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-Oh, my God, -oh, my God. Hey! | 0:00:03 | 0:00:05 | |
HE LAUGHS | 0:00:05 | 0:00:07 | |
'My fellow comedian Ed Byrne and I are on an epic road trip.' | 0:00:07 | 0:00:12 | |
We have been in this car for nearly a month. | 0:00:12 | 0:00:16 | |
'We're travelling 4,000 miles down the longest road in the world - | 0:00:16 | 0:00:21 | |
'the Pan-American Highway.' | 0:00:21 | 0:00:23 | |
Wow, look at that. | 0:00:23 | 0:00:25 | |
'We'll be passing through some of the most spectacular...' | 0:00:25 | 0:00:27 | |
ED LAUGHS | 0:00:27 | 0:00:30 | |
'..and volatile countries on the planet.' | 0:00:30 | 0:00:32 | |
Look at that over there. | 0:00:32 | 0:00:34 | |
POLICE SIREN WAILS | 0:00:34 | 0:00:35 | |
Oh, my God. | 0:00:35 | 0:00:37 | |
'Today, this great road is a main artery through the Americas. | 0:00:38 | 0:00:44 | |
'But 75 years ago it was little more than a cart track. | 0:00:44 | 0:00:48 | |
'Then three adventurers from Detroit set out to drive all the way | 0:00:50 | 0:00:54 | |
'from North to South America.' | 0:00:54 | 0:00:57 | |
'It was an expedition to attempt what no-one has ever done.' | 0:00:57 | 0:01:01 | |
'Crossing jungles, fording rivers and conquering mountains, | 0:01:01 | 0:01:05 | |
'they forged a route for what would eventually become | 0:01:05 | 0:01:08 | |
'the Pan-American Highway.' | 0:01:08 | 0:01:11 | |
'Using their journal as a guide, | 0:01:11 | 0:01:13 | |
'we'll follow their path from the USA all the way to Panama.' | 0:01:13 | 0:01:18 | |
Here we go. | 0:01:18 | 0:01:20 | |
'But first we're in Mexico, | 0:01:20 | 0:01:21 | |
'getting to grips with the extraordinary people...' | 0:01:21 | 0:01:24 | |
Welcome to Mexico. | 0:01:24 | 0:01:25 | |
THEY LAUGH | 0:01:25 | 0:01:28 | |
'..the local diet...' | 0:01:28 | 0:01:30 | |
Oh, my lord, that is the head of an iguana. | 0:01:30 | 0:01:31 | |
In it goes. | 0:01:33 | 0:01:34 | |
'..and the dangers of life along the route.' | 0:01:36 | 0:01:39 | |
Jesus, look at them hanging off the train. | 0:01:39 | 0:01:42 | |
Some of them are just kids. | 0:01:42 | 0:01:44 | |
'We'll discover how this highway has changed the lives of the people | 0:01:46 | 0:01:50 | |
'who live on its course on our very own | 0:01:50 | 0:01:53 | |
'Pan-American road trip of a life time.' | 0:01:53 | 0:01:56 | |
-This is not right. -Whoa. | 0:02:08 | 0:02:11 | |
I don't know where this road is on this map. | 0:02:14 | 0:02:17 | |
I don't know that this road is on this map. | 0:02:17 | 0:02:20 | |
We are surrounded by a lot more cacti than I would like us to be. | 0:02:20 | 0:02:26 | |
Ed's my closest friend, we were best man at each other's weddings. | 0:02:27 | 0:02:32 | |
When we first met, Dara was opening for me at a club in Dublin. | 0:02:32 | 0:02:36 | |
We're both immigrants. | 0:02:36 | 0:02:37 | |
We both travelled from the country we were born into another country. | 0:02:37 | 0:02:40 | |
There is an element of fitting in to a separate culture. | 0:02:40 | 0:02:43 | |
I think there's as similar relationship between | 0:02:43 | 0:02:45 | |
Central America and the USA as there is between Ireland and Britain. | 0:02:45 | 0:02:49 | |
We are the smaller neighbour that kind of gets forgotten about. | 0:02:49 | 0:02:53 | |
The United States is already, to a certain extent, | 0:02:53 | 0:02:56 | |
overly dominated our view of this part of the world. | 0:02:56 | 0:02:58 | |
And so what I want to see is Latin America standing tall. | 0:02:58 | 0:03:01 | |
-Go where I tell you to go and then... -This time I will. | 0:03:01 | 0:03:04 | |
-..rather than just following your feminine instinct. -It felt right! | 0:03:04 | 0:03:10 | |
'On a long journey there'll be times where we'll be exasperated' | 0:03:10 | 0:03:14 | |
with each other. We've had to do that before, so I think it'll be OK. | 0:03:14 | 0:03:18 | |
We're beyond small talk. | 0:03:18 | 0:03:20 | |
That's a useful thing in a journeying companion. | 0:03:20 | 0:03:23 | |
I am hoping our friendship will survive this journey. | 0:03:23 | 0:03:26 | |
But it's quite possible it won't survive dinner. | 0:03:26 | 0:03:29 | |
'Before we hit the Pan-American Highway south through Mexico, | 0:03:34 | 0:03:37 | |
'Dara and I are stopping off in the small Arizona mining town of Miami. | 0:03:37 | 0:03:43 | |
'We want to know more about these three adventurers from Detroit | 0:03:44 | 0:03:47 | |
'whose tyre tracks we're following. | 0:03:47 | 0:03:49 | |
'So we've arranged to meet Dave Richardson | 0:03:49 | 0:03:52 | |
'whose father, Sullivan, led the 1940s expedition.' | 0:03:52 | 0:03:56 | |
-Ed. -How are you? -Pleasure. -Welcome. | 0:03:56 | 0:03:59 | |
-Dara. -How are you, sir? -How are you, are you well? Very, very good. | 0:03:59 | 0:04:02 | |
It's great to see you gentlemen here today. | 0:04:02 | 0:04:05 | |
I have something very special that I'd like to share with you. | 0:04:05 | 0:04:08 | |
-Yes, please. -It's a scrap book that my father put together of his trip | 0:04:08 | 0:04:12 | |
down to South America. | 0:04:12 | 0:04:14 | |
I'm looking at Clark Gable and Ron Howard here, | 0:04:14 | 0:04:16 | |
the two guys that he brought along. | 0:04:16 | 0:04:19 | |
Yes, this was a very close friend, Arnold, | 0:04:19 | 0:04:21 | |
and Ken was Arnold's close friend. | 0:04:21 | 0:04:23 | |
Arnold was the mechanic, Ken was the cook, | 0:04:23 | 0:04:26 | |
and my father was the journalist. | 0:04:26 | 0:04:28 | |
They called them Three Damn Fools | 0:04:28 | 0:04:30 | |
because there was no roads | 0:04:30 | 0:04:33 | |
in many of the stretches throughout Latin America. | 0:04:33 | 0:04:36 | |
Many people told him that it was absolutely impossible. | 0:04:36 | 0:04:40 | |
'Let me take you with us on this trip. It really is an experience.' | 0:04:41 | 0:04:45 | |
'Sullivan was working for the Detroit News | 0:04:45 | 0:04:48 | |
'when he came up with the idea of a panAmerican expedition. | 0:04:48 | 0:04:52 | |
'The reports he sent back became a book called Adventure South, | 0:04:52 | 0:04:55 | |
'which is how Ed and I found out about it.' | 0:04:55 | 0:04:58 | |
Why did he do it? Was it a bar bet? Was it a challenge? | 0:05:00 | 0:05:04 | |
Cos no-one had done this drive before. | 0:05:04 | 0:05:07 | |
My father was born in Mexico, right at the border of the United States. | 0:05:07 | 0:05:12 | |
He was born into very poor circumstances. | 0:05:12 | 0:05:15 | |
He was discriminated against. | 0:05:15 | 0:05:17 | |
People told him he was white trash. | 0:05:17 | 0:05:20 | |
-And he was the 17th child of 20 children. -Right. | 0:05:20 | 0:05:25 | |
So you really need to do something special | 0:05:25 | 0:05:27 | |
if you're going to stand out from a crowd like that. | 0:05:27 | 0:05:30 | |
So he conceived of the idea of trying to find a route | 0:05:30 | 0:05:35 | |
for the Pan-American Highway. | 0:05:35 | 0:05:37 | |
He went to the people at Chrysler Corporation | 0:05:37 | 0:05:39 | |
and they gave him | 0:05:39 | 0:05:41 | |
this 1941 Plymouth Sedan car. | 0:05:41 | 0:05:45 | |
So "Viva el Panamericanismo." | 0:05:45 | 0:05:47 | |
That means "Long live Panamericanism." | 0:05:47 | 0:05:51 | |
The concept was to bring together the Americas. | 0:05:51 | 0:05:55 | |
'We give you here the realistic story of men trying to follow, | 0:05:55 | 0:05:59 | |
'by automobile, the route of what one day will be the greatest | 0:05:59 | 0:06:02 | |
'highway in the world.' | 0:06:02 | 0:06:03 | |
'Armed with Sullivan's journal, Adventure South, | 0:06:05 | 0:06:08 | |
'we're following the expedition's original route, | 0:06:08 | 0:06:10 | |
'from Arizona, down through Central America, to Panama.' | 0:06:10 | 0:06:15 | |
What do you know of Central America? | 0:06:16 | 0:06:18 | |
Well, I didn't even realise until I started researching this trip | 0:06:18 | 0:06:22 | |
that Mexico is actually in North America. | 0:06:22 | 0:06:25 | |
It's not even in Central America. | 0:06:25 | 0:06:26 | |
-You've never been to these places at all? -No. No. | 0:06:26 | 0:06:30 | |
I once spent two weeks here in the mid-'90s, | 0:06:30 | 0:06:33 | |
so if you've any questions... | 0:06:33 | 0:06:35 | |
Is that going to be enough now for you to just adopt a patronising | 0:06:35 | 0:06:37 | |
-know-all attitude for the rest of this trip? -Oh, Ed. | 0:06:37 | 0:06:41 | |
-"Oh, how it's changed." -Donde esta. Donde esta. | 0:06:41 | 0:06:46 | |
'It took the Fools five months to reach the Panama Canal, | 0:06:48 | 0:06:51 | |
'but we've only got four weeks. | 0:06:51 | 0:06:54 | |
'We'll be travelling over 4,000 miles, | 0:06:54 | 0:06:56 | |
'first down the length of Mexico | 0:06:56 | 0:06:58 | |
'and then south through Guatemala, | 0:06:58 | 0:07:00 | |
'El Salvador, Honduras, Nicaragua, | 0:07:00 | 0:07:03 | |
'and Costa Rica, | 0:07:03 | 0:07:04 | |
'before we end our journey in Panama.' | 0:07:04 | 0:07:07 | |
-SULLIVAN: -'We'll start here, and enter Mexico at Nogales, Arizona.' | 0:07:09 | 0:07:12 | |
'In the 1940s crossing the border into Mexico was a breeze, | 0:07:14 | 0:07:18 | |
