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Ladies and gentlemen, for the next ten seconds at least, you're watching Fast And Loose. | 0:00:02 | 0:00:07 | |
On the show tonight, the rightful King of the island of Mull - Justin Edwards. | 0:00:07 | 0:00:12 | |
She used to go out with Vince Cable - Pippa Evans. | 0:00:12 | 0:00:16 | |
He was Mr Taunton 1987 - Greg Davies. | 0:00:16 | 0:00:20 | |
He's working, so you don't have to - Humphrey Ker. | 0:00:20 | 0:00:24 | |
She's on day release from The Priory - Laura Solon. | 0:00:25 | 0:00:30 | |
And he can't go within 30 feet of Dannii Minogue - Marek Larwood. | 0:00:31 | 0:00:36 | |
And finally, would you please welcome your host, a man who sounds a lot like me - Hugh Dennis! | 0:00:36 | 0:00:42 | |
This programme contains some strong language. | 0:00:44 | 0:00:48 | |
Hello and welcome to Fast And Loose. | 0:00:49 | 0:00:52 | |
We'll improvise scenes, sketches and TV spoofs and pick our performers' brains on an array of topics, | 0:00:52 | 0:00:58 | |
so let's play Fast And Loose. | 0:00:58 | 0:01:01 | |
To kick things off, we're going to play a game called Speed Dating. | 0:01:03 | 0:01:07 | |
This is a game for everyone, so if you could all make your way, please, to the dating area... | 0:01:07 | 0:01:13 | |
Our performers have to imagine that they're all desperate and single, | 0:01:13 | 0:01:17 | |
as we ask them to act out terrible things to say at a speed dating event. | 0:01:17 | 0:01:22 | |
So, if you're ready, off we go. | 0:01:22 | 0:01:25 | |
Hi, I'm quite sweet-natured and I'm really quite outgoing, | 0:01:25 | 0:01:30 | |
by which I mean I've got diabetes and I'm homeless. | 0:01:30 | 0:01:34 | |
BUZZER | 0:01:34 | 0:01:36 | |
I can fit my mouth over most girls' heads. | 0:01:36 | 0:01:40 | |
BUZZER | 0:01:41 | 0:01:43 | |
I'm sure it'll all go swimmingly well, but if we do have children, | 0:01:43 | 0:01:47 | |
you'll have to raise them as I'm not allowed to spend time with them. | 0:01:47 | 0:01:51 | |
BUZZER | 0:01:51 | 0:01:53 | |
People that know tell me that, apparently, from the waist down, | 0:01:53 | 0:01:57 | |
I look exactly like Princess Anne. | 0:01:57 | 0:01:59 | |
BUZZER | 0:02:00 | 0:02:02 | |
# Myfanwy, she loved him, but he never called | 0:02:02 | 0:02:06 | |
# So she bust in his house and she cut off his balls... # | 0:02:06 | 0:02:11 | |
BUZZER | 0:02:11 | 0:02:14 | |
Hello. You don't have to be mad to have sex with me, but it helps. Ha-ha-ha! | 0:02:14 | 0:02:20 | |
BUZZER | 0:02:20 | 0:02:22 | |
I'm quite a sophisticated eater. | 0:02:22 | 0:02:24 | |
BURPS You see, there's sea bass on that. | 0:02:24 | 0:02:28 | |
BUZZER | 0:02:29 | 0:02:32 | |
I'm good with faces. | 0:02:34 | 0:02:36 | |
I'm really bad with directions. | 0:02:36 | 0:02:39 | |
BUZZER | 0:02:39 | 0:02:40 | |
My name is Katerina, | 0:02:40 | 0:02:43 | |
but people that know me call me "that racist hooker with the STDs". | 0:02:43 | 0:02:48 | |
BUZZER | 0:02:48 | 0:02:50 | |
There's room for one more. | 0:02:55 | 0:02:57 | |
BUZZER | 0:02:57 | 0:02:59 | |
I can neither confirm nor deny these child labour allegations. | 0:03:01 | 0:03:05 | |
I'll be taking no more questions. | 0:03:05 | 0:03:08 | |
BUZZER | 0:03:08 | 0:03:10 | |
Yes, don't be put off by the carrier bag. I always have that with me. | 0:03:11 | 0:03:15 | |
Better that than you see the naked horror of the prolapse. | 0:03:15 | 0:03:19 | |
BUZZER | 0:03:19 | 0:03:21 | |
I have only got one egg left, so don't fuck this up! | 0:03:21 | 0:03:25 | |
BUZZER | 0:03:25 | 0:03:27 | |
Thank you. Well done, one and all. | 0:03:27 | 0:03:30 | |
APPLAUSE | 0:03:30 | 0:03:32 | |
