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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE | 0:00:02 | 0:00:05 | |
On the show tonight - can it really be him? | 0:00:07 | 0:00:10 | |
Oh, no, it's Justin Edwards. | 0:00:10 | 0:00:12 | |
One of the all time great Pippas, Pippa Evans. | 0:00:12 | 0:00:16 | |
A man who needs no introduction, luckily, it's Greg Davies. | 0:00:16 | 0:00:21 | |
He's every house husband's choice, Humphrey Ker. | 0:00:21 | 0:00:24 | |
She's the queen of comedy and the Duchess of Devonshire, Laura Solon. | 0:00:24 | 0:00:30 | |
And stand well back and wear protective clothing, | 0:00:30 | 0:00:32 | |
because here's Marek Larwood. | 0:00:32 | 0:00:35 | |
Finally, would you please welcome your host, | 0:00:35 | 0:00:38 | |
a man who sounds a lot like me - Hugh Dennis! | 0:00:38 | 0:00:41 | |
Hello and welcome to the show. | 0:00:48 | 0:00:51 | |
Tonight we'll be improvising scene sketches and TV spoofs | 0:00:51 | 0:00:54 | |
and picking our performers' brains on an array of topics, | 0:00:54 | 0:00:57 | |
so let's play Fast and Loose. | 0:00:57 | 0:00:59 | |
To kick things off, let's play a game called Job Interviews. | 0:01:02 | 0:01:06 | |
This is for all our performers, | 0:01:06 | 0:01:08 | |
so if you could get into the Performance Zone. | 0:01:08 | 0:01:10 | |
You have to imagine that you've been invited for a job interview. | 0:01:10 | 0:01:14 | |
We want to hear the most disastrous thing you could say | 0:01:14 | 0:01:17 | |
to your prospective employer. So, if you're ready, off we go. | 0:01:17 | 0:01:21 | |
I don't have one of your proper degrees, I don't have any | 0:01:24 | 0:01:28 | |
of your fancy qualifications, | 0:01:28 | 0:01:29 | |
because I studied at the University of Leicester! | 0:01:29 | 0:01:34 | |
APPLAUSE | 0:01:36 | 0:01:39 | |
Why don't YOU give ME a good example of when you've worked well in a high-pressure environment?! | 0:01:39 | 0:01:45 | |
Yes, I'm very much a people person. | 0:01:47 | 0:01:50 | |
In my last job, I drilled a peephole into the girl's toilets. | 0:01:50 | 0:01:54 | |
I believe very strongly in an open-door policy, which is one | 0:01:56 | 0:01:59 | |
of the main reasons I'm no longer an air hostess. | 0:01:59 | 0:02:03 | |
Describe myself in three words? | 0:02:04 | 0:02:07 | |
OK. Honest, hard-working | 0:02:07 | 0:02:11 | |
and racist. | 0:02:11 | 0:02:13 | |
I have got a really good work ethnic. | 0:02:16 | 0:02:20 | |
Ethic! Ethic! | 0:02:20 | 0:02:22 | |
Where do I see myself in five years? | 0:02:25 | 0:02:27 | |
Sitting in your chair, wearing your wife's knickers! | 0:02:27 | 0:02:31 | |
When have I best displayed my leadership skills? | 0:02:33 | 0:02:37 | |
Well, I was extremely sexually dominant when I was in prison. | 0:02:37 | 0:02:41 | |
As an employee, I'm very much like Dolly Parton. | 0:02:45 | 0:02:48 | |
I work nine to five and I've got massive tits. | 0:02:48 | 0:02:50 | |
Well, I like to run my departments like I run my marathons. | 0:02:53 | 0:02:57 | |
So, slowly and dressed as a rhino. | 0:02:57 | 0:03:01 | |
I've been told to watch my shitting language! | 0:03:01 | 0:03:04 | |
Oh, fuck! | 0:03:04 | 0:03:05 | |
I once done 95 words per minute, | 0:03:07 | 0:03:11 | |
but it involved puking up a bowl of Alphabetti Spaghetti. | 0:03:11 | 0:03:15 | |
