Browse content similar to What a Cracker. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
SMITHY: I love it! | 0:00:02 | 0:00:04 | |
-Red Nose Day 2011! -CHEERING AND APPLAUSE | 0:00:04 | 0:00:08 | |
This year's Red Nose Day was an absolute cracker! | 0:00:08 | 0:00:13 | |
This is the most successful | 0:00:13 | 0:00:16 | |
Red Nose Day ever! | 0:00:16 | 0:00:18 | |
You raised more than £108 million. | 0:00:18 | 0:00:22 | |
So, we want to say a big thank you | 0:00:22 | 0:00:26 | |
and treat you to some of the best bits of Red Nose Day. | 0:00:26 | 0:00:29 | |
Coming up... Billericay's favourite plumber - Smithy, | 0:00:29 | 0:00:33 | |
Miranda, Peter Kay, | 0:00:33 | 0:00:37 | |
-Alan Partridge... -See, now he's funny. | 0:00:37 | 0:00:39 | |
Doctor Who, David Walliams, | 0:00:39 | 0:00:43 | |
and so much more. | 0:00:43 | 0:00:45 | |
CUCKOO SOUND | 0:00:45 | 0:00:46 | |
These guys will be finding out how your money's being spent. | 0:00:46 | 0:00:50 | |
-Very nice! -Yeah. -It's a packed hamper of goodies. | 0:00:50 | 0:00:53 | |
Don't blink - you might miss something! | 0:00:53 | 0:00:56 | |
Put it down before you get... Argh! | 0:00:59 | 0:01:02 | |
I mean, I have done theatre, you know. | 0:01:02 | 0:01:04 | |
Hello there! | 0:01:04 | 0:01:06 | |
Hello! | 0:01:13 | 0:01:15 | |
ALL: Thank you! | 0:01:15 | 0:01:17 | |
You were so amazingly generous this year, | 0:01:17 | 0:01:21 | |
I want to personally thank as many of you as possible. | 0:01:21 | 0:01:24 | |
-Were you generous this year? -I was generous. -Yay! | 0:01:24 | 0:01:27 | |
-Did you give any money to Comic Relief this year? -Yes. | 0:01:27 | 0:01:30 | |
-Did you donate this year, Willie? -Oh, yes, I donated. -Thank you so much. | 0:01:30 | 0:01:33 | |
# Thank you very much... | 0:01:33 | 0:01:35 | |
How are you? Nice to see you. | 0:01:35 | 0:01:36 | |
-How did you donate? -There's more to come. The box in the office. | 0:01:36 | 0:01:40 | |
-The box... Is this? -No. -Wait a minute! | 0:01:40 | 0:01:43 | |
The guy's obviously lying to me! | 0:01:43 | 0:01:46 | |
These people don't work in Subway! | 0:01:46 | 0:01:48 | |
-Did you donate this year? -I did, yes. -Yay! | 0:01:50 | 0:01:54 | |
Let me take over for you. Were you going to comb his hair? | 0:01:54 | 0:01:58 | |
# Nothing is so good it lasts eternally | 0:02:02 | 0:02:07 | |
# Perfect situations must go wrong | 0:02:08 | 0:02:14 | |
# But this has never yet prevented me | 0:02:16 | 0:02:21 | |
# Wanting far too much for far too long | 0:02:22 | 0:02:27 | |
# Looking back I could have played it differently | 0:02:29 | 0:02:34 | |
# Won a few more moments Who can tell? | 0:02:36 | 0:02:41 | |
# But it took time to understand the man | 0:02:43 | 0:02:48 | |
# And now at least I know I know him well | 0:02:49 | 0:02:55 | |
-# Wasn't it good? -Oh, so good | 0:02:55 | 0:02:58 | |
-# Wasn't he fine? -Oh so fine | 0:02:58 | 0:03:01 | |
-# Isn't it madness -Madness | 0:03:01 | 0:03:05 | |
# He won't be mine | 0:03:05 | 0:03:09 | |
# Didn't I know | 0:03:09 | 0:03:12 | |
# How it would go | 0:03:12 | 0:03:14 | |
# If I knew from the start | 0:03:14 | 0:03:19 | |
# Why am I falling apart? | 0:03:19 | 0:03:24 | |
# Wasn't it good? | 0:03:24 | 0:03:27 | |
# Wasn't he fine? | 0:03:27 | 0:03:29 | |
# Isn't it madness? | 0:03:29 | 0:03:32 | |
# He won't be mine | 0:03:32 | 0:03:37 | |
# But in the end he needs a little bit more than me | 0:03:37 | 0:03:42 | |
# More security | 0:03:42 | 0:03:45 | |
# He needs his fantasy and freedom | 0:03:45 | 0:03:50 | |
# I know him so well | 0:03:50 | 0:03:55 | |
# It took time to understand him | 0:03:55 | 0:04:00 | |
# I know him so well. # | 0:04:03 | 0:04:12 | |
CHEERING AND APPLAUSE | 0:04:12 | 0:04:14 | |
-That went well, didn't it? -It did. | 0:04:16 | 0:04:19 | |
I tell you now, I can't wait to get out of this bra. | 0:04:19 | 0:04:22 | |
-Well hurry up, then. I want a cup of tea. -All right, keep your hair on. | 0:04:22 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:27 | |
'I'm a man on a mission. | 0:04:30 | 0:04:32 | |
'I'm out to thank you - the Great British public.' | 0:04:32 | 0:04:35 | |
-Hello. -Hi. -Hi. -Shhh. | 0:04:35 | 0:04:36 | |
'The people who work at this office did their bit for Red Nose Day, | 0:04:36 | 0:04:40 | |
'and I'm here to surprise them.' | 0:04:40 | 0:04:42 | |
So, I'm going to walk into this office | 0:04:42 | 0:04:44 | |
and they don't know I'm coming, which I have to say... | 0:04:44 | 0:04:47 | |
It fills me with a little bit of anxiety. | 0:04:47 | 0:04:49 | |
Because I don't know if they'll care. | 0:04:49 | 0:04:52 | |
I did this once before. I went round Great Ormond Street Hospital. | 0:04:52 | 0:04:57 | |
They asked me to do it and I was a little bit embarrassed because I'm not Princess Diana. | 0:04:57 | 0:05:01 | |
And I walked into a hospital room | 0:05:01 | 0:05:03 | |
and there was this 15-year-old coming round from his operation. | 0:05:03 | 0:05:08 | |
I walked in and the parents, they obviously hadn't seen my work, | 0:05:08 | 0:05:12 | |
and they thought I was the doctor. It was one of the most embarrassing moments of my life | 0:05:12 | 0:05:17 | |
because I said, "So how is he?" And the parents said, | 0:05:17 | 0:05:19 | |
"You tell us. Aren't you the specialist?" I said, "No, I'm a comedian." | 0:05:19 | 0:05:23 | |
They said, "Why have they sent a comedian?" So this is a bit of a worry. | 0:05:23 | 0:05:26 | |
E-Synergy! | 0:05:28 | 0:05:30 | |
Yeah! | 0:05:30 | 0:05:32 | |
APPLAUSE | 0:05:32 | 0:05:34 | |
How are you? Bravo! Look at this, they're all in their stations. | 0:05:34 | 0:05:38 | |
Yes, hello. Well done. Oh, look at you working hard! | 0:05:38 | 0:05:42 | |
Very good, very good. Minimise the porn - I'm coming over! | 0:05:42 | 0:05:46 | |
Very good, nice to meet you. | 0:05:46 | 0:05:48 | |
I'm looking for... I feel like Ant and Dec! | 0:05:48 | 0:05:51 | |
Tim Bunn - where's Tim Bunn? | 0:05:51 | 0:05:53 | |
The Bunn Master! | 0:05:54 | 0:05:56 | |
-Look at Tim Bunn! Hello, Tim Bunn. -Hello, Michael. | 0:05:56 | 0:06:00 | |
-I'm Michael. -Nice to meet you. | 0:06:00 | 0:06:02 | |
Well, we're here today from Comic Relief | 0:06:02 | 0:06:04 | |
to thank you for what you did. | 0:06:04 | 0:06:06 | |
We're basically going round, individually, | 0:06:06 | 0:06:09 | |
-everybody who donated money, which is taking a while, -LAUGHTER | 0:06:09 | 0:06:13 | |
to thank you for the tremendous work. | 0:06:13 | 0:06:15 | |
Did you go out into the streets and raise money in fancy dress? | 0:06:15 | 0:06:19 | |
Yeah, we did. We were all dressed up, we had different themes. | 0:06:19 | 0:06:22 | |
-So who here took part in that? -Pretty much everyone. | 0:06:22 | 0:06:25 | |
Everybody dressed up, all right. And what did you dress up as? | 0:06:25 | 0:06:28 | |
-Chewbacca. -Very good. And how did that go, people were generous? | 0:06:28 | 0:06:32 | |
-Yeah, yeah. It was pretty good. -Who's the boss? -Patrick. -Patrick's the boss. Brilliant! | 0:06:32 | 0:06:36 | |
-One of the bosses. -Does your mum do your hair with her hand and spit? | 0:06:36 | 0:06:40 | |
"Come on, Patrick, it's a big day at work today." | 0:06:40 | 0:06:42 | |
LAUGHTER | 0:06:42 | 0:06:44 | |
"All right, Patrick. Now, remember - you're the man, you're the man! | 0:06:44 | 0:06:47 | |
"You're a tiger, Patrick, all right, darling." | 0:06:47 | 0:06:51 | |
Anyway, very many congratulations. To say thank you from Comic Relief, I'm going to give you some time off. | 0:06:51 | 0:06:56 | |
I'm going to be you and work at your station. An absolute pleasure. | 0:06:56 | 0:07:00 | |
Oh, this is great! | 0:07:00 | 0:07:03 | |
I'm quite nervous about my debut. | 0:07:03 | 0:07:05 | |
PHONE RINGS | 0:07:05 | 0:07:06 | |
The phone is ringing, the phone is ringing. | 0:07:06 | 0:07:08 | |
Tim Bunn! | 0:07:08 | 0:07:10 | |
-This is Tim Bunn's... It's Synen... Senergenic. -LAUGHTER | 0:07:10 | 0:07:15 | |
Can I take your details, please? | 0:07:15 | 0:07:17 | |
I need a pen! | 0:07:17 | 0:07:20 | |
-Thank you for calling E-Synen... Synerenergy - bye! -APPLAUSE | 0:07:20 | 0:07:25 | |
What great fun to meet these guys. | 0:07:25 | 0:07:27 | |
They've done a wonderful thing, as have so many of you. | 0:07:27 | 0:07:31 | |
This is proper rubbish, how am I going to sort this mess out? | 0:07:41 | 0:07:45 | |
-What, Africa? -No! Well, in the long term, yes. | 0:07:45 | 0:07:48 | |
I mean this year's Comic Relief. It really is rubbish at the moment. What are we going to do? | 0:07:48 | 0:07:53 | |
I've just had a no from Blue. | 0:07:53 | 0:07:55 | |
Everything you suggest, the celebrities argue. | 0:07:55 | 0:07:58 | |
It's just "No, no, no, no, no." | 0:07:58 | 0:07:59 | |
We need someone to just tell them what to do. | 0:07:59 | 0:08:02 | |
I think I may know just the man. | 0:08:05 | 0:08:07 | |
MUSIC: "Club Tropicana" by Wham! | 0:08:07 | 0:08:10 | |
CHEERING AND APPLAUSE | 0:08:10 | 0:08:11 | |
PHONE RINGS | 0:08:11 | 0:08:13 | |
Hello? | 0:08:14 | 0:08:15 | |
Hi, is that Smithy? | 0:08:15 | 0:08:16 | |
Who this? | 0:08:16 | 0:08:17 | |
-It's Lenny. -Who? | 0:08:17 | 0:08:19 | |
Lenny Henry? | 0:08:19 | 0:08:20 | |
-Do I know you? -Yes - Lenny Henry, from Lenny Henry Live And Unleashed? | 0:08:20 | 0:08:24 | |
-Nah. -Chef? -Eh? | 0:08:24 | 0:08:26 | |
-Hope and Glory? -Nah, I think you got the wrong number. | 0:08:26 | 0:08:29 | |
I'm the bloke from the Premier Inn adverts? | 0:08:29 | 0:08:32 | |
LENNY! | 0:08:32 | 0:08:34 | |
Ha-ha - you should have said! How are you, mate? | 0:08:34 | 0:08:36 | |
Yeah, good. Look, we really need your help with Comic Relief. | 0:08:36 | 0:08:39 | |
-Any chance you could give a hand? -Ah, I can't. | 0:08:39 | 0:08:41 | |
I'm spending the day with a mate. He's been away for a while. | 0:08:41 | 0:08:44 | |
Please, Smithy. | 0:08:44 | 0:08:46 | |
All right. I'll come in now, but this is the last time. | 0:08:47 | 0:08:50 | |
HE SIGHS | 0:08:52 | 0:08:53 | |
Idiot. | 0:08:53 | 0:08:55 | |
-Who was that, then? -Comic Relief. They need me to go in now. | 0:08:55 | 0:08:58 | |
But you said we'd pick up my photos. | 0:08:58 | 0:09:00 | |
Yeah, well, we'll get them later. | 0:09:00 | 0:09:02 | |
-So, can I come to Comic Relief, then? -No. | 0:09:02 | 0:09:05 | |
-Why? -Because you can't. -Oh, come on. | 0:09:05 | 0:09:08 | |
Let's be honest. You don't want me to come with youbecause you don't want to be seen with a gay man. | 0:09:08 | 0:09:13 | |
-What?! -I've seen the way you look at that mate of yours. | 0:09:13 | 0:09:15 | |
What do you call him, "Gavlar"? | 0:09:15 | 0:09:18 | |
-Such a pair of closet bummers, it is ridiculous. -Um... | 0:09:18 | 0:09:21 | |
Excuse...! Listen, not me... | 0:09:21 | 0:09:23 | |
What you get up to in your spare time is up to you, all right? | 0:09:23 | 0:09:27 | |
Then why can't I come to Comic Relief? | 0:09:27 | 0:09:30 | |
Because you're a joke, George. It's embarrassing. | 0:09:30 | 0:09:32 | |
I can't walk into Comic Relief with you - | 0:09:32 | 0:09:35 | |
Comic Relief's about helping people LIKE you! | 0:09:35 | 0:09:37 | |
LAUGHTER | 0:09:37 | 0:09:39 | |
Don't put your sad face on. | 0:09:43 | 0:09:45 | |
All right. Fine. Be like that. | 0:09:45 | 0:09:48 | |
We'll just listen to some music. | 0:09:50 | 0:09:53 | |
SONG: "I'm Your Man" | 0:09:53 | 0:09:55 | |
Yeah? | 0:09:54 | 0:09:55 | |
You love this one, don't you? | 0:09:55 | 0:09:58 | |
# Call me good, aha | 0:09:58 | 0:10:00 | |
# Call me bad | 0:10:00 | 0:10:02 | |
# Call me anything you want to, baby... # | 0:10:02 | 0:10:05 | |
George! | 0:10:05 | 0:10:06 | |
# And I know, aha, | 0:10:06 | 0:10:07 | |
# That you're sad... # | 0:10:07 | 0:10:08 | |
Come on! # And I know I made you happy | 0:10:08 | 0:10:11 | |
# With the one thing that you never had | 0:10:11 | 0:10:13 | |
BOTH: # Baby | 0:10:14 | 0:10:15 | |
# I'm your man... # | 0:10:15 | 0:10:18 | |
I love it! | 0:10:18 | 0:10:19 | |
BOTH: # Don't you know that? | 0:10:19 | 0:10:21 | |
# Baby | 0:10:21 | 0:10:22 | |
# I'm your man | 0:10:22 | 0:10:26 | |
# You bet! | 0:10:27 | 0:10:28 | |
# If you're gonna do it Do it right - right? | 0:10:28 | 0:10:31 | |
# Do it with me If you're gonna do it | 0:10:31 | 0:10:33 | |
# Do it right - right? Do it with me | 0:10:33 | 0:10:36 | |
# If you're gonna do it Do it right - right? | 0:10:36 | 0:10:39 | |
# Do it with me... # | 0:10:39 | 0:10:41 | |
Right, I'm going in. You wait here, OK? | 0:10:41 | 0:10:43 | |
