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MOBILE PHONE RINGS | 0:00:27 | 0:00:30 | |
Hiya. | 0:00:30 | 0:00:31 | |
Hiya. It's me. It's Stacey. | 0:00:31 | 0:00:33 | |
- I know. - Oh, my God. | 0:00:33 | 0:00:34 | |
- How's it going? What's it like? - I've literally just sat down. | 0:00:34 | 0:00:37 | |
I said goodbye to you 35 minutes ago. | 0:00:37 | 0:00:39 | |
Have you met anyone yet? What are they like? | 0:00:39 | 0:00:40 | |
Oh, my God. Are there girls everywhere? | 0:00:40 | 0:00:42 | |
- They'll be all over you. - Don't be silly. | 0:00:42 | 0:00:45 | |
It's just new territory for me, babes. | 0:00:45 | 0:00:46 | |
I'm failing to establish my emotional boundaries, | 0:00:46 | 0:00:48 | |
allowing my latent insecurities to manifest themselves... | 0:00:48 | 0:00:51 | |
Babe, you have got to stop reading Psychologies magazine. | 0:00:51 | 0:00:54 | |
I know. I sound like knob. It's just sometimes... | 0:00:54 | 0:00:57 | |
Stace, I've been at work for 11 minutes. | 0:00:57 | 0:01:00 | |
I promise I'll call you at lunch, OK? | 0:01:00 | 0:01:02 | |
- OK. I love you. - I love you too. | 0:01:02 | 0:01:04 | |
KNOCK AT DOOR | 0:01:17 | 0:01:18 | |
Gavin. Huw Davies. Welcome to Cardiff. | 0:01:18 | 0:01:21 | |
Mr Davies, good to see you again. | 0:01:21 | 0:01:23 | |
Please, call me Huw. | 0:01:23 | 0:01:24 | |
Now, is this your first office of your own? | 0:01:24 | 0:01:26 | |
- Yeah, it is. - Excellent news. | 0:01:26 | 0:01:28 | |
I tell you what - call Maintenance | 0:01:28 | 0:01:30 | |
and get them to stick this on your door. | 0:01:30 | 0:01:33 | |
It's a big moment. | 0:01:33 | 0:01:34 | |
Oh, cheers. Thanks. | 0:01:34 | 0:01:36 | |
Now, I'll take you round in a bit, show you what's what and who's who. | 0:01:36 | 0:01:39 | |
Did you get your welcome pack? | 0:01:39 | 0:01:41 | |
- Uh, yeah, I think so. - Excellent news. | 0:01:41 | 0:01:43 | |
PHONE RINGS Get that. Could be important. | 0:01:43 | 0:01:46 | |
Phone system - real easy. | 0:01:46 | 0:01:48 | |
Boom, boom. | 0:01:48 | 0:01:50 | |
And then...line one. | 0:01:50 | 0:01:52 | |
Go. | 0:01:52 | 0:01:53 | |
Uh, Gavin Shipman. | 0:01:53 | 0:01:55 | |
- PAM: Hello, my little prince. - Hiya. Look, um... | 0:01:55 | 0:01:58 | |
How's it going, darling? Are people being nice to you? | 0:01:58 | 0:02:00 | |
- I can't really talk right now. - Oh, my God. | 0:02:00 | 0:02:02 | |
They're victimising you. You are the victim of a victimisation. | 0:02:02 | 0:02:05 | |
Gavin, get out. Run home now. | 0:02:05 | 0:02:07 | |
Mum, everything's fine. It's my mother. | 0:02:07 | 0:02:09 | |
- Oh. - I'm just with my new boss. | 0:02:09 | 0:02:11 | |
Oh, my Christ! What's he like? Is he bald? | 0:02:11 | 0:02:13 | |
What? No. Look, I'll call you at lunch or after work. | 0:02:13 | 0:02:16 | |
When it's not on the company's time. | 0:02:16 | 0:02:17 | |
All right. Well, call me on the... | 0:02:17 | 0:02:20 | |
- Sorry about that. - Hey, listen. | 0:02:20 | 0:02:22 | |
Everyone has to take a personal call once in a while. | 0:02:22 | 0:02:24 | |
And when it's family, it's family. | 0:02:24 | 0:02:26 | |
Now, your fire regs and what have you - very simple. | 0:02:26 | 0:02:29 | |
In the event of a fire, my motto is... | 0:02:29 | 0:02:31 | |
- "Run for your life"? - No. | 0:02:31 | 0:02:33 | |
"Go to your nearest assembly point." | 0:02:33 | 0:02:35 | |
PHONE RINGS Right. | 0:02:35 | 0:02:36 | |
You're on your own with this one. Go for it. | 0:02:36 | 0:02:39 | |
- Line one. Mm. - Hello. Gavin Shipman. | 0:02:39 | 0:02:42 | |
- MICK: You all right, mate? - My dad. | 0:02:42 | 0:02:44 | |
Dad, I'm actually with my boss. | 0:02:44 | 0:02:46 | |
Oh, apologies. Say no more. Call me later. | 0:02:46 | 0:02:48 | |
Cheers. See ya. | 0:02:48 | 0:02:49 | |
I'm so sorry about that. | 0:02:49 | 0:02:50 | |
It's just, you know, with the move down here and that... | 0:02:50 | 0:02:52 | |
Listen. I completely understand. | 0:02:52 | 0:02:54 | |
