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Ladies and gentlemen, for the next 21 seconds at least, you're watching Fast And Loose. | 0:00:02 | 0:00:07 | |
On the show tonight, Hampshire's number one name for carpets and bedding - Justin Edwards. | 0:00:07 | 0:00:13 | |
She's noticeably taller than Ann Widdecombe - Laura Solon. | 0:00:14 | 0:00:18 | |
He can become gaseous and volatile at room temperature - Greg Davies. | 0:00:18 | 0:00:24 | |
He's hunted by the Inuit for his fur - Humphrey Ker. | 0:00:24 | 0:00:28 | |
He's the best of Davids, he's the worst of Davids - David Armand. | 0:00:28 | 0:00:33 | |
And do not return to him even if he's gone out - he's Marek Larwood. | 0:00:33 | 0:00:39 | |
And finally, would you please welcome your host, a man who sounds a lot like me - Hugh Dennis! | 0:00:40 | 0:00:45 | |
This programme contains some strong language. | 0:00:47 | 0:00:50 | |
Hello and welcome to the show. | 0:00:50 | 0:00:53 | |
We'll improvise scenes, sketches and TV spoofs and pick our performers' brains on an array of topics, | 0:00:53 | 0:01:00 | |
so let's play Fast And Loose. | 0:01:00 | 0:01:03 | |
To kick things off, let's play a game called Job Interviews. | 0:01:06 | 0:01:10 | |
This is a game for everyone, so head over to our performance zone. | 0:01:10 | 0:01:14 | |
You have to imagine that you've been invited for a job interview. | 0:01:14 | 0:01:18 | |
We want to hear the most disastrous thing that you could say to your prospective employer, so off we go. | 0:01:18 | 0:01:24 | |
Well, I think I'll make a great postman | 0:01:27 | 0:01:30 | |
because number one, my name's Pat, | 0:01:30 | 0:01:33 | |
number two, I only like to work a couple of hours a day, | 0:01:33 | 0:01:36 | |
and number three, I'm a thief. | 0:01:36 | 0:01:39 | |
BUZZER | 0:01:39 | 0:01:40 | |
Yes, I've got my CV right here because I've carved it into my chest with a pen knife. | 0:01:40 | 0:01:46 | |
BUZZER | 0:01:46 | 0:01:48 | |
I would describe my managerial style as Mugabe - hard, but fair. | 0:01:48 | 0:01:52 | |
BUZZER | 0:01:52 | 0:01:54 | |
I don't think I have any weaknesses, really. | 0:01:58 | 0:02:01 | |
I do have a habit of falling asleep in the middle of... | 0:02:01 | 0:02:05 | |
BUZZER | 0:02:07 | 0:02:09 | |
Oh, my God, Mr Jenkins! Do you remember me? | 0:02:09 | 0:02:12 | |
New Year's Eve. I was the girl who got off with your mum. | 0:02:12 | 0:02:16 | |
BUZZER | 0:02:16 | 0:02:17 | |
I am capable of taking a lot of things on board, | 0:02:18 | 0:02:22 | |
as I live on a boat. | 0:02:22 | 0:02:24 | |
BUZZER | 0:02:25 | 0:02:27 | |
Well, last night, I had a bath and I wee'd in it, so yes, I can multi-task. | 0:02:27 | 0:02:33 | |
BUZZER | 0:02:33 | 0:02:35 | |
I can touch-type 60 words a minute. | 0:02:35 | 0:02:38 | |
But that is the only phrase I can type. | 0:02:38 | 0:02:41 | |
BUZZER | 0:02:41 | 0:02:42 | |
I used to have a job as a gym instructor previously. | 0:02:42 | 0:02:45 | |
I lost that when I instructed Jim to kill himself. | 0:02:45 | 0:02:49 | |
BUZZER | 0:02:49 | 0:02:51 | |
MONOTONOUS VOICE: At my last job, I was known as the office clown. | 0:02:51 | 0:02:56 | |
Not because I'm funny. | 0:02:56 | 0:02:58 | |
Because I've got big feet and my car exploded. | 0:02:58 | 0:03:02 | |
BUZZER | 0:03:02 | 0:03:03 | |
I spent five years in Japan where I headed up the marketing | 0:03:03 | 0:03:07 | |
for the highly popular Hello Kitty merchandise | 0:03:07 | 0:03:10 | |
