Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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-I now sentence you to 12 years. -Objection! | 0:00:02 | 0:00:04 | |
Helen! | 0:00:04 | 0:00:05 | |
Ms Grainger! | 0:00:05 | 0:00:08 | |
You got to help me find Justin! | 0:00:08 | 0:00:11 | |
Did you find out anything about that address I gave you? | 0:00:11 | 0:00:14 | |
-Mashta Fembwick? -Yes! -No. | 0:00:14 | 0:00:16 | |
Shit... | 0:00:16 | 0:00:17 | |
If a tree wins the lottery in a forest and nobody hears it, | 0:00:17 | 0:00:21 | |
did it really win the lottery? | 0:00:21 | 0:00:23 | |
What do you know about the missing money? | 0:00:23 | 0:00:27 | |
-What's that? -It's a tiny little sex tape, Helen. | 0:00:27 | 0:00:31 | |
Shhh.... | 0:00:31 | 0:00:32 | |
Where is it, you bastard? | 0:00:32 | 0:00:35 | |
Can...? | 0:00:35 | 0:00:36 | |
"Dear Maurice, thank you for your postcard, | 0:00:52 | 0:00:56 | |
"and massive congrats on winning the first stage of your appeal. | 0:00:56 | 0:01:00 | |
"If you can get out of prison after doing what you did to that family, | 0:01:00 | 0:01:03 | |
"then maybe, just maybe, so can I." | 0:01:03 | 0:01:05 | |
CELL DOOR SLAMS | 0:01:05 | 0:01:07 | |
Stephens. You're free to go. | 0:01:09 | 0:01:11 | |
I'm free? | 0:01:11 | 0:01:12 | |
I'm a free woman? They quashed my case? | 0:01:12 | 0:01:15 | |
-Oh, God bless the British penal system and God bless... -No, no. | 0:01:15 | 0:01:18 | |
You're just free from solitary. | 0:01:18 | 0:01:20 | |
You've still got another decade plus 21 months to go in here. | 0:01:20 | 0:01:26 | |
Hmph! | 0:01:26 | 0:01:27 | |
HE SIGHS | 0:01:29 | 0:01:30 | |
Did you see Frozen Planet last night? | 0:01:30 | 0:01:33 | |
No. I've been in solitary confinement. | 0:01:33 | 0:01:35 | |
Aye. A seal pup befriended a "penguine". | 0:01:35 | 0:01:39 | |
You mean a penguin? | 0:01:39 | 0:01:40 | |
Whatever. That seal pup has got a friend for life. | 0:01:40 | 0:01:45 | |
Anyway. Got some news. Er... | 0:01:45 | 0:01:49 | |
Yeah. Laura's got her job back at Entirely Tiles | 0:01:49 | 0:01:51 | |
so we have someone on the inside. | 0:01:51 | 0:01:54 | |
OK, that's good. Erm... Listen, I've got something to tell you. Erm... | 0:01:54 | 0:01:57 | |
Mrs Bridges came to see me last week, | 0:02:00 | 0:02:03 | |
and it turns out that she seems to think | 0:02:03 | 0:02:06 | |
that I'd been having some sort of affair with her husband. | 0:02:06 | 0:02:10 | |
Were you having an affair with her husband? | 0:02:10 | 0:02:13 | |
Yeah. | 0:02:14 | 0:02:15 | |
Right. | 0:02:15 | 0:02:17 | |
And you didn't think to mention this before? | 0:02:17 | 0:02:19 | |
Don't get on your high horse with me, Tony. | 0:02:19 | 0:02:21 | |
I'm not getting on my high horse, | 0:02:21 | 0:02:23 | |
I'm simply wondering why you've taken until now | 0:02:23 | 0:02:25 | |
to tell me you were noshing off the man you're accused of murdering! | 0:02:25 | 0:02:29 | |
-I still didn't kill him! -You should've told me. | 0:02:29 | 0:02:33 | |
If you don't trust me, we don't have a case. | 0:02:33 | 0:02:35 | |
Why should I? | 0:02:35 | 0:02:36 | |
I'm still in prison for a crime I didn't commit. You haven't found Justin, | 0:02:36 | 0:02:40 | |
you haven't even traced that Mashta Fembwick address. | 0:02:40 | 0:02:42 | |
-It doesn't make any sense! -You can't even pronounce the word penguin! | 0:02:42 | 0:02:46 | |
What're you doing to get me out of here, Tony? | 0:02:46 | 0:02:48 | |
What have you been doing? | 0:02:48 | 0:02:49 | |
What have I been doing? | 0:02:49 | 0:02:51 | |
Getting to the bottom of your case. | 0:02:51 | 0:02:54 | |
This means more to me than 20 accidents in the workplace, | 0:02:54 | 0:02:59 | |
30 accidents even, | 0:02:59 | 0:03:00 | |
including a very profitable fork-lift-truck impalement. | 0:03:00 | 0:03:04 | |
I'll see myself out. | 0:03:06 | 0:03:07 | |