And a family phone call once in a while, | 0:02:54 | 0:02:56 | |
from a relative or relation, is, uh... | 0:02:56 | 0:02:58 | |
Now, chain of command on this floor. | 0:02:58 | 0:03:01 | |
It's Joyce, then Terry, then Owain. PHONE RINGS | 0:03:01 | 0:03:05 | |
- Gavin Shipman. - SMITHY: Gavlarrr! | 0:03:05 | 0:03:07 | |
Right, ready when you are. Excellent news. OK. | 0:03:07 | 0:03:09 | |
Let's show you round. | 0:03:09 | 0:03:11 | |
MOBILE PHONE RINGS | 0:03:11 | 0:03:14 | |
I'm just gonna leave that there. | 0:03:19 | 0:03:21 | |
NEIL CRIES ON MONITOR | 0:03:29 | 0:03:32 | |
Oh. Neil. | 0:03:37 | 0:03:39 | |
It's me, Vanessa. Your mother. | 0:03:40 | 0:03:44 | |
NEIL GIGGLES | 0:03:44 | 0:03:46 | |
What's wrong? | 0:03:46 | 0:03:47 | |
GIGGLES AND PANTS | 0:03:47 | 0:03:51 | |
I'll be there now, babes. All right? | 0:03:51 | 0:03:53 | |
GIGGLES | 0:03:59 | 0:04:02 | |
NESSA GROANS | 0:04:02 | 0:04:04 | |
I've done you a tea. | 0:04:06 | 0:04:08 | |
- Oh, cheers. - What time you in work? | 0:04:08 | 0:04:11 | |
- 12.00. - I'll drop you off. | 0:04:11 | 0:04:13 | |
I've gotta go to pick up those paper plates. | 0:04:13 | 0:04:15 | |
- Tidy. - I've been looking at this list. | 0:04:15 | 0:04:17 | |
You sure you're not taking on too much, cooking all this food? | 0:04:17 | 0:04:20 | |
It's not that much. Read it out. | 0:04:20 | 0:04:22 | |
Cheese and pineapple. | 0:04:22 | 0:04:24 | |
Already done it. Just gotta do the pineapple. | 0:04:24 | 0:04:26 | |
- Sausage rolls. - Gwen's doing them. | 0:04:26 | 0:04:28 | |
- Sandwiches. - Gwen. | 0:04:28 | 0:04:30 | |
- Pasties. - Gwen. | 0:04:30 | 0:04:31 | |
- Quiche. - Gwen. | 0:04:31 | 0:04:32 | |
- Drumsticks. - Gwen. | 0:04:32 | 0:04:33 | |
- Wings. - Not doing 'em. | 0:04:33 | 0:04:34 | |
- Spicy wings. - Gwen. | 0:04:34 | 0:04:35 | |
- Dips. - Gwen. | 0:04:35 | 0:04:36 | |
- Salad. - Doris. | 0:04:36 | 0:04:38 | |
- Scotch eggs. - Gwen. | 0:04:38 | 0:04:39 | |
Crackin'. | 0:04:39 | 0:04:40 | |
What about desserts? | 0:04:40 | 0:04:41 | |
Oh, Dave, man, give me a break. I'm your fiancee. | 0:04:41 | 0:04:44 | |
I've got enough on my plate as it is. I'm christening my son, | 0:04:44 | 0:04:47 | |
I've got two jobs and I'm living in a caravan. | 0:04:47 | 0:04:49 | |
And it's Gav's first day. I haven't even rang him yet. | 0:04:49 | 0:04:52 | |
I tried him. He didn't pick up. | 0:04:52 | 0:04:53 | |
Talk to Bryn about the afters. | 0:04:53 | 0:04:55 | |
He's got all sorts kickin' round in that freezer. | 0:04:55 | 0:04:58 | |
Probably even got a Black Forest left over from Christmas. | 0:04:58 | 0:05:00 | |
Phwoar! Someone needs changing. | 0:05:00 | 0:05:03 | |
No. He's fine. | 0:05:03 | 0:05:05 | |
It's my feet. | 0:05:05 | 0:05:07 | |
So, this is the first one, OK? | 0:05:10 | 0:05:12 | |
OK. | 0:05:12 | 0:05:14 | |
- Did you speak to Gav yet? - Yeah. | 0:05:14 | 0:05:16 | |
I think he was a bit off with me, to be honest. | 0:05:16 | 0:05:18 | |
Was it wrong to send a balloon, do you think? | 0:05:18 | 0:05:20 | |
No, love. It was a wee bit of fun. | 0:05:20 | 0:05:22 | |
And this is the second one. | 0:05:23 | 0:05:25 | |
I think I prefer the first one. | 0:05:26 | 0:05:28 | |
Oh, I knew you'd say that. I like this one best. | 0:05:28 | 0:05:31 | |
It's up to you. Whatever you feel most comfortable in. | 0:05:31 | 0:05:33 | |
Yeah, it's up to me, it is. It's what I feel most comfortable in. | 0:05:33 | 0:05:36 | |
And the thing with black is it goes with so much. | 0:05:36 | 0:05:39 | |
Mm-hm. | 0:05:39 | 0:05:40 | |
I've got three interviews altogether, now. | 0:05:40 | 0:05:42 | |
Hey, I was thinking - | 0:05:42 | 0:05:43 | |
why don't you talk to Andrea about getting your old job back? | 0:05:43 | 0:05:46 | |
No. Closing down, apparently, cos of the depression. | 0:05:46 | 0:05:49 | |
Recession. | 0:05:49 | 0:05:50 | |
Yeah. The credit thing. | 0:05:50 | 0:05:52 | |
So, what I'm gonna do is, I'll hang on to both jackets. | 0:05:52 | 0:05:55 | |
Then, if I get one of the interviews, | 0:05:55 | 0:05:57 | |