Now it's that time of the show called All About Me, | 0:03:37 | 0:03:42 | |
largely because it's all about me. | 0:03:42 | 0:03:45 | |
Team, this is your chance to say how you would describe me in one line. So, Justin...? | 0:03:45 | 0:03:51 | |
Brother of Les. | 0:03:52 | 0:03:55 | |
LAUGHTER | 0:03:55 | 0:03:57 | |
-Greg? -Judging from your behaviour in my dressing room earlier, | 0:04:00 | 0:04:04 | |
-someone who doesn't understand the phrase "no means no"! -Pippa? | 0:04:04 | 0:04:09 | |
Very, very depressing. | 0:04:09 | 0:04:12 | |
Marek? | 0:04:13 | 0:04:14 | |
Um...I'd say you were nice in the lounge, | 0:04:14 | 0:04:20 | |
but really nasty in the bedroom. | 0:04:20 | 0:04:22 | |
LAUGHTER | 0:04:23 | 0:04:26 | |
Well, that was all very illuminating and... | 0:04:26 | 0:04:29 | |
very hurtful, so thank you. | 0:04:29 | 0:04:32 | |
APPLAUSE | 0:04:32 | 0:04:35 | |
Right, our next game is called Weak Links and this is for Marek, Humphrey, Justin and Laura, | 0:04:35 | 0:04:42 | |
so get into your positions, please. | 0:04:42 | 0:04:45 | |
This is our version of the BBC's worldwide quiz show phenomenon. | 0:04:45 | 0:04:50 | |
I'll play the host and the rest of you will act as contestants, but you'll have a character to play. | 0:04:50 | 0:04:55 | |
So, Justin, you are a right-wing bigot. | 0:04:55 | 0:04:59 | |
I know. LAUGHTER | 0:04:59 | 0:05:02 | |
-Humphrey, you're a character from a British war movie. -Thanks. | 0:05:02 | 0:05:07 | |
Laura, you are a clueless teenage girl. | 0:05:07 | 0:05:10 | |
And Marek, you are turning into a werewolf. | 0:05:10 | 0:05:14 | |
LAUGHTER | 0:05:14 | 0:05:16 | |
So let's get on with the game. | 0:05:16 | 0:05:19 | |
Let's meet our contestants. What are your names? What do you do? | 0:05:21 | 0:05:26 | |
-My name is Justin. I hold several strong opinions. -And you? | 0:05:26 | 0:05:30 | |
My name is Humphrey and by God, I'll hold this position if it's the last thing I do! | 0:05:30 | 0:05:36 | |
-And who are you? -My name is Laura. Some people call me Lauly or Laurs. | 0:05:36 | 0:05:40 | |
Growing up, people called me Rodders. That's nothing to do with my actual name. I don't know I even fit one. | 0:05:40 | 0:05:46 | |
-And you at the end? -Oh! Oh, no! Uh... | 0:05:46 | 0:05:50 | |
I'm either doing a shit or growing a tail. Agh! | 0:05:51 | 0:05:55 | |
Ohh! | 0:05:55 | 0:05:56 | |
Ohh! It's coming out, Hugh! | 0:05:56 | 0:06:00 | |
-Something's coming out. -Right... -Ohh! | 0:06:00 | 0:06:03 | |
-Ohh! -Let's play... | 0:06:04 | 0:06:06 | |
Let's play Weak Links. | 0:06:06 | 0:06:09 | |
Justin, what X is the fear of foreigners or strangers? | 0:06:12 | 0:06:16 | |
Huh! Well, X stands for Xmas, although we don't have Christmas any more since the Muslims banned it. | 0:06:16 | 0:06:23 | |
I suppose you'll be wanting some money off me as well. You're on benefits, aren't you? | 0:06:23 | 0:06:28 | |
-I'm after the answer "xenophobia". -Yes, the fear of Zen, of Buddhists. I've no time for them either! | 0:06:28 | 0:06:35 | |
Humphrey, the film starring Fred Astaire and Ginger Rogers was called Flying Down To where? | 0:06:35 | 0:06:41 | |
Damn it, Hugh! I don't have time for this bloody nonsense! | 0:06:41 | 0:06:45 | |
Too many good men have died and you're asking me questions about flying? | 0:06:45 | 0:06:49 | |
If the bloody RAF were here, we wouldn't be in this pickle! | 0:06:49 | 0:06:53 | |
-The answer is Rio. -Damn it, I knew that! | 0:06:53 | 0:06:57 | |
Laura, what colour was the big taxi in the song by Joni Mitchell? | 0:06:57 | 0:07:01 | |
Oh, my God, I think I know this one. It's one of the colours, it's one of the colours. Oh, my God! | 0:07:01 | 0:07:07 | |