You've done wonders with this institution, Margaret. | 0:03:12 | 0:03:15 | |
And you know how well you're regarded amongst those of us in the Ministry of Justice. | 0:03:15 | 0:03:19 | |
Thank you. | 0:03:19 | 0:03:20 | |
-One is only trying to do one's job. -Yes. | 0:03:20 | 0:03:22 | |
Which is precisely why we'd like you to move to Sheppey. | 0:03:22 | 0:03:25 | |
SHE COUGHS | 0:03:25 | 0:03:26 | |
We think you could be the woman to lead Sheppey into the 21st century. | 0:03:26 | 0:03:30 | |
Well, at least the 20th. | 0:03:30 | 0:03:32 | |
But it's not without its charms, and I'm sure you'll enjoy | 0:03:32 | 0:03:35 | |
the camaraderie of not being stuck in your own office. | 0:03:35 | 0:03:37 | |
Camaraderie? | 0:03:39 | 0:03:40 | |
All the staff just...muck in. | 0:03:40 | 0:03:42 | |
Yes, it is rather isolated, | 0:03:43 | 0:03:45 | |
but the views of the oil rigs are second to none! | 0:03:45 | 0:03:47 | |
When the rain stops. (LAUGHS) | 0:03:47 | 0:03:50 | |
I can see how much this deployment has captured your imagination. | 0:03:51 | 0:03:54 | |
We're still interviewing candidates for your replacement. | 0:03:54 | 0:03:57 | |
Governor Gorey is our favourite. | 0:03:57 | 0:03:59 | |
I know he has very different methods to you. Big fan of an appeal. | 0:03:59 | 0:04:03 | |
Yes. I'll see myself out. | 0:04:03 | 0:04:05 | |
Yes... | 0:04:06 | 0:04:08 | |
Congratulations, ma'am. | 0:04:08 | 0:04:09 | |
Not only am I behind you, | 0:04:09 | 0:04:11 | |
but I'm beside you and with you every step of the way. | 0:04:11 | 0:04:14 | |
Viva la Sheppey. | 0:04:14 | 0:04:17 | |
Camaraderie. | 0:04:17 | 0:04:19 | |
What is happening? | 0:04:24 | 0:04:25 | |
Please! Somebody help! | 0:04:25 | 0:04:28 | |
That didn't work out as well as I'd planned. | 0:04:28 | 0:04:30 | |
Christine! What the hell do you think you're...? | 0:04:30 | 0:04:33 | |
I wanted to cover your eyes because... Surprise! | 0:04:33 | 0:04:38 | |
It's made from my total loo roll allowance over the last eight days! | 0:04:38 | 0:04:41 | |
Well then what did...? | 0:04:41 | 0:04:43 | |
Doesn't matter. Is that hair? | 0:04:43 | 0:04:45 | |
It certainly is! | 0:04:45 | 0:04:47 | |
Oh! | 0:04:47 | 0:04:49 | |
Aw. Girl on girl. My favourite of all the actions. | 0:04:49 | 0:04:54 | |
This one's missed you. Haven't you? | 0:04:55 | 0:04:57 | |
I've got so many plans and dreams and plans and dreams and... | 0:04:57 | 0:05:01 | |
Yeah, well, you'll have to shelve them, | 0:05:01 | 0:05:03 | |
because Stephens is being moved to D Wing. | 0:05:03 | 0:05:06 | |
My hair words! | 0:05:07 | 0:05:09 | |
What? I don't like the sound of D Wing. | 0:05:09 | 0:05:11 | |
-I like it here, in P wing. -Guv's orders. | 0:05:11 | 0:05:15 | |
Helen! | 0:05:15 | 0:05:16 | |
Don't make any new friends! | 0:05:17 | 0:05:20 | |
HELEN! | 0:05:20 | 0:05:21 | |
CHRISTINE'S SHOUT REVERBERATES | 0:05:21 | 0:05:25 | |
How did it go? Did Stephens squeal? | 0:05:25 | 0:05:28 | |
No, she didn't squeal, Mary, cos according to her, | 0:05:28 | 0:05:31 | |
she don't know where the money is, or about no syndicate scam. | 0:05:31 | 0:05:34 | |
In fact, apparently she didn't even kill my Eric. | 0:05:34 | 0:05:37 | |
Told you Helen was innocent. | 0:05:37 | 0:05:38 | |
No. | 0:05:38 | 0:05:39 | |
She ain't innocent, Henry. | 0:05:39 | 0:05:42 | |
Did you know, "pour example", Helen was banging my dear husband? | 0:05:42 | 0:05:47 | |
I think you must have the wrong Helen. | 0:05:49 | 0:05:51 | |
-ERIC'S VOICE: -I think I can, I know I can, I know I can. | 0:05:51 | 0:05:56 | |
I know I can! I... Urgh! | 0:05:56 | 0:05:58 | |
PHONE RINGS ON TAPE | 0:05:58 | 0:05:59 | |
Think you'd better get that, Helen. | 0:05:59 | 0:06:01 | |
HELEN'S VOICE: Yeah, could be the Purbeck Marble people. | 0:06:01 | 0:06:04 | |
TAPE THUDS | 0:06:04 | 0:06:05 | |
Where did you get that tape? | 0:06:05 | 0:06:08 | |