'and the Plymouth was simply waved across.' | 0:07:18 | 0:07:21 | |
'We present ourselves to customs authorities | 0:07:21 | 0:07:23 | |
'and are permitted to pass without opening a single bag | 0:07:23 | 0:07:26 | |
'or piece of equipment.' | 0:07:26 | 0:07:28 | |
'But times have changed on the US/Mexican border.' | 0:07:28 | 0:07:31 | |
Right, this is the fast moving Mexican border control. | 0:07:36 | 0:07:40 | |
'Nogales is now divided by a huge fence. | 0:07:45 | 0:07:48 | |
'Over 400,000 people were caught tying to hop the border | 0:07:49 | 0:07:53 | |
'last year alone. | 0:07:53 | 0:07:54 | |
'And over 90% of the cocaine and crystal meth entering the US | 0:07:54 | 0:07:59 | |
'is trafficked by violent drug cartels | 0:07:59 | 0:08:01 | |
'through border towns like this. | 0:08:01 | 0:08:03 | |
'Which is why it's over three hours before we are finally waved through.' | 0:08:05 | 0:08:10 | |
Welcome to Mexico, my friend. | 0:08:11 | 0:08:12 | |
'Sullivan, Ken and Arnold had decided to drive down the Pacific coast | 0:08:16 | 0:08:20 | |
'of Mexico, where they had been warned the going would be tough.' | 0:08:20 | 0:08:24 | |
-SULLIVAN: -'For 1,000 miles there is only a dry weather trail | 0:08:24 | 0:08:27 | |
'for high-wheeled carts. | 0:08:27 | 0:08:29 | |
'And we hit it after a six-day rain. | 0:08:29 | 0:08:32 | |
'We dive in the mud holes | 0:08:32 | 0:08:34 | |
'and follow hour after hour | 0:08:34 | 0:08:36 | |
'along highway like this.' | 0:08:36 | 0:08:38 | |
'And when the road ran out altogether, | 0:08:38 | 0:08:40 | |
'they were bailed out by the locals.' | 0:08:40 | 0:08:42 | |
'He kept yelling at us, "No puede pasar, senores, sin mulas." | 0:08:42 | 0:08:47 | |
'Meaning we couldn't get across without the help of his mules.' | 0:08:47 | 0:08:50 | |
'But Mexico is no longer the manana backwater of the USA | 0:08:54 | 0:08:57 | |
'that Sullivan encountered. | 0:08:57 | 0:08:59 | |
'The Pan-American Highway here is now a network of modern motorways | 0:08:59 | 0:09:03 | |
'that soar over the rivers which the 1940s expedition struggled to cross.' | 0:09:03 | 0:09:07 | |
Baluarte Bridge. | 0:09:09 | 0:09:11 | |
A kilometre long, | 0:09:11 | 0:09:13 | |
-from the start to the end. -Please slow down, thank you. | 0:09:13 | 0:09:16 | |
-All right, OK. -I know, I know. -OK. | 0:09:16 | 0:09:18 | |
Yeah, it's...scary, it's really scary. | 0:09:18 | 0:09:21 | |
It's exhilarating, is what it is. | 0:09:21 | 0:09:22 | |
A type of exhilarating which is also scary. | 0:09:22 | 0:09:25 | |
'Rising over 400 metres above the valley below, | 0:09:25 | 0:09:28 | |
'the Baluarte is the highest bridge in the Americas.' | 0:09:28 | 0:09:32 | |
Wow. We're properly over the gorge now. | 0:09:33 | 0:09:37 | |
-Oh, what are you doing, what are you doing? -I'm stopping. | 0:09:38 | 0:09:41 | |
Why are you stopping in the middle of a bridge? | 0:09:41 | 0:09:44 | |
Well, it'll be more dangerous for me to keep driving | 0:09:44 | 0:09:46 | |
-AND look over the edge. -Oh, don't, don't. | 0:09:46 | 0:09:49 | |
-I've put me hazards on, it's all right. -You put your hazards on? | 0:09:49 | 0:09:53 | |
It's a massive bridge, it's a massive long, straight road. | 0:09:53 | 0:09:55 | |
There's no traffic. | 0:09:55 | 0:09:57 | |
-What are you doing? -I'm getting out, I'm going to have a look. | 0:09:57 | 0:10:00 | |
-You not coming? -No, I'm not. I absolutely am not. | 0:10:00 | 0:10:02 | |
I reckon you're less safe in the car. | 0:10:02 | 0:10:05 | |
I think, you know, there's more chance something's | 0:10:05 | 0:10:07 | |
going to come along and hit you. You should get out and come with me | 0:10:07 | 0:10:10 | |
-and have a look over the edge. -No. | 0:10:10 | 0:10:13 | |
Buenas noches. | 0:10:15 | 0:10:17 | |
-CD PROMPTS IN SPANISH -Bien, gracias. | 0:10:17 | 0:10:20 | |
-'Muy bien.' -Muy bien. Muy bien. | 0:10:20 | 0:10:23 | |
GENTLE MUSIC PLAYS | 0:10:23 | 0:10:24 | |
The music is calming me, the music is calming me. | 0:10:24 | 0:10:27 | |
-The view's incredible. -I'm sure it's fantastic(!) | 0:10:28 | 0:10:31 | |
Buenos dias. > | 0:10:34 | 0:10:36 | |
'Yes, the Fools didn't have the benefit of these terrifying bridges, | 0:10:42 | 0:10:46 | |
'so instead they spent ten days dragging the Plymouth | 0:10:46 | 0:10:48 | |
'through the mud before they reached Mazatlan, a beautiful seaside town | 0:10:48 | 0:10:53 | |
'where we are going to spend the night.' | 0:10:53 | 0:10:55 | |
This is how happy they were to reach Mazatlan. | 0:10:59 | 0:11:01 | |
They go, "There were people in Mazatlan, paved streets, | 0:11:01 | 0:11:04 | |
"restaurants, ice cream, Coca Cola and the sea." | 0:11:04 | 0:11:09 | |
-There we go, look at that. -Right on cue. | 0:11:09 | 0:11:11 | |
'To save money for meals, Sullivan, Ken and Arnold | 0:11:13 | 0:11:16 | |
'camped on a rocky vantage point next to the sea, | 0:11:16 | 0:11:19 | |
'one popular with local daredevils.' | 0:11:19 | 0:11:22 | |
'These Mexican swimmers would think nothing of doing | 0:11:22 | 0:11:25 | |
'a swan dive where angels would fear to fly. | 0:11:25 | 0:11:28 | |
'The slightest miscalculation and he'd have his last headache.' | 0:11:28 | 0:11:31 | |
'The cliff divers are still here, | 0:11:33 | 0:11:34 | |
'risking their lives to earn tips from tourists.' | 0:11:34 | 0:11:37 | |
God. | 0:11:41 | 0:11:42 | |
Wow, that's astonishing. | 0:11:44 | 0:11:46 | |
And another one coming. | 0:11:46 | 0:11:48 | |
Oh! | 0:11:51 | 0:11:52 | |
-There he is. -That was a little pause, wasn't it? | 0:11:54 | 0:11:58 | |
Very impressive. Very impressive. | 0:11:59 | 0:12:01 | |
Very, very good. Thank you very much. Fantastic. | 0:12:01 | 0:12:04 | |
Does it hurt when you hit? | 0:12:04 | 0:12:07 | |
It is, like, pain? Boom - like that? | 0:12:07 | 0:12:10 | |
-It's normal. -It's normal. | 0:12:10 | 0:12:12 | |
-Yeah. -Normal. | 0:12:12 | 0:12:14 | |
How deep is it? | 0:12:14 | 0:12:16 | |
45.5 feet high. | 0:12:16 | 0:12:19 | |
The water - 7.5 feet deep. | 0:12:19 | 0:12:22 | |
In times we have five, six feet deep right here. | 0:12:22 | 0:12:26 | |
-Can you do five feet deep? -Yes. | 0:12:26 | 0:12:28 | |
-Is that what I think it is? Is that off...? -Yeah, the rocks. | 0:12:28 | 0:12:31 | |
-Really? Look at that. -Oh, man. -That's tough. | 0:12:31 | 0:12:35 | |
That's new as well. | 0:12:35 | 0:12:36 | |
Wow, that's incredible. | 0:12:36 | 0:12:38 | |
-Would you mind showing us what it's like up there? -Yeah, come on. | 0:12:38 | 0:12:42 | |
Every time is very, very dangerous. | 0:12:44 | 0:12:47 | |
-May I? -Yeah. | 0:12:47 | 0:12:48 | |
Oh... | 0:12:50 | 0:12:51 | |
I bet if you go too far you hit that rock there, yeah? | 0:12:51 | 0:12:54 | |
You can see the other rocks underneath. | 0:12:54 | 0:12:57 | |
HE CHUCKLES | 0:12:57 | 0:12:59 | |
-Want to fly with me, my friend? -I would love to, but in spirit. | 0:12:59 | 0:13:02 | |
Here we go. | 0:13:13 | 0:13:14 | |
-Wow, that was amazing. -Incredibly impressive. | 0:13:23 | 0:13:26 | |
Although, I'd like to see them close the late show at the Comedy Store | 0:13:26 | 0:13:29 | |
-on a Friday night. That's scary! -He's not Superman. | 0:13:29 | 0:13:33 | |
-Amazing! -Fantastic! Muchas gracias. | 0:13:33 | 0:13:37 | |
Yeah, he's cool. | 0:13:37 | 0:13:38 | |
Do you know what's extra cool about this actual bit here is this | 0:13:38 | 0:13:41 | |
is where the Fools camped. Sullivan sat just down there, | 0:13:41 | 0:13:46 | |
just clattering away on his typewriter all night. | 0:13:46 | 0:13:48 | |
Very romantic place to camp, | 0:13:48 | 0:13:50 | |
-but an even more romantic place to sit and type. -Staring out at that? | 0:13:50 | 0:13:53 | |
-How beautiful would that be, with the sun going down? -Yeah. | 0:13:53 | 0:13:55 | |
'Before we turn in for the night we've decided to have | 0:13:56 | 0:13:59 | |
'a couple of beers where the Fools used to eat.' | 0:13:59 | 0:14:03 | |
This is the beautiful Belmar Hotel. | 0:14:03 | 0:14:05 | |
This place was considered too fancy to stay in by the Fools. | 0:14:08 | 0:14:13 | |
They ate here. They ate ham and eggs, like, four, maybe five times. | 0:14:13 | 0:14:18 | |
These chairs might have been here as well. | 0:14:18 | 0:14:20 | |
There's any chance Sullivan's bum has worn a groove in this. | 0:14:20 | 0:14:25 | |
I'd like to be romantic about this | 0:14:27 | 0:14:29 | |
-but I don't want to start thinking about Sullivan's bum. -No, OK, fine. | 0:14:29 | 0:14:33 | |
HORN TOOTS | 0:14:33 | 0:14:34 | |
Cheers. | 0:14:36 | 0:14:37 | |
'Sullivan fell in love with this place. | 0:14:39 | 0:14:42 | |
'But more recently it's become less welcoming to visitors. | 0:14:42 | 0:14:46 | |
'Mazatlan is the capital of the state of Sinaloa, | 0:14:46 | 0:14:49 | |
'which has seen some of the worst violence from warring drugs cartels. | 0:14:49 | 0:14:53 | |
'Only a week after we left, Joaquin Guzman - | 0:14:53 | 0:14:56 | |
'considered one of the world's most powerful drug lords - | 0:14:56 | 0:14:59 | |
'was arrested here with 200 million in cash. | 0:14:59 | 0:15:03 | |
