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-I now sentence you to 12 years. -Objection! | 0:00:02 | 0:00:04 | |
Too long? | 0:00:04 | 0:00:05 | |
I didn't kill Eric Bridges! | 0:00:05 | 0:00:08 | |
Tony Norman is no longer associated with Helen Stephens and her murder. | 0:00:08 | 0:00:14 | |
-Laura? What are you doing there? -I work here now. | 0:00:14 | 0:00:17 | |
You'll be joining Fatty in solitary. | 0:00:20 | 0:00:23 | |
-Then it won't be solitary. -Get out! | 0:00:23 | 0:00:26 | |
I'm damned if I'm going to be thrown back on the case. | 0:00:26 | 0:00:29 | |
I'm starting up the lottery syndicate again. | 0:00:29 | 0:00:33 | |
-Mrs Bridges! -Yeah, that's right. | 0:00:33 | 0:00:37 | |
# Good luck, goodbye | 0:00:55 | 0:00:56 | |
# God bless you on your way | 0:00:56 | 0:00:58 | |
# Good luck, goodbye | 0:00:58 | 0:00:59 | |
# That's all we have to say. # | 0:00:59 | 0:01:01 | |
"Dear Maurice, what a relief to receive your postcard | 0:01:01 | 0:01:03 | |
"from Death Row. I was fearing the worst. | 0:01:03 | 0:01:06 | |
"Coincidentally, my last pen pal was also electrocuted, | 0:01:06 | 0:01:09 | |
"but that's because her kite got caught in a pylon. | 0:01:09 | 0:01:12 | |
"At least I think that's the translation. | 0:01:12 | 0:01:14 | |
"My Spanish was quite limited. | 0:01:14 | 0:01:16 | |
"Anyway, I'm afraid my news is of little cheer. | 0:01:16 | 0:01:19 | |
"I'm still denied my basic human rights of freedom, dignity, | 0:01:19 | 0:01:24 | |
"and decent quality hair straighteners. | 0:01:24 | 0:01:26 | |
"Each day I think of all I'm missing on the outside world | 0:01:26 | 0:01:29 | |
"as I watch another prisoner walk free." | 0:01:29 | 0:01:31 | |
Yeah, that's it, just go! Go see your family! | 0:01:31 | 0:01:34 | |
You tell them what we did to each other every Tuesday for four years. | 0:01:34 | 0:01:37 | |
Tell me that didn't mean anything! | 0:01:37 | 0:01:40 | |
I can still taste you! I can still taste you! | 0:01:40 | 0:01:44 | |
"I've always thought Miley Cyrus has an exceptionally punchable face, | 0:01:44 | 0:01:48 | |
"but she absolutely nailed it when she sang that thing about, you know, | 0:01:48 | 0:01:51 | |
"getting through it all and stuff. | 0:01:51 | 0:01:53 | |
"Which is something I need to remember since my fiance | 0:01:53 | 0:01:55 | |
"and bloody alibi Justin is still missing, | 0:01:55 | 0:01:57 | |
"and my lawyer's announced he's now off my case. | 0:01:57 | 0:02:00 | |
"But to be honest, good riddance." | 0:02:00 | 0:02:02 | |
What do you mean, you've been threatened back on the case? | 0:02:02 | 0:02:06 | |
It doesn't matter. | 0:02:06 | 0:02:07 | |
What matters is that it was the kick up the arse I needed. | 0:02:07 | 0:02:12 | |
FFS, Tony! No, really. | 0:02:12 | 0:02:16 | |
One minute you're on the case and then you're off the case. | 0:02:16 | 0:02:19 | |
Anyway, I've done what I should've done a long time ago - | 0:02:19 | 0:02:22 | |
I've applied for legal aid. | 0:02:22 | 0:02:24 | |
Forget it, Helen. I'm back on the case. | 0:02:24 | 0:02:26 | |
-No, you're not. -Yes, I am! | 0:02:26 | 0:02:28 | |
-You can't represent me against my will. -Yes, I bloody can. | 0:02:28 | 0:02:31 | |
-Get off my case, Tony. I said, get off it. -No! | 0:02:31 | 0:02:33 | |
Oh, is that Justin? | 0:02:33 | 0:02:36 | |
-Yes! I'm back on the case! -Do whatever you want | 0:02:36 | 0:02:39 | |
but as far as I'm concerned, Tony, you're my ex-lawyer. | 0:02:39 | 0:02:42 | |
Look, I think we both know we could have done a lot of stuff | 0:02:42 | 0:02:46 | |