Got something you want to get off your flat chest. Mary? | 0:06:08 | 0:06:11 | |
I don't know what you're talking about. | 0:06:11 | 0:06:14 | |
Why'd you do it, Mary? Was you hoping for a promotion? | 0:06:17 | 0:06:21 | |
Or a little Christmas boner? | 0:06:21 | 0:06:23 | |
I... | 0:06:23 | 0:06:25 | |
I... | 0:06:25 | 0:06:26 | |
-You don't understand. -Oh. -It was different with us. | 0:06:28 | 0:06:33 | |
He bought me an ergonomic swivel chair. | 0:06:33 | 0:06:35 | |
I... I meant something to him! | 0:06:35 | 0:06:38 | |
Course you did, Mary. | 0:06:38 | 0:06:40 | |
That's why your tape's got Amanda from logistics on the B side. | 0:06:40 | 0:06:43 | |
(Right...) | 0:06:43 | 0:06:45 | |
I don't think I can trust you two cats. | 0:06:46 | 0:06:48 | |
MARY SOBS | 0:06:51 | 0:06:53 | |
-I can't believe it. -You can't believe it? What about me? | 0:06:53 | 0:06:57 | |
Not only was my husband tiled alive to death, | 0:06:57 | 0:07:00 | |
but then I find out he's spent the last year of his life | 0:07:00 | 0:07:03 | |
knobbing every bit of skirt in this office, | 0:07:03 | 0:07:05 | |
including your precious Helen Stephens! | 0:07:05 | 0:07:08 | |
I'm not saying that my share of the lottery winnings | 0:07:16 | 0:07:19 | |
is going to make up for that, | 0:07:19 | 0:07:20 | |
but as the saying goes, "Money is the Nurofen of the soul". | 0:07:20 | 0:07:26 | |
Don't worry. | 0:07:26 | 0:07:28 | |
We'll find that half million. | 0:07:28 | 0:07:30 | |
What? | 0:07:32 | 0:07:33 | |
It's more like a million, Henry. | 0:07:33 | 0:07:35 | |
Oh. Sorry, yes. Yes, of course. That's what I meant. | 0:07:36 | 0:07:40 | |
Yeah. | 0:07:40 | 0:07:42 | |
-Bijou, innit? -HE LAUGHS SNIDELY | 0:07:50 | 0:07:53 | |
Now get used to it cos you're going to here a very, very long time. | 0:07:53 | 0:07:59 | |
WATER RUNS | 0:08:08 | 0:08:10 | |
(SIGHS) This is shit! | 0:08:10 | 0:08:13 | |
Yoo-hoo! | 0:08:14 | 0:08:15 | |
Oh! Gee... | 0:08:15 | 0:08:18 | |
Just thought I'd pop in and say what ho and welcome to D Wing. | 0:08:18 | 0:08:22 | |
Oh. Thanks. I'd ask you in, but it's too bijou. | 0:08:22 | 0:08:29 | |
Well, what we lose in size we make up for in atmosphere! | 0:08:29 | 0:08:33 | |
I'm Jo by the way. | 0:08:33 | 0:08:34 | |
Oh. Sorry. Helen. | 0:08:34 | 0:08:36 | |
Oh, what a pretty name! What are you in for, Helen? | 0:08:36 | 0:08:40 | |
Well, murder... | 0:08:40 | 0:08:41 | |
Oh! The girls are going to love you! | 0:08:41 | 0:08:44 | |
No, no. I'm innocent. | 0:08:44 | 0:08:46 | |
-I'm in for forgery. -SHE GIGGLES | 0:08:46 | 0:08:49 | |
It's all really white collar stuff here in D Wing. | 0:08:49 | 0:08:52 | |
Fraud, tax evasion... | 0:08:52 | 0:08:54 | |
Wonderful to have a killer in our midst! | 0:08:54 | 0:08:56 | |
I'm not a killer. OK? Because I didn't do it. | 0:08:56 | 0:08:59 | |
If you don't mind I'm just going to sit down on this... | 0:08:59 | 0:09:02 | |
..bed shelf thing and just be by myself! | 0:09:02 | 0:09:07 | |
If you do feel up to it later on, | 0:09:07 | 0:09:09 | |
I'm holding a mouthwash tasting at four in my cell, three doors down. | 0:09:09 | 0:09:14 | |
Love to see you there! | 0:09:14 | 0:09:16 | |
I've got something to tell you. It's... | 0:09:22 | 0:09:25 | |
This is difficult to say, but I'm going to try and find the right words. | 0:09:25 | 0:09:29 | |
Helen was regularly having her brains boffed out | 0:09:30 | 0:09:33 | |
by Mr Bridges behind your back. | 0:09:33 | 0:09:34 | |
What? | 0:09:34 | 0:09:36 | |
The randy old goat. | 0:09:36 | 0:09:38 | |
Aren't you upset? | 0:09:38 | 0:09:40 | |
Yeah(!) Oh, God, yeah(!) | 0:09:40 | 0:09:43 | |
How could she, the cheating, flipping... | 0:09:43 | 0:09:48 | |
..ninny. | 0:09:48 | 0:09:49 | |
CLATTER | 0:09:51 | 0:09:53 | |
I need some time alone, I think. | 0:09:54 | 0:09:56 | |
-Of course. -You can stay though. | 0:09:56 | 0:09:57 | |