'A darker side of the Pan-American dream.' | 0:15:03 | 0:15:06 | |
'Mazatlan is more than 600 miles from Mexico City. | 0:15:12 | 0:15:16 | |
'Without a good road, it took the expedition five days | 0:15:16 | 0:15:20 | |
'and mosquito-plagued nights across desert scrubland to get there. | 0:15:20 | 0:15:23 | |
'At that time, Mexico City had a population of just over one million. | 0:15:24 | 0:15:29 | |
'Today, it has swollen to over 21 million, | 0:15:30 | 0:15:33 | |
'and is now the fourth largest urban area in the world.' | 0:15:33 | 0:15:37 | |
This city's massive. | 0:15:38 | 0:15:40 | |
This is insanely big, isn't it? | 0:15:40 | 0:15:42 | |
I imagine their arrival at Mexico City was full of joy for them, | 0:15:45 | 0:15:49 | |
having been crossing desert. | 0:15:49 | 0:15:51 | |
And it would have been a lot easier to get around. | 0:15:51 | 0:15:55 | |
Whereas, for us, we've had lovely open road | 0:15:55 | 0:15:58 | |
and now we are facing road rage and congestion. | 0:15:58 | 0:16:01 | |
'With an average commute time of three hours | 0:16:01 | 0:16:03 | |
'and no requirements to take a driving test, Mexico City | 0:16:03 | 0:16:07 | |
'is officially - and there are people who measure these things - | 0:16:07 | 0:16:10 | |
'the worst place to drive on the planet.' | 0:16:10 | 0:16:14 | |
HORN HONKS | 0:16:14 | 0:16:16 | |
THEY LAUGH | 0:16:16 | 0:16:18 | |
You're getting the hang of this. | 0:16:18 | 0:16:20 | |
In any other culture, I would be really ashamed of you. | 0:16:21 | 0:16:24 | |
I know, that would have been a really rude thing to do. | 0:16:24 | 0:16:26 | |
I'm already, like, "Not today, biatch!" | 0:16:26 | 0:16:30 | |
'There's only so much weaving you can get away with, | 0:16:32 | 0:16:36 | |
'and now there's a conga line of salesmen trying to flog everything | 0:16:36 | 0:16:39 | |
'from food to home furnishings.' | 0:16:39 | 0:16:42 | |
-Bathroom mirrors. -Bathroom mirrors. | 0:16:42 | 0:16:44 | |
-It's quite the marketplace, this traffic jam. -Yes. | 0:16:44 | 0:16:48 | |
No, no, no, no. Just pointing at you so we can see you. | 0:16:48 | 0:16:52 | |
No, I don't want a paper battleship. It's OK. I'm sorry. OK, look away. | 0:16:52 | 0:16:56 | |
Look straight ahead. | 0:16:56 | 0:16:58 | |
'But we don't mind paying to be serenaded by mariachi.' | 0:17:03 | 0:17:07 | |
Roll down the window. | 0:17:07 | 0:17:09 | |
HE SPEAKS SPANISH | 0:17:09 | 0:17:11 | |
What do you want to play? | 0:17:11 | 0:17:13 | |
Mexicano song. That's fantastic. | 0:17:13 | 0:17:15 | |
We're doing a drive-by hiring of a mariachi band. | 0:17:18 | 0:17:20 | |
Yeah, I know, it's excellent. | 0:17:20 | 0:17:22 | |
Here we go. | 0:17:24 | 0:17:25 | |
UPBEAT MUSIC PLAYS | 0:17:25 | 0:17:29 | |
-Great. -I feel like I've dropped acid. | 0:17:32 | 0:17:35 | |
HE LAUGHS | 0:17:35 | 0:17:36 | |
Despite being flatter than a tortilla, | 0:17:41 | 0:17:43 | |
there is something marvellously romantic about these musicians. | 0:17:43 | 0:17:47 | |
THEY SING IN SPANISH | 0:17:49 | 0:17:52 | |
-Muchas gracias! -Muchas gracias! | 0:18:02 | 0:18:05 | |
Muy bien. Muy bien. | 0:18:05 | 0:18:08 | |
Happy anniversary, Dara. | 0:18:08 | 0:18:10 | |
HE LAUGHS | 0:18:10 | 0:18:12 | |
'Well, that's quite enough of that. We have an appointment to keep.' | 0:18:14 | 0:18:18 | |
-SULLIVAN: -'In the Mexican capital we call at Governation to meet young, | 0:18:18 | 0:18:21 | |
'handsome Don Licenciado Miguel Aleman. | 0:18:21 | 0:18:25 | |
'He extends us every possible courtesy.' | 0:18:25 | 0:18:27 | |
'Sullivan believed that his expedition could encourage | 0:18:27 | 0:18:30 | |
'Latin American leaders to realise the dream of a Pan-American Highway. | 0:18:30 | 0:18:35 | |
'And the first name on his list was Miguel Aleman, | 0:18:35 | 0:18:38 | |
'soon to become President of Mexico. | 0:18:38 | 0:18:40 | |
'Today, his son, Miguel Aleman Junior, | 0:18:42 | 0:18:45 | |
'is dropping by to meet us.' | 0:18:45 | 0:18:47 | |
It's an impressive way to make an entrance, isn't it? | 0:18:47 | 0:18:50 | |
Are you sure we're not actually meeting a Bond villain? | 0:18:50 | 0:18:53 | |
I feel a bit underdressed now. | 0:18:55 | 0:18:57 | |
I think you should have probably... | 0:18:57 | 0:19:00 | |
'Miguel Junior, with his media empires and his own airline, | 0:19:00 | 0:19:04 | |
'is one of the new class of super rich business moguls | 0:19:04 | 0:19:07 | |
'created by Mexico's recent economic success.' | 0:19:07 | 0:19:11 | |
-Buenos dias. -Hello, welcome. | 0:19:12 | 0:19:16 | |
Welcome to the Aleman Foundation. | 0:19:16 | 0:19:18 | |
'The Alemans are still some of Mexico's most powerful | 0:19:20 | 0:19:23 | |
'movers and shakers. Miguel Junior seems to have met everyone. | 0:19:23 | 0:19:28 | |
'Including two Popes, | 0:19:28 | 0:19:30 | |
'the Queen, | 0:19:30 | 0:19:32 | |
'and even Ol' Blue Eyes himself, Frank Sinatra. | 0:19:32 | 0:19:35 | |
'But today he has time for a couple of fools like us, | 0:19:35 | 0:19:38 | |
'as his father did 74 years before.' | 0:19:38 | 0:19:41 | |
Your father went on to become president. | 0:19:44 | 0:19:46 | |
At the time he met the Fools he was already Minister of the Interior. | 0:19:46 | 0:19:51 | |
That's correct. When three Americans came to see him, | 0:19:51 | 0:19:55 | |
planning to drive all the way down to Argentina, | 0:19:55 | 0:20:00 | |
he thought that they were crazy. | 0:20:00 | 0:20:02 | |
-Yeah. -Did your father think they wouldn't make it? | 0:20:02 | 0:20:05 | |
No, my father saw that they knew what they were doing, | 0:20:05 | 0:20:08 | |
and the spirit of adventure that they had was good enough | 0:20:08 | 0:20:13 | |
to make miracles. | 0:20:13 | 0:20:15 | |
And they did - it was a miracle. | 0:20:15 | 0:20:17 | |
-Do you think he was inspired by Sullivan's trip? -Absolutely. | 0:20:17 | 0:20:21 | |
And he said, | 0:20:21 | 0:20:23 | |
"Now I'm obliged to do something about it. | 0:20:23 | 0:20:26 | |
"We must build a central road." | 0:20:26 | 0:20:29 | |
'Juarez, Mexico, on the Texas border, | 0:20:29 | 0:20:31 | |
'was the starting point of the recent | 0:20:31 | 0:20:33 | |
'Mexico Pan-American race, opening the newest link | 0:20:33 | 0:20:36 | |
'in the famous Pan-American Highway.' | 0:20:36 | 0:20:38 | |
'Spurred on by the intrepid travellers, | 0:20:38 | 0:20:40 | |
'President Aleman poured money into the road, | 0:20:40 | 0:20:43 | |
'and in 1950 Mexico became the first Latin American country | 0:20:43 | 0:20:47 | |
'to complete their entire 1,600 mile stretch of the Pan-Am. | 0:20:47 | 0:20:51 | |
'The new road dramatically increased trade with the US | 0:20:52 | 0:20:56 | |
'and transformed Mexico from poor neighbour to powerful ally.' | 0:20:56 | 0:21:00 | |
Clearly your father was a man who had vision, a vision of Mexico. | 0:21:02 | 0:21:05 | |
I think so, yes. | 0:21:05 | 0:21:07 | |
We talk about Sullivan Richardson and his "Viva el Panamericanismo." | 0:21:07 | 0:21:11 | |
Does Mexico feel closer to North America or closer to Latin America? | 0:21:11 | 0:21:17 | |
Are you always torn between the two? | 0:21:17 | 0:21:19 | |
-Yes. We belong to Latin America. -Mm-hm. | 0:21:19 | 0:21:23 | |
But right now we're closer to North America. It's our market. | 0:21:23 | 0:21:28 | |
So 80% of what we produce goes to United States. | 0:21:28 | 0:21:33 | |
Senor Aleman, I think we've taken up enough of your time. | 0:21:33 | 0:21:35 | |
I just have one favour to ask. | 0:21:35 | 0:21:37 | |
-We find driving in Mexico City a very stressful experience. -Yes. | 0:21:37 | 0:21:40 | |
I wonder if we could borrow your helicopter? | 0:21:40 | 0:21:42 | |
Sure! Of course you can. | 0:21:42 | 0:21:44 | |
THEY LAUGH | 0:21:44 | 0:21:46 | |
'But Aleman is called back to his world of high finance, | 0:21:50 | 0:21:53 | |
'and takes his helicopter with him. | 0:21:53 | 0:21:55 | |
'When I visited Mexico before, I never got a chance to see | 0:21:59 | 0:22:02 | |
'the biggest sport in the country - lucha libre. | 0:22:02 | 0:22:06 | |
'The flying men in Spandex. | 0:22:06 | 0:22:08 | |
'But before we attend a fight, I want Ed and I to look the part.' | 0:22:14 | 0:22:17 | |
-I now realise it looks like I'm bringing you to a sex shop. -It does. | 0:22:17 | 0:22:21 | |
I'm not. I'm bringing you to a very famous shop in Mexico. | 0:22:21 | 0:22:24 | |
Buenos dias, senor. | 0:22:24 | 0:22:26 | |
'The Martinez family have been making lucha libre masks | 0:22:26 | 0:22:29 | |
'since the sport began.' | 0:22:29 | 0:22:31 | |
This is the equivalent of the football jersey shop. | 0:22:32 | 0:22:35 | |
-Exactly. -So are these masks from specific wrestlers? -Exactly. | 0:22:35 | 0:22:39 | |
-Right. -Did you do the first of these masks? -We have the first masks. | 0:22:39 | 0:22:43 | |
-Can we see the first masks? -Yes, of course. I have it here. | 0:22:43 | 0:22:47 | |
-Oh, wow. -Quite frightening. | 0:22:49 | 0:22:52 | |
It's quite Texas Chainsaw Massacre. | 0:22:52 | 0:22:53 | |
Yeah, scary cos it's actually not got a join, | 0:22:53 | 0:22:56 | |
wings on the side, or stars, or something. | 0:22:56 | 0:22:58 | |