I'll only take one jacket back - keep the other as a treat. | 0:05:57 | 0:06:00 | |
Yeah. Wear it on Sunday. | 0:06:00 | 0:06:02 | |
Nice one, Gwen. | 0:06:02 | 0:06:03 | |
Oh, my God! | 0:06:03 | 0:06:05 | |
I just called you Gwen! | 0:06:05 | 0:06:07 | |
BOTH LAUGH | 0:06:07 | 0:06:08 | |
He just hung up on me, Pam. | 0:06:08 | 0:06:12 | |
Treating me like... like a common dog, a mutt. | 0:06:12 | 0:06:16 | |
Darling, he didn't. | 0:06:16 | 0:06:17 | |
It's his first day. He was off with me on the phone. | 0:06:17 | 0:06:20 | |
I don't know who he is any more, Pam. | 0:06:20 | 0:06:22 | |
He's changed. | 0:06:22 | 0:06:24 | |
He's gone, and I'm here, bereft. | 0:06:24 | 0:06:26 | |
I know, darling. I know exactly how you feel. | 0:06:26 | 0:06:29 | |
No, you don't. You've got Mick. I've got no-one. I'm all alone! | 0:06:29 | 0:06:32 | |
Well, what about Lucy? | 0:06:32 | 0:06:34 | |
She's on some student exchange thing, dicking round the Dordogne. | 0:06:34 | 0:06:36 | |
She's got no credit. I can't text her. | 0:06:36 | 0:06:38 | |
Now, Smithy, listen to me. | 0:06:38 | 0:06:40 | |
You have got to pull yourself together, darling. | 0:06:40 | 0:06:42 | |
You've got to throw yourself into work. | 0:06:42 | 0:06:44 | |
I ain't got no work, have I? No-one's got any money. | 0:06:44 | 0:06:47 | |
I'm still waiting for Mick to give me the go-ahead on the extension. | 0:06:47 | 0:06:50 | |
I've got Deano givin' it all that in my ear | 0:06:50 | 0:06:51 | |
about his child maintenance. | 0:06:51 | 0:06:53 | |
Got this christening I'm supposed to fork out for. | 0:06:53 | 0:06:55 | |
My life's falling apart, Pam. | 0:06:55 | 0:06:57 | |
Hiya. SMITHY MOANS | 0:06:57 | 0:06:59 | |
Oh, God. Not this again, you two. | 0:06:59 | 0:07:01 | |
He is struggling, Mick, to come to terms with the loss of Gavin. | 0:07:01 | 0:07:05 | |
Gavin's not dead, Pam. | 0:07:05 | 0:07:07 | |
Three days running, I've come home to this - tears at the table. | 0:07:07 | 0:07:09 | |
You are so cold, Michael. You are cold-hearted, Mr Shipman. | 0:07:09 | 0:07:13 | |
Oh, please, don't argue. Please. | 0:07:13 | 0:07:14 | |
Your only son has emigrated abroad, to another country, | 0:07:14 | 0:07:17 | |
and you couldn't care one jot. | 0:07:17 | 0:07:19 | |
- You couldn't care a J-O-T-E. - I do care. | 0:07:19 | 0:07:22 | |
I miss him. I do. | 0:07:22 | 0:07:23 | |
I just think we've got to get on with our lives | 0:07:23 | 0:07:25 | |
instead of sitting around here, moping. | 0:07:25 | 0:07:27 | |
Look, Smithy, we would like you to do the extension. | 0:07:27 | 0:07:29 | |
Seriously? Cos if I order materials... | 0:07:29 | 0:07:32 | |
Do the bloody extension. | 0:07:32 | 0:07:34 | |
What are you doin' home anyway, Pam? Shouldn't you and Dawn rehearse? | 0:07:34 | 0:07:37 | |
The heats are in three weeks. | 0:07:37 | 0:07:38 | |
It's off. Dawn and Margaret have had a fight. | 0:07:38 | 0:07:41 | |
- Why? - Margaret won't wear the costume. | 0:07:41 | 0:07:43 | |
- She said it was degradin'. - Costume? What you on about? | 0:07:43 | 0:07:46 | |
Me, Dawn and Japanese Margaret | 0:07:46 | 0:07:48 | |
were gonna enter Britain's Got Talent. | 0:07:48 | 0:07:50 | |
- Doing what? - A medley of Miss Saigon songs. | 0:07:50 | 0:07:53 | |
I was just thinking, you know - I might still enter on my own. | 0:07:53 | 0:07:56 | |
All That Jazz, from Chicago. | 0:07:56 | 0:07:58 | |
# Come on, babe Why don't we paint the... # | 0:07:58 | 0:08:02 | |
Right. Look, what's happening on Sunday? | 0:08:02 | 0:08:04 | |
Who's taking who? | 0:08:04 | 0:08:05 | |
# ..And all that jazz... # | 0:08:05 | 0:08:07 | |
I'm taking Mum and Rudi, so I've got two spaces | 0:08:07 | 0:08:09 | |
if you want to jump in with me. | 0:08:09 | 0:08:10 | |
No, it's all right, darling. We'll go down on our own. | 0:08:10 | 0:08:12 | |
But if I'm not driving, I can have a couple of drinks, | 0:08:12 | 0:08:14 | |
and if he's got two spaces... | 0:08:14 | 0:08:16 | |