I ain't had no job since I done my paper round, | 0:03:17 | 0:03:22 | |
but Mr Thompson give me a reference and this is it, | 0:03:22 | 0:03:27 | |
"Greg is a good lad, but he keeps nicking sweets." | 0:03:27 | 0:03:31 | |
Well done, one and all. | 0:03:32 | 0:03:34 | |
It's time to meet our panel properly. | 0:03:40 | 0:03:42 | |
What better way than the part of the show | 0:03:42 | 0:03:44 | |
that I'm going to call Fun Fact Time? | 0:03:44 | 0:03:46 | |
I ask our performers to reveal a fun fact | 0:03:46 | 0:03:48 | |
about one of their co-performers this evening. | 0:03:48 | 0:03:52 | |
So, Justin? | 0:03:52 | 0:03:53 | |
Well, I'm 6ft 5, | 0:03:53 | 0:03:57 | |
Humphrey is 6ft 6 | 0:03:57 | 0:04:00 | |
and Greg is a pervert. | 0:04:00 | 0:04:01 | |
I think we realised that from the first game. Greg? | 0:04:07 | 0:04:12 | |
Marek Larwood's eyes only pop out when he's sexually aroused. | 0:04:12 | 0:04:16 | |
Hmm... Marek? | 0:04:23 | 0:04:26 | |
Um, Greg's name is spelled exactly | 0:04:28 | 0:04:32 | |
the same forwards that it is backwards. | 0:04:32 | 0:04:35 | |
LAUGHTER AND APPLAUSE | 0:04:37 | 0:04:39 | |
Thank you very much. | 0:04:39 | 0:04:41 | |
Right, our next game is called Weak Links. | 0:04:45 | 0:04:48 | |
It involves Justin, Laura, Greg and Humphrey. | 0:04:48 | 0:04:51 | |
Get into your positions, please. | 0:04:51 | 0:04:52 | |
This is, of course, our version of the BBC's quiz show phenomenon. | 0:04:52 | 0:04:56 | |
I'm going to play the host, Anne Robinson, | 0:04:56 | 0:04:58 | |
although, I'm going to be slightly less cuddly and | 0:04:58 | 0:05:01 | |
the rest of you are going to be contestants, but to spice things up, | 0:05:01 | 0:05:05 | |
we're going to give each of you a character to play. | 0:05:05 | 0:05:08 | |
So, Justin, you are a cockney market trader. | 0:05:08 | 0:05:11 | |
Laura, you are an outraged jilted bride. | 0:05:11 | 0:05:16 | |
Greg, you are a school bully. | 0:05:16 | 0:05:18 | |
And Humphrey, you are a passionate right-on campaigner. | 0:05:27 | 0:05:31 | |
So, let's get on with the game. | 0:05:31 | 0:05:33 | |
Who was the first actor to play Dr Who, | 0:05:37 | 0:05:40 | |
William Wallace or William Hartnell? | 0:05:40 | 0:05:42 | |
Blimey, love a duck, can't understand a word you're saying, | 0:05:42 | 0:05:45 | |
why don't you speak the Queen's? Three for a pound? Gertcha. | 0:05:45 | 0:05:49 | |
The answer you're looking for is, hmm, apples! | 0:05:49 | 0:05:53 | |
-No, it isn't? -It is. -It isn't. | 0:05:55 | 0:05:58 | |
-What is it, then? -It's William Hartnell. | 0:05:58 | 0:06:00 | |
That's what I mean, apples and bells, William Hartnells. | 0:06:00 | 0:06:03 | |
You, if you can stop crying, the artist who illustrated | 0:06:09 | 0:06:12 | |
most of Roald Dahl's books is called Quentin who? | 0:06:12 | 0:06:15 | |
Arggh! | 0:06:15 | 0:06:17 | |
That is the second question I can't answer today! | 0:06:18 | 0:06:22 | |
The first one being, | 0:06:22 | 0:06:24 | |
"Do you take Graham to be your lawfully wedded husband?" | 0:06:24 | 0:06:29 | |
No! Cos he hasn't fucking turned up! | 0:06:29 | 0:06:33 | |
-You. -You. | 0:06:38 | 0:06:40 | |
-Who had a hit with the song... -Who had a hit with... | 0:06:43 | 0:06:45 | |
-Who had a hit with... -Who had a hit... | 0:06:50 | 0:06:52 | |
