |
Thank you very much, ladies and gentlemen. | 0:14:21 | 0:14:23 | |
It is an absolute pleasure to be here in Edinburgh, Scotland. | 0:14:23 | 0:14:29 | |
Ladies and gentlemen, if you're not familiar with me, that's OK. | 0:14:29 | 0:14:32 | |
My name is Kurt Braunohler and in America | 0:14:32 | 0:14:36 | |
I have won the top college ventriloquist | 0:14:36 | 0:14:41 | |
now for 15 years running. | 0:14:41 | 0:14:44 | |
And that means that I am very good at what I do. | 0:14:44 | 0:14:48 | |
But don't take my word for it. | 0:14:50 | 0:14:53 | |
Ladies and gentlemen, put your hands together | 0:14:53 | 0:14:56 | |
and welcome to the stage my dummy, Kristen Schaal. | 0:14:56 | 0:15:00 | |
She looks like she's been sleeping. | 0:15:13 | 0:15:16 | |
How are you, Kristen? | 0:15:37 | 0:15:39 | |
Good. | 0:15:39 | 0:15:40 | |
You spend a lot of time in that box. How do you like the box? | 0:15:42 | 0:15:45 | |
I don't like the box. | 0:15:45 | 0:15:47 | |
Why do you spend so much time in there then? | 0:15:48 | 0:15:51 | |
Not by choice. | 0:15:51 | 0:15:53 | |
Not by choice. | 0:15:53 | 0:15:55 | |
I feel like I die a small death in the box. | 0:15:59 | 0:16:03 | |
Ooh, a small death. | 0:16:03 | 0:16:04 | |
That's what the French call an orgasm, a tiny death. | 0:16:04 | 0:16:09 | |
I wouldn't know. I got nothing down there. | 0:16:09 | 0:16:12 | |
Just wood. | 0:16:12 | 0:16:13 | |
Just wood. | 0:16:13 | 0:16:15 | |
That's sad. | 0:16:17 | 0:16:18 | |
Kristen, what do you think of this beautiful crowd here today? | 0:16:18 | 0:16:22 | |
I want to meet them. | 0:16:22 | 0:16:24 | |
Kristen, you can't meet everybody here. | 0:16:26 | 0:16:29 | |
That would take too long. | 0:16:29 | 0:16:30 | |
I want to shake their hand. | 0:16:30 | 0:16:33 | |
Look, we can shake one person's hand. | 0:16:33 | 0:16:35 | |
Ma'am, would you come up and shake her hand | 0:16:35 | 0:16:37 | |
so she gets this crazy idea out of her head? Come on up here. | 0:16:37 | 0:16:41 | |
(WHISPERS) I'm a real girl. | 0:16:47 | 0:16:48 | |
Help me. | 0:16:53 | 0:16:54 | |
Help me. | 0:16:57 | 0:16:58 | |
Sit down. | 0:16:59 | 0:17:00 | |
Kristen, do you know what time it is? | 0:17:08 | 0:17:11 | |
Weather. | 0:17:11 | 0:17:13 | |
That's right. It's time for you to give me some water and I'll drink it | 0:17:13 | 0:17:17 | |
while you read the weather. | 0:17:17 | 0:17:19 | |
You want to get that water for me? | 0:17:19 | 0:17:21 | |
Did you poison that water, Kristen? | 0:17:53 | 0:17:55 | |
Why did you poison the water, Kristen? | 0:18:02 | 0:18:04 | |
You go in the box. | 0:18:04 | 0:18:07 | |
Six feet down. | 0:18:09 | 0:18:11 | |
Kristen, you stupid girl. | 0:18:12 | 0:18:15 | |
When I die, you die. | 0:18:15 | 0:18:18 | |
No. | 0:18:18 | 0:18:19 | |
Oh God... the poison's so quickly acting. | 0:18:21 | 0:18:24 | |
I'm free! | 0:18:27 | 0:18:28 | |
CHEERING AND APPLAUSE | 0:18:33 | 0:18:37 | |
Thank you very much, ladies and gentlemen. Good night. | 0:18:48 | 0:18:50 | |
Please welcome, Imran Yusef. | 0:18:57 | 0:19:00 | |
CHEERING | 0:19:00 | 0:19:04 | |
Good evening, Edinburgh! | 0:19:08 | 0:19:10 | |
AUDIENCE: Hooray! | 0:19:10 | 0:19:12 | |
Awesome, guys. Absolutely fantastic to be here, man. Edinburgh 2011. | 0:19:12 | 0:19:16 | |
However, world peace still eludes us. I want world peace. I believe in world peace. | 0:19:16 | 0:19:21 | |