Yeah, but we don't want to get in his way, do we, Mick? | 0:08:16 | 0:08:18 | |
- Him and his sister and his mum! - No, they won't mind. | 0:08:18 | 0:08:21 | |
See? And you and Cath can have a little catch-up. | 0:08:21 | 0:08:24 | |
No, I think it's a great idea. Take one car. | 0:08:24 | 0:08:27 | |
Save on the petrol. Do our bit for the carbon footprint, eh, Pam? | 0:08:27 | 0:08:31 | |
That's jazz! | 0:08:31 | 0:08:33 | |
The surprising thing about Terry is, although he doesn't look it, | 0:08:33 | 0:08:36 | |
he is, in fact, our nominated first-aider. | 0:08:36 | 0:08:38 | |
- Huw? - Ah. | 0:08:38 | 0:08:40 | |
Now, here's somebody you've not met yet. | 0:08:40 | 0:08:42 | |
Owain Hughes. Owain heads up the website. | 0:08:42 | 0:08:44 | |
Hi. Nice to meet you. Gavin Shipman. | 0:08:44 | 0:08:46 | |
Owain Hughes. | 0:08:46 | 0:08:48 | |
And before you ask - no, I don't. | 0:08:48 | 0:08:51 | |
HUW AND OWAIN LAUGH | 0:08:51 | 0:08:53 | |
Hey, uh, | 0:08:53 | 0:08:55 | |
we have a little seven-a-side on a Thursday if you fancy joining us. | 0:08:55 | 0:08:58 | |
- Oh, right. Yeah, I'd like that. - I mean, it's nothing too serious. | 0:08:58 | 0:09:01 | |
At the end of the day, it's just touch rugby. | 0:09:01 | 0:09:03 | |
But some of the guys... | 0:09:03 | 0:09:04 | |
Oh, sorry. I thought you meant football. | 0:09:04 | 0:09:07 | |
- No, we play rugby. - It's rugby, it is. | 0:09:07 | 0:09:09 | |
KNOCKING | 0:09:10 | 0:09:12 | |
Gavin! | 0:09:12 | 0:09:13 | |
Gavin, they won't let me in. | 0:09:13 | 0:09:15 | |
- I wanted to surprise you. - Oh, God. | 0:09:15 | 0:09:18 | |
- Brought you a packed lunch. - Bryn, I don't need a... | 0:09:18 | 0:09:20 | |
I'm sorry. This is my uncle...in-law | 0:09:20 | 0:09:23 | |
- This is Bryn. - Hello. | 0:09:24 | 0:09:28 | |
- Hiya. - Hiya. | 0:09:28 | 0:09:29 | |
Bryn, this is Huw Davies, my boss, | 0:09:29 | 0:09:31 | |
and our website manager, Owain Hughes. | 0:09:31 | 0:09:32 | |
Owain Hughes! And do you? | 0:09:32 | 0:09:35 | |
No, I don't. | 0:09:35 | 0:09:36 | |
OWAIN, HUW AND BRYN LAUGH | 0:09:36 | 0:09:39 | |
Now, I wasn't sure what you'd like, | 0:09:39 | 0:09:42 | |
so I've done you a selection of sandwiches. | 0:09:42 | 0:09:45 | |
A smorgasbord. | 0:09:45 | 0:09:46 | |
You've got cheese and pickle, | 0:09:46 | 0:09:48 | |
cheese and ham, cheese and tomato, | 0:09:48 | 0:09:51 | |
and just cheese. | 0:09:51 | 0:09:52 | |
Take your pick. A bit of everything. | 0:09:52 | 0:09:54 | |
Look, don't stay out there, Bryn. Come on in, man. | 0:09:54 | 0:09:56 | |
Oh, no, no, no, no, no, no. | 0:09:56 | 0:09:58 | |
I don't want to disturb him on his first day. | 0:09:58 | 0:10:00 | |
Do you know what? Looking in this window now, | 0:10:01 | 0:10:04 | |
it's like watching an episode of The Apprentice. | 0:10:04 | 0:10:06 | |
I feel like Sir Alan Sugar. Very clever man. | 0:10:06 | 0:10:10 | |
Gavin? You're fired! | 0:10:10 | 0:10:12 | |
You're not really. I don't have that sort of power. | 0:10:12 | 0:10:15 | |
I'll see you, Gav. Huw. Owain. | 0:10:15 | 0:10:17 | |
- Bye, Bryn. - See you. | 0:10:17 | 0:10:18 | |
Mr Shipman, parcel for you. | 0:10:20 | 0:10:22 | |
Just arrived. | 0:10:22 | 0:10:24 | |
Oh, thanks. | 0:10:24 | 0:10:25 | |
Well, open it, then. | 0:10:32 | 0:10:34 | |
It's from my wife. | 0:10:47 | 0:10:49 | |
So, what I'll do is, I'll keep the both jackets. | 0:10:52 | 0:10:55 | |
Then if I get one of the jobs, I'll only take one jacket back. | 0:10:55 | 0:10:58 | |
- Keep the other as a treat. - And you can wear it on Sunday. | 0:10:58 | 0:11:00 | |
That's exactly what Mum said. | 0:11:00 | 0:11:03 | |
- Oh, my God. Where's Neil? - The Baby? | 0:11:03 | 0:11:06 | |
Yeah. | 0:11:06 | 0:11:08 | |
Oh! There you are! | 0:11:08 | 0:11:11 | |
It's easier for me to smoke. | 0:11:11 | 0:11:13 | |
Oh, right. | 0:11:13 | 0:11:14 | |
So how's it all going with Dave, living together and that? | 0:11:14 | 0:11:17 | |
Oh, you know, he's got his faults, I've got mine. | 0:11:17 | 0:11:20 | |