-It's your own time you're wasting. -It's you're own time you're wasting. | 0:06:57 | 0:07:01 | |
Who had a hit with the song Ice Ice Baby in 1990, | 0:07:01 | 0:07:04 | |
Vanilla ice or DJ Vienetta? | 0:07:04 | 0:07:06 | |
Boo-hoo! Boo-hoo-hoo! | 0:07:06 | 0:07:09 | |
My name's Hugh Dennis. | 0:07:09 | 0:07:11 | |
Oh, look at my jaw, it's almost a perfect square! | 0:07:11 | 0:07:15 | |
I'm going to ask you a question. | 0:07:22 | 0:07:24 | |
-OK. -Budapest is the capital of which European country? | 0:07:24 | 0:07:28 | |
Why... Why do there even have to be countries, Hugh? | 0:07:28 | 0:07:32 | |
If everybody got together and maybe eat some probiotic macro yoghurt | 0:07:32 | 0:07:36 | |
that wasn't sourced illegally from Navajo Indians' burial grounds, | 0:07:36 | 0:07:39 | |
we wouldn't even have to worry about things like courts! | 0:07:39 | 0:07:44 | |
-Is it Hungary? -That is correct. | 0:07:46 | 0:07:50 | |
Which English king was known as Longshanks | 0:07:56 | 0:07:58 | |
and the Hammer of the Scots? | 0:07:58 | 0:08:00 | |
The only king I care about is the pearly kings that walk up and down the beat. | 0:08:00 | 0:08:04 | |
Gentlemen, the lot of them. I used to sell fruit to Reggie Kray. | 0:08:04 | 0:08:07 | |
He's a lovely fella, he shot my wife. | 0:08:07 | 0:08:10 | |
She was asking for it, mind you. | 0:08:10 | 0:08:12 | |
I've forgotten the question again. Apples? | 0:08:12 | 0:08:16 | |
That was Edward I. Which chemical element has the symbol He? | 0:08:16 | 0:08:20 | |
Will YOU marry me? | 0:08:20 | 0:08:23 | |
I can't marry you because my jaw is a perfect square. | 0:08:23 | 0:08:27 | |
According to the carol, on which saint's feast day | 0:08:29 | 0:08:33 | |
did Good King Wenceslas look out? | 0:08:33 | 0:08:36 | |
Hello, everyone, I'm Hugh Dennis, | 0:08:36 | 0:08:39 | |
why don't we all play Tetris with my head? | 0:08:39 | 0:08:42 | |
LAUGHTER AND APPLAUSE | 0:08:44 | 0:08:47 | |
Are you still at school, even though that game was many years ago? | 0:08:52 | 0:08:55 | |
Yes, I think you may be. | 0:08:57 | 0:08:59 | |
Who wrote the book Robinson Crusoe, Daniel Defoe or Jermain Defoe? | 0:08:59 | 0:09:04 | |
What matters is the plight of all of the whales in the world | 0:09:04 | 0:09:07 | |
that are being murdered by big oil companies. | 0:09:07 | 0:09:10 | |
Well, I'm afraid at the end of that round, | 0:09:12 | 0:09:15 | |
I've randomly decided that Greg is the weak link. | 0:09:15 | 0:09:17 | |
Goodbye. | 0:09:19 | 0:09:21 | |
HE MOCK-SOBS | 0:09:24 | 0:09:26 | |
My name's Hugh Dennis, I've got a face like a paving slab. | 0:09:26 | 0:09:30 | |
APPLAUSE | 0:09:30 | 0:09:32 | |
And that's it from me, good night. | 0:09:32 | 0:09:35 | |
Right, this is the part of the show that I think we could call DVD. | 0:09:41 | 0:09:46 | |
I'm going to take the opportunity to ask the performers to imagine | 0:09:46 | 0:09:49 | |
a DVD they would hate to receive as a gift. So, anyone? | 0:09:49 | 0:09:53 | |
Well, Hugh, I love music, so the DVD I'd hate to receive would be | 0:09:53 | 0:09:57 | |
Jamie Oliver Lisps The Hits Of Fleetwood Mac. | 0:09:57 | 0:10:01 | |
-Anyone else? -I made a terrible mistake last Christmas and bought | 0:10:02 | 0:10:06 | |
my mum, by accident, a porn version of a classic. | 0:10:06 | 0:10:10 | |
She didn't like Forest Gimp, Hugh. | 0:10:10 | 0:10:12 | |
