Episode 2 Comedy At The Fringe


Episode 2

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Transcript


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Hello and welcome to the best of Three at the Fringe. I am Scot

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Mills and you are about to see 30 minutes of fantastic live comedy

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from some of the biggest names and freshest and exciting new talent

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performing at this year's Fringe. You can check out the website too

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where you can access even more performances direct from the BBC's

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Edinburgh venue as well as a host of other interactive comedy. Now to

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meet your compere for the show, Charlie Baker.

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Is everyone all right? Having a lovely time so far? APPLAUSE AND

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CHEERING. Very good. Here is sa lovely licence fee here for you all

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to see. Enjoying that? A couple of licence fees here to look at.

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Everyone enjoying the Fringe? Yes, you are the hardest man alive. Nice

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to see you. It's lovely to be here. I am waiting for Jack Black to die.

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He looks like him, doesn't he? I was thinking he looks like someone

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and then he said Jack Black, that's who he looks like. I said to you,

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didn't I? I said he he looks like Jack Black. I have never made money

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out of looking like him, I have been offered a few things, porn

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films, School of Cock, that was one. And Kung Fu Hand Job, that's the

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one I did. Nice to have my co-star in, good to see you again. With

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your mouth empty. Loves cock, ladies and gentlemen.

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Really does. Good evening. How are you doing?

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That's good. My name is Phil Wang and I am the answer to the question

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what would I look like if Gok Wan got fat and less infuturating.

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Don't get me wrong, I have nothing personally against him, it's just I

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am a homophobe. I am the answer to the question what would I look like

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if Michael McIntyre had a child with Gok Wan. Do we have any

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McIntyre fans? Good, some cheers there, the rest of you are correct.

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No, no, he is fun. I like him. I have one issue with McIntyre, and

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that is a while back in one of his shows he said that when he smiles

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he looks like a fat Chinese man. Now, following that logic, right, I,

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you know... APPLAUSE you know, following that logic I

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think he is a massive prick. What a weasel. What a silly man. I never

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actually wanted to be a comedian, my parents forced me into it. Very

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pushy. I always wanted to be a dentist. Or a prostitute. But they

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- apparently no money in that. You be comedian, boy - that's my dad,

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be a comedian. I should explain he is oriental. Not a stroke victim.

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As it may have sounded. Let's clear that up for you. My dad I guess was

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a main culprit really for me growing up a little tough. We

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butted heads on a lot of things. For example, he has rigid ideas

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about how men and women should behave and I am a modern man, in

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touch with my feminine side and also I have a bit of a monobrow

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problem. It's no big deal. Any hairy women in the audience will

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vouch for me, the way to deal with that get tweezers and pluck the

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bastards out. Now I was doing that one day in my room, and right,

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plucking in my room and my dad, right, he opens the door and he

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sees me plucking and he looks at me like I have just kicked the family

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cat into my mother's face on my sister's birthday again. And he

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looks at me and says what are you doing? That's for girls. Now, you

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don't know but that's a really good impression of my dad, that sounds

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just like him. I thought he was here, oh, no, it's just me. He said

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what are you doing? That is for girls. I explained to him, I said

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no, dad, society has changed and with it has the perception of

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masculinity and male beauty. Plucking one's eyebrows is simply a

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sign of cultivation, hygiene and a masculine care for one's personal

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appearance. Right. Then he said well, at least take the dress off.

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So, you know, I was like whatever! You are living in the past, dad.

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You are living in the past. You old High heels there. A nice pair, here

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you go, Madame. You have been lovely, guys. Have a good festival.

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I am Phil Wang. Good night. Hello. Are you well? Good! We don't

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have long together so I will do what I wanted to do in bullet

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points. I love bullet points, they really move things along. Sometimes

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I read over my old teenager diary and think this could have been

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passier. School. I am here with my baby so I am very tired. It's not

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my first baby, I have another one in the car. It's an interesting

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thing being pregnant because you learn lots of things, you expand,

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not only physically, emotionally. I learned some things about myself

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and I learned some new words. I learned some maths that I didn't

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know before. Like the maths bit, everyone knows it takes

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approximately nine months to cook a human. But when you do it I don't

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know why, but you have to talk about it in weeks and that used to

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bug me before I had kids. It's annoying when you say how pregnant

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are you and they go I am 28 weeks and you think do I look like

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Johnnie Ball, you round it up. That's what we invented months for.