They're just magnified when you live in a caravan. | 0:11:20 | 0:11:23 | |
How you finding it with Gav in my old room? | 0:11:23 | 0:11:24 | |
Oh, I absolutely love it. | 0:11:24 | 0:11:27 | |
I wake up in the morning | 0:11:27 | 0:11:28 | |
and think, "Lush! I'm in Barry." | 0:11:28 | 0:11:30 | |
I just hope Gav likes the job, so we can stay and get our own place. | 0:11:30 | 0:11:34 | |
The thing about relationships, Stace, it's all about give and take. | 0:11:34 | 0:11:36 | |
- Sometimes you give... - Sometimes you take. | 0:11:36 | 0:11:39 | |
That's my problem with Dave. I only want to give. | 0:11:39 | 0:11:42 | |
And he's fed up with taking. | 0:11:43 | 0:11:46 | |
Right. | 0:11:48 | 0:11:50 | |
I gotta clean the grabbers. | 0:11:50 | 0:11:51 | |
Come on, Neil. Follow me. | 0:11:51 | 0:11:53 | |
I didn't know you could win an iPod on the grabbers. | 0:11:58 | 0:12:01 | |
- Where's it say you can win an iPod? - You can see it there. It's... | 0:12:01 | 0:12:04 | |
Use your eyes, Stace. What do you actually see? | 0:12:04 | 0:12:06 | |
- An iPod. - No. It's an iPod box. | 0:12:06 | 0:12:10 | |
And that is what you win. | 0:12:10 | 0:12:12 | |
I'm sick of sayin' it. | 0:12:12 | 0:12:14 | |
"No, I don't"? What's his name again? | 0:12:16 | 0:12:19 | |
Owain Hughes. | 0:12:19 | 0:12:20 | |
"And before you ask, no, I don't." | 0:12:20 | 0:12:23 | |
Right, am I being thick? Cos I just don't get that. | 0:12:26 | 0:12:28 | |
- Me neither. - And you say Bryn found it funny? | 0:12:28 | 0:12:30 | |
- Yeah, they all did. - See, I'm good at jokes. | 0:12:30 | 0:12:33 | |
I'm the creator of some of Billericay's biggest jokes. | 0:12:33 | 0:12:35 | |
- You are their biggest joke. - Shut it, you slag! | 0:12:35 | 0:12:38 | |
No, you shut it, you slag. | 0:12:38 | 0:12:40 | |
- You slag! - You slag! | 0:12:40 | 0:12:42 | |
- You slag! - You slag! | 0:12:42 | 0:12:44 | |
No, you slag! You slag! You slag! Shut it, you slag! | 0:12:44 | 0:12:48 | |
Hiya. Can I have a large cod and chips, two battered sausage, | 0:12:48 | 0:12:50 | |
chicken and mushroom pie, can of Shandy Bass and a cherry Tango? | 0:12:50 | 0:12:53 | |
- You with Deano? - No. | 0:12:53 | 0:12:54 | |
Rudi? | 0:12:54 | 0:12:55 | |
- No. - What, is all that food for you? | 0:12:55 | 0:12:58 | |
Yeah, but I'm having some now, as an afternoon snack, | 0:12:58 | 0:13:00 | |
some for my dinner and then some for my supper. | 0:13:00 | 0:13:02 | |
- Can I have them two? - What's happening with your mum? | 0:13:02 | 0:13:04 | |
- Is she coming on Sunday or not? - Well, she claims she is. | 0:13:04 | 0:13:07 | |
- If she's not having an off day. - Well, that's good, innit? | 0:13:07 | 0:13:09 | |
Yeah, it's just... | 0:13:09 | 0:13:11 | |
It's the first time she's gonna meet Nessa | 0:13:11 | 0:13:13 | |
and Dave's gonna be there and... | 0:13:13 | 0:13:15 | |
You know, after everything that happened at Christmas... | 0:13:15 | 0:13:17 | |
Like what? | 0:13:17 | 0:13:19 | |
Nothing. Listen, I've gotta pay, so... Yeah, I'll see you later. | 0:13:20 | 0:13:23 | |
Yeah. See ya. | 0:13:23 | 0:13:24 | |
Stace? | 0:13:24 | 0:13:26 | |
'And that sunshine will certainly help | 0:13:31 | 0:13:34 | |
'to ripen David Lloyd's tomatoes in Cwmbach. | 0:13:34 | 0:13:37 | |
'Further west, a little bit of... | 0:13:37 | 0:13:38 | |
'...found in almost every town and city in Wales. | 0:13:38 | 0:13:41 | |
BOTH SPEAK WELSH | 0:13:41 | 0:13:44 | |
SWITCHES TV OFF | 0:13:52 | 0:13:53 | |
DOOR OPENS | 0:14:14 | 0:14:15 | |
- STACEY: Gavlar! - Hiya. | 0:14:15 | 0:14:17 | |
Oh! I can't do it, can I? | 0:14:23 | 0:14:26 | |
I'm trying to do the robot so you won't feel homesick. | 0:14:26 | 0:14:29 | |
Oh, baby, that's so sweet. Come here. | 0:14:29 | 0:14:31 | |
You're so lovely. | 0:14:34 | 0:14:36 | |
Do you prefer sex in Barry or in Essex? | 0:14:42 | 0:14:45 | |
- What? - Cos I think I prefer it in Essex. | 0:14:45 | 0:14:48 | |