and their rather less successful Fuck Off, Kitty, I'm Busy range. | 0:03:10 | 0:03:15 | |
BUZZER | 0:03:15 | 0:03:17 | |
I'm...I'm definitely the best candidate for the job today | 0:03:17 | 0:03:21 | |
because I've just killed everyone else in reception. | 0:03:21 | 0:03:25 | |
BUZZER | 0:03:25 | 0:03:27 | |
Well, if I do have a fault, it's that I like to take work home | 0:03:27 | 0:03:30 | |
and that's why I lost my job at the creche. | 0:03:30 | 0:03:33 | |
Thank you very much. | 0:03:33 | 0:03:35 | |
APPLAUSE | 0:03:35 | 0:03:39 | |
Now it's that part of the show that we call Disappointing Holiday | 0:03:41 | 0:03:45 | |
where I ask the performers to tell me what was their most disappointing holiday. Justin? | 0:03:45 | 0:03:51 | |
I spent two weeks on Isla St Clair. | 0:03:51 | 0:03:54 | |
Greg? | 0:03:56 | 0:03:57 | |
My worst holiday ever was a pirate-themed holiday I had in Somalia, Hugh. | 0:03:57 | 0:04:02 | |
We were only booked to go for a fortnight. I was there for three years. | 0:04:03 | 0:04:08 | |
Thank you very much. | 0:04:10 | 0:04:14 | |
Next up, the menu of merriment that we call Come Dining. | 0:04:14 | 0:04:17 | |
This is for Justin, Humphrey, David, Greg and Marek, | 0:04:17 | 0:04:21 | |
so come over to our sumptuously appointed dining area, please. | 0:04:21 | 0:04:26 | |
Justin and Humphrey, you'll start us off by acting out a mealtime scene in a film genre specified by me, | 0:04:26 | 0:04:32 | |
but when each of your guests arrive, you must switch to performing in the genre that they bring with them, | 0:04:32 | 0:04:38 | |
then as each of them leaves, the other performers must revert to the genre they were in before. | 0:04:38 | 0:04:44 | |
Justin and Humphrey, start us off, please, as a kids' TV programme. | 0:04:44 | 0:04:48 | |
David, you're going to come in as Thunderbirds. | 0:04:49 | 0:04:53 | |
Greg, you're going to be a Roman epic. | 0:04:53 | 0:04:56 | |
And Marek... | 0:04:56 | 0:04:58 | |
you are Lassie. | 0:04:58 | 0:05:00 | |
LAUGHTER | 0:05:00 | 0:05:03 | |
I think that's fair enough, so if you're ready, off we go. | 0:05:05 | 0:05:10 | |
Well, hello. | 0:05:10 | 0:05:12 | |
LAUGHTER | 0:05:12 | 0:05:14 | |
-Welcome to Cookery Corner... -Whoo! -..where Justin and I are going to be whipping up something delicious. | 0:05:14 | 0:05:20 | |
Grannies and grandads, leave the room because you smell. | 0:05:20 | 0:05:24 | |
-Let's eat. -Virgil, Brains! Don't get up! | 0:05:24 | 0:05:28 | |
I'll just sit here. Wait a second. | 0:05:28 | 0:05:30 | |
No, hang on. | 0:05:30 | 0:05:33 | |
No, no. | 0:05:33 | 0:05:34 | |
If you could move the chair a little closer to me perhaps... | 0:05:34 | 0:05:38 | |
No. I got it. I'm going to get it. I'm going to get it. I'm going... | 0:05:38 | 0:05:43 | |
-There we go! -APPLAUSE | 0:05:44 | 0:05:47 | |
Citizens! | 0:05:50 | 0:05:52 | |
This shall be the greatest battle the Colosseum has ever seen! | 0:05:53 | 0:05:58 | |
Gladiator, ready! | 0:05:58 | 0:06:01 | |
Massive tiger, ready! | 0:06:04 | 0:06:07 | |
Raargh! | 0:06:07 | 0:06:09 | |
-Hey, boy! -What is it, boy? | 0:06:09 | 0:06:11 | |
-What are you trying to tell us? -A break-in at the building society? | 0:06:14 | 0:06:18 | |
Grandad did what? | 0:06:18 | 0:06:21 | |
-MAREK BARKS -There's a child in a well? | 0:06:22 | 0:06:25 | |
-We're not following you, Lassie. -What? Do you...? | 0:06:25 | 0:06:29 | |