Justin? | 0:10:00 | 0:10:02 | |
You know this means... | 0:10:02 | 0:10:04 | |
she didn't love you and that we don't need to feel guilty about us. | 0:10:04 | 0:10:09 | |
That's a good point, actually. | 0:10:09 | 0:10:11 | |
But first, you need to go into that prison, | 0:10:12 | 0:10:14 | |
give her her alibi and finish it. | 0:10:14 | 0:10:16 | |
You might have strong legs and lovely sandy hair, | 0:10:16 | 0:10:20 | |
but you are still engaged to my sister, and that's a turn-off. | 0:10:20 | 0:10:24 | |
I need you to end it with Helen. | 0:10:24 | 0:10:26 | |
And then we can get jiggy with it for sure. | 0:10:27 | 0:10:30 | |
INMATES: Ooh! | 0:10:34 | 0:10:37 | |
And the only way they could identify Mr Bridges | 0:10:37 | 0:10:40 | |
was by the prints on his chopped-off finger which they said I'd left flapping around. | 0:10:40 | 0:10:43 | |
THEY GASP | 0:10:43 | 0:10:45 | |
But you know, I didn't, because I didn't kill him. | 0:10:45 | 0:10:47 | |
THEY GROAN | 0:10:47 | 0:10:48 | |
Anyway, look, it was really kind of you all to invite me in... | 0:10:48 | 0:10:51 | |
Oh, Jesus. | 0:10:51 | 0:10:53 | |
And, you know, if I was to choose, I'd be, like... | 0:10:53 | 0:10:57 | |
The 2011 Corsodyl has a nice, citrus kick, | 0:10:57 | 0:11:00 | |
but I'm just not really good company at the moment, so... | 0:11:00 | 0:11:03 | |
Did you say his name was Eric Bridges? | 0:11:03 | 0:11:05 | |
I know that name from somewhere. | 0:11:05 | 0:11:08 | |
Maybe I had hot sex with him! | 0:11:09 | 0:11:11 | |
What is this, Sex In The City reunion, eh? | 0:11:16 | 0:11:20 | |
OK, OK. Your secret's safe with me, girls. | 0:11:20 | 0:11:23 | |
Stephens, you've got to call your sister. | 0:11:23 | 0:11:26 | |
There's been a death in the family. | 0:11:26 | 0:11:28 | |
It's OK. It's only your stepfather. | 0:11:28 | 0:11:30 | |
Yeah, he fell off a roof this time. Wink, wink. | 0:11:30 | 0:11:32 | |
So sorry I haven't been in, but it's been so very difficult | 0:11:32 | 0:11:35 | |
with Piccalilli being pregnant and all. | 0:11:35 | 0:11:37 | |
What?! | 0:11:37 | 0:11:39 | |
-How the hell did that happen? -Oh, give him a break, OK? He's young and single, so why not? | 0:11:39 | 0:11:44 | |
Oh, for God's sake! | 0:11:44 | 0:11:45 | |
I wish today would just naff the naff off. | 0:11:45 | 0:11:47 | |
Well, you won't want today to naff off | 0:11:47 | 0:11:49 | |
when I tell you I've got some good news. | 0:11:49 | 0:11:52 | |
Followed by some bad news. | 0:11:52 | 0:11:53 | |
What? | 0:11:53 | 0:11:54 | |
Well, the good news is, wait for it... | 0:11:55 | 0:12:00 | |
I've. Found. Justin! | 0:12:00 | 0:12:03 | |
You've... You've found Justin? | 0:12:03 | 0:12:05 | |
M-M-My Justin? | 0:12:05 | 0:12:07 | |
What's the bad news? | 0:12:07 | 0:12:09 | |
Laura, what's the bad news? | 0:12:09 | 0:12:12 | |
'Hello? Hello, Laura?' | 0:12:12 | 0:12:14 | |
I'll let him tell you that. | 0:12:14 | 0:12:16 | |
Oh, yes! Yes! | 0:12:16 | 0:12:18 | |
Oh! Oh, bad news. Ohhh! | 0:12:18 | 0:12:20 | |
Oh, but yes! Yes! | 0:12:20 | 0:12:22 | |
Oh, I don't know how to react. | 0:12:22 | 0:12:23 | |
I think you've peed her off no end, Mary. | 0:12:30 | 0:12:33 | |
If she finds the money first, | 0:12:33 | 0:12:35 | |
you can bet your bottom pound we won't see a dime of it. | 0:12:35 | 0:12:38 | |
Right now, I don't care about the money. | 0:12:38 | 0:12:40 | |
I can't stop thinking about the last time Eric touched me. | 0:12:40 | 0:12:44 | |
The electricity between us...made my hair stand on end, | 0:12:44 | 0:12:49 | |
like someone had rubbed a love balloon on it. | 0:12:49 | 0:12:51 | |
He pulled me to him and I remember his arms were wet, | 0:12:51 | 0:12:57 | |
very wet, all the way up to his elbows, | 0:12:57 | 0:13:00 | |
but I just didn't care. I stayed there, | 0:13:00 | 0:13:04 | |
breathing in his Issey Miyake for Homme. | 0:13:04 | 0:13:08 | |