"Life is like a box of butt plugs - it hurts." | 0:10:13 | 0:10:19 | |
That's not going to get in. | 0:10:22 | 0:10:25 | |
It depends how sharp the butt plug is. | 0:10:25 | 0:10:27 | |
APPLAUSE | 0:10:30 | 0:10:33 | |
Right, let's play a game called Interpretive Dance | 0:10:33 | 0:10:37 | |
and taking part in this are Pippa and Laura, | 0:10:37 | 0:10:39 | |
but let's meet our special guest performer. | 0:10:39 | 0:10:42 | |
Would you please welcome, David Armand. | 0:10:42 | 0:10:44 | |
CHEERING AND APPLAUSE | 0:10:44 | 0:10:47 | |
Now, the way that game works is that we play in a popular song | 0:10:50 | 0:10:55 | |
and ask our specialist interpretive dancer, David, | 0:10:55 | 0:10:58 | |
to illustrate the lyrics through the medium of dance. | 0:10:58 | 0:11:02 | |
Pippa and Laura will be wearing headphones, | 0:11:02 | 0:11:05 | |
and therefore unable to hear the music. | 0:11:05 | 0:11:07 | |
They have to guess the song and the artist purely from the mimes. | 0:11:07 | 0:11:10 | |
So, if you can put your headphones on. Can you hear me? | 0:11:10 | 0:11:13 | |
They can't hear me, so that's fantastic. David, if you are ready? | 0:11:15 | 0:11:17 | |
-I think so. -Off we go. | 0:11:17 | 0:11:20 | |
MUSIC: Careless Whisper by George Michael | 0:11:20 | 0:11:22 | |
# I feel so unsure | 0:11:32 | 0:11:36 | |
# As I take your hand and lead you to the dance floor | 0:11:37 | 0:11:44 | |
# As the music dies | 0:11:44 | 0:11:48 | |
# Something in your eyes | 0:11:48 | 0:11:50 | |
# Calls to mind the silver screen | 0:11:50 | 0:11:54 | |
# And all its sad goodbyes | 0:11:54 | 0:11:57 | |
# I'm never going to dance again | 0:11:57 | 0:12:00 | |
# Guilty feet have got no rhythm | 0:12:00 | 0:12:04 | |
# Though it's easy to pretend | 0:12:04 | 0:12:06 | |
# I know you're not a fool | 0:12:06 | 0:12:09 | |
# Should have known better than to cheat a friend | 0:12:10 | 0:12:13 | |
# The wasted chance that I've been given | 0:12:13 | 0:12:16 | |
# So I'm never going to dance again | 0:12:16 | 0:12:19 | |
# The way I danced with you | 0:12:19 | 0:12:22 | |
# Oh, oh | 0:12:25 | 0:12:27 | |
# Time can never mend | 0:12:35 | 0:12:38 | |
# The careless whispers of a good friend | 0:12:41 | 0:12:48 | |
# To the heart and mind | 0:12:48 | 0:12:50 | |
# Ignorance is kind | 0:12:50 | 0:12:54 | |
# There's no comfort in the truth | 0:12:54 | 0:12:57 | |
# Pain is all you find | 0:12:57 | 0:13:00 | |
# I'm never going to dance again | 0:13:00 | 0:13:03 | |
# Guilty feet have got no rhythm | 0:13:03 | 0:13:07 | |
# Though it's easy to pretend | 0:13:07 | 0:13:09 | |
# I know you're not a fool | 0:13:09 | 0:13:12 | |
# Should have known better than to cheat a friend | 0:13:12 | 0:13:16 | |
# The wasted chance that I've been given | 0:13:16 | 0:13:18 | |
# So I'm never going to dance again | 0:13:18 | 0:13:21 | |
# The way I danced with you | 0:13:21 | 0:13:24 | |
# Oh... | 0:13:24 | 0:13:26 | |
SAXOPHONE SOLO | 0:13:26 | 0:13:28 | |
# Tonight the music seems so loud | 0:13:37 | 0:13:41 | |
# I wish that we could lose this crowd | 0:13:41 | 0:13:44 | |
# Maybe it's better this way | 0:13:44 | 0:13:47 | |
# We'd hurt each other with the things we want to say | 0:13:47 | 0:13:51 | |
# We could have been so good together | 0:13:51 | 0:13:53 | |
# We could have lived this dance forever | 0:13:53 | 0:13:57 | |
# But now who's going to dance with me? | 0:13:57 | 0:14:02 | |
# Please stay. # | 0:14:02 | 0:14:04 | |
So... | 0:14:10 | 0:14:11 | |