Someone's killed a pig. | 0:06:29 | 0:06:31 | |
-Caesar, I'm really not happy about this. -What? -The tiger. It just seems so unfair. | 0:06:38 | 0:06:43 | |
If you win, you will go on to fight...Lassie's pig. | 0:06:43 | 0:06:48 | |
I don't think it's entirely fair. | 0:06:48 | 0:06:51 | |
It's been a lot of fun seeing you guys, so I'm going to go back and continue the fight | 0:06:51 | 0:06:57 | |
against the Mysterons. | 0:06:57 | 0:07:00 | |
-Oh, no, that was Captain Scarlet. -LAUGHTER | 0:07:00 | 0:07:03 | |
They're all the same! | 0:07:03 | 0:07:05 | |
Well, that was delicious, wasn't it? | 0:07:09 | 0:07:12 | |
What an exciting array of guests! What's coming up next? | 0:07:12 | 0:07:16 | |
Join us on the show next week when we'll be getting a new dog. | 0:07:16 | 0:07:20 | |
-Ooh! -And making it fight the old one. | 0:07:20 | 0:07:23 | |
-Thank you very much. -APPLAUSE | 0:07:25 | 0:07:28 | |
Now we come to that part of the show I like to call Embarrassing Moments. | 0:07:32 | 0:07:37 | |
I ask the performers to share with us the most embarrassing moment in their lives. I'll start with Justin. | 0:07:37 | 0:07:44 | |
I caught my scrotum in another man's flies. | 0:07:44 | 0:07:48 | |
I'm with you. | 0:07:51 | 0:07:54 | |
Marek? | 0:07:54 | 0:07:56 | |
Well, at school once, when we were counting out loud, | 0:07:56 | 0:08:01 | |
I forgot the number ten | 0:08:01 | 0:08:04 | |
and so that instant has been forever known | 0:08:04 | 0:08:07 | |
as nine-eleven. | 0:08:07 | 0:08:09 | |
APPLAUSE | 0:08:13 | 0:08:16 | |
Greg? | 0:08:16 | 0:08:18 | |
My most embarrassing moment, and this is absolutely true, | 0:08:18 | 0:08:22 | |
is having to confess to my father as a young man about something I was embarrassed about, | 0:08:22 | 0:08:27 | |
then him, for the rest of my childhood and adult life, | 0:08:27 | 0:08:31 | |
referring to me as Alien Bollocks. | 0:08:31 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:35 | |
I'm not joking. | 0:08:37 | 0:08:39 | |
-Thank you. -APPLAUSE | 0:08:39 | 0:08:42 | |
Next, we play a game called Interpretative Dance. | 0:08:44 | 0:08:47 | |
Taking part in this are Humphrey, Laura and David, | 0:08:47 | 0:08:51 | |
so if you'd like to get into position, please. | 0:08:51 | 0:08:54 | |
The way that this game works is we play in a popular song | 0:08:54 | 0:08:58 | |
and we ask our interpretative dancer David to illustrate the lyrics through the medium of dance. | 0:08:58 | 0:09:05 | |
Humphrey and Laura will wear headphones, so put those on. | 0:09:05 | 0:09:09 | |
They're going to be unable to hear the music and they must guess the song and the artist from the mime. | 0:09:09 | 0:09:16 | |
So can you hear me? | 0:09:16 | 0:09:19 | |
Right, so if they can't hear me, off we go. | 0:09:19 | 0:09:22 | |
# Oh, baby, baby... | 0:09:22 | 0:09:24 | |
# Oh, baby, baby | 0:09:27 | 0:09:30 | |
# How was I supposed to know | 0:09:30 | 0:09:34 | |
# That something wasn't right here? | 0:09:35 | 0:09:38 | |
# Oh, baby, baby | 0:09:38 | 0:09:40 | |
# I shouldn't have let you go | 0:09:40 | 0:09:44 | |
# And now you're out of sight, yeah | 0:09:44 | 0:09:48 | |
# Show me how you want it to be | 0:09:48 | 0:09:52 | |
# Tell me, baby | 0:09:52 | 0:09:54 | |
# Cos I need to know now what we've got | 0:09:54 | 0:09:58 | |
# My loneliness is killing me | 0:09:58 | 0:10:02 | |
# And I... | 0:10:02 | 0:10:04 | |
# I must confess, I still believe Still believe | 0:10:04 | 0:10:10 | |
# When I'm not with you, I lose my mind | 0:10:10 | 0:10:13 | |
# Give me a sign | 0:10:13 | 0:10:16 | |
# Hit me, baby, one more time | 0:10:16 | 0:10:20 | |
# Oh, baby, baby The reason I breathe is you | 0:10:20 | 0:10:25 | |
# Boy, you got me blinded | 0:10:26 | 0:10:29 | |
# Oh, baby, baby | 0:10:29 | 0:10:32 | |
# There's nothing that I wouldn't do | 0:10:32 | 0:10:35 | |
# That's not the way I planned it | 0:10:37 | 0:10:40 | |
# Show me how you want it to be | 0:10:40 | 0:10:44 | |
# Tell me, baby | 0:10:44 | 0:10:46 | |
# Cos I need to know now what we've got | 0:10:46 | 0:10:50 | |
# My loneliness is killing me | 0:10:50 | 0:10:54 | |
# And I... I must confess | 0:10:54 | 0:10:57 | |
# I still believe Still believe | 0:10:57 | 0:11:01 | |
# When I'm not with you, I lose my mind | 0:11:01 | 0:11:04 | |
# Give me a sign | 0:11:04 | 0:11:08 | |
# Hit me, baby, one more time! # | 0:11:08 | 0:11:12 | |
CHEERING AND APPLAUSE | 0:11:12 | 0:11:15 | |
Fantastic. So, Laura, what do you reckon? | 0:11:19 | 0:11:23 | |
-I think I've got it. -Yeah? -Is it Hit Me, Baby, One More Time? | 0:11:23 | 0:11:27 | |
APPLAUSE | 0:11:27 | 0:11:29 | |
Thank you, David Armand! | 0:11:29 | 0:11:32 | |
APPLAUSE | 0:11:32 | 0:11:34 | |
It's that part of the show that I like to call Gift. | 0:11:38 | 0:11:41 | |
I ask our performers to tell us about the worst gift they have ever received or given. So, Humphrey? | 0:11:41 | 0:11:48 | |
My worst ever gift experience was a couple of Christmases ago. | 0:11:48 | 0:11:52 | |
My sister sent my present to the wrong person. | 0:11:52 | 0:11:55 | |
I wrote to them, but I tell you what, those villagers were not giving that goat back! | 0:11:55 | 0:12:00 | |
David? | 0:12:02 | 0:12:03 | |
The gift that keeps on giving, Hugh. | 0:12:05 | 0:12:08 | |
Herpes. | 0:12:08 | 0:12:10 | |
Greg? | 0:12:10 | 0:12:12 | |
Again, Hugh, genuinely, my worst ever gift I got last year for my birthday | 0:12:12 | 0:12:17 | |
and it was a knitted Nelson Mandela. | 0:12:17 | 0:12:19 | |
And Justin? | 0:12:22 | 0:12:24 | |
This is a genuine tip for anyone who is married. | 0:12:24 | 0:12:27 | |
Don't, as an anniversary present, buy your wife hoover bags. | 0:12:27 | 0:12:31 | |
Thank you very much. | 0:12:34 | 0:12:37 | |
Now we play a game called 7-Up. | 0:12:38 | 0:12:41 | |
This is for Humphrey, Justin, David, Greg and Marek, so come down to the performance area. | 0:12:41 | 0:12:46 | |
This round is inspired by the documentary series which follows ordinary people through their lives | 0:12:46 | 0:12:53 | |
and interviews them every seven years. | 0:12:53 | 0:12:55 | |
I'll be taking the part of the interviewer asking questions of characters played by the performers. | 0:12:55 | 0:13:01 | |
-Justin and Humphrey... -Yes? -You are Adam and Eve. | 0:13:01 | 0:13:05 | |
David, you are an arty film director. | 0:13:05 | 0:13:09 | |
Greg and Marek, you are the world's most evil man | 0:13:10 | 0:13:14 | |
and his henchman. | 0:13:14 | 0:13:17 | |
Right, so, Adam and Eve, you are seven years old. How are things in the Garden of Eden? | 0:13:17 | 0:13:24 | |
Oh, my gosh, the Garden of Eden is like the best place in the whole world ever! | 0:13:24 | 0:13:29 | |
Because basically, it is the only thing in the whole world ever! | 0:13:29 | 0:13:33 | |
But it's quite lonely... Oh, my ribs! | 0:13:33 | 0:13:36 | |
Who are you? | 0:13:36 | 0:13:38 | |
I am the beautiful Eve. | 0:13:39 | 0:13:42 | |