-Don't go wandering, looking for trouble. -All right, all right! | 0:10:43 | 0:10:47 | |
-Where am I going to go? -Be back in a bit. Love you. | 0:10:47 | 0:10:50 | |
Don't be long! | 0:10:51 | 0:10:53 | |
THEY TALK OVER EACH OTHER | 0:10:54 | 0:10:57 | |
-No presenters... -If anybody should go, it should be them! | 0:10:57 | 0:11:00 | |
It's a disgrace... | 0:11:00 | 0:11:02 | |
TALKING CONTINUES | 0:11:02 | 0:11:03 | |
Whoa, whoa, whoa, whoa! | 0:11:03 | 0:11:06 | |
THEY STOP TALKING | 0:11:06 | 0:11:07 | |
-What's going on in here? -We're trying to work out who'll do what for Comic Relief. | 0:11:07 | 0:11:11 | |
I've just been told that Tennant and Dee | 0:11:11 | 0:11:14 | |
-have already left for Africa. -They sized up the committee and went on their own steam. | 0:11:14 | 0:11:18 | |
-Disrespectful bastards. -OK, Davina. | 0:11:18 | 0:11:20 | |
You may not be live on Channel 4 any more, but please do not swear. | 0:11:20 | 0:11:25 | |
-Sorry. -Apology accepted. | 0:11:25 | 0:11:27 | |
Look, we need a little bit of order in here. | 0:11:27 | 0:11:29 | |
These events are all about strategy. When we successfully pitched | 0:11:29 | 0:11:33 | |
for the 2012 Olympics, we had a ten-point plan. | 0:11:33 | 0:11:36 | |
Sorry, Lord Coe, why is this relevant? | 0:11:36 | 0:11:39 | |
Because that's how we won the 2012 bid. | 0:11:39 | 0:11:43 | |
-I want to go to Africa. -Right? | 0:11:43 | 0:11:46 | |
I just want to give back. You know, it's heartbreaking. | 0:11:46 | 0:11:49 | |
These kids live in such abject poverty | 0:11:49 | 0:11:51 | |
that the words "quidditch" and "Hogwarts" mean nothing to them. | 0:11:51 | 0:11:55 | |
-OK, anyone got a problem with Ron going? -Rupert. -Whatever. | 0:11:55 | 0:12:00 | |
-Yes but would you go on your own? -Yes. Why? -Radcliffe around? | 0:12:00 | 0:12:04 | |
-He's working. -Emma Watson? -She's studying. -Coltrane? -You're joking! | 0:12:04 | 0:12:08 | |
It would just be good if you could go with someone else from the film. | 0:12:08 | 0:12:12 | |
Otherwise you're just a ginger kid walking around with sunburn. | 0:12:12 | 0:12:15 | |
I'll go with him. | 0:12:15 | 0:12:17 | |
It's not ideal but sure, anyone got any objections to Ron and the albino kid | 0:12:17 | 0:12:21 | |
going to Africa to do the appeal film? | 0:12:21 | 0:12:23 | |
Well, I'd like to go. | 0:12:23 | 0:12:25 | |
I think the work Comic Relief is doing is absolutely amazing | 0:12:25 | 0:12:29 | |
and I've got a bit of time on my hands, so I'd like to do it. | 0:12:29 | 0:12:33 | |
It's really important. I'd love to go. | 0:12:33 | 0:12:36 | |
-Hang on, if he's going then... -I guess that's different. | 0:12:36 | 0:12:39 | |
-That would be one powerful film. -That's a great guy. | 0:12:39 | 0:12:43 | |
Yes, Gordon? | 0:12:43 | 0:12:44 | |
Gordon? Gordon? (SNAPS FINGERS) Big dog? | 0:12:44 | 0:12:48 | |
Gordon Brown? We've talked about this before, right? | 0:12:48 | 0:12:51 | |
It's going to be really hot. You know what you get like even under studio lights. | 0:12:51 | 0:12:56 | |
We're talking searing heat. | 0:12:56 | 0:12:57 | |
There'll be little kids jumping all over you, pulling your hair, | 0:12:57 | 0:13:01 | |
you're going to have a radio mic on the whole time. | 0:13:01 | 0:13:05 | |
You go calling a malnourished African a Lester Piggott, | 0:13:05 | 0:13:09 | |
that could do more harm than good. | 0:13:09 | 0:13:11 | |
Maybe you're right, I just shouldn't go. | 0:13:11 | 0:13:15 | |
-I'd love to see him on Let's Dance For Comic Relief though. -That's a good shout. | 0:13:15 | 0:13:18 | |
I had been thinking of doing a duet with JLS. | 0:13:18 | 0:13:21 | |
-That would be huge. -Big time. | 0:13:21 | 0:13:23 | |
-THEY MAKE GUNSHOT NOISES -That's a nice idea. | 0:13:23 | 0:13:26 | |
I've been trying to do something with Tinie Tempah for a while. | 0:13:26 | 0:13:30 | |
OK, you guys, start thinking about a song. | 0:13:30 | 0:13:32 | |
Do you know what I mean, Gordon? I'm thinking... # Everybody in love, | 0:13:32 | 0:13:35 | |
# Go and put your hands up, everybody in love... # | 0:13:35 | 0:13:38 | |
Just put your hands up. # Put your hands up... # (Wait for it) | 0:13:38 | 0:13:42 | |
# Put your hands up...# (Don't take the piss.) | 0:13:42 | 0:13:45 | |
# Everybody in love | 0:13:48 | 0:13:51 | |
# Go put your hands up | 0:13:51 | 0:13:52 | |
# Everybody in love, Go put your hands up | 0:13:52 | 0:13:55 | |
# Everybody in love, go and put your hands up | 0:13:55 | 0:13:59 | |
# If you're in love, put your hands up. # | 0:13:59 | 0:14:01 | |
When we filmed the sketch about who should visit Africa | 0:14:01 | 0:14:04 | |
we had no idea that within a year we'd be lucky enough | 0:14:04 | 0:14:07 | |
to visit this amazing place and see the great work Comic Relief does. | 0:14:07 | 0:14:11 | |
'We're in Uganda and it is an amazing place. | 0:14:13 | 0:14:16 | |
'But we discovered it's not always easy being a kid here. | 0:14:16 | 0:14:20 | |
'There are about 5,000 children | 0:14:20 | 0:14:22 | |
'living on the streets of the capital, Kampala. | 0:14:22 | 0:14:25 | |
'They face daily dangers like street crime, violence and abuse. | 0:14:25 | 0:14:29 | |
'For them, life's really tough.' | 0:14:29 | 0:14:32 | |
'We wanted to see for ourselves how the money you gave is helping | 0:14:36 | 0:14:40 | |
'many of those orphaned and abandoned kids. | 0:14:40 | 0:14:43 | |
'This centre helps children as young as five who've been living on the streets. | 0:14:43 | 0:14:49 | |
'They're fed, sheltered | 0:14:49 | 0:14:51 | |
'and given a given a chance to get their lives back on track | 0:14:51 | 0:14:54 | |
'by going to school, often for the first time.' | 0:14:54 | 0:14:56 | |
THEY TALK OVER EACH OTHER | 0:14:56 | 0:14:59 | |
-OK, so my name's Oritse. -Oritse? -Oritse. | 0:15:01 | 0:15:03 | |
And if anybody gets this right, I'm going to give them prize myself. | 0:15:03 | 0:15:07 | |
LAUGHTER | 0:15:07 | 0:15:09 | |
-He? -He! | 0:15:09 | 0:15:10 | |
APPLAUSE | 0:15:10 | 0:15:12 | |
'It's great to be able to meet some of the kids who come here.' | 0:15:14 | 0:15:17 | |
-What's your name? -Nicholas. -Nicholas. | 0:15:17 | 0:15:21 | |
-How old are you now? -13. | 0:15:21 | 0:15:23 | |
-I want to be a singer. -Go for it. | 0:15:23 | 0:15:27 | |
# Let it snow, let it snow, let it snow, | 0:15:27 | 0:15:30 | |
# Let it snow, let it snow, let it snow... # | 0:15:30 | 0:15:35 | |
Yeah, that's good. | 0:15:36 | 0:15:38 | |
'Seeing Nicholas look so happy is brilliant | 0:15:38 | 0:15:41 | |
'but you don't have to dig very deep to see the damage done | 0:15:41 | 0:15:45 | |
'by years of living on the streets.' | 0:15:45 | 0:15:47 | |
So how do you get money? How do you get around? | 0:15:49 | 0:15:52 | |
Money, how I get it, I'm just begging. | 0:15:52 | 0:15:56 | |
My mother or my father, they have died. | 0:15:56 | 0:15:59 | |
Sorry. | 0:16:02 | 0:16:04 | |
Ah... | 0:16:04 | 0:16:06 | |
Come here. | 0:16:06 | 0:16:07 | |
CRIES | 0:16:09 | 0:16:11 | |
You're an amazing young man, Nicholas. Amazing. | 0:16:11 | 0:16:16 | |
Nicholas was saying this is like his family here now. | 0:16:19 | 0:16:21 | |
He's lost his mother and father but the people who look after him here - | 0:16:21 | 0:16:25 | |
and the kids - are...they're a big family unit. | 0:16:25 | 0:16:29 | |
And it's fantastic being here today. | 0:16:29 | 0:16:32 | |
This is a place that turns a negative into a major positive. | 0:16:32 | 0:16:35 | |
'The amazing staff here have created a safe haven for these kids' | 0:16:37 | 0:16:41 | |
so they can get an education and a job skill or be a child without fear of someone wanting to hurt them. | 0:16:41 | 0:16:46 | |
WHISTLE | 0:16:46 | 0:16:47 | |
'All this is possible, thanks to the money you gave on Red Nose Day.' | 0:16:49 | 0:16:56 | |
Yo! Yo! | 0:16:56 | 0:16:58 | |
You beautiful, brilliant people at home who have picked up the phone | 0:17:00 | 0:17:04 | |
have already made a massive, huge difference to kids like this. | 0:17:04 | 0:17:08 | |
ALL: Thank you. | 0:17:08 | 0:17:09 | |
CHEERING AND APPLAUSE | 0:17:09 | 0:17:10 | |
'Your money's not just helping the kids at this project. | 0:17:10 | 0:17:14 | |
'£4 million has been spent on education for Africa's poorest children.' | 0:17:14 | 0:17:19 | |
CHEERING AND APPLAUSE | 0:17:23 | 0:17:24 | |
Everyone wanted to take part in Red Nose Day this year. | 0:17:24 | 0:17:29 | |
The night was packed with acts, sketches | 0:17:31 | 0:17:34 | |
and even a Time Lord special. | 0:17:34 | 0:17:36 | |
Dum, dum, dum, dum dum... | 0:17:38 | 0:17:39 | |
MIMICS DOCTOR WHO THEM TUNE | 0:17:39 | 0:17:43 | |
MUSIC | 0:17:43 | 0:17:45 | |
Doctor, what's happened? | 0:18:04 | 0:18:07 | |
Safest spot available. | 0:18:07 | 0:18:09 | |
The TARDIS has materialised inside itself. | 0:18:09 | 0:18:12 | |
-Is that supposed to happen? -Take a guess. | 0:18:12 | 0:18:16 | |
-No? -That's the one. | 0:18:16 | 0:18:19 | |
Whoa, what are you doing? | 0:18:19 | 0:18:21 | |
I've absolutely no idea. | 0:18:23 | 0:18:25 | |
OK, that is a bit weird. | 0:18:29 | 0:18:32 | |
-That is actually pretty cool. -I'm glad you're entertained, Rory! | 0:18:34 | 0:18:38 | |
Now we're stuck here for eternity, at least you won't be bored. | 0:18:38 | 0:18:42 | |
-We're stuck? -Inside of the TARDIS is now joined to the outside, | 0:18:42 | 0:18:46 | |
worse than a time warp or space loop. | 0:18:46 | 0:18:48 | |
Nothing can enter or leave this ship ever again. | 0:18:48 | 0:18:51 | |
OK, kids. This is where it gets complicated. | 0:18:56 | 0:18:58 | |
CHEERING AND APPLAUSE | 0:18:58 | 0:19:00 | |
Oh dear. During that Dr Who instalment, | 0:19:02 | 0:19:04 | |
I accidentally dropped a thermo coupling and a studio has appeared inside the studio | 0:19:04 | 0:19:09 | |
here at television Centre. We're now caught in a time and space loop. | 0:19:09 | 0:19:13 | |
Nothing can leave the studio ever again. | 0:19:13 | 0:19:16 | |
This is where it gets complicated. | 0:19:17 | 0:19:20 | |
THEY MIMIC DR WHO THEME TUNE | 0:19:20 | 0:19:22 | |
-All right, thanks. -Display... | 0:19:25 | 0:19:27 | |
Excuse me, could I have a picture with you too? | 0:19:27 | 0:19:31 | |
but first I need to know who you are. | 0:19:31 | 0:19:34 | |
-I'm Andy Murray. -I know that but what do you do? | 0:19:34 | 0:19:38 | |
-I play tennis. -Yes, but what do you do as a job? | 0:19:38 | 0:19:41 | |
-Tennis is my job. -No, tennis isn't a job. | 0:19:41 | 0:19:45 | |
-Karen. -Like I play tennis, you go and you book a court for an hour | 0:19:45 | 0:19:50 | |
and what do you do for the rest of the day? | 0:19:50 | 0:19:53 | |
-I practise. -Could you sign my forehead? | 0:19:53 | 0:19:55 | |
-Karen! -Are you like that man in the park that coaches children and puts out coats? | 0:19:55 | 0:20:00 | |
-He's Britain's top tennis player. -Is that good? -Yes, that's good. | 0:20:00 | 0:20:05 | |
-Well, it's not bad. -You don't know how to work one of these, do you? | 0:20:05 | 0:20:08 | |
-No, sorry. -Andy... -Your mates don't believe it's me, do they? | 0:20:08 | 0:20:13 | |
Do you reckon you could shout "focus" nice and Scottish? | 0:20:13 | 0:20:16 | |
Hang on, are you British or Scottish? | 0:20:16 | 0:20:19 | |
That depends whether I win or not. | 0:20:19 | 0:20:21 | |
OK, sorted. So everyone smile. | 0:20:21 | 0:20:24 | |
-OK, great. So... -I don't know what happened then. | 0:20:24 | 0:20:28 | |
-You know women tennis players? -Yes? | 0:20:28 | 0:20:31 | |
-I've heard they're men. -Karen! -It's true, like Lady Gaga. -I've cracked it. | 0:20:31 | 0:20:35 | |
-I heard that too. -Smile, brilliant. | 0:20:35 | 0:20:37 | |
I bet you get this all the time, don't you? | 0:20:37 | 0:20:39 | |
Not quite like this, no. Thank you, guys. | 0:20:39 | 0:20:42 | |
Actually would you mind if I get one of...? | 0:20:42 | 0:20:44 | |
Excuse me. Could you...? It's very easy to use, cheers. | 0:20:44 | 0:20:48 | |
-Do you fancy a game sometime? -Well... | 0:20:48 | 0:20:51 | |
I can only do Tuesdays | 0:20:51 | 0:20:53 | |
or I can do Wednesday if I bunk off the behavioural support unit. | 0:20:53 | 0:20:56 | |
-Have you got us all in? -Seriously, what is your real job? | 0:20:56 | 0:21:00 | |