Why were his arms wet, Mary? | 0:13:08 | 0:13:10 | |
Oh! | 0:13:10 | 0:13:12 | |
God, I've missed you so much! | 0:13:36 | 0:13:40 | |
Slasher's taken your bunk. She completely hogs the remote control. | 0:13:40 | 0:13:44 | |
Helen, I've seen the same episode of Top Gear 54 times. | 0:13:44 | 0:13:48 | |
At least I think it's the same episode. | 0:13:48 | 0:13:50 | |
I mean, the storyline changes but the jokes are the same. | 0:13:50 | 0:13:52 | |
When are you coming back? | 0:13:52 | 0:13:54 | |
Well, I'm not sure there's much point Christine because, guess what? | 0:13:54 | 0:13:58 | |
Justin's back! I'm getting out of here! | 0:13:58 | 0:14:01 | |
CHRISTINE SHRIEKS | 0:14:01 | 0:14:03 | |
What does this mean? | 0:14:03 | 0:14:05 | |
It's means that this whole nightmare is about to end. | 0:14:05 | 0:14:09 | |
I'm going to get my appeal going again and then I'm going to call the White Swan Hotel | 0:14:09 | 0:14:13 | |
and rebook the Taylforth Suite. | 0:14:13 | 0:14:14 | |
Oh, my God. This is it, Christine. My life is back on. | 0:14:14 | 0:14:18 | |
Yay! | 0:14:20 | 0:14:22 | |
Oh, cold, cold, cold! | 0:14:38 | 0:14:40 | |
Hello, you. | 0:14:53 | 0:14:55 | |
I wanted to be the first to congratulate you on your governorship of Broadmarsh, | 0:14:55 | 0:14:59 | |
give you a little tour of the prison. | 0:14:59 | 0:15:01 | |
I really appreciate this but I haven't actually been given the post officially. | 0:15:01 | 0:15:04 | |
Well, a very important little birdie tells me it's academic. | 0:15:04 | 0:15:07 | |
-You've obviously been fingering the right pies. -Sorry? | 0:15:07 | 0:15:10 | |
This is one of our canteens. | 0:15:10 | 0:15:12 | |
Carbonara. | 0:15:13 | 0:15:14 | |
How exotic. | 0:15:14 | 0:15:16 | |
Frank, this is Governor Gorey, your new boss-to-be. | 0:15:16 | 0:15:19 | |
It's not a hundred per cent decided yet though, is it? | 0:15:19 | 0:15:22 | |
Indeed, it's not. | 0:15:22 | 0:15:24 | |
Ma'am, could I take a hour extra for lunch today? | 0:15:24 | 0:15:28 | |
Why? | 0:15:28 | 0:15:29 | |
Erm... Nit nurse? | 0:15:29 | 0:15:31 | |
Let me show you the staff chill-out area. | 0:15:31 | 0:15:34 | |
Who's he? | 0:15:42 | 0:15:44 | |
He is Walter "The Bouncer" Gorey. | 0:15:44 | 0:15:47 | |
Looks like he's taking over from the guv. | 0:15:47 | 0:15:49 | |
What a well-groomed man. | 0:15:49 | 0:15:50 | |
-Why do they call him "The Bouncer"? -Cos he runs his prisons like a nightclub. One in, one out. | 0:15:50 | 0:15:55 | |
If you got an appeal coming up, he'll see you right. | 0:15:55 | 0:15:58 | |
Oh, ha-ha, Christine! Christine? | 0:16:09 | 0:16:12 | |
What are you doing? Who is this? | 0:16:12 | 0:16:14 | |
-Where are you taking me? -'Hello? Hello?' | 0:16:14 | 0:16:16 | |
I hear your alibi's turned up. | 0:16:16 | 0:16:19 | |
-How do you know that? -I know everything. | 0:16:19 | 0:16:22 | |
I also know this prison's about to be taken over by The Bouncer, | 0:16:22 | 0:16:26 | |
that liberal ponce. | 0:16:26 | 0:16:27 | |
Well, it's good news for me cos I'm getting out of here. | 0:16:27 | 0:16:30 | |
Exactly. | 0:16:30 | 0:16:32 | |
And when you do, I don't want you telling anyone you saw me in here, | 0:16:32 | 0:16:37 | |
"vous comprendi"? | 0:16:37 | 0:16:39 | |
My nieces think I'm working for NASA. | 0:16:39 | 0:16:42 | |
Really? | 0:16:42 | 0:16:43 | |
Damn straight. I'm a hero to those kids. | 0:16:43 | 0:16:46 | |
Plus, I'm the only person in our school's history | 0:16:46 | 0:16:49 | |
to have got a job in America. | 0:16:49 | 0:16:51 | |
So...don't you go letting the cat out of the bag, | 0:16:51 | 0:16:55 | |
or I'll be putting your cat in a bag. | 0:16:55 | 0:16:58 | |
In the canal. | 0:16:58 | 0:17:00 | |
Really? | 0:17:00 | 0:17:01 | |
Well, I don't have a cat. | 0:17:02 | 0:17:05 | |
I've got a border terrier, so... | 0:17:05 | 0:17:08 | |
Well, I'll drown that an' all. It's a big bag. | 0:17:10 | 0:17:13 | |