What?! | 0:13:43 | 0:13:44 | |
I hope your relationship works out the next time we meet. | 0:13:44 | 0:13:48 | |
David, what's being seven like for you? | 0:13:48 | 0:13:51 | |
I'm a big fan of the work of Truffaut, | 0:13:51 | 0:13:56 | |
Godard, Tarkovsky. | 0:13:56 | 0:13:59 | |
I screen these films to my friends at junior school. | 0:13:59 | 0:14:02 | |
I get punched a lot. | 0:14:02 | 0:14:05 | |
And Greg and Marek, | 0:14:07 | 0:14:09 | |
-you're friends, I presume? -Yes! Hahaha! | 0:14:09 | 0:14:13 | |
I am the most evil 7-year-old in the world! | 0:14:13 | 0:14:17 | |
And this is my evil assistant Balderama. | 0:14:17 | 0:14:21 | |
-Hello. I am also very evil. -LAUGHTER | 0:14:21 | 0:14:24 | |
-He's very evil, but not as evil as I. -No. | 0:14:24 | 0:14:28 | |
-I intend to take over the world, don't I? -Yes, he bloomin' does. -But first...our primary school! | 0:14:28 | 0:14:35 | |
-That's a good place to start. -Yes, isn't it? I shall barricade it and put the teachers in the classroom. | 0:14:35 | 0:14:42 | |
-Yes. -And then what will we do? -I'm going to draw a mouse. | 0:14:42 | 0:14:47 | |
LAUGHTER | 0:14:47 | 0:14:49 | |
Is that all you're going to do?! I'm trying to take over the world and you draw a mouse?! | 0:14:49 | 0:14:55 | |
-Mm. -Well... | 0:14:55 | 0:14:57 | |
So now through the magic of television, of course, you are now all 14 years old, so... | 0:14:58 | 0:15:05 | |
Adam and Eve, it wasn't that peaceful. How have the last seven years been treating you? | 0:15:05 | 0:15:11 | |
-It's boring, really. We just hang around. There's nothing... -It's not boring. -What is that? | 0:15:11 | 0:15:18 | |
Wow! | 0:15:18 | 0:15:20 | |
It's never done that before. | 0:15:20 | 0:15:22 | |
-How big is that going to get? -I've genuinely got no idea! | 0:15:22 | 0:15:27 | |
You could hang a tie on that. | 0:15:27 | 0:15:29 | |
-What's a tie? -I don't know. I'm blissful in my ignorance. | 0:15:29 | 0:15:34 | |
David, you're 14 now. Have you made any films? | 0:15:34 | 0:15:38 | |
Yes, I have recently started work on my first epic film | 0:15:38 | 0:15:43 | |
which is simply entitled Why? | 0:15:43 | 0:15:46 | |
But it's spelt Q. | 0:15:47 | 0:15:50 | |
LAUGHTER | 0:15:51 | 0:15:53 | |
Well, that's very interesting. | 0:15:53 | 0:15:56 | |
Greg and Marek, you had a plan to take over the primary as a practice thing. | 0:15:56 | 0:16:01 | |
We have learnt a lot from our last attempt. I will take over the secondary school! | 0:16:01 | 0:16:07 | |
I've barricaded the dinner ladies in and then, Balderama, we will strike! And you will... | 0:16:07 | 0:16:12 | |
Draw a picture of a mouse! | 0:16:12 | 0:16:15 | |
LAUGHTER | 0:16:15 | 0:16:16 | |
WHY?! | 0:16:16 | 0:16:18 | |
Seven years on and you're still drawing a picture of a mouse, you buffoon! | 0:16:18 | 0:16:24 | |
-So not much seems to have changed there. -Oooh! | 0:16:24 | 0:16:29 | |
No, not much has changed, Hugh! | 0:16:29 | 0:16:32 | |
LAUGHTER | 0:16:33 | 0:16:35 | |
Now, incredibly, seven short years have passed. Adam and Eve, you're now 21. | 0:16:35 | 0:16:42 | |
-We're not in the Garden of Eden. That all ended badly. -Yes, cast out because of SOMEBODY, | 0:16:42 | 0:16:48 | |
no names mentioned...! Eve! | 0:16:48 | 0:16:51 | |
It is freezing out here. I've got the wind... whistling through my lettuce. | 0:16:51 | 0:16:58 | |
-We've discovered clothes now! -Put a fig roll on it, you said! | 0:16:58 | 0:17:03 | |