better the first time. I mean, | 0:02:46 | 0:02:48 | |
that's the beauty of the appeal process, isn't it? | 0:02:48 | 0:02:51 | |
Second chances all round! | 0:02:51 | 0:02:53 | |
Let it be known that Tony Norman, Helen Stephens's lawyer, | 0:02:55 | 0:02:59 | |
is back on the case. | 0:02:59 | 0:03:01 | |
Do you mind if I take this for my stepson? Thanks. | 0:03:05 | 0:03:09 | |
Get a wriggle on, Russell. Chop chop! The van's waiting, yeah. | 0:03:17 | 0:03:21 | |
-Oh, are you going now? -I'm not going to cry. | 0:03:21 | 0:03:26 | |
Stop blubbing. It's well unattractive. | 0:03:26 | 0:03:29 | |
It's only a week. You are going to love Germany. | 0:03:29 | 0:03:32 | |
Think of all the prisoners the Governor could have picked for the prison exchange. | 0:03:32 | 0:03:36 | |
You're like an ambassador for British... sociopaths! | 0:03:36 | 0:03:40 | |
Oh, Helly, I'm going to miss you. | 0:03:40 | 0:03:45 | |
-Are you going to miss me? -Yeah. -Really? | 0:03:45 | 0:03:48 | |
-Course. -Are you sure? -Of course I'll miss you. | 0:03:48 | 0:03:51 | |
-Say it. -I'll miss you. | 0:03:51 | 0:03:53 | |
Say it with my name. | 0:03:53 | 0:03:55 | |
I'll miss you, Christine. | 0:03:55 | 0:03:56 | |
-Really? -Oh, let's wrap this up. | 0:03:56 | 0:03:58 | |
I'll bring you back a sausage. | 0:04:01 | 0:04:04 | |
The cell will be empty without you! | 0:04:04 | 0:04:06 | |
It won't. It's a prison exchange, we get one in return. | 0:04:06 | 0:04:09 | |
That's how an exchange works, you stupid cow. | 0:04:09 | 0:04:12 | |
You'll be babysitting Mrs Gertrude Wermers, | 0:04:12 | 0:04:16 | |
43-year-old widowed cannibal. | 0:04:16 | 0:04:20 | |
Oh, and Stephens, keep your toes tucked in bed tonight. Otherwise... | 0:04:24 | 0:04:29 | |
HANNIBAL LECTER-STYLE SLURPING | 0:04:29 | 0:04:33 | |
She's rather shy. This is her first time away from the Mutterland | 0:04:36 | 0:04:39 | |
and understandably, she's a little wary. | 0:04:39 | 0:04:43 | |
Moechtest du ping-pong spielen? | 0:04:43 | 0:04:45 | |
-Nein. -Ping-pong? | 0:04:45 | 0:04:47 | |
-Nein. -Ping-pong? | 0:04:47 | 0:04:49 | |
Ja? | 0:04:49 | 0:04:51 | |
I was asking her if she likes to play ping-pong, which naturally she does. | 0:04:51 | 0:04:55 | |
Ich sagte nein. | 0:04:55 | 0:04:56 | |
Stephens, I want you to give her a tour of the wing, | 0:04:56 | 0:04:58 | |
point out the views, show her where she can get a souvenir tattoo done, | 0:04:58 | 0:05:02 | |
that sort of thing, give her a taste of the Great British Penal system. | 0:05:02 | 0:05:07 | |
Britain welcomes... German cannibals. | 0:05:07 | 0:05:11 | |
Do you want to pop off and get processed? | 0:05:13 | 0:05:16 | |
We have a very good relationship with our German counterparts | 0:05:23 | 0:05:27 | |
at Wassenburg Prison. | 0:05:27 | 0:05:28 | |
Wouldn't want to screw that up. | 0:05:28 | 0:05:31 | |
So if anything happens to Gertrude, and I mean anything, | 0:05:31 | 0:05:34 | |
your legal aid application will be carefully filed away. | 0:05:34 | 0:05:39 | |
Oh! | 0:05:59 | 0:06:00 | |
So, this is the place I like to call my prison cell. | 0:06:02 | 0:06:05 | |
Mea casa, tua casa. Is that German? | 0:06:05 | 0:06:08 | |
-Er...mein kampf is your kampf. -Is this some kind of joke? | 0:06:08 | 0:06:13 | |
In Germany, we have shower cubicles bigger than this. | 0:06:14 | 0:06:16 | |
Hang on, I thought you didn't speak English? | 0:06:16 | 0:06:19 | |
We are not lazy with our languages like you Brits. | 0:06:19 | 0:06:22 | |
