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I'm Lenny Henry. And I'm back at the London Palladium | 0:00:02 | 0:00:06 | |
to revisit the very place where Comic Relief | 0:00:06 | 0:00:09 | |
hosted the biggest comedy extravaganza of 2015 | 0:00:09 | 0:00:12 | |
and was the setting for a historic announcement. | 0:00:12 | 0:00:15 | |
-WOMAN: -Hello, Comic Relief 2015! | 0:00:15 | 0:00:19 | |
LENNY: London Palladium, make some noise! | 0:00:19 | 0:00:21 | |
-MAN: -Bond! James Bond! | 0:00:21 | 0:00:23 | |
-WOMAN: -Winner of the People's Strictly. | 0:00:23 | 0:00:25 | |
30 years of Comic Relief. | 0:00:25 | 0:00:27 | |
How are the balls of your feet? LAUGHTER | 0:00:27 | 0:00:30 | |
Oh, they've seen better days, my friend. | 0:00:30 | 0:00:33 | |
And I think tonight could be the best Red Nose night ever. | 0:00:33 | 0:00:36 | |
CHEERING | 0:00:36 | 0:00:38 | |
And here's your first incredible host, | 0:00:38 | 0:00:41 | |
the King of Comic Relief, Lenworth Henry! | 0:00:41 | 0:00:44 | |
CHEERING | 0:00:44 | 0:00:45 | |
Year after year, you the great British public pull out all the stops | 0:00:45 | 0:00:49 | |
and help raise an incredible amount of money. | 0:00:49 | 0:00:51 | |
And once again you absolutely smashed it, | 0:00:51 | 0:00:54 | |
because now I can reveal that the total raised | 0:00:54 | 0:00:56 | |
is a whopping... | 0:00:56 | 0:00:58 | |
..for Red Nose Day 2015! | 0:01:01 | 0:01:04 | |
And thanks to your generosity and continuing support over the last 30 years, | 0:01:04 | 0:01:07 | |
Comic Relief have raised a staggering amount. | 0:01:07 | 0:01:10 | |
So this year, we're saying Thanks A Billion! | 0:01:17 | 0:01:20 | |
CHEERING | 0:01:20 | 0:01:22 | |
Coming up in the next hour, I travel back to Uganda | 0:01:22 | 0:01:24 | |
to catch up with some old friends to see how your money | 0:01:24 | 0:01:27 | |
is dramatically changing people's lives for the better. | 0:01:27 | 0:01:30 | |
Plus, we revisit comedy from the Lord's favourite The Vicar Of Dibley. | 0:01:30 | 0:01:33 | |
-What could possibly go wrong? -And everyone's favourite - Mr Bean. | 0:01:33 | 0:01:36 | |
We go Behind The Bond and we find out | 0:01:36 | 0:01:38 | |
who has what it takes to be a National Treasure. | 0:01:38 | 0:01:40 | |
Is this going to take much longer? | 0:01:40 | 0:01:42 | |
It's just I've got a hair commercial to film. | 0:01:42 | 0:01:45 | |
Plus, there's more Comic Relief from Phoenix Nights, Little Britain... | 0:01:45 | 0:01:48 | |
-I am not deaf! -Be nice, Stevie. | 0:01:48 | 0:01:51 | |
..Dermot O'Leary and David Walliams. | 0:01:51 | 0:01:54 | |
-This is really fantastic entertainment, isn't it? -LAUGHTER | 0:01:54 | 0:01:58 | |
Sit back and enjoy the show. | 0:01:58 | 0:02:00 | |
We will not be asking you for money this time, just enjoy the laughs | 0:02:00 | 0:02:03 | |
and see some of the brilliant work that's being done with your cash. | 0:02:03 | 0:02:06 | |
In fact, let's have a quick look now. | 0:02:06 | 0:02:08 | |
-Excuse me, how much is it to Uganda? -Oh, You must be joking, mate. | 0:02:11 | 0:02:14 | |
No, no. I promise you, I'll give you a big tip. Let's go! | 0:02:14 | 0:02:17 | |
Are you sure you're going to be all right, Vicar? | 0:02:17 | 0:02:19 | |
Absolutely, it's an ice bucket challenge. | 0:02:19 | 0:02:23 | |
What could possibly go wrong? | 0:02:23 | 0:02:25 | |
-Yes, yes. Jim I'm a bit puzzled. -SQUEAKING | 0:02:25 | 0:02:28 | |
-What's that squeaking? -Oh, no, no, no. That'll be the mice. | 0:02:28 | 0:02:32 | |
-What mice? -The mice in the bucket. | 0:02:32 | 0:02:36 | |
-LAUGHTER -Oh, right. | 0:02:36 | 0:02:38 | |
Right, are you ready, Rev? | 0:02:38 | 0:02:40 | |
Yep. Go for it. | 0:02:40 | 0:02:43 | |
-Oh, hang on. -RINGTONE PLAYS MY SWEET LORD | 0:02:44 | 0:02:49 | |
Vicar of Dibley, girl of God speaking. | 0:02:49 | 0:02:51 | |
Hello, I'm calling from Lambeth Palace | 0:02:51 | 0:02:54 | |
on behalf of the Archbishop of Canterbury. | 0:02:54 | 0:02:56 | |
As you know, the Church of England has accepted | 0:02:56 | 0:02:58 | |
the concept of female bishops | 0:02:58 | 0:03:00 | |
and I have been authorised to ask | 0:03:00 | 0:03:03 | |
if you would consider taking on that role? | 0:03:03 | 0:03:05 | |
Yes! | 0:03:05 | 0:03:08 | |
Yes, I damn well would! | 0:03:08 | 0:03:10 | |
-SHE GASPS -Oh, my actual God! | 0:03:10 | 0:03:13 | |
But before we get into this, | 0:03:13 | 0:03:15 | |
there are two very important things to say. | 0:03:15 | 0:03:17 | |
One, please, do not utter a word of this to a soul. | 0:03:17 | 0:03:21 | |
Guess who's going to be a woman bishop? | 0:03:21 | 0:03:24 | |
Oh, is it John Bishop's wife? | 0:03:24 | 0:03:26 | |
-No...I am! -Hurrah! -CHEERING | 0:03:26 | 0:03:29 | |
I am! | 0:03:29 | 0:03:30 | |
And two, we will of course be asking several other female vicars | 0:03:30 | 0:03:34 | |
to take part in what promises to be a highly competitive selection process. | 0:03:34 | 0:03:38 | |
-SHE GASPS -Will you do us the great honour | 0:03:38 | 0:03:40 | |
of coming to the palace at 11am on the 17th? | 0:03:40 | 0:03:44 | |
Of course! I'd be delighted to. | 0:03:44 | 0:03:46 | |
Bless you. | 0:03:46 | 0:03:47 | |
And it's so... Oh, no, you've gone. OK. | 0:03:47 | 0:03:50 | |
Bring on the bucket, Jim! | 0:03:50 | 0:03:53 | |
SHE SCREAMS | 0:03:55 | 0:03:57 | |
It's been just over a year since I first came to Iylowa, | 0:03:58 | 0:04:01 | |
a remote village in Eastern Uganda. | 0:04:01 | 0:04:04 | |
I was visiting a health centre | 0:04:04 | 0:04:05 | |
that many referred to as the worst clinic in the country, | 0:04:05 | 0:04:08 | |
but nothing could have prepared me for what I was about to see. | 0:04:08 | 0:04:12 | |
I knew something had to be done. | 0:04:12 | 0:04:14 | |
It was an ambitious mission, but in January | 0:04:14 | 0:04:17 | |
I called in a bunch of mates to work alongside the local community | 0:04:17 | 0:04:20 | |
to help transform this run-down, dilapidated excuse for a clinic | 0:04:20 | 0:04:24 | |
into a brand-new health centre serving a community of over 20,000 people. | 0:04:24 | 0:04:29 | |
But now we're going back. | 0:04:29 | 0:04:31 | |
And it's been working as a functioning medical centre for a few months now. | 0:04:31 | 0:04:34 | |
It'll be a real testament to the work of everyone that got involved. | 0:04:34 | 0:04:37 | |
It looks fantastic! Look at that! | 0:04:43 | 0:04:46 | |
Gosh! This is completely different to when we first came here. | 0:04:49 | 0:04:54 | |
It's just brilliant. It's got a gate. | 0:04:54 | 0:04:56 | |
The gardens look fantastic and it's so beautiful now. | 0:04:56 | 0:05:00 | |
People look happy to be here. | 0:05:00 | 0:05:02 | |
I'm really, really chuffed and excited. | 0:05:02 | 0:05:05 | |
I'm welling up, it's all.. | 0:05:05 | 0:05:08 | |
LENNY LAUGHS | 0:05:08 | 0:05:09 | |
When I first met Dorothy, she was delivering babies in a rat-infested, smelly, damp room with no light. | 0:05:09 | 0:05:15 | |
And Francis the head clinician | 0:05:15 | 0:05:16 | |
had come here on a temporary placement | 0:05:16 | 0:05:19 | |
and couldn't believe how desperate the conditions were. | 0:05:19 | 0:05:21 | |
-How are you? -Not too bad. -Hug it out, Dorothy. Hug it out. | 0:05:21 | 0:05:25 | |
-Hello! -Glad to see you. -Glad to see you too. -You're welcome. | 0:05:25 | 0:05:28 | |
-This is brilliant. -Sure. -Are you pleased? | 0:05:28 | 0:05:31 | |
We are very pleased. | 0:05:31 | 0:05:33 | |
Welcome to Iyolwa. The new Iyolwa. | 0:05:33 | 0:05:36 | |
This is our waiting area. | 0:05:36 | 0:05:38 | |
Because of the new equipment and the building, | 0:05:38 | 0:05:41 | |
-plus the staffing ratios, we're able to see so many patients on a monthly basis. -Uh-huh. | 0:05:41 | 0:05:46 | |
Deliveries have increased, even immunisation. | 0:05:46 | 0:05:49 | |
You couldn't do immunisation when I was here, cos there was no materials. | 0:05:49 | 0:05:52 | |
-We could do... -You didn't have a fridge, do you remember? | 0:05:52 | 0:05:54 | |
-We have fridges, we can keep our vaccines. -Uh-huh. | 0:05:54 | 0:05:57 | |
So we really immunise so many babies on a monthly basis. | 0:05:57 | 0:06:01 | |
-Oh! So are you happy? -Very happy. -Great. | 0:06:01 | 0:06:04 | |
-So there's someone who would love to take you around. -OK. | 0:06:04 | 0:06:07 | |