You can't threaten me any more, Miss Grainger. | 0:17:13 | 0:17:15 | |
Do you know what? | 0:17:17 | 0:17:19 | |
I feel sorry for you because you may think you're king of this castle, | 0:17:19 | 0:17:23 | |
but your castle is built on... | 0:17:23 | 0:17:26 | |
You know, like, dirty plughole hair and... | 0:17:26 | 0:17:29 | |
And, and...spew. | 0:17:31 | 0:17:34 | |
Yeah. I'm going to go with spew. | 0:17:36 | 0:17:39 | |
FATTY! | 0:17:41 | 0:17:44 | |
You all right, boss? | 0:17:44 | 0:17:46 | |
Ow! | 0:17:46 | 0:17:48 | |
-I am now. -I'm fine. | 0:17:48 | 0:17:50 | |
I'm fine, thanks. I'm fine. | 0:17:50 | 0:17:53 | |
And this is where we keep all the confiscated narcotics. | 0:17:53 | 0:17:57 | |
and paraphernalia. | 0:17:57 | 0:17:58 | |
Weed, 'shrooms, meow meow, skunk, | 0:17:58 | 0:18:01 | |
speed, speedballs, glue, ketamine, MDMA, GBH, | 0:18:01 | 0:18:05 | |
roofies, skag, and all the acid, E, coke and crack | 0:18:05 | 0:18:09 | |
you can wag a dirty fingernail at. | 0:18:09 | 0:18:11 | |
That's a very well-organised stash. | 0:18:11 | 0:18:13 | |
Well, that's the, uh, beauty of stackable Tupperware. | 0:18:13 | 0:18:16 | |
So, that's, uh, Broadmarsh. | 0:18:16 | 0:18:19 | |
SHE CHUCKLES | 0:18:19 | 0:18:20 | |
I've absolutely loved it. | 0:18:22 | 0:18:24 | |
-And I hope you will too. -Thank you, Margaret. You'll be an incredibly hard act to follow. | 0:18:25 | 0:18:30 | |
I just want the chance to help some of these poor women. | 0:18:30 | 0:18:33 | |
Quite. | 0:18:33 | 0:18:34 | |
Well, here's to a smooth transition. | 0:18:34 | 0:18:37 | |
Cindy, get me the police. | 0:18:43 | 0:18:46 | |
I think we pumiced ten years off your feet. | 0:18:50 | 0:18:53 | |
Yeah, my heels feel like velour! | 0:18:53 | 0:18:55 | |
Oh, I just want my feet to look their best for him, you know? | 0:18:55 | 0:19:00 | |
Christine? | 0:19:00 | 0:19:02 | |
Oh, hello. | 0:19:02 | 0:19:04 | |
Who's this? | 0:19:05 | 0:19:06 | |
Oh, this is Jo. Jo's got the cell a few doors down from me. | 0:19:06 | 0:19:10 | |
-Jo, this is Christine. -Nice to meet you. | 0:19:10 | 0:19:13 | |
What a pretty fringe. | 0:19:13 | 0:19:14 | |
I tell you what. If you're not busy after lunch, | 0:19:16 | 0:19:19 | |
Maggie's fashioned a nib from a pigeon feather and we're doing calligraphy, | 0:19:19 | 0:19:23 | |
so if that sounds like your scene, drop by. | 0:19:23 | 0:19:26 | |
Helen, could I have a word? | 0:19:28 | 0:19:29 | |
Sure. | 0:19:29 | 0:19:31 | |
In private. | 0:19:31 | 0:19:32 | |
I think you might be rushing into this whole leaving prison thing. | 0:19:38 | 0:19:42 | |
I just want you to be sure you're making the right choice. | 0:19:42 | 0:19:46 | |
And, apart from everything, there is so much we haven't done yet. I've made a list. | 0:19:46 | 0:19:49 | |
Christine, you always knew I was going to go. | 0:19:49 | 0:19:52 | |
I suppose Jo put you up to this. | 0:19:54 | 0:19:56 | |
-Put me up to what? -Well, it's a bit of a weird coincidence that the minute you meet Jo, | 0:19:56 | 0:20:00 | |
you start getting ideas about leaving prison. | 0:20:00 | 0:20:03 | |
Did she ever think that you might be better off behind bars? | 0:20:03 | 0:20:06 | |
How could I possibly be better off spending 16 hours a day locked in my cell, | 0:20:06 | 0:20:10 | |
and the other eight hours avoiding being violated with a Timotei bottle? | 0:20:10 | 0:20:14 | |
You should be stoked I'm getting out. I would be for you. | 0:20:14 | 0:20:17 | |
Well, maybe you just don't know me as well as you thought. | 0:20:17 | 0:20:21 | |
Well, maybe you don't know me as well as you thought. | 0:20:21 | 0:20:24 | |
Oh, I know you. I know you long time. | 0:20:24 | 0:20:27 | |
Oh, you don't know me long time. You know me three months. | 0:20:27 | 0:20:30 | |
-Three months long time. -Three months not long time. Not long time at all. | 0:20:30 | 0:20:33 | |