And who fought in this mask? | 0:22:58 | 0:23:00 | |
-Cyclone McKey. -Cyclone McKey. | 0:23:00 | 0:23:02 | |
He was Irish. | 0:23:02 | 0:23:04 | |
-You're joking me! -No, no. | 0:23:04 | 0:23:07 | |
-The first lucha libre wrestler was Irish. -The first masked lucha libre. | 0:23:07 | 0:23:12 | |
-There he is. -That's an Irish head on him, all right. | 0:23:12 | 0:23:16 | |
-He's actually almost got a touch of the Colin Farrell about him. -He has. | 0:23:16 | 0:23:19 | |
He's a good looking fella. | 0:23:19 | 0:23:21 | |
-But he covered himself up. -He wants to keep his identity in cover. | 0:23:21 | 0:23:25 | |
-And did he become more famous when he started wearing the mask? -Yes. | 0:23:25 | 0:23:28 | |
-Really? -A lot. -And because of him, others decided to wear the mask. | 0:23:28 | 0:23:33 | |
Exactly. After that comes traditional in Mexico. | 0:23:33 | 0:23:37 | |
'The mask, introduced as an attention-seeking gimmick | 0:23:39 | 0:23:42 | |
'by an Irishman in the 1930s, | 0:23:42 | 0:23:44 | |
'has become one of the defining characteristics of Mexican wrestling. | 0:23:44 | 0:23:47 | |
'After the war, lucha libre thrived | 0:23:50 | 0:23:52 | |
'and fighters like El Santo became national superstars.' | 0:23:52 | 0:23:56 | |
May I see Santo's mask? | 0:23:58 | 0:24:00 | |
-This one. -That's a Santo mask. Shall I? | 0:24:00 | 0:24:02 | |
That looks like it's really uncomfortable on you. | 0:24:04 | 0:24:07 | |
I like the history behind this but I don't think this is frightening. | 0:24:07 | 0:24:10 | |
This looks a bit too spangly and showbiz for me. | 0:24:10 | 0:24:12 | |
Rarrr! | 0:24:13 | 0:24:15 | |
I'm more of a "Why do we have to fight?" | 0:24:15 | 0:24:19 | |
Do you have a mask with the UN colours on it? | 0:24:19 | 0:24:23 | |
This one is from the sea. | 0:24:23 | 0:24:25 | |
-It's from the sea? -Yeah. Exactly. | 0:24:25 | 0:24:27 | |
Now I feel like a very relaxed fighter. You look like a wasp. | 0:24:27 | 0:24:31 | |
It looks ridiculous. | 0:24:31 | 0:24:33 | |
-Oh, I look ridiculous. -You look ridiculous. | 0:24:33 | 0:24:35 | |
Cos you look really cool(!) | 0:24:35 | 0:24:36 | |
-You look like someone I don't want to be seen with. -This works on me. | 0:24:36 | 0:24:40 | |
-You look awesome(!) -This makes me look tough. | 0:24:40 | 0:24:42 | |
Argh! | 0:24:42 | 0:24:44 | |
I love what you're doing with the frills. | 0:24:44 | 0:24:46 | |
'Having chosen our evening attire, we are ready to meet | 0:24:50 | 0:24:53 | |
'one of the most famous wrestlers in Mexico - Shocker.' | 0:24:53 | 0:24:57 | |
Here he is. Try and spot the guy who's the professional wrester. | 0:24:59 | 0:25:02 | |
-Aha. -Hey! -Shocker. -Welcome to Mexico. | 0:25:02 | 0:25:05 | |
It's a pleasure to be here, Shocker, | 0:25:05 | 0:25:06 | |
-thank you very much. -Nice to meet you. | 0:25:06 | 0:25:08 | |
It's my pleasure to introduce you to the Arena Mexico, | 0:25:08 | 0:25:12 | |
the house of the best wrestling in the world. This is big entrance. | 0:25:12 | 0:25:15 | |
-This is where all the people come into the arena. -Yeah. -OK? | 0:25:15 | 0:25:18 | |
This is the history of wrestling, this big mural. | 0:25:18 | 0:25:22 | |
-Are you on this? -Of course. Right over here. -There you are. | 0:25:23 | 0:25:26 | |
To be honest, you look better in real life than that. | 0:25:26 | 0:25:28 | |
-I'm making my mean face. -Yeah, they're not being kind to you there. | 0:25:28 | 0:25:31 | |
-Cos, you know... -You're a pretty handsome man. -Yeah. | 0:25:31 | 0:25:35 | |
Yet, I call myself Mr 1000% Handsome. | 0:25:35 | 0:25:39 | |
Mr 1000% Handsome, right. | 0:25:39 | 0:25:42 | |
Le Mil Por Ciento Guapo. | 0:25:42 | 0:25:44 | |
-It's a good name, huh? -It's a fantastic name. | 0:25:44 | 0:25:47 | |
-Are you a good guy? -I'm one of the more lovable wrestlers in Mexico. | 0:25:47 | 0:25:51 | |
-Fine. Fine. Good. -The people just love me. | 0:25:51 | 0:25:53 | |
So is that your signature move? | 0:25:53 | 0:25:55 | |
-Yeah. That's called La Reienera. -La Reienera? | 0:25:55 | 0:25:57 | |
So you put someone...? | 0:25:57 | 0:25:58 | |
I put them over my back and I just pull and stretch them | 0:25:58 | 0:26:01 | |
and start spinning them around. | 0:26:01 | 0:26:02 | |
-Do you want to see it? -I'd love to. | 0:26:02 | 0:26:04 | |
-Let's go to the ring and show us. -Yeah? -Yeah. | 0:26:04 | 0:26:06 | |
INDISTINCT CHATTER | 0:26:06 | 0:26:08 | |
Let's start with me coming at you. Here. | 0:26:08 | 0:26:10 | |
ED ROARS | 0:26:10 | 0:26:12 | |
-We go right here and you go over here. -Aye-aye. | 0:26:13 | 0:26:16 | |
ED GROANS AND LAUGHS | 0:26:16 | 0:26:18 | |
And you're spinning around if you like, you know? | 0:26:18 | 0:26:22 | |
-THEY CHUCKLE -How's that, Ed? Is it all right? | 0:26:22 | 0:26:25 | |
Oh! That's cured my sciatica. | 0:26:25 | 0:26:27 | |
THEY CHUCKLE | 0:26:27 | 0:26:29 | |
What's the biggest person you've done that to? How much... | 0:26:29 | 0:26:32 | |
-Could you do it with him? -That's the question he's asking here really. | 0:26:32 | 0:26:35 | |
Feel free to say no, cos you're in a suit and... | 0:26:35 | 0:26:38 | |
I'm in a suit, you know. | 0:26:38 | 0:26:39 | |
I don't feel we'll gain anything by doing this. | 0:26:39 | 0:26:42 | |
Really, I think I can. | 0:26:42 | 0:26:44 | |
-Are you sure? -You know what? I don't think you could. | 0:26:44 | 0:26:46 | |
-Prove it. -Whoa, whoa, whoa, whoa! | 0:26:46 | 0:26:49 | |
-We'll start off with an easy one. -OK. | 0:26:49 | 0:26:52 | |
-Get down. -OK. | 0:26:52 | 0:26:54 | |
-Whoa, whoa, whoa, what's going on here? -No, no, no. -Hello. | 0:26:54 | 0:26:57 | |
-This is why they call you the Shocker! -What is this? | 0:26:57 | 0:27:00 | |
You always try to use your opponent's body, you know. | 0:27:00 | 0:27:03 | |
-Right. Yeah. -Hang on. -It's not going. | 0:27:03 | 0:27:05 | |
Whoa! Ho-ho-ho-ho. | 0:27:05 | 0:27:07 | |
-MUFFLED: -Oh, it hurts. It hurts. | 0:27:07 | 0:27:09 | |
INDISTINCT MUMBLES | 0:27:09 | 0:27:11 | |
I don't know what to do! | 0:27:11 | 0:27:13 | |
That looked like it hurt. That looked like it hurt. | 0:27:13 | 0:27:16 | |
That escalated quickly. | 0:27:16 | 0:27:19 | |
ED GUFFAWS | 0:27:19 | 0:27:21 | |
MUSIC: "Jump" by Van Halen | 0:27:21 | 0:27:24 | |
'We can't wait to see Shocker in action. | 0:27:24 | 0:27:27 | |
'But, first, it's that old classic... | 0:27:27 | 0:27:29 | |
'..the monkey lady dance routine.' | 0:27:30 | 0:27:33 | |
CHEERING AND WHOOPING | 0:27:36 | 0:27:38 | |
-ANNOUNCER: -Let's rock! | 0:27:42 | 0:27:44 | |
Ah, Shocker! | 0:27:44 | 0:27:50 | |
Whoo! Good guy Shocker! | 0:27:50 | 0:27:53 | |
Come on, Shocker! Guapo! | 0:27:53 | 0:27:57 | |
'Lucha libre is a cross between wrestling and soap opera, | 0:27:57 | 0:28:02 | |
'with a pre-planned and outlandish plotline.' | 0:28:02 | 0:28:04 | |
Oh, man, come on. | 0:28:06 | 0:28:08 | |
Shocker and his team-mate! This is awful! | 0:28:09 | 0:28:13 | |
'Tonight, Shocker has turned into a psychopath | 0:28:13 | 0:28:16 | |
'and he's attacking his own team-mate.' | 0:28:16 | 0:28:19 | |
-Boo, Shocker. -I can't believe you're doing this. | 0:28:19 | 0:28:21 | |
-BOTH: -Boo! | 0:28:21 | 0:28:22 | |
-Boo, Shocker! -Boo! | 0:28:22 | 0:28:24 | |
CROWD BOOS | 0:28:27 | 0:28:28 | |
Look at the crowd. | 0:28:28 | 0:28:30 | |
They used to love you, Shocker. | 0:28:30 | 0:28:32 | |
I'm genuinely gutted that Shocker turned out to be | 0:28:41 | 0:28:44 | |
one of the bad people. | 0:28:44 | 0:28:45 | |
He was so nice beforehand. | 0:28:45 | 0:28:47 | |
RHYTHMIC MUSIC | 0:28:50 | 0:28:54 | |
'We've been on the road for less than a week | 0:28:57 | 0:28:59 | |
'and now we're heading south through the state of Oaxaca, | 0:28:59 | 0:29:02 | |
'a journey that should take us about seven hours on the Pan-Am Highway. | 0:29:02 | 0:29:05 | |
'The original expedition had been on the road for a month | 0:29:07 | 0:29:11 | |
'and had travelled over 3,000 hard miles by the time they left | 0:29:11 | 0:29:16 | |
'Mexico City on Christmas Day 1940. | 0:29:16 | 0:29:18 | |
'Sullivan had been warned that | 0:29:18 | 0:29:20 | |
'the road to Guatemala would be treacherous. | 0:29:20 | 0:29:22 | |
'The boys were bracing themselves | 0:29:22 | 0:29:24 | |
'for a rugged road along mountain paths. | 0:29:24 | 0:29:26 | |
'Like us, they drove out of Mexico City, | 0:29:30 | 0:29:32 | |
'under the shadow of its huge, active volcano.' | 0:29:32 | 0:29:35 | |
Unbelievable old Popocatepetl, | 0:29:37 | 0:29:39 | |
"Mexico's mighty mountain and volcano of the past, was beautiful. | 0:29:39 | 0:29:43 | |
"We saw him that next morning, with the red light of dawn | 0:29:43 | 0:29:46 | |
"on the raw edge of his great cone, | 0:29:46 | 0:29:49 | |
"high up in the pastel heavens." | 0:29:49 | 0:29:51 | |
-Popocatepetl. -Popocatepetl. -Popocatepetl. -Popocatepetl. | 0:29:53 | 0:29:56 | |
-Popocatepetl. -Popocatepetl. | 0:29:56 | 0:29:58 | |
Not as good as favourite other words - | 0:29:58 | 0:30:01 | |
-Quetzalcoatl. -Quetzalcoatl. -Quetzal... Quetzalcoatl - | 0:30:01 | 0:30:04 | |
the mythic bird. Here's another one. | 0:30:04 | 0:30:07 | |