-Just huddle up. -Karen, stop bothering him. | 0:21:00 | 0:21:02 | |
Sorry, this will have to be the last one. | 0:21:02 | 0:21:04 | |
Hang on, I haven't shown you my special shot yet. The middle hand. | 0:21:04 | 0:21:08 | |
-You sure it's not the cack hand? -It's like... | 0:21:08 | 0:21:10 | |
Ben! You nearly hit Andy again. | 0:21:10 | 0:21:13 | |
-Just calm down before you get... -Ow! | 0:21:13 | 0:21:17 | |
-Look what you've done now! -I'm so sorry. | 0:21:17 | 0:21:22 | |
It's OK, it's OK. | 0:21:22 | 0:21:23 | |
Oh, look, there is my friend. | 0:21:23 | 0:21:27 | |
Ow... | 0:21:27 | 0:21:28 | |
Good luck in the tournament tomorrow. | 0:21:30 | 0:21:33 | |
He was a bit standoffish, wasn't he? | 0:21:35 | 0:21:38 | |
'Thousands of schools and nurseries all over Britain got involved in Red Nose Day | 0:21:40 | 0:21:45 | |
'and between them raised more than £8 million.' | 0:21:45 | 0:21:49 | |
I've popped into one of them, Sir John Cass Primary in London. | 0:21:49 | 0:21:53 | |
First stop, the staff room to surprise the teachers. | 0:21:53 | 0:21:56 | |
Hello. Teachers! | 0:21:56 | 0:21:59 | |
Hello! | 0:21:59 | 0:22:00 | |
What kind of a meeting is this?! | 0:22:00 | 0:22:04 | |
-Hello! -Hello! -Oh, wonderful. Hello! | 0:22:04 | 0:22:09 | |
How exciting. What a pleasure. | 0:22:09 | 0:22:12 | |
I'm sorry to interrupt, | 0:22:12 | 0:22:14 | |
I didn't know only one of you is allowed to eat lunch every day. | 0:22:14 | 0:22:18 | |
It's important to open with a yoghurt. | 0:22:18 | 0:22:20 | |
Most people have that as a dessert. Go your own way. | 0:22:20 | 0:22:23 | |
I'm basically here to thank you for raising money for such a wonderful cause | 0:22:23 | 0:22:29 | |
and so many people raised so much money, | 0:22:29 | 0:22:32 | |
over £108 million, which is sensational. | 0:22:32 | 0:22:35 | |
CHEERING AND APPLAUSE | 0:22:35 | 0:22:36 | |
-Is Ginella here? -ALL: Yes! -Ah, lovely Ginella! | 0:22:39 | 0:22:42 | |
Fabulous. OK, move up. | 0:22:42 | 0:22:45 | |
-Ginella, what is it you teach at the moment? -Year six. -Year six. | 0:22:47 | 0:22:51 | |
-How old are they? -They're 11. | 0:22:51 | 0:22:53 | |
-What do you teach? -I'm the head teacher. -No way! | 0:22:53 | 0:22:57 | |
This guy?! | 0:22:57 | 0:22:58 | |
LAUGHTER | 0:22:58 | 0:23:00 | |
I thought HE was the head teacher! | 0:23:00 | 0:23:04 | |
I look forward to the part. | 0:23:04 | 0:23:06 | |
People just switching on might think this is a makeover show, | 0:23:08 | 0:23:11 | |
whereby an hour later we turn this guy, | 0:23:11 | 0:23:15 | |
into this guy! | 0:23:15 | 0:23:17 | |
LAUGHTER AND APPLAUSE | 0:23:17 | 0:23:21 | |
OK, listen, Ginella, can I just ask you how much you raised this year? | 0:23:21 | 0:23:25 | |
-We raised £2,400. -That's fantastic, well done. | 0:23:25 | 0:23:29 | |
-And I understand you did a flash mob, is that right? -We did. | 0:23:29 | 0:23:33 | |
# Reach for the stars | 0:23:33 | 0:23:36 | |
# Climb every mountain higher Reach for the stars... # | 0:23:36 | 0:23:41 | |
As a thank you, I'm not quite sure how this is going to go, | 0:23:45 | 0:23:49 | |
-I'm going to give you some extended time off. -Oh, thanks. | 0:23:49 | 0:23:54 | |
I might be making a mistake, but I'm going to teach your class, is that all right? | 0:23:54 | 0:23:58 | |
-Definitely. -The headmaster's going to give you a bit of a foot massage... -I will do that. | 0:23:58 | 0:24:03 | |
-No problem. -You would agree? -My pleasure. | 0:24:03 | 0:24:06 | |
He seems so agreeable. | 0:24:06 | 0:24:08 | |
-And a raise? -I'm not sure about that. -OK! | 0:24:08 | 0:24:12 | |
Hello, Harry. | 0:24:14 | 0:24:15 | |
Oh. Hi, Kate. | 0:24:15 | 0:24:17 | |
Er, and the other bloke. | 0:24:17 | 0:24:19 | |
I'm here in a wood. | 0:24:19 | 0:24:22 | |
Sorry, just a minute. Do you mind? | 0:24:22 | 0:24:24 | |
-I'm trying to film Autumn Watch here. -It's not Autumn. | 0:24:26 | 0:24:29 | |
Well, it is. | 0:24:29 | 0:24:31 | |
Sorry, Kate. I'm here in a wood | 0:24:33 | 0:24:35 | |
Let's see what wildlife we can see. | 0:24:35 | 0:24:38 | |
Up there, look! | 0:24:38 | 0:24:39 | |
It's an Oddie. Yes. And he's in his winter coat. | 0:24:41 | 0:24:45 | |
Mm. Eating the last few leaves. | 0:24:45 | 0:24:47 | |
He'll store that energy for his hibernation, which takes place over the winter months. | 0:24:47 | 0:24:51 | |
Although, occasionally, you hear him doing a voice-over for an advert. | 0:24:51 | 0:24:56 | |
CUCKOO CALL | 0:24:56 | 0:24:57 | |
Oh! And that is the familiar cry of the Alex Jones. | 0:24:57 | 0:24:59 | |
CUCKOO CALL | 0:24:59 | 0:25:02 | |
There she is. She'll be heading back to her nest, | 0:25:03 | 0:25:08 | |
which she shares with a footballer, I think it is. | 0:25:08 | 0:25:11 | |
SHE SCREAMS | 0:25:11 | 0:25:14 | |
The Oddie, of course, will spend much of its time... | 0:25:14 | 0:25:17 | |
CUCKOO! | 0:25:17 | 0:25:19 | |
All right, Alex. | 0:25:19 | 0:25:20 | |
Isn't what you expect, is it? | 0:25:20 | 0:25:22 | |
HE MUMBLES Oh, what was that? | 0:25:22 | 0:25:25 | |
A Clifton. | 0:25:25 | 0:25:26 | |
I don't believe it. Increasingly rare these days, as it's flightless. | 0:25:26 | 0:25:29 | |
It's poorly camouflaged and it's easily found by predators. | 0:25:29 | 0:25:33 | |
There, you see. | 0:25:33 | 0:25:36 | |
The Wanted. | 0:25:36 | 0:25:37 | |
Tom, Matt, Siva, Jay, Nathan. | 0:25:39 | 0:25:42 | |
See how they bring down the ageing Clifton and eat his body. | 0:25:42 | 0:25:47 | |
ROARING SOUND | 0:25:47 | 0:25:48 | |
But look! | 0:25:48 | 0:25:50 | |
Oh, the Olly! | 0:25:50 | 0:25:52 | |
Yes, and he's seen them off and claims their kill as his own. | 0:25:52 | 0:25:57 | |
Well, amazing what you can see outside in the autumn, isn't it, Kate? | 0:25:57 | 0:26:02 | |
Which is your favourite, Harry? | 0:26:02 | 0:26:04 | |
Difficult, isn't it? I like The Wanted, but then I like Olly Murs. | 0:26:04 | 0:26:09 | |
Which is better? There's any one way to find out. Fight! | 0:26:09 | 0:26:13 | |
MUSIC: Theme from Animal Magic | 0:26:13 | 0:26:15 | |
'It's time for my maths class.' | 0:26:25 | 0:26:28 | |
Let me tell you who I am. | 0:26:28 | 0:26:30 | |
-Is this what people do? -CHILDREN: No! | 0:26:30 | 0:26:33 | |
-No. -The red one! | 0:26:33 | 0:26:36 | |
The red one. | 0:26:36 | 0:26:37 | |
ALL: Yes. | 0:26:37 | 0:26:39 | |
Can you write on here? | 0:26:39 | 0:26:41 | |
-ALL: No! -LAUGHTER | 0:26:41 | 0:26:43 | |
What? What are you saying? | 0:26:43 | 0:26:44 | |
-ALL SHOUT -That one! | 0:26:44 | 0:26:46 | |
-You write on this? -ALL: Yes. -No way! -ALL: Yes! | 0:26:46 | 0:26:51 | |
-You put a pen on this screen? -ALL: Yes. | 0:26:51 | 0:26:53 | |
-Just do it. -All right, I will! -LAUGHTER | 0:26:53 | 0:26:56 | |
My name is Mi... | 0:26:56 | 0:26:58 | |
-Michael! -LAUGHTER | 0:27:01 | 0:27:04 | |
Now, class, I'm going to teach you something called maths. All right? | 0:27:04 | 0:27:11 | |
LAUGHTER | 0:27:11 | 0:27:14 | |
CHILDREN: You spelled it wrong! | 0:27:14 | 0:27:16 | |
-I spelt what wrong? -ALL: Maths! -This isn't English. Get off my back! | 0:27:16 | 0:27:19 | |
LAUGHTER | 0:27:19 | 0:27:21 | |
Can anybody tell me what maths is? | 0:27:21 | 0:27:23 | |
-What is maths? -You add up numbers, divide it, times it, or you take it away. | 0:27:23 | 0:27:27 | |
That is pretty much maths. | 0:27:27 | 0:27:29 | |
In Kenya, which is a place in Africa, an exercise book costs 60p. | 0:27:29 | 0:27:34 | |
All right? | 0:27:34 | 0:27:35 | |
How many exercise books could you buy in Kenya for £3? | 0:27:35 | 0:27:40 | |
CHILDREN CALL OUT ANSWER | 0:27:42 | 0:27:44 | |
I think it is five. Is it five? It's five. | 0:27:45 | 0:27:48 | |
Well done. Congratulations. Well done. | 0:27:48 | 0:27:50 | |
APPLAUSE | 0:27:50 | 0:27:52 | |
That will be five books for people who so badly need them | 0:27:52 | 0:27:55 | |
and I thank you for helping to contribute to that. | 0:27:55 | 0:27:58 | |
A round of applause for yourselves and keep raising money for Comic Relief! | 0:27:58 | 0:28:02 | |
CHEERING | 0:28:02 | 0:28:04 | |
'Lenny Henry knows how the sums add up. He's been back to Africa | 0:28:07 | 0:28:12 | |
'to see how your money's been making a difference.' | 0:28:12 | 0:28:15 | |
'The last Red Nose Day, Angela Rippon, Reggie Yates, Samantha Womack and I | 0:28:17 | 0:28:22 | |
'spent a week living in Kibera in Nairobi in Kenya.' | 0:28:22 | 0:28:26 | |
'It's one of the biggest slums in Africa and home to a million people.' | 0:28:26 | 0:28:31 | |
'I wanted to experience what life is like for those who have no option but to live here.' | 0:28:31 | 0:28:35 | |
Hello. 'It's where I met 16-year-old Bernard, who is the head of his family, | 0:28:37 | 0:28:41 | |
'struggling to raise his three younger sisters and brother.' | 0:28:41 | 0:28:45 | |
-Hello, how are you? -I'm fine. -Is this your family? | 0:28:45 | 0:28:47 | |
-Yes, this is my family. -OK. | 0:28:47 | 0:28:50 | |
'This family of five lived in squalid conditions, all of them squeezed into a tiny room | 0:28:50 | 0:28:55 | |
'next to the stench of an overflowing communal toilet.' | 0:28:55 | 0:28:58 | |
-Oh! -This is the house. | 0:28:58 | 0:29:00 | |
-Oh, can you smell it? Oh! -The smells? | 0:29:00 | 0:29:02 | |
Oh, God. | 0:29:02 | 0:29:04 | |
Bernard's mum died when he was 12 | 0:29:05 | 0:29:08 | |
and his father was murdered in the post-election violence of 2007. | 0:29:08 | 0:29:12 | |
He had gone to look how the votes are being counted. | 0:29:12 | 0:29:16 | |
Just go and look. | 0:29:16 | 0:29:18 | |
And that's why he was killed. | 0:29:18 | 0:29:20 | |
HE SOBS | 0:29:20 | 0:29:22 | |
Hey, hey, hey. | 0:29:22 | 0:29:25 | |
Hey, hey, hey. It's all right. | 0:29:25 | 0:29:27 | |
It must have been terrible. | 0:29:29 | 0:29:31 | |
BERNARD SOBS | 0:29:31 | 0:29:32 | |
'Seeing these kids struggling to survive in appalling conditions | 0:29:34 | 0:29:37 | |
'with no-one to help them just broke me.' | 0:29:37 | 0:29:41 | |
This is the worst... This is the... | 0:29:41 | 0:29:43 | |
This is the worst I've ever seen. | 0:29:43 | 0:29:46 | |
I've never seen anything like this. | 0:29:46 | 0:29:48 | |
HE SOBS | 0:29:48 | 0:29:51 | |
It's all right. | 0:29:52 | 0:29:54 | |
The time I spent here in Kibera in Kenya | 0:30:02 | 0:30:05 | |
was really life-changing for me. The fantastic news is that, | 0:30:05 | 0:30:09 | |
because of the money you gave on Red Nose Night, | 0:30:09 | 0:30:12 | |
we're in a process of changing lives right here. | 0:30:12 | 0:30:14 | |
In fact, we are busy right here in Kibera, spending £1 million | 0:30:14 | 0:30:18 | |
of your money on all sorts of things. | 0:30:18 | 0:30:20 | |
'It's doing things like helping people start up | 0:30:21 | 0:30:24 | |
'small businesses and building new homes with decent sanitation. | 0:30:24 | 0:30:28 | |
'Having got to know Bernard and his family, and seeing | 0:30:31 | 0:30:34 | |
'how tough life was for them, I was moved to do all I could to help.' | 0:30:34 | 0:30:38 | |
-HE LAUGHS -Hey, hey, hey! | 0:30:38 | 0:30:41 | |
-This is our new house. -'I've come back to see how they're getting on. | 0:30:43 | 0:30:47 | |
'They've got a new home, as I did what you did. | 0:30:47 | 0:30:49 | |
'I dipped my hand in my pocket | 0:30:49 | 0:30:51 | |
'because I couldn't bear to see the way they were living.' | 0:30:51 | 0:30:55 | |
Look at that. Lovely light coming down. Get in there with your big bucket of water. | 0:30:55 | 0:30:59 | |
# We've got a shower | 0:30:59 | 0:31:01 | |
# We've got a shower We've got a shower, la, la, la. # | 0:31:01 | 0:31:05 | |
Oh, my goodness! | 0:31:05 | 0:31:07 | |
I love what you've done with the place! | 0:31:07 | 0:31:11 | |
'OK, it's basic. | 0:31:12 | 0:31:13 | |
'But it's a heck of a lot better than what they had before.' | 0:31:13 | 0:31:16 | |
Much better. | 0:31:16 | 0:31:18 | |
In there, yeah. It is a conducive environment. | 0:31:18 | 0:31:22 | |
I like that. "It's a conducive environment." | 0:31:22 | 0:31:25 | |
-It is a conducive environment for learning! -Yeah! | 0:31:25 | 0:31:29 | |
'And that's not all. | 0:31:29 | 0:31:31 | |
'This is where things get even more brilliant. | 0:31:31 | 0:31:34 | |
'Bernard and lots of kids in Kibera | 0:31:34 | 0:31:36 | |
'are now going to school supported by the money you gave. | 0:31:36 | 0:31:40 | |
'This will make all the difference. Housing, sanitation | 0:31:40 | 0:31:43 | |