-LENNY LAUGHS -Lenny! -It's Gonza! | 0:06:07 | 0:06:10 | |
Gonza was the project leader who rose to the challenge | 0:06:10 | 0:06:13 | |
and in just two months turned a crumbling clinic into a brand spanking new health facility. | 0:06:13 | 0:06:18 | |
-We can do it. We can do it. -Yes! | 0:06:18 | 0:06:20 | |
-GONZA LAUGHS -Oh, man! | 0:06:20 | 0:06:23 | |
I've come to see everybody and to look at the place. | 0:06:23 | 0:06:26 | |
And it's...it's looking great. Is it holding up all right? | 0:06:26 | 0:06:29 | |
Yeah, yeah. Oh, man, it was quite a challenge, Lenny, I tell you. | 0:06:29 | 0:06:32 | |
-It was, wasn't it? -Oh! Whoo! But I'm glad it turned out like this. | 0:06:32 | 0:06:36 | |
I'd like to be shown around, I'd like a cup of tea and a muffin. | 0:06:36 | 0:06:39 | |
-I'll show you round. -BOTH: Maternity ward! -Look at this. | 0:06:39 | 0:06:42 | |
-Well, this is... -Look at this! -This is a massive change, isn't it? | 0:06:42 | 0:06:46 | |
Remember, there was no glass in the windows, there was nowhere to wash. | 0:06:46 | 0:06:49 | |
No. It was actually just this small. | 0:06:49 | 0:06:50 | |
-You had all the beds crammed and all the beds were broken. -That's right. | 0:06:50 | 0:06:54 | |
-Look at this. -People didn't want to come in here because they felt unsafe. | 0:06:54 | 0:06:58 | |
You didn't call it a clinic, Lenny, it was just a place you went if you were really... | 0:06:58 | 0:07:02 | |
-Like a bus stop? -If you had no option. | 0:07:02 | 0:07:04 | |
-There was a kind of fear, cos nobody wanted to come here and be here at night. -Yeah, that's right. | 0:07:04 | 0:07:08 | |
But there was also a sense of a weird thing of defeat, you know, | 0:07:08 | 0:07:11 | |
"Here we are in this place with rats and mice and bats." | 0:07:11 | 0:07:14 | |
And, you know, here was something that was broken down and derelict before and now look at it. | 0:07:14 | 0:07:19 | |
I just can't believe the way it's turned out, Lenny. | 0:07:19 | 0:07:22 | |
It's just...marvellous! | 0:07:22 | 0:07:25 | |
BABY CRIES | 0:07:25 | 0:07:26 | |
Every time you build one of these, you can change a community. | 0:07:26 | 0:07:29 | |
And I hope that this really sets a benchmark | 0:07:29 | 0:07:31 | |
for other facilities such as this. | 0:07:31 | 0:07:33 | |
Well, this...this can serve as best practice, right? | 0:07:33 | 0:07:36 | |
Yeah, yeah. I'm actually hoping the other way round, | 0:07:36 | 0:07:39 | |
-I hope it can be the minimum standard. -This is the minimum you should do. | 0:07:39 | 0:07:42 | |
-The new minimum. -This is the new minimum. | 0:07:42 | 0:07:45 | |
-I think you're right. -Yeah, yeah. | 0:07:45 | 0:07:46 | |
Here's a little groover who's going to tell us what's next. | 0:07:48 | 0:07:51 | |
Dance, baby, dance! | 0:07:51 | 0:07:52 | |
Here's Dermot! | 0:07:52 | 0:07:54 | |
I've always wanted to say this to you, Dermot. | 0:07:54 | 0:07:57 | |
-CHEERING -Here are your best bits. -Here they come. | 0:07:57 | 0:08:00 | |
This is going to be your home for the next 24 hours. | 0:08:00 | 0:08:03 | |
MUSIC: What Kind Of Man by Florence And The Machine | 0:08:03 | 0:08:05 | |
# To let me dangle at a cruel angle | 0:08:05 | 0:08:09 | |
# Oh, my feet don't touch the floor... # | 0:08:09 | 0:08:11 | |
I want to know, can you actually dance? | 0:08:11 | 0:08:14 | |
# Sometimes you're half in and then you're half out... # | 0:08:14 | 0:08:17 | |
Just being able to go like this for a little while is kind of nice. | 0:08:17 | 0:08:21 | |
# What kind of man looks like you? # | 0:08:21 | 0:08:24 | |
This is what I like to call at home my 2am-6am look. | 0:08:24 | 0:08:28 | |
It's dancing, doing good. | 0:08:28 | 0:08:32 | |
I'm going to cry! I'm going to cry! | 0:08:32 | 0:08:34 | |
# Oh, mercy, I implore... # | 0:08:34 | 0:08:36 | |
-Why have you stopped dancing? -LAUGHTER | 0:08:36 | 0:08:38 | |
-Can I just dance in the back of the weather while you do it? -You can. | 0:08:40 | 0:08:43 | |
-KIDS CHANT: -Dermot! Dermot! | 0:08:43 | 0:08:45 | |
-No! -APPLAUSE | 0:08:45 | 0:08:48 | |
You're mad, you know? You're mad. | 0:08:49 | 0:08:51 | |
LAUGHTER | 0:08:51 | 0:08:56 | |
CHEERING | 0:08:56 | 0:08:58 | |
So, I can reveal that your day of dance has raised... | 0:08:58 | 0:09:01 | |
CHEERING | 0:09:06 | 0:09:08 | |
CHEERING | 0:09:12 | 0:09:15 | |
Britain, Britain, Britain. | 0:09:18 | 0:09:20 | |
Today, carer Lou Todd | 0:09:20 | 0:09:22 | |
is taking his friend on a tour of Cambridge University. | 0:09:22 | 0:09:26 | |
I've been banned from punting on that river nude, | 0:09:26 | 0:09:29 | |
which is what I am now. | 0:09:29 | 0:09:31 | |
# Ooh, baby, baby | 0:09:31 | 0:09:33 | |
# Ooh, baby, baby | 0:09:33 | 0:09:35 | |
# Push it, push it real good. # | 0:09:35 | 0:09:37 | |
Oh, look, there's some ducks! | 0:09:37 | 0:09:40 | |
You like ducks, don't you? | 0:09:40 | 0:09:43 | |
What noise do ducks make? | 0:09:43 | 0:09:45 | |
I am late for my lecture on the origins of the universe. | 0:09:45 | 0:09:49 | |
No, they don't say that, they say - Quack-quack! | 0:09:49 | 0:09:54 | |
Can you say quack-quack? | 0:09:54 | 0:09:57 | |
I am a university professor. | 0:09:57 | 0:09:59 | |
Oh, then you should know what ducks say. | 0:09:59 | 0:10:02 | |
Right, now we'll have a nice look around, then I'll get you home, | 0:10:02 | 0:10:06 | |
get your tea on, and if you're very good, Stevie, | 0:10:06 | 0:10:10 | |
-you can watch Peppa Pig. -Don't like it. | 0:10:10 | 0:10:14 | |
I thought you loved Peppa Pig? | 0:10:14 | 0:10:16 | |
You always said, it was an astute critique | 0:10:16 | 0:10:19 | |
of contemporary family life in porcine form. | 0:10:19 | 0:10:22 | |
Yeah, I know. | 0:10:22 | 0:10:24 | |
LAUGHTER | 0:10:24 | 0:10:25 | |
Good afternoon, Lou. | 0:10:25 | 0:10:28 | |
And is this your new friend? | 0:10:28 | 0:10:31 | |
-This is Stevie. -Hello there! | 0:10:31 | 0:10:35 | |
-I am not deaf. -Be nice, Stevie. | 0:10:35 | 0:10:38 | |
Why is she dressed like a penguin? | 0:10:38 | 0:10:41 | |
No, that is very rude. | 0:10:41 | 0:10:43 | |
Don't worry, nothing could spoil this beautiful day. | 0:10:43 | 0:10:47 | |
-The sun in the sky, the wind in the trees, the song of the birds. -BIRDSONG | 0:10:47 | 0:10:52 | |
-Astounding to think the Lord created all this in just seven days. -Hmm. | 0:10:52 | 0:10:58 | |
Incorrect. It took 13.8 billion years. | 0:10:58 | 0:11:03 | |
Let's not get bogged down in all that again. | 0:11:03 | 0:11:05 | |
-The universe was created by a big bang. -Oh, I don't think so! | 0:11:05 | 0:11:10 | |
And after an initial expansion, the universe cooled. | 0:11:10 | 0:11:14 | |
He can go on like this all day. | 0:11:14 | 0:11:16 | |
-Next, he'll be claiming he wrote a book. -It's all in my book, A Brief History Of Time. | 0:11:16 | 0:11:21 | |
Yes, yes, the famous book! | 0:11:21 | 0:11:23 | |
-He tells a lot of fibs. -Oh, that's very sad. | 0:11:23 | 0:11:27 | |
Yes, he claims there's been a film made of his life, | 0:11:27 | 0:11:30 | |
that he's been in The Simpsons. | 0:11:30 | 0:11:31 | |
Yesterday, he even said he's been in an advert with the Go Compare man. | 0:11:31 | 0:11:36 | |
As if he's met the Go Compare man. | 0:11:36 | 0:11:38 | |
He keeps saying he wants to find that one theory that explains the existence of the universe? | 0:11:38 | 0:11:45 | |
-I want that one. -Yes, so you keep saying! | 0:11:45 | 0:11:47 | |
Hmm. it sounds like he's not all there. | 0:11:47 | 0:11:51 | |
Right, that's it. | 0:11:51 | 0:11:52 | |
Professor Stephen Hawking Bot - Transform! | 0:11:52 | 0:11:57 | |
WHIRRING | 0:11:57 | 0:11:59 | |
INTEL INSIDE JINGLE | 0:12:03 | 0:12:05 | |
LAUGHTER | 0:12:05 | 0:12:07 | |
WHIRRING | 0:12:07 | 0:12:09 | |
Oh! | 0:12:14 | 0:12:16 | |
Computer says - Die! | 0:12:16 | 0:12:18 | |
Slow down! I've got a stitch! | 0:12:28 | 0:12:30 | |
Stevie! | 0:12:32 | 0:12:33 | |
WHIRRING | 0:12:33 | 0:12:35 | |
You don't have to watch Peppa Pig! | 0:12:35 | 0:12:37 | |
Ha...ha...ha. | 0:12:45 | 0:12:47 | |
As the sun sets on Little Britain, | 0:12:49 | 0:12:52 | |
I wish you all a very goodbye. | 0:12:52 | 0:12:55 | |
It's a new day here at the clinic and I'm here to meet up with Francis. | 0:13:03 | 0:13:07 | |
Dorothy said the other day that this is a model centre. Do you feel that? | 0:13:11 | 0:13:14 | |
She didn't lie. Iyolwa in Tororo, Eastern Uganda, | 0:13:14 | 0:13:18 | |