Herro? Three months is too long time. | 0:20:33 | 0:20:35 | |
Too long time to serve time for crime I not do. | 0:20:35 | 0:20:38 | |
GONG | 0:20:38 | 0:20:40 | |
That's lunch. | 0:20:40 | 0:20:42 | |
You leave here and you won't be able to just walk back in. | 0:20:46 | 0:20:51 | |
Sorry to have kept you waiting, Mr Devon. | 0:21:03 | 0:21:06 | |
Thank you so much for coming to the interview. | 0:21:06 | 0:21:08 | |
Thank you for coming in Mr Devon. | 0:21:18 | 0:21:20 | |
-Thanks for your time. -Yes. | 0:21:20 | 0:21:22 | |
Pleased with that. | 0:21:22 | 0:21:24 | |
PHONE RINGS | 0:21:28 | 0:21:30 | |
'Tony, it's Helen.' | 0:21:30 | 0:21:31 | |
Oh, it's you. Tail between your legs is, it? | 0:21:31 | 0:21:34 | |
Luckily, I'm the kind of guy who needs the work more than the grudge. | 0:21:34 | 0:21:38 | |
-Yeah, yeah. Sounds good. Listen, Tony... -'I've cracked it.' | 0:21:38 | 0:21:41 | |
Think of this case as a walnut and me as the ornamental hammer. | 0:21:41 | 0:21:45 | |
It was your fiance what done it. | 0:21:45 | 0:21:48 | |
-What? -Think about it. | 0:21:48 | 0:21:50 | |
He's been missing since the murder, he found out about your affair. | 0:21:50 | 0:21:54 | |
-It was a crime of passion. Textbook. -Really? | 0:21:54 | 0:21:57 | |
Well, then how do you explain the fact that he's come back for me? | 0:21:57 | 0:22:00 | |
My alibi's back, Tony. Justin's returned. | 0:22:00 | 0:22:03 | |
Bloody what? | 0:22:03 | 0:22:04 | |
Bloody what, indeed! | 0:22:04 | 0:22:05 | |
So now you just have to get the paperwork sorted and I am a free woman. | 0:22:05 | 0:22:09 | |
There's a new governor starting and he's got the horn for appeals. | 0:22:09 | 0:22:12 | |
So you just have to fill in the forms right, | 0:22:12 | 0:22:14 | |
send them off on time, and I'm out. | 0:22:14 | 0:22:16 | |
And you'll have won a case. You'll have won the case, Tony! | 0:22:16 | 0:22:19 | |
I've won a case? | 0:22:19 | 0:22:20 | |
-Nah. Nah, there's something not right here, Helen. -'No!' | 0:22:21 | 0:22:25 | |
You're wrong. Everything is right here. | 0:22:25 | 0:22:27 | |
I've got to go, Tony. There's a woman behind me who's started sharpening her teeth with a nail file. | 0:22:27 | 0:22:32 | |
But... | 0:22:32 | 0:22:34 | |
What are you? 34B. | 0:22:36 | 0:22:39 | |
-34C, actually. -Oh. | 0:22:39 | 0:22:40 | |
I mean, between you and me, a lot of that's ribcage. | 0:22:40 | 0:22:43 | |
Hi, Helen. Oh, hi, Jo. | 0:22:43 | 0:22:46 | |
I was just wondering, Slasher bit the head off a sparrow | 0:22:46 | 0:22:49 | |
and we're doing potato prints with its blood, if you fancy it? | 0:22:49 | 0:22:53 | |
Both of you fancy it? | 0:22:53 | 0:22:56 | |
No, that sounds disgusting. Why would I want to do that? | 0:22:56 | 0:22:59 | |
Well, because we used to like to do things together, remember? | 0:22:59 | 0:23:04 | |
I'll leave you to it. | 0:23:04 | 0:23:06 | |
Trish is hosting an etiquette class at three. | 0:23:09 | 0:23:12 | |
We're learning how to get in and out of prison vans without flashing our pin pins. | 0:23:12 | 0:23:16 | |
Maybe see you girls there? | 0:23:16 | 0:23:19 | |
Look, Christine I wanted to say... | 0:23:24 | 0:23:25 | |
Look, I'm sorry for what I said before. We're best friends. | 0:23:25 | 0:23:29 | |
Nothing can change that. | 0:23:29 | 0:23:31 | |
And just because we're not in the same cell, or the same prison, | 0:23:31 | 0:23:34 | |
or...even if one of us is killed, and the other one survives, | 0:23:34 | 0:23:38 | |
it doesn't mean that we're not still friends forever and ever | 0:23:38 | 0:23:42 | |
and ever and ever and ever and ever and ever. | 0:23:42 | 0:23:45 | |
I want to give you something, just to say thanks for being | 0:23:45 | 0:23:48 | |
the best cellmate in prison any inmate could ever ask for. | 0:23:48 | 0:23:51 | |
Oh, Helen. | 0:23:58 | 0:23:59 | |
I love it. | 0:23:59 | 0:24:01 | |