-PHONETICALLY: -Jabba-no-wanna-wooki. | 0:30:07 | 0:30:09 | |
-SULLIVAN: -'We eat what we can get | 0:30:17 | 0:30:18 | |
'and with as little fuss and bother as possible. | 0:30:18 | 0:30:21 | |
'But we often run out, as we do here in these mountains, | 0:30:21 | 0:30:23 | |
'and have to live on native food which we are able to buy | 0:30:23 | 0:30:26 | |
'from the native women along the way. | 0:30:26 | 0:30:28 | |
'Arnold and Kenneth claim that tortillas taste, to them, | 0:30:28 | 0:30:31 | |
'like a cross between cement and leather without salt. | 0:30:31 | 0:30:34 | |
'But I ate them as a boy and like them.' | 0:30:34 | 0:30:36 | |
-Get some tortillas? -Yeah, let's get some tortillas. | 0:30:38 | 0:30:40 | |
-Un paquete de tortillas? -Paquete de tortillas? | 0:30:42 | 0:30:45 | |
-Paquete de tortillas... -Por favor? -Oh, right. Jesus. -Uh? Uh? | 0:30:45 | 0:30:49 | |
'Yes, that might look like construction material there | 0:30:51 | 0:30:54 | |
'but it's the traditional blue corn which gives them that colour.' | 0:30:54 | 0:30:58 | |
-Oh, gracias. -Lovely. -Our Spanish is really good. | 0:31:02 | 0:31:06 | |
We got twice as much food as I thought we ordered. | 0:31:06 | 0:31:08 | |
'This kind of tortilla has been made in Mexico for hundreds of years | 0:31:08 | 0:31:12 | |
'but the setting has changed a little | 0:31:12 | 0:31:15 | |
'since the fools passed through.' | 0:31:15 | 0:31:16 | |
-We're essentially in East Mimms now. -What? Like a service station? | 0:31:19 | 0:31:22 | |
The services, yeah. This is essentially a big Watford Gap. | 0:31:22 | 0:31:25 | |
RHYTHMIC MUSIC | 0:31:25 | 0:31:27 | |
Look at that! Cut through the mountain | 0:31:34 | 0:31:37 | |
and you see the valley and the mountains beyond. | 0:31:37 | 0:31:39 | |
That is astonishingly beautiful. | 0:31:39 | 0:31:40 | |
Monte Alban. | 0:31:40 | 0:31:42 | |
'Like the intrepid adventurers, we're heading for Monte Alban - | 0:31:42 | 0:31:46 | |
'the ancient Zapotec city that lies | 0:31:46 | 0:31:48 | |
'west of the modern city of Oaxaca. | 0:31:48 | 0:31:51 | |
'In the 1940s, few foreigners had visited this site | 0:31:51 | 0:31:55 | |
'and Sullivan wanted to showcase this sophisticated | 0:31:55 | 0:31:59 | |
'and largely unknown civilisation to the US public.' | 0:31:59 | 0:32:03 | |
Marcus Winter. Hiya. Nice to meet you. | 0:32:04 | 0:32:06 | |
Nice to meet you, Marcus. Pleasure to meet you. | 0:32:06 | 0:32:08 | |
This is incredible. | 0:32:08 | 0:32:09 | |
-Wow, I have not seen anything like this that hasn't been CGI-ed. -Yeah. | 0:32:09 | 0:32:13 | |
'Archaeologist Marcus Winter first arrived here in 1966. | 0:32:13 | 0:32:18 | |
'He's been nearly half a century uncovering the secrets of | 0:32:18 | 0:32:22 | |
'the Zapotec civilisation which existed here over 2,000 years ago.' | 0:32:22 | 0:32:26 | |
That is unbelievable. | 0:32:26 | 0:32:29 | |
It's the main plaza, the downtown of Monte Alban. | 0:32:29 | 0:32:31 | |
And this was a big town. | 0:32:31 | 0:32:33 | |
I mean, even for its time... | 0:32:33 | 0:32:34 | |
In Europe, this would have been a big town. | 0:32:34 | 0:32:36 | |
It's a city. The first city in the highlands of ancient Oaxaca. | 0:32:36 | 0:32:40 | |
Still so much of it that's not yet excavated. | 0:32:40 | 0:32:43 | |
There's a lot to work on still. | 0:32:43 | 0:32:45 | |
A lot of the work was done here in the '30s | 0:32:45 | 0:32:47 | |
and '40s by Alfonso Caso, | 0:32:47 | 0:32:49 | |
the man that found Tomb Seven - the one that had the gold. | 0:32:49 | 0:32:52 | |
'In 1932, an extraordinary hoard of gold | 0:32:52 | 0:32:56 | |
'had been found in Monte Alban. | 0:32:56 | 0:32:58 | |
'And with a letter of permission from Mexico's future president, | 0:32:58 | 0:33:02 | |
'Miguel Aleman, Sullivan was given unprecedented access to film it.' | 0:33:02 | 0:33:06 | |
'Fashioned by unknown craftsmen centuries ago, | 0:33:06 | 0:33:09 | |
'most of them depicting the gods of these first Americans. | 0:33:09 | 0:33:12 | |
'They're solid gold | 0:33:12 | 0:33:13 | |
'and absolutely priceless as relics of the past.' | 0:33:13 | 0:33:16 | |
When these guys arrived in the 1940s, | 0:33:17 | 0:33:19 | |
-it must been very recent that the gold been discovered. -That's right. | 0:33:19 | 0:33:22 | |
About eight or so years before that. | 0:33:22 | 0:33:24 | |
But it was...once it was discovered, that was the highlight of Oaxaca | 0:33:24 | 0:33:28 | |
and it put Monte Alban and Oaxaca on the worldwide map. | 0:33:28 | 0:33:32 | |
'Another attraction were the danzante | 0:33:34 | 0:33:36 | |
'stone carvings, thought to depict the great and good of Monte Alban | 0:33:36 | 0:33:40 | |
'but mysteriously missing certain body parts.' | 0:33:40 | 0:33:43 | |
This is Danzante 55, | 0:33:44 | 0:33:47 | |
obviously a high status person. | 0:33:47 | 0:33:48 | |
See his ear spool, there? It's got a big ear spool. | 0:33:48 | 0:33:50 | |
-Uh-huh. -And in front of his head there's a jaguar carved. | 0:33:50 | 0:33:54 | |
And the jaguar is a symbol of high status. | 0:33:54 | 0:33:58 | |
-And what do we think has happened to his wedding tackle? -I don't know. | 0:33:58 | 0:34:03 | |
It looks like at least some blood is coming out right on his legs. | 0:34:03 | 0:34:07 | |
-Does it look like they've damaged their penises? -Yes. | 0:34:07 | 0:34:10 | |
We know from other groups that people used obsidian implements | 0:34:10 | 0:34:15 | |
to cut their earlobes, their tongues, penises | 0:34:15 | 0:34:18 | |
-to let blood. -And so this perhaps could be a depiction of that? | 0:34:18 | 0:34:22 | |
A version. An extreme version. We wish we could be there, right? | 0:34:22 | 0:34:26 | |
No. Clearly not, no. | 0:34:26 | 0:34:29 | |
Especially not if you're an important person | 0:34:29 | 0:34:31 | |
who ends up getting his Johnson cut off? No. | 0:34:31 | 0:34:33 | |
Is there any way we've got this wrong | 0:34:33 | 0:34:35 | |
and that these are some form of... | 0:34:35 | 0:34:39 | |
Could it have been an ancient art school? | 0:34:39 | 0:34:41 | |
Could it be a load of people lined up trying to practise...? | 0:34:41 | 0:34:44 | |
-"I can't get the penis right." -OK. -"I just... | 0:34:44 | 0:34:47 | |
"I'm going to have to start again." | 0:34:47 | 0:34:49 | |
-Keeps breaking off. -"It keeps coming off." | 0:34:49 | 0:34:51 | |
Well, there's a theory that it's a hospital. | 0:34:51 | 0:34:54 | |
You could just make up anything for this, can't you? | 0:34:54 | 0:34:56 | |
-Almost anything. -Your job's a doddle. | 0:34:56 | 0:34:58 | |
Your job's easier than ours. | 0:34:58 | 0:35:01 | |
'Whatever the truth behind the mystery of the severed penises | 0:35:01 | 0:35:03 | |
'of Monte Alban, it hasn't put off the tourists. | 0:35:03 | 0:35:07 | |
'The Pan-Am Highway reached Oaxaca | 0:35:07 | 0:35:10 | |
'in 1943, and now more than half a million people a year | 0:35:10 | 0:35:14 | |
'visit this ancient city.' | 0:35:14 | 0:35:16 | |
Monte Alban is an important landmark | 0:35:18 | 0:35:20 | |
in the journey because it is the last place | 0:35:20 | 0:35:22 | |
on this trip for a while that I have already been. | 0:35:22 | 0:35:26 | |
And so that therefore can lord it over Ed | 0:35:26 | 0:35:28 | |
with local knowledge from 18 or 19 years ago. | 0:35:28 | 0:35:31 | |
And all it means is he's going to | 0:35:31 | 0:35:33 | |
start reading up in greater detail on the places still to come, | 0:35:33 | 0:35:36 | |
so he can continue to be the big know-it-all he is. | 0:35:36 | 0:35:40 | |
RHYTHMIC MUSIC | 0:35:40 | 0:35:44 | |
'South of Oaxaca, the Pan-American Highway follows exactly | 0:35:44 | 0:35:47 | |
'the same route as the expedition's original trail, | 0:35:47 | 0:35:50 | |
'passing through villages that they passed over 70 years ago. | 0:35:50 | 0:35:54 | |
'At one of them, they decided to stop for a drink.' | 0:35:54 | 0:35:57 | |
-So, what are we looking for? -Las Minas. | 0:35:59 | 0:36:01 | |
-Las Minas is where they watched a man make mescal. -OK. | 0:36:01 | 0:36:05 | |
-Tequila is a type of mescal. -Right. | 0:36:05 | 0:36:07 | |
Tequila's like Champagne. Tequila's a region. | 0:36:07 | 0:36:09 | |
Oh, right. | 0:36:09 | 0:36:11 | |
-Oh, there we go. That's it. -I didn't spot that one. | 0:36:11 | 0:36:13 | |
Didn't spot the rabbit there. | 0:36:13 | 0:36:15 | |
Right. | 0:36:15 | 0:36:16 | |
What's the chance that this is the actual, exact same | 0:36:20 | 0:36:22 | |
mescal production place? | 0:36:22 | 0:36:23 | |
It's possible. There's only two or three in the town. | 0:36:23 | 0:36:26 | |
-It's a very small town. -Yeah. | 0:36:26 | 0:36:27 | |
It could well be the one that they stopped at. | 0:36:27 | 0:36:30 | |
-Hola. Buenos dias. -Buenos dias. -Hola. | 0:36:30 | 0:36:33 | |
'Mescal's made from the heart of the agave plant, | 0:36:35 | 0:36:38 | |
'traditionally by family run roadside distilleries like this one, | 0:36:38 | 0:36:41 | |
'and then sold for a few pesos | 0:36:41 | 0:36:43 | |
'to thirsty travellers such as ourselves.' | 0:36:43 | 0:36:46 | |