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To contain and label weeks. That's where we keep weeks. It doesn't

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stop when the kid's born, then it's all about months and not years. You

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are like how old is flim-tphrapl? They go well he is 19 months, well

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he is about one and a half, this isn't a test. I am not that hung up

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on age accuracy. I don't go around saying I am 427 months old, round

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it up. It has been lovely. I have enjoyed having baby. Babies are

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lovely, they're magical and bewildering as well. Like why do

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baby clothes have pockets? Where are they going? That creates images

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of a ten-week-old baby going wallet, keys, phone. Let's go, mum. So, I

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am a bit nervous about when they get older, people say small

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children, small problems and then they get older and there's more

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parenting to go, I hear. You know, that could be tricky. When they

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start asking awkward questions like mummy, what is dogging? You have to

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have an answer ready. OK, darling, well, dogging is when three or four

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people that love each other very much go to a car park - go and ask

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your dad. It will be fine. I will wing it. I prepped for parenting by

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watching SuperNanny, I thought that would be preparation. I thought I

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am not going to end up one of those middle-class mothers. Megan, you

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are really upsetting mummy, don't cut, mummy. No, not the face,

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Megan! Classic episode there with Megan. It was like Cape Fear, I do

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exaggerate a lot in my show. I confess to that. I think all

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comedians exaggerate a little bit. Women are very good at it. We are

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good at exaggerating, we are much better than blokes. We are about 14

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billion times better than most blokes. Women are very good at

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slightly overreacting to arguably trivial things, that's something we

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have the edge on. When a woman puts her hand in her bag to find her

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purse, but doesn't immediately find her purse, she is like oh my God, I

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have lost my purse! Hang on, I found it, sorry. Just overreacted,

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sorry. Or if we park the car in a car park and we don't find it

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straightaway, we are like, someone's nicked the car! Call the

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police now! Oh, it's there, sorry. Someone must have moved it. We make

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that noise quite a lot, argh! I make that noise in the car with my

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husband and he is driving. He goes what? I said I have forgotten my

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lipstick. He said I thought I killed a bloody child! It's such a

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good noise, argh! Let's get a pizza. One thing women don't exaggerate

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about ever, ever, is a bargain. We are very excited about bargains. If

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you compliment a women on something she's wearing she will tell you how

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much it cost down to the penny. I like your top, yeah, �10.99, Top

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Shop. You don't want to know but you get told. I like your trousers,

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yeah, �24.99, I framed the receipt, it's above the fireplace, I only

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paid �4 for that. Everybody knows if you have paid next to nothing

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for a high street garment it is probably someone might have

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suffered somewhere along the line. But no one gives a shit when

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they're boosting about a bargain. Oh, I love your balltkpwaupb, yeah,

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a child sewed on every sequin. Can't beat a bargain. You have been

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# # My love there's only you in my life

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# The only thing that's bright #. # My first love

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# You're every breath that I take # You're every step I make

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#. # And I want to share all my love with you

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# No one else will do # And your eyes, they tell me how

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much you care # Oh, yes you will always be my

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Apology for the loss of subtitles for 70 seconds

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endless love # Hey baby

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Apology for the loss of subtitles for 70 seconds

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# Tonight, tonight I'M DANIEL DAY LEWIS, TWO TIME

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OSCAR WINNER AND THREE TIMES AS LOUD AS ANYTHING ON THE PLANET.

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My career is in at theers. So much so, that I've started using young

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boys as armchairs! I have not won a major award in

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over four minutes. Apparently I lack rage, which is ridiculous. As

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everyone knows the only way to test an actor's range is to pick him up

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and throw him. So that's what we're going to do today. You, you and you,

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join me on stage. Come on! APPLAUSE

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Come on up here. Line up in a line for me, you fine fellows. Line up

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in a line and I want you to throw me as far as you can into the

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audience. OK? If you manage to hit these first couple of tables it

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probably means I could play a back ward king with a stutter. If I hit

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the red seats it means I could play a very loud Gandhi. If you manage

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to puncture the tent and send me out into the street, well you

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belong in a cage! So, let's have some Daniel Day Fun - shall we?

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Pick me up and throw me into the audience. Take a leg each, gents.

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This is not the ending of Brave Heart. On the count of three - lift

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up and, one, two, and three. APPLAUSE

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Oh, my God, you actually threw me! I'm worth like half a trillion

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dollars. I'm the most famous actor to appear in nobody's favourite

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film. Sit down, you plucky, sons of guns, all but you!

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The ringleader, if I'm not mistaken! You're going to learn a

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valuable lesson up here with me today, sony Jim. You are going to

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learn about acting a smoke machine, or smac ting. It is where I tie a

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smoke machine to a skateboard and shout until I pass out. I invented

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it on the set of the Last of the Mohicans. I used it as an excuse as

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to why I crashed my car. In future all actors will wear one of these

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and die of consumption at 30. Have you ever smacked it before? Give it

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a stroke. How's that? Beautiful! That's for fans of underwhelming

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comedy prop moments was a lesson learnt. So, stand there my friend,

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stand like an actor might. Now that's good. That's very good.

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I'm not sure of the hand gesture! We'll go with that. That's good.