I don't really know and I've slightly forgotten who I am. | 0:07:07 | 0:07:11 | |
Yellow. | 0:07:11 | 0:07:12 | |
Marek... | 0:07:12 | 0:07:14 | |
Oh, no! | 0:07:14 | 0:07:16 | |
Justin, the 19th century novel by the Russian author Dostoyevsky is called Crime And what? | 0:07:16 | 0:07:21 | |
Well, Punishment. "Punishment" is too strong a word. | 0:07:21 | 0:07:25 | |
I'd send them all back. Hijacked a perfectly good word - "gay". | 0:07:25 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:32 | |
Humphrey, wholegrain, Dijon and English are varieties of which condiment? | 0:07:32 | 0:07:38 | |
-Why, Hugh? -Because I'm asking. -Why? | 0:07:38 | 0:07:42 | |
So many dead and for what? | 0:07:42 | 0:07:45 | |
Mustard questions? | 0:07:45 | 0:07:47 | |
Not in the England I dreamed of. | 0:07:47 | 0:07:50 | |
Mustard was the correct answer. Laura, what term for a young deer is also a light brown colour? | 0:07:50 | 0:07:56 | |
I don't know, but I do know that I'm quite scared and I'd really like to change places. | 0:07:56 | 0:08:02 | |
-Marek... -I've just got this compulsion to do this to someone's leg! | 0:08:07 | 0:08:14 | |
That's the end of the round. | 0:08:14 | 0:08:16 | |
APPLAUSE | 0:08:16 | 0:08:19 | |
So, at the end of that round, you didn't bank anything, | 0:08:21 | 0:08:25 | |
although Marek did something which rhymed with it. | 0:08:25 | 0:08:30 | |
-Who have you voted off? -Well, you didn't even give me a pen. Probably some health and safety nonsense. | 0:08:30 | 0:08:36 | |
The... APPLAUSE | 0:08:36 | 0:08:39 | |
But I don't care. I've decided. Humphrey, you are the weak link. Goodbye. | 0:08:39 | 0:08:44 | |
APPLAUSE | 0:08:44 | 0:08:47 | |
WHY-Y-Y-Y-Y-Y-Y!? | 0:08:53 | 0:08:57 | |
Well... | 0:08:58 | 0:09:00 | |
That's it from me. Good night. | 0:09:00 | 0:09:04 | |
APPLAUSE | 0:09:04 | 0:09:07 | |
Thank you. Great work from everyone. | 0:09:12 | 0:09:14 | |
Now, it's that part of the show I like to call Survey Of The Week. | 0:09:14 | 0:09:18 | |
This week, I'm asking our performers what new flavour of crisps they would love to see. Justin? | 0:09:18 | 0:09:25 | |
I think Walkers Crisps should generally have more of a taste of...of walkers, | 0:09:25 | 0:09:31 | |
so that they could just taste slightly of cagoules and Thermos flasks | 0:09:31 | 0:09:36 | |
and that awful stench of a wasted life. | 0:09:36 | 0:09:39 | |
Lovely. | 0:09:39 | 0:09:41 | |
Um...Marek? | 0:09:41 | 0:09:44 | |
I have often wondered whether Bryan Adams tastes as good as he sounds, | 0:09:44 | 0:09:49 | |
so I would like to try Bryan Adams flavoured crisps. | 0:09:49 | 0:09:53 | |
Final answer. | 0:09:53 | 0:09:56 | |
And Greg? | 0:09:56 | 0:09:58 | |
I'd like my crisps to be the flavour of a polar bear | 0:09:58 | 0:10:01 | |
because they're an intrinsically arrogant animal who seem to think they're untouchable. | 0:10:01 | 0:10:07 | |
-Thank you. -APPLAUSE | 0:10:07 | 0:10:09 | |
OK, we now come to a game called Interpretative Dance and it's for Pippa and Humphrey. | 0:10:10 | 0:10:17 | |
It's time to meet our guest performer. Please welcome David Armand! | 0:10:17 | 0:10:22 | |
APPLAUSE | 0:10:22 | 0:10:24 | |
Now, the way that this game works is that we play in a popular song | 0:10:24 | 0:10:29 | |
and we ask David to illustrate the lyrics through the medium of dance. | 0:10:29 | 0:10:34 | |
Pippa and Humphrey will be wearing headphones and therefore unable to hear the music | 0:10:34 | 0:10:39 | |
and they'll have to guess the song and the artist purely from the mime. | 0:10:39 | 0:10:43 | |
Can you hear me...? No, they can't hear me. | 0:10:43 | 0:10:46 | |
If you're ready, David, off we go. | 0:10:46 | 0:10:49 | |