That's the kind of naively optimistic person that I am. | 0:19:21 | 0:19:24 | |
I believe world peace is entirely possible. | 0:19:24 | 0:19:26 | |
That's the kind of person I am. I'm not making any apologies or excuses for it. | 0:19:26 | 0:19:31 | |
I believe in world peace and we're going to see it one day. | 0:19:31 | 0:19:34 | |
Maybe not in our lifetime, maybe not even for generations to come, | 0:19:34 | 0:19:37 | |
but one day human beings will cultivate enough compassion, | 0:19:37 | 0:19:40 | |
patience and restraint from one another that we will see world peace | 0:19:40 | 0:19:44 | |
blossom and flourish over this planet. | 0:19:44 | 0:19:46 | |
I believe in that because anything is possible. | 0:19:46 | 0:19:49 | |
Absolutely anything is possible. | 0:19:49 | 0:19:51 | |
In the future, a white guy is going to win the 100 metres. | 0:19:51 | 0:19:54 | |
Don't laugh about it, that's somebody's dream. | 0:19:54 | 0:19:57 | |
He'll be ginger too. He'll be called the Red Flash. | 0:19:57 | 0:20:01 | |
Cos our political leaders don't want world peace, man. | 0:20:01 | 0:20:05 | |
They control the world by dividing us through our ideologies and keeping us in a state of fear. | 0:20:05 | 0:20:09 | |
I know our Prime Minister doesn't want world peace | 0:20:09 | 0:20:12 | |
cos of something he said that really upset me. | 0:20:12 | 0:20:14 | |
He went out to some big conference in Germany and he said something | 0:20:14 | 0:20:18 | |
to this effect, paraphrased as this, that multiculturalism has failed. | 0:20:18 | 0:20:22 | |
I thought, wow, what a horrible thing to say about our beautiful country | 0:20:22 | 0:20:26 | |
and how richly diverse it actually is. | 0:20:26 | 0:20:28 | |
The flipside of that multicultural coin is this. | 0:20:28 | 0:20:31 | |
A lot of us are actually getting along. Would you agree? | 0:20:31 | 0:20:34 | |
AUDIENCE: Yes. | 0:20:34 | 0:20:36 | |
Thanks for that cos I asked that in Barnsley once and all I got was, | 0:20:36 | 0:20:39 | |
"No! Take your curry with you. | 0:20:39 | 0:20:42 | |
"Just leave some samosas, I like them." | 0:20:42 | 0:20:44 | |
When he said multiculturalism had failed, | 0:20:47 | 0:20:50 | |
it kind of made me question my own value in British society. | 0:20:50 | 0:20:53 | |
Wherever I've gone in life, I've never fitted in. | 0:20:53 | 0:20:56 | |
I wasn't born in Britain but I have grown up in Britain. | 0:20:56 | 0:20:59 | |
I consider this home. | 0:20:59 | 0:21:00 | |
Wherever I've gone, I have never fit in. Some people don't even believe what my background is. | 0:21:00 | 0:21:04 | |
When I tell people where my family are from, I get into arguments. | 0:21:04 | 0:21:08 | |
My family from East Africa, that is where we're from. | 0:21:08 | 0:21:10 | |
But I get into these arguments with people. | 0:21:10 | 0:21:12 | |
"Yeah, come on, where are you really from? Like, really. | 0:21:12 | 0:21:15 | |
"I don't want to know where you're manufactured, yeah? | 0:21:15 | 0:21:19 | |
"I want to know your origin, where are you really from?" | 0:21:19 | 0:21:22 | |
So I tell them, I was actually born in Kenya, that is where I was born. | 0:21:22 | 0:21:26 | |
"Come on, stop trying to be funny. You know what I mean. | 0:21:26 | 0:21:30 | |
"Where are your parents REALLY from?" | 0:21:30 | 0:21:34 | |
Actually, I can reveal to you both my parents are also from East Africa. | 0:21:34 | 0:21:39 | |
It is where they were born. | 0:21:39 | 0:21:41 | |