So, Pippa, Laura, any idea what that song was? | 0:14:11 | 0:14:18 | |
This made me think Terence Trent D'Arby. | 0:14:18 | 0:14:21 | |
I thought...nothing, but I am a little turned on. | 0:14:21 | 0:14:25 | |
Ah! | 0:14:25 | 0:14:27 | |
Oh, this... | 0:14:27 | 0:14:28 | |
Shush. | 0:14:28 | 0:14:29 | |
QUIETLY: Talking quietly is... | 0:14:29 | 0:14:32 | |
Whisper. | 0:14:32 | 0:14:33 | |
-BOTH: Careless whisper! -Oh! | 0:14:33 | 0:14:36 | |
Fantastic. | 0:14:37 | 0:14:38 | |
Thank you very much to David Almond. | 0:14:38 | 0:14:41 | |
APPLAUSE AND CHEERING | 0:14:41 | 0:14:43 | |
It's time to get to know our performers, with the part of the show I like to call Party Piece. | 0:14:48 | 0:14:54 | |
Team, you're a multi-talented lot, but what is your party piece? | 0:14:54 | 0:14:57 | |
Anyone? | 0:14:57 | 0:14:59 | |
My party thing is that my face looks exactly the same | 0:14:59 | 0:15:03 | |
upside down as it does this way up. | 0:15:03 | 0:15:07 | |
Can I do it? | 0:15:08 | 0:15:10 | |
Could you just hold my legs, Greg? | 0:15:11 | 0:15:15 | |
If you could be my body for me, Pippa. | 0:15:15 | 0:15:18 | |
LAUGHTER AND APPLAUSE | 0:15:23 | 0:15:26 | |
It's a good party. It's a very good party. | 0:15:29 | 0:15:33 | |
That's quite remarkable. | 0:15:35 | 0:15:38 | |
Thank you very much! | 0:15:39 | 0:15:41 | |
APPLAUSE AND CHEERING | 0:15:41 | 0:15:42 | |
Right, next up is the mealtime maelstrom that we call Come Dining. | 0:15:42 | 0:15:48 | |
This is for Justin, Humphrey, Pippa, Greg and Marek. So, if you'd come on down to our dining area, please. | 0:15:48 | 0:15:53 | |
Justin and Pippa, you're going to begin acting out a mealtime scene in a film genre, | 0:15:53 | 0:15:58 | |
but when each of your guests arrive, you have to switch to performing in the genre that they bring with them. | 0:15:58 | 0:16:04 | |
As each of them leaves, the other performers have to revert back to the previous genre. | 0:16:04 | 0:16:08 | |
Justin and Pippa, if you could start us off as a US medical drama. | 0:16:08 | 0:16:12 | |
Humphrey. You're going to come in as a 1940s musical. | 0:16:12 | 0:16:18 | |
Greg, you are a BBC costume drama and Marek, you are Terminator. | 0:16:18 | 0:16:25 | |
LAUGHTER | 0:16:25 | 0:16:27 | |
So... | 0:16:27 | 0:16:28 | |
if you're ready, let's go. | 0:16:28 | 0:16:31 | |
Let's open him up, oh, American. | 0:16:31 | 0:16:32 | |
-(IN AMERICAN ACCENTS): Let's open him up. -Let's open him up, doctor. | 0:16:32 | 0:16:36 | |
Hmm give me two pints of gravy. | 0:16:36 | 0:16:38 | |
OK, I'd like some kidneys and various offals on a plate. | 0:16:38 | 0:16:43 | |
What are you guys doing, eating breakfast? | 0:16:43 | 0:16:46 | |
Don't you know you got to sing about it! | 0:16:46 | 0:16:48 | |
# When you see sausage on the table You know that something's fine | 0:16:50 | 0:16:56 | |
# That's eggs and other things And other such lovely stuff | 0:16:56 | 0:16:59 | |
# Get it in one big, big bowl... # | 0:16:59 | 0:17:01 | |
Oh, why, Mr Darcy, I... | 0:17:01 | 0:17:05 | |
had I known of your presence, I would not be in, I'm sure, quite such a quiver. | 0:17:05 | 0:17:11 | |