INTRO PLAYS | 0:10:49 | 0:10:51 | |
# You walked into the party | 0:10:56 | 0:10:59 | |
# Like you were walking onto a yacht | 0:10:59 | 0:11:04 | |
# Your hat strategically dipped below one eye | 0:11:04 | 0:11:09 | |
# Your scarf, it was apricot | 0:11:09 | 0:11:13 | |
# You had one eye in the mirror | 0:11:13 | 0:11:18 | |
# As you watched yourself gavotte | 0:11:18 | 0:11:22 | |
# And all the girls dreamed that they'd be your partner | 0:11:22 | 0:11:26 | |
# They'd be your partner and... | 0:11:26 | 0:11:29 | |
# You're so vain | 0:11:30 | 0:11:33 | |
# You probably think this song is about you | 0:11:33 | 0:11:38 | |
# You're so vain | 0:11:38 | 0:11:41 | |
# I'll bet you think this song is about you | 0:11:41 | 0:11:44 | |
# Don't you? Don't you? | 0:11:44 | 0:11:46 | |
# You had me several years ago | 0:11:47 | 0:11:51 | |
# When I was still quite naive | 0:11:51 | 0:11:55 | |
# Well, you said that we made such a pretty pair | 0:11:55 | 0:12:01 | |
# And that you would never leave | 0:12:01 | 0:12:05 | |
# But you gave away the things you loved | 0:12:05 | 0:12:10 | |
# And one of them was me | 0:12:10 | 0:12:13 | |
# I had some dreams they were clouds in my coffee | 0:12:13 | 0:12:18 | |
# Clouds in my coffee and... | 0:12:18 | 0:12:21 | |
# You're so vain | 0:12:21 | 0:12:24 | |
# You probably think this song is about you | 0:12:25 | 0:12:28 | |
# You're so vain | 0:12:28 | 0:12:31 | |
# I'll bet you think this song is about you | 0:12:31 | 0:12:35 | |
# Don't you? Don't you? Don't you...? # | 0:12:35 | 0:12:39 | |
CHEERING AND APPLAUSE | 0:12:39 | 0:12:42 | |
Fantastic, so... Humphrey? Pippa? | 0:12:43 | 0:12:47 | |
-Any idea what song that was? -I think I've got this one in the bag, Hugh. | 0:12:49 | 0:12:54 | |
-And it is? -I believe it's the theme tune from Doctor Who. | 0:12:54 | 0:12:59 | |
-Is that the...? -Yes, that's completely...wrong. | 0:13:00 | 0:13:05 | |
-Oh. -Pippa, you don't know? -I'm going to do this with more of a flourish. | 0:13:05 | 0:13:09 | |
-Sticks? -Sewing? -Sew... -Sew arm. | 0:13:09 | 0:13:13 | |
-Sew wrist. -No. -Vein. You're So Vain! | 0:13:13 | 0:13:17 | |
APPLAUSE | 0:13:17 | 0:13:19 | |
-I love that song. -Well done, you two. And thank you very much to David Armand! | 0:13:20 | 0:13:26 | |
-Thank you. -APPLAUSE | 0:13:26 | 0:13:28 | |
You might be wondering why I'm putting this jacket on with the help of our delicious costume lady. | 0:13:34 | 0:13:40 | |
It's because we're about to play Early Television. This is a game for everyone. | 0:13:40 | 0:13:45 | |
In it, we'll travel back in time to the earliest days of this medium | 0:13:45 | 0:13:49 | |
as we re-imagine popular modern TV formats as they might have looked in simpler, black-and-white times. | 0:13:49 | 0:13:55 | |
I'll be the host and the other performers my guests. | 0:13:55 | 0:13:59 | |
We begin with our version of The Jerry Springer Show. | 0:13:59 | 0:14:03 | |
APPLAUSE | 0:14:03 | 0:14:05 | |
-POSH VOICE: -Hello and welcome to the Gerald Springer Programme | 0:14:08 | 0:14:13 | |
where today, we'll be exploring this topic... | 0:14:13 | 0:14:17 | |
My Ghastly Husband Is Frightfully Out Of Control. | 0:14:17 | 0:14:21 | |
LAUGHTER | 0:14:21 | 0:14:23 | |
Well, first of all, I think we should talk to the wife, don't you? | 0:14:23 | 0:14:28 | |
Laura, you are the wife of this ghastly man, so please come and talk to us. | 0:14:28 | 0:14:34 | |
So, tell me, | 0:14:35 | 0:14:37 | |
what appalling behaviour has your husband been indulging in for you to say he's spiralling out of control? | 0:14:37 | 0:14:44 | |
It all started last year at Christmas. | 0:14:44 | 0:14:47 | |
Over lunch, he held his knife quite like a pencil. | 0:14:47 | 0:14:51 | |