"Yeah, but come on, stop taking the piss with your history | 0:21:41 | 0:21:44 | |
"and your geography and politics. | 0:21:44 | 0:21:47 | |
"Where are your grandparents really FROM?" | 0:21:47 | 0:21:52 | |
That's when it got me. My grandparents actually grew up | 0:21:52 | 0:21:56 | |
and spent most of their life in East Africa, but my great grandparents | 0:21:56 | 0:21:59 | |
came from India, and they came from a region of India called Konkan. | 0:21:59 | 0:22:02 | |
And the name of their community out there were the Konkani Muslims. | 0:22:02 | 0:22:06 | |
That was the name of their community. | 0:22:06 | 0:22:09 | |
But, over time, this changed, and eventually it became smaller | 0:22:09 | 0:22:12 | |
and more succinct, and by the time they had moved over to East Africa, | 0:22:12 | 0:22:15 | |
the name of the entire community had changed to what it is to this very day, | 0:22:15 | 0:22:19 | |
which is, and I kid you not, the Kokni Muslims. | 0:22:19 | 0:22:22 | |
I am not making it up, Google it. K-O-K-N-I, Kokni Muslims. | 0:22:22 | 0:22:28 | |
And by that, I don't mean there's a bunch of Muslim people | 0:22:28 | 0:22:31 | |
running around East Africa going, "Salam alaikum, you slag." | 0:22:31 | 0:22:35 | |
You are not going to catch us outside a mosque on Friday night going, | 0:22:35 | 0:22:38 | |
# My old man's a mullah he wears a mullah's cap | 0:22:38 | 0:22:40 | |
# He dons a long, Islamic frock and wants Israel off the map! # | 0:22:40 | 0:22:44 | |
We're releasing that on iTunes, buy it, 99p. | 0:22:46 | 0:22:49 | |
As you can imagine, my parents got kicked out of Uganda by Idi Amin, | 0:22:49 | 0:22:52 | |
who gave all the Asians 90 days to leave, only to then learn, | 0:22:52 | 0:22:56 | |
"shit, what do we do with all these cash registers?" | 0:22:56 | 0:23:00 | |
And then my family are forced to go and live in Hackney Downs, | 0:23:00 | 0:23:04 | |
East London. | 0:23:04 | 0:23:05 | |
See, the East Side, you must recognise. | 0:23:05 | 0:23:08 | |
Understand what I'm trying to say? | 0:23:08 | 0:23:10 | |
I was born in the Third World, and upgraded to the ghetto. | 0:23:10 | 0:23:14 | |
If you've been watching the news, it's like the flipping Third World again. | 0:23:14 | 0:23:18 | |
So that is what we had to go and move to. | 0:23:18 | 0:23:20 | |
My family heard they were going to be uprooted from their culture, | 0:23:20 | 0:23:24 | |
their language, their way of life, and be forced to go | 0:23:24 | 0:23:26 | |
and live in east London, they were not worried, not for one second. | 0:23:26 | 0:23:29 | |
This is exactly what they said. | 0:23:29 | 0:23:31 | |
They said, "Don't worry, I've heard where we're going to live in East London, | 0:23:31 | 0:23:35 | |
"There are actually plenty of Koknis." | 0:23:35 | 0:23:38 | |
LAUGHTER | 0:23:38 | 0:23:39 | |
I grew up in England, | 0:23:39 | 0:23:41 | |
so therefore I am a proud supporter of the English football team. | 0:23:41 | 0:23:45 | |
I am proud of that. | 0:23:45 | 0:23:47 | |
I was not born in England, but I've grown up here | 0:23:47 | 0:23:49 | |
so I support the English football team. That is the kind of patriot I am. | 0:23:49 | 0:23:53 | |
I get upset when I hear people talk about supporting Brazil. | 0:23:53 | 0:23:57 | |
Why, are you Brazilian? "No, I just like the yellow top." Shut up. | 0:23:57 | 0:24:00 | |