'and schooling are all improving here, thanks to your money.' | 0:31:43 | 0:31:46 | |
Do you still want to be an engineer? | 0:31:46 | 0:31:48 | |
-Yeah, that is what I still stick on. -So, what subjects are you doing? | 0:31:48 | 0:31:52 | |
OK, I'm doing physics. OK, for now I'm doing all of them, both of them, | 0:31:52 | 0:31:55 | |
physics, biology, English, Kiswahili. | 0:31:55 | 0:32:00 | |
-So you're doing seven subjects? -11 subjects, not seven. | 0:32:00 | 0:32:04 | |
11!? Where's the rest of them? | 0:32:04 | 0:32:05 | |
History, geography, chemistry, and then biology. I'm forgetting. | 0:32:05 | 0:32:12 | |
-Biology. There's one more missing. -Yeah, there is one more. | 0:32:12 | 0:32:15 | |
Maths I've counted. | 0:32:17 | 0:32:19 | |
This is amazing. So, there you have it. | 0:32:21 | 0:32:24 | |
Bernard's life has changed and it's all down to you. | 0:32:24 | 0:32:27 | |
Thank you, thank you and once again, thank you. | 0:32:27 | 0:32:30 | |
-Yeah, thank you. -You didn't have to say that. That was my... | 0:32:30 | 0:32:34 | |
That was my job! | 0:32:34 | 0:32:36 | |
'Bernard's family isn't the only one getting help. | 0:32:36 | 0:32:39 | |
'The money you gave is being spent improving housing | 0:32:39 | 0:32:42 | |
'and sanitation in Africa's urban slums.' | 0:32:42 | 0:32:45 | |
MICHAEL McINTYRE: All over Britain, | 0:32:49 | 0:32:51 | |
people took part in stunts and challenges to raise money. | 0:32:51 | 0:32:55 | |
And a host of famous faces strutted their stuff | 0:32:55 | 0:32:57 | |
for Let's Dance for Comic Relief. | 0:32:57 | 0:33:00 | |
Russell Kay was Bootylicious. | 0:33:02 | 0:33:04 | |
MUSIC: "Crazy in Love" by Beyonce | 0:33:04 | 0:33:06 | |
And Katie Price strangely attractive. | 0:33:07 | 0:33:10 | |
MUSIC: "I Want to Break Free" by Queen | 0:33:10 | 0:33:12 | |
MUSIC: Puttin' On The Ritz | 0:33:12 | 0:33:15 | |
But they were floored by James Thornton and Charlie Baker's toe-tappin' tramps. | 0:33:15 | 0:33:19 | |
APPLAUSE | 0:33:19 | 0:33:21 | |
It wasn't just on television that money was raised for Red Nose Day. | 0:33:24 | 0:33:29 | |
Radio 1's Chris Moyles did something extraordinary. | 0:33:29 | 0:33:32 | |
-He hosted a 52 hour long radio show. -I'm smiling. | 0:33:32 | 0:33:37 | |
-AS BRIAN COX: -You've been on the air for 10,000 trillion years. -Feels like it. | 0:33:37 | 0:33:41 | |
-Ready? -Boom! -Wow! | 0:33:41 | 0:33:43 | |
I've got a red nose over my Davina McCall's. | 0:33:45 | 0:33:48 | |
It's Lily Allen! | 0:33:48 | 0:33:50 | |
You're doing this for all the right reasons. | 0:33:50 | 0:33:52 | |
This is the most awkward thing I've ever done in my entire life. | 0:33:52 | 0:33:56 | |
Yeah! Why not!? | 0:33:56 | 0:33:57 | |
-Absolutely unbelievable. -Congratulations. What an epic effort there. | 0:33:58 | 0:34:02 | |
Congratulations to Chris, to Comedy Dave, the whole team at Radio 1 | 0:34:02 | 0:34:06 | |
who raised a staggering £2.6 million for Comic Relief. | 0:34:06 | 0:34:10 | |
CHEERING | 0:34:10 | 0:34:11 | |
January 2011, and Comic Relief have challenged | 0:34:14 | 0:34:17 | |
the cast of The Inbetweeners to visit | 0:34:17 | 0:34:20 | |
50 of the rudest place names in the country | 0:34:20 | 0:34:22 | |
in just 50 hours. | 0:34:22 | 0:34:24 | |
Rude place number 26, I believe. | 0:34:24 | 0:34:26 | |
They're being sponsored £500 for every location they visit. | 0:34:26 | 0:34:30 | |
-We don't deserve a penny if we don't do all 50. -'Travelling in their trusty Fiat featured in the series, | 0:34:30 | 0:34:35 | |
'they're risking life and limb...' | 0:34:35 | 0:34:37 | |
-Oh, don't let go! -..in a race against time. | 0:34:37 | 0:34:40 | |
To the car! TYRES SCREECH | 0:34:40 | 0:34:43 | |
Argh. | 0:34:53 | 0:34:54 | |
-There it is, Nelson's Column. Shall we do it? -Let's do it. | 0:35:00 | 0:35:03 | |
-Yeah. Oh, sorry. -It's a film. Do you want to make a run for it? | 0:35:08 | 0:35:12 | |
-Done it. -It's the bloody pigs! | 0:35:14 | 0:35:16 | |
Cumming Street. | 0:35:18 | 0:35:20 | |
Do your walk. | 0:35:25 | 0:35:27 | |
Pratt Walk. | 0:35:29 | 0:35:32 | |
-It's a regular walk. -It's a pratt walk. -It's a normal walk. | 0:35:32 | 0:35:35 | |
The clock is ticking. How long left now? | 0:35:35 | 0:35:37 | |
One hour, five minutes. | 0:35:37 | 0:35:39 | |
Helmet Row. | 0:35:43 | 0:35:45 | |
There they are! | 0:35:48 | 0:35:50 | |
-Yes! -Good. Let's go. | 0:35:52 | 0:35:55 | |
-It's the next left once you're on this road. -And that's Cock Lane? | 0:35:57 | 0:36:01 | |
-That's Cock Lane. -And we've got one minute? -Come on! | 0:36:01 | 0:36:04 | |
CHEERING | 0:36:04 | 0:36:06 | |
We've done it! We've done it. | 0:36:06 | 0:36:08 | |
APPLAUSE | 0:36:08 | 0:36:09 | |
Cock Lane. | 0:36:13 | 0:36:15 | |
CHEERING | 0:36:17 | 0:36:20 | |
-That's it. That's it. -We do need a bit of love, actually. | 0:36:20 | 0:36:23 | |
-We need to know how many we've done. -52. You've surpassed it, boys. | 0:36:23 | 0:36:27 | |
-All right! -We've done it! -CHEERING | 0:36:27 | 0:36:31 | |
MUSIC: "Alright! by Supergrass | 0:36:31 | 0:36:32 | |
So, despite that car being absolutely disgusting inside, | 0:36:32 | 0:36:36 | |
the boys completed the challenge by visiting 52 rude place names | 0:36:36 | 0:36:42 | |
and raising £52,000 all in the name of Comic Relief. | 0:36:42 | 0:36:45 | |
Well done, boys. For once, I am actually proud of you. | 0:36:45 | 0:36:49 | |
40% of the money you raised is being spent in the UK | 0:36:52 | 0:36:56 | |
on projects helping the young and old. | 0:36:56 | 0:37:00 | |
There are 750,000 people in Britain affected by dementia. | 0:37:00 | 0:37:04 | |
Ruth Jones knows just how important a support network can be. | 0:37:04 | 0:37:08 | |
APPLAUSE | 0:37:08 | 0:37:10 | |
Earlier this year, I met Ron who looked after Gladys. | 0:37:11 | 0:37:16 | |
Gladys had Alzheimer's. | 0:37:16 | 0:37:18 | |
Another bite. | 0:37:19 | 0:37:21 | |
He was absolutely brilliant with her. It wasn't easy for him. | 0:37:21 | 0:37:25 | |
Gladys and Ron's story really touched me. | 0:37:25 | 0:37:29 | |
We are all going to get old, aren't we? Oh, gosh. | 0:37:30 | 0:37:32 | |
And I just hope that I would be lucky enough to be looked after, | 0:37:33 | 0:37:37 | |
if it did happen to me, in the way that Gladys is looked after by Ron. | 0:37:37 | 0:37:42 | |
Sadly, just three months after filming, Gladys died. | 0:37:44 | 0:37:47 | |
Ron's been struggling with the loss and loneliness since then, | 0:37:49 | 0:37:52 | |
but one real lifeline for him has been a brandnew drop-in cafe, | 0:37:52 | 0:37:56 | |
supported by Comic Relief, for people affected by Alzheimer's and dementia. | 0:37:56 | 0:38:01 | |
# The weather here has been as nice as it can be... # | 0:38:04 | 0:38:09 | |
Ron doesn't know I'm here today. | 0:38:11 | 0:38:13 | |
I'm really keen to see how he's getting on. | 0:38:13 | 0:38:15 | |
-Hello. -Hello, Ruth. -How are you? | 0:38:17 | 0:38:21 | |
-Lovely to see you. -Lovely to see you. | 0:38:21 | 0:38:24 | |
I can't imagine what it must be like to lose a loved one. | 0:38:26 | 0:38:30 | |
-I mustn't talk about it. -Aw. | 0:38:30 | 0:38:33 | |
-It's awful. -Yeah. -But I think it'll get better. | 0:38:34 | 0:38:38 | |
Because I'm feeling better now about it. You know? I'm feeling better. | 0:38:38 | 0:38:42 | |
Before, I just couldn't mention her name, to be quite honest. | 0:38:42 | 0:38:45 | |
-And you looked after her so beautifully. -Thank you. | 0:38:45 | 0:38:49 | |
You were a wonderful husband to her. | 0:38:49 | 0:38:51 | |
I hoped I was. Anyway, she's in peace now. | 0:38:51 | 0:38:55 | |
Yeah. | 0:38:55 | 0:38:57 | |
-Do you come here a lot? -Yes, I do. I came here from when it began. | 0:39:00 | 0:39:04 | |
It's something I look forward to. | 0:39:04 | 0:39:07 | |
If you can get one thing a day to look forward to, it's quite good, really. | 0:39:07 | 0:39:12 | |
Oh. | 0:39:12 | 0:39:14 | |
Give yourselves some space to breathe for singing. | 0:39:14 | 0:39:17 | |
This is just one of thousands of projects Comic Relief is helping in the UK. | 0:39:17 | 0:39:22 | |
THEY SING: # You are my sunshine, my only sunshine... | 0:39:22 | 0:39:28 | |
# You make me happy | 0:39:28 | 0:39:32 | |
# When skies are grey | 0:39:32 | 0:39:36 | |
# You never noticed | 0:39:36 | 0:39:40 | |
# How much I loved you... # | 0:39:40 | 0:39:44 | |
Your money is helping Ron and others like him to keep going | 0:39:44 | 0:39:48 | |
and to realise they're not on their own. | 0:39:48 | 0:39:50 | |
Thank you so much. | 0:39:50 | 0:39:52 | |
# ..Always. # | 0:39:52 | 0:39:59 | |
Ron isn't the only one supported by the money you raised. | 0:40:01 | 0:40:04 | |
£1.5 million has been spent on vulnerable older people in the UK. | 0:40:04 | 0:40:09 | |
MUSIC: "Boogie Wonderland" by Earth, Wind and Fire | 0:40:11 | 0:40:18 | |
Welcome to Miranda's Pineapple dance studios. | 0:40:20 | 0:40:23 | |
'Since artistic director Louis Spence left Pineapple | 0:40:25 | 0:40:28 | |
'the baton has been passed to dance giantess Miranda. | 0:40:28 | 0:40:32 | |
'Past reviews for her musical theatre roles include: | 0:40:32 | 0:40:36 | |
'Meet multi-talented dance teacher Penny. | 0:40:40 | 0:40:45 | |
'Penny trained at the Bath School of dance | 0:40:45 | 0:40:47 | |
'where she spent several summers under Lionel Blair.' | 0:40:47 | 0:40:50 | |
Such fun, such fun. | 0:40:50 | 0:40:52 | |
FRANTIC MUSIC PLAYS | 0:40:52 | 0:40:57 | |
Lady Ga-gaa, feel the beat. Lady Ga-gaa, dress of meat. | 0:41:17 | 0:41:21 | |
Five, six, 78. | 0:41:21 | 0:41:23 | |
# I want to hold them like they do instinctively... # | 0:41:25 | 0:41:29 | |
'A well-known tiny little boy band with their new manager Louis Spence | 0:41:29 | 0:41:33 | |
are coming to rehearse their live performance on Comic Relief night. | 0:41:33 | 0:41:36 | |
We're meant to have dancers to audition for them. | 0:41:36 | 0:41:39 | |
-You must have got the wrong day. -He's here. | 0:41:39 | 0:41:42 | |
Hello, darling. | 0:41:42 | 0:41:44 | |
-Mwah. -Mwah. | 0:41:44 | 0:41:46 | |
'Miranda and Louis have always been rivals. | 0:41:46 | 0:41:49 | |
'The first time Louis took Miranda to the West End it was a turning point | 0:41:49 | 0:41:52 | |
'in that he turned gay.' | 0:41:52 | 0:41:54 | |
You...look...fabulous. | 0:41:54 | 0:41:57 | |
Here's my boys. | 0:41:59 | 0:42:01 | |
Boys, in you come, quick as you can. Quick as you can, boys. | 0:42:01 | 0:42:05 | |
Look at them! | 0:42:05 | 0:42:07 | |
-You must be KFC. -JLS. -JLS, what does that stand for? | 0:42:08 | 0:42:13 | |
Just left school? | 0:42:13 | 0:42:14 | |
-Such fun. -Ignore her. Hi, I'm Miranda. -Aston. -Marvin. | 0:42:14 | 0:42:19 | |
-I drive a Honda. -JB. | 0:42:19 | 0:42:21 | |
-No, GTS. -No, JLS. -Really confused. And you are? | 0:42:21 | 0:42:26 | |
-Oritse. -He won't say. -Listen, boys, how's the new album coming on? | 0:42:26 | 0:42:31 | |
Yeah, good, we're thinking about working with Kanye West. | 0:42:31 | 0:42:34 | |
-The guy that does the salmon? -No, that's John West. | 0:42:34 | 0:42:36 | |
She has always been so square. Where are the dancers? | 0:42:36 | 0:42:40 | |
Stevie actually thought you were coming tomorrow | 0:42:40 | 0:42:43 | |
so there are no dancers. | 0:42:43 | 0:42:44 | |
-Nada. Rhianna dancers. -No, I'm on it. I'm all over it like a "rawsh". | 0:42:44 | 0:42:49 | |
Ola, I'm the new JLS PR. | 0:42:49 | 0:42:53 | |
FYI. LOL. | 0:42:53 | 0:42:55 | |
Oh, to the M, to the G. I mean "ROFL", seriously. | 0:42:55 | 0:42:59 | |
BLEEPING | 0:42:59 | 0:43:01 | |
Oh, sorry. Bear with, bear with... | 0:43:01 | 0:43:04 | |
Oh, it's Robbie. Ugh. Right, OK, sorry, fab. | 0:43:04 | 0:43:08 | |
Listen, we need dancers, right? | 0:43:08 | 0:43:12 | |
We all know that Comic Relief is a huge night. | 0:43:12 | 0:43:15 | |
Wah! Oh, God, sorry, can you not get so close. | 0:43:15 | 0:43:18 | |
Oh, Sweetie, are you all right? Do you want to go outside and play? | 0:43:18 | 0:43:22 | |
Do you want a biscuit? Are you OK? | 0:43:22 | 0:43:25 | |
And you don't need to tell me that Comic Relief is a big TV night. | 0:43:25 | 0:43:27 | |
It's the night comedians ruin their careers. | 0:43:27 | 0:43:31 | |
We found some dancers in the building and we reckon we could pull it off. | 0:43:31 | 0:43:34 | |