Then after lunch, when we stood up to sing the national anthem, | 0:14:51 | 0:14:55 | |
well, he sang it, Gerald, but I could tell he didn't really mean it. | 0:14:55 | 0:15:00 | |
LAUGHTER | 0:15:00 | 0:15:02 | |
-Good Lord! That really is, isn't it? -It's ghastly. -My goodness, that's absolutely ghastly! | 0:15:02 | 0:15:08 | |
I was sick. A bit in my mouth, Gerald. | 0:15:08 | 0:15:11 | |
But mainly all over the turkey. | 0:15:11 | 0:15:15 | |
Yes, well, I share your pain. At the moment, I think that's appalling. | 0:15:16 | 0:15:20 | |
But we should probably talk to your husband, dare he come on to face us! Here he is. | 0:15:20 | 0:15:25 | |
Look, it's Justin. | 0:15:25 | 0:15:27 | |
-Oh! -Well... | 0:15:27 | 0:15:30 | |
For a start, might I say it's absolutely appalling wearing a hat indoors. | 0:15:30 | 0:15:35 | |
Gentlemen should never wear hats indoors. | 0:15:35 | 0:15:38 | |
I'm afraid this is the sort of level to which I have sunk, Hugh. | 0:15:38 | 0:15:43 | |
What other appalling behaviour have you indulged in? | 0:15:43 | 0:15:46 | |
Apart from the awful business at Christmas, holding my knife like a pen, | 0:15:46 | 0:15:51 | |
later on, whilst we were having a roast swan at Michaelmas, I left one of my elbows slightly on the table. | 0:15:51 | 0:15:58 | |
-Actually fully on the table? -Yes. I'm surprised I haven't ended up in prison, the way I'm carrying on. | 0:15:58 | 0:16:04 | |
And it's catching, Hugh, because recently, his mother has developed a northern accent. | 0:16:04 | 0:16:11 | |
LAUGHTER | 0:16:11 | 0:16:13 | |
Let's see if Marek, who is your son, has noticed any of this behaviour. | 0:16:14 | 0:16:18 | |
I must admit I'm rather dreading this one. | 0:16:18 | 0:16:22 | |
So, Marek, you've witnessed, have you, some of your father's spiralling out of control behaviour? | 0:16:25 | 0:16:31 | |
Yes, it's really awful. | 0:16:31 | 0:16:33 | |
We were playing a game of croquet on the lawn and I hit the ball through the greenhouse window. | 0:16:33 | 0:16:40 | |
I expected Father to beat me with a slipper, but he just gave me a firm telling-off. | 0:16:40 | 0:16:45 | |
How am I supposed to be disciplined when he does things like that? | 0:16:45 | 0:16:49 | |
I'm going to become most unruly if he doesn't bring his hand to me at least three times a week. | 0:16:50 | 0:16:56 | |
-Some people have started a rumour that he is homosexual. -Which one? | 0:16:56 | 0:17:00 | |
LAUGHTER | 0:17:00 | 0:17:03 | |
Both...? Not together? | 0:17:03 | 0:17:05 | |
-That's a different show. -You have a chauffeur, don't you, Humphrey? | 0:17:06 | 0:17:11 | |
-Yes, we do. -He's going to tell us what his experience of this is. | 0:17:11 | 0:17:15 | |
Well, Mr Springer, sir, I don't want to speak out of turn none, | 0:17:16 | 0:17:20 | |
but the master don't like to drive around in the car no more and I says, | 0:17:20 | 0:17:25 | |
-"What will happen to the atmosphere if we're not pumping petrol fumes into it?" -Why don't you sit down? | 0:17:25 | 0:17:31 | |
-I'm not allowed to sit down, sir. -That's quite right. You're not. | 0:17:31 | 0:17:36 | |
So, Pippa, do you have some questions for the people here? | 0:17:36 | 0:17:41 | |
NORTHERN ACCENT: I would like to point out as Justin's mother | 0:17:41 | 0:17:44 | |
that Laura is to blame entirely, | 0:17:44 | 0:17:47 | |
for they've not had proper pudding in that house for at least five year, | 0:17:47 | 0:17:51 | |
not even a custard tart or a spotted dick. | 0:17:51 | 0:17:54 | |
-Is she your mother? -We can't understand a single word she says. | 0:17:56 | 0:18:00 | |
I'm going to be sick again! > | 0:18:00 | 0:18:02 | |