No, the rules are you support the country that you were born in, or you grew up in. | 0:24:00 | 0:24:04 | |
Those are the rules. | 0:24:04 | 0:24:05 | |
I know the English football team does not do too well nowadays because they | 0:24:05 | 0:24:09 | |
are too busy being celebrities rather than being professional athletes representing their country. | 0:24:09 | 0:24:14 | |
But regardless of how bad England might ever do in any kind of World Cup competition, | 0:24:14 | 0:24:18 | |
I will always support the English football team because I'm a patriot. | 0:24:18 | 0:24:22 | |
But when it comes to cricket, they're on their own. | 0:24:22 | 0:24:25 | |
Up until recently, anyway. That is my time, peace out, God bless. | 0:24:25 | 0:24:32 | |
APPLAUSE AND CHEERING | 0:24:32 | 0:24:33 | |
Please welcome all the way from Australia, Sam Simmons! | 0:24:40 | 0:24:44 | |
APPLAUSE AND CHEERING | 0:24:44 | 0:24:47 | |
-Do you like bread? -Yeah, bread is OK. -Do you, like, fully get into it? | 0:24:56 | 0:25:03 | |
-No, not fully. What are you talking about? -Bread. | 0:25:03 | 0:25:06 | |
-I know you're talking about bread. -Oh, you know bread? | 0:25:06 | 0:25:09 | |
-I don't know bread. I like toast. -I like toast. -Yeah, toast is good, eh? | 0:25:09 | 0:25:14 | |
-Yeah, I fully get into bread. I like bread when I...good. -What? | 0:25:14 | 0:25:20 | |
DISCO MUSIC PLAYS What are you talking about? | 0:25:20 | 0:25:24 | |
-Bread. -I know you're talking about bread! | 0:25:24 | 0:25:27 | |
-What is going on with this disco music, man? -Er, it's for the bread. | 0:25:27 | 0:25:32 | |
-What do you mean, it's for bread? -Like when you put on bread shoes. | 0:25:32 | 0:25:36 | |
-Well, you should have just said bread shoes! -Er, bread shoes. | 0:25:36 | 0:25:40 | |
This one's going out to all the ladies out there who like to wear | 0:25:42 | 0:25:46 | |
bread on their feet. | 0:25:46 | 0:25:47 | |
# Bread shoes! | 0:25:47 | 0:25:49 | |
# Put on the bread sho-o-es! | 0:25:53 | 0:25:56 | |
# My kind of bread shoes | 0:26:01 | 0:26:03 | |
# Bread shoes are the thing... # | 0:26:03 | 0:26:05 | |
ROCK MUSIC PLAYS | 0:26:05 | 0:26:07 | |
Now, bring it on back. Come on! | 0:26:19 | 0:26:23 | |
Come on, come on. Right at me! | 0:26:23 | 0:26:25 | |
Come on, bring it on back. Yeah! Come on! | 0:26:25 | 0:26:29 | |
Ahh! Ahh! Ahh! Come on! Ahh! | 0:26:37 | 0:26:42 | |
MUSIC ENDS | 0:26:46 | 0:26:47 | |
APPLAUSE AND CHEERING | 0:26:47 | 0:26:49 | |
There's a famine. | 0:27:03 | 0:27:05 | |
LAUGHTER | 0:27:05 | 0:27:06 | |
Well, most of you are just looking at me like, "Fuck. | 0:27:09 | 0:27:13 | |
"It's the guy from Guess Who?". | 0:27:13 | 0:27:15 | |
LAUGHTER | 0:27:15 | 0:27:18 | |
If you want to hire me out for a soiree, I don't just do bread. | 0:27:22 | 0:27:27 | |
I also do soup. | 0:27:27 | 0:27:29 | |
LAUGHTER | 0:27:38 | 0:27:40 | |
APPLAUSE AND CHEERING | 0:27:44 | 0:27:46 | |
Sam Simmons, everybody! Sam Simmons. | 0:27:47 | 0:27:50 | |
We are back next week with more exclusive Three At The Fringe highlights, | 0:27:50 | 0:27:54 | |
and if you enjoyed all of that what you have just seen, | 0:27:54 | 0:27:57 | |
there is lots more exclusive comedy right now | 0:27:57 | 0:27:59 | |
over on the BBC Three website. | 0:27:59 | 0:28:01 | |
Thank you for watching. OK, bye. | 0:28:01 | 0:28:03 | |
Subtitles by Red Bee Media Ltd | 0:28:19 | 0:28:22 | |
Email [email protected] | 0:28:22 | 0:28:25 |