This means more to me than anything I've ever imagined us doing together. | 0:24:02 | 0:24:06 | |
In return, I want you to have something. | 0:24:07 | 0:24:09 | |
And it's something that since the moment I got it, | 0:24:09 | 0:24:12 | |
-I never thought I'd part with. -Oh. | 0:24:12 | 0:24:15 | |
It was my most treasured possession. Oh! | 0:24:22 | 0:24:27 | |
Thanks, Christine. | 0:24:29 | 0:24:30 | |
I can't believe I might be actually getting out of this hellhole. | 0:24:30 | 0:24:34 | |
I'm going to Sheppey! I'm going with you to Sheppey! | 0:24:34 | 0:24:38 | |
I've left my wife. It's all systems go. | 0:24:38 | 0:24:39 | |
I mean, I'll miss the kids, and the house, | 0:24:39 | 0:24:42 | |
but, you know, sometimes it's nice to have nothing, start afresh. | 0:24:42 | 0:24:45 | |
Sorry for that interruption, Sir Roger. | 0:24:45 | 0:24:48 | |
As you were saying... | 0:24:48 | 0:24:50 | |
Yes. Gorey was caught with a drugs pipe | 0:24:50 | 0:24:53 | |
and several rocks in his coat pocket. | 0:24:53 | 0:24:56 | |
He swears he has no idea how they got there, but that's what all the crackheads say. | 0:24:56 | 0:25:00 | |
How very disappointing. | 0:25:00 | 0:25:03 | |
So if Margaret's going to Sheppey, who will be taking over here? | 0:25:03 | 0:25:07 | |
Well, as the standard of the other applicant was so depressingly low, | 0:25:07 | 0:25:11 | |
we have no option but to ask Margaret to stay on at Broadmarsh, | 0:25:11 | 0:25:14 | |
if that suits you. | 0:25:14 | 0:25:15 | |
Sheppey will just have to wait. | 0:25:16 | 0:25:19 | |
I'd be delighted...if it helps you out of a sticky hole. | 0:25:19 | 0:25:24 | |
I've left my wife. | 0:25:28 | 0:25:29 | |
Er... Er, I'm going to have to ask you to sign in, sir. | 0:25:41 | 0:25:44 | |
Of course. | 0:25:47 | 0:25:49 | |
Go ahead, Mr Fembwick. | 0:26:05 | 0:26:07 | |
GASPS | 0:26:43 | 0:26:45 | |
THUD | 0:26:45 | 0:26:46 | |
"Dear Maurice, if I have learnt one thing in prison, | 0:26:47 | 0:26:50 | |
"it's that fabric conditioner makes little or no difference in an industrial wash. | 0:26:50 | 0:26:54 | |
"And also that real, true prison friendship is something to be treasured. | 0:26:54 | 0:26:58 | |
"Saying that, I am finding it tricky to keep two women satisfied platonically. | 0:26:58 | 0:27:03 | |
"I can only imagine how Simon Cowell must feel. | 0:27:03 | 0:27:06 | |
"My big news is that my fiance and alibi Justin has returned, | 0:27:06 | 0:27:10 | |
"and I imagine that right now, he's charging over here on his white steed to set me free. | 0:27:10 | 0:27:16 | |
"It's only a matter of time before I'm the next Mrs Justin Augustin. | 0:27:16 | 0:27:20 | |
"I'd like to send you a wedding invite, Maurice. | 0:27:20 | 0:27:23 | |
"I would give you a plus one but I think I remember you saying you'd killed your wife. | 0:27:23 | 0:27:27 | |
"All the best. Your friend Helen." | 0:27:27 | 0:27:29 | |
Hello, ladies. | 0:27:29 | 0:27:31 | |
How's it going? | 0:27:31 | 0:27:32 | |
Oh, listen, Helen - you know that name Eric Bridges? | 0:27:32 | 0:27:36 | |
I've remembered where I know it from. | 0:27:36 | 0:27:39 | |
I made a fake passport for an Eric Bridges. | 0:27:39 | 0:27:42 | |
Really? When? | 0:27:42 | 0:27:44 | |
Actually, it was my last job before I got banged up, so 15th of May. | 0:27:44 | 0:27:48 | |
Oh. It must be another guy because Eric was definitely dead by then. | 0:27:48 | 0:27:52 | |
Well, the chap I made it for needed a passport pronto. | 0:27:52 | 0:27:56 | |
And the reason he stays in my memory | 0:27:56 | 0:27:59 | |
is he's the only man I've been with | 0:27:59 | 0:28:02 | |
who had to give himself a pep talk to climax. | 0:28:02 | 0:28:04 | |
"I think I can, I think I can..." | 0:28:04 | 0:28:08 | |
BOTH: "I know I can, I know I can." | 0:28:08 | 0:28:10 | |
He's alive. | 0:28:13 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:38 | 0:28:41 |