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Fix a point, up in the stars there. Have you got a point? In your best

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Daniel Day-Lewis impression say my most famous line of "Stay where you

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are. I will find you." Wait! Stay where you are. I will find you.

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That's a good start. That's a good start. If I may be a little bit

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picky, it lacked a little bit of focus and motivation for me. An

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audience needs to understand where a character is coming from, in

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order to join it on its journey. For example, as the greatest screen

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actor of anyone's generation I need freedom to travel anywhere I wish

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with my performance. It is why on most film sets I am known as the

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Oyster card. Why? Because before each and every take I do this....

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You are not at that level yet. You need a co-star. I want you to look

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out into this sea of beautiful people here. In your opinion, pick

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me out the most beautiful, attractive female in your opinion.

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How old are you to be using that kind of language? Where else do you

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get to pick a woman. Pick one. Who do you like. She's not looking at

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you at all! They are always the people I picked. When I grabbed you,

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you were looking at the floor. Who would you like? Who's the most

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attractive woman in here. Bom-boom - that's both his testicles

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dropping. That fine young lady there. The what's wrong with the

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one here in red? Just kidding. I know exactly what's wrong with her!

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Come up here for me, my darling. You have it really eds here today.

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Come up here. That's very easy. A good choice. A good choice. Come on

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up. You have it easy. You have to stand there, to the side and look

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raidant for me. -- ray diant for me. Do you have a girlfriend? No.

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you have a boyfriend? Is he here tonight. Come on! This is it. Aim

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your performance right at her. Give her the pose.

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That's it! Now give her the look right down the barrel of her eyes N

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the best me impression, do the line. "Stay where you are. I will find

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you." Stay where you are. I will find you. How is that heart

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beating? Tell me. I can tell you my thumb is very rogue at the moment!

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This has nothing to do with what we're doing up here either! I'm

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just been a Daniel Day-Pervert. You have graduated. So the final part

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of your education here today - the smoke machine. You are about to

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embark on an epic journey and experience the epic exsilration

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that only two people have found in the world, that is me, Daniel Day-

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Lewis. Take the remote on coal. On my mark, look her in the eye, give

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her the pose, give her the line and pump that smoke machine and stride

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on over to her and kiss her in a way in which she would never wish

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to be kissed. OK? That's the bit I'm going to be watching very

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closely! Stay where you are. I will find you. You got it? He can do it,

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right? Come on Daniel, this is how we do it. So are you ready? Three,

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two, one. Smacked. Stay where you are. I will find you. Pump it. Now

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the kiss. Go on. Keep pumping. Go for the kiss.

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Go for the kiss. APPLAUSE

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What the hell was that meant to be? I spent �45 on that! This is how

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you do it. Stand here. Stand here. You have a close look.

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This is how you do it, my friend. You ned to get close. Closer. Good.

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Give her the look. Give her the pose and hit her with the pose

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"Stay where you are. I will find her." Stride over and....

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Laughter. Oh, yeah. You can sit down now.

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We're done with you. Oh, yes, my friend! I gave you the

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Daniel Day-tongue there a little bit. Good for you! You've become

:23:42.:23:46.

Daniel Day-Lewis. So, you and you, let's pick him up and see how far

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we can throw him. Give him a round of applause. Stay where you are. I

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will find you! We are frisky and Mannish. We are

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pop educators and looking at the hidden alternatives in pop songs

:24:11.:24:15.

for you. Clarifying them. Actually, we thought you were the sort of

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audience that might find that silly. We thought we would take it back a

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notch and maybe sing something the way it was meant to be sung.

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Close your eyes # Give me your hand, darling

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# Do you feel my heart beating # Do you understand

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# Do you feel the same # Am I only dreaming

:24:50.:25:00.
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# Is this burning an eternal flame # I believe we're meant to be,

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darling # I watch you when you are sleeping

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# You belong to me # Do you feel the same?

:25:18.:25:28.
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# Am I only dreaming? # Or is this burning an eternal

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flame? # Say my name!

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# Sunshine to the rain # My whole life

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# So lonely # It couldn't ease the pain

:25:43.:25:53.
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# I don't want to lose this feeling # You're just too good to be true

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# Can't take my eyes off of you # You've been like heaven to touch

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# I love you so much # At long last love has arrived

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# Oh, my God, I'm alive # You're just too good to be true

:26:20.:26:30.
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So sorry! # I've never had a dream come true

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# Till the day that I found you # Even though I pretend that I've

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moved on # You'll always be my baby

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# Never found the words to say # You're the one I think about each

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# And I know no matter where love takes me to

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# A part of me will always be # With you

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# I just called to say HEAVY BREATHING

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# # I JUST CALLED TO SAY HOW MUCH I....

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# I JUST CALLED TO SAY # And I mean it from the bottom of my heart

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# You must love me # You must love me #

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APPLAUSE We are back next week with more

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