Right. We did it last night. Are you saying I'm worse in bed in Barry? | 0:14:48 | 0:14:51 | |
No. | 0:14:51 | 0:14:52 | |
I just mean I think it's sort of dirtier in Essex, | 0:14:52 | 0:14:55 | |
cos your mum and dad are only in the next room. | 0:14:55 | 0:14:58 | |
But here, my mum isn't bothered. | 0:14:58 | 0:15:00 | |
She's heard me have sex loads of times - and Ness. | 0:15:00 | 0:15:02 | |
DOG BARKS SMITHY: Mum! | 0:15:07 | 0:15:09 | |
We were supposed to leave ten minutes ago! | 0:15:09 | 0:15:11 | |
- Have you been to bed? - No. | 0:15:16 | 0:15:18 | |
Mum, have you got any Nurofen? | 0:15:18 | 0:15:20 | |
CATH: Anadin. In the drawer. | 0:15:20 | 0:15:23 | |
So you're obviously not coming. | 0:15:24 | 0:15:27 | |
Yeah. I'm ready. | 0:15:27 | 0:15:29 | |
You're not coming like that. | 0:15:30 | 0:15:32 | |
BELCHES AND BLOWS | 0:15:32 | 0:15:34 | |
I am. | 0:15:34 | 0:15:36 | |
It's a christening. It's your nephew's christening. | 0:15:36 | 0:15:38 | |
Yeah. Yeah, you're right. | 0:15:38 | 0:15:40 | |
Hang on. | 0:15:41 | 0:15:43 | |
What? | 0:15:43 | 0:15:44 | |
Just seeing if I can find someone who gives a shit. | 0:15:44 | 0:15:46 | |
CATH: Right. I'm ready. | 0:15:46 | 0:15:49 | |
I'll do me make-up in the car. | 0:15:53 | 0:15:55 | |
Bring them Anadin, Ruth. | 0:15:55 | 0:15:57 | |
I knew this would happen. | 0:16:08 | 0:16:09 | |
It won't be Smithy that's held them up. It'll be her. | 0:16:09 | 0:16:11 | |
- Cath. - There's no point getting worked up. | 0:16:11 | 0:16:14 | |
We're gonna be together in that car for four hours. | 0:16:14 | 0:16:16 | |
NINE hours. Four hours there and four hours back. | 0:16:16 | 0:16:19 | |
That's NINE hours, Michael. | 0:16:19 | 0:16:21 | |
No, it's not. It's eight hours. Four and four is eight. | 0:16:21 | 0:16:24 | |
Oh, to-may-to, to-mah-to. | 0:16:24 | 0:16:26 | |
I just don't want to be stuck in the car with her. | 0:16:26 | 0:16:28 | |
Why? | 0:16:28 | 0:16:29 | |
Because she plainly doesn't like me, Mick, | 0:16:29 | 0:16:31 | |
and, quite frankly, I can't stand her. | 0:16:31 | 0:16:32 | |
And before you say anything, it's got nothing to do with her epilepsy. | 0:16:32 | 0:16:35 | |
It's narcolepsy, Pam - a very mild form of narcolepsy. | 0:16:35 | 0:16:39 | |
So she says. | 0:16:39 | 0:16:40 | |
I'd have narcolepsy if I drank... CAR HORN BEEPS | 0:16:40 | 0:16:42 | |
..three bottles of wine a night. | 0:16:42 | 0:16:44 | |
Be nice. | 0:16:44 | 0:16:46 | |
I will be nice. I'm sitting in the front. | 0:16:46 | 0:16:48 | |
Pamelar, Micklar, your "carr-agini" awaits. | 0:16:51 | 0:16:54 | |
You're in a good mood. | 0:16:54 | 0:16:56 | |
My son's being made a Christian, Pam, | 0:16:56 | 0:16:57 | |
which guarantees he will not burn in hell, | 0:16:57 | 0:16:59 | |
unlike you, Michael Shipman, | 0:16:59 | 0:17:01 | |
who is definitely destined for the flames. | 0:17:01 | 0:17:03 | |
Hi, Rudi. | 0:17:04 | 0:17:05 | |
I gotta sit in the front, if you don't mind. | 0:17:05 | 0:17:07 | |
I'll puke if I go in the back. | 0:17:07 | 0:17:08 | |
Oh, that's all right, darling. I prefer it in the back, anyway. | 0:17:08 | 0:17:12 | |
Cath! | 0:17:12 | 0:17:13 | |
Hello, Pammy. Come on. Get in. We'll have a good catch-up. | 0:17:13 | 0:17:16 | |
Lovely! | 0:17:16 | 0:17:17 | |
DOORBELL RINGS | 0:17:24 | 0:17:27 | |
- Hiya, Dor. - I'm early, I am, Gwen. | 0:17:30 | 0:17:33 | |
- Well, come on in. - I will, if you don't mind. | 0:17:33 | 0:17:35 | |
I've been ready for six hours, | 0:17:35 | 0:17:37 | |
just scratching around in there, all on my tod. | 0:17:37 | 0:17:40 | |
Well, you should have said. | 0:17:40 | 0:17:41 | |
Shit! You've been busy. | 0:17:41 | 0:17:43 | |
Just a few bits and bobs. | 0:17:43 | 0:17:45 | |
- Have you got the salad... - Oh, this effing salad, Gwen. | 0:17:45 | 0:17:48 | |
Look, I haven't done it, I'm not doing it. End of. | 0:17:48 | 0:17:52 | |
- Why? - Because I can't be arsed. | 0:17:52 | 0:17:54 | |
People don't want it, Gwen. They want filling up. | 0:17:54 | 0:17:58 | |