I speak Irish, actually, | 0:06:22 | 0:06:24 | |
and I know most of the words to that song, Encore Une Fois, so... | 0:06:24 | 0:06:27 | |
-I'm going to lie down now. -That's my bunk. | 0:06:27 | 0:06:29 | |
Listen, lady, I don't know how to say this without | 0:06:32 | 0:06:35 | |
sounding like I'm up my own asshole | 0:06:35 | 0:06:37 | |
but in Germany, I'm kind of a big deal. | 0:06:37 | 0:06:40 | |
I've had seven crime books written about me. | 0:06:40 | 0:06:42 | |
They weren't that accurate, but the photos were flattering. | 0:06:42 | 0:06:46 | |
I'm, like, totally infamous. | 0:06:46 | 0:06:48 | |
So if I say I'm going to lie on that bunk, | 0:06:48 | 0:06:51 | |
then that is what is going to happen. | 0:06:51 | 0:06:53 | |
Really? Well, I don't know how to say this either, | 0:06:53 | 0:06:57 | |
but in this cell, I'm kind of a big deal. | 0:06:57 | 0:07:00 | |
So why don't you do us all a favour | 0:07:00 | 0:07:02 | |
and get on the bunk that has been allocated to you as our guest! | 0:07:02 | 0:07:05 | |
What's all the racket here? Oh, my God. | 0:07:05 | 0:07:10 | |
Officer Timothy Debben. You must be... | 0:07:12 | 0:07:15 | |
Ich heisse Gertrude Wermers. | 0:07:15 | 0:07:18 | |
FRENCH ACCENT: Good Moaning. Pleasure to meet you. | 0:07:18 | 0:07:22 | |
Do you speak English? | 0:07:22 | 0:07:23 | |
Manchester United? | 0:07:23 | 0:07:26 | |
That's adorable. | 0:07:28 | 0:07:30 | |
Well, Helen, I think you should do exactly what Gertrude wants. | 0:07:30 | 0:07:33 | |
We are her hosts, after all, | 0:07:33 | 0:07:34 | |
and I shall see you in the canteen for some lunch, maybe? | 0:07:34 | 0:07:39 | |
Do svidanya. For now. | 0:07:39 | 0:07:44 | |
Why didn't you speak to him in English? | 0:07:49 | 0:07:51 | |
In German prison, we have two rules. | 0:07:51 | 0:07:52 | |
With authority, keep your head down and your mouth shut. | 0:07:52 | 0:07:55 | |
With your girlfriend, keep your head down and your mouth open. Ha ha, joke. | 0:07:55 | 0:07:58 | |
Now, if you don't mind, I don't want to hear a squeak out of you | 0:07:58 | 0:08:02 | |
for the next hour. I need complete silence to rest. | 0:08:02 | 0:08:05 | |
Not a peep! | 0:08:11 | 0:08:13 | |
Bingo. | 0:08:30 | 0:08:32 | |
Can we have a bit of hush, please? | 0:08:32 | 0:08:36 | |
I'd like to introduce the new managing director of Entirely Tiles. | 0:08:36 | 0:08:40 | |
You might know her as the wife of our dead boss, Eric Bridges. | 0:08:40 | 0:08:46 | |
Please welcome Mrs Elaine Bridges. | 0:08:46 | 0:08:49 | |
APPLAUSE | 0:08:49 | 0:08:53 | |
Thank you all for coming to this meeting. | 0:08:56 | 0:08:59 | |
And thank you, Henry, for doing such a great job of stepping | 0:08:59 | 0:09:04 | |
into my late husband's still warm shoes, without permission. | 0:09:04 | 0:09:08 | |
Such initiative. | 0:09:08 | 0:09:09 | |
As you know, the events of the last few months | 0:09:11 | 0:09:15 | |
have shocked this company to the very core. | 0:09:15 | 0:09:19 | |
I've lost a husband, soulmate, | 0:09:19 | 0:09:22 | |
badminton, tango and Bikram yoga partner, | 0:09:22 | 0:09:25 | |
lover and sexual equal, | 0:09:25 | 0:09:29 | |
and you have all lost an extremely adequate boss. | 0:09:29 | 0:09:36 | |
So I have decided that in order to honour my late husband's name, | 0:09:37 | 0:09:42 | |
I am going to take on the mantle of this company. | 0:09:42 | 0:09:45 | |
APPLAUSE | 0:09:45 | 0:09:48 | |
But in order to start afresh, some things will have to change. | 0:09:53 | 0:09:57 | |