Well, I think really there's not much else to be said. | 0:18:02 | 0:18:06 | |
Never mind, because that's all we have time for, so... | 0:18:06 | 0:18:10 | |
-Good night. -APPLAUSE | 0:18:10 | 0:18:14 | |
We now come to that part of the show that will henceforth be known as Autobiography. | 0:18:18 | 0:18:24 | |
I'll ask each of you to tell me what title you would choose for your life story. Let's start with Greg. | 0:18:24 | 0:18:31 | |
My autobiography would be called... | 0:18:31 | 0:18:33 | |
"Oh, there he is, look! It's Gregory. He's massive, isn't he? Are you having a nice time at school?" | 0:18:33 | 0:18:39 | |
"No, I'm not at school any more, Uncle Dan. I'm 42!" | 0:18:39 | 0:18:43 | |
LAUGHTER | 0:18:43 | 0:18:45 | |
And Marek? | 0:18:45 | 0:18:47 | |
Mine would be called... That Pig Does Not Go In There. | 0:18:47 | 0:18:52 | |
It's ambiguous. People will think, "I'd like to read that and find out what happens. | 0:18:52 | 0:18:57 | |
"I wonder where he put that pig, you know?" | 0:18:57 | 0:19:01 | |
You have to stop talking now. | 0:19:01 | 0:19:04 | |
Justin? | 0:19:05 | 0:19:07 | |
I would call my autobiography My Way because that is the name of my alter ego | 0:19:07 | 0:19:12 | |
who is a 16-year-old girl from Taiwan. | 0:19:12 | 0:19:16 | |
LAUGHTER | 0:19:16 | 0:19:18 | |
Thank you very much. | 0:19:18 | 0:19:20 | |
And now a game called 7-Up. This is for Justin, Laura, Marek and Greg, so if you could come up, please. | 0:19:23 | 0:19:30 | |
This round is inspired by the septennial documentary series, | 0:19:30 | 0:19:34 | |
rather than the fizzy citrus drink, although I'd be very happy to do their voiceover, should I be asked. | 0:19:34 | 0:19:40 | |
I'll be the interviewer asking questions of characters played by our performers | 0:19:40 | 0:19:45 | |
at seven-yearly intervals. | 0:19:45 | 0:19:47 | |
Justin, you're someone with a hormonal imbalance and so is the character we're asking you to play! | 0:19:47 | 0:19:54 | |
Laura, you're Goldilocks. | 0:19:54 | 0:19:56 | |
Marek and Greg, you are Bavarian twins. | 0:19:56 | 0:20:00 | |
We're going to start off when everyone is just seven years old. Justin, how's it going? | 0:20:02 | 0:20:08 | |
VERY HIGH VOICE: It's going very well, thank you, Hugh. | 0:20:08 | 0:20:13 | |
I'm something of a lonely child. | 0:20:13 | 0:20:16 | |
It's very much me at home with my clarinet. | 0:20:16 | 0:20:21 | |
Goldilocks, how is life for you aged seven? | 0:20:21 | 0:20:24 | |
I live down the road from this bears' house. You wouldn't believe it! | 0:20:24 | 0:20:28 | |
They're part of some ramblers' club or something. | 0:20:28 | 0:20:31 | |
The house is full of beds and porridge. | 0:20:31 | 0:20:34 | |
Every day, they go out on a bloody ramble. I'm in there filling my face with it. Brilliant! | 0:20:34 | 0:20:41 | |
Marek and Greg, how is life for seven-year-old twins? | 0:20:42 | 0:20:46 | |
BAVARIAN ACCENT: This is very embarrassing. | 0:20:46 | 0:20:49 | |
Because the mother, she will dress us exactly the same at all times. | 0:20:50 | 0:20:55 | |
-Ja, und "ve" bath together. -Yes. | 0:20:55 | 0:20:58 | |
-"Ve" sleep together. -Yes. | 0:20:58 | 0:21:01 | |
-Und "ve" also... -Yes? | 0:21:01 | 0:21:04 | |
Through the magic of television, we can travel forward seven years | 0:21:08 | 0:21:12 | |
and meet our threesome at the age of 14. | 0:21:12 | 0:21:14 | |
Justin, has life changed for you in the past seven years? | 0:21:14 | 0:21:18 | |
HIGH VOICE: No, not really. It's been... | 0:21:18 | 0:21:22 | |
It's been a difficult seven years. | 0:21:22 | 0:21:24 | |
I have as many injections as I can, but so far, there has been no noticeable change. | 0:21:24 | 0:21:30 | |