-No, I said fig leaf! -I misheard. | 0:17:03 | 0:17:06 | |
David, you're 21. You've made lots of films? | 0:17:06 | 0:17:09 | |
Luckily now I am old enough to smoke. | 0:17:09 | 0:17:12 | |
I've been holding my fingers like this for 14 years, waiting to place a cigarette between them. | 0:17:12 | 0:17:18 | |
LAUGHTER | 0:17:18 | 0:17:20 | |
Excellent. Greg and Marek, you're not looking too happy. | 0:17:20 | 0:17:25 | |
Has the level of evil failed to rise to your expectation? | 0:17:25 | 0:17:30 | |
No, not at all, Hugh. If anything, I'm more evil than I've ever been. | 0:17:30 | 0:17:35 | |
I just succeeded in hijacking a nuclear bomb. | 0:17:35 | 0:17:39 | |
-Got as far as taking it to Downing Street, didn't we? -Y-Y-Yes! | 0:17:39 | 0:17:44 | |
Then what did you do? | 0:17:45 | 0:17:47 | |
Well, I... | 0:17:47 | 0:17:49 | |
-I got out a pen... -Yes. | 0:17:52 | 0:17:55 | |
And I thought, you know, what could brighten this missile up? | 0:17:57 | 0:18:01 | |
So I drew a picture, didn't I? | 0:18:03 | 0:18:06 | |
Yes. | 0:18:06 | 0:18:07 | |
-(Of a mouse.) -LAUGHTER | 0:18:08 | 0:18:10 | |
Thank you all very much indeed! | 0:18:12 | 0:18:15 | |
Well done, everyone. | 0:18:17 | 0:18:20 | |
Right, I make it party time. I hammer out some rhythms and ask our performers to get bare jiggy. | 0:18:24 | 0:18:31 | |
When the music stops, they'll tell me the least successful chat-up line they can imagine. Cue the music. | 0:18:31 | 0:18:37 | |
GROOVY DANCE MUSIC | 0:18:37 | 0:18:40 | |
Hey, baby! Your mouth says no, but your body language says... | 0:18:45 | 0:18:49 | |
Oh, no, as well. I'm sorry. | 0:18:49 | 0:18:52 | |
Wow! | 0:18:58 | 0:19:00 | |
I didn't know there was a fifth Golden Girl! | 0:19:00 | 0:19:04 | |
Er, up close it looks exactly like a turkey's neck. | 0:19:12 | 0:19:17 | |
LAUGHTER | 0:19:17 | 0:19:19 | |
Wow! You've got an amazing bum! It looks like a bin bag full of coleslaw. | 0:19:24 | 0:19:30 | |
Has anyone ever told you you look like a masculine, black Angela Lansbury? | 0:19:36 | 0:19:42 | |
Have you got a pen? Yeah? Well, get back in it, love. | 0:19:49 | 0:19:53 | |
APPLAUSE | 0:19:53 | 0:19:56 | |
Thank you very much! | 0:19:56 | 0:19:58 | |
It's time now for an educational game that we call Right Way, Wrong Way. | 0:20:00 | 0:20:05 | |
This involves Laura, Greg, Humphrey and Justin. Make your way over. | 0:20:05 | 0:20:10 | |
Now the performers are going to show us the worst and best ways to behave on an aeroplane. | 0:20:10 | 0:20:16 | |
Greg, you are the passenger. Laura, you are the cabin crew, showing us the right way. | 0:20:16 | 0:20:23 | |
Humphrey is the passenger and Justin the air steward with the wrong way. | 0:20:23 | 0:20:28 | |
Let's begin with getting seated. Off you go. | 0:20:28 | 0:20:31 | |
Good morning, sir. I'll be your personalised cabin steward. | 0:20:31 | 0:20:36 | |
Is there anything at all I can do to make you more comfortable? | 0:20:36 | 0:20:41 | |
LAUGHTER | 0:20:42 | 0:20:44 | |
There is, actually. | 0:20:44 | 0:20:46 | |
As you can see, I am a freak of nature. | 0:20:46 | 0:20:51 | |
I'd very much like to move from this uncomfortable seat so I don't get full-body thrombosis and die. | 0:20:51 | 0:20:59 | |
That's the right way to do it. | 0:20:59 | 0:21:01 | |
Vaguely. And Justin and Humphrey, show us the sure-fire wrong way. | 0:21:02 | 0:21:08 | |
-Hey, mate. -What, beanpole? | 0:21:08 | 0:21:10 | |