this is the best Health Centre III. | 0:13:18 | 0:13:20 | |
That's fantastic! Come on, my friend. | 0:13:20 | 0:13:22 | |
It's so organised, it must feel so much more advanced than it was. | 0:13:22 | 0:13:27 | |
Yeah, sure, cos with such a facility you need to be on top of your game, | 0:13:27 | 0:13:31 | |
otherwise everything will go crumbling. | 0:13:31 | 0:13:35 | |
See you later, OK? | 0:13:35 | 0:13:37 | |
-You seem to be the Don here. -I'm really very happy. -LENNY LAUGHS | 0:13:39 | 0:13:42 | |
I'm very happy with the whole, you know, with the whole organisation. | 0:13:42 | 0:13:46 | |
I'm very happy with the new building. | 0:13:46 | 0:13:49 | |
But it's not just that, you've changed. | 0:13:49 | 0:13:52 | |
-Sure, that's what people say, but erm... -You've changed! | 0:13:52 | 0:13:55 | |
-I'm still the same. -You've changed. | 0:13:55 | 0:13:57 | |
-I remember when we first came here. -I love that. | 0:14:00 | 0:14:03 | |
-I love figures. -Francis had the biggest wall of data I've ever seen. | 0:14:03 | 0:14:08 | |
-This is our vision. -LENNY READS ALOUD | 0:14:08 | 0:14:11 | |
-And I think we're almost there. -LAUGHTER | 0:14:15 | 0:14:18 | |
I think that's brilliant! | 0:14:18 | 0:14:21 | |
This is basically our pharmacy. | 0:14:26 | 0:14:29 | |
And people feel like they can come here now? | 0:14:29 | 0:14:31 | |
Every month we have improved figures, | 0:14:31 | 0:14:35 | |
more deliveries, more babies immunised, | 0:14:35 | 0:14:38 | |
-more mothers coming for family planning services. -You're loving this. -Yeah. | 0:14:38 | 0:14:42 | |
Well, you're certainly doing well today. This is a lot of people. | 0:14:42 | 0:14:45 | |
So, basically, this is the last batch of patients. | 0:14:45 | 0:14:49 | |
You've got a little queue, you've got a bench, people sitting around on the grass. | 0:14:49 | 0:14:52 | |
-It's a nice area now, right? It's a nice place to be. -Yeah, very clean. Very clean, very clean. | 0:14:52 | 0:14:57 | |
-They're having computer lessons. -Something that you're going to love - PowerPoint. | 0:14:57 | 0:15:03 | |
I see you with a pointer. | 0:15:03 | 0:15:05 | |
-LAUGHTER WOMAN: -Is it OK? | 0:15:05 | 0:15:07 | |
-So I just want to just say thank you. -You're welcome. | 0:15:07 | 0:15:10 | |
-And thank you to the British public for helping. -We appreciate. | 0:15:10 | 0:15:13 | |
-And er...I'm just going to do some television stuff now. -It's OK. | 0:15:13 | 0:15:17 | |
Coming up next, we find out who is the real national treasure. | 0:15:17 | 0:15:20 | |
Be there! | 0:15:20 | 0:15:21 | |
-How was that? -Perfect. | 0:15:21 | 0:15:24 | |
LAND OF HOPE AND GLORY PLAYS | 0:15:26 | 0:15:28 | |
LAUGHTER | 0:15:38 | 0:15:40 | |
LAUGHTER | 0:15:44 | 0:15:45 | |
LAUGHTER | 0:15:51 | 0:15:53 | |
LAUGHTER | 0:16:02 | 0:16:04 | |
So, is this your first time? | 0:16:04 | 0:16:05 | |
Oh, no, I've actually been trying to become a national treasure for years. | 0:16:05 | 0:16:10 | |
Oh, really? Why, what is it you do? | 0:16:10 | 0:16:12 | |
I write books. | 0:16:12 | 0:16:14 | |
No way! So do I. | 0:16:14 | 0:16:16 | |
-How many have you done? -About 17. | 0:16:16 | 0:16:18 | |
-Is that all? I've done about 52. -LAUGHTER | 0:16:18 | 0:16:21 | |
-Mind you, I don't even know what they were about. -MAN: Next! | 0:16:21 | 0:16:24 | |
Take a seat. | 0:16:27 | 0:16:28 | |
May I just say, it's a real honour to be here in front of you, | 0:16:28 | 0:16:32 | |
-esteemed members of the panel. -Yes, yes, yes, yes, yes. | 0:16:32 | 0:16:35 | |
-We can't abide grovelling. -Sorry. -Or apologising. | 0:16:35 | 0:16:39 | |
-So, Mr Williams... -Er, it's Walliams. | 0:16:39 | 0:16:41 | |
Williams. Why do you think you should become a national treasure? | 0:16:41 | 0:16:44 | |
-Well, as you probably know, I'm a comedian. -Really?! | 0:16:44 | 0:16:48 | |
I've seen you on television many times, I had absolutely no idea. | 0:16:48 | 0:16:53 | |
Yes, I actually did a very popular comedy show called Little Britain. | 0:16:53 | 0:16:56 | |
Oh, yeah, I remember that from when I was a kid. | 0:16:56 | 0:16:58 | |
he funny bald guy. Do you remember? ALL LAUGH | 0:16:58 | 0:17:01 | |
-He's hilarious! -He's very funny. | 0:17:01 | 0:17:04 | |
I don't remember you, though. | 0:17:04 | 0:17:06 | |
But the real reason I'm here today | 0:17:06 | 0:17:08 | |
is because I swam the Thames for Sport Relief. | 0:17:08 | 0:17:12 | |
Yes, about that, Mr Williams, | 0:17:12 | 0:17:14 | |
I spoke to the charity, they said they never received the cheque. | 0:17:14 | 0:17:18 | |
-LAUGHTER -Well, I...I had an envelope | 0:17:18 | 0:17:22 | |
and I was out of stamps, so I... | 0:17:22 | 0:17:25 | |
I'll just go. | 0:17:27 | 0:17:29 | |
BELL | 0:17:29 | 0:17:31 | |
Cheryl... | 0:17:33 | 0:17:34 | |
how do you fancy your chances today? | 0:17:34 | 0:17:36 | |
I'm just really excited to have made it this far, you know? | 0:17:36 | 0:17:39 | |
It's always been a massive dream of mine | 0:17:39 | 0:17:41 | |
and I just would hate for the journey to end here today. | 0:17:41 | 0:17:45 | |
Cheryl, we've made a decision. | 0:17:45 | 0:17:49 | |
The standard this year has been...it's been the best ever | 0:17:49 | 0:17:53 | |
and in any other year we would just put you straight through. | 0:17:53 | 0:17:58 | |
-Oh, gosh! Sorry, it's hard, isn't it? -LAUGHTER | 0:17:58 | 0:18:01 | |
I know you don't...want your journey to end, | 0:18:01 | 0:18:05 | |
but, I'm really sorry, it's not good news. | 0:18:05 | 0:18:09 | |
No? | 0:18:09 | 0:18:11 | |
It is great news! | 0:18:13 | 0:18:15 | |
We're sending you home... | 0:18:15 | 0:18:18 | |
to call your nan... | 0:18:18 | 0:18:21 | |
who will burst into tears...of joy... | 0:18:21 | 0:18:24 | |
and sadness, when you tell her, | 0:18:26 | 0:18:28 | |
you have-n't not | 0:18:28 | 0:18:31 | |
failed to not... | 0:18:31 | 0:18:34 | |
Is this going to take much longer? | 0:18:34 | 0:18:36 | |
It's just I've got a hair commercial to film. | 0:18:36 | 0:18:38 | |
-Well, we're going to have to go back to the beginning now. -Next! | 0:18:38 | 0:18:42 | |
So here we are in this vestibule of trinkets adorned with glamour, | 0:18:42 | 0:18:46 | |
glitz and gold where you ordain who | 0:18:46 | 0:18:49 | |
can join the national treasure status. Don't you think that we're just fortifying | 0:18:49 | 0:18:52 | |
the idea of an establishment? | 0:18:52 | 0:18:54 | |
Aren't we already lost in this materialistic, individualistic | 0:18:54 | 0:18:58 | |
narrative in which the deification of individual personalities | 0:18:58 | 0:19:01 | |
over us as a community, as a group, | 0:19:01 | 0:19:03 | |
means that we can never have any kind of true equality? | 0:19:03 | 0:19:06 | |
Don't you think the real treasure is humanity as a whole? | 0:19:06 | 0:19:09 | |
-Does he want to be in or not? -I've no idea. | 0:19:12 | 0:19:15 | |
-So is that a "yes"? -Yeah, and I'll give you a free copy of me book. | 0:19:15 | 0:19:19 | |
-BELL -Two free copies? | 0:19:19 | 0:19:22 | |
Well, we have to make somebody a national treasure today, | 0:19:22 | 0:19:25 | |
otherwise the Big Man'll be furious. | 0:19:25 | 0:19:27 | |
It's just so hard to find anyone as wonderful as us. | 0:19:27 | 0:19:30 | |
-Are you sure? -Oh, absolutely. | 0:19:30 | 0:19:33 | |
-HE LAUGHS -If you knew what I knew. | 0:19:33 | 0:19:35 | |
LAUGHTER | 0:19:35 | 0:19:37 | |
APPLAUSE | 0:19:37 | 0:19:38 | |
Last year when I visited the clinic, I witnessed the appalling conditions | 0:19:44 | 0:19:48 | |
in which mothers were expected to give birth. | 0:19:48 | 0:19:50 | |
There was no running water, no light and no sterilised equipment, | 0:19:50 | 0:19:54 | |
but they had one ray of hope and that was Dorothy. | 0:19:54 | 0:19:59 | |
-Here's Catherine. -1.8, now she's 2.7. That's a very big change. | 0:20:01 | 0:20:07 | |
-That's a huge change. -A very big change. | 0:20:07 | 0:20:10 | |
Harriet and Catherine were born at seven months, | 0:20:12 | 0:20:14 | |
but because of this incubator, which costs about £500, that you paid for, | 0:20:14 | 0:20:19 | |
we were able to bring them to full incubation. Thank you so much. | 0:20:19 | 0:20:22 | |
Dorothy, you said before that people were a bit worried about this place, | 0:20:22 | 0:20:27 | |
which meant that it felt like they were worried about you. | 0:20:27 | 0:20:30 | |