Firstly, I've put a block on all personal emails, | 0:09:57 | 0:10:00 | |
Facebook, Twitter, Bebo, LinkedIn, Myspace, googling | 0:10:00 | 0:10:04 | |
and celebritydiets.com. | 0:10:04 | 0:10:06 | |
Secondly, no staff discount. | 0:10:06 | 0:10:09 | |
You want tiles, you pay top dollar like everyone else. | 0:10:09 | 0:10:13 | |
And thirdly, I'm taking away the Nespresso machine. | 0:10:13 | 0:10:17 | |
This is a tiling firm, not a Starbucks. | 0:10:17 | 0:10:20 | |
From now on, it's this. | 0:10:20 | 0:10:21 | |
OK. I think that's sorted. Good morning. | 0:10:26 | 0:10:29 | |
Oh, and a little birdie has told me that some staff members have been | 0:10:32 | 0:10:38 | |
visiting my husband's murderer in prison, | 0:10:38 | 0:10:43 | |
so here's a new rule for you. | 0:10:43 | 0:10:46 | |
Anyone caught visiting or contacting Ms Stephens, in any way, | 0:10:46 | 0:10:50 | |
is fired. | 0:10:50 | 0:10:51 | |
-I don't really visit her... -You're fired. | 0:10:51 | 0:10:54 | |
I ate my husband's ball sack, and his meat wasn't as dry as this. | 0:11:01 | 0:11:04 | |
And he was 70 years old. | 0:11:04 | 0:11:07 | |
She'll have the carbonara. | 0:11:08 | 0:11:09 | |
Hi. | 0:11:20 | 0:11:22 | |
Get your nose out of my ass! | 0:11:24 | 0:11:25 | |
What is this, the Human Centipede or something? | 0:11:25 | 0:11:28 | |
Gertie, can I give you a piece of advice? | 0:11:28 | 0:11:32 | |
I was the new girl here myself until recently and, | 0:11:32 | 0:11:36 | |
I'm not saying I agree with everything that goes on in this place | 0:11:36 | 0:11:39 | |
but I found that in order to gain respect, you have to earn respect. | 0:11:39 | 0:11:42 | |
Am I right? | 0:11:42 | 0:11:45 | |
I don't have to respect these losers. | 0:11:45 | 0:11:48 | |
These women are mentally deficient. | 0:11:48 | 0:11:51 | |
Gertrude, you deep-fried your husband's feet. | 0:11:51 | 0:11:54 | |
You're not exactly the full brass band yourself. | 0:11:54 | 0:11:56 | |
That is where you are wrong. | 0:11:56 | 0:11:59 | |
I've been tested by the top psychologists in my country | 0:11:59 | 0:12:02 | |
and every single one has found me to be 100% sane. | 0:12:02 | 0:12:04 | |
I'm in complete control of my mental faculties and I won't have anyone | 0:12:04 | 0:12:08 | |
say anything to the contrary. Excuse me. | 0:12:08 | 0:12:11 | |
Cover your mouth when you eat, you are contaminating my food. | 0:12:11 | 0:12:15 | |
My God, you are disgusting. | 0:12:15 | 0:12:16 | |
-What did you say? -Who wants pudding? | 0:12:18 | 0:12:21 | |
You OK for pudding? You're OK for pudding. | 0:12:21 | 0:12:23 | |
Everyone's OK for pudding. We'll go and get some pudding. | 0:12:23 | 0:12:28 | |
Oh, look, it's Angel Delight. You're going to love this, Gertie. | 0:12:28 | 0:12:32 | |
It's a very famous British dessert. | 0:12:32 | 0:12:34 | |
It's so good, angels are delighted by it. | 0:12:34 | 0:12:37 | |
Right? What are you doing?? That's Top Dog's posse. | 0:12:37 | 0:12:41 | |
The last time someone stood up to Lennie, | 0:12:41 | 0:12:43 | |
she left a tooth embedded in their forehead. | 0:12:43 | 0:12:45 | |
It wasn't even Lennie's tooth to begin with. | 0:12:45 | 0:12:47 | |
You have a Top Dog? That is so quaint! | 0:12:47 | 0:12:50 | |
I actually heard that you had backward power structures in the UK, | 0:12:50 | 0:12:53 | |
but I thought my friends were joking. | 0:12:53 | 0:12:55 | |
Listen to me, if anyone lays a finger on you, | 0:12:55 | 0:12:58 | |
then I can kiss goodbye to my legal aid, OK? | 0:12:58 | 0:13:01 | |