And Goldilocks, how is life for you now? | 0:21:30 | 0:21:34 | |
Well, I've had a bit of a nightmare, Hugh. | 0:21:34 | 0:21:37 | |
Basically, I was breaking into the bears' house every day, eating the porridge, sleeping in the beds. | 0:21:37 | 0:21:44 | |
But then one day, the bears got wise to it. | 0:21:44 | 0:21:47 | |
Only gone and got myself a bloody ASBO! | 0:21:47 | 0:21:50 | |
So, Greg, Marek, how is life treating you, now you're 14? | 0:21:51 | 0:21:56 | |
The thing is, because I have grown so quickly, | 0:21:56 | 0:21:59 | |
for some reason, I have lost the ability to do accents. | 0:21:59 | 0:22:03 | |
Und... | 0:22:03 | 0:22:05 | |
And as a result, I have a terrible crisis of confidence. | 0:22:05 | 0:22:09 | |
And I don't even know what this accent actually is! | 0:22:09 | 0:22:13 | |
I genuinely don't know what this accent is. | 0:22:13 | 0:22:16 | |
I couldn't place it within England or in Europe. | 0:22:16 | 0:22:19 | |
-It's a sort of Scottish accent, ja? -Sometimes there's a little bit of Scottish in it, ja. | 0:22:19 | 0:22:25 | |
OK, incredibly, seven short years have passed and we meet our three interviewees again, aged 21. | 0:22:25 | 0:22:33 | |
So, Justin, how are you now? | 0:22:33 | 0:22:36 | |
VERY DEEP VOICE: I'm a lot better than I was. | 0:22:37 | 0:22:40 | |
LAUGHTER AND APPLAUSE | 0:22:40 | 0:22:42 | |
If anything, I've gone kind of... I've kind of gone too much the other way. | 0:22:45 | 0:22:50 | |
That's, um... That's rather frightening. | 0:22:52 | 0:22:55 | |
Goldilocks, how have you enjoyed your 21st birthday? You're now 21, of course. | 0:22:55 | 0:23:01 | |
Yeah, it went from bad to worse. | 0:23:01 | 0:23:04 | |
Basically, I done the ASBO, then I got into drugs. | 0:23:04 | 0:23:08 | |
Then I got pregnant by two of the bears. | 0:23:08 | 0:23:11 | |
And twins, how are you getting on, now you're 21? | 0:23:13 | 0:23:17 | |
Und... | 0:23:17 | 0:23:19 | |
-SCOTTISH ACCENT: -The thing what happened is we swapped bodies | 0:23:19 | 0:23:23 | |
and my accent got even more Scottish. | 0:23:23 | 0:23:26 | |
And the good thing about it is now his accent is completely German, isn't it? | 0:23:30 | 0:23:36 | |
Ja! | 0:23:36 | 0:23:38 | |
Und now I have swapped Greg's body, I have precisely the accent with which I was born. | 0:23:38 | 0:23:44 | |
Thank you very much. That was quite literally extraordinary. | 0:23:45 | 0:23:50 | |
Well done, everyone. Thank you very much. You can go and sit down again. | 0:23:50 | 0:23:54 | |
CHEERING AND APPLAUSE | 0:23:54 | 0:23:56 | |
This is possibly one of the most disturbing images you'll ever see on British television. | 0:24:03 | 0:24:09 | |
Right, now we play a game called Sideways Scene. This is for Pippa, Marek and Justin | 0:24:13 | 0:24:19 | |
and takes place in our special area behind the set, so if you three would head off and get ready... | 0:24:19 | 0:24:25 | |
You three are going to perform a scene in various genres suggested by me, | 0:24:25 | 0:24:30 | |
but the difference is they're going to be doing it lying down on our magic mat. | 0:24:30 | 0:24:35 | |
Now, the scenario is that amorous housewife Pippa is having her shower repaired by hunky plumber Justin | 0:24:36 | 0:24:43 | |
and jealous husband Marek returns. | 0:24:43 | 0:24:47 | |
We're going to start as normal and I'm going to call out the genres as we go. So, off you go. | 0:24:49 | 0:24:55 | |
So you're just here to fix the plumbing, are you? | 0:24:55 | 0:24:59 | |
Yeah. Where's your shower? | 0:24:59 | 0:25:02 | |
-The shower's just over there. Perhaps you could just... -I'll just pop over there right now. | 0:25:02 | 0:25:08 | |