This is such an intolerable imposition on my part. | 0:17:13 | 0:17:17 | |
Please, sit down and I'll look out the window. | 0:17:17 | 0:17:19 | |
I'm afraid I may not. | 0:17:19 | 0:17:21 | |
I may not sit with you, sir, as I have not received written permission from the Mayor. | 0:17:21 | 0:17:26 | |
LAUGHTER | 0:17:26 | 0:17:27 | |
-Please, please, do sit down. You're making me nervous. -Your Lordship. | 0:17:28 | 0:17:32 | |
(ROBOTIC): Is your name Sarah Connor? | 0:17:36 | 0:17:39 | |
No! | 0:17:42 | 0:17:43 | |
Is your name Sarah Connor? | 0:17:47 | 0:17:50 | |
No. No. No, it's not. | 0:17:50 | 0:17:51 | |
Is your name Sarah Connor? | 0:17:56 | 0:17:58 | |
Yeah, no. | 0:17:58 | 0:18:01 | |
Is your name Sarah Connor? | 0:18:04 | 0:18:06 | |
I hate to disappoint you, but no, I... | 0:18:09 | 0:18:11 | |
LAUGHTER AND APPLAUSE | 0:18:11 | 0:18:15 | |
-What a terrifying visitor. -Mr Darcy. | 0:18:18 | 0:18:21 | |
-Yes? -I've spoken with my father, he says he's happy for you to give me an apple. | 0:18:21 | 0:18:26 | |
# Orange juice! Orange juice! Orange juice | 0:18:32 | 0:18:35 | |
# We genuinely don't have any orange juice! # | 0:18:35 | 0:18:39 | |
APPLAUSE | 0:18:39 | 0:18:44 | |
-Quickly, quickly eat first or we're losing him. -Oh, no. Beep! | 0:18:44 | 0:18:50 | |
Oh, no, that's the microwave. | 0:18:50 | 0:18:53 | |
Thank you very much! | 0:18:53 | 0:18:54 | |
APPLAUSE AND CHEERING | 0:18:54 | 0:18:57 | |
OK, everyone. It's Party Time. | 0:19:02 | 0:19:05 | |
I'm going to spin some phat tunes and let our performers get their grind on. | 0:19:05 | 0:19:10 | |
When the music stops, they're have to come up with the least successful chat-up line they can think of. | 0:19:10 | 0:19:15 | |
So, if you're ready, let's cue the music. | 0:19:15 | 0:19:18 | |
MUSIC PLAYS | 0:19:18 | 0:19:21 | |
MUSIC STOPS | 0:19:23 | 0:19:24 | |
Hey baby, I'm strong and sensitive and you're not even listening to me! | 0:19:24 | 0:19:31 | |
MUSIC PLAYS | 0:19:31 | 0:19:33 | |
MUSIC STOPS | 0:19:33 | 0:19:35 | |
Oh, my God, I used to have that exact same T-shirt when I was a man. | 0:19:35 | 0:19:42 | |
MUSIC PLAYS | 0:19:42 | 0:19:44 | |
MUSIC STOPS | 0:19:45 | 0:19:46 | |
I have just swallowed an abacus. | 0:19:46 | 0:19:49 | |
Because it's what's on the inside that counts. | 0:19:52 | 0:19:56 | |
GROANS AND LAUGHS | 0:19:56 | 0:19:58 | |
MUSIC PLAYS | 0:19:58 | 0:20:01 | |
MUSIC STOPS | 0:20:03 | 0:20:04 | |
Yeah, I really like bald girls. | 0:20:04 | 0:20:08 | |
MUSIC PLAYS | 0:20:10 | 0:20:12 | |
MUSIC STOPS | 0:20:13 | 0:20:14 | |
Have you ever cried yourself to sleep? Cos I can make it happen! | 0:20:14 | 0:20:21 | |
MUSIC PLAYS | 0:20:21 | 0:20:23 | |
MUSIC STOPS | 0:20:25 | 0:20:26 | |
Hey, haven't I seen you before somewhere? | 0:20:26 | 0:20:30 | |
Oh, no, that was a different ugly woman. | 0:20:30 | 0:20:32 | |
Thank you very much. | 0:20:34 | 0:20:35 | |
APPLAUSE | 0:20:35 | 0:20:39 | |
Time for an educational game that we call Right Way, Wrong Way. | 0:20:40 | 0:20:44 | |
Pippa, Greg, Laura and Justin, make your way over here, please. | 0:20:44 | 0:20:47 | |
The performers will be showing us the best and worst ways to propose to someone. | 0:20:47 | 0:20:53 | |
Greg, you're going to show us the right way to propose to Pippa. | 0:20:53 | 0:20:56 | |
