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-Oh, my Lord. Oh, my God. -Hey. | 0:00:02 | 0:00:04 | |
'My fellow comedian Ed Byrne and I are on an epic road trip.' | 0:00:07 | 0:00:11 | |
We have been in this car for nearly a month! | 0:00:11 | 0:00:14 | |
'We're travelling 4,000 miles down the longest road in the world, | 0:00:14 | 0:00:20 | |
'the Pan-American Highway.' | 0:00:20 | 0:00:22 | |
Wow, look at that. | 0:00:22 | 0:00:24 | |
'We'll be passing through some of the most spectacular... | 0:00:24 | 0:00:29 | |
'and volatile countries on the planet.' | 0:00:29 | 0:00:32 | |
Look at that over there. | 0:00:32 | 0:00:33 | |
SIREN WAILS | 0:00:33 | 0:00:34 | |
Oh, my God. | 0:00:34 | 0:00:36 | |
'Today, this great road is the main artery through the Americas, | 0:00:38 | 0:00:42 | |
'but 75 years ago, it was little more than a cart track. | 0:00:42 | 0:00:47 | |
'Then, three adventurers from Detroit set out to drive | 0:00:49 | 0:00:53 | |
'all the way from North to South America.' | 0:00:53 | 0:00:56 | |
'It was an expedition to attempt what no-one has ever done.' | 0:00:56 | 0:00:59 | |
'Crossing jungles, fording rivers and conquering mountains, | 0:00:59 | 0:01:04 | |
'they forged a route for what would eventually become | 0:01:04 | 0:01:07 | |
'the Pan-American Highway. | 0:01:07 | 0:01:09 | |
'Using their journal as a guide, | 0:01:10 | 0:01:12 | |
'we'll follow their path from the USA | 0:01:12 | 0:01:15 | |
'all the way to Panama.' | 0:01:15 | 0:01:17 | |
Here we go. | 0:01:17 | 0:01:18 | |
'This time, we're going deeper into Central America, | 0:01:18 | 0:01:22 | |
'where we soak up the ancient culture... | 0:01:22 | 0:01:25 | |
'..get a Guatemalan re-spray...' | 0:01:27 | 0:01:30 | |
COD SPANISH ACCENT: How you like my new ride, huh? | 0:01:30 | 0:01:33 | |
'..and uncover the shocking realities of everyday life here.' | 0:01:33 | 0:01:37 | |
If you look at the streets, they just kill each other. | 0:01:37 | 0:01:40 | |
'We'll discover how this highway has changed | 0:01:42 | 0:01:44 | |
'the lives of the people who live on its course, | 0:01:44 | 0:01:47 | |
'on our very own Pan-American road trip of a lifetime.' | 0:01:47 | 0:01:51 | |
I'm excited by Guatemala, I have to say. | 0:02:08 | 0:02:11 | |
I mean, I've a certain amount of trepidation | 0:02:11 | 0:02:13 | |
-because of the horror stories... -Yes. -..we hear about civil unrest, | 0:02:13 | 0:02:17 | |
-people getting shot through the head on a bus. -Yes. | 0:02:17 | 0:02:21 | |
But still, you know, a very interesting, exciting Mayan culture. | 0:02:21 | 0:02:25 | |
-People are just wandering out into the road. -Oh, no, no, no. | 0:02:25 | 0:02:27 | |
You can do that as much as you want, champ, I'm not stopping. | 0:02:27 | 0:02:30 | |
-What was that about? -That was really weird. | 0:02:30 | 0:02:33 | |
'Dara and I are a third of the way | 0:02:34 | 0:02:36 | |
'through our journey along the Pan-American Highway. | 0:02:36 | 0:02:40 | |
'We're planning to travel nearly 4,000 miles to Panama. | 0:02:40 | 0:02:44 | |
'We've already come the length of Mexico and, this time, | 0:02:44 | 0:02:47 | |
'we're travelling through Guatemala, | 0:02:47 | 0:02:48 | |
'El Salvador, Honduras and Nicaragua. | 0:02:48 | 0:02:52 | |
'We're on the trail of the men they called "the three damn fools", | 0:02:53 | 0:02:57 | |
'who struggled down this route | 0:02:57 | 0:02:59 | |
'in an ordinary Plymouth Chrysler Saloon in the early '40s.' | 0:02:59 | 0:03:02 | |
'We leave Mexico now after three torturous months, | 0:03:03 | 0:03:06 | |
'crossing her from North to South, | 0:03:06 | 0:03:08 | |
'and enter Guatemala through the Customs House at Rio Suchiate.' | 0:03:08 | 0:03:12 | |
'By the time they reached Guatemala in January 1941, | 0:03:12 | 0:03:15 | |
'the boys had been travelling for three hard months, | 0:03:15 | 0:03:18 | |
'and both they and the car had taken an incredible battering. | 0:03:18 | 0:03:22 | |
'But Sullivan Richardson, Ken Van Hee | 0:03:22 | 0:03:24 | |
'and Arnold Whitaker were determined to continue their mission | 0:03:24 | 0:03:27 | |
'to encourage the building of the Pan-American Highway, | 0:03:27 | 0:03:30 | |
'and promote friendship between the nations of the Americas. | 0:03:30 | 0:03:34 | |
'The expedition crossed into Guatemala over the Talisman Bridge, | 0:03:34 | 0:03:38 | |
'which is still here today.' | 0:03:38 | 0:03:40 | |
Here is the border. | 0:03:41 | 0:03:44 | |
There's a nightclub and there's restaurants, | 0:03:47 | 0:03:49 | |
and now we've got people running alongside us. | 0:03:49 | 0:03:52 | |
There's a whole team of them. | 0:03:52 | 0:03:54 | |
I feel like I'm the President in In The Line Of Fire. | 0:03:55 | 0:04:00 | |
'The Talisman Bridge is one of the busiest crossing points | 0:04:02 | 0:04:06 | |
'between North and Central America, | 0:04:06 | 0:04:08 | |
'and a slightly chaotic duty-free area has built up | 0:04:08 | 0:04:12 | |
'around the passport office.' | 0:04:12 | 0:04:14 | |
Look how busy this is, | 0:04:14 | 0:04:15 | |
as somewhere that exists neither in Mexico nor Guatemala. | 0:04:15 | 0:04:18 | |
Hola! | 0:04:18 | 0:04:20 | |
Gracias, senor. | 0:04:22 | 0:04:24 | |
'We've got our passports stamped, but our car is stuck in Customs. | 0:04:24 | 0:04:27 | |
'So we've got time to check out an alternative route.' | 0:04:29 | 0:04:33 | |
Uh...camino? Yeah? Gracias. | 0:04:36 | 0:04:40 | |
OK. What is this? | 0:04:40 | 0:04:42 | |
You're kidding me! | 0:04:44 | 0:04:46 | |
We can go back to Mexico on a boat. | 0:04:46 | 0:04:48 | |
'This ingenious raft crossing isn't exactly hidden | 0:04:49 | 0:04:53 | |
'from the authorities above, on the bridge.' | 0:04:53 | 0:04:55 | |
-Are we getting on? -I think just for the fun of it. -Go on. -Really? | 0:04:55 | 0:04:58 | |
You got your passport? | 0:04:58 | 0:04:59 | |
-I do actually have my passport on me, just in case. -Yeah. | 0:04:59 | 0:05:02 | |
Hang on, there's actually genuine commuters here, as well as... | 0:05:02 | 0:05:05 | |
-Here? -Si. | 0:05:05 | 0:05:06 | |
'It only costs a few pesos to take the raft across the Rio Suchiate, | 0:05:06 | 0:05:10 | |
'but even this is too expensive for some.' | 0:05:10 | 0:05:13 | |
Apparently, if people can't even afford this, | 0:05:15 | 0:05:17 | |
they just walk across the river. | 0:05:17 | 0:05:19 | |
'Every year, hundreds of thousands of undocumented migrants | 0:05:19 | 0:05:23 | |
'make their way across borders like this into Mexico, | 0:05:23 | 0:05:27 | |
'heading for the USA.' | 0:05:27 | 0:05:28 | |
That is incredible. Guatemala to Mexico. | 0:05:28 | 0:05:31 | |
'While the three adventurers dreamed of, one day, | 0:05:31 | 0:05:34 | |
'people would be able to move more freely across the Americas, | 0:05:34 | 0:05:37 | |
'this isn't exactly what they had in mind. | 0:05:37 | 0:05:40 | |
'Not that it bothers the authorities.' | 0:05:40 | 0:05:42 | |
It's incredible that Florida security isn't up there going... | 0:05:42 | 0:05:45 | |
HE GARBLES | 0:05:45 | 0:05:47 | |
They can see this happening and they don't care | 0:05:47 | 0:05:49 | |
that you can just go back and forth without getting your stamp. | 0:05:49 | 0:05:52 | |
They seem quite relaxed here. They're relaxed to the point of | 0:05:52 | 0:05:55 | |
it taking four hours to get your car through. | 0:05:55 | 0:05:58 | |
Oh, Guatemala, you better be worth it. | 0:06:06 | 0:06:09 | |
DARA LAUGHS | 0:06:09 | 0:06:12 | |
'Guatemala is one of the most interesting and colourful countries | 0:06:12 | 0:06:15 | |
'in the Western Hemisphere. | 0:06:15 | 0:06:16 | |
'Her colourfully costumed Indians, her clean red and white villages, | 0:06:16 | 0:06:20 | |
'her high, almost perfectly shaped volcanoes. | 0:06:20 | 0:06:23 | |
'We find her friendly, interesting | 0:06:23 | 0:06:26 | |
'and with an all-weather road from border to border, | 0:06:26 | 0:06:29 | |
'which seems like heaven after the three bad months | 0:06:29 | 0:06:32 | |
'we've just spent in Mexico.' | 0:06:32 | 0:06:34 | |
It's a lovely straight road. | 0:06:34 | 0:06:36 | |
They checked into a rooming house in Guatemala. | 0:06:38 | 0:06:41 | |
They asked the guy who owned it | 0:06:41 | 0:06:44 | |
-if their car would be safe, and everything. -Yes. | 0:06:44 | 0:06:46 | |
And he said, "Oh, yes, | 0:06:46 | 0:06:48 | |
"there is no thievery or crime in Guatemala City. | 0:06:48 | 0:06:50 | |
"El Senor Presidente would have the culprits shot." | 0:06:50 | 0:06:53 | |
-Right. -"It was not the only time we had heard of Mr Ubico's | 0:06:53 | 0:06:58 | |
"summary method of handling the incorrigibles of his republic." | 0:06:58 | 0:07:01 | |