'JLS reckon think they can pull it off, but how?' | 0:43:34 | 0:43:37 | |
-But how? -But how? | 0:43:37 | 0:43:39 | |
-But how? -But how? | 0:43:39 | 0:43:41 | |
# Go on, put your head aside, feeling sleepy tonight, say yeah, | 0:43:41 | 0:43:45 | |
# Yeah, yeah-yeah-yeah | 0:43:45 | 0:43:48 | |
# New lo-o-o-o-ove... # | 0:43:48 | 0:43:54 | |
Still to come: A host of comedy greats in Upstairs Downton. | 0:43:54 | 0:43:59 | |
The Masterchef girls cook for the Prime Minister. | 0:43:59 | 0:44:03 | |
LAUGHTER | 0:44:03 | 0:44:04 | |
Alan Partridge... | 0:44:04 | 0:44:07 | |
..and Smithy reveals who gets the Africa gig. | 0:44:07 | 0:44:11 | |
# Tonight I'm sleeping | 0:44:11 | 0:44:15 | |
# Sleeping with my eyes wide shut. # | 0:44:15 | 0:44:18 | |
Hi. How are you? 'This school in London raised more than £2,000 for Red Nose Day | 0:44:23 | 0:44:28 | |
'and I'm here to thank as many of them as I can.' | 0:44:28 | 0:44:31 | |
HE SQUEALS | 0:44:31 | 0:44:33 | |
Look at how civilised this is - lunch! It's like they're having a meeting! | 0:44:34 | 0:44:39 | |
'Everyone got involved, kids, teachers and even the dinner ladies | 0:44:39 | 0:44:43 | |
'and I want to show my appreciation.' | 0:44:43 | 0:44:45 | |
-Hello. Alison? -Yes. -Hello. Have a little rest. | 0:44:46 | 0:44:50 | |
-Are you going to do service? -Yeah, I'll do service. | 0:44:50 | 0:44:53 | |
You can put my hat on. | 0:44:53 | 0:44:55 | |
I get the feeling these are for decoration! | 0:44:55 | 0:44:58 | |
-Hello. Have you booked? Would you like a pepper? -Please can I have fish fingers? -You certainly can. | 0:44:58 | 0:45:05 | |
Thank you for coming to school lunch. | 0:45:05 | 0:45:08 | |
Did it?! | 0:45:08 | 0:45:09 | |
Do you know what Comic Relief is? | 0:45:09 | 0:45:11 | |
-ALL: Yes. -What is it? | 0:45:11 | 0:45:13 | |
-Raise money for the poor people. -That's absolutely right. | 0:45:13 | 0:45:17 | |
-Did you all know that? ALL: Yes. -Are you a comedy man? -I am a comedy man. | 0:45:17 | 0:45:22 | |
Can I just talk to you a little bit about that table over there? | 0:45:22 | 0:45:27 | |
They're incredibly well behaved. Are they part of some kind of experiment? | 0:45:27 | 0:45:32 | |
-Seriously. -They don't know who you are. | 0:45:32 | 0:45:35 | |
They only listen to Radio 4! | 0:45:35 | 0:45:38 | |
Earlier this year Dermot O'Leary, Olly Murs, Lorraine Kelly and Craig David | 0:45:47 | 0:45:55 | |
took part in a challenge to trek across an African desert. | 0:45:55 | 0:45:58 | |
Along with Nadia Sawalha, Kara Tointon, Ronnie Ancona, | 0:46:00 | 0:46:03 | |
Peter White and Scott Mills, they braved searing heat | 0:46:03 | 0:46:08 | |
and sore feet to walk 100 kilometres of Kenya's most inhospitable terrain. | 0:46:08 | 0:46:12 | |
I just don't think I can go any further. | 0:46:15 | 0:46:17 | |
It was tough going, but they did it and raised more than £1.5 million to fund sight projects in Africa. | 0:46:17 | 0:46:24 | |
Dermot went to see one of them in action in Kibera. | 0:46:31 | 0:46:35 | |
MAKES LOUD SPEAKER ANNOUNCEMENT: | 0:46:35 | 0:46:37 | |
You just mumbled that last bit! REPEATS PHRASE | 0:46:49 | 0:46:51 | |
Are you sure you've given me the right translation? Is that right? | 0:46:53 | 0:46:57 | |
Do you understand that? Is my Swahili OK? | 0:46:57 | 0:47:00 | |
-Yes! -Ah! | 0:47:00 | 0:47:02 | |
'By 8:30, there's already a massive queue for the clinic. | 0:47:03 | 0:47:07 | |
'Most of the people here have eye problems caused by allergies and infections.' | 0:47:08 | 0:47:13 | |
What's struck me is the fact that, for the most part, a lot of these ailments are relatively simple, | 0:47:13 | 0:47:18 | |
but it's what they escalate to. HE SPEAKS SWAHILI | 0:47:18 | 0:47:22 | |
This chap has been blacking out, he has difficulty seeing, gets dizzy. | 0:47:22 | 0:47:26 | |
This guy here, extraordinarily, had a problem about three years ago | 0:47:26 | 0:47:30 | |
and thought, "I have another eye, it won't matter." | 0:47:30 | 0:47:33 | |
Some of kids are the most upsetting, because you can just see in their eyes the pain that this causes. | 0:47:33 | 0:47:38 | |
-'But, there's hope.' -L. N. -N. -P. | 0:47:40 | 0:47:43 | |
'The money you've given has helped Comic Relief fund mobile eye clinics like this. | 0:47:44 | 0:47:49 | |
'They reach people in remote communities and have a big impact on the lives of those they treat.' | 0:47:49 | 0:47:54 | |
'Your money will help treat two million people across Africa over the next two years. | 0:47:58 | 0:48:03 | |
'You're giving people back their sight, and that is brilliant.' | 0:48:08 | 0:48:13 | |
It's been an incredible day. I really enjoyed it. | 0:48:13 | 0:48:15 | |
It's simple cause and effect - money goes in, and there's an end product. | 0:48:15 | 0:48:19 | |
Your money makes someone see - it's as simple as that. | 0:48:19 | 0:48:22 | |
'A staggering 150,000 people can now see again, thanks to the money you raised this Red Nose Day.' | 0:48:25 | 0:48:32 | |
Thank you. | 0:48:34 | 0:48:35 | |
When Take That held auditions for a tribute band to represent them, the search wasn't easy. | 0:48:40 | 0:48:46 | |
# I was built to be magnificent | 0:48:46 | 0:48:49 | |
# And they checked my pulse and it gave them hope | 0:48:49 | 0:48:54 | |
# That there was no truth to what was wrote | 0:48:54 | 0:48:57 | |
# Give me half as much... # | 0:48:57 | 0:48:59 | |
'I spoke to David Walliams about how much fun he had doing that sketch.' | 0:48:59 | 0:49:03 | |
-You played Howard Donald. -Catherine Tate was Jason Orange, | 0:49:05 | 0:49:10 | |
Alan Carr was Mark Owen. | 0:49:10 | 0:49:12 | |
And it was really hard with the two of them to see who was who. | 0:49:12 | 0:49:15 | |
-I can imagine. -They're virtually identical, aren't they?! | 0:49:15 | 0:49:19 | |
And John Bishop was Robbie Williams. | 0:49:19 | 0:49:21 | |
-I was overlooked for the role of Barlow. That went to... -James Corden. -The wonderful James Corden. | 0:49:21 | 0:49:26 | |
-I do quite a good Barlow. -Let's see it. | 0:49:26 | 0:49:29 | |
IMITATES PHONE RINGING | 0:49:29 | 0:49:32 | |
LISPS: Hello, Howard from Take That speaking! | 0:49:32 | 0:49:34 | |
-AS GARY BARLOW: -Hello, Howard, it's Gary Barlow, also of Take That. | 0:49:34 | 0:49:39 | |
I've just had a phone call from... Comic Relief. | 0:49:39 | 0:49:42 | |
THEY LAUGH | 0:49:42 | 0:49:44 | |
They want us to have a fake Take That! | 0:49:44 | 0:49:47 | |
No thank you, Gary, | 0:49:50 | 0:49:52 | |
because that David Walliams might do me and make me look stupid! | 0:49:52 | 0:49:56 | |
The thing is, you know, I feel guilty because that's just great fun. | 0:49:57 | 0:50:01 | |
Because it was all five of Take That back together, | 0:50:01 | 0:50:05 | |
I felt like I was with the Beatles. | 0:50:05 | 0:50:07 | |
It's one thing to meet one or two of them, | 0:50:07 | 0:50:09 | |
but to meet them all at once, | 0:50:09 | 0:50:11 | |
all dressed up as Take That, was incredible. | 0:50:11 | 0:50:14 | |
Allow me to introduce Carter, the butler. | 0:50:42 | 0:50:46 | |
HE BURPS | 0:50:46 | 0:50:48 | |
-Mrs Danvers, the housekeeper. -Ma'am. | 0:50:48 | 0:50:51 | |
-O'Brien. -Eurgh! | 0:50:51 | 0:50:53 | |
Thomas, the evil footman. | 0:50:53 | 0:50:55 | |
Oh, hello, gorgeous! | 0:50:55 | 0:50:57 | |
Housemaid. | 0:50:57 | 0:50:59 | |
Undermaid. | 0:50:59 | 0:51:01 | |
Overmaid. | 0:51:01 | 0:51:02 | |
Teasmaid. Milkmaid. | 0:51:02 | 0:51:06 | |
-Lovely. -Home-maid. | 0:51:06 | 0:51:07 | |
Yes, it's me, the Knitted Character! | 0:51:07 | 0:51:10 | |
Maid in China. She's not here at the moment, obviously. | 0:51:11 | 0:51:15 | |
And finally, mermaid. | 0:51:15 | 0:51:17 | |
Oh, and my man, Bates. | 0:51:18 | 0:51:21 | |
-Don't I know you from Lark Pies to Cranchesterford? -Aye, ma'am. | 0:51:21 | 0:51:25 | |
-Same character? -I've added a bit of a limp this time, ma'am. | 0:51:25 | 0:51:28 | |
Jolly good. Carry on. | 0:51:28 | 0:51:31 | |
One of the continuity problems we have here is that we shoot | 0:51:42 | 0:51:46 | |
all the "upstairs" bits here at Highclere Castle | 0:51:46 | 0:51:49 | |
and all the "downstairs" bits in a studio in Ealing, | 0:51:49 | 0:51:53 | |
about 60 miles away. | 0:51:53 | 0:51:55 | |
So... | 0:51:55 | 0:51:57 | |
I go down here... | 0:51:57 | 0:52:00 | |
..and back again. | 0:52:05 | 0:52:07 | |
Ah, there you are, Carter. We'd like some more tea. | 0:52:17 | 0:52:21 | |
Of course, Lady Grantham. | 0:52:21 | 0:52:24 | |
THEY CHATTER | 0:52:24 | 0:52:26 | |
Tea, tea! They want more tea! | 0:52:28 | 0:52:31 | |
I'm trying to help, but I just can't reach! | 0:52:40 | 0:52:43 | |
I can't reach! Oh! | 0:52:43 | 0:52:46 | |
SILENCE | 0:52:52 | 0:52:55 | |
CLOCK TICKS | 0:52:55 | 0:52:56 | |
SLOW ORCHESTRAL MUSIC | 0:53:04 | 0:53:06 | |
Cake, sir? | 0:53:33 | 0:53:35 | |
You put it in your mouth...and chew. | 0:53:35 | 0:53:40 | |
I know how to eat cake, thank you. | 0:53:40 | 0:53:43 | |
What a lovely lounge. MUSIC STOPS | 0:53:45 | 0:53:48 | |
I mean drawing room, obviously. MUSIC RESUMES | 0:54:00 | 0:54:03 | |
Clouds over Somalia, but no rain... | 0:54:11 | 0:54:15 | |
The United Nations estimates that 12 million people | 0:54:15 | 0:54:18 | |
are at risk of starving to death in the Horn of Africa... | 0:54:18 | 0:54:21 | |
A new generation across the border. | 0:54:21 | 0:54:23 | |
Another mother building another shelter | 0:54:23 | 0:54:26 | |
in this no man's land of hopelessness. | 0:54:26 | 0:54:29 | |
Sometimes, the need for the money you gave couldn't be more urgent. | 0:54:30 | 0:54:34 | |
This year, East Africa was hit by a massive drought, | 0:54:36 | 0:54:39 | |
affecting more than 12 million people. | 0:54:39 | 0:54:42 | |
The famine that followed has plunged the region into crisis, | 0:54:42 | 0:54:46 | |
and hundreds of thousands of people | 0:54:46 | 0:54:48 | |
have been forced to leave their homes. | 0:54:48 | 0:54:51 | |
Habiba had no food for her children. | 0:54:52 | 0:54:56 | |
They were suffering from malnutrition. | 0:54:56 | 0:54:59 | |
Her youngest, Ali, was seriously underweight. | 0:54:59 | 0:55:03 | |
The family was in desperate need of help. | 0:55:03 | 0:55:06 | |
Thanks to your incredible generosity this Red Nose Day, help was there. | 0:55:06 | 0:55:11 | |
£1 million of your money helped set up emergency feeding stations | 0:55:15 | 0:55:18 | |
across the region. | 0:55:18 | 0:55:20 | |
The good news is that Ali was able to get water, | 0:55:22 | 0:55:26 | |
food and vital medical help - just like thousands of others. | 0:55:26 | 0:55:29 | |
# We've got open arms | 0:55:31 | 0:55:36 | |
# For open hearts... # | 0:55:36 | 0:55:40 | |
Your money really does save lives. | 0:55:40 | 0:55:43 | |
# Like yours, my boy, | 0:55:43 | 0:55:45 | |
# Come home again | 0:55:45 | 0:55:51 | |
# Everyone's here | 0:55:51 | 0:55:57 | |
# The moon wants a scrap or a cuddle | 0:55:57 | 0:56:02 | |
# The moon is face down in a puddle | 0:56:02 | 0:56:05 | |
-# And everyone's here. -# | 0:56:05 | 0:56:09 | |
CHEERING AND APPLAUSE | 0:56:09 | 0:56:11 | |
I met up with James Corden, whose character, Smithy, | 0:56:14 | 0:56:17 | |
has become a legend of British comedy. | 0:56:17 | 0:56:20 | |
And the Comic Relief team. | 0:56:20 | 0:56:22 | |
-Look, we really need your help. Any chance you could give us a hand? -All right. I'll come in now, | 0:56:23 | 0:56:28 | |
but this is the last time. | 0:56:28 | 0:56:29 | |
When I see the stuff you've done for Comic Relief, | 0:56:29 | 0:56:32 | |
I'm so in awe of what you've managed to achieve. | 0:56:32 | 0:56:35 | |
Dame Kelly Holmes. Kelly, you've got two gold medals, | 0:56:35 | 0:56:39 | |
but essentially your job is just running around. | 0:56:39 | 0:56:42 | |
LAUGHTER | 0:56:42 | 0:56:45 | |
57, take one. | 0:56:45 | 0:56:46 | |
I grew up in a house where Comic Relief was, like, | 0:56:46 | 0:56:50 | |
the best night of the year. | 0:56:50 | 0:56:52 | |
THEY HUM "ONLY FOOLS AND HORSES" THEME | 0:56:52 | 0:56:54 | |
Going to school in your pyjamas | 0:56:54 | 0:56:57 | |
and the noses on the cars and all the things like that, I just always | 0:56:57 | 0:57:01 | |
remember thinking, "God, I would love to do something for Comic Relief." | 0:57:01 | 0:57:05 | |
MUSIC: "I'm Your Man" by Wham! | 0:57:05 | 0:57:07 | |
Yeah? You love this one, don't you? | 0:57:07 | 0:57:10 | |