Justin, you're going to demonstrate the sure fire wrong way to propose to Laura. | 0:20:56 | 0:21:02 | |
The first bit, of course is arriving at the chosen location. | 0:21:02 | 0:21:06 | |
Pippa and Greg, show us the right way to do that. | 0:21:06 | 0:21:09 | |
Oh, a Michelin-starred restaurant. | 0:21:09 | 0:21:12 | |
Thank you, darling, this is lovely. | 0:21:12 | 0:21:13 | |
That's not all. | 0:21:13 | 0:21:16 | |
If you look up there, I've... | 0:21:16 | 0:21:19 | |
..I've actually hired a jumbo jet and if you watch carefully, | 0:21:19 | 0:21:24 | |
it's spelling, "I love you". | 0:21:24 | 0:21:27 | |
Admittedly, it's taking longer than I had hoped. | 0:21:27 | 0:21:31 | |
But I... I... | 0:21:31 | 0:21:33 | |
It's worth waiting for. | 0:21:33 | 0:21:36 | |
So, that's the right way! | 0:21:38 | 0:21:41 | |
And now, Justin and Laura, could you please show us the wrong way to do that? | 0:21:43 | 0:21:48 | |
I'll have too cheeseburgers, | 0:21:48 | 0:21:52 | |
two onion rings and... | 0:21:52 | 0:21:53 | |
Do you want anything? | 0:21:53 | 0:21:55 | |
So that's the wrong way! | 0:21:59 | 0:22:02 | |
Quite clearly the wrong way. | 0:22:02 | 0:22:04 | |
APPLAUSE | 0:22:04 | 0:22:07 | |
Now, next we come, of course, to making the actual proposal. | 0:22:07 | 0:22:10 | |
Note here how Greg combines just the right amount of romance with heartfelt sincerity. | 0:22:10 | 0:22:17 | |
So, if you could propose, please. | 0:22:17 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:21 | |
I, erm... | 0:22:21 | 0:22:23 | |
I'm so sorry, how awkward. | 0:22:23 | 0:22:25 | |
It's been... | 0:22:34 | 0:22:35 | |
How long has it been, four years? You know I love you, don't you? | 0:22:35 | 0:22:39 | |
-I know. -You can see it, You can see, "I love". | 0:22:39 | 0:22:41 | |
-Look... -No?! | 0:22:44 | 0:22:46 | |
Really? | 0:22:46 | 0:22:48 | |
Marry me. | 0:22:49 | 0:22:52 | |
Yes! | 0:22:52 | 0:22:53 | |
So, that's the right way. In fact, I think that may be real. | 0:22:53 | 0:22:58 | |
It certainly is in my mind! | 0:22:58 | 0:23:01 | |
LAUGHTER | 0:23:01 | 0:23:02 | |
This is now the wrong way, as shown us by Justin and Laura. | 0:23:02 | 0:23:07 | |
Sorry, I was very drunk when we slept together. I can't remember your name. | 0:23:19 | 0:23:25 | |
So that's the wrong way. | 0:23:26 | 0:23:28 | |
APPLAUSE | 0:23:28 | 0:23:30 | |
The final stage of all this is dealing with the answer that you get. | 0:23:35 | 0:23:39 | |
So, see how Greg continues to keep it together, despite being just a jumble of emotions. | 0:23:39 | 0:23:44 | |
Oh... | 0:23:46 | 0:23:48 | |
-Oh, don't cry. -Oh, God. | 0:23:48 | 0:23:52 | |
There, "you"! | 0:23:52 | 0:23:54 | |
Perfect timing. | 0:23:54 | 0:23:57 | |
So, that's the right way. | 0:23:57 | 0:23:59 | |
APPLAUSE AND CHEERING | 0:23:59 | 0:24:01 | |
And now, Justin and Laura are going to show us how not to set the scene on an already disastrous evening. | 0:24:01 | 0:24:07 | |
What do you mean, "No", how many offers are you going to get? | 0:24:07 | 0:24:11 | |
It's going to be awkward, I've slept with both of your parents! | 0:24:13 | 0:24:17 | |
So have I! | 0:24:19 | 0:24:20 | |
It's all right. It's fine. | 0:24:22 | 0:24:24 | |
It's OK. | 0:24:26 | 0:24:27 | |
It really is OK, because the BBC is producing a fact sheet. Thank you very much. | 0:24:27 | 0:24:32 | |