That's changed as well, hasn't it? | 0:20:30 | 0:20:32 | |
Yeah, it has changed, cos they were not worried about me | 0:20:32 | 0:20:35 | |
because they knew I would give them the services they need, | 0:20:35 | 0:20:38 | |
but their worry was that I lacked what to use. | 0:20:38 | 0:20:42 | |
So there's no sense of people | 0:20:42 | 0:20:43 | |
being scared to come here any more is there? | 0:20:43 | 0:20:46 | |
No, there's no sense of them getting scared, | 0:20:46 | 0:20:48 | |
because everything I need like in the examination room, it's there. | 0:20:48 | 0:20:52 | |
Antenatal clinic, it's there. | 0:20:52 | 0:20:54 | |
My delivery suite is equipped. | 0:20:54 | 0:20:56 | |
So, really, it has made us now love work and it has simplified the work. | 0:20:56 | 0:21:01 | |
-Because there's a system in place? -Because everything is in place. | 0:21:01 | 0:21:05 | |
Dorothy holds a weekly clinic for mums-to-be in her new office, | 0:21:05 | 0:21:09 | |
and a few nervous dads pop along too. | 0:21:09 | 0:21:12 | |
You have to feed your woman well. | 0:21:12 | 0:21:14 | |
That's now your obligation. You are the head of the family, | 0:21:14 | 0:21:17 | |
you make sure that before you bite, she's the first person to bite. | 0:21:17 | 0:21:21 | |
Because now she's carrying your baby, she's feeding two people. | 0:21:21 | 0:21:24 | |
This is Helen's new baby called Vicky, after a member of the Comic Relief crew, | 0:21:38 | 0:21:44 | |
and she's 11 hours old. | 0:21:44 | 0:21:48 | |
And because of the money you raised last year for Red Nose Day, | 0:21:48 | 0:21:52 | |
we've got a bed and a family area and a place | 0:21:52 | 0:21:55 | |
where Helen and her family can sit and eat and share | 0:21:55 | 0:21:59 | |
and...bring this lovely little baby into the world. | 0:21:59 | 0:22:02 | |
So thank you very, very much if you did anything for Comic Relief. | 0:22:02 | 0:22:06 | |
This is what... This is what it means and this is what happens. | 0:22:06 | 0:22:09 | |
-This stuff works. Thank you. -Yes. Welcome. | 0:22:09 | 0:22:12 | |
What was great about that session was that Dorothy was very much in control of her environment. | 0:22:14 | 0:22:18 | |
She had everything she needed | 0:22:18 | 0:22:20 | |
and you could tell that people felt comfortable in that space. | 0:22:20 | 0:22:24 | |
Even the husbands, who tend to look a bit grumpy, cos they don't know what they're doing here. | 0:22:24 | 0:22:29 | |
But what was brilliant was Dorothy | 0:22:29 | 0:22:31 | |
was able to exercise her control over it. | 0:22:31 | 0:22:35 | |
And she's got everything she needs, she's got her purple book with the pictorial stuff in it, you know. | 0:22:35 | 0:22:40 | |
This is... A lot of people can't read, | 0:22:40 | 0:22:42 | |
so what's great is if it's all in pictures, | 0:22:42 | 0:22:44 | |
they can see different stages of pregnancy and different problems that might occur. | 0:22:44 | 0:22:48 | |
She's got all the basic equipment that she needs. | 0:22:48 | 0:22:51 | |
I loved it when she told the husband off, that was great. "Feed your... | 0:22:51 | 0:22:53 | |
"Feed your woman first, she must eat first, you second." | 0:22:53 | 0:22:57 | |
HE LAUGHS | 0:22:57 | 0:22:59 | |
And he was sat there going, "OK, Dorothy. OK, I will!" | 0:22:59 | 0:23:02 | |
LAUGHTER | 0:23:17 | 0:23:19 | |
ORGAN STRIKES UP | 0:23:22 | 0:23:24 | |
LAUGHTER | 0:23:39 | 0:23:41 | |
Could I, erm...come in? | 0:23:55 | 0:23:58 | |
LAUGHTER | 0:24:06 | 0:24:08 | |
BEAN SIGHS | 0:24:16 | 0:24:18 | |
LAUGHTER | 0:24:21 | 0:24:23 | |
BEAN MAKES GLUGGING NOISE | 0:24:24 | 0:24:26 | |
LAUGHTER | 0:24:31 | 0:24:32 | |
BEAN SIGHS | 0:24:41 | 0:24:43 | |
BEAN TRUMPETS LOUDLY | 0:24:57 | 0:24:59 | |
TRUMPETING CONTINUES | 0:25:02 | 0:25:04 | |
BEAN TRUMPETS RHYTHMICALLY | 0:25:04 | 0:25:08 | |
LAUGHTER | 0:25:08 | 0:25:09 | |
BEAN TRUMPETS | 0:25:15 | 0:25:17 | |
LAUGHTER | 0:25:29 | 0:25:31 | |
(Why? Why?!) | 0:25:38 | 0:25:41 | |
LAUGHTER | 0:25:43 | 0:25:45 | |
(I'd better go up.) | 0:26:01 | 0:26:03 | |
LAUGHTER | 0:26:03 | 0:26:05 | |
BEAN SIGHS | 0:26:15 | 0:26:16 | |
GASPING LAUGHTER | 0:26:16 | 0:26:18 | |
Since Red Nose Day, your money has been hard at work | 0:26:23 | 0:26:27 | |
and has already funded over 1,000 projects across the UK. | 0:26:27 | 0:26:31 | |
In fact, right now, the chances are you are less than 30 miles away | 0:26:31 | 0:26:35 | |
from a Comic Relief-funded project, which really is an amazing thing - | 0:26:35 | 0:26:39 | |
to think that your money is changing lives right here, right now. | 0:26:39 | 0:26:43 | |
You are helping people living with dementia to find the support they need. | 0:26:43 | 0:26:48 | |
I love it here. I feel loved. | 0:26:48 | 0:26:51 | |
Very much loved. | 0:26:52 | 0:26:55 | |
You're giving vulnerable young people the chance to have a | 0:26:55 | 0:26:58 | |
brighter future. | 0:26:58 | 0:26:59 | |
I've had a second chance here and I'm very grateful | 0:26:59 | 0:27:02 | |
and I'm using it wisely. | 0:27:02 | 0:27:04 | |
You're helping ex-servicemen | 0:27:04 | 0:27:05 | |
and women who've had traumatic experiences to rebuild their lives. | 0:27:05 | 0:27:09 | |
This place has saved my life. | 0:27:09 | 0:27:11 | |
Erm, I was rock bottom feeling very low | 0:27:11 | 0:27:13 | |
and now I can see light at the end of the tunnel. | 0:27:13 | 0:27:15 | |
You're giving children who care for members of their family | 0:27:15 | 0:27:19 | |
the chance to live their own lives too. | 0:27:19 | 0:27:22 | |
With your problems, cos they'd understand, cos they're in the same situation. | 0:27:22 | 0:27:27 | |
And as we all know, Christmas can be an expensive time of year, | 0:27:27 | 0:27:30 | |
especially for families struggling to make ends meet. | 0:27:30 | 0:27:33 | |
Your money is helping them with food banks and debt advice. | 0:27:33 | 0:27:37 | |
My only option left was the food bank. | 0:27:37 | 0:27:40 | |
It meant so much, I was... I was so emotional. | 0:27:40 | 0:27:43 | |
I was happy but I was crying, same as now. | 0:27:43 | 0:27:46 | |
Just thank God that it was there. | 0:27:47 | 0:27:50 | |
And that's just some of the kinds of work that your money is doing | 0:27:50 | 0:27:53 | |
to improve people's lives. | 0:27:53 | 0:27:55 | |
Now, since Comic Relief started in 1985, it's helped | 0:27:55 | 0:27:59 | |
over 50 million people right here in the UK | 0:27:59 | 0:28:01 | |
and in some of the world's poorest countries. | 0:28:01 | 0:28:04 | |
All those people can't thank you in person, so on behalf of them - | 0:28:04 | 0:28:08 | |
thank you, thank you, thank you! | 0:28:08 | 0:28:10 | |
Here we go! Welcome to Manchester Arena, ladies and gentlemen! | 0:28:12 | 0:28:18 | |
Won't be long now. | 0:28:19 | 0:28:21 | |
Just you wait. Things I'm going to do to you. | 0:28:21 | 0:28:24 | |
LAUGHTER | 0:28:24 | 0:28:25 | |
Look. I'm not moving, am I! | 0:28:30 | 0:28:31 | |
Argh, argh! Get me down! | 0:28:31 | 0:28:34 | |
Can you hear me now? | 0:28:34 | 0:28:35 | |
# Them hood girls, them good girls, straight masterpieces | 0:28:35 | 0:28:38 | |
# Stylin', wilin' Livin it up... # | 0:28:38 | 0:28:40 | |
We didn't have to have it here! | 0:28:40 | 0:28:42 | |
I said we could have this fundraiser at the Phoenix Club. | 0:28:42 | 0:28:44 | |
Have it here, they said. They wanted me to have big names. | 0:28:44 | 0:28:47 | |
I thought we don't need big names, we can do it ourselves. | 0:28:47 | 0:28:50 | |
I've got regulars at the club that could pull this off. | 0:28:50 | 0:28:53 | |
They're all entertainers in their own minds. | 0:28:53 | 0:28:55 | |
# Don't believe me, just watch Come on! | 0:28:55 | 0:28:57 | |
# If you don't believe me, just watch | 0:29:02 | 0:29:05 | |
# Uptown funk you up, uptown funk you up... # | 0:29:05 | 0:29:09 | |
Get off it in the wrong bit? | 0:29:09 | 0:29:11 | |
# Uptown funk you up. # | 0:29:11 | 0:29:13 | |
You all right? | 0:29:13 | 0:29:14 | |
# Don't forget your black bin bags | 0:29:15 | 0:29:19 | |
# They're on offer till December | 0:29:19 | 0:29:23 | |
# They're your heavy-duty black bin bags | 0:29:23 | 0:29:27 | |
# They're long and black and slender... # | 0:29:27 | 0:29:30 | |
Dreadful! Where's Ray? Ray? Raymond, where are you? | 0:29:30 | 0:29:34 | |