Pies, pasties, this cheap crap. | 0:17:58 | 0:18:01 | |
I mean, I don't even know why I offered. | 0:18:01 | 0:18:04 | |
Why did I offer to help someone who's owed me £6,500 since 1992? | 0:18:04 | 0:18:09 | |
She is paying you back, Dor. Fair play. | 0:18:09 | 0:18:12 | |
£1 a week, Gwen. What does she take me for? | 0:18:12 | 0:18:15 | |
A fool? I'll be 140 by the time it's repaid. | 0:18:15 | 0:18:19 | |
Well, look, Dor, I'll do the salad, then. | 0:18:19 | 0:18:21 | |
No. Why should you? | 0:18:21 | 0:18:22 | |
You're defeating the object. Now, just leave it. | 0:18:22 | 0:18:25 | |
Let her come up to me, as she undoubtedly will, | 0:18:25 | 0:18:28 | |
and say, "Oh, Dor, where's the salad?" | 0:18:28 | 0:18:31 | |
And I'll say, "Oh, fatty, where's my cash?" | 0:18:31 | 0:18:34 | |
- Hiya! - Hi. | 0:18:34 | 0:18:36 | |
- All right, Doris? - No. | 0:18:36 | 0:18:38 | |
I'm crabby, I am, Gav. Moody. | 0:18:38 | 0:18:40 | |
I've just ripped into Nessa for absolutely no reason whatsoever. | 0:18:40 | 0:18:43 | |
- Time of the month, Stace. - Oh. | 0:18:43 | 0:18:45 | |
"Do you renounce the works of the Devil?" | 0:18:45 | 0:18:48 | |
"Yes, sir, I do!" | 0:18:48 | 0:18:51 | |
ALL LAUGH | 0:18:51 | 0:18:53 | |
Gwen, I've been reading the order of service for the christening. | 0:18:53 | 0:18:57 | |
And I'll tell you what - it's very dramatic. | 0:18:57 | 0:18:59 | |
It's like being in an opera. | 0:18:59 | 0:19:01 | |
- Is it? - GAVIN: Anyone want any toast? | 0:19:01 | 0:19:02 | |
- STACEY: No. - DORIS: You're right, Gav. | 0:19:02 | 0:19:04 | |
Seriously - as a godfather, | 0:19:04 | 0:19:06 | |
if anything should happen to Ness, David or Smithy, | 0:19:06 | 0:19:09 | |
then I am basically promising today | 0:19:09 | 0:19:12 | |
to protect Neil the Baby from Satan himself, | 0:19:12 | 0:19:15 | |
from Lucifer, from Old Nick. | 0:19:15 | 0:19:17 | |
Good thing I've been down the gym, eh, Gav? Put 'em up! | 0:19:17 | 0:19:20 | |
Put 'em up! Whoa! | 0:19:20 | 0:19:22 | |
BRYN LAUGHS | 0:19:22 | 0:19:24 | |
Jokin', I am. | 0:19:24 | 0:19:25 | |
GAVIN: I'd better get dressed. | 0:19:25 | 0:19:26 | |
Oh, yes. Come on. Chop chop. | 0:19:26 | 0:19:28 | |
Oh, we've got plenty of time. | 0:19:28 | 0:19:30 | |
Right. I'm gonna start running this lot down to the Dolphin. | 0:19:30 | 0:19:34 | |
Um...where's the salad, Dor? | 0:19:34 | 0:19:36 | |
Where's the salad? Where's the salad? | 0:19:36 | 0:19:39 | |
There's the salad. Now, leave me alone. | 0:19:39 | 0:19:42 | |
So, I said to Dr Chowdhry... You know Dr Chowdhry, don't you? | 0:19:46 | 0:19:50 | |
Oh, yeah. Yeah, we like him, don't we? | 0:19:50 | 0:19:53 | |
Yeah, well, I used to. | 0:19:53 | 0:19:55 | |
So I said to him, | 0:19:55 | 0:19:57 | |
"All I'm asking you to do is run some checks on me | 0:19:57 | 0:20:00 | |
"to see if I've got narcoleptic tendencies." | 0:20:00 | 0:20:03 | |
- But he wouldn't listen. - No. | 0:20:03 | 0:20:05 | |
He said if you was to cut down on your drinking, | 0:20:05 | 0:20:07 | |
you'd notice a marked improvement on your ability to stay awake. | 0:20:07 | 0:20:09 | |
- And what did I say back to him? - Mum, you can't. It's racist. | 0:20:09 | 0:20:12 | |
Well, yes, I did say something, Pam, that I'm ashamed of. | 0:20:12 | 0:20:15 | |
But I told him, | 0:20:15 | 0:20:16 | |
I wasn't there to discuss my social life, but my health. | 0:20:16 | 0:20:20 | |
- Right. - So... | 0:20:20 | 0:20:22 | |
He did the tests e-ventually. | 0:20:22 | 0:20:26 | |
And what were the results? | 0:20:26 | 0:20:27 | |
I don't know. | 0:20:27 | 0:20:29 | |
I was supposed to pick them up on Tuesday afternoon, | 0:20:29 | 0:20:31 | |
but I slept right through till 6.00. | 0:20:31 | 0:20:33 | |
Next time we visit this church, you'll be walking down the aisle. | 0:20:40 | 0:20:43 | |
I know. The virgin bride. | 0:20:43 | 0:20:46 | |
How's all that going, by the way? | 0:20:46 | 0:20:48 | |
Yeah. I've been looking into it on the web, like. | 0:20:48 | 0:20:50 | |