You incorrigible, you! | 0:07:01 | 0:07:03 | |
Shoot him. | 0:07:03 | 0:07:05 | |
'General Ubico had ruled Guatemala | 0:07:06 | 0:07:09 | |
'in this way since 1931 | 0:07:09 | 0:07:11 | |
'and backed by the US, | 0:07:11 | 0:07:13 | |
'he'd embarked on a huge programme of road-building. | 0:07:13 | 0:07:16 | |
'A keen motorcyclist, the general rewarded himself | 0:07:18 | 0:07:21 | |
'with a custom-built Harley-Davidson.' | 0:07:21 | 0:07:24 | |
"Our great Senor Presidente rides his motorcycle very often | 0:07:24 | 0:07:28 | |
"to visit towns and cities in his republic. | 0:07:28 | 0:07:31 | |
"If he could ride his motorcycle comfortably over the roads, | 0:07:31 | 0:07:34 | |
"then his people can ride comfortably in cars and carretas." | 0:07:34 | 0:07:36 | |
This is a small plus point in favour | 0:07:36 | 0:07:39 | |
of a generally very dubious character. | 0:07:39 | 0:07:42 | |
'In the 1940s, Sullivan Richardson and the expedition | 0:07:49 | 0:07:53 | |
'skirted along the shores of Lake Atitlan, | 0:07:53 | 0:07:56 | |
'describing it as one of the highlights of Guatemala. | 0:07:56 | 0:07:59 | |
'This area has been at the centre of Mayan culture | 0:07:59 | 0:08:03 | |
'for hundreds of years, and Ed and I are keen to see | 0:08:03 | 0:08:05 | |
'what remains of their ancient ceremonies.' | 0:08:05 | 0:08:08 | |
There's something to be said for arriving in the dark | 0:08:11 | 0:08:14 | |
and then, in the morning, having this... | 0:08:14 | 0:08:16 | |
-Waking up and seeing this. -..reveal. | 0:08:16 | 0:08:18 | |
The scenery would take the sight out of your eye. | 0:08:18 | 0:08:21 | |
-Fantastic. -It's amazing. | 0:08:21 | 0:08:23 | |
'Santiago Atitlan is the largest Mayan village on the lake...' | 0:08:25 | 0:08:30 | |
Hi. | 0:08:30 | 0:08:31 | |
'..and Mayan guide Dolores Ratzan is taking us to a shrine of Maximon, | 0:08:31 | 0:08:35 | |
'one of the most important deities of the Mayan religion. | 0:08:35 | 0:08:39 | |
'Traditionally, he's consulted before any big decision or journey.' | 0:08:39 | 0:08:44 | |
Maximon, we call him a holy grandfather. | 0:08:45 | 0:08:49 | |
In my language, Chujean, | 0:08:49 | 0:08:51 | |
we call him "Rilaj Maam" or "Maam". | 0:08:51 | 0:08:55 | |
I don't know what you're going to ask to the grandfather, | 0:09:13 | 0:09:16 | |
Maximon, | 0:09:16 | 0:09:17 | |
is it for health, or for the work? | 0:09:17 | 0:09:20 | |
I'd like to have a blessing for the health of our friendship, | 0:09:20 | 0:09:25 | |
because it's being sorely tested lately. | 0:09:25 | 0:09:28 | |
I want to ask for a blessing for the trip, | 0:09:28 | 0:09:31 | |
and for Ed's career as well. | 0:09:31 | 0:09:34 | |
-You want a blessing on my career, do you? -Yeah. | 0:09:34 | 0:09:37 | |
TRANSLATION: | 0:09:38 | 0:09:40 | |
Unlike most gods, | 0:09:48 | 0:09:50 | |
the cross-dressing Maximon likes to consider | 0:09:50 | 0:09:52 | |
all requests over a cigarette and a tot of rum. | 0:09:52 | 0:09:55 | |
-So you hold the two candles and the rum? -Yes. -OK. | 0:09:55 | 0:09:59 | |
-Till the medicine man ask you, then you will give it to him. -Fine. | 0:09:59 | 0:10:02 | |
HE CHANTS IN OWN LANGUAGE | 0:10:02 | 0:10:06 | |
'Each coloured candle stands for a different request, | 0:10:06 | 0:10:09 | |
'and blessings are communicated to the shaman | 0:10:09 | 0:10:12 | |
'through the smoke and incense. | 0:10:12 | 0:10:14 | |
'Blue candles, for example, represent work.' | 0:10:14 | 0:10:17 | |
'It's not clear exactly when the designer scarf | 0:10:37 | 0:10:39 | |
'and cowboy hat were introduced, | 0:10:39 | 0:10:41 | |
'but this ancient ceremony has been adapted | 0:10:41 | 0:10:45 | |
'for tourists in recent years.' | 0:10:45 | 0:10:47 | |
'Maximon's blessing doesn't come cheap, | 0:10:53 | 0:10:55 | |
'but although we have to part with 20, four large beers | 0:10:55 | 0:10:58 | |
'and a bottle of rum, we do at least get some of it back.' | 0:10:58 | 0:11:02 | |
You need to close your eye. | 0:11:02 | 0:11:04 | |
Close your eye. | 0:11:09 | 0:11:11 | |
SHAMAN SPITS RUM | 0:11:11 | 0:11:12 | |
(You're having me on.) | 0:11:12 | 0:11:14 | |
Did you get rum in your eye? | 0:11:31 | 0:11:33 | |
No, but do you know what? That was bizarre. | 0:11:33 | 0:11:36 | |
It's really made me appreciate the smoking ban in pubs, | 0:11:36 | 0:11:39 | |
because I suspect I'm going to smell of that for some time now. | 0:11:39 | 0:11:43 | |
I wasn't expecting the...part. | 0:11:43 | 0:11:46 | |
There's a lot of stuff there that I have issue with. | 0:11:47 | 0:11:50 | |
I appreciate that it's a tourist thing. | 0:11:50 | 0:11:52 | |
So that people can come in and have a look. | 0:11:52 | 0:11:54 | |
And it's an interesting way to experience, you know, | 0:11:54 | 0:11:56 | |
-traditional Mayan culture. -Jesus. | 0:11:56 | 0:11:59 | |
But, at times, it really felt like you were just getting fleeced. | 0:11:59 | 0:12:02 | |
You know, listen, what religion doesn't hand | 0:12:02 | 0:12:05 | |
round a basket at some stage? | 0:12:05 | 0:12:06 | |
'While they may have commercialised it somewhat, | 0:12:08 | 0:12:10 | |
'you do have to admire them for keeping their religion alive. | 0:12:10 | 0:12:14 | |
'Having previously suffered years of brutal oppression under | 0:12:14 | 0:12:17 | |
'successive military regimes, | 0:12:17 | 0:12:19 | |
'it's a wonder any of the Mayan culture has survived here at all.' | 0:12:19 | 0:12:22 | |
'From Lake Atitlan, we're driving south on the Pan-Am, | 0:12:33 | 0:12:36 | |
'towards the town of Antigua, | 0:12:36 | 0:12:38 | |
'which should take us about six hours. | 0:12:38 | 0:12:41 | |
'In 1941, the same journey took the expedition three days, | 0:12:42 | 0:12:46 | |
'but they didn't have to deal with | 0:12:46 | 0:12:48 | |
'the technicoloured speed freaks that we do.' | 0:12:48 | 0:12:51 | |
HORN TOOTS | 0:12:53 | 0:12:55 | |
Chicken bus. | 0:12:55 | 0:12:57 | |
'These gloriously decorated chicken buses | 0:12:57 | 0:12:59 | |
'are the kings of the Pan-Am Highway in Guatemala, | 0:12:59 | 0:13:03 | |
'and it's not wise to get in their way.' | 0:13:03 | 0:13:05 | |
-I think he wants a race. -I know! | 0:13:08 | 0:13:10 | |
Why is he matching your speed? | 0:13:10 | 0:13:13 | |
'Crashes are common, but these buses are what most people | 0:13:14 | 0:13:17 | |
'use to get around here.' | 0:13:17 | 0:13:19 | |
We're happy to let you go if you want to go. | 0:13:19 | 0:13:22 | |
'Perhaps unwisely, Ed's persuaded me to take a ride on one.' | 0:13:24 | 0:13:28 | |
THEY SPEAK IN LOCAL LANGUAGE | 0:13:32 | 0:13:33 | |
'So I'm heading towards Guatemala City | 0:13:33 | 0:13:36 | |
'with local commuter, Juancho Galic.' | 0:13:36 | 0:13:38 | |
Right. | 0:13:39 | 0:13:41 | |
HORN TOOTS | 0:13:44 | 0:13:46 | |
Would people not like a slightly calmer ride? | 0:13:54 | 0:13:57 | |
-Certainly not to be thrown around as much. -Yeah, well... | 0:13:57 | 0:14:01 | |
You grow up with that. | 0:14:01 | 0:14:02 | |
You see the little girl already knows how to, like... | 0:14:02 | 0:14:05 | |
-Properly wedged in. -Yeah. For a Guatemalan, this is normal. | 0:14:07 | 0:14:10 | |
But you don't call them chicken buses? The locals don't? | 0:14:10 | 0:14:13 | |
Guatemalans don't call them chicken buses. | 0:14:13 | 0:14:15 | |
Chicken bus is a name that came from outside. | 0:14:15 | 0:14:18 | |
-In Guatemala, they're called "camionetas". -Fine. | 0:14:18 | 0:14:21 | |
Should we refer to them as camionetas? | 0:14:21 | 0:14:22 | |
Is it insulting to call them chicken buses? | 0:14:22 | 0:14:25 | |
No, not really. | 0:14:25 | 0:14:26 | |
'While Dara risks his life on the bus, | 0:14:27 | 0:14:30 | |
'I've come to the Esmeralda Company HQ, | 0:14:30 | 0:14:33 | |
'to see how these camionetas are made. | 0:14:33 | 0:14:35 | |
'Originally clapped-out old US school buses, they are driven down | 0:14:39 | 0:14:42 | |
'the Pan-Am Highway and transformed into exotic beasts of the road. | 0:14:42 | 0:14:46 | |
'Victor Flores has worked for the company since he was a boy.' | 0:14:50 | 0:14:54 | |
-Victor? -Hello. | 0:14:54 | 0:14:55 | |
Hi. Ed. | 0:14:57 | 0:14:58 | |
So you're the head engineer here? | 0:14:59 | 0:15:01 | |
-Yeah? -Yes. Si. | 0:15:01 | 0:15:03 | |
And I see that it's not just cosmetic, | 0:15:03 | 0:15:05 | |
the changes you make to the buses. | 0:15:05 | 0:15:07 | |
You give them a full overhaul. What are you guys doing here? | 0:15:07 | 0:15:11 | |
TRANSLATION: | 0:15:11 | 0:15:13 | |
Right, yeah. | 0:15:16 | 0:15:18 | |
So you properly soup them up, then? | 0:15:27 | 0:15:30 | |