This is the equivalent of, you know, stomping on the grapes for wine or... | 0:36:48 | 0:36:51 | |
Yeah. | 0:36:51 | 0:36:53 | |
Do you think on every second day he gets to go the other way round? | 0:36:53 | 0:36:56 | |
That would seem only fair cos it would get a bit boring. | 0:36:56 | 0:36:58 | |
And the mescal comes out there? Si. | 0:37:09 | 0:37:12 | |
'In the 1940s, | 0:37:12 | 0:37:13 | |
'few outside of Mexico had tasted mescal. | 0:37:13 | 0:37:15 | |
'But when the Second World War limited America's supply of European | 0:37:15 | 0:37:19 | |
'liquor, they looked south for a tipple and mescal production soared.' | 0:37:19 | 0:37:23 | |
Oh, we're siphoning it. | 0:37:23 | 0:37:26 | |
'These days, however, wily entrepreneurs, | 0:37:30 | 0:37:32 | |
'often from the US, are buying up mescal | 0:37:32 | 0:37:35 | |
'direct from the locals and selling it on at vast profit | 0:37:35 | 0:37:38 | |
'to fashionable buyers in London and New York.' | 0:37:38 | 0:37:42 | |
Cuanto cuesta una botella? | 0:37:42 | 0:37:44 | |
-So that's like a fiver. Four quid a bottle. -£4 a bottle. | 0:37:48 | 0:37:51 | |
How does it feel to know that in places like London, | 0:37:51 | 0:37:53 | |
mescal sells for up to £100 a bottle? | 0:37:53 | 0:37:57 | |
-2,000 pesos. -2,000 pesos? | 0:37:57 | 0:37:59 | |
-Um, OK. -We have to flip a coin to see who's going to sip it | 0:38:08 | 0:38:11 | |
and who's going to drive us home. Hang on. | 0:38:11 | 0:38:14 | |
Right, in traditional Mexican style, | 0:38:14 | 0:38:16 | |
eagle eating a snake, or Aztec calendar? | 0:38:16 | 0:38:18 | |
I'll go for eagle eating snake, please. | 0:38:18 | 0:38:21 | |
There we go. Eagle eating snake? And that eagle eating snake drinks... | 0:38:21 | 0:38:24 | |
Eagle eating snake means I drink and you drive. | 0:38:24 | 0:38:26 | |
-Yeah, you win. -Oh! | 0:38:26 | 0:38:28 | |
-SHE CHUCKLES -Good luck. | 0:38:28 | 0:38:31 | |
-Still feeling lucky? -That's keen. -Is it? -That's keen. Ooh! It warms. | 0:38:34 | 0:38:39 | |
It's warming. | 0:38:39 | 0:38:41 | |
'With an alcohol content of up to 55%, mescal packs quite a punch.' | 0:38:45 | 0:38:51 | |
MIMICS FIREWORKS | 0:38:51 | 0:38:52 | |
You're already giggly. | 0:38:55 | 0:38:57 | |
You're already starting to laugh a lot. | 0:38:58 | 0:39:00 | |
Oh, muy bueno. | 0:39:01 | 0:39:03 | |
-Muchas gracias. -Muchas gracias. | 0:39:03 | 0:39:05 | |
-Actually, can I get another shot? -No, you've drunk enough. -Come on! | 0:39:06 | 0:39:09 | |
-You've had enough. -I've drunk too much to drive. | 0:39:09 | 0:39:12 | |
I'm not having you drunk in the car. | 0:39:12 | 0:39:14 | |
MUSIC: "Tequila" by Los Lobos | 0:39:14 | 0:39:17 | |
How much of that stuff did you actually drink? | 0:39:31 | 0:39:34 | |
I don't know. I had two or three shots of... | 0:39:34 | 0:39:37 | |
..mescal! | 0:39:38 | 0:39:40 | |
It's powerful stuff, this mescal, isn't it? | 0:39:43 | 0:39:46 | |
# Tequila! # | 0:39:50 | 0:39:52 | |
'As we follow the Pan-Am south towards the Guatemalan border, | 0:39:56 | 0:40:00 | |
'we hit Mexico's main railroad line at the town of Ixtepec.' | 0:40:00 | 0:40:04 | |
TRAIN WHISTLE BLOWS | 0:40:04 | 0:40:08 | |
'Emerging out of the darkness, this freight train | 0:40:08 | 0:40:11 | |
'known as La Bestia, or The Beast, carries Mexican goods to the US. | 0:40:11 | 0:40:17 | |
'But it also carries another more controversial cargo - | 0:40:17 | 0:40:21 | |
'undocumented migrants. | 0:40:21 | 0:40:23 | |
'Three times a week, La Bestia carries thousands of desperate | 0:40:27 | 0:40:30 | |
'stowaways towards the US border.' | 0:40:30 | 0:40:33 | |
Jesus, look at them hanging off of the train. | 0:40:33 | 0:40:36 | |
That's an astonishing sight, isn't it? | 0:40:38 | 0:40:40 | |
'Most of these migrants come from Guatemala, El Salvador | 0:40:40 | 0:40:43 | |
'and Honduras, where poverty and violence have forced them | 0:40:43 | 0:40:47 | |
'to seek a life elsewhere.' | 0:40:47 | 0:40:48 | |
-Some of them are just kids. -Yeah, I know. | 0:40:48 | 0:40:51 | |
A lot of them are just kids. | 0:40:51 | 0:40:53 | |
And even as they're disappearing into the town, | 0:40:53 | 0:40:55 | |
all these people here. | 0:40:55 | 0:40:57 | |
-And these are the ones who made it. -Yeah. | 0:40:58 | 0:41:01 | |
'Hanging off the train is dangerous enough | 0:41:01 | 0:41:03 | |
'but criminal gangs, or maras, rob, | 0:41:03 | 0:41:06 | |
'kidnap or even kill the migrants | 0:41:06 | 0:41:08 | |
'as they try to make their way north.' | 0:41:08 | 0:41:10 | |
You can easily see why it has the nickname The Beast. | 0:41:13 | 0:41:16 | |
I mean, part of that is because of the damage it has done | 0:41:16 | 0:41:18 | |
and the toll it takes, but also | 0:41:18 | 0:41:20 | |
it emerges from the pitch-black darkness with people strapped to it. | 0:41:20 | 0:41:24 | |
All this tidal wave of humanity heading north. | 0:41:24 | 0:41:28 | |
But, as they go past, they were waving, | 0:41:28 | 0:41:32 | |
presumably because they think their journey is getting better. | 0:41:32 | 0:41:35 | |
It's all about North America | 0:41:35 | 0:41:37 | |
and it's all about getting there | 0:41:37 | 0:41:39 | |
because the financial inequality is so huge. | 0:41:39 | 0:41:42 | |
Nature hates an inequality and will seek to level it out. | 0:41:42 | 0:41:44 | |
And that is essentially what people are doing. | 0:41:44 | 0:41:47 | |
Slightly heartbreaking looking at those... | 0:41:47 | 0:41:51 | |
optimistic faces of the young people riding on top of that train, | 0:41:51 | 0:41:54 | |
knowing that the journey north through Mexico gets a lot worse | 0:41:54 | 0:41:58 | |
than what they've come through. | 0:41:58 | 0:42:00 | |
-And, you know... -Yeah. -And some of them aren't going to make it. | 0:42:00 | 0:42:04 | |
A lot of them aren't going to make it. | 0:42:04 | 0:42:05 | |
Be harder still not to wish them well on their journey, wouldn't it? | 0:42:07 | 0:42:10 | |
It's not a journey I'd ever like to take. | 0:42:10 | 0:42:13 | |
'Migrant shelters have sprung up along the route, | 0:42:20 | 0:42:23 | |
'offering the weary travellers food as well as medical and legal aid.' | 0:42:23 | 0:42:27 | |
-Hi, guys. -Hiya, Danny. Thanks for meeting us. -Danny, how are you? -Dara. | 0:42:27 | 0:42:30 | |
-Hello. -Thank you for showing us. | 0:42:30 | 0:42:31 | |
'Danny volunteers in this shelter at Ixtepec, | 0:42:31 | 0:42:34 | |
'where up to 500 migrants a week arrived on La Bestia.' | 0:42:34 | 0:42:37 | |
What is life like on the train? | 0:42:37 | 0:42:41 | |
On the train, well, the problem on the train is that you cannot escape. | 0:42:41 | 0:42:46 | |
-Yeah. -So many people take advantage of them. | 0:42:46 | 0:42:50 | |
You may find gangs on the train that ask for money. | 0:42:50 | 0:42:54 | |
They have guns or weapons with them. | 0:42:54 | 0:42:57 | |
So they ask for money, "If you don't pay me, | 0:42:57 | 0:42:59 | |
"I throw you out of the train." | 0:42:59 | 0:43:01 | |
-But they're preying on some of the poorest people in the world. -Yes. | 0:43:01 | 0:43:05 | |
Many of the people who arrive here, | 0:43:05 | 0:43:07 | |
you'll find that they have lost everything. | 0:43:07 | 0:43:09 | |
Sometimes people arrive here naked. They have nothing on them. | 0:43:09 | 0:43:13 | |
They steal everything from them. | 0:43:13 | 0:43:15 | |
Most of them know that the journey is really dangerous | 0:43:15 | 0:43:17 | |
that maybe only 15% will arrive. They know that. | 0:43:17 | 0:43:21 | |
And women know that about 60% of them will be raped on the way. | 0:43:21 | 0:43:26 | |
-And they just accept that that's going to happen. -That's the risk. | 0:43:26 | 0:43:29 | |
When you have nothing to lose... | 0:43:29 | 0:43:31 | |
-Yeah. -..you go to...you take any risk. | 0:43:31 | 0:43:34 | |
We know that many of them cannot go back. | 0:43:34 | 0:43:37 | |
Gangs in their countries are looking for them. So if they go back... | 0:43:37 | 0:43:41 | |
-They'd be dead. -They die. Yeah. -Right. | 0:43:41 | 0:43:44 | |
'Migrants see the US as the answer to their problems. | 0:43:45 | 0:43:48 | |
'Christian is a Guatemalan who's seeking a better life there.' | 0:43:48 | 0:43:52 | |
Christian, nice to meet you. | 0:43:52 | 0:43:54 | |
What has driven you north, then? | 0:43:54 | 0:43:57 | |
Basically, my economic status. I didn't find a job in Guatemala. | 0:43:57 | 0:44:01 | |
And also the violence. | 0:44:01 | 0:44:03 | |
We have a lot of violence in Guatemala, and the maras. | 0:44:03 | 0:44:06 | |
-The maras are the gangs? -Yeah, the gangs. -Right. | 0:44:06 | 0:44:10 | |
So, you came north on The Beast. What was that like, then? | 0:44:10 | 0:44:15 | |
Well, the train stopped in one of the places | 0:44:15 | 0:44:18 | |
that was supposed to be a dangerous spot. | 0:44:18 | 0:44:20 | |
And one of the guys started to ask money to all of us | 0:44:20 | 0:44:24 | |
-and no-one wanted to give money. -Right. | 0:44:24 | 0:44:27 | |
So he got mad and he took a big machete and try to stab everyone. | 0:44:27 | 0:44:33 | |
Actually, I got slapped on the back but I'd got my backpack on. | 0:44:33 | 0:44:38 | |