I really wanted some music in the sketch. I think it's really important. So, I just... | 0:57:10 | 0:57:14 | |
I couldn't get this image of Smithy and George Michael | 0:57:14 | 0:57:17 | |
in matching tracksuits, singing "I'm Your Man"... | 0:57:17 | 0:57:21 | |
It just stayed in my head and I just thought, "This could be so funny." | 0:57:21 | 0:57:25 | |
# Call me good, uh-huh! | 0:57:25 | 0:57:27 | |
# Call me bad | 0:57:27 | 0:57:28 | |
# Call me anything you want to, baby... # | 0:57:28 | 0:57:33 | |
The one that everyone said, "Look, guys, | 0:57:33 | 0:57:36 | |
"this might be a bridge too far," was Gordon Brown. | 0:57:36 | 0:57:38 | |
Well, I'd like to go. | 0:57:38 | 0:57:40 | |
I think the work that Comic Relief is doing is absolutely amazing. | 0:57:40 | 0:57:44 | |
We wanted someone in the sketch that you would never expect, | 0:57:44 | 0:57:48 | |
that you had never seen in anything else. | 0:57:48 | 0:57:51 | |
We just felt that a former prime minister... | 0:57:51 | 0:57:53 | |
and if we could get Gordon Brown, | 0:57:53 | 0:57:55 | |
it would just bring the sketch such gravitas. | 0:57:55 | 0:57:58 | |
And he was the only person who learned all his lines - he was brilliant. | 0:57:58 | 0:58:02 | |
There's always moments in these sketches where I go to Ben, the director, "Have we got it?" "Yeah." | 0:58:02 | 0:58:07 | |
So we know we've got it. And then I just went... | 0:58:07 | 0:58:11 | |
"Guys, why don't you all do a fist pump?" | 0:58:11 | 0:58:15 | |
If you throw it in like that, it doesn't give anyone a chance to... | 0:58:16 | 0:58:20 | |
You must have had to explain that to Gordon Brown? | 0:58:20 | 0:58:22 | |
So, I go, "Gordon, just lift your fist like that and then just do what they do." | 0:58:22 | 0:58:27 | |
-That way. -This way, hold on. | 0:58:27 | 0:58:30 | |
It's like that, and then they both touch you at the same time. | 0:58:30 | 0:58:33 | |
That is golden right there. | 0:58:33 | 0:58:36 | |
For an exclusive behind-the-scenes show about the Smithy sketch, press the red button. | 0:58:36 | 0:58:40 | |
But not before you watch part two. | 0:58:40 | 0:58:43 | |
# Everybody in love Put your hands up | 0:58:44 | 0:58:48 | |
# If you're... # Wait for it. | 0:58:48 | 0:58:50 | |
# Put your hands up... # | 0:58:50 | 0:58:51 | |
All right, don't take the piss. | 0:58:51 | 0:58:54 | |
Well, I might as well say my piece. | 0:58:54 | 0:58:56 | |
I think it would be a fantastic opportunity to go to Africa. | 0:58:56 | 0:59:00 | |
It's a once in a lifetime experience. I'd be thrilled to go. | 0:59:00 | 0:59:04 | |
Right, that's great. Honestly, it's brilliant. | 0:59:04 | 0:59:07 | |
And some people will want to see the bloke out of The Vicar of Dibley | 0:59:07 | 0:59:10 | |
wandering round Kenya, yeah? | 0:59:10 | 0:59:12 | |
But what everybody wants to see is Trigger, | 0:59:12 | 0:59:16 | |
Del Boy, Rodney, Raquel, Cassandra, yeah? | 0:59:16 | 0:59:19 | |
-The Jolly Boys' Outing. -Boycie giving it, "Marlene!" | 0:59:19 | 0:59:22 | |
"This time next year, you'll be millionaires." They won't. You'll be giving out mange-tout. | 0:59:22 | 0:59:26 | |
"You plonker!" | 0:59:26 | 0:59:30 | |
-"Play it cool, Trig." -"You dipstick!" | 0:59:30 | 0:59:32 | |
You love that! Boosh, boosh, boosh! | 0:59:32 | 0:59:35 | |
THEY HUM "ONLY FOOLS AND HORSES" THEME | 0:59:35 | 0:59:38 | |
Everyone! | 0:59:40 | 0:59:42 | |
# Why do only fools and horses work? # | 0:59:42 | 0:59:45 | |
THEY LAUGH | 0:59:45 | 0:59:47 | |
So, what do you think? | 0:59:47 | 0:59:49 | |
No. | 0:59:50 | 0:59:52 | |
Oh. | 0:59:52 | 0:59:54 | |
That's a bit weird. | 0:59:55 | 0:59:57 | |
Rio, what about you? | 0:59:57 | 0:59:59 | |
I'd love to go. I mean, I feel I should. | 0:59:59 | 1:00:02 | |
I'm from the same rough background as these kids. | 1:00:02 | 1:00:05 | |
I understand their plight. But it's up to you guys. | 1:00:05 | 1:00:08 | |
I don't know if I could pull it off. | 1:00:08 | 1:00:11 | |
But if you think I could do it, then, yeah. | 1:00:11 | 1:00:14 | |
He's got over 300,000 people following him on Twitter. | 1:00:14 | 1:00:16 | |
-He's a popular guy. -He's a businessman, got his own clothing line. -Got his own magazine, too. | 1:00:16 | 1:00:21 | |
He is good friends with David Beckham, who, of course, I worked very closely with | 1:00:21 | 1:00:25 | |
-when we delivered the Olympic Games. -Definite potential. | 1:00:25 | 1:00:28 | |
Maybe you should. | 1:00:28 | 1:00:30 | |
Maybe I should!? What do you take me for? | 1:00:30 | 1:00:32 | |
I've won the Champions League, the Premier League a few times. I was being humble. | 1:00:32 | 1:00:36 | |
Of course I should go! | 1:00:36 | 1:00:38 | |
-Keep your pants on, Rio! -Anybody in favour of Rio? | 1:00:38 | 1:00:41 | |
One, two, three, four, five... | 1:00:41 | 1:00:44 | |
-He can't go. -What? | 1:00:44 | 1:00:46 | |
He can't cry on camera. | 1:00:46 | 1:00:48 | |
Of course I can. I can. | 1:00:48 | 1:00:52 | |
You can't. You know you can't. | 1:00:52 | 1:00:54 | |
-And if you can't cry, you can't go. -She's got a point. | 1:00:54 | 1:00:58 | |
Everybody knows that tears are the first rule of a good Comic Relief film. | 1:00:58 | 1:01:02 | |
-I can cry! I'm telling you, I can cry. -Go on, then. | 1:01:02 | 1:01:05 | |
-We will need to see it. -Got to see those tears, my man. | 1:01:05 | 1:01:09 | |
OK. All right. | 1:01:09 | 1:01:11 | |
HE GROANS | 1:01:19 | 1:01:22 | |
HE SQUEALS | 1:01:25 | 1:01:27 | |
I used to be able to do this, man. | 1:01:34 | 1:01:36 | |
-Pathetic. -Awful. | 1:01:39 | 1:01:42 | |
Told you. | 1:01:42 | 1:01:43 | |
Sorry, buddy. Just wasn't meant to be. | 1:01:43 | 1:01:46 | |
All right, so who is going? | 1:01:48 | 1:01:50 | |
-I'll go. -If she's going, I'm going. | 1:01:50 | 1:01:52 | |
-I'll definitely be there. -Count me in. Very happy to go. | 1:01:52 | 1:01:55 | |
-I'm up for it, too. -Yeah. Of course you are. | 1:01:55 | 1:01:57 | |
To know I've helped just one child somewhere in the world | 1:01:57 | 1:02:01 | |
makes it worthwhile. | 1:02:01 | 1:02:03 | |
Good point. I believe that children are the future. | 1:02:03 | 1:02:08 | |
Whitney Houston. | 1:02:08 | 1:02:09 | |
All those in favour of Keira, say "aye". | 1:02:09 | 1:02:11 | |
-She can't go. -Why? | 1:02:11 | 1:02:13 | |
Don't take this the wrong way, but you're too good-looking. | 1:02:13 | 1:02:16 | |
Right? You'll be out there in a little white vest, sun on your back, | 1:02:16 | 1:02:21 | |
sweat dripping down. People won't be looking at the starving African you're holding in your arms. | 1:02:21 | 1:02:26 | |
It'll be, "Cor, look at him, the lucky bastard! Hands all over her!" | 1:02:26 | 1:02:29 | |
-Hadn't thought of that. -If you're too good-looking, you can't go. JLS, sorry - includes you. | 1:02:29 | 1:02:34 | |
You're out. Dermot, you're borderline. | 1:02:34 | 1:02:36 | |
I did tell you. In the 2012 meetings, we had a lot more order than this. | 1:02:36 | 1:02:40 | |
Will you shut up about 2012? I know it might come as a shock to you, | 1:02:40 | 1:02:43 | |
but some things aren't about the Olympics. | 1:02:43 | 1:02:46 | |
LAUGHTER | 1:02:46 | 1:02:48 | |
-Tom, do you ever wear any clothes? -LAUGHTER | 1:02:48 | 1:02:52 | |
This is ridiculous. You know what? If anyone should go, it should be me. | 1:02:52 | 1:02:56 | |
Yeah, sure, I'm not some big celebrity. | 1:02:56 | 1:03:01 | |
I'm just a plumber. A handyman from Billericay. | 1:03:01 | 1:03:04 | |
But that - that's exactly why I should go. | 1:03:04 | 1:03:08 | |
SOFT PIANO MUSIC | 1:03:08 | 1:03:10 | |
I've got skills. I can actually help. | 1:03:10 | 1:03:12 | |
I can go out there, drill some wells, put up a few shacks, | 1:03:12 | 1:03:18 | |
install their Sky+. It's what I do, it's why I'm here. | 1:03:18 | 1:03:21 | |
I can help those less fortunate than ourselves. | 1:03:21 | 1:03:26 | |
And as I stand before you now... PIANO MUSIC BUILDS | 1:03:26 | 1:03:29 | |
LAUGHTER | 1:03:29 | 1:03:32 | |
Thanks, man. | 1:03:32 | 1:03:34 | |
-CHOKED VOICE: I love you, Smithy. -LAUGHTER | 1:03:34 | 1:03:36 | |
I say, "I'm Smithy, | 1:03:38 | 1:03:40 | |
"and I'm going to Africa." | 1:03:40 | 1:03:43 | |
HE EXHALES | 1:03:43 | 1:03:45 | |
-That's great. -Big time. | 1:03:50 | 1:03:52 | |
Biggest load of rubbish I've ever heard. | 1:03:54 | 1:03:57 | |
PIANO MUSIC STOPS ABRUPTLY What!? | 1:03:57 | 1:04:00 | |
-You can't go. -Why? Cos I'm not famous? | 1:04:00 | 1:04:03 | |
No. Because you're a bloater. | 1:04:03 | 1:04:06 | |
People don't like tubbies in Africa. | 1:04:06 | 1:04:09 | |
You know the argument - if they'd eaten less food themselves, no-one would be starving. | 1:04:09 | 1:04:14 | |
-It's a fair point. -Hear hear. -I hate tubbies. | 1:04:14 | 1:04:18 | |
I've kept quiet, I've heard what people have had to say, | 1:04:18 | 1:04:21 | |
but you all know that the only person around this table | 1:04:21 | 1:04:24 | |
who can go is me. | 1:04:24 | 1:04:26 | |
I was in the biggest rock 'n' roll band in the history of music. | 1:04:26 | 1:04:31 | |
That's a bit disrespectful - | 1:04:31 | 1:04:32 | |
-in front of JLS. -LAUGHTER | 1:04:32 | 1:04:35 | |
Smithy, it's... | 1:04:35 | 1:04:37 | |
I've had a longer career than all of you put together. | 1:04:37 | 1:04:41 | |
My music has touched millions of people round the world | 1:04:41 | 1:04:44 | |
and I am the last remaining Beatle. | 1:04:44 | 1:04:47 | |
-What about me!? -I'm one of the last remaining Beatles. | 1:04:47 | 1:04:51 | |
-HE SIGHS -My God... | 1:04:51 | 1:04:53 | |
Anybody disagree? | 1:04:53 | 1:04:55 | |
Well, that's decided. | 1:04:57 | 1:04:59 | |
Nice one, Sir Macca. | 1:04:59 | 1:05:01 | |
You're doing this year's appeal film in Africa. Fair play. | 1:05:01 | 1:05:04 | |
Right, is there anything else? Cos I got a mate waiting in the car. | 1:05:10 | 1:05:13 | |
Good. Meeting adjourned. | 1:05:13 | 1:05:16 | |
-Fancy a pint? -Of course, bro. Let's bounce. | 1:05:16 | 1:05:18 | |
LAUGHTER | 1:05:18 | 1:05:20 | |
-How did it go? -Sir Macca's doing the appeal film, | 1:05:25 | 1:05:28 | |
Gordon Brown's rapping with JLS, Justin Bieber was on the keys. | 1:05:28 | 1:05:32 | |
-I think that's a good day's work. -Not as good as this. | 1:05:32 | 1:05:36 | |
MUSIC: "I'm Your Man" by Wham! | 1:05:36 | 1:05:38 | |
# Do-do-do! | 1:05:38 | 1:05:41 | |
# Woah, woah, woah! # | 1:05:41 | 1:05:44 | |
I love the early ones! | 1:05:44 | 1:05:45 | |
# Do-do do-do do... # | 1:05:45 | 1:05:48 | |
I love in-jokes! | 1:05:48 | 1:05:50 | |
Blue Peter's Helen Skelton was someone who did visit Africa - | 1:05:55 | 1:05:58 | |
to see how your money's being spent. | 1:05:58 | 1:06:01 | |
-ALL: -Kushe! | 1:06:02 | 1:06:04 | |
That's hello from Sierra Leone in West Africa. | 1:06:04 | 1:06:07 | |
I am here to say thank you for getting involved | 1:06:07 | 1:06:10 | |
with this year's Red Nose Day campaign. | 1:06:10 | 1:06:13 | |
Whatever you did, it's greatly appreciated. | 1:06:13 | 1:06:16 | |
So, Alan Crockett, well done for managing to stay silent all day. | 1:06:16 | 1:06:19 | |
He raised over £86. | 1:06:19 | 1:06:21 | |
And Kelly Osbourne - not that Kelly Osbourne, this one's in Kent - | 1:06:21 | 1:06:24 | |
and she dressed up in '70s clothing all day | 1:06:24 | 1:06:26 | |
and raised over £400. I did my bit as well, didn't I? | 1:06:26 | 1:06:30 | |
THEY SHOUT | 1:06:30 | 1:06:33 | |
In February, I took on a Comic Relief challenge. | 1:06:35 | 1:06:38 | |
I walked a tightrope between two towers of Battersea Power Station - more than 200 feet above the ground - | 1:06:40 | 1:06:47 | |
and raised more than £250,000 doing it. | 1:06:47 | 1:06:49 | |
SHE SCREAMS | 1:06:54 | 1:06:56 | |
That was the hard bit but this is the good bit. | 1:06:57 | 1:07:00 | |
I've come to a hospital where I'm going to let a project know | 1:07:00 | 1:07:03 | |
that they will be receiving a grant. | 1:07:03 | 1:07:06 | |
They're going to get over £300,000 because of the money that you raised on Red Nose Day. | 1:07:06 | 1:07:11 | |
That money means that fewer children under the age of five will die of preventable diseases. | 1:07:11 | 1:07:17 | |
The hospital doesn't know about the grant. | 1:07:17 | 1:07:20 | |
It's going to be a fantastic surprise for them. | 1:07:20 | 1:07:23 | |
And the need couldn't be greater here. | 1:07:23 | 1:07:25 | |