-Sorry. It's not a very wide hallway. -That's quite all right. | 0:25:08 | 0:25:11 | |
Don't slip on that water! | 0:25:11 | 0:25:14 | |
Whoa... Whoa! | 0:25:15 | 0:25:17 | |
Off you go. All right. | 0:25:17 | 0:25:19 | |
This is... This is quite high up, isn't it? | 0:25:21 | 0:25:24 | |
KNOCK AT DOOR Gosh, it's my husband! Careful, he's got a funny leg. | 0:25:24 | 0:25:29 | |
-Just a minute, darling! -I forgot my keys, love. Sorry. | 0:25:29 | 0:25:33 | |
Oh, golly! APPLAUSE | 0:25:35 | 0:25:38 | |
Gosh, isn't this hard? | 0:25:40 | 0:25:42 | |
-Hello! -Hello! | 0:25:42 | 0:25:44 | |
Come in and give me a big snog! | 0:25:44 | 0:25:47 | |
Oh, yes, of course. I've got a bad leg though, so I'll have to hop. | 0:25:47 | 0:25:51 | |
LAUGHTER | 0:25:51 | 0:25:54 | |
Don't run away from me! | 0:25:57 | 0:25:59 | |
Oh! Oh! | 0:26:05 | 0:26:07 | |
-But... -You're hurting me. -Hang on a minute! | 0:26:07 | 0:26:10 | |
-Who's that fellow in the background? -I'm literally just here to fix this shower over here. | 0:26:10 | 0:26:16 | |
You never fix anything. That's the problem with this marriage. I want to punch you in the face! | 0:26:16 | 0:26:22 | |
We'll freeze now. We'll change the genre to "kung-fu". | 0:26:22 | 0:26:25 | |
That's lucky! | 0:26:25 | 0:26:28 | |
Oh! Ohh! | 0:26:29 | 0:26:31 | |
Your forceful punch spins me through the air! | 0:26:31 | 0:26:35 | |
APPLAUSE | 0:26:35 | 0:26:37 | |
I'll get you. | 0:26:39 | 0:26:42 | |
Aaaaagh! | 0:26:43 | 0:26:45 | |
Stop fighting, men! | 0:26:50 | 0:26:52 | |
Let me just... | 0:26:52 | 0:26:54 | |
I'm now doing handstands. | 0:26:54 | 0:26:56 | |
Marek, stop it! It's not good for your leg. | 0:27:00 | 0:27:04 | |
We'll change again. Now we're going to do Harry Potter. | 0:27:04 | 0:27:08 | |
Let's whizz him round. Iracus whizzicus! | 0:27:08 | 0:27:11 | |
-Come on. Who's for a game of Quidditch? -Why not? | 0:27:13 | 0:27:18 | |
LAUGHTER AND APPLAUSE | 0:27:18 | 0:27:20 | |
-I'm not really sure of the rules. -Nor am I. | 0:27:21 | 0:27:25 | |
Look at my levitation spell. | 0:27:25 | 0:27:27 | |
LAUGHTER | 0:27:28 | 0:27:30 | |
Quick, come here! | 0:27:31 | 0:27:33 | |
Oh! Ooh, you're naughty! | 0:27:33 | 0:27:36 | |
Wait till I get my broomstick. | 0:27:36 | 0:27:38 | |
-Oh, no. The spell is broken. -OK, freeze. | 0:27:38 | 0:27:42 | |
-Oh, God! -OK, don't move. | 0:27:42 | 0:27:45 | |
We're just going to get set... | 0:27:45 | 0:27:47 | |
LAUGHTER | 0:27:47 | 0:27:49 | |
Who the bloody hell is this? | 0:27:50 | 0:27:53 | |
I don't know how to move down. | 0:27:53 | 0:27:55 | |
It's ten pounds if you can see right down his crack. | 0:27:55 | 0:27:59 | |
OK, we're going to freeze again and now the genre is "musical". | 0:28:01 | 0:28:05 | |
-I'm flying out of here. -# Don't leave me here... | 0:28:05 | 0:28:09 | |
# Don't leave me here | 0:28:09 | 0:28:12 | |
# I've come to fix your shower | 0:28:12 | 0:28:15 | |
# I'm in love with you now | 0:28:16 | 0:28:18 | |
# And I will do my special Irish dance... # | 0:28:18 | 0:28:22 | |
APPLAUSE | 0:28:24 | 0:28:26 | |
Well done. Thank you very much. | 0:28:26 | 0:28:29 | |
APPLAUSE | 0:28:29 | 0:28:32 | |
OK, come on back in. Thank you very much. | 0:28:33 | 0:28:37 | |
That's all we have time for tonight. Thanks to Justin Edwards, | 0:28:42 | 0:28:47 | |
Laura Solon, Humphrey Ker, | 0:28:47 | 0:28:49 | |
Pippa Evans, Marek Larwood and Greg Davies. | 0:28:49 | 0:28:53 | |
And good night from me, Hugh Dennis. | 0:28:53 | 0:28:55 | |
See you next time we play Fast And Loose. Good night. | 0:28:55 | 0:28:59 | |
Subtitles by Subtext for Red Bee Media Ltd 2011 | 0:29:11 | 0:29:15 | |
Email [email protected] | 0:29:15 | 0:29:18 |