I dropped it and I ran away into the woods. | 0:44:38 | 0:44:41 | |
And what is your plan now for the future? | 0:44:41 | 0:44:43 | |
Maybe, if the opportunity arises, to go to the States, | 0:44:43 | 0:44:46 | |
I will definitely take the chance to get to the States. | 0:44:46 | 0:44:50 | |
-But not by that train. -Not any more. Not even thinking about it. | 0:44:50 | 0:44:55 | |
Not for even a second. | 0:44:55 | 0:44:57 | |
-Well, good luck, Christian. I wish you all the best. -Thank you. | 0:44:57 | 0:45:00 | |
'In the 1940s, less than 20,000 Latin Americans a year migrated to the US. | 0:45:01 | 0:45:07 | |
'But increasing violence and instability in Central America | 0:45:07 | 0:45:10 | |
'have pushed that number up to 400,000 a year. | 0:45:10 | 0:45:13 | |
'Considering the scale of this migration north, our journey south | 0:45:16 | 0:45:20 | |
'is starting to feel a bit like | 0:45:20 | 0:45:22 | |
'we're running into a burning building.' | 0:45:22 | 0:45:24 | |
'Now come our days of real difficulty. | 0:45:25 | 0:45:28 | |
'What we've gone through up to now seems almost child's play | 0:45:28 | 0:45:31 | |
'compared to this. | 0:45:31 | 0:45:32 | |
'We tried to pull the car with bulls hooked onto the rope. | 0:45:32 | 0:45:35 | |
'But the bulls won't pull with the motor | 0:45:35 | 0:45:37 | |
'because the roar of it frightens them. | 0:45:37 | 0:45:39 | |
'So we finally have to send them home and get more men. | 0:45:39 | 0:45:42 | |
'And one day we go only 25 yards. | 0:45:42 | 0:45:45 | |
'It's heartbreaking toil but we're determined not to turn back.' | 0:45:45 | 0:45:49 | |
That was the River Hondo. | 0:45:51 | 0:45:53 | |
-Oh, well... -They got stuck here for ages. | 0:45:53 | 0:45:57 | |
This is the section that was unbelievably slow. | 0:45:57 | 0:46:01 | |
Also, the one thing watching the footage of them, you know, | 0:46:01 | 0:46:04 | |
hauling the car across the desert and stuff, I know it sounds stupid, | 0:46:04 | 0:46:08 | |
but until we got here... | 0:46:08 | 0:46:09 | |
..I never considered that they were doing it in such blistering heat. | 0:46:10 | 0:46:15 | |
Hats off to the boys. | 0:46:15 | 0:46:17 | |
'While it's only taken us ten days to reach | 0:46:20 | 0:46:22 | |
'the mountains above the city of Juchitan, | 0:46:22 | 0:46:24 | |
'it took the Richardson expedition nearly two months. | 0:46:24 | 0:46:28 | |
'After mountain desert, | 0:46:28 | 0:46:30 | |
'they were now struggling through dense vegetation. | 0:46:30 | 0:46:33 | |
'And running low on provisions, their Zapotec Indian helpers | 0:46:33 | 0:46:36 | |
'suggested that they try a local dish.' | 0:46:36 | 0:46:39 | |
'So they take sticks and begin beating on hollow logs. | 0:46:39 | 0:46:42 | |
'When they hear a sound, | 0:46:42 | 0:46:43 | |
'they reach in and pull out these long-tailed iguanas. | 0:46:43 | 0:46:45 | |
'Don't these make you hungry?' | 0:46:45 | 0:46:47 | |
'Ed and I have come to Juchitan, | 0:46:49 | 0:46:51 | |
'where iguanas, a traditional Zapotec food, | 0:46:51 | 0:46:54 | |
'are still on the menu. | 0:46:54 | 0:46:55 | |
'He's going to a local research and breeding centre | 0:46:55 | 0:46:58 | |
'and I'm going to have breakfast with Mistica, a muxe | 0:46:58 | 0:47:01 | |
'or transgender Zapotec, who's agreed to be my guide for the day.' | 0:47:01 | 0:47:05 | |
Now, Mistica, show me the market. | 0:47:07 | 0:47:10 | |
'Muxes have been an accepted part of the culture here for centuries. | 0:47:10 | 0:47:14 | |
'And Mistica is a well-known and popular figure.' | 0:47:14 | 0:47:17 | |
-OK, let's go inside here. -IN TRANSLATION: | 0:47:17 | 0:47:20 | |
You get a real sense of iguana from that. | 0:47:27 | 0:47:29 | |
You can see the leathery skin. I'm not seeing much meat on that. | 0:47:29 | 0:47:32 | |
Oh, that's the head of the iguana? Oh, my Lord, | 0:47:34 | 0:47:36 | |
that is the head of an iguana. I can see his teeth! | 0:47:36 | 0:47:39 | |
There's no mistaking. | 0:47:39 | 0:47:42 | |
I'm not Zapotec. | 0:47:45 | 0:47:47 | |
I don't know if I'm strong enough to eat the head. | 0:47:47 | 0:47:50 | |
'Thanks to Mistica, it looks like the head's going in anyway.' | 0:47:50 | 0:47:53 | |
THE WOMEN LAUGH | 0:47:53 | 0:47:54 | |
OK, why don't we go and eat some iguana? | 0:47:56 | 0:47:58 | |
Muchas gracias. | 0:48:00 | 0:48:02 | |
'As Dara has breakfast, I've come to the local iguana research centre. | 0:48:03 | 0:48:07 | |
'While it's still legal to eat them, hunting them is now discouraged | 0:48:07 | 0:48:11 | |
'as numbers are dropping. | 0:48:11 | 0:48:13 | |
'Biologist Eduardo Martinez is trying to persuade locals to buy | 0:48:13 | 0:48:16 | |
'farmed iguanas instead.' | 0:48:16 | 0:48:18 | |
Eduardo, I've seen footage of people hunting iguanas in the wild, | 0:48:18 | 0:48:23 | |
from back in the '40s, you know, | 0:48:23 | 0:48:24 | |
banging bits of wood, and stuff like that. | 0:48:24 | 0:48:27 | |
Does that style of hunting still go on today? | 0:48:27 | 0:48:29 | |
IN TRANSLATION: | 0:48:29 | 0:48:31 | |
I can't believe I'm going to ask this, but could I hold one? | 0:48:44 | 0:48:46 | |
-Is that a possibility? -Si, claro. | 0:48:46 | 0:48:49 | |
They seem a little bit ornery. | 0:48:50 | 0:48:52 | |
ED CLEARS HIS THROAT | 0:48:52 | 0:48:54 | |
They don't... They don't look like a snack to me. | 0:49:01 | 0:49:05 | |
I don't look that and think, "Yum-yum." | 0:49:05 | 0:49:08 | |
Oh, hello. | 0:49:09 | 0:49:11 | |
There we go - that's a big bowl of iguana. | 0:49:11 | 0:49:14 | |
Now, don't forget, I also had a really good breakfast - | 0:49:14 | 0:49:16 | |
some eggs, some huevos rancheros, you know... | 0:49:16 | 0:49:20 | |
Oh, my God, that really is an iguana head. | 0:49:23 | 0:49:25 | |
You can even see its little teeth and, you know, | 0:49:25 | 0:49:28 | |
I don't want to anthropomorphise my food too much, | 0:49:28 | 0:49:30 | |
but he has genuine expressions. | 0:49:30 | 0:49:32 | |
"Hey, don't eat me." | 0:49:32 | 0:49:33 | |
Ah! As if to go, "No! Don't eat me! | 0:49:36 | 0:49:39 | |
"I am not comida, I am not food." | 0:49:39 | 0:49:41 | |
It's normal food for you, but where I'm from, | 0:49:44 | 0:49:47 | |
it is not la comida normal. | 0:49:47 | 0:49:49 | |
OK. | 0:49:49 | 0:49:50 | |
Down in one, eh? Down in one. | 0:49:54 | 0:49:56 | |
It's the first...my primero time doing this. | 0:49:56 | 0:49:59 | |
Oh, that's spicy. Nice. | 0:50:01 | 0:50:03 | |
Is it good, are you enjoying that? | 0:50:03 | 0:50:05 | |
OK, fine, we'll try a bit more of it. | 0:50:05 | 0:50:07 | |
SPEAKING SPANISH | 0:50:09 | 0:50:10 | |
Oh, is that a good bit, is it? | 0:50:10 | 0:50:11 | |
You're essentially giving me a good bit of iguana, there. | 0:50:11 | 0:50:15 | |
Oh, my lord. Oh, God. | 0:50:15 | 0:50:17 | |
OK, let's try a bit of that. OK, here's iguana meat. | 0:50:18 | 0:50:21 | |
Here it... In it goes. | 0:50:21 | 0:50:23 | |
Mmm, that's all right. Tastes like chicken. | 0:50:24 | 0:50:26 | |
It's very difficult to get over the fact that that is lizard skin | 0:50:26 | 0:50:29 | |
that we're eating through. | 0:50:29 | 0:50:31 | |
It's a very good... | 0:50:31 | 0:50:32 | |
It's very good. The soup is very good. | 0:50:32 | 0:50:34 | |
The sauce is really, really spicy and that could hide anything. | 0:50:34 | 0:50:38 | |
Oh, you're very sweet, you're laughing, | 0:50:38 | 0:50:40 | |
even though you have no idea what I'm saying. | 0:50:40 | 0:50:42 | |
I wish all audiences were like you. | 0:50:42 | 0:50:44 | |
Yes, my first time tasting iguana. | 0:50:46 | 0:50:48 | |
You know what? I might not make it part of my staple diet. | 0:50:48 | 0:50:50 | |
-These are the green iguana? -Iguana verde. | 0:50:53 | 0:50:56 | |
Is that a major problem, | 0:51:05 | 0:51:07 | |
having to respect the tradition of hunting iguana | 0:51:07 | 0:51:11 | |
whilst at the same time trying to find a balance | 0:51:11 | 0:51:13 | |
with preserving the species? | 0:51:13 | 0:51:15 | |
It's a beautiful beast, it has to be said. | 0:51:28 | 0:51:30 | |
I think I shall call him Dara, | 0:51:30 | 0:51:32 | |
cos he doesn't have any hair either. | 0:51:32 | 0:51:34 | |
'We're moving on from Juchitan, | 0:51:40 | 0:51:42 | |
'but not without a little present for Ed.' | 0:51:42 | 0:51:44 | |
-Look what I brought you. -What have you got? | 0:51:46 | 0:51:49 | |
-Is that iguana meat?! -In fact, it's the same iguana you held. | 0:51:49 | 0:51:52 | |
-No, it's not. -It's the same iguana. We liberated it. | 0:51:52 | 0:51:56 | |
That's iguana meat, my friend. | 0:51:56 | 0:51:57 | |
There may even be some iguana eggs in there, | 0:51:57 | 0:51:59 | |
which are quite, quite yummy. | 0:51:59 | 0:52:01 | |
'The plains south of Juchitan are the narrowest point | 0:52:09 | 0:52:12 | |
'between the country's Atlantic and Pacific coasts. | 0:52:12 | 0:52:15 | |
'They are known as La Ventosa, or "the windy place."' | 0:52:15 | 0:52:19 | |
It's incredible, the wind farms. How many...? | 0:52:19 | 0:52:21 | |
Oh, man, I've never seen wind farms like it. | 0:52:21 | 0:52:24 | |
-Nothing on the scale of this. -There must be over 1,000 of them. | 0:52:24 | 0:52:28 | |
It's astonishing. | 0:52:28 | 0:52:30 | |
'These wind farms are the largest in Latin America | 0:52:30 | 0:52:33 | |
'and Mexico is aiming to produce up to 15% of its energy from them | 0:52:33 | 0:52:37 | |
'within ten years. | 0:52:37 | 0:52:38 | |
'But for drivers like us on the Pan-Am, | 0:52:39 | 0:52:41 | |
'the wind brings another less welcome phenomenon - | 0:52:41 | 0:52:45 | |
'brush fires.' | 0:52:45 | 0:52:47 | |
Bloody hell! | 0:52:47 | 0:52:48 | |
Wow, look at that! | 0:52:50 | 0:52:51 | |
That's a little close to the road, isn't it? | 0:52:52 | 0:52:55 | |
This is kind of scary-looking. | 0:52:55 | 0:52:57 | |
Oof! Ho-ho! Came in the air conditioning, you see that? | 0:52:57 | 0:53:00 | |
THEY LAUGH | 0:53:00 | 0:53:02 | |
'Sullivan, Ken and Arnold also drove through La Ventosa, | 0:53:03 | 0:53:06 | |
'but by now their car was starting to fall apart.' | 0:53:06 | 0:53:10 | |
'Down in the jungle lowlands near the Guatemalan frontier, | 0:53:10 | 0:53:13 | |
'Arnold again begins grousing about the car. | 0:53:13 | 0:53:16 | |
'As he finally stands up, he says, | 0:53:16 | 0:53:18 | |
'"No wonder the darn thing wouldn't pull. | 0:53:18 | 0:53:20 | |
'"Look, it didn't even have an exhaust pipe." | 0:53:20 | 0:53:23 | |
'And the whole under part of the car | 0:53:23 | 0:53:24 | |
'looks as if we'd turned it upside down | 0:53:24 | 0:53:26 | |
'and beaten it with picks and sledgehammers.' | 0:53:26 | 0:53:29 | |
'After two months on the road, | 0:53:30 | 0:53:32 | |
'Sullivan was forced to fly back to Detroit for spare parts. | 0:53:32 | 0:53:36 | |
'He arrived in February 1941 to find the US | 0:53:36 | 0:53:39 | |
'on the brink of joining the Second World War | 0:53:39 | 0:53:42 | |
'and the lack of a road through the strategically vital Panama Canal | 0:53:42 | 0:53:46 | |
'was becoming an issue of national security. | 0:53:46 | 0:53:50 | |
'While Sully had meetings | 0:53:50 | 0:53:51 | |
'with the State Department about the expedition, | 0:53:51 | 0:53:53 | |
'Ken and Arnold soldiered on towards the Guatemalan border, | 0:53:53 | 0:53:57 | |
'along a winding path through mountain jungle.' | 0:53:57 | 0:54:00 | |
Oh, my lord. | 0:54:02 | 0:54:03 | |
I don't like driving | 0:54:03 | 0:54:04 | |
when you can look down and see a drop falling away. | 0:54:04 | 0:54:08 | |
It's precipitous. | 0:54:08 | 0:54:09 | |
It is. It's vertiginous. | 0:54:09 | 0:54:11 | |
So without me looking, and you know my thing about heights... | 0:54:13 | 0:54:16 | |
This bit is fine. This bit, if you came off here, | 0:54:16 | 0:54:19 | |
we'd hurt ourselves and we'd damage the car, but we wouldn't die. | 0:54:19 | 0:54:22 | |
-You're doing very well, though. -Thank you very much. | 0:54:24 | 0:54:27 | |
'What Ken and Arnold weren't expecting to encounter | 0:54:27 | 0:54:30 | |
'was a state-of-the-art coffee farm. | 0:54:30 | 0:54:33 | |
'It was run by the Edelmann family, | 0:54:33 | 0:54:35 | |
'German immigrants who arrived in the 1880s | 0:54:35 | 0:54:38 | |
'and are still here today.' | 0:54:38 | 0:54:40 | |
-Buenos dias. -Buenos dias. | 0:54:40 | 0:54:42 | |
Thank you very much for inviting us. | 0:54:42 | 0:54:44 | |
It's a pleasure to have you here in Finca Hamburgo. | 0:54:44 | 0:54:46 | |
-What a beautiful location. -It's a paradise. | 0:54:46 | 0:54:49 | |
'Tomas Edelmann's family built the Finca Hamburgo | 0:54:50 | 0:54:53 | |
'and the road up to it from scratch | 0:54:53 | 0:54:55 | |
'and his grandmother filmed their life here | 0:54:55 | 0:54:58 | |
'during the 1930s and '40s.' | 0:54:58 | 0:55:00 | |
-At that time, this was pure rainforest. -Right. -Nothing else. | 0:55:00 | 0:55:06 | |
So it was tough for them, | 0:55:06 | 0:55:08 | |
but my grandmother would say it was hard work, | 0:55:08 | 0:55:12 | |
hard labour, but the best years of their lives, she spent here. | 0:55:12 | 0:55:17 | |
Now, we are following the journey of the Three Fools | 0:55:17 | 0:55:20 | |
-as they travelled through. -OK. | 0:55:20 | 0:55:22 | |
We know that two of them came here, | 0:55:22 | 0:55:25 | |
which we find to be an astonishing journey, | 0:55:25 | 0:55:27 | |
given we've travelled the road up here | 0:55:27 | 0:55:30 | |
and it could do with levelling off. | 0:55:30 | 0:55:32 | |
And we knew what we were coming to. | 0:55:32 | 0:55:34 | |
-They seemed to wander aimlessly up the hill and found you. -Exactly. | 0:55:34 | 0:55:38 | |
Well, they had to drive up here on one side | 0:55:38 | 0:55:41 | |
and go down on the other side | 0:55:41 | 0:55:43 | |
if they wanted to keep on going south. | 0:55:43 | 0:55:45 | |
-They were just trying to get over the mountain? -Exactly. | 0:55:45 | 0:55:48 | |
I can show you some... | 0:55:48 | 0:55:49 | |
Do you have photographs of the two of them when they arrived? | 0:55:49 | 0:55:52 | |
Yeah, we have pictures when they arrived | 0:55:52 | 0:55:55 | |
-with that vehicle. -The Plymouth? -Right. | 0:55:55 | 0:55:58 | |
This is Grandmother and my grandfather. | 0:55:58 | 0:56:01 | |
-And that's Arnold and that's Ken? -Yes. | 0:56:01 | 0:56:03 | |
'Tomas's grandparents also captured Ken and Arnold's visit | 0:56:04 | 0:56:08 | |
'on their cine-camera.' | 0:56:08 | 0:56:10 | |
"Viva el Panamericanismo!" | 0:56:10 | 0:56:13 | |
-Bits of the car already come off? -Yes. | 0:56:13 | 0:56:16 | |
Ruined tyres. | 0:56:16 | 0:56:18 | |
Four tyres on the roof. | 0:56:18 | 0:56:19 | |
-Your grandfather must have thought they were insane. -Yes. | 0:56:20 | 0:56:23 | |
I mean, on saying that, though, | 0:56:23 | 0:56:25 | |
there must have been some sort of fellow feeling, as we say - | 0:56:25 | 0:56:30 | |
-one adventurer recognising another adventurer. -Definitely. | 0:56:30 | 0:56:34 | |
'Thanks to the Pan-American Highway, which arrived here in 1950, | 0:56:38 | 0:56:42 | |
'the Finca Hamburgo has thrived | 0:56:42 | 0:56:44 | |
'and today exports most of its coffee to the US. | 0:56:44 | 0:56:47 | |
'Ken and Arnold would no doubt have approved.' | 0:56:48 | 0:56:51 | |
They spoke very highly of the hospitality. | 0:56:51 | 0:56:53 | |
They said they were never looked after better than they were here. | 0:56:53 | 0:56:57 | |
Well, that's nice to hear. | 0:56:57 | 0:56:58 | |
I imagine they liked it here | 0:56:58 | 0:57:00 | |
because my grandfather was a specialist in making Martinis. | 0:57:00 | 0:57:04 | |
-Oh, really! -That's an excellent skill to have, | 0:57:04 | 0:57:07 | |
-should people accidentally drop by. -Exactly, yeah! | 0:57:07 | 0:57:11 | |
Arnold and Ken must have really felt | 0:57:11 | 0:57:12 | |
like they'd landed on their feet when they landed here. | 0:57:12 | 0:57:15 | |
Just imagine them sitting back, drinking coffee, going, | 0:57:15 | 0:57:18 | |
"Sullivan would have loved it here. | 0:57:18 | 0:57:19 | |
-"He would have been delighted." -Exactly. | 0:57:19 | 0:57:21 | |
"Shame he had to go back to Detroit to get parts." | 0:57:21 | 0:57:23 | |
-Right. -"I'm glad we finally got a break | 0:57:23 | 0:57:25 | |
"from the 'clack-clack!' of his bleedin' typewriter!" | 0:57:25 | 0:57:28 | |
'Like the original expedition, | 0:57:30 | 0:57:32 | |
'we too have reached the end of our time in Mexico.' | 0:57:32 | 0:57:36 | |
-So that would be Guatemala out there. -Somewhere there. | 0:57:37 | 0:57:41 | |
We say goodbye to Mexico, which is also in cloud. | 0:57:41 | 0:57:43 | |
We see very little of that either. | 0:57:43 | 0:57:45 | |
And we say hello to Guatemala, which is possibly there, or there, | 0:57:45 | 0:57:48 | |
or somewhere out... | 0:57:48 | 0:57:49 | |
It's not really the best view of it from here, is it? | 0:57:49 | 0:57:52 | |
That's the thing about rainforests. They cloud over quite often. | 0:57:52 | 0:57:56 | |
-I know. Did you enjoy Mexico? -I enjoyed it immensely. | 0:57:56 | 0:57:59 | |
-Was it as fun for you a second time round? -It was, actually. | 0:57:59 | 0:58:02 | |
It's a huge, exciting country and very diverse. | 0:58:02 | 0:58:05 | |
One thing I have learnt on this journey is that people are people. | 0:58:08 | 0:58:11 | |
-Oh, God, really? -So why should it be...? | 0:58:11 | 0:58:13 | |
It took this trip | 0:58:13 | 0:58:15 | |
-for you to learn that banal fact? -ED LAUGHS | 0:58:15 | 0:58:18 | |
God! | 0:58:18 | 0:58:20 | |
-See that break in the clouds, my friend? -That's a good omen. | 0:58:20 | 0:58:23 | |
That's a good omen. | 0:58:23 | 0:58:24 | |
'Next time, our journey takes us even further south, | 0:58:27 | 0:58:30 | |
'into Central America...' | 0:58:30 | 0:58:32 | |
MAN CALLS OUT IN SPANISH | 0:58:32 | 0:58:33 | |
'..where paint jobs...' | 0:58:35 | 0:58:36 | |
IN SOUTH AMERICAN ACCENT: How you like my new ride, huh? | 0:58:36 | 0:58:39 | |
'..volcanoes...' | 0:58:39 | 0:58:40 | |
There seems to be a bit missing | 0:58:40 | 0:58:42 | |
-from the middle of the mountain. -Yes. | 0:58:42 | 0:58:44 | |
'..and baseball...' | 0:58:44 | 0:58:46 | |
LAUGHTER AND CHATTER IN SPANISH | 0:58:46 | 0:58:48 | |
'..are all on the menu.' | 0:58:48 | 0:58:50 |