I've still got some of Doris's money left over, | 0:20:50 | 0:20:52 | |
so come the actual wedding night, I'll be good as new for you. | 0:20:52 | 0:20:55 | |
Crackin'. | 0:20:55 | 0:20:56 | |
Oh, Ness. | 0:20:56 | 0:20:57 | |
All right, Dad? How's it going? All right? | 0:20:57 | 0:20:59 | |
All right, Ness. How's it going? All right? | 0:20:59 | 0:21:02 | |
Dave, this is Neil, my father. | 0:21:02 | 0:21:04 | |
Dad, this is my friend, Dave. | 0:21:04 | 0:21:07 | |
- Well, fiance. - That's what I said. | 0:21:07 | 0:21:10 | |
And who's this little man, eh? | 0:21:10 | 0:21:13 | |
CHUCKLES This is Neil the Baby. | 0:21:13 | 0:21:16 | |
Neil, this is your granddad, Neil. | 0:21:17 | 0:21:19 | |
I'm glad you could make it, Dad. | 0:21:19 | 0:21:22 | |
I know how difficult it must be for you to show your face round Barry. | 0:21:22 | 0:21:25 | |
I wouldn't miss this for the world. | 0:21:25 | 0:21:27 | |
I've just got to keep my wits about me. | 0:21:27 | 0:21:29 | |
Shall we? | 0:21:29 | 0:21:31 | |
David. | 0:21:40 | 0:21:41 | |
Neil Jenkins! | 0:21:45 | 0:21:46 | |
Now, there's a blast from the past. | 0:21:46 | 0:21:49 | |
BRYN LAUGHS All right, Bryn. What's occurrin'? | 0:21:49 | 0:21:53 | |
Well, you are looking remarkably well. Isn't he, Gwen? | 0:21:53 | 0:21:56 | |
I'm trying to think when we last saw you. | 0:21:56 | 0:21:58 | |
- '97. Diana's funeral. - That's it. | 0:21:58 | 0:22:02 | |
- Smithy. - All right? | 0:22:02 | 0:22:04 | |
Hiya. Sorry I'm late. | 0:22:05 | 0:22:07 | |
Hey! There he is! | 0:22:07 | 0:22:10 | |
Why is he wearing a dress? | 0:22:10 | 0:22:12 | |
I don't know. | 0:22:12 | 0:22:13 | |
Oh, right. Um... | 0:22:13 | 0:22:15 | |
Everyone, this is my mum, by the way, Cath. | 0:22:15 | 0:22:17 | |
- BRYN: Hello, Cath. - And Rudi, my sister. | 0:22:17 | 0:22:19 | |
Smithy! We met at the drive-through. | 0:22:19 | 0:22:22 | |
- That's all right, Bryn. - Can we sit down now, please, Neil? | 0:22:22 | 0:22:24 | |
- I'm absolutely exhausted. - SMITHY: Yeah, yeah. | 0:22:24 | 0:22:27 | |
- I'd better have him with me. - All right. | 0:22:28 | 0:22:31 | |
OK. | 0:22:31 | 0:22:32 | |
- Should I sit... - No, you're all right, Smith. | 0:22:33 | 0:22:37 | |
- You can sit anywhere, I think. - OK. | 0:22:37 | 0:22:40 | |
Good morning, everyone. Let's start with our first hymn. | 0:22:44 | 0:22:48 | |
Number 377. | 0:22:48 | 0:22:50 | |
"Immortal, invisible, God only wise, | 0:22:50 | 0:22:54 | |
"In light inaccessible, | 0:22:54 | 0:22:56 | |
"Hid from our eyes." | 0:22:56 | 0:22:59 | |
ORGAN PLAYS INTRODUCTION | 0:22:59 | 0:23:03 | |
And so now we welcome you, | 0:23:04 | 0:23:07 | |
Neil Noel Edmond Smith, | 0:23:07 | 0:23:10 | |
into the family of the Church. | 0:23:10 | 0:23:11 | |
Let's give him a round of applause, everyone. | 0:23:11 | 0:23:13 | |
And in celebration of this joyous event, | 0:23:20 | 0:23:23 | |
Bryn West, Neil's godfather, | 0:23:23 | 0:23:25 | |
would like to sing for us all. | 0:23:25 | 0:23:27 | |
Bryn? | 0:23:27 | 0:23:28 | |
MUSIC: "Something Inside" by Labi Siffre | 0:23:31 | 0:23:34 | |
# The higher you build your barrier | 0:23:42 | 0:23:45 | |
# The taller I become | 0:23:47 | 0:23:50 | |
# The farther you take my rights away | 0:23:52 | 0:23:56 | |
# The faster I will run | 0:23:58 | 0:24:00 | |
# You can deny me | 0:24:02 | 0:24:05 | |
# You can decide to turn your face away | 0:24:05 | 0:24:10 | |
# No matter, cos there's... | 0:24:10 | 0:24:13 | |
CHOIR JOINS IN: # Something inside so strong | 0:24:13 | 0:24:16 | |
# I know that I can make it | 0:24:18 | 0:24:21 | |
# Though you're doing me wrong, so wrong | 0:24:21 | 0:24:24 | |
# Thought that my pride was gone | 0:24:24 | 0:24:28 | |
# Oh, no | 0:24:28 | 0:24:30 | |
# There's something inside so strong | 0:24:30 | 0:24:35 | |
# Oh! Oh! Oh! | 0:24:35 | 0:24:36 | |
# Something inside so strong | 0:24:36 | 0:24:40 | |
# The more you refuse to hear my voice | 0:24:42 | 0:24:45 | |
CHOIR: # Away, away, away, away | 0:24:45 