Sierra Leone has the highest infant mortality rate in the world. | 1:07:25 | 1:07:29 | |
And this children's hospital is stretched to breaking point. | 1:07:29 | 1:07:33 | |
He was admitted on 1st July for fever, diarrhoea and vomiting. | 1:07:33 | 1:07:38 | |
Dr Ish is a paediatrician and looks after many of the children | 1:07:39 | 1:07:43 | |
who come into this hospital | 1:07:43 | 1:07:45 | |
but there's just not enough equipment and not enough doctors. | 1:07:45 | 1:07:49 | |
She's seriously ill but I can see behind you another baby. | 1:07:49 | 1:07:52 | |
Is this normal, sharing the beds? | 1:07:52 | 1:07:54 | |
Oh, OK, so we have two babies on this bed because of the space. | 1:07:54 | 1:07:57 | |
We don't have enough space, enough beds. | 1:07:57 | 1:08:01 | |
Every day, children are admitted suffering from conditions | 1:08:01 | 1:08:06 | |
like malaria and diarrhoea. | 1:08:06 | 1:08:08 | |
So this is Ward 3. | 1:08:08 | 1:08:11 | |
Conditions which are perfectly treatable but which can prove fatal here. | 1:08:11 | 1:08:16 | |
On this ward, there's one doctor responsible for all these patients. | 1:08:16 | 1:08:19 | |
Can you say that if you had more doctors and nurses, | 1:08:19 | 1:08:23 | |
more children's lives would be saved? | 1:08:23 | 1:08:25 | |
Sure. Sure. | 1:08:25 | 1:08:27 | |
We'd save more lives. | 1:08:27 | 1:08:29 | |
You applied for a Comic Relief grant | 1:08:29 | 1:08:31 | |
and I get to be the bearer of some good news. | 1:08:31 | 1:08:34 | |
You are going to get the money from Comic Relief | 1:08:34 | 1:08:37 | |
so you'll get funding for the next few years. | 1:08:37 | 1:08:40 | |
I don't know what to say! Thank you very much! | 1:08:40 | 1:08:42 | |
Let's hug it out! | 1:08:42 | 1:08:44 | |
Thank you! | 1:08:44 | 1:08:46 | |
Your money will help this hospital look after | 1:08:46 | 1:08:48 | |
even more really sick children. | 1:08:48 | 1:08:52 | |
That's brilliant! | 1:08:55 | 1:08:57 | |
I can't tell you how good it feels to be the bearer of such good news | 1:08:57 | 1:09:00 | |
but I can tell you that it's down to you. | 1:09:00 | 1:09:03 | |
It's down to the money you raised and the effort you put in, | 1:09:03 | 1:09:06 | |
so thank you very, very much. | 1:09:06 | 1:09:08 | |
This isn't the only hospital being supported by the money you've raised. | 1:09:11 | 1:09:16 | |
£6 million is being spent on children's healthcare in Africa. | 1:09:16 | 1:09:21 | |
RADIO JINGLE: North Norfolk Digital | 1:09:21 | 1:09:25 | |
It's time to get serious because Comic Relief isn't just about the fun things that we all love, | 1:09:25 | 1:09:30 | |
like Chris Moyle's doing a guest appearance on Two Packets Of Crisps And A Pint Of Lager. | 1:09:30 | 1:09:37 | |
It's also about serious things, like Davina McCall holding the hand | 1:09:37 | 1:09:42 | |
of an African boy whilst crouching down and saying a phone number. | 1:09:42 | 1:09:47 | |
It's very, very solemn. | 1:09:47 | 1:09:49 | |
With that in mind, Simon, | 1:09:49 | 1:09:51 | |
if you could give us some facts about Africa. | 1:09:51 | 1:09:53 | |
RECORDED JINGLE: Fact attack! | 1:09:53 | 1:09:56 | |
LOADING GUN AND GUNSHOT | 1:09:56 | 1:09:59 | |
LOADING GUN AND GUNSHOT | 1:09:59 | 1:10:00 | |
LOADING GUN AND GUNSHOT | 1:10:00 | 1:10:02 | |
LOADING GUN AND GUNSHOT | 1:10:04 | 1:10:06 | |
Fact number one, every year in Africa starvation kills X children. | 1:10:10 | 1:10:15 | |
What? | 1:10:15 | 1:10:16 | |
You've not filled this in. I told you to fill in the blank. | 1:10:16 | 1:10:20 | |
I thought you'd filled it in. I thought the X was Roman numerals. | 1:10:20 | 1:10:23 | |
What? You think every year in sub-Saharan Africa | 1:10:23 | 1:10:27 | |
ten children die of starvation? | 1:10:27 | 1:10:29 | |
It's more than that, in't it? | 1:10:29 | 1:10:31 | |
Do you think Richard Curtis would get out of bed for ten dead kids? | 1:10:31 | 1:10:35 | |
Fact number two. Aids... | 1:10:35 | 1:10:38 | |
We're going to have to do the comedy. Let's just... | 1:10:38 | 1:10:41 | |
Er... Go and find where our special celebrity guest is. | 1:10:41 | 1:10:44 | |
Go on. See if he's here. | 1:10:44 | 1:10:47 | |
Time now for a very special comedy guest. | 1:10:47 | 1:10:51 | |
God, these... Really pinches. | 1:10:51 | 1:10:54 | |
I wore these back in 2001. | 1:10:54 | 1:10:56 | |
Ow. | 1:10:56 | 1:10:57 | |
Erm, it's none other than Abu Hamza, | 1:10:57 | 1:11:01 | |
the boss-eyed Muslim cleric with a hook for a hand! | 1:11:01 | 1:11:04 | |
-Hello, Abu! -Hello, Alan! | 1:11:04 | 1:11:07 | |
What have you been doing for Comic Relief? | 1:11:07 | 1:11:10 | |
I sat in a bath of beans. | 1:11:10 | 1:11:13 | |
Right. Come on, mate. Everyone's been doing that. | 1:11:13 | 1:11:16 | |
You've got to be more original. | 1:11:16 | 1:11:18 | |
With a golden retriever. | 1:11:19 | 1:11:20 | |
No... Don't do that. Just... Improv. | 1:11:20 | 1:11:23 | |
Are you all right? | 1:11:23 | 1:11:24 | |
You hit my back. | 1:11:24 | 1:11:26 | |
A... Ab... What are you doing these days, Abu? | 1:11:26 | 1:11:29 | |
I've been in Belmarsh Prison | 1:11:29 | 1:11:33 | |
awaiting extradition proceedings to the US. | 1:11:33 | 1:11:36 | |
That's not funny. This is Comic Relief, for Christ's sakes. | 1:11:36 | 1:11:39 | |
Sorry. | 1:11:39 | 1:11:40 | |
Not you, him. You've got enough on your plate. | 1:11:40 | 1:11:44 | |
Beans! | 1:11:44 | 1:11:45 | |
LAUGHTER | 1:11:45 | 1:11:47 | |
You see, now, he's funny! | 1:11:47 | 1:11:48 | |
Ow, nose. | 1:11:48 | 1:11:50 | |
Oh God. Jesus... Ah, shit. | 1:11:50 | 1:11:54 | |
There must've been a reservoir building up in there. Ah, Jesus. | 1:11:54 | 1:11:58 | |
Ladies and gentlemen, Abu Hamza, | 1:11:58 | 1:12:00 | |
the boss-eyed Muslim cleric with a hook for a hand! | 1:12:00 | 1:12:03 | |
Death to the West! | 1:12:03 | 1:12:04 | |
Karl, what do you make of Comic Relief night itself? Do you watch? | 1:12:08 | 1:12:12 | |
Does it make you laugh? | 1:12:12 | 1:12:13 | |
I just feel like it goes on too long. | 1:12:13 | 1:12:15 | |
You know, they keep saying, "This is the figure we're after, let's beat last year's." | 1:12:15 | 1:12:20 | |
No, let's not. | 1:12:20 | 1:12:21 | |
Let's not beat last year's cos next year, you'll want even more. | 1:12:21 | 1:12:24 | |
I say, let's have a bit of a lull. | 1:12:24 | 1:12:26 | |
An all-time low, let's try and do that. | 1:12:26 | 1:12:28 | |
So next year, it's easier to crack. I've always thought that. | 1:12:28 | 1:12:32 | |
It's tricky, this, cos it looks like I'm having a go. | 1:12:32 | 1:12:34 | |
All I'm saying is, if you haven't got that much money, | 1:12:34 | 1:12:38 | |
the money you have got, you spend wisely. | 1:12:38 | 1:12:40 | |
Over in Africa, you've got an all-time high. | 1:12:40 | 1:12:43 | |
50 million. Well, let's go mental. | 1:12:43 | 1:12:45 | |
No, let's not go mental. | 1:12:45 | 1:12:47 | |
Just give 'em a few million, see how they get on. | 1:12:47 | 1:12:49 | |
Give generously but not too generously | 1:12:49 | 1:12:52 | |
cos tonight we want an all-time low. | 1:12:52 | 1:12:54 | |
LAUGHTER | 1:12:54 | 1:12:55 | |
Thank you. | 1:12:56 | 1:12:58 | |
The money you raised isn't just spent in Africa. | 1:13:02 | 1:13:06 | |
Over the years Comic Relief have supported more than 12,500 projects here in the UK. | 1:13:06 | 1:13:12 | |
13-year-old Lauren cares for her mum who's sick. | 1:13:13 | 1:13:16 | |
Whenever I blow out my birthday candles, | 1:13:16 | 1:13:19 | |
I always wish the same wish - | 1:13:19 | 1:13:21 | |
I hope my mum gets a bit better. | 1:13:21 | 1:13:23 | |
Your money makes sure she still gets a childhood. | 1:13:23 | 1:13:26 | |
750,000 children in Britain see violence in their own homes. | 1:13:28 | 1:13:34 | |
I thought I was going to die and I thought my son was going to die. | 1:13:34 | 1:13:38 | |
Your money provides safety and shelter. | 1:13:38 | 1:13:41 | |
I keep writing. The words happen. | 1:13:41 | 1:13:44 | |
One in four of us will experience mental health problems. | 1:13:44 | 1:13:47 | |
Your money has given help and hope to those affected. | 1:13:47 | 1:13:51 | |
It helps you to get better if you think you can. | 1:13:51 | 1:13:54 | |
You know you can, cos you can. | 1:13:54 | 1:13:58 | |
Right now, Red Nose Day money is being spent | 1:13:58 | 1:14:00 | |
on more than 1,300 projects here in the UK. | 1:14:00 | 1:14:04 | |
Your money goes a long way. | 1:14:04 | 1:14:06 | |
Sometimes it's the smallest things that make the biggest differences. | 1:14:13 | 1:14:19 | |
Loads of you bought Red Noses. | 1:14:19 | 1:14:21 | |
They cost just £1 each but they're worth a fortune when added together. | 1:14:21 | 1:14:25 | |
Now, where can I get a cup of tea around here? | 1:14:25 | 1:14:28 | |
Hello! | 1:14:28 | 1:14:30 | |
Hello! | 1:14:30 | 1:14:31 | |
Enrico! Hello, Enrico! | 1:14:31 | 1:14:33 | |
I'm Michael. What a pleasure. | 1:14:33 | 1:14:36 | |
These guys, as I'm sure many of you did, | 1:14:36 | 1:14:38 | |
wore red noses, which just cost £1 each | 1:14:38 | 1:14:42 | |
and I've basically come here to thank Enrico and his co-workers | 1:14:42 | 1:14:46 | |
and give you some time off, if that's OK. | 1:14:46 | 1:14:48 | |
I'm going to work here for a bit. Is that all right, Enrico? | 1:14:48 | 1:14:51 | |
-Fine. -All right! | 1:14:51 | 1:14:52 | |
Enrico, you go and relax. You go sit down and enjoy the facilities. | 1:14:54 | 1:14:58 | |
Anybody want a coffee, sandwich? You're a bit shy to order here! | 1:14:58 | 1:15:03 | |
What's this, just hanging around? This is not a bus stop! | 1:15:03 | 1:15:06 | |
We're not getting shelter! We serve food! | 1:15:06 | 1:15:08 | |
ITALIAN ACCENT: Either you buy food or you get out of my shop! | 1:15:08 | 1:15:11 | |
Tea? Of course we have tea! | 1:15:11 | 1:15:13 | |
Tea, tea... | 1:15:13 | 1:15:15 | |
Ah, yes! Brilliant! Tea. | 1:15:15 | 1:15:17 | |
I know tea. We need a kettle. | 1:15:17 | 1:15:20 | |
LAUGHTER | 1:15:21 | 1:15:23 | |
Should be fine. £1.10, please. | 1:15:23 | 1:15:26 | |
Who pays for tea with a card? | 1:15:26 | 1:15:28 | |
Enrico, can I accept this for a tea? | 1:15:28 | 1:15:30 | |
No. We don't take cards. | 1:15:30 | 1:15:32 | |
God. Can somebody buy this man a tea? It's £1.10! | 1:15:32 | 1:15:37 | |
This lady out of nowhere. | 1:15:37 | 1:15:39 | |
This is how you met! Are you single? | 1:15:39 | 1:15:42 | |
LAUGHTER | 1:15:42 | 1:15:43 | |
Look at that! | 1:15:43 | 1:15:44 | |
Oh no, she's not interested. All right. Enjoy your tea! | 1:15:44 | 1:15:47 | |
Enjoy your tea! Thanks very much! | 1:15:50 | 1:15:53 | |
This is Number Ten Downing Street. | 1:15:57 | 1:16:00 | |
It has served as the nerve centre for British Government since 1730. | 1:16:00 | 1:16:05 | |
And has seen the country through two world wars. | 1:16:05 | 1:16:10 | |
But nothing could have prepared it for this. | 1:16:10 | 1:16:13 | |
BIG BEN TOLLS | 1:16:13 | 1:16:15 | |
Claudia Winkleman, Ruby Wax | 1:16:17 | 1:16:20 | |
and Miranda Hart are the three worst cooks in the country | 1:16:20 | 1:16:24 | |
and they're about to be let loose in its kitchens. | 1:16:24 | 1:16:28 | |
-Right. -Right. -Right. | 1:16:31 | 1:16:33 | |
The contestants have one hour and 45 minutes | 1:16:33 | 1:16:37 | |
to cook their own course for the Prime Minister's lunch. | 1:16:37 | 1:16:42 | |
Overseeing service will be MasterChef judges, John and Michel. | 1:16:42 | 1:16:47 | |
We're making Nigella's crab salad. | 1:16:48 | 1:16:51 | |
OK, got it. | 1:16:57 | 1:16:59 | |
-Do I need a bowl? -No, but I need a crash helmet. | 1:16:59 | 1:17:02 | |
Today I'm going to make chilli con carne. | 1:17:04 | 1:17:06 | |
-Oh, look! Ruby, it's doing it! -Is it working? | 1:17:08 | 1:17:13 | |
EQUIPMENT CRASHES | 1:17:13 | 1:17:15 | |
-Claudia, did you drop it on the floor? -I'm sorry! | 1:17:15 | 1:17:17 | |
We can get this back. | 1:17:17 | 1:17:20 | |
SHE LAUGHS | 1:17:20 | 1:17:21 | |
I've pressed eject! | 1:17:21 | 1:17:23 | |
I'm feeling very amused that I will be cooking a dish for the first time for the Prime Minister. | 1:17:23 | 1:17:30 | |
This is the time I choose to cook - brilliant. | 1:17:30 | 1:17:34 | |
Miranda's making a messy trifle with home-baked meringues. | 1:17:35 | 1:17:38 | |
-I'm quite scared. -How is it? | 1:17:38 | 1:17:42 | |
I've got an egg in my hand for the first time in my life. | 1:17:42 | 1:17:46 | |