If not for me, then for your own teeth and kneecaps, | 0:13:01 | 0:13:03 | |
shut your German pie-hole up! | 0:13:03 | 0:13:06 | |
Gertrude! Ola! | 0:13:06 | 0:13:08 | |
Ugh! | 0:13:09 | 0:13:12 | |
I need you to go through these boxes of Eric's shit and sort them out. | 0:13:15 | 0:13:19 | |
I've got a Groupon for Zizzi's. I'll be back about four. | 0:13:19 | 0:13:22 | |
Come on, Harvey. | 0:13:22 | 0:13:23 | |
I'm at a loose end, I'd love to help, if I can. | 0:13:30 | 0:13:34 | |
Oh, Eric. | 0:13:37 | 0:13:40 | |
Ah! | 0:13:42 | 0:13:44 | |
"Dear diary, hope I don't get tiled to death today!" | 0:14:00 | 0:14:04 | |
That is not funny, Henry. | 0:14:04 | 0:14:07 | |
I wonder if there's anything about me? What's this? | 0:14:07 | 0:14:12 | |
This is the missing page from the lottery book. | 0:14:12 | 0:14:14 | |
What's it doing in Eric's box? | 0:14:14 | 0:14:16 | |
What do you mean? What are you doing? | 0:14:16 | 0:14:21 | |
How are you settling in, Wermers? | 0:14:30 | 0:14:32 | |
I hope Stephens is taking care of your needs. | 0:14:32 | 0:14:35 | |
I'd love to see her taking care of some of your needs. | 0:14:35 | 0:14:40 | |
You got frisbee in Germany? | 0:14:40 | 0:14:41 | |
Of course they have frisbee in Germany. | 0:14:41 | 0:14:44 | |
Oh, God, your hand stinks! | 0:14:44 | 0:14:46 | |
It's all in the wrist. | 0:14:46 | 0:14:48 | |
Bit firmer, that's good. Grip it hard. | 0:14:48 | 0:14:51 | |
Fast learner, Wermers. Maybe we can practise a little later, eh? | 0:14:54 | 0:14:58 | |
Oh, my God! | 0:14:58 | 0:15:01 | |
I left my husband's body to decompose for three months | 0:15:01 | 0:15:04 | |
and he didn't pong that bad. | 0:15:04 | 0:15:08 | |
And can you, like, not waft your smoke at me? | 0:15:08 | 0:15:11 | |
It's so antisocial! | 0:15:11 | 0:15:13 | |
Look, come on, let's play! Catch the frisbee! | 0:15:13 | 0:15:18 | |
Seriously, do you know how horrible it is to... | 0:15:18 | 0:15:22 | |
-Oh, shit! -Oh my God, Gertrude! | 0:15:22 | 0:15:25 | |
Is she all right? I didn't mean to! | 0:15:27 | 0:15:29 | |
Please don't carefully file away my application! | 0:15:29 | 0:15:32 | |
It's OK, it's OK. Let's get you up now. | 0:15:32 | 0:15:36 | |
Danke schoen. | 0:15:42 | 0:15:45 | |
That's adorable. I'll see you in your cell later, maybe? | 0:15:45 | 0:15:49 | |
Oh, great. Well, that's not how you play frisbee. | 0:15:53 | 0:15:57 | |
Get your filthy hands off me! | 0:15:57 | 0:16:00 | |
Can you give it..? | 0:16:04 | 0:16:05 | |
Gertie? | 0:16:16 | 0:16:18 | |
Shit! | 0:16:18 | 0:16:21 | |
It's not nothing, Henry. | 0:16:21 | 0:16:22 | |
It looks like we got all the numbers that week. | 0:16:22 | 0:16:26 | |
It looks like we've won £930,000. | 0:16:26 | 0:16:30 | |
-Hell's Bells, Mary! -They fleeced us. | 0:16:30 | 0:16:33 | |
Helen ran that lottery, Eric knew about the win. | 0:16:33 | 0:16:36 | |
They took our money, Henry. | 0:16:36 | 0:16:39 | |
How could Eric do that to me? Us, to us. | 0:16:39 | 0:16:42 | |
-What are you doing? -I'm calling the police. | 0:16:44 | 0:16:47 | |
-We need to talk. -I'm still connected, Henry. | 0:16:49 | 0:16:51 | |
Oh, cheeseballs. | 0:16:51 | 0:16:54 | |
Shit, shit, shit, shit, shit, shit, shit, shit. | 0:16:54 | 0:16:58 | |
Shit, shit, shit, shit. | 0:16:58 | 0:17:00 | |
Shiiiiit. | 0:17:00 | 0:17:03 | |
So, let's have a look at Fraulein Von Mouth-off. | 0:17:07 | 0:17:14 | |
Gertrude Wermers? Oh, my God, it's Gertrude Wermers ! | 0:17:18 | 0:17:24 | |
Finally, someone knows who I am! | 0:17:24 | 0:17:27 | |