This seat's bloody uncomfortable because I have sat on a child. | 0:21:10 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:16 | |
So that's pretty much the wrong way. The next stage is calling for assistance. | 0:21:16 | 0:21:23 | |
Once again, Greg, your calm manner and respectful demeanour ensure it is dealt with swiftly and easily. | 0:21:23 | 0:21:31 | |
-BOOM! -I've been standing right here just in case you need anything from me at all, sir. | 0:21:31 | 0:21:37 | |
I must say, I've never encountered service like this in my life. | 0:21:37 | 0:21:41 | |
I find you efficient, | 0:21:41 | 0:21:44 | |
polite and, dare I say it, incredibly attractive. | 0:21:44 | 0:21:49 | |
So that's the right way... Now, Justin and Humphrey, the wrong way. | 0:21:51 | 0:21:56 | |
-BURPS -Hey! Hey! | 0:21:56 | 0:21:59 | |
-What? -Oi! -I was in the toilet. -Oh! | 0:21:59 | 0:22:02 | |
-What do you want? -I have trapped myself | 0:22:02 | 0:22:07 | |
-in the tray. -LAUGHTER | 0:22:08 | 0:22:11 | |
There you go. | 0:22:16 | 0:22:18 | |
To be fair, I'm not sure there really is a right way of dealing with that. | 0:22:18 | 0:22:24 | |
Now onto the third stage, which is having the meals. | 0:22:24 | 0:22:28 | |
Notice how Greg's thoughtful and gentlemanly conduct | 0:22:28 | 0:22:33 | |
makes the complicated meal-choosing process a pleasure for the crew. | 0:22:33 | 0:22:37 | |
So this is the right way. | 0:22:37 | 0:22:39 | |
Here's your menu, sir. If there is absolutely anything else I can do to help you on top of this, | 0:22:39 | 0:22:45 | |
you just let me know immediately and I will do whatever it takes... and wherever. | 0:22:45 | 0:22:52 | |
I'll have the chicken, please. LAUGHTER | 0:22:58 | 0:23:03 | |
That was the right way. | 0:23:03 | 0:23:05 | |
APPLAUSE | 0:23:05 | 0:23:07 | |
That is indeed the right way. Now this is the wrong way. | 0:23:07 | 0:23:11 | |
I've got two sandwiches. They're both ten quid each. | 0:23:11 | 0:23:16 | |
Awww... | 0:23:16 | 0:23:18 | |
Have you got any nuts? | 0:23:18 | 0:23:20 | |
LAUGHTER | 0:23:20 | 0:23:22 | |
And by the way... I'm still trapped in the tray. | 0:23:22 | 0:23:26 | |
Thank you very much! | 0:23:27 | 0:23:29 | |
Now it's that part of the show that I like to call Lookalikes. | 0:23:34 | 0:23:38 | |
I ask our performers to tell us who or what they've been told they look like. | 0:23:38 | 0:23:44 | |
I often get mistaken for David Coulthard or the sugar lump on the side of the Tate and Lyle packet. | 0:23:44 | 0:23:50 | |
Marek? | 0:23:52 | 0:23:53 | |
Em, a bald Sally Gunnell. LAUGHTER | 0:23:53 | 0:23:57 | |
-I can't see that at all. -Thanks, Hugh. -Laura? | 0:24:04 | 0:24:09 | |
Em, well, at the moment where I'm sat, | 0:24:09 | 0:24:13 | |
I could look like the sixth member of the UK's most unattractive girl band. | 0:24:13 | 0:24:19 | |
-And Justin? -At my brother's wedding, my dad said I looked like two sacks of shit in a Boden suit. | 0:24:21 | 0:24:28 | |
That's unfair. Thank you very much. | 0:24:29 | 0:24:32 | |
Right, now we move on to a game called Sideways Scene with Justin and Marek and our special guest. | 0:24:34 | 0:24:40 | |
Please welcome Pippa Evans! | 0:24:40 | 0:24:43 | |
Now this takes place in a special area behind the set. | 0:24:44 | 0:24:49 | |
If you could head off and get ready. | 0:24:49 | 0:24:52 | |
You three are going to perform a scene in different genres suggested by me. | 0:24:52 | 0:24:57 | |