Ah! | 1:17:46 | 1:17:47 | |
It actually makes me jump! | 1:17:47 | 1:17:49 | |
SHE LAUGHS | 1:17:49 | 1:17:51 | |
These are all ruined! | 1:17:51 | 1:17:54 | |
It's all right, you're only feeding the Prime Minister. It's fine. | 1:17:54 | 1:17:58 | |
Try that. | 1:18:04 | 1:18:06 | |
Oh, my God. Oh, my God. Claudia. You're in big trouble. | 1:18:10 | 1:18:15 | |
Is that too hot? | 1:18:15 | 1:18:16 | |
Too hot? Are you kidding? It's hell in there! | 1:18:16 | 1:18:19 | |
Good afternoon. Hi. How are you doing? | 1:18:20 | 1:18:23 | |
Ruby has made a salad of crab, avocado and rocket | 1:18:23 | 1:18:28 | |
with wasabi dressing and a dash of lime. | 1:18:28 | 1:18:31 | |
A bit of shell. Two lumps of shell. | 1:18:35 | 1:18:38 | |
Oh, hello. | 1:18:40 | 1:18:42 | |
Appearances aren't everything. | 1:18:42 | 1:18:46 | |
Thank you. | 1:18:46 | 1:18:48 | |
It looks like dogs' dinner. | 1:18:52 | 1:18:55 | |
-Oh, it's quite hot. -Yeah. | 1:18:55 | 1:18:57 | |
Miranda has made a trifle of meringue vanilla cream and sherry sponge | 1:19:00 | 1:19:04 | |
with strawberries, hundreds and thousands, almonds and gummy bears. | 1:19:04 | 1:19:10 | |
I know what they've done with the government's entire stock of sherry anyway! | 1:19:10 | 1:19:14 | |
It's quite powerful! | 1:19:14 | 1:19:15 | |
You managed to turn it around. Well done. | 1:19:18 | 1:19:21 | |
But of course there can only be one winner. | 1:19:21 | 1:19:24 | |
And our winner of Comic Relief Does MasterChef... | 1:19:26 | 1:19:29 | |
..is... | 1:19:32 | 1:19:34 | |
..Miranda. | 1:19:37 | 1:19:39 | |
Yeah! | 1:19:39 | 1:19:40 | |
APPLAUSE | 1:19:40 | 1:19:41 | |
First-time dish! | 1:19:41 | 1:19:43 | |
Look at me, champion! | 1:19:43 | 1:19:46 | |
-Yes! -Yes! | 1:19:46 | 1:19:48 | |
The Downing Street MasterChef competition was just one of many | 1:19:54 | 1:19:58 | |
Red Nose Day challenges. | 1:19:58 | 1:19:59 | |
-You've done it! -There it is! | 1:20:02 | 1:20:04 | |
Ant and Dec hijacked the airwaves... | 1:20:04 | 1:20:07 | |
Hello! | 1:20:07 | 1:20:08 | |
..to broadcast to as many people as possible. | 1:20:08 | 1:20:12 | |
What the devil? | 1:20:12 | 1:20:14 | |
How are you? | 1:20:14 | 1:20:15 | |
We're here on behalf of Comic Relief. | 1:20:15 | 1:20:18 | |
And Gareth Malone took on a bunch of tone-deaf chefs. | 1:20:18 | 1:20:21 | |
# Polly put the kettle on. | 1:20:21 | 1:20:23 | |
# Polly put the kettle on. | 1:20:23 | 1:20:24 | |
# Polly put the kettle off. # | 1:20:24 | 1:20:27 | |
It wouldn't be Red Nose Day without David Walliams doing some major act of endurance. | 1:20:27 | 1:20:31 | |
Ehhh! | 1:20:31 | 1:20:33 | |
And this year was no exception. | 1:20:33 | 1:20:36 | |
Good evening, good morning, good night, whatever the hell time it is. | 1:20:39 | 1:20:42 | |
He'll be up here for 24 hours. A 24-hour marathon. | 1:20:42 | 1:20:45 | |
I was asked if I wanted to do a show called 24-hour Panel People, | 1:20:45 | 1:20:49 | |
where I was in back-to-back panel shows. | 1:20:49 | 1:20:52 | |
I don't mind being up at this time. | 1:20:52 | 1:20:55 | |
Whose idea was it? | 1:20:55 | 1:20:56 | |
Not mine! Because I wouldn't have put myself through it! | 1:20:56 | 1:21:00 | |
3:37 am. | 1:21:00 | 1:21:03 | |
Are you tired? | 1:21:03 | 1:21:04 | |
-I'm a little tired. -Do you need a pick-me-up? | 1:21:04 | 1:21:06 | |
That happens when you're Dazed And Confused. | 1:21:06 | 1:21:08 | |
I'm feeling a little bit disorientated. | 1:21:08 | 1:21:11 | |
At one point, I'm backstage and I'm introducing Lionel Blair as my wife, | 1:21:13 | 1:21:17 | |
cos my wife was there and Lionel Blair was there | 1:21:17 | 1:21:21 | |
and they look very similar. | 1:21:21 | 1:21:22 | |
-Name? -David Walliams. | 1:21:22 | 1:21:25 | |
Specialist subject? | 1:21:25 | 1:21:26 | |
The life and times of David Walliams. | 1:21:26 | 1:21:29 | |
Having been up for 24 hours on Never Mind The Buzzcocks, | 1:21:29 | 1:21:32 | |
you were lucid and funny. | 1:21:32 | 1:21:34 | |
My eyesight went and I couldn't read the autocue any more. | 1:21:34 | 1:21:37 | |
Then I was getting quite stroppy with the people on the show! | 1:21:37 | 1:21:40 | |
Keith Harris and Orville were very funny, not like the modern comedians. | 1:21:40 | 1:21:45 | |
It was lovely. I felt like I'd climbed into the TV | 1:21:45 | 1:21:47 | |
cos it was a show I watched when I was a child... | 1:21:47 | 1:21:50 | |
STUDIO AUDIENCE: Three, two, one! | 1:21:50 | 1:21:52 | |
You've had first-hand experience of the work that Comic Relief does. | 1:22:02 | 1:22:06 | |
I used to think the you know, "Is it a bit naff, | 1:22:06 | 1:22:10 | |
"celebrities going to some faraway place and going, | 1:22:10 | 1:22:12 | |
"please give your money?", you know. | 1:22:12 | 1:22:15 | |
but when you see it yourself, you want to do everything you can. | 1:22:15 | 1:22:18 | |
Earlier this year, Jack Dee came here, to Mageta Island. | 1:22:21 | 1:22:26 | |
It was a forgotten community, with one of the highest infant mortality rates in Kenya. | 1:22:26 | 1:22:31 | |
There wasn't enough food to feed the children and when they got ill, | 1:22:34 | 1:22:38 | |
there was no medical care to treat them. | 1:22:38 | 1:22:41 | |
It's a terrible thing to see. | 1:22:41 | 1:22:43 | |
Here, he met small boy called Angel, who was severely malnourished | 1:22:46 | 1:22:50 | |
and in very real danger. | 1:22:50 | 1:22:53 | |
At 14 months, Angel was emaciated and weak from hunger. | 1:22:56 | 1:23:00 | |
Barely able to sit up, this little boy was just skin and bone. | 1:23:03 | 1:23:07 | |
Jack came here to ask for your help in providing the children of Mageta Island | 1:23:09 | 1:23:15 | |
with life-saving emergency medicinal food called Plumpy'nut. | 1:23:15 | 1:23:18 | |
And I've come back to show you just how the money you gave is making a difference. | 1:23:24 | 1:23:28 | |
This is Angel today. | 1:23:28 | 1:23:31 | |
Hello, Angel. How are you? | 1:23:31 | 1:23:33 | |
Angel's quite shy but he likes his Plumpy'nuts. | 1:23:35 | 1:23:40 | |
He's looking so much better. | 1:23:40 | 1:23:42 | |
He was completely emaciated and he looked really close to death | 1:23:42 | 1:23:46 | |
but now he looks a lot healthier and a lot happier, so I'm really pleased. | 1:23:46 | 1:23:51 | |
And so is Angel's mum. | 1:23:52 | 1:23:54 | |
Your money has nourished her son and helped make him well. | 1:23:54 | 1:23:58 | |
-TRANSLATION: -Before, Angel was so weak but now, he's much stronger | 1:23:58 | 1:24:02 | |
and he can even sit on his own. | 1:24:02 | 1:24:05 | |
You can forget that it really comes down to somebody's life | 1:24:05 | 1:24:09 | |
and somebody's life has been saved | 1:24:09 | 1:24:11 | |
because of the money you donated to Comic Relief, so it's fantastic. | 1:24:11 | 1:24:16 | |
It's magic. | 1:24:16 | 1:24:18 | |
And the magic doesn't stop there. | 1:24:21 | 1:24:23 | |
The money you gave on Red Nose Day | 1:24:23 | 1:24:24 | |
is being used to help run mobile clinic camps, | 1:24:24 | 1:24:27 | |
bringing healthcare to Angel | 1:24:27 | 1:24:29 | |
and the other people on Mageta Island. | 1:24:29 | 1:24:33 | |
This child is being inoculated | 1:24:33 | 1:24:35 | |
against five of the most serious killer diseases - | 1:24:35 | 1:24:38 | |
polio, whooping cough, TB, | 1:24:38 | 1:24:40 | |
and will probably save this child's life. | 1:24:40 | 1:24:44 | |
This once desperate, forgotten community is steadily making progress. | 1:24:51 | 1:24:56 | |
The stuff your money pays for really does work. | 1:24:56 | 1:25:00 | |
Everyone of you sitting at home who donated to Comic Relief, | 1:25:02 | 1:25:05 | |
you did this, so thank you. | 1:25:05 | 1:25:08 | |
ALL: Thank you! | 1:25:08 | 1:25:10 | |
You're not just helping the people of Mageta Island, | 1:25:10 | 1:25:13 | |
you're helping people across the UK and Africa. | 1:25:13 | 1:25:15 | |
Thanks to your incredible generosity, | 1:25:15 | 1:25:18 | |
your money has touched the lives of thousands of people | 1:25:18 | 1:25:21 | |
and given them a chance of a brighter, better future. | 1:25:21 | 1:25:24 | |
RADIO JINGLE: North Norfolk Digital | 1:25:27 | 1:25:29 | |
Now, I'm a big fan of...of nuns. | 1:25:29 | 1:25:34 | |
Very glad to hear that, Alan. Very pleased to hear it. | 1:25:34 | 1:25:37 | |
No, because Irish nuns specifically sometimes get a bad press, unfairly. | 1:25:37 | 1:25:42 | |
I'm specifically referring to hitting pregnant women with sticks in the '50s. | 1:25:42 | 1:25:47 | |
I don't mean women in their 50s of course. | 1:25:47 | 1:25:50 | |
No-one would accuse you of that, that's barbaric. | 1:25:50 | 1:25:53 | |
I'm talking about hitting pregnant teenage women in the decade of the '50s | 1:25:53 | 1:25:59 | |
and even then, only if they'd misbehaved. | 1:25:59 | 1:26:02 | |
I'm thinking sticks, they're very much for hitting people with. | 1:26:02 | 1:26:06 | |
-Back in the '50s, everyone had a stick. -Precisely. | 1:26:06 | 1:26:10 | |
I'm here to talk about our relief work in Nairobi, | 1:26:10 | 1:26:13 | |
where the levels of sanitation are next to non-existent | 1:26:13 | 1:26:18 | |
and people have to live with open sewers... | 1:26:18 | 1:26:21 | |
No, no, no. We'll let you go on about that in a minute | 1:26:21 | 1:26:24 | |
but you are here because we want to give you a cheque for £200, | 1:26:24 | 1:26:28 | |
which may not sound like a lot | 1:26:28 | 1:26:30 | |
-but it's more than the average African earns in... -A month? | 1:26:30 | 1:26:34 | |
..the BBC canteen. | 1:26:34 | 1:26:37 | |
Big question - Sting, Bono, Geldof. Help or hindrance? | 1:26:37 | 1:26:44 | |
Well, I think anyone who draws attention to the fact that | 1:26:44 | 1:26:47 | |
there are millions of people living in one of the major cities... | 1:26:47 | 1:26:51 | |
These things...! It really pinches my nose. | 1:26:51 | 1:26:55 | |
Before you got here, I had a nosebleed... | 1:26:55 | 1:26:57 | |
SNEEZES LOUDLY | 1:26:57 | 1:26:58 | |
Shit, sister! I am so sorry. | 1:26:58 | 1:27:01 | |
Oh, my God, please forgive me. This is the second worst thing that's ever happened to me. | 1:27:01 | 1:27:07 | |
I have never in 30 years of broadcasting ever sneezed blood | 1:27:07 | 1:27:10 | |
on the blouse/cardi of a lady of the cloth. | 1:27:10 | 1:27:14 | |
And God forgive me for saying this, you've got flecks on your wimple. | 1:27:14 | 1:27:19 | |
Are you OK? | 1:27:19 | 1:27:21 | |
I'm sorry. | 1:27:21 | 1:27:22 | |
You got what you wanted, eh! Blood on the carpet! | 1:27:22 | 1:27:27 | |
Blood on a nun, which is better in a way! | 1:27:28 | 1:27:33 | |
Goodbye! | 1:27:33 | 1:27:34 | |
This is Clannad with Rum-da-dum Rudda-derry-mo. | 1:27:34 | 1:27:39 | |
I HATE Comic Relief. | 1:27:39 | 1:27:41 | |
Next year is Olympic Year and Sport Relief is going to be epic. | 1:27:45 | 1:27:50 | |
This summer, David Walliams launched it in spectacular style. | 1:27:50 | 1:27:54 | |
He swam an unbelievable 140 miles - yes, 140 miles - of the Thames. | 1:27:58 | 1:28:07 | |
It took him eight days | 1:28:09 | 1:28:11 | |
and he raised well over a million pounds for Sport Relief 2012. | 1:28:11 | 1:28:15 | |
You don't have to go to the same lengths as David Walliams | 1:28:16 | 1:28:20 | |
to get involved. | 1:28:20 | 1:28:22 | |
Sport Relief weekend is from 23rd-25th March next year | 1:28:22 | 1:28:26 | |
and the easiest way to take part is to do a Sport Relief Mile. | 1:28:26 | 1:28:29 | |
Just one mile. It'll be brilliant! | 1:28:29 | 1:28:33 | |
Just like this year's Red Nose Day. | 1:28:33 | 1:28:36 | |
This is the most successful Red Nose Day ever! | 1:28:39 | 1:28:45 | |
CHEERING | 1:28:45 | 1:28:47 | |
Thank you so much. | 1:28:47 | 1:28:49 | |
Don't forget, you can see the behind-the-scenes Smithy special | 1:28:49 | 1:28:53 | |
by pressing the red button now. | 1:28:53 | 1:28:55 | |
Agh! | 1:28:55 | 1:28:57 | |
ALl: Thank you! | 1:28:57 | 1:28:59 | |
Thank you, thank you, thank you. | 1:28:59 | 1:29:02 | |
-Thank you. -ALL: Thank you! | 1:29:02 | 1:29:04 | |
-Thank you. -Thank you. | 1:29:04 | 1:29:06 | |
-Thank you so much. -Thank you. | 1:29:06 | 1:29:08 | |
Thank you very, very much. | 1:29:08 | 1:29:10 | |
ALl: Thank you! | 1:29:10 | 1:29:12 | |
Thank you! | 1:29:12 | 1:29:14 | |
Subtitling by Red Bee Media Ltd | 1:29:17 | 1:29:19 | |
E-mail [email protected] | 1:29:19 | 1:29:20 |