I don't believe it. I've got, like, all your books. Look. | 0:17:27 | 0:17:31 | |
Could I have it signed? | 0:17:31 | 0:17:35 | |
No problem, it's great to touch base with the fans. | 0:17:35 | 0:17:40 | |
"Nice to eat you." Sweet. | 0:17:44 | 0:17:48 | |
Oh, can I have a photo? | 0:17:48 | 0:17:50 | |
Sure. | 0:17:50 | 0:17:52 | |
Oh, you want me... | 0:17:56 | 0:17:58 | |
OK. I need to tell you something, Mary. | 0:18:03 | 0:18:08 | |
Can you stand a little less close? Thank you. | 0:18:08 | 0:18:11 | |
Well, in June, when Helen was on leave, | 0:18:11 | 0:18:13 | |
you know she was going to that wedding fair near Liverpool to choose a dress. | 0:18:13 | 0:18:18 | |
-She'd have looked so pretty in taffeta fishtail... -Get on with it. | 0:18:18 | 0:18:21 | |
Right, OK, well, Mr Bridges asked me to take over the lottery syndicate. | 0:18:21 | 0:18:25 | |
So, when I came in Thursday morning, the first thing I did was to check the numbers. | 0:18:25 | 0:18:29 | |
I was gobsmacked, Mary. I went into Bridges' office, of course. | 0:18:29 | 0:18:32 | |
Amazing news. We won the lottery! | 0:18:32 | 0:18:35 | |
Yes! | 0:18:35 | 0:18:37 | |
Look, check it! | 0:18:38 | 0:18:42 | |
'First thing he did was lock the door. | 0:18:42 | 0:18:44 | |
-'Then he told me to...' -Sit down. | 0:18:44 | 0:18:46 | |
Don't tell anyone about this. | 0:18:46 | 0:18:49 | |
But I want to tell everyone the good news, yes! | 0:18:49 | 0:18:52 | |
If you breathe a word of this, I'll make sure you never work in tiles again! | 0:18:52 | 0:18:55 | |
'Then he poured himself a Disaronno.' | 0:18:57 | 0:18:59 | |
I tried to tell him it was 8am, | 0:18:59 | 0:19:01 | |
but he just stared at me with a crazed look in his eyes and said... | 0:19:01 | 0:19:04 | |
I couldn't give a monkey's flange! | 0:19:04 | 0:19:06 | |
I'm a chuffing millionaire and I didn't think I'd be saying that again after my last divorce. | 0:19:06 | 0:19:11 | |
Why didn't you just let him fire you | 0:19:18 | 0:19:20 | |
and have your share of the winnings, you bell-end? | 0:19:20 | 0:19:22 | |
All my life, I've been dreaming of working in the tiling industry. | 0:19:22 | 0:19:29 | |
-Money can't buy you a job like this. -So where's the money now? | 0:19:29 | 0:19:32 | |
The only two people who knew about it were me and Bridges. | 0:19:35 | 0:19:37 | |
-What about Stephens? -Helen wasn't back until the week after, | 0:19:37 | 0:19:40 | |
and by that time he'd covered his tracks. | 0:19:40 | 0:19:43 | |
-We'll see what the police have to say. -Wait, Mary! | 0:19:43 | 0:19:46 | |
What if the two of us found the money? | 0:19:46 | 0:19:51 | |
He didn't put it in his account, I know that. | 0:19:51 | 0:19:53 | |
And he's definitely not spending it now, is he? So what do you say? | 0:19:53 | 0:19:57 | |
That money belongs to the syndicate. | 0:20:01 | 0:20:03 | |
If a tree wins the lottery in a forest | 0:20:03 | 0:20:05 | |
and nobody hears it, did it really win the lottery? | 0:20:05 | 0:20:09 | |
What are you on about? | 0:20:09 | 0:20:11 | |
The numbers were chosen randomly. How can they ever miss it? | 0:20:11 | 0:20:17 | |
Nice one, Sherlock. | 0:20:56 | 0:20:59 | |
Stop! Please, whatever she said, I'm sorry. | 0:21:02 | 0:21:06 | |
Please, please don't harm her. | 0:21:06 | 0:21:08 | |
Shhhhhhhhh. | 0:21:08 | 0:21:11 | |
Sorry about that. Please continue, Gertrude. | 0:21:11 | 0:21:15 | |
"Chapter funf. Eine dark night in hell." | 0:21:16 | 0:21:20 | |