But you're going to be doing it lying down on our magic mat. | 0:24:57 | 0:25:02 | |
We'll relay the pictures to our audience on the screen. There they are. | 0:25:02 | 0:25:07 | |
Right. | 0:25:07 | 0:25:09 | |
The scenario is that Pippa... | 0:25:09 | 0:25:12 | |
LAUGHTER | 0:25:12 | 0:25:14 | |
Pippa and Justin, you are two Midwestern farmers | 0:25:14 | 0:25:18 | |
who are milking in the cowshed | 0:25:18 | 0:25:21 | |
when farmhand Marek... arrives to warn you | 0:25:21 | 0:25:27 | |
that a twister is on the way. | 0:25:27 | 0:25:29 | |
So if you're ready, off you go. | 0:25:30 | 0:25:33 | |
Where IS the cow? | 0:25:33 | 0:25:35 | |
The cow? I had to put it back in the shed. Want me to go get him? | 0:25:35 | 0:25:40 | |
-Yeah, pop over and get it. -OK, I'll just pop over... | 0:25:40 | 0:25:45 | |
I'll just pop over... | 0:25:45 | 0:25:48 | |
I'll just go... | 0:25:48 | 0:25:50 | |
Ah, there he is. Come on. | 0:25:50 | 0:25:52 | |
-Come on, Daisy! -In you come... -Ungh! -Oh! | 0:25:52 | 0:25:56 | |
Oh, gee willikers! | 0:25:56 | 0:25:58 | |
APPLAUSE | 0:26:01 | 0:26:03 | |
Oh...! | 0:26:03 | 0:26:05 | |
Oh! | 0:26:06 | 0:26:07 | |
Go see what's all the commotion. | 0:26:09 | 0:26:12 | |
Aaaah! | 0:26:13 | 0:26:14 | |
Aaaargh! | 0:26:19 | 0:26:20 | |
Come in! | 0:26:23 | 0:26:24 | |
Waaargh! | 0:26:24 | 0:26:26 | |
Wow! | 0:26:26 | 0:26:28 | |
-Come on, honey. Come on in. -You're safe with us, boy! | 0:26:30 | 0:26:34 | |
-Things are flying everywhere! -Freeze, please! Freeze! | 0:26:34 | 0:26:39 | |
Now I want you to swap to a vampire movie. | 0:26:39 | 0:26:43 | |
There's all kind of commotion out there. I don't know what's going on. | 0:26:43 | 0:26:48 | |
Oh, my! | 0:26:48 | 0:26:50 | |
APPLAUSE | 0:26:51 | 0:26:53 | |
Is it time to get up? | 0:26:57 | 0:26:59 | |
APPLAUSE | 0:27:02 | 0:27:04 | |
OK, and swap please now to Dancing On Ice. | 0:27:04 | 0:27:08 | |
Whoo! | 0:27:12 | 0:27:13 | |
I hope this stays my career. | 0:27:13 | 0:27:16 | |
And throw her about...! | 0:27:17 | 0:27:20 | |
Ready for the catch. | 0:27:23 | 0:27:26 | |
-Yeah! That's surely 10 point! -Freeze, Marek! | 0:27:26 | 0:27:30 | |
-Freeze! Freeze! Change to an action movie explosion scene! -Oh, my! | 0:27:30 | 0:27:36 | |
-Whatever you do, don't touch that chair! -Don't touch the wha...? | 0:27:36 | 0:27:41 | |
Aaargh! | 0:27:41 | 0:27:42 | |
Aaargh! | 0:27:44 | 0:27:45 | |
APPLAUSE | 0:27:47 | 0:27:49 | |
OK, and freeze, please. And could you now...? Where have the other two gone?! | 0:27:54 | 0:28:01 | |
Could you swap now to Alien? | 0:28:01 | 0:28:04 | |
Something weird's going on here. | 0:28:04 | 0:28:06 | |
Aaiee! What the...?! | 0:28:06 | 0:28:08 | |
Justin? Justin! | 0:28:08 | 0:28:11 | |
I can feel...something... something in my stomach. | 0:28:11 | 0:28:15 | |
Waaaaah! | 0:28:15 | 0:28:17 | |
APPLAUSE | 0:28:19 | 0:28:21 | |
Thank you very much! | 0:28:22 | 0:28:25 | |
Thank you very much, everyone! And thank you to Pippa Evans! | 0:28:27 | 0:28:32 | |
CHEERING AND APPLAUSE | 0:28:33 | 0:28:36 | |
That's all we have time for. Thanks to Justin Edwards, David Armand, | 0:28:40 | 0:28:45 | |
Humphrey Ker, Laura Solon, Marek Larwood and Greg Davies. | 0:28:45 | 0:28:51 | |
And good night from me, Hugh Dennis. See you the next time we play Fast and Loose. | 0:28:51 | 0:28:57 | |
Subtitles by Subtext for Red Bee Media Ltd - 2011 | 0:29:05 | 0:29:09 | |
Email [email protected] | 0:29:10 | 0:29:12 |