APPLAUSE AND CHEERING | 0:24:32 | 0:24:35 | |
Now we move onto a game called Sideways Scene. This is for Pippa, Justin and Marek | 0:24:37 | 0:24:42 | |
and it takes place in the special area behind the set. | 0:24:42 | 0:24:45 | |
So, if you could head off there, please. | 0:24:45 | 0:24:48 | |
Get ready. Now you three are going to perform a scene in different genres, suggested by me, | 0:24:48 | 0:24:53 | |
but the difference is you're going to be doing it lying down on a magic mat | 0:24:53 | 0:24:58 | |
and we're going relay the pictures to the audience on the big screen. | 0:24:58 | 0:25:02 | |
Now, the scenario, there you go, if you're ready, | 0:25:02 | 0:25:07 | |
is that Justin and Pippa, you are two newlyweds unpacking things in your house | 0:25:07 | 0:25:13 | |
and then your plumber, Marek, arrives to warn you of a burst pipe next door. | 0:25:13 | 0:25:20 | |
So, if you're ready, off you go. | 0:25:20 | 0:25:23 | |
-Oh. -Oh. -Well. I'm exhausted, darling. | 0:25:23 | 0:25:28 | |
Yes, we've unpacked the chair, I do wish we'd brought more furniture. | 0:25:28 | 0:25:32 | |
-What more do we need than our love? -You're right. | 0:25:32 | 0:25:34 | |
Oh, is that someone at the door? | 0:25:38 | 0:25:39 | |
I'll go and have a look. | 0:25:39 | 0:25:41 | |
APPLAUSE AND LAUGHTER | 0:25:41 | 0:25:42 | |
There's water! | 0:25:54 | 0:25:56 | |
Bloody lots of it! | 0:25:56 | 0:25:57 | |
Quickly, get in. | 0:25:57 | 0:25:59 | |
OK, freeze, please. I want you to change the genre to a surfing movie. | 0:26:06 | 0:26:13 | |
Oh, man! | 0:26:15 | 0:26:17 | |
LAUGHTER AND APPLAUSE | 0:26:19 | 0:26:22 | |
It's a shark! | 0:26:25 | 0:26:26 | |
OK, freeze, please. Now I want you to go to a break dance movie. | 0:26:34 | 0:26:39 | |
-Wow! -That's right! | 0:26:39 | 0:26:43 | |
I'm doing my break floating. | 0:26:43 | 0:26:46 | |
I'm doing some body popping. | 0:26:46 | 0:26:50 | |
Wow! Yeah! | 0:26:50 | 0:26:51 | |
APPLAUSE | 0:26:51 | 0:26:54 | |
OK, freeze again. | 0:26:56 | 0:26:58 | |
Now I want you to change to Jurassic Park. | 0:26:58 | 0:27:04 | |
Roar! | 0:27:07 | 0:27:09 | |
-Don't eat me! -Argh! Argh! | 0:27:09 | 0:27:14 | |
OK, freeze, please. Now, Titanic. | 0:27:15 | 0:27:20 | |
Argh! | 0:27:22 | 0:27:24 | |
LAUGHTER AND APPLAUSE | 0:27:24 | 0:27:28 | |
-Argh! -No. | 0:27:37 | 0:27:39 | |
Quick! Hold on to the iceberg. | 0:27:42 | 0:27:44 | |
OK, freeze, please. | 0:27:47 | 0:27:49 | |
Now, an illusionist show. | 0:27:49 | 0:27:52 | |
Are you sure this will work? | 0:27:55 | 0:27:58 | |
Yes, I lie the woman flat with one end suspended on the chair. | 0:27:58 | 0:28:02 | |
My beautiful assistant will remove the chair and she will float in mid-air. Shazam! | 0:28:02 | 0:28:10 | |
APPLAUSE AND CHEERING | 0:28:10 | 0:28:15 | |
Thank you, come on round. | 0:28:18 | 0:28:20 | |
CHEERING | 0:28:28 | 0:28:31 | |
That's all we have time for tonight. So, thanks to Justin Edwards. | 0:28:35 | 0:28:40 | |
Laura Solon. | 0:28:40 | 0:28:42 | |
Humphrey Ker. Pippa Evans. | 0:28:42 | 0:28:44 | |
Marek Larwood and Greg Davis. | 0:28:44 | 0:28:47 | |
Good night from me, Hugh Dennis. See you next time we play Fast and Loose! | 0:28:47 | 0:28:51 | |
APPLAUSE AND CHEERING | 0:28:51 | 0:28:53 | |
Subtitles by Red Bee Media Ltd | 0:28:59 | 0:29:03 | |
E-mail [email protected] | 0:29:03 | 0:29:05 |