Oh, just so you know, they get so many details wrong in this chapter, | 0:21:20 | 0:21:23 | |
but I'll read it for you anyway. | 0:21:23 | 0:21:25 | |
"As she had found out during the two months' training at the delicatessen, | 0:21:26 | 0:21:30 | |
"the cheese wire was the strongest of all the cutting implements. | 0:21:30 | 0:21:35 | |
"After slicing through his knee cap like a soft ball of mozzarella, | 0:21:35 | 0:21:39 | |
"she calmly ate him with a teaspoon of mint sauce." | 0:21:39 | 0:21:42 | |
Now, that's inaccurate. It's a very porky meat. | 0:21:42 | 0:21:47 | |
I always used to eat my husband with the apple sauce. | 0:21:47 | 0:21:50 | |
Ha, you crazy bitch. | 0:21:50 | 0:21:52 | |
What did you call me? | 0:21:57 | 0:21:59 | |
I called you a crazy bitch. You crazy bitch. | 0:22:01 | 0:22:06 | |
No-one, but no-one, calls Gertrude Wermers eine crazy bitch. | 0:22:07 | 0:22:13 | |
Gertrude, I think... | 0:22:13 | 0:22:14 | |
How dare you question my sanity? | 0:22:14 | 0:22:18 | |
Do you sink these authors would write these books | 0:22:18 | 0:22:21 | |
if I was just a crazy lady? No, they wouldn't. | 0:22:21 | 0:22:25 | |
That is the beauty of my story. I'm just the girl next door | 0:22:25 | 0:22:29 | |
who turned my husband's nostrils into pate. | 0:22:29 | 0:22:32 | |
And I will not have some jumped up playground bully say that | 0:22:32 | 0:22:37 | |
Gertrude Wermers is unhinged. | 0:22:37 | 0:22:40 | |
So, take it back, you crazy bitch. | 0:22:40 | 0:22:46 | |
Shit, shit, shit, shit, shit, shit, shit, shit. | 0:22:46 | 0:22:48 | |
Scheisse, scheisse, scheisse, scheisse, scheisse, scheisse. | 0:22:48 | 0:22:51 | |
There better be a damn good reason why you've just barged in | 0:23:33 | 0:23:36 | |
-to the governor's office unannounced. -There better be a damn good reason | 0:23:36 | 0:23:40 | |
why Gertrude Wermers's safety has been compromised | 0:23:40 | 0:23:43 | |
-in this scheisse hole. -I see. | 0:23:43 | 0:23:44 | |
Stephens, perhaps you could shed some light on this? | 0:23:44 | 0:23:47 | |
Last thing I remember was telling you she was entirely your responsibility. | 0:23:47 | 0:23:51 | |
Hang on! I've spent my entire day | 0:23:51 | 0:23:52 | |
preventing this woman from being used as a human pinata! | 0:23:52 | 0:23:55 | |
I have done everything in my power to keep her safe | 0:23:55 | 0:23:59 | |
but the truth is, and I'm sorry to say this, but she's a dick! | 0:23:59 | 0:24:02 | |
I will not be spoken about in these terms. | 0:24:02 | 0:24:06 | |
I can't believe the way I've been treated since I've been here. | 0:24:06 | 0:24:09 | |
This prison should be privileged to have me. | 0:24:09 | 0:24:13 | |
Broadmarsh Prison was voted number eight | 0:24:13 | 0:24:16 | |
in Channel Five's Top 50 Best Prisons Ever Of All Time, Ms Wermers. | 0:24:16 | 0:24:20 | |
Well, I've had not one, but two TV films made of my crime. | 0:24:20 | 0:24:27 | |
One was even a Christmas special. | 0:24:27 | 0:24:30 | |
So when this prison wins a GTVS, | 0:24:30 | 0:24:35 | |
which is the equivalent of your BAFTA, then we can talk. | 0:24:35 | 0:24:40 | |
What the hell are you painting? Where's the perspective, woman? | 0:24:43 | 0:24:48 | |
Your composition is a joke. | 0:24:48 | 0:24:50 | |
You look nice. That grey sweatshirt really brightens your teeth. | 0:25:27 | 0:25:33 | |
Have you managed to find out anything about that address I gave you? | 0:25:34 | 0:25:38 | |
-Mashta Fembwick? -Yes! -No. Sorry. | 0:25:38 | 0:25:41 | |
I'm actually really putting my neck on the line even being here. | 0:25:41 | 0:25:46 | |