Right. Turn them into | 0:15:34 | 0:15:36 | |
something worthy of a Guatemalan bus driver. | 0:15:36 | 0:15:38 | |
'The buses are also shortened in length, | 0:15:38 | 0:15:41 | |
'and automatic gearboxes are replaced with manual ones, | 0:15:41 | 0:15:44 | |
'to make them easier to handle on Guatemala's winding mountain roads. | 0:15:44 | 0:15:49 | |
'And finally, they get a trademark multi-coloured paint job.' | 0:15:49 | 0:15:53 | |
So, Victor, you guys clearly take great pride | 0:15:53 | 0:15:57 | |
in the decoration of the buses. | 0:15:57 | 0:15:58 | |
Why is it so important to you how they look? | 0:15:58 | 0:16:01 | |
Right. That's an Esmeralda bus, definitely. | 0:16:22 | 0:16:25 | |
HORN TOOTS | 0:16:27 | 0:16:29 | |
'But the multi-coloured chicken buses | 0:16:29 | 0:16:31 | |
'also draw the attention of less welcome customers.' | 0:16:31 | 0:16:34 | |
If you get in a chicken bus, | 0:16:34 | 0:16:36 | |
you should know that there's a chance that you'll be held up. | 0:16:36 | 0:16:40 | |
They'll just, like, walk in with guns or knives | 0:16:40 | 0:16:43 | |
or something and be like, "Hey, give me your watch." | 0:16:43 | 0:16:46 | |
Where does that happen? That's not going to happen today. | 0:16:46 | 0:16:49 | |
-It's a bright day... -Hopefully it won't happen today | 0:16:49 | 0:16:51 | |
-but it has happened before. -Yeah. | 0:16:51 | 0:16:53 | |
'As well as hold-ups, the bus drivers and companies | 0:16:53 | 0:16:57 | |
'are forced to pay protection money | 0:16:57 | 0:16:59 | |
'by organised criminal gangs, or "maras", | 0:16:59 | 0:17:01 | |
'who control the routes into the big cities.' | 0:17:01 | 0:17:04 | |
The gangs have definitely taken over, erm, | 0:17:05 | 0:17:07 | |
-certain areas of Guatemala. -Right. | 0:17:07 | 0:17:09 | |
There are some parts where at least once a month you will | 0:17:09 | 0:17:12 | |
hear about some driver not wanting to pay the fee. | 0:17:12 | 0:17:17 | |
They're not going to care. | 0:17:18 | 0:17:19 | |
-They'll just shoot the guy, you know? -OK, right. | 0:17:19 | 0:17:22 | |
It's one of the most dangerous jobs in Guatemala. | 0:17:22 | 0:17:25 | |
'And it's not just the chicken buses that are targeted by the gangs here. | 0:17:25 | 0:17:29 | |
'Since 2006, over 1,000 bus, taxi and truck drivers have been | 0:17:29 | 0:17:33 | |
'murdered during robberies on Guatemala's roads. | 0:17:33 | 0:17:37 | |
'A far cry from General Ubico's crime-free highways | 0:17:38 | 0:17:42 | |
'which the original expedition enjoyed in 1941.' | 0:17:42 | 0:17:46 | |
Victor, I've got a favour to ask. | 0:17:47 | 0:17:49 | |
I want to surprise my travelling companion | 0:17:49 | 0:17:52 | |
with a little bit of pimping of our ride cos, erm, | 0:17:52 | 0:17:55 | |
the guys that we're following, you can see their car... | 0:17:55 | 0:18:00 | |
You see it had these designs on it. | 0:18:00 | 0:18:03 | |
I think it'll be really cool to have something like that on here, see? | 0:18:03 | 0:18:07 | |
Do you think you could... Do you think you can manage that? | 0:18:07 | 0:18:11 | |
-No hay problema. Si, se puede. -Eh? -No hay problema. | 0:18:11 | 0:18:14 | |
You're joking me! | 0:18:21 | 0:18:23 | |
I said, "Spruce it up a bit." | 0:18:23 | 0:18:25 | |
I thought you'd give it a wash. | 0:18:25 | 0:18:27 | |
COD SPANISH ACCENT: How you like my new ride, huh?! | 0:18:27 | 0:18:30 | |
Check out the pintos, huh? | 0:18:30 | 0:18:32 | |
DARA LAUGHS | 0:18:32 | 0:18:34 | |
I...love it! | 0:18:34 | 0:18:36 | |
-That is fabulous! Show me the route map and everything. -Yeah, yeah. | 0:18:37 | 0:18:41 | |
There we go. | 0:18:41 | 0:18:42 | |
I was so tempted to get "Dara" really small and "Ed" really big. | 0:18:42 | 0:18:46 | |
I am so impressed that you went that way. | 0:18:46 | 0:18:48 | |
That is a generosity I would not have extended to you. Top work. | 0:18:48 | 0:18:53 | |
Guate, guate, guate, guate! | 0:18:55 | 0:18:58 | |
'We've been on the road for two weeks now, | 0:19:04 | 0:19:07 | |
'and we're heading into the ancient city of Antigua. | 0:19:07 | 0:19:10 | |
' "The fools" had been travelling for 15 weeks over mountains, | 0:19:12 | 0:19:16 | |
'through rivers and along dirt tracks by the time they arrived | 0:19:16 | 0:19:19 | |
'at this extraordinary colonial city.' | 0:19:19 | 0:19:22 | |
'In the early '40s, few people in the States had heard of Antigua, | 0:19:25 | 0:19:29 | |
'and Sullivan was keen to reveal its beauty and history to a US audience.' | 0:19:29 | 0:19:34 | |
-So, beautiful downtown Antigua. -Yes, it is beautiful. | 0:19:36 | 0:19:40 | |
UNESCO World Heritage Site. | 0:19:40 | 0:19:42 | |
-It's a UNESCO World Heritage Site? -Yes, it is, and so, therefore, | 0:19:42 | 0:19:44 | |
it has been kept in this beautiful colonial state. | 0:19:44 | 0:19:47 | |
-Beautiful courtyards. -Yeah. -Cobbling, apparently. | 0:19:47 | 0:19:50 | |
Lots of cobbling, you can feel the cobbling all right. | 0:19:50 | 0:19:53 | |
Lots of cobbling going on, it's quite good as a massage. | 0:19:53 | 0:19:56 | |
'From the 16th to the 18th century, | 0:19:57 | 0:19:59 | |
'Antigua was the capital of Spain's | 0:19:59 | 0:20:02 | |
'Central American empire, which stretched from Guatemala to Panama. | 0:20:02 | 0:20:06 | |
'The city was destroyed by a huge earthquake in 1773, | 0:20:08 | 0:20:13 | |
'but many of its stunning Baroque buildings survived, | 0:20:13 | 0:20:16 | |
'and these days, tourists come from all over the world to see them.' | 0:20:16 | 0:20:21 | |
Park there. Look, there, there, park there... | 0:20:24 | 0:20:27 | |
-I'm going to park up there, I'm going to park there! -Don't hit that guy! | 0:20:27 | 0:20:30 | |
'Sullivan picked out the ornate 18th-century monastery of La Merced | 0:20:32 | 0:20:36 | |
'to feature in his book, Adventure South.' | 0:20:36 | 0:20:39 | |
One great church, beautifully decorated, | 0:20:39 | 0:20:42 | |
had withstood the earthquake and was still being used, | 0:20:42 | 0:20:45 | |
and still is there. Exact same shot. | 0:20:45 | 0:20:47 | |
It's almost like they've hired those flocks of birds... | 0:20:47 | 0:20:50 | |
Just to go past it at exactly the right moment. | 0:20:50 | 0:20:52 | |
..just to give it that extra bit of drama and gravitas. | 0:20:52 | 0:20:54 | |
Get the shot, get a shot. | 0:20:54 | 0:20:56 | |
Get a picture, come on. | 0:20:56 | 0:20:58 | |
This is how we do photos NOW. | 0:20:58 | 0:21:01 | |
'Guatemala has 22 volcanoes, | 0:21:07 | 0:21:10 | |
'and Ed, because he likes this sort of thing, | 0:21:10 | 0:21:14 | |
'has suggested we visit one.' | 0:21:14 | 0:21:16 | |
So we're going to Pacaya, which is the most active volcano in Guatemala. | 0:21:18 | 0:21:24 | |
-Wow. -In fact, I think in Latin America. | 0:21:24 | 0:21:26 | |
And how active... When you say that, like, cos... | 0:21:26 | 0:21:28 | |
-It erupted two weeks ago. -What?! | 0:21:28 | 0:21:30 | |
It erupted two weeks ago. | 0:21:30 | 0:21:31 | |
Like "erupted" erupted? | 0:21:31 | 0:21:32 | |
Erupted, like lava came out of it and people had to be moved. | 0:21:32 | 0:21:35 | |
What the hell are we doing going up it now? | 0:21:35 | 0:21:37 | |
Because if it erupted two weeks ago, | 0:21:37 | 0:21:39 | |
the chances of it erupting again now are very...very low. | 0:21:39 | 0:21:41 | |
The chances are the same as at any time. | 0:21:41 | 0:21:44 | |
'Despite the obvious danger, we're heading for the peak | 0:21:45 | 0:21:49 | |
'with volcano guide Matt Nordgren.' | 0:21:49 | 0:21:51 | |
-The older lava you see here is from May 2010... -OK. | 0:21:51 | 0:21:54 | |
..where it was flowing for several years. | 0:21:54 | 0:21:56 | |
And then, just most recently, two weeks ago, you can see | 0:21:56 | 0:21:59 | |
the darker patch of lava. | 0:21:59 | 0:22:01 | |
-Right. -Wow, this is recent. | 0:22:01 | 0:22:03 | |
What noise does it make when it erupts? | 0:22:04 | 0:22:06 | |
So it sounds just like thunder. | 0:22:06 | 0:22:09 | |
-Occasionally you'll feel earthquake-like tremors. -Yeah. | 0:22:09 | 0:22:12 | |
And then you can hear the rocks, boulders, | 0:22:12 | 0:22:14 | |
as they actually roll down the mountain face. | 0:22:14 | 0:22:17 | |
-Were there tourists on the mountain when it erupted? -Most recently, no. | 0:22:19 | 0:22:23 | |
And in the eruption in 2010, there was actually only one fatality, | 0:22:23 | 0:22:27 | |
it was from a journalist who decided to come up and... | 0:22:27 | 0:22:31 | |
-What did they do, get hit with a rock or something? -Yeah. | 0:22:31 | 0:22:33 | |
Took a hot rock to the head. | 0:22:33 | 0:22:35 | |
'Pacaya is now monitored on a daily basis | 0:22:37 | 0:22:39 | |
'for signs of further eruptions, | 0:22:39 | 0:22:41 | |
'and with these vague assurances that we're safe, | 0:22:41 | 0:22:44 | |
'I agree to continue to the peak.' | 0:22:44 | 0:22:47 | |
Matt, I'm no mountain expert - that's more Ed's thing - | 0:22:49 | 0:22:53 | |
but there seems to be a bit missing from the middle of the mountain. | 0:22:53 | 0:22:56 | |
Yes. So, the peak, as we're looking at it now, | 0:22:56 | 0:22:58 | |
is an effect of the eruption in 2010, and when it erupted | 0:22:58 | 0:23:02 | |
it completely blew the top out of... off the mountain. | 0:23:02 | 0:23:05 | |
LOW RUMBLING | 0:23:05 | 0:23:06 | |
Can we hear a rumble of thunder now? | 0:23:06 | 0:23:08 | |
That might be my belly. | 0:23:08 | 0:23:10 | |
OK, well, hopefully. | 0:23:10 | 0:23:12 | |
That would explain the gaseous smell as well. | 0:23:12 | 0:23:14 | |
-Yes, that's the sulphur. -Yeah, sorry about that. | 0:23:14 | 0:23:17 | |
The main trail of lava that you can see is fresh, | 0:23:17 | 0:23:20 | |
-this is, again, from just a few weeks ago. -OK. | 0:23:20 | 0:23:23 | |
It's funny when you think about it, though, | 0:23:23 | 0:23:25 | |
-that this mountain was inactive until the '60s. -Yes. | 0:23:25 | 0:23:28 | |
So even when "the fools" came here in the '40s, | 0:23:28 | 0:23:30 | |
it would have been just thought of as a mountain, | 0:23:30 | 0:23:33 | |
and then suddenly, in the '60s, it starts rumbling and smoking. | 0:23:33 | 0:23:36 | |
Very much alive, still. | 0:23:36 | 0:23:39 | |
I have to say, I was entering Guatemala | 0:23:45 | 0:23:47 | |
with a certain amount of trepidation, | 0:23:47 | 0:23:49 | |
so, er, I didn't have high hopes for it, | 0:23:49 | 0:23:51 | |
but now that I've been here, it is heart-stoppingly beautiful. | 0:23:51 | 0:23:56 | |
Guatemalan people must be the most lucky | 0:24:02 | 0:24:05 | |
and unlucky people on the planet. | 0:24:05 | 0:24:07 | |
They have the most incredibly beautiful country. | 0:24:07 | 0:24:10 | |
You can grow anything, | 0:24:10 | 0:24:11 | |
anything will grow in Guatemala, and because of that, | 0:24:11 | 0:24:14 | |
massive international companies came in and they took all the food, | 0:24:14 | 0:24:18 | |
and then the CIA got involved, | 0:24:18 | 0:24:20 | |
and then there's this hideous history. | 0:24:20 | 0:24:21 | |
So, on the one hand, there's everything here | 0:24:21 | 0:24:23 | |
to draw people towards a country, | 0:24:23 | 0:24:25 | |
and on the other hand, it always comes with a warning. | 0:24:25 | 0:24:28 | |
'Do you know, I was right to be nervous about Pacaya! | 0:24:31 | 0:24:34 | |
'Only a week after our climb, the volcano erupted again, | 0:24:34 | 0:24:37 | |
'forcing the mass evacuation of several nearby villages.' | 0:24:37 | 0:24:41 | |
LAVA RUMBLES AND GURGLES | 0:24:46 | 0:24:49 | |
'Following the trail of the Richardson expedition on what is | 0:24:52 | 0:24:55 | |
'now the Pan-American Highway, | 0:24:55 | 0:24:57 | |
'we're heading south into El Salvador. | 0:24:57 | 0:24:59 | |
'It's a short trip of 60 miles from | 0:24:59 | 0:25:01 | |
'the Guatemalan border to the capital, | 0:25:01 | 0:25:04 | |
'and like "the fools", we're making good time.' | 0:25:04 | 0:25:06 | |
'From Guatemala, we enter El Salvador, | 0:25:10 | 0:25:13 | |
'smallest of the American republics | 0:25:13 | 0:25:15 | |
'but, in many respects, among the most progressive. | 0:25:15 | 0:25:17 | |
'We're entranced by the beauty of the countryside as we drive along. | 0:25:17 | 0:25:21 | |
'And another thing that wins our hearts - paved highway - | 0:25:21 | 0:25:24 | |
'and Salvador's section of the Pan-American Highway is paved | 0:25:24 | 0:25:27 | |
'more than 75% of the way from border to border.' | 0:25:27 | 0:25:31 | |
'By the time the expedition arrived in San Salvador, | 0:25:34 | 0:25:37 | |
'word of their mission to promote the Pan-Am Highway had spread, | 0:25:37 | 0:25:40 | |
'and the three adventurers arrived to | 0:25:40 | 0:25:42 | |
'a warm welcome from government officials and the local press.' | 0:25:42 | 0:25:46 | |
Right, somewhere around here are the offices of El Diario.' | 0:25:46 | 0:25:51 | |
'El Diario is one of El Salvador's oldest newspapers, and according to | 0:25:51 | 0:25:55 | |
'Sullivan's journal, it covered the expedition's arrival in the city.' | 0:25:55 | 0:25:59 | |
-Hello. -Elder. -Hi. -Hi, hi. -Glad to help you. | 0:26:01 | 0:26:05 | |
-Yes, you're Elder Gomez. -Elder Gomez. | 0:26:05 | 0:26:08 | |
This is Ed, I'm Dara. | 0:26:08 | 0:26:10 | |
-We're looking for a newspaper from here from 1941. -Ah, OK. | 0:26:10 | 0:26:15 | |
-Do you have old papers and archive? -Yes. -That'd be great. | 0:26:15 | 0:26:19 | |
'The paper still prints six editions a week, as it did in the 1940s.' | 0:26:19 | 0:26:24 | |
-Excuse me. -Can we put it down here? | 0:26:26 | 0:26:28 | |
-So we're looking for March 17th. -Yes, OK. | 0:26:29 | 0:26:33 | |
-February... -A little further on. | 0:26:35 | 0:26:38 | |
-Wait, wait, whoa, whoa, yes. -Oh, hey, there it is! | 0:26:38 | 0:26:41 | |
-This is...OK. -Oh, wow, it's on a fold. That's fantastic. | 0:26:41 | 0:26:45 | |
-They look quite casual about it. -They do, very unremarkable, yeah. | 0:26:45 | 0:26:48 | |
It's like, "Oh, must we pose for more photographs with this car?" | 0:26:48 | 0:26:52 | |
That's amazing. | 0:26:52 | 0:26:54 | |
'It's impressive to see how a journalist, a mechanic and a cook | 0:26:54 | 0:26:57 | |
'from Detroit were fast becoming Central American celebrities, | 0:26:57 | 0:27:00 | |
'as their message of Pan-American friendship | 0:27:00 | 0:27:03 | |
'was welcomed everywhere they went. | 0:27:03 | 0:27:05 | |
'Indeed, in 1956, El Salvador became the first Central American country | 0:27:07 | 0:27:12 | |
'to complete their section of the highway. | 0:27:12 | 0:27:15 | |
'In those days, San Salvador was a stylish, affluent city | 0:27:17 | 0:27:21 | |
'of 200,000 people, and after posing for photos, | 0:27:21 | 0:27:24 | |
' "the fools" stocked up on provisions at the central market. | 0:27:24 | 0:27:27 | |
'Today, two million people are crammed into the capital, | 0:27:33 | 0:27:37 | |
'and the market is one of the biggest and craziest | 0:27:37 | 0:27:40 | |
'in Latin America. | 0:27:40 | 0:27:42 | |
'Dara thought it would be a good idea to drive through it.' | 0:27:42 | 0:27:46 | |
-Are you sure you don't want anything? -I am sure. | 0:27:46 | 0:27:49 | |
I'll buy a gun off this guy. | 0:27:51 | 0:27:53 | |
Senora? | 0:27:53 | 0:27:55 | |
Toothpaste? | 0:27:55 | 0:27:56 | |
Toothpaste? | 0:27:56 | 0:27:58 | |
Toothpaste? Perfecto. Come, quantes? | 0:27:58 | 0:28:02 | |
THEY SPEAK SPANISH | 0:28:02 | 0:28:04 | |
HE SPEAKS SPANISH | 0:28:05 | 0:28:09 | |
'We've decided to ditch the car | 0:28:11 | 0:28:12 | |
'and hook up with local resident Donald Magana. | 0:28:12 | 0:28:15 | |
'He's going to keep an eye on us | 0:28:15 | 0:28:17 | |
'as we've been warned things can get a bit rough round here.' | 0:28:17 | 0:28:20 | |
SHE SPEAKS SPANISH | 0:28:20 | 0:28:23 | |
-Armadillo shell? -For what? -What does one use an armadillo shell for? | 0:28:26 | 0:28:29 | |
Like this one, they sell it for the cough. | 0:28:29 | 0:28:32 | |
If you cough a lot, so they sell it in a... | 0:28:32 | 0:28:34 | |
And do you drink it? Do they grind it up? Do you rub it on yourself? | 0:28:34 | 0:28:37 | |
-You drink it as a tea, basically, but you do... -So you grind it up? | 0:28:37 | 0:28:40 | |
Yeah, and then you boil it, and then you turn it into a tea. | 0:28:40 | 0:28:43 | |
By which time your cold has probably passed anyway. | 0:28:43 | 0:28:46 | |
That's the best thing about the armadillo medicine. | 0:28:46 | 0:28:49 | |
It takes so long to prepare that you've healed. | 0:28:49 | 0:28:51 | |
'This market seems to sell everything, | 0:28:53 | 0:28:55 | |
'from the exotic to the downright weird.' | 0:28:55 | 0:28:58 | |
-Snakeskin? -That's snakeskin, is it? | 0:28:58 | 0:29:00 | |
-Well, actually, no, it's snake meat. -It is. | 0:29:00 | 0:29:03 | |
-Oh, this is witchcraft. -This is witchcraft? -Yeah. | 0:29:03 | 0:29:07 | |
If you have a loved one, I guess you talk to her, you know, | 0:29:07 | 0:29:09 | |
in the middle of the night, and then your loved ones can come. | 0:29:09 | 0:29:12 | |
If you talk to the snake, the desiccated dead snake... | 0:29:12 | 0:29:15 | |
-Yeah. -..that could make your loved ones come back? -So she says. | 0:29:15 | 0:29:18 | |
What if the reason your loved one left is | 0:29:18 | 0:29:20 | |
because you kept talking to desiccated snakes? | 0:29:20 | 0:29:23 | |
She was sick of the smell of snake in the house! | 0:29:23 | 0:29:25 | |
Ah, so that's the testicles and the penis. | 0:29:25 | 0:29:27 | |
That's the testicles and the penis. | 0:29:27 | 0:29:29 | |
That's so the one you love will only think about you. | 0:29:29 | 0:29:31 | |
And do you burn it? Is it a candle or... | 0:29:31 | 0:29:34 | |
It is a candle. Es una candela? | 0:29:34 | 0:29:37 | |
So, a woman will do this so that you don't get excited... | 0:29:37 | 0:29:40 | |
-Over another woman. -..over another woman. | 0:29:40 | 0:29:42 | |
And will she carve your name into that | 0:29:42 | 0:29:44 | |
before setting fire to the wax penis? | 0:29:44 | 0:29:46 | |
-Yeah. -Wow. -It's the only way you're going to... | 0:29:46 | 0:29:49 | |
There really is everything in this market! | 0:29:49 | 0:29:51 | |
Oh, my lord! We've been waiting to see the wax vaginas for a while. | 0:29:51 | 0:29:54 | |
That is...a very accurate anatomical rendering of a lifeboat. | 0:29:54 | 0:29:59 | |
I think I'll take one of these wax penises for my wife, to set her | 0:29:59 | 0:30:02 | |
mind at ease next time I go on one of these long adventures. | 0:30:02 | 0:30:06 | |
-Yes. -Yeah, absolutely. | 0:30:06 | 0:30:07 | |
I think it's a lovely gift, | 0:30:07 | 0:30:09 | |
but I also hope that you get stopped at Customs | 0:30:09 | 0:30:11 | |
in the next four countries we go to | 0:30:11 | 0:30:13 | |
and have to explain the purpose of your wax penis. | 0:30:13 | 0:30:16 | |
'Wax penises aside, | 0:30:17 | 0:30:19 | |
'there is definitely a serious atmosphere here.' | 0:30:19 | 0:30:23 | |
There's quite a reasonable armed presence. | 0:30:23 | 0:30:27 | |
I notice there's a lot of, like... | 0:30:27 | 0:30:29 | |
I mean, it's kind of dangerous, that's why. | 0:30:29 | 0:30:31 | |
'Paramilitary police on the streets are a result of El Salvador's | 0:30:32 | 0:30:36 | |
'particularly violent recent history. | 0:30:36 | 0:30:38 | |
'After years of oppressive regimes, | 0:30:41 | 0:30:44 | |
'in 1979, a vicious civil war broke out between the US-backed | 0:30:44 | 0:30:48 | |
'right-wing government and a left-wing guerrilla movement. | 0:30:48 | 0:30:52 | |
'During this 13-year conflict, | 0:30:53 | 0:30:56 | |
'over a million Salvadorians fled the violence, | 0:30:56 | 0:30:58 | |
'many of them travelling up the Pan-American Highway to the States. | 0:30:58 | 0:31:03 | |
'Donald's family sought refuge in Los Angeles, | 0:31:05 | 0:31:08 | |
'only to be faced with another kind of threat. | 0:31:08 | 0:31:11 | |
'Their neighbourhood was controlled by violent street gangs | 0:31:11 | 0:31:14 | |
'who began recruiting the young Salvadorian immigrants.' | 0:31:14 | 0:31:17 | |
Did you get involved in crime or gangs or anything in California? | 0:31:17 | 0:31:21 | |
-Were you part of that...? -Yeah, I was part of a gang up there. | 0:31:21 | 0:31:24 | |
I mean, you've got to be a part of something | 0:31:24 | 0:31:26 | |
so might as well make it a gang. | 0:31:26 | 0:31:28 | |
-Really? That was the philosophy, was it? -Yeah. | 0:31:28 | 0:31:30 | |
-Was it a sort of self-preservation kind of thing? -It was, yeah. | 0:31:30 | 0:31:34 | |
And how long were you involved in gang life, as it were, | 0:31:34 | 0:31:37 | |
in California, then? | 0:31:37 | 0:31:39 | |
A little over ten years, yeah. | 0:31:39 | 0:31:41 | |
What was the name of the gang you were in? | 0:31:41 | 0:31:43 | |
-MS. -What does MS stand for? -Mara Salvatrucha. | 0:31:43 | 0:31:46 | |
'The feared MS-13 gang | 0:31:49 | 0:31:52 | |
'was set up by Salvadorian immigrants in LA. | 0:31:52 | 0:31:56 | |
'After the civil war ended in the early '90s, many suspected MS-13 | 0:31:56 | 0:32:00 | |
'members like Donald were deported back to El Salvador, | 0:32:00 | 0:32:03 | |
'along with rival gang members. | 0:32:03 | 0:32:05 | |
'While Donald left gang life, others quickly regrouped | 0:32:09 | 0:32:12 | |
'and continued the extortion, kidnapping and murder | 0:32:12 | 0:32:15 | |
'they'd practised in the US, making El Salvador | 0:32:15 | 0:32:18 | |
'one of the most violent countries in the Americas today.' | 0:32:18 | 0:32:22 | |
When I got deported, it was kind of difficult, yeah, cos then you | 0:32:23 | 0:32:28 | |
learned that, erm, over here people don't really live, they survive. | 0:32:28 | 0:32:32 | |
-Day by day. -Was there a temptation to go back into the old life, though, | 0:32:32 | 0:32:35 | |
when you landed back here? | 0:32:35 | 0:32:37 | |
Not really, cos over here things are way different, yeah. | 0:32:37 | 0:32:41 | |
Over here, mainly, if you look at the streets, | 0:32:42 | 0:32:44 | |
they just kill each other for no reason. | 0:32:44 | 0:32:47 | |
-So it's more dangerous here? -Yeah, it is. | 0:32:47 | 0:32:49 | |
Is there any chance El Salvador's going to get out from gangs? | 0:32:49 | 0:32:52 | |
I don't see it happening, not within the next ten years. | 0:32:54 | 0:32:57 | |
'You can't help but feel for people who are just trying to lead | 0:33:04 | 0:33:08 | |
'ordinary lives here.' | 0:33:08 | 0:33:09 | |
Er, una yucca, por favor. | 0:33:09 | 0:33:11 | |
Oh, is that, erm, papas fritas? | 0:33:11 | 0:33:15 | |
Gracias. | 0:33:15 | 0:33:16 | |
-The fries are great. -That is just very good. | 0:33:17 | 0:33:19 | |
I'm not sure about the yucca. | 0:33:19 | 0:33:21 | |
I think it's been very aptly named, the yucca. | 0:33:21 | 0:33:24 | |
D'you know what? I want part of this journey | 0:33:24 | 0:33:26 | |
that involves being in El Salvador | 0:33:26 | 0:33:28 | |
to be about anything other than just gangs, right? | 0:33:28 | 0:33:30 | |
For the simple reason that, being Irish, how many times | 0:33:30 | 0:33:33 | |
did foreign news teams or documentarians come to Ireland, | 0:33:33 | 0:33:37 | |
go to Northern Ireland, and it's all about the murals | 0:33:37 | 0:33:39 | |
and the violence and the Troubles and, you know... | 0:33:39 | 0:33:42 | |
Clearly, this is a country with six million people, | 0:33:42 | 0:33:45 | |
-it's not just about gangs. -Yeah. | 0:33:45 | 0:33:47 | |
Despite this being the undercurrent | 0:33:47 | 0:33:49 | |
or kind of the hum of this thing being always there, | 0:33:49 | 0:33:52 | |
people continue their lives. | 0:33:52 | 0:33:54 | |
It still would seem remiss of us | 0:33:54 | 0:33:56 | |
not to investigate it, at least to a certain extent. | 0:33:56 | 0:33:59 | |
I know, but you've got... | 0:33:59 | 0:34:01 | |
You've got to still feel some empathy for people who... | 0:34:01 | 0:34:04 | |
El Salvadorans who might watch this and go, | 0:34:04 | 0:34:06 | |
"God, is that the only thing | 0:34:06 | 0:34:07 | |
"we're ever going to see about El Salvador?" | 0:34:07 | 0:34:09 | |
No, we went to the lovely market. | 0:34:09 | 0:34:11 | |
You're right, you're right, and bought a wax penis. | 0:34:11 | 0:34:13 | |
-Bought a witchcraft wax penis. -Yeah, you're right, you're right. | 0:34:13 | 0:34:16 | |
-You know? -So we've balanced the messages out, haven't we? | 0:34:16 | 0:34:19 | |
I think, between the two things I could've gone home with, | 0:34:19 | 0:34:22 | |
I'm better off going home with that than a massive gang tatt! | 0:34:22 | 0:34:25 | |
DARA LAUGHS | 0:34:25 | 0:34:26 | |
'But much as we try to avoid focusing solely on the gangs, | 0:34:31 | 0:34:35 | |
'as we leave the capital, | 0:34:35 | 0:34:37 | |
'it's not long before that reality creeps back in.' | 0:34:37 | 0:34:40 | |
Look at that. Look at that over there. | 0:34:44 | 0:34:46 | |
'A dead body has been dumped on the side of the road.' | 0:34:46 | 0:34:50 | |
-He's being bagged up now. -Yeah. | 0:34:51 | 0:34:54 | |
They don't tent it off, you know, like they would back home. | 0:34:56 | 0:34:59 | |
Thrown into the back of a pick-up truck. | 0:34:59 | 0:35:01 | |
And they've just shoved him in the back of a Toyota pick-up, | 0:35:01 | 0:35:04 | |
-not even into an ambulance or anything like that. -No. | 0:35:04 | 0:35:06 | |
It's just... It's quite unceremonious, | 0:35:06 | 0:35:09 | |
it does make the whole... | 0:35:09 | 0:35:10 | |
..notion of life being cheap... | 0:35:11 | 0:35:13 | |
And it's gone, he's been driven off. | 0:35:13 | 0:35:15 | |
They're already taking down the police tape. | 0:35:18 | 0:35:20 | |
It's hard not to think that life is just valued slightly less here. | 0:35:27 | 0:35:32 | |
'Inspector Astrada of the Salvadoran police | 0:35:38 | 0:35:41 | |
'is in charge of the crime scene.' | 0:35:41 | 0:35:43 | |
We've just seen you load a dead body into the back of a truck. | 0:35:43 | 0:35:46 | |
Can you tell us anything about who he was or what happened to him? | 0:35:46 | 0:35:51 | |
TRANSLATION: | 0:35:51 | 0:35:54 | |
We don't know his name, you can't tell us his name? | 0:36:13 | 0:36:15 | |
Si. | 0:36:15 | 0:36:16 | |
Hector Antonio Aquilar Rivas, | 0:36:16 | 0:36:19 | |
37 anos. | 0:36:19 | 0:36:21 | |
Hector Antonio Aquilar Rivas, | 0:36:21 | 0:36:24 | |
-37 years old. -Si. | 0:36:24 | 0:36:27 | |
'We later find out that Hector Rivas was a suspected | 0:36:27 | 0:36:30 | |
'member of the 18th Street gang, and was reportedly shot dead by | 0:36:30 | 0:36:34 | |
'the rival MS-13 whilst waiting for a bus - | 0:36:34 | 0:36:38 | |
'one of the 36 gang-related killings | 0:36:38 | 0:36:41 | |
'that took place during the three days we spent in El Salvador.' | 0:36:41 | 0:36:45 | |
You see armed police everywhere, | 0:36:51 | 0:36:54 | |
and then a murder victim on the side of the road. | 0:36:54 | 0:36:59 | |
You try not to make this all about gangs... | 0:37:00 | 0:37:03 | |
..and then you drive past a body that's been shot. | 0:37:05 | 0:37:08 | |
'Leaving El Salvador, it feels that here at least, Sullivan's dream of | 0:37:15 | 0:37:19 | |
'Pan-American friendship and peace is a long way off.' | 0:37:19 | 0:37:23 | |
'From El Salvador we enter Honduras, | 0:37:26 | 0:37:29 | |
'and now we begin to understand | 0:37:29 | 0:37:30 | |
'what Central American bull cart trails are going to be like. | 0:37:30 | 0:37:33 | |
'No automobile had ever gotten through Honduras and Nicaragua, | 0:37:33 | 0:37:36 | |
'we were told, and now we begin to understand why - dust. | 0:37:36 | 0:37:40 | |
'Choking clouds of it.' | 0:37:40 | 0:37:42 | |
'By the time Sullivan, Ken and Arnold entered Honduras, | 0:37:45 | 0:37:48 | |
'they had been on the road for 139 days.' | 0:37:48 | 0:37:53 | |
Let me read for you the first paragraph in its entirety | 0:37:55 | 0:37:59 | |
-about Honduras. -OK. -Have you got the time to spare for that? | 0:37:59 | 0:38:02 | |
I absolutely do. | 0:38:02 | 0:38:04 | |
"Honduras was a disappointment." | 0:38:04 | 0:38:06 | |
-Yeah, that's a great opening line, isn't it? -End of paragraph. | 0:38:06 | 0:38:09 | |
ED LAUGHS That's it! | 0:38:09 | 0:38:10 | |
'Sullivan's disappointment was fuelled by the fact that the | 0:38:12 | 0:38:15 | |
'millions of dollars given by the US government to build the | 0:38:15 | 0:38:18 | |
'Pan-American Highway in Honduras had been diverted into other projects. | 0:38:18 | 0:38:23 | |
'So when the expedition arrived in March 1941, | 0:38:24 | 0:38:27 | |
'they were forced to crawl along for mile after mile in intense heat. | 0:38:27 | 0:38:33 | |
'At least we've got a fair road and something | 0:38:35 | 0:38:38 | |
'to take our minds off the searing temperature outside.' | 0:38:38 | 0:38:41 | |
Shall we have some music? | 0:38:41 | 0:38:42 | |
Go on, that CD there. | 0:38:42 | 0:38:44 | |
# Round, round, get around I get around, yeah | 0:38:44 | 0:38:48 | |
-# Get around -Ooh-woo-ooh-ooh... # | 0:38:48 | 0:38:50 | |
This is almost taunting us. | 0:38:50 | 0:38:52 | |
It's hotter than the Beach Boys had to put up with, with no water! | 0:38:52 | 0:38:56 | |
-I would kill for a beach now. -Yeah. | 0:38:59 | 0:39:02 | |
Well, well, well. | 0:39:04 | 0:39:06 | |
-That's a bridge with... -That's an interesting... | 0:39:06 | 0:39:09 | |
-Shall we nip down? -Yeah, go on, let's have a look down. | 0:39:09 | 0:39:12 | |
# My buddies and me are getting real well known | 0:39:14 | 0:39:17 | |
# Yeah, the bad guys know us... # | 0:39:17 | 0:39:20 | |
Watch that big rock, ah-ah, and... | 0:39:20 | 0:39:22 | |
get past this difficult bit. Lovely. OK! | 0:39:22 | 0:39:27 | |
-How far do you want to go? -Oh, now we're like... | 0:39:27 | 0:39:29 | |
-I say we just stop it here. -This is suitably weird. | 0:39:29 | 0:39:32 | |
Do you want to get out? | 0:39:32 | 0:39:33 | |
-Do you fancy a paddle? -Yeah, of course I do. | 0:39:33 | 0:39:36 | |
'With the temperature close to 40 degrees, | 0:39:36 | 0:39:38 | |
'we aren't the only ones cooling down in the river.' | 0:39:38 | 0:39:42 | |
Oh, look at you. Aren't you a fine figure of a man? | 0:39:42 | 0:39:45 | |
-How's that? -Ohhh... That is cooling. | 0:39:47 | 0:39:50 | |
That is cooling and soothing. | 0:39:50 | 0:39:52 | |
Dara, come on in, the water's perfect! | 0:39:52 | 0:39:55 | |
Oh, no, a merman has been washed ashore. | 0:39:55 | 0:39:59 | |
Paint me, I am Venus of the River! | 0:39:59 | 0:40:02 | |
You look more like amoebic dysentery of the river. | 0:40:02 | 0:40:04 | |
ED LAUGHS | 0:40:04 | 0:40:06 | |
Put it away - and by "it", I mean all of you! | 0:40:07 | 0:40:10 | |
'At the end of their first day in Honduras, Sullivan, | 0:40:16 | 0:40:19 | |
'Ken and Arnold pitched camp here on the banks of the Nacaome | 0:40:19 | 0:40:23 | |
'to wash the dust off and catch a few hours' sleep.' | 0:40:23 | 0:40:26 | |
'We're moving on down the Pan-Am Highway, | 0:40:35 | 0:40:38 | |
'following the original trail of the expedition through Honduras. | 0:40:38 | 0:40:42 | |
'By the time they reach the town of Choluteca, | 0:40:43 | 0:40:46 | |
'the intrepid adventurers have travelled over | 0:40:46 | 0:40:48 | |
'3,500 miles from Detroit | 0:40:48 | 0:40:50 | |
'and driven the Plymouth further down Central America | 0:40:50 | 0:40:53 | |
'than any other motor vehicle in history.' | 0:40:53 | 0:40:57 | |
-This bridge is an impressive piece of kit. -Isn't it? | 0:41:02 | 0:41:06 | |
-It's a good-looking bridge. -Mm. | 0:41:06 | 0:41:08 | |
'To kick-start the building of the highway in the 1930s, | 0:41:18 | 0:41:21 | |
'the US government decided to build a series of steel bridges | 0:41:21 | 0:41:24 | |
'along the proposed route of the road.' | 0:41:24 | 0:41:27 | |
It was built in 1936. | 0:41:27 | 0:41:29 | |
'The Choluteca Bridge is still here today and it's a lifeline | 0:41:29 | 0:41:33 | |
'for Hondurans like Mario Gutierrez.' | 0:41:33 | 0:41:35 | |
America sent down the Marine Corps to build this, | 0:41:35 | 0:41:37 | |
-so it's a military bridge, to a certain extent? -Yes. | 0:41:37 | 0:41:39 | |
It was given as an extension of the Pan-American Highway, just to | 0:41:39 | 0:41:43 | |
-make sure that the road was going to be here. -Was there a bridge before? | 0:41:43 | 0:41:47 | |
I mean, did this replace an older, more rickety bridge, | 0:41:47 | 0:41:50 | |
-or was there... -There were certain bridges, smaller bridges, | 0:41:50 | 0:41:53 | |
but they always had troubles | 0:41:53 | 0:41:55 | |
in terms of dealing with floodings and things like that, | 0:41:55 | 0:41:58 | |
so that's why they decided to build a huge bridge | 0:41:58 | 0:42:01 | |
that could last for more than 75 years. | 0:42:01 | 0:42:03 | |
'US engineers designed the bridge to withstand the tropical storms | 0:42:04 | 0:42:08 | |
'which plagued this region | 0:42:08 | 0:42:11 | |
'and in 1998, it was put to the ultimate test | 0:42:11 | 0:42:15 | |
'when one of the worst hurricanes in Central American history | 0:42:15 | 0:42:18 | |
'descended on Honduras. | 0:42:18 | 0:42:20 | |
'It was known as Hurricane Mitch.' | 0:42:21 | 0:42:23 | |
We had so much rain that the river started flooding | 0:42:25 | 0:42:28 | |
and the first thing that got blown away were bridges | 0:42:28 | 0:42:31 | |
so we were, like, isolated communities, | 0:42:31 | 0:42:33 | |
-we couldn't go from one place into another. -Ah. | 0:42:33 | 0:42:36 | |
So, if you're a very decentralised country, then you need the roads | 0:42:36 | 0:42:39 | |
-more than other countries do. -Absolutely. | 0:42:39 | 0:42:41 | |
Many communities were destroyed along the river. | 0:42:41 | 0:42:45 | |
Houses, complete neighbourhoods were damaged either by mudslides | 0:42:45 | 0:42:50 | |
or by river flooding, | 0:42:50 | 0:42:52 | |
and the whole infrastructure was completely destroyed. | 0:42:52 | 0:42:56 | |
'Hurricane Mitch claimed over 6,000 lives in Honduras, | 0:43:01 | 0:43:05 | |
'and washed away more than half of the country's roads and bridges.' | 0:43:05 | 0:43:08 | |
What happened here, then, when Hurricane Mitch hit? | 0:43:11 | 0:43:14 | |
Because obviously the Choluteca Bridge withstood it. | 0:43:14 | 0:43:16 | |
Obviously something good happened with this bridge | 0:43:16 | 0:43:19 | |
because you got 75 years later and the bridge is standing | 0:43:19 | 0:43:22 | |
in one whole piece, it did completely survive Hurricane Mitch. | 0:43:22 | 0:43:25 | |
-That's astonishing, just the bridge left standing on its own. -Si. -Wow. | 0:43:25 | 0:43:30 | |
-Oh, my Lord! Oh, my God! -Hey! | 0:43:36 | 0:43:37 | |
Jesus. | 0:43:42 | 0:43:43 | |
'As we approach Nicaragua, | 0:43:43 | 0:43:45 | |
'the usual welcoming committee of border hustlers is here to greet us.' | 0:43:45 | 0:43:49 | |
-Ah, one of the great traditions. -OK. | 0:43:49 | 0:43:52 | |
-It's OK, we're good. -No, no, no, we're OK. -OK. It's OK. | 0:43:52 | 0:43:55 | |
-We're OK. -We're OK. -It's OK. | 0:43:55 | 0:43:58 | |
'After swerving around potholes and the hustlers, | 0:44:00 | 0:44:03 | |
'we are free to drive straight into Nicaragua. | 0:44:03 | 0:44:06 | |
-'And -I'M -picking the music.' | 0:44:06 | 0:44:08 | |
This is Managua, Nicaragua. It's a beautiful town! | 0:44:08 | 0:44:11 | |
MUSIC: Managua, Nicaragua by Guy Lombardo | 0:44:11 | 0:44:13 | |
# Managua, Nicaragua What a wonderful spot | 0:44:13 | 0:44:15 | |
# There's coffee and bananas and the temperature hot... # | 0:44:15 | 0:44:18 | |
There's coffee and bananas and the temperature is hot! | 0:44:18 | 0:44:21 | |
# ..Go sailing away across the aqua to Managua, Nicaragua, ole | 0:44:21 | 0:44:25 | |
# Ole, ole | 0:44:25 | 0:44:28 | |
# Across the aqua to Managua, Nicaragua, ole... # | 0:44:28 | 0:44:30 | |
Ole! | 0:44:30 | 0:44:31 | |
-It's very pretty, Nicaragua. -Genuinely is lovely. | 0:44:35 | 0:44:38 | |
And the roads are quality so far. | 0:44:38 | 0:44:41 | |
After Honduras, these roads are awesome. | 0:44:41 | 0:44:44 | |
-SULLIVAN RICHARDSON: -'Inside Nicaragua, | 0:44:44 | 0:44:46 | |
'the bad road and picturesque countryside continues. | 0:44:46 | 0:44:49 | |
'Friendly natives with big-wheeled carts, pigs wearing pokes, | 0:44:49 | 0:44:53 | |
'one interesting scene after another. | 0:44:53 | 0:44:55 | |
'Time after time we're forced up into the bush, | 0:44:55 | 0:44:58 | |
'where we have to cut trees out of the way which block our progress. | 0:44:58 | 0:45:01 | |
'Once in a while, however, nature is kind | 0:45:01 | 0:45:04 | |
'and bends the tree in exactly the right spot.' | 0:45:04 | 0:45:06 | |
You don't have to go far off the roads | 0:45:11 | 0:45:13 | |
-to see the old Nicaragua, do you? -Yeah. | 0:45:13 | 0:45:15 | |
Don't mean to wax lyrical, but this looks like a way of life | 0:45:15 | 0:45:19 | |
-that has not changed in a long, long time. -No. | 0:45:19 | 0:45:23 | |
Look through there, right, look through there. | 0:45:23 | 0:45:25 | |
-What does that look like straight ahead? -What do you mean, what does it look like? It looks like a road. | 0:45:25 | 0:45:29 | |
-Yeah, but what kind of road does it look like? -Are they mangrove trees? | 0:45:29 | 0:45:33 | |
No, no, no! It looks like a tunnel, Ed, it looks like a tunnel. | 0:45:33 | 0:45:35 | |
Doesn't look as much like a tunnel as a tunnel. | 0:45:35 | 0:45:37 | |
It looks like an avenue, is what it looks like. | 0:45:37 | 0:45:39 | |
"We crawled into Nicaragua through a funnel. Even today, we still talk about those low trees." | 0:45:39 | 0:45:44 | |
Does it say anything about a cow standing? | 0:45:44 | 0:45:45 | |
They didn't say anything about a cow | 0:45:45 | 0:45:47 | |
-but I'd imagine they would say, "Don't hit the cow." -Oh, Lord! | 0:45:47 | 0:45:50 | |
OK, that was nerve-racking! | 0:45:50 | 0:45:51 | |
OK. | 0:45:51 | 0:45:53 | |
'We've come this way to see the fearsome Cerro Negro volcano, | 0:45:55 | 0:45:58 | |
'whose eruptions over the last 50 years have covered this whole area | 0:45:58 | 0:46:02 | |
'in a carpet of black volcanic ash. | 0:46:02 | 0:46:05 | |
'It's one volcano too many for Dara, though, | 0:46:09 | 0:46:12 | |
'so local guide Rigo Sampson and I are going it alone.' | 0:46:12 | 0:46:15 | |
We're going to walk to the east side terrain, go around the rim. | 0:46:15 | 0:46:20 | |
-It's really fun. -It sounds fun. Is it dangerous? | 0:46:20 | 0:46:24 | |
-Not really, it's quite safe. -Not really? -No. | 0:46:24 | 0:46:27 | |
When I'm supposed to do something dangerous, | 0:46:27 | 0:46:29 | |
I like to hear, "Not at all". That's a phrase I like. "Not at all!" | 0:46:29 | 0:46:33 | |
'Cerro Negro has become something of a Mecca for thrill-seekers | 0:46:34 | 0:46:37 | |
'in recent years, not for its eruptions but for the new sport | 0:46:37 | 0:46:40 | |
'that Rigo and others have developed here. | 0:46:40 | 0:46:43 | |
'All you need is a boiler suit and a plank of wood.' | 0:46:43 | 0:46:47 | |
I'm hoping the actual volcano boarding is going to be a cinch | 0:46:47 | 0:46:52 | |
after putting on overalls in gale-force-ten winds. | 0:46:52 | 0:46:56 | |
OK, here goes nothing. | 0:46:59 | 0:47:02 | |
'While it's taken us an hour to get up, | 0:47:02 | 0:47:04 | |
'the journey down is going to be a lot quicker | 0:47:04 | 0:47:07 | |
'and some descents have been measured at over 50mph.' | 0:47:07 | 0:47:10 | |
Oh, ho, ho! | 0:47:17 | 0:47:18 | |
Hey! Whoo! | 0:47:34 | 0:47:37 | |
And you look like a political prisoner. | 0:47:37 | 0:47:40 | |
Look at that, there you go. | 0:47:40 | 0:47:42 | |
Look at you with your little legs flailing around. | 0:47:42 | 0:47:45 | |
Like little chicken legs going up and down as you're coming down! | 0:47:45 | 0:47:48 | |
What I like about it is you earn it, | 0:47:48 | 0:47:50 | |
you know? There's no namby-pamby chairlift to carry you to the top. | 0:47:50 | 0:47:54 | |
-No, no, you have to walk. You have to earn it. -Good for you. | 0:47:54 | 0:47:58 | |
We're going to eat the same breakfast now. | 0:47:58 | 0:48:00 | |
-Which you didn't earn! -I don't care. -My breakfast will taste... | 0:48:00 | 0:48:03 | |
Well, actually, my breakfast will taste like volcano ash | 0:48:03 | 0:48:05 | |
-because that's what's in my mouth. -Yeah! | 0:48:05 | 0:48:08 | |
'In March 1941, | 0:48:12 | 0:48:14 | |
'as the original expedition headed south through Nicaragua, | 0:48:14 | 0:48:17 | |
'the country was in the grip of yet another US-backed dictatorship | 0:48:17 | 0:48:20 | |
'led by the brutal Anastasio Somoza Garcia. | 0:48:20 | 0:48:24 | |
'The Somoza family were in power for over 40 years, | 0:48:27 | 0:48:31 | |
'but in 1979, a battle on the Pan-American Highway, | 0:48:31 | 0:48:36 | |
'just outside the city of Leon, | 0:48:36 | 0:48:38 | |
'was to play a key role in their downfall. | 0:48:38 | 0:48:40 | |
'Dara and I are meeting two of the fighters | 0:48:44 | 0:48:47 | |
'who joined the Sandinista uprising against the Somoza regime.' | 0:48:47 | 0:48:52 | |
-Jorge? -Jorge. | 0:48:53 | 0:48:54 | |
'Jorge Martinez was just 18 when he joined a small group of guerrillas | 0:48:54 | 0:48:59 | |
'to confront Somoza's troops on the road leading into the city.' | 0:48:59 | 0:49:02 | |
Jorge, your role in the battle for Leon | 0:49:02 | 0:49:05 | |
-started on the Pan-American Highway. -Yeah. -Tell me about that. | 0:49:05 | 0:49:09 | |
TRANSLATION: | 0:49:09 | 0:49:12 | |
So you pushed back 300 national guardsmen, three tanks - | 0:49:26 | 0:49:30 | |
how many of you guys were there? | 0:49:30 | 0:49:31 | |
45 men repelled 300 national guardsmen with full military gear | 0:49:41 | 0:49:45 | |
and three tanks. That's amazing. | 0:49:45 | 0:49:47 | |
'Despite the superior numbers and firepower | 0:49:50 | 0:49:53 | |
'of the US-trained national guard, Jorge and his fellow revolutionaries | 0:49:53 | 0:49:57 | |
'managed to pin them down on the Pan-Am Highway for several days.' | 0:49:57 | 0:50:02 | |
Buenos dias, Senor Sanchez. | 0:50:02 | 0:50:03 | |
'Juan Jose Sanchez was only 16 when he took part in the battle.' | 0:50:03 | 0:50:08 | |
-Is your photograph somewhere here? -Si, claro. | 0:50:08 | 0:50:11 | |
Ah! That's you! | 0:50:12 | 0:50:14 | |
And you fought in one particular important battle | 0:50:31 | 0:50:34 | |
on the Pan-American Highway. | 0:50:34 | 0:50:36 | |
'Juan and his fellow revolutionaries liberated Leon | 0:50:49 | 0:50:53 | |
'on 21st June 1979. | 0:50:53 | 0:50:56 | |
'It was the first city to fall to the Sandinistas. | 0:50:56 | 0:51:00 | |
'Within a month, the Somoza regime had collapsed | 0:51:00 | 0:51:04 | |
'and the guerrilla army marched down the Pan-American Highway | 0:51:04 | 0:51:07 | |
'and entered Managua, to be met by cheering crowds. | 0:51:07 | 0:51:10 | |
'It's taken us three weeks to travel the 3,000 miles to Managua, | 0:51:18 | 0:51:23 | |
'the capital of Nicaragua. | 0:51:23 | 0:51:25 | |
'Without the benefit of the Pan-American Highway, | 0:51:26 | 0:51:30 | |
'the original expedition arrived here on 27th March 1941, | 0:51:30 | 0:51:34 | |
'four months after leaving Detroit. | 0:51:34 | 0:51:36 | |
'Despite Nicaragua's turbulent past, | 0:51:39 | 0:51:41 | |
'today there is hope of a brighter future, and we're meeting a man | 0:51:41 | 0:51:45 | |
'who symbolises this new era. | 0:51:45 | 0:51:47 | |
'They call him El Presidente, even though he's never held office. | 0:51:48 | 0:51:53 | |
'In a country obsessed with baseball, Dennis Martinez is a national hero. | 0:51:55 | 0:52:01 | |
'Thanks to his extraordinary pitching skills, | 0:52:01 | 0:52:03 | |
'Dennis escaped poverty in Nicaragua to become | 0:52:03 | 0:52:06 | |
'one of the greatest Latin American stars in US baseball history. | 0:52:06 | 0:52:11 | |
'And every young player in his academy | 0:52:11 | 0:52:13 | |
'dreams of following in his famous footsteps.' | 0:52:13 | 0:52:16 | |
-Nice to meet you, Dennis, very nice to meet you. -Welcome to Nicaragua. | 0:52:18 | 0:52:21 | |
How many Nicaraguan kids do you think are going to be | 0:52:21 | 0:52:24 | |
coming out of this and going into the big leagues? | 0:52:24 | 0:52:27 | |
Well, this is a game where... | 0:52:27 | 0:52:30 | |
-It's a game of failure, you know, and not everybody making it. -Yeah. | 0:52:30 | 0:52:35 | |
Out of thousands and thousands every year, every year, | 0:52:35 | 0:52:39 | |
maybe one, maybe one. | 0:52:39 | 0:52:41 | |
So if one out of these guys make it to the big leagues, hey, | 0:52:41 | 0:52:45 | |
we have that, we have done our job. | 0:52:45 | 0:52:47 | |
How long were you playing in the States? | 0:52:49 | 0:52:51 | |
I played 26 years altogether. | 0:52:51 | 0:52:53 | |
-OK, and... -Three in the minor league and 23 in the big leagues. | 0:52:53 | 0:52:56 | |
-God, it's a long career in baseball, isn't it? -Yes, yes. | 0:52:56 | 0:52:59 | |
Listen, you were working in America from the early '70s, | 0:52:59 | 0:53:02 | |
so through the revolution, through the Somoza era, | 0:53:02 | 0:53:05 | |
that relationship between Nicaragua and America, you must have had | 0:53:05 | 0:53:08 | |
a unique viewpoint of that. | 0:53:08 | 0:53:09 | |
When I left this country, I was 18 years old. | 0:53:09 | 0:53:12 | |
I'd go, "Oh, my God, my country, they're fighting out there," | 0:53:12 | 0:53:15 | |
you know, and I was pitching | 0:53:15 | 0:53:17 | |
but also I was just thinking about my mum, my family, | 0:53:17 | 0:53:20 | |
and it was tough, it was tough. | 0:53:20 | 0:53:22 | |
But baseball, it was great to me. | 0:53:22 | 0:53:25 | |
-Yeah. -So America was great to me, | 0:53:25 | 0:53:27 | |
because they gave me the opportunity to be somebody | 0:53:27 | 0:53:30 | |
and that's why I'm now in my country | 0:53:30 | 0:53:32 | |
to try to bring there what I learned down there | 0:53:32 | 0:53:34 | |
-to be able to help here to the people. -Great. | 0:53:34 | 0:53:37 | |
And hopefully they will understand, because that's the only way. | 0:53:37 | 0:53:41 | |
-That's what you do. -One of those balls landed perilously close. | 0:53:41 | 0:53:44 | |
-Very, very close. -I know, I saw! You see? | 0:53:44 | 0:53:46 | |
'Dennis and his academy are part of a new relationship | 0:53:46 | 0:53:49 | |
'between Nicaragua and the US. | 0:53:49 | 0:53:51 | |
'These days, instead of bullets, the former enemies trade goods | 0:53:51 | 0:53:56 | |
'and baseball players, up and down the Pan-Am Highway.' | 0:53:56 | 0:54:00 | |
BUGLE CAVALRY CHARGE | 0:54:01 | 0:54:03 | |
'Before we go, Dennis has agreed to let two absolute beginners play ball | 0:54:03 | 0:54:08 | |
'with his young academy stars.' | 0:54:08 | 0:54:10 | |
OK. | 0:54:10 | 0:54:12 | |
Yeah, here we go! | 0:54:14 | 0:54:16 | |
'Somewhat incredibly, it appears that I am a natural.' | 0:54:16 | 0:54:19 | |
THEY WHISTLE AND CHEER | 0:54:19 | 0:54:21 | |
I have nothing to prove now. | 0:54:23 | 0:54:25 | |
-You've even scored. -I have nothing to prove. | 0:54:25 | 0:54:28 | |
-Is he bragging about it? -He's bragging. | 0:54:28 | 0:54:31 | |
Easy play. | 0:54:31 | 0:54:33 | |
Now you've got to go hit, and hit it out. | 0:54:33 | 0:54:36 | |
BUGLE CAVALRY CHARGE | 0:54:36 | 0:54:37 | |
-Here we go. -Hit it out. | 0:54:37 | 0:54:38 | |
Ah, come on! I can do this with a hurley. | 0:54:38 | 0:54:41 | |
I shouldn't... I shouldn't gloat yet. | 0:54:41 | 0:54:43 | |
Ah! | 0:54:45 | 0:54:47 | |
Eyes on the prize! | 0:54:48 | 0:54:51 | |
Attaboy. | 0:54:51 | 0:54:52 | |
Yeah, go, go, go! | 0:54:54 | 0:54:56 | |
'And thanks to a youth wasted playing ball games, | 0:54:57 | 0:55:00 | |
'Dara soon gets into the swing of things. | 0:55:00 | 0:55:02 | |
'Hot on my heels, he scores a home run.' | 0:55:04 | 0:55:07 | |
BUGLE CAVALRY CHARGE | 0:55:07 | 0:55:09 | |
Yes! | 0:55:09 | 0:55:10 | |
'But I'm not worried - this is Byrne time.' | 0:55:15 | 0:55:19 | |
Oh! | 0:55:21 | 0:55:23 | |
-Aw! -Nice hit. Nice hit, though, nice hit. | 0:55:24 | 0:55:28 | |
THEY CHEER AND WHISTLE | 0:55:28 | 0:55:30 | |
-Ah. -Good job. | 0:55:30 | 0:55:31 | |
-Thanks very much, Dennis. -Good job. | 0:55:31 | 0:55:33 | |
We've had a great time. Thank you for introducing me to the sport. | 0:55:33 | 0:55:36 | |
-It was a pleasure. -Did you see that last hit? | 0:55:36 | 0:55:38 | |
I mean, I know he caught it | 0:55:38 | 0:55:39 | |
-but what a beautiful hit. -It was the hit of the game. | 0:55:39 | 0:55:42 | |
'As we approach the Costa Rican border, | 0:55:44 | 0:55:46 | |
'we've got one final stop to make, | 0:55:46 | 0:55:49 | |
'at the largest freshwater lake in Central America.' | 0:55:49 | 0:55:53 | |
-SULLIVAN RICHARDSON: -'Along Lake Nicaragua, we try to follow | 0:55:57 | 0:55:59 | |
'the hard sand on the water's edge. | 0:55:59 | 0:56:01 | |
'The first day, we find ourselves stuck many times. | 0:56:01 | 0:56:04 | |
' "Come on, now, give her the gun," we yell at him. | 0:56:04 | 0:56:07 | |
' "Come on, come on and don't you dare let that thing stop." | 0:56:07 | 0:56:10 | |
'The car lurches, bangs, | 0:56:10 | 0:56:11 | |
'slides sideways, roaring like an aeroplane and the sticks just fly.' | 0:56:11 | 0:56:14 | |
You're not really going to try to convince me | 0:56:17 | 0:56:19 | |
-this is actually the exact point. -Yeah, where they stopped. | 0:56:19 | 0:56:23 | |
You can't tell me that you have narrowed it down to the exact point | 0:56:23 | 0:56:26 | |
-74 years later. -Judging by the view that they described, | 0:56:26 | 0:56:30 | |
this has got to be it. | 0:56:30 | 0:56:31 | |
Because they even said it was a beach - | 0:56:31 | 0:56:33 | |
everywhere else is all rocky along this shore. | 0:56:33 | 0:56:35 | |
74 years, you know, other beaches might have popped up. | 0:56:35 | 0:56:38 | |
-Well, don't be taking the good out of it. -I won't, I won't. | 0:56:38 | 0:56:40 | |
It's nice to be here at Lake Nicaragua. | 0:56:40 | 0:56:43 | |
Seems like a nice place to finish off our journey | 0:56:45 | 0:56:47 | |
with a little bit of a parallel to the lads. | 0:56:47 | 0:56:51 | |
'Sullivan, Ken and Arnold reached Lake Nicaragua | 0:56:51 | 0:56:54 | |
'on 1st April 1941. It was their final stop in the country, | 0:56:54 | 0:56:58 | |
'and more than 70 years later, | 0:56:58 | 0:57:00 | |
'it's our final stop too, | 0:57:00 | 0:57:02 | |
'before we head on south down the Pan-American Highway.' | 0:57:02 | 0:57:06 | |
Having gone through Guatemala, El Salvador, Honduras | 0:57:09 | 0:57:12 | |
and Nicaragua, four places that you haven't been... | 0:57:12 | 0:57:15 | |
-Yeah! -..we're now going to Costa Rica, where you have been. | 0:57:15 | 0:57:18 | |
Oh, so many happy memories. | 0:57:18 | 0:57:19 | |
So we're going back to "Oh, I remember when I was here!" | 0:57:19 | 0:57:21 | |
Course it's not the same now, it's gone very commercial now. | 0:57:21 | 0:57:24 | |
But when I was here once, oh... | 0:57:24 | 0:57:26 | |
-At least there's the jungle to look forward to. -Is that the same monkey? | 0:57:26 | 0:57:29 | |
Is that the same monkey I remember from my holiday? | 0:57:29 | 0:57:31 | |
-You're already boring me, it's not even episode three yet! -I hope it is. | 0:57:31 | 0:57:34 | |
I remember once, Ed, waking up and there being a spider in the room. | 0:57:34 | 0:57:37 | |
It was quite a story, let me tell you... | 0:57:37 | 0:57:39 | |
'Next time, we'll be riding with Costa Rican cowboys...' | 0:57:41 | 0:57:44 | |
Ed, stop showboating. | 0:57:44 | 0:57:45 | |
Dirty cow protest, is that what it is? | 0:57:45 | 0:57:48 | |
'..and crewing on the Panama Canal.' | 0:57:48 | 0:57:50 | |
Gringo... Wait. | 0:57:50 | 0:57:52 | |
THEY LAUGH | 0:57:52 | 0:57:53 | |
'And as we near the end of our adventure, | 0:57:53 | 0:57:56 | |
'somewhere in the Panamanian jungle, | 0:57:56 | 0:57:58 | |
'Dara puts his foot in it.' | 0:57:58 | 0:58:00 | |
CRASH | 0:58:00 | 0:58:02 | |
Oh! | 0:58:02 | 0:58:04 | |
Do you know, I recommend a dry rot expert to come in | 0:58:04 | 0:58:07 | |
and spray this place. | 0:58:07 | 0:58:08 |