# Pump up the volume, pump up the volume | 0:29:34 | 0:29:36 | |
# Pump up the volume... # | 0:29:36 | 0:29:37 | |
# The circle of life | 0:29:39 | 0:29:44 | |
# It's the wheel of fortune... # | 0:29:44 | 0:29:46 | |
Just so you know, all the money raised is going to a very worthy cause. | 0:29:46 | 0:29:50 | |
Finally going to put Africa on the map. | 0:29:50 | 0:29:53 | |
Going to open a club out there - Phoenix Club, Africa Branch. | 0:29:53 | 0:29:56 | |
We're going to go out there and we're going to give them | 0:29:56 | 0:29:59 | |
something they've never had and that's five-star adult cabaret. | 0:29:59 | 0:30:04 | |
# The circle of life... # | 0:30:04 | 0:30:09 | |
Let's see you all clapping. Come on, it's Comic Relief! | 0:30:09 | 0:30:12 | |
LAUGHTER | 0:30:27 | 0:30:32 | |
INAUDIBLE | 0:30:42 | 0:30:44 | |
LAUGHTER | 0:30:44 | 0:30:47 | |
# The circle of life... # | 0:30:47 | 0:30:53 | |
Thank you very much everybody! | 0:30:56 | 0:30:58 | |
You've raised a total of £5,031,146 and 47p. | 0:30:58 | 0:31:05 | |
Yes! Goodnight, thank you! | 0:31:06 | 0:31:08 | |
'While the circle of life continues in Uganda, | 0:31:18 | 0:31:21 | |
'we're putting in a call to Radio One DJ Greg James.' | 0:31:21 | 0:31:24 | |
Hey, Greg. How are you? | 0:31:24 | 0:31:27 | |
-Lenny? -Hello, Greg! | 0:31:27 | 0:31:28 | |
Gonza, how are you? | 0:31:28 | 0:31:30 | |
I'm also around. | 0:31:30 | 0:31:31 | |
Joseph, how are you? | 0:31:31 | 0:31:33 | |
'Joseph is a local school teacher | 0:31:33 | 0:31:35 | |
'and worked as a builder alongside Radio One's Greg James.' | 0:31:35 | 0:31:39 | |
I'm fine! How are you huh? | 0:31:39 | 0:31:41 | |
There's a bit of an issue here, Greg, | 0:31:41 | 0:31:42 | |
because you know you did the work on the roof and you did some | 0:31:42 | 0:31:45 | |
painting and you built a cornerstone of the whole thing. | 0:31:45 | 0:31:50 | |
'Thing is, Joseph's got an issue with you.' | 0:31:50 | 0:31:53 | |
One of the house fall down. How did you build it? Hello. | 0:31:53 | 0:31:56 | |
Look, guys, I warned you that I wasn't the best at building but... | 0:31:56 | 0:31:59 | |
Women are practically giving birth outside because of you. | 0:31:59 | 0:32:03 | |
The British public have invested their hearts and minds | 0:32:03 | 0:32:06 | |
and hard-earned cash to help rebuild this centre | 0:32:06 | 0:32:09 | |
and change this community's life forever | 0:32:09 | 0:32:11 | |
and you've basically done the reverse of what we asked you to do. | 0:32:11 | 0:32:16 | |
Oh, no! No! This is not what I wanted to hear. | 0:32:16 | 0:32:18 | |
Greg, the reverse of all of that is true, Greg. | 0:32:18 | 0:32:20 | |
What's fantastic is that all of the work that everybody here, everybody | 0:32:20 | 0:32:24 | |
from Comic Relief, all the builders from the local community, all the | 0:32:24 | 0:32:27 | |
stuff that the British people gave money for, it's really worked, Greg. | 0:32:27 | 0:32:30 | |
You'd be so chuffed if you were here. | 0:32:30 | 0:32:32 | |
So the people at home who are listening to this should know | 0:32:32 | 0:32:35 | |
that it's erm, it's a fantastic thing they've done. | 0:32:35 | 0:32:37 | |
I can't believe it. I'm so chuffed to hear that it's going so well. | 0:32:37 | 0:32:41 | |
The money that's invested by everybody that's given to charity | 0:32:41 | 0:32:44 | |
has done a great deal of good and that's down to everybody listening | 0:32:44 | 0:32:47 | |
to the show and watching the show, Greg, and thank you for giving your | 0:32:47 | 0:32:50 | |
time and thanks to everybody who's given their time for Comic Relief. So you were a big part of that. | 0:32:50 | 0:32:54 | |
-Thank you so much for the bit of painting that you did. -Thank you, Greg. | 0:32:54 | 0:32:58 | |
And for laying and for laying the three bricks you laid. | 0:32:58 | 0:33:01 | |
Thank you so much, Greg. We love you! | 0:33:01 | 0:33:03 | |
-Thanks a lot. Love Iyolwa. Goodbye. Goodbye. -Goodbye! | 0:33:03 | 0:33:06 | |
Play us a record. Play us a record! | 0:33:06 | 0:33:08 | |
We've managed to put together what we think is the greatest | 0:33:08 | 0:33:11 | |
One Direction tribute band of all time. | 0:33:11 | 0:33:14 | |
Yes, we've given them some tips and we think they're pitch-perfect | 0:33:14 | 0:33:17 | |
and fully primed for their first gig. | 0:33:17 | 0:33:19 | |
Please welcome to the stage everybody - No Direction! | 0:33:19 | 0:33:22 | |
-# Maybe it's the way she walks -Aaw! | 0:33:29 | 0:33:33 | |
# Straight into my heart and stole it | 0:33:33 | 0:33:37 | |
# Through the door and past the guards | 0:33:37 | 0:33:41 | |
# Just like she already owned it | 0:33:41 | 0:33:44 | |
# I said, "Can you give it back to me?" | 0:33:44 | 0:33:48 | |
# She said, "Never in your wildest dreams!" | 0:33:48 | 0:33:53 | |
# And we danced all night | 0:33:53 | 0:33:55 | |
# To the best song ever | 0:33:55 | 0:33:57 | |
# We knew every line | 0:33:57 | 0:33:59 | |
# Now I can't remember | 0:33:59 | 0:34:01 | |
# How it goes but I know | 0:34:01 | 0:34:03 | |
# That I won't forget her | 0:34:03 | 0:34:05 | |
# Cos we danced all night | 0:34:05 | 0:34:07 | |
# To the best song ever! | 0:34:07 | 0:34:09 | |
# I think it went oh! oh! oh! I think it went yeah! yeah! yeah! | 0:34:09 | 0:34:13 | |
# I think it goes oohhhhh! | 0:34:13 | 0:34:15 | |
-# Said her name was Georgia Rose -Aaw! | 0:34:17 | 0:34:21 | |
# And her daddy was a dentist | 0:34:21 | 0:34:25 | |
# Said I had a dirty mouth | 0:34:25 | 0:34:28 | |
# I got a dirty mouth | 0:34:28 | 0:34:30 | |
# But she kissed me like she meant it | 0:34:30 | 0:34:33 | |
# I said, "Can I take you home with me?" | 0:34:33 | 0:34:37 | |
# She said, "Never in your wildest dreams!" | 0:34:37 | 0:34:41 | |
# And we danced all night | 0:34:41 | 0:34:43 | |
# To the best song ever | 0:34:43 | 0:34:45 | |
# We knew every line | 0:34:45 | 0:34:47 | |
# Now I can't remember | 0:34:47 | 0:34:49 | |
# How it goes but I know | 0:34:49 | 0:34:51 | |
# That I won't forget her | 0:34:51 | 0:34:53 | |
# Cos we danced all night | 0:34:53 | 0:34:55 | |
# To the best song ever! | 0:34:55 | 0:34:57 | |
# I think it went oh! oh! oh! I think it went yeah! yeah! yeah! | 0:34:57 | 0:35:01 | |
# I think it goes oohhhhh! | 0:35:01 | 0:35:03 | |
# You know, I know, you know | 0:35:07 | 0:35:09 | |
# I'll remember you | 0:35:09 | 0:35:11 | |
# And I know, you know, I know | 0:35:11 | 0:35:13 | |
# You'll remember me | 0:35:13 | 0:35:15 | |
# You know, I know, you know | 0:35:15 | 0:35:17 | |
# I'll remember you | 0:35:17 | 0:35:19 | |
# And I know, you know, I hope | 0:35:19 | 0:35:21 | |
# You remember how we danced | 0:35:21 | 0:35:23 | |
# How we danced | 0:35:25 | 0:35:27 | |
# One, two, one, two, three, four! | 0:35:29 | 0:35:30 | |
# How we danced all night | 0:35:30 | 0:35:32 | |
# To the best song ever | 0:35:32 | 0:35:34 | |
# We knew every line | 0:35:34 | 0:35:36 | |
# Now I can't remember | 0:35:36 | 0:35:38 | |
# How it goes but I know | 0:35:38 | 0:35:40 | |
# That I won't forget her | 0:35:40 | 0:35:41 | |
# Cos we danced all night | 0:35:41 | 0:35:44 | |
# To the best song ever! | 0:35:44 | 0:35:46 | |
# I think it went oh! oh! oh! | 0:35:46 | 0:35:48 | |
# I think it went yeah! yeah! yeah! | 0:35:48 | 0:35:50 | |
# I think it goes oohhhhh! | 0:35:50 | 0:35:53 | |
# It was the best song ever | 0:35:54 | 0:35:58 | |
# It was the best song ever | 0:35:58 | 0:36:02 | |
-# It was the best song ever. -# | 0:36:02 | 0:36:05 | |
'It's 10.30 at night and I've come back to the clinic because Dorothy | 0:36:11 | 0:36:15 | |
'is preparing to safely deliver a little baby into the world.' | 0:36:15 | 0:36:19 | |
This is fantastic. They've got lights. | 0:36:19 | 0:36:23 | |
# Yes, I do, I believe | 0:36:23 | 0:36:26 | |
# That one day I will be, where I was | 0:36:26 | 0:36:30 | |
# Right there, right next to you | 0:36:30 | 0:36:33 | |
# And it's hard, the days just seem so dark | 0:36:33 | 0:36:36 | |
# The moon, and the stars, are nothing without you | 0:36:36 | 0:36:40 | |
# Your touch, your skin, where do I begin? | 0:36:40 | 0:36:45 | |
# No words can explain the way I'm missing you | 0:36:45 | 0:36:50 | |
# The night, this emptiness, this hole that I'm inside | 0:36:50 | 0:36:54 | |
# These tears, they tell their own story | 0:36:54 | 0:36:58 | |
# You told me not to cry | 0:36:58 | 0:37:01 | |
# When you were gone | 0:37:01 | 0:37:06 | |
# But the feeling's overwhelming | 0:37:06 | 0:37:10 | |
# It's much too strong | 0:37:10 | 0:37:14 | |
# Can I lay by your side | 0:37:14 | 0:37:22 | |
# Next to you, you... # | 0:37:22 | 0:37:32 | |
-Hello. -Hello. -Is it OK for me to come in and say hello? -Yeah. -OK. | 0:37:32 | 0:37:35 | |
-How's it going? -It's fine. | 0:37:39 | 0:37:41 | |
Is she OK? | 0:37:41 | 0:37:43 | |
She's OK. | 0:37:43 | 0:37:44 | |
How are you feeling? Dorothy, how is this for you? | 0:37:44 | 0:37:49 | |
It's so great, because I'm able to see what I'm doing clearly. | 0:37:49 | 0:37:53 | |
Dorothy used to have to walk across the yard in the dark with her | 0:37:53 | 0:37:56 | |
phone torch on, and then come in here, then people would arrive | 0:37:56 | 0:37:59 | |
and then in the dark, she'd bring them to a tiny room. | 0:37:59 | 0:38:02 | |
And then she'd have no equipment, and she'd basically do | 0:38:02 | 0:38:07 | |
all of this care and then deliver a baby in the dark with her | 0:38:07 | 0:38:10 | |
phone in her mouth or with a kerosene torch, maybe one candle. | 0:38:10 | 0:38:13 | |
-Enough light. -Mhm. | 0:38:13 | 0:38:15 | |
Enough equipment, so mothers are free, | 0:38:15 | 0:38:19 | |
cos they know they're in a safe place and in safe hands. | 0:38:19 | 0:38:23 | |
I mean, you were a legend before but now you can be like a super legend because you've got light. | 0:38:23 | 0:38:28 | |
-Yeah. Just... -So you're tired. | 0:38:28 | 0:38:31 | |
I'm not tired. | 0:38:31 | 0:38:33 | |
It's not like I have to run to get water from the other buckets, | 0:38:33 | 0:38:38 | |
everything is set. | 0:38:38 | 0:38:40 | |
And we always keep saying thanks, thanks, | 0:38:40 | 0:38:42 | |
thanks for the good work done to us. You've really saved us. | 0:38:42 | 0:38:46 | |
We were almost hating our professions | 0:38:47 | 0:38:50 | |
but you brought our love back to our jobs. | 0:38:50 | 0:38:53 | |
Now we like work. | 0:38:55 | 0:38:57 | |
We love our professions. | 0:38:57 | 0:38:59 | |
We love the facility. We love being in Iyolwa. | 0:38:59 | 0:39:03 | |
It's fantastic. I'm really happy for you. | 0:39:05 | 0:39:08 | |
-Dorothy, I'll see you later, OK? -All right. | 0:39:08 | 0:39:10 | |
-Thank you for letting me be in here. Thank you, Rose. -OK. | 0:39:10 | 0:39:13 | |
-Have a good birth. See you later. Bye. -OK. | 0:39:13 | 0:39:17 | |
The thing, is the first time I came here this would have been | 0:39:22 | 0:39:25 | |
impossible, because we sat in the dark with all those boxes | 0:39:25 | 0:39:27 | |
and old magazines, and bat poo falling on your head and wasps, | 0:39:27 | 0:39:33 | |
hornets and things and rats running over your feet. | 0:39:33 | 0:39:36 | |
I keep saying it but it's really important to remind | 0:39:36 | 0:39:40 | |
ourselves of what it was like when we first came here last year. | 0:39:40 | 0:39:43 | |
I mean, it was only last October or something. | 0:39:43 | 0:39:47 | |
You know, now it's secure, you feel safe. If an expectant mum | 0:39:47 | 0:39:50 | |
pulls up now, she will not turn away because she's not scared to come in. | 0:39:50 | 0:39:54 | |
She'll come in because of the lights, it's a welcoming beacon | 0:39:54 | 0:39:57 | |
of hope in this tiny community and that's all down to you. | 0:39:57 | 0:40:00 | |
Dorothy reckons there's at least four hours to go with this | 0:40:03 | 0:40:06 | |
pregnancy, so we're going to be here for the duration. | 0:40:06 | 0:40:11 | |
In the meantime, enjoy this. | 0:40:11 | 0:40:14 | |
ANIMAL SQUEALS | 0:40:14 | 0:40:15 | |
That's a goat. | 0:40:15 | 0:40:16 | |
BELL | 0:40:27 | 0:40:28 | |
-Name, please. -Terry. Terry Henry. | 0:40:28 | 0:40:31 | |
He's a footballer. I thought his name was Thierry? | 0:40:31 | 0:40:33 | |
I thought he was French. | 0:40:33 | 0:40:34 | |
Well, we can't let the French in. Absolutely not. | 0:40:34 | 0:40:37 | |
Ah, geez, I'm a Cockerney. | 0:40:37 | 0:40:40 | |
Up the apples and stairs. | 0:40:40 | 0:40:41 | |
I'm definitely picking up an accent. | 0:40:41 | 0:40:44 | |
Shut it, you slag! Get outta my pub! | 0:40:44 | 0:40:46 | |
Mr Henry, you're certainly one of the stronger applicants we've seen today. | 0:40:46 | 0:40:50 | |
You're a footballing legend, you're very handsome | 0:40:50 | 0:40:54 | |
and you have a touch of the erm... | 0:40:54 | 0:40:55 | |
Va va voom. | 0:40:58 | 0:41:00 | |
Gotcha! Ah - see what you did. | 0:41:00 | 0:41:03 | |
-Hello! -It's a no. -To me? | 0:41:08 | 0:41:10 | |
-To you. -To me? -To you. | 0:41:10 | 0:41:12 | |
-Ah, to you. -No, it's to you. | 0:41:12 | 0:41:14 | |
-No, it's to you, Barry. -It's not to me, is it? -It's not to me! | 0:41:14 | 0:41:17 | |
Love it, don't you? | 0:41:17 | 0:41:18 | |
Sorry, I'm a big fan of sophisticated humour. | 0:41:20 | 0:41:24 | |
PHONE RINGS | 0:41:26 | 0:41:28 | |
Oh, no, it's the big man! | 0:41:28 | 0:41:30 | |
Hello, sir? | 0:41:34 | 0:41:35 | |
Right, Fry, your time is up. | 0:41:35 | 0:41:38 | |
-Who have you made a national treasure? -Nobody, sir. | 0:41:38 | 0:41:42 | |
Why are you stopping? Come on, carry on. Chop-chop. | 0:41:42 | 0:41:46 | |
We have to let one new person in every year. | 0:41:46 | 0:41:49 | |
-How many, Fry? -One, sir. | 0:41:49 | 0:41:52 | |
-And at what calendar interval? -Annually, sir. | 0:41:52 | 0:41:54 | |
And what happened the last time we refused to let someone in? | 0:41:54 | 0:41:58 | |
You head-butted me, sir. In the knee. | 0:41:58 | 0:42:00 | |
Yes, I jumped up and head-butted you in the knee. | 0:42:00 | 0:42:04 | |
So do as I say! | 0:42:04 | 0:42:05 | |
As I was explaining on the golf course to my producer, | 0:42:05 | 0:42:08 | |
it is very, very important. | 0:42:08 | 0:42:09 | |
-He's gone off on one of his stories. -Shall I put the kettle on? | 0:42:09 | 0:42:12 | |
-I'll pop to the petrol station, get some milk. -Oh, no, no he's back. | 0:42:12 | 0:42:15 | |
And so, Fry, the next person through that door and I don't care who | 0:42:15 | 0:42:21 | |
they are, you damn well make them a national treasure! | 0:42:21 | 0:42:24 | |
-B-but sir! -The next person! | 0:42:24 | 0:42:28 | |
Sir. | 0:42:28 | 0:42:29 | |
You can't go in there! Sir, sir! | 0:42:33 | 0:42:35 | |
Good god, no! | 0:42:35 | 0:42:37 | |
Evening. | 0:42:39 | 0:42:40 | |
HE SOBS | 0:42:41 | 0:42:44 | |
LAUGHTER | 0:42:44 | 0:42:47 | |
# You've got to roll with it You've got to take your time... # | 0:42:47 | 0:42:50 | |
David is going to be attempting the Guinness World Record | 0:42:53 | 0:42:57 | |
title for most kisses received in 30 seconds. | 0:42:57 | 0:42:59 | |
The kisses must be planted firmly on his face. Yeah. | 0:42:59 | 0:43:02 | |
And only one person can kiss him at a time. | 0:43:02 | 0:43:05 | |
-At a time, so David, are you ready? -I'm ready. | 0:43:05 | 0:43:07 | |
-OK. Kissers are you ready? -KISSERS: Ready! Yeah! | 0:43:07 | 0:43:10 | |
OK. Audience are you ready? | 0:43:10 | 0:43:11 | |
APPLAUSE | 0:43:11 | 0:43:13 | |
The time for talking's over. I am assuming the position. | 0:43:13 | 0:43:15 | |
I have to hold David's head. Over to you, Fortuna. | 0:43:15 | 0:43:19 | |
Three, two, one - go! | 0:43:19 | 0:43:22 | |
CHEERING | 0:43:22 | 0:43:27 | |
Go, go, go! Quicker! Ten seconds! | 0:43:30 | 0:43:33 | |
Quick! Quick! | 0:43:33 | 0:43:35 | |
Five, four, three, two, one. | 0:43:35 | 0:43:40 | |
Stop! | 0:43:40 | 0:43:43 | |
Oh, my god! | 0:43:43 | 0:43:45 | |
Well done, team. Was it good enough? | 0:43:45 | 0:43:49 | |
Let's just have a quick look here. | 0:43:49 | 0:43:53 | |
This is really fantastic entertainment, isn't it, for people? | 0:43:56 | 0:44:02 | |
-OK, we're actually going to find out if you set a new world record. -OK. -I'm quite excited. -Yeah. | 0:44:02 | 0:44:06 | |
Well, you're going to be in the book. Anna, the result, please? | 0:44:06 | 0:44:09 | |
Mr Walliams, you needed at least 50 kisses to achieve | 0:44:09 | 0:44:13 | |
a Guinness World Records title. | 0:44:13 | 0:44:15 | |
Unfortunately, I did have to disqualify three, | 0:44:15 | 0:44:19 | |
but you achieved 55! | 0:44:19 | 0:44:21 | |
-CHEERING AND APPLAUSE -Oh, wow! | 0:44:21 | 0:44:24 | |
CHEERING AND APPLAUSE | 0:44:24 | 0:44:32 | |
-Oh! -Thank you! Thank you very much. Wow! Wow! -All that practice. | 0:44:34 | 0:44:40 | |
Last time I came to Kenya, I came to this dump site in Nairobi, | 0:44:43 | 0:44:47 | |
where we met a family - a grandmother | 0:44:47 | 0:44:50 | |
and her granddaughter, both called Margaret. | 0:44:50 | 0:44:52 | |
Young Margaret had never lived anywhere else. | 0:44:52 | 0:44:55 | |
What's the best thing you've ever found? | 0:44:55 | 0:44:58 | |
THEY SPEAK THEIR OWN LANGUAGE | 0:44:58 | 0:45:01 | |
-Rice. -Rice? | 0:45:01 | 0:45:03 | |
Rice? | 0:45:03 | 0:45:05 | |
That's the best thing you've ever found? | 0:45:05 | 0:45:07 | |
And you're ten. | 0:45:14 | 0:45:16 | |
You're 72? | 0:45:17 | 0:45:19 | |
My mother's the same age. | 0:45:19 | 0:45:20 | |
Your mother - 72? | 0:45:20 | 0:45:22 | |
Thank you very much. | 0:45:22 | 0:45:24 | |
You've got another mother. | 0:45:24 | 0:45:25 | |
I'm got a second mother. You're my African mother. | 0:45:25 | 0:45:28 | |
-Yes. -Great, that'll do me! | 0:45:28 | 0:45:30 | |
That affected me and I know it affected many of you at home, | 0:45:33 | 0:45:37 | |
but thanks to your help, their life has now changed beyond compare | 0:45:37 | 0:45:40 | |
and I've come back to find out how. | 0:45:40 | 0:45:42 | |
Young Margaret has been away at a boarding school and I met up | 0:45:45 | 0:45:48 | |
with her before heading off to find her grandmother in her new home. | 0:45:48 | 0:45:52 | |
What's the best thing about going to school? | 0:45:52 | 0:45:55 | |
Uh-huh. Yes. | 0:45:56 | 0:45:58 | |
Your grandmother has a new house. Shall we go and see your grandma? | 0:45:59 | 0:46:03 | |
Today, Margaret will see her new home for the first time. | 0:46:03 | 0:46:06 | |
Their new home is amazing and even has a small shop, | 0:46:06 | 0:46:11 | |
so that there's enough money to live on. | 0:46:11 | 0:46:12 | |
Hello! Ah! Hello! | 0:46:12 | 0:46:15 | |
-Ah, look at you! -Hello, yes, I look good too. | 0:46:21 | 0:46:23 | |
-You look brilliant! -Thank you very much. | 0:46:23 | 0:46:26 | |
-Oh, I see! -Well, yeah. | 0:46:26 | 0:46:29 | |
So what, what do you sell? | 0:46:29 | 0:46:31 | |
That was credit, is that for a phone? | 0:46:31 | 0:46:33 | |
Credit, yes. | 0:46:33 | 0:46:35 | |
Carphone Warehouse going on. | 0:46:35 | 0:46:36 | |
'The difference between where they were then | 0:46:36 | 0:46:38 | |
'and where they are now is incredible.' | 0:46:38 | 0:46:41 | |
This is a very, very, very important photograph. | 0:46:42 | 0:46:46 | |
Mmm. | 0:46:46 | 0:46:47 | |
Cos this is your last ever day on the dump site. | 0:46:47 | 0:46:50 | |
I see. | 0:46:50 | 0:46:52 | |
-Keep that to know it will never happen again. -OK. | 0:46:55 | 0:46:59 | |
No more. I'm happy. | 0:47:00 | 0:47:03 | |
Thank you very much. | 0:47:03 | 0:47:04 | |
-No more. -No more. | 0:47:04 | 0:47:06 | |
You two deserve a better life and a better chance. | 0:47:06 | 0:47:10 | |
And, erm, I'm just so glad that we're able to help. | 0:47:11 | 0:47:15 | |
'The day that I first met the Margarets on the dump site, | 0:47:15 | 0:47:18 | |
'I came back here,' | 0:47:18 | 0:47:19 | |
there was a lot of tears of sadness and sorrow | 0:47:19 | 0:47:22 | |
and I've got to be honest, I was one of the ones who was shedding them. | 0:47:22 | 0:47:26 | |
But today's different, we've come back to the same site. | 0:47:26 | 0:47:29 | |
They've got a new house, they've got new hope | 0:47:29 | 0:47:31 | |
and there was some tears today, but they're tears of joy. | 0:47:31 | 0:47:35 | |
And they're tears of optimism. | 0:47:35 | 0:47:38 | |
You've changed the sadness into joy and you changed the sorrow | 0:47:38 | 0:47:41 | |
and the loss into hope. | 0:47:41 | 0:47:43 | |
That's what your donations do. That's how you change lives. | 0:47:44 | 0:47:48 | |
APPLAUSE | 0:47:50 | 0:47:53 | |
SHOOTING | 0:47:53 | 0:47:55 | |
'Bond, James Bond. The most iconic character in movie history. | 0:47:55 | 0:48:00 | |
'The latest actor to take on the role is Daniel Craig, | 0:48:00 | 0:48:05 | |
'but there's something about Daniel that his billions of fans | 0:48:05 | 0:48:08 | |
'around the world don't know. | 0:48:08 | 0:48:10 | |
'To find out what, we've come to the set of 007's latest film, Spectre. | 0:48:10 | 0:48:17 | |
'It's time to go... Behind The Bond.' | 0:48:17 | 0:48:20 | |
Within seconds of meeting Daniel, it was absolutely obvious why | 0:48:26 | 0:48:30 | |
he had to play 007. | 0:48:30 | 0:48:31 | |
He's got this incredibly powerful screen presence. | 0:48:31 | 0:48:35 | |
For me, Daniel is the perfect James Bond. | 0:48:35 | 0:48:39 | |
Daniel was born to play Bond. Apart from the thing... | 0:48:39 | 0:48:44 | |
When he talks, Daniel sounds... | 0:48:44 | 0:48:47 | |
very distinctive. | 0:48:47 | 0:48:49 | |
Which is a great gift for any actor. | 0:48:51 | 0:48:54 | |
It's just not the voice you'd think of when you think of James Bond. | 0:48:54 | 0:48:58 | |
So apparently when Casino Royale was first shown to a test audience, | 0:48:58 | 0:49:01 | |
there was one significant issue and that is that and I quote here, | 0:49:01 | 0:49:05 | |
"Daniel sounded like a little girl." | 0:49:05 | 0:49:08 | |
-HIGH-PITCHED: -I don't sound like a little girl, | 0:49:08 | 0:49:11 | |
I sound like a big manly man, | 0:49:11 | 0:49:13 | |
which is what I am. | 0:49:13 | 0:49:15 | |
I have some original footage here from Casino Royale, | 0:49:15 | 0:49:18 | |
Daniel's first Bond film. | 0:49:18 | 0:49:20 | |
This is what he actually sounded like on the day. | 0:49:20 | 0:49:23 | |
-GIRL'S VOICE: -The name's Bond, James Bond. | 0:49:28 | 0:49:31 | |
The Bond films are renowned for their action sequences. | 0:49:31 | 0:49:36 | |
The problem is, in those moments Daniel likes to improvise. | 0:49:36 | 0:49:41 | |
-Go ahead. I'm going to lose them. -Can you get into a better position? | 0:49:42 | 0:49:46 | |
Negative, there's no time. | 0:49:46 | 0:49:47 | |
-GIRL'S VOICE: -Oh, he bit me! | 0:49:47 | 0:49:49 | |
Take the shot. | 0:49:49 | 0:49:51 | |
Get off me, you cow! | 0:49:51 | 0:49:53 | |
I said take the shot. | 0:49:53 | 0:49:55 | |
I can't, I may hit Bond. | 0:49:55 | 0:49:57 | |
Take the bloody shot! | 0:49:57 | 0:49:59 | |
Aaaaaaargh! | 0:49:59 | 0:50:03 | |
It can make the romantic scenes quite tricky as you can probably imagine. | 0:50:06 | 0:50:10 | |
In Skyfall, Naomie Harris found it quite a challenge. | 0:50:10 | 0:50:13 | |
KNOCK AT DOOR | 0:50:13 | 0:50:15 | |
-SQUEAKY VOICE: -I didn't order anything. Not even you. | 0:50:23 | 0:50:25 | |
I have got some new information. | 0:50:25 | 0:50:27 | |
'What Naomie Harris has been at pains to conceal is | 0:50:27 | 0:50:31 | |
'the fact that she too is over dubbed.' | 0:50:31 | 0:50:33 | |
-BROAD ENGLISH ACCENT: -It were proper tough. | 0:50:33 | 0:50:36 | |
I see him top off and I think, | 0:50:36 | 0:50:38 | |
"Ooh, I'll have a bit of that!" | 0:50:38 | 0:50:41 | |
But then he opened his gob and it put me right off any rumpy-pumpy. | 0:50:41 | 0:50:45 | |
You can tell that Naomie Harris, she sounds like a trucker. | 0:50:45 | 0:50:48 | |
It's not actually that unusual for an actor's voice to be dubbed. | 0:50:48 | 0:50:51 | |
I mean, my voice today is provided by Paddington Bear. | 0:50:51 | 0:50:55 | |
Not a lot of people realise that Daniel is not the first Bond | 0:50:56 | 0:51:01 | |
we've had to revoice. | 0:51:01 | 0:51:02 | |
To us, Mr Bond. We are the best. | 0:51:02 | 0:51:06 | |
-AS SARAH MILLICAN: -There's a useful four-letter word, | 0:51:08 | 0:51:10 | |
and you're full of it. If you're asking me, I think | 0:51:10 | 0:51:14 | |
the one-liners work better in me proper voice. | 0:51:14 | 0:51:17 | |
Like in that James Bond 'fillum'. The Spy What Loved Us. Ha! | 0:51:17 | 0:51:22 | |
And I'm copping off with this, this reet fit lass in a rubber dinghy. | 0:51:22 | 0:51:27 | |
Then, like this, this old fella's like, | 0:51:27 | 0:51:31 | |
"Eee, James Bond, what do you think you're doing?" | 0:51:31 | 0:51:34 | |
And I says... Now, now, now, get ready for this cos it's a funny, | 0:51:34 | 0:51:39 | |
funny bit. | 0:51:39 | 0:51:40 | |
I says, "I'm keeping the British end up!" | 0:51:40 | 0:51:43 | |
Like. | 0:51:43 | 0:51:45 | |
Ha, ha. That Roger Moore has a very silly voice. | 0:51:45 | 0:51:48 | |
So who does provide Daniel Craig's voice in the Bond films? | 0:51:51 | 0:51:54 | |
When they told me I thought, "Of course!" | 0:51:57 | 0:52:00 | |
You only have to close your eyes and, well, you can hear it's him. | 0:52:00 | 0:52:04 | |
The person who provides the voice is one of the finest | 0:52:04 | 0:52:08 | |
actors of his generation. | 0:52:08 | 0:52:10 | |
The word versatile doesn't come close... | 0:52:10 | 0:52:14 | |
Very versatile. | 0:52:14 | 0:52:17 | |
Yeah, that's much better. | 0:52:18 | 0:52:20 | |
Probably should have just said that. | 0:52:20 | 0:52:22 | |
This is a world exclusive. | 0:52:22 | 0:52:24 | |
We are going to finally reveal the true voice of James Bond. | 0:52:24 | 0:52:28 | |
The name's Bond, James Bond. | 0:52:31 | 0:52:35 | |
Licensed to kill. | 0:52:38 | 0:52:40 | |
What's that, love? Still too butch? | 0:52:42 | 0:52:44 | |
Leave it with me, Toots. | 0:52:44 | 0:52:46 | |
If they don't let me use my real voice in the next film. | 0:52:51 | 0:52:56 | |
I'll scream and scream and scream until I'm sick! | 0:52:56 | 0:52:59 | |
Enjoy the movie. | 0:53:01 | 0:53:03 | |
Right, I'm off to do some colouring in. | 0:53:03 | 0:53:05 | |
Back in Uganda, Gonza's set his sights on his next big role. | 0:53:07 | 0:53:10 | |
The name is Bond, James Bond. | 0:53:10 | 0:53:13 | |
2015 has been extraordinary. | 0:53:15 | 0:53:19 | |
Earlier this year Ebola was claiming thousands of lives | 0:53:19 | 0:53:22 | |
and leaving thousands of orphans in its wake. | 0:53:22 | 0:53:25 | |
Because of your generosity, we were able to support the most | 0:53:25 | 0:53:28 | |
vulnerable people where they needed us most. | 0:53:28 | 0:53:31 | |
Your cash paid for food, for quarantined people, as well as | 0:53:31 | 0:53:34 | |
supporting Medecins Sans Frontieres to do their crucial life-saving work. | 0:53:34 | 0:53:38 | |
And the great news is, it looks like the affected | 0:53:38 | 0:53:41 | |
countries are emerging from the epidemic. | 0:53:41 | 0:53:43 | |
Then the earthquake in Nepal, which killed over 9,000 people | 0:53:43 | 0:53:46 | |
and injured many more. | 0:53:46 | 0:53:48 | |
Your cash paid for emergency support and is still helping with recovery. | 0:53:48 | 0:53:53 | |
Comic Relief have been supporting refugees for many years, | 0:53:53 | 0:53:55 | |
both here in the UK and overseas. | 0:53:55 | 0:53:58 | |
But this year saw a refugee crisis that reached a shocking level, | 0:53:58 | 0:54:01 | |
in the Middle East, Europe and other parts of the world. | 0:54:01 | 0:54:03 | |
You will be helping to make sure water, sanitation, | 0:54:03 | 0:54:06 | |
education and care is provided for some of the most vulnerable, | 0:54:06 | 0:54:09 | |
traumatised families who have fled violence and abuse. | 0:54:09 | 0:54:12 | |
As usual, your money has been crucial in helping people | 0:54:12 | 0:54:16 | |
all across Africa - whether that's educating some of the most | 0:54:16 | 0:54:19 | |
marginalised children, supporting those living with HIV, | 0:54:19 | 0:54:22 | |
providing teacher training, getting young people employment or | 0:54:22 | 0:54:25 | |
helping farmers get a fair price for their produce. | 0:54:25 | 0:54:28 | |
You are, quite simply, amazing. We salute you. Be proud. | 0:54:28 | 0:54:32 | |
You've saved and changed so many lives this year. Thank you. | 0:54:32 | 0:54:35 | |
Overnight, Rose gave birth to a healthy little girl in the new | 0:54:39 | 0:54:42 | |
clinic, but my trip wouldn't be complete without popping over | 0:54:42 | 0:54:46 | |
to say hello to two other special little chaps. | 0:54:46 | 0:54:49 | |
Twins were born when I was last here nine months ago. | 0:54:49 | 0:54:52 | |
-Hi. -I haven't seen you for months! | 0:54:52 | 0:54:54 | |
-Where's Lenny and Henry? -Yeah, it's Lenny. | 0:54:54 | 0:54:56 | |
This is Henry! | 0:54:56 | 0:54:58 | |
-Henry's the serious one. -Yeah, that's Henry. | 0:54:58 | 0:55:02 | |
Did you not tell him I was coming? Lenny and Henry! | 0:55:02 | 0:55:05 | |
This is the funniest thing! | 0:55:05 | 0:55:08 | |
-Aw. -Smile a bit. | 0:55:09 | 0:55:11 | |
-Smile a bit! -Smile. | 0:55:11 | 0:55:13 | |
SHE SPEAKS INDISTINCTLY | 0:55:15 | 0:55:17 | |
-They're handsome boys. -Yes. | 0:55:17 | 0:55:20 | |
Just like their godfather. | 0:55:20 | 0:55:22 | |
Exactly like their godfather. | 0:55:22 | 0:55:25 | |
I'll be sad to leave Uganda, but it's been incredible seeing | 0:55:28 | 0:55:31 | |
the transformation of the clinic and its staff. | 0:55:31 | 0:55:34 | |
Just over a year ago, light switches | 0:55:34 | 0:55:35 | |
and running water seemed like an unrealistic dream. | 0:55:35 | 0:55:38 | |
As patients shared the derelict clinic with bats, | 0:55:38 | 0:55:41 | |
rats and rain water. | 0:55:41 | 0:55:44 | |
And here we are nine months later, and look at it. | 0:55:44 | 0:55:47 | |
Iyolwa Health Centre served 13,000 patients in that time, | 0:55:47 | 0:55:52 | |
500 babies have been birthed here | 0:55:52 | 0:55:54 | |
and 600 children have been immunised and the staff are motivated. | 0:55:54 | 0:55:58 | |
We've just been in a computer class, they're having computer lessons, | 0:55:58 | 0:56:01 | |
they're learning how to use Word and playing Candy Crush, I imagine. | 0:56:01 | 0:56:04 | |
They're learning how to make the system work better. | 0:56:04 | 0:56:07 | |
Francis is all over. Francis is a changed man. He's a changed man! | 0:56:07 | 0:56:11 | |
He was frustrated but he's changed. | 0:56:11 | 0:56:13 | |
Dorothy is so happy to have the right facilities, she can | 0:56:13 | 0:56:17 | |
actually look after these mums, she's got doplers, she got forceps, | 0:56:17 | 0:56:20 | |
she's got a bed, she's got the light with the Star Trek thing in it. | 0:56:20 | 0:56:23 | |
It's an amazing change. | 0:56:23 | 0:56:24 | |
It's an amazing transformation and it's all in a very short space | 0:56:24 | 0:56:27 | |
of time and it's all because of you - all the hard work you've done. | 0:56:27 | 0:56:31 | |
You should be really, really chuffed, | 0:56:31 | 0:56:33 | |
cos I am... I'm really proud and you should be proud too. | 0:56:33 | 0:56:37 | |
Thank you so much. | 0:56:37 | 0:56:38 | |
Thank you to everyone whose given over the years. | 0:56:40 | 0:56:42 | |
To the red nose wearers, the multiple texters, the mile | 0:56:42 | 0:56:46 | |
runners, the bakers, the selfie makers, the baked bean bathers, | 0:56:46 | 0:56:49 | |
the project workers, the writers, the comedians, the programme makers, | 0:56:49 | 0:56:53 | |
the kissers, the record breakers, the streakers, the naked milers, the | 0:56:53 | 0:56:57 | |
stonkers, the strictly come dancers, the car washers, the fancy dressers, | 0:56:57 | 0:57:02 | |
the swimmers, the cyclists, the rowers, the sponsored silencers, the | 0:57:02 | 0:57:06 | |
wig wearers, the pub quizzers, the non-uniformers, the jumble salers, | 0:57:06 | 0:57:10 | |
the custard pie-ers, the backward walkers, the walk to workers, | 0:57:10 | 0:57:14 | |
the inside-out clothes wearers, the treadmillers, the face painters, | 0:57:14 | 0:57:18 | |
the sponsored waxers, the gungers, the sweepstakers, | 0:57:18 | 0:57:22 | |
the three-legged racers, the world changers. | 0:57:22 | 0:57:25 | |
To all of you, thanks a billion! | 0:57:25 | 0:57:26 | |
Thank you. | 0:57:26 | 0:57:28 | |
Thank you! I thank you! | 0:57:28 | 0:57:31 | |
Woooo! Wooo! Thank you! | 0:57:31 | 0:57:34 | |
Waaa! | 0:57:34 | 0:57:37 | |
So that was Red Nose Day 2015, but hey, | 0:57:37 | 0:57:40 | |
coming up in 2016, we've got Sport Relief. | 0:57:40 | 0:57:44 | |
This lot are getting ready and you can too! | 0:57:44 | 0:57:47 | |
# Are you ready? Are you ready? Are you ready for this? | 0:57:47 | 0:57:51 | |
# Are you ready? Are you ready? Are you ready for this? # | 0:57:51 | 0:57:55 | |
Walk run, swim or cycle yourself proud at Sport Relief Games | 0:57:55 | 0:57:59 | |
events across the UK. | 0:57:59 | 0:58:01 | |
Sign up now at bbc.co.uk/sportrelief. | 0:58:01 | 0:58:05 | |
# Are you re-e-e-e-eady for this? | 0:58:05 | 0:58:09 | |
# Are you ready for this? | 0:58:10 | 0:58:12 | |
# Are you ready? Are you ready? | 0:58:12 | 0:58:14 | |
# Are you ready for this? Let's go! | 0:58:14 | 0:58:16 | |
# Are you ready? Are you ready? Are you ready for this? | 0:58:16 | 0:58:20 | |
# Wo oh oh oh oh oh, oh oh-oh | 0:58:20 | 0:58:23 | |
# Wo oh oh oh oh oh, oh oh-oh # Let's go, let's go | 0:58:23 | 0:58:26 | |
# Are you re-e-e-e-eady for this? # | 0:58:26 | 0:58:29 |