Mrs Bridges put a ban on anyone visiting you. | 0:25:46 | 0:25:48 | |
But don't worry, I'm willing to take that risk. For you. | 0:25:48 | 0:25:52 | |
So, what about Justin? Any leads? | 0:25:52 | 0:25:55 | |
He wouldn't just leave me here to rot, Henry. We were engaged. | 0:25:55 | 0:25:58 | |
I meant something to him. | 0:25:58 | 0:26:00 | |
What is that? | 0:26:03 | 0:26:05 | |
Polish coal. It's a semi-solid stone. | 0:26:05 | 0:26:10 | |
Right. Thing is, Helen, I feel that if I knew a bit more about him, | 0:26:10 | 0:26:14 | |
it might help me predict his movements better. | 0:26:14 | 0:26:16 | |
-What do you want to know? -I don't know, really, | 0:26:16 | 0:26:19 | |
I suppose... I mean, had you two been going out long? | 0:26:19 | 0:26:22 | |
Nearly six months, on and off. | 0:26:22 | 0:26:25 | |
Engaged for two of those, on and off. | 0:26:25 | 0:26:27 | |
I'm just going to write this down. Six months. | 0:26:27 | 0:26:33 | |
Nearly. | 0:26:33 | 0:26:36 | |
And did he have any funny little habits or foibles? | 0:26:36 | 0:26:42 | |
Well, he used to use the phrase "apropos of nothing" a lot. | 0:26:42 | 0:26:46 | |
And did Justin have any nicknames for you, like Helly, or Hell's Bells? | 0:26:46 | 0:26:51 | |
Did he appreciate it when you made an effort with your make-up? | 0:26:51 | 0:26:54 | |
Would he listen to your voicemail messages over and over again | 0:26:54 | 0:26:57 | |
just so he could hear the sound of your voice? | 0:26:57 | 0:26:58 | |
Did he think about you all the time? | 0:26:58 | 0:27:01 | |
Did he once get a pebble with your name painted on it, | 0:27:01 | 0:27:03 | |
and then get paranoid and not give it to you? | 0:27:03 | 0:27:05 | |
Would Justin have ever done that? | 0:27:05 | 0:27:07 | |
You probably need some time to think about those. | 0:27:13 | 0:27:15 | |
BELL RINGS | 0:27:15 | 0:27:18 | |
I'd better go. Thanks for all the hours you're putting in on this. | 0:27:18 | 0:27:21 | |
-When I get out of here... -Shhh. | 0:27:21 | 0:27:25 | |
We're not going to rush this, Helen. | 0:27:25 | 0:27:27 | |
We're going to get it right, OK? | 0:27:27 | 0:27:30 | |
I'll see you next week. | 0:27:31 | 0:27:33 | |
I love that perfume you're wearing by the way, what is it? | 0:27:33 | 0:27:36 | |
Vosene. | 0:27:36 | 0:27:38 | |
Wear it next time. Makes you smell like... | 0:27:38 | 0:27:44 | |
the inside of a taxi. | 0:27:44 | 0:27:47 | |
"Dear Maurice, if there's one thing I've learned from my time in prison, | 0:27:50 | 0:27:54 | |
"it's that when life knocks you down, like a Weeble, | 0:27:54 | 0:27:57 | |
"you have to come straight back up, also like a Weeble. | 0:27:57 | 0:28:00 | |
"Saying that, I've never felt more homesick. | 0:28:00 | 0:28:03 | |
"I'd give anything to be back in my slanket on the sofa watching Cash In The Attic. | 0:28:03 | 0:28:07 | |
"Maybe I was a bit hasty telling Tony to piss the piss off." | 0:28:07 | 0:28:11 | |
DOORBELL RINGS | 0:28:11 | 0:28:12 | |
"Anyhoo, write soon. Helen. | 0:28:12 | 0:28:15 | |
"Oh, PS, I was born in 1974, which is the year of the tiger. | 0:28:15 | 0:28:19 | |
"I don't think there is a year of the pussy in the Chinese calendar." | 0:28:19 | 0:28:24 | |
Who are you? | 0:28:28 | 0:28:29 | |
I'm Laura. Helen's sister. Who are you? | 0:28:29 | 0:28:33 | |
I'm Justin. | 0:28:33 | 0:28:36 | |
What are you doing in my flat? | 0:28:36 | 0:28:38 | |
DOG BARKS | 0:28:38 | 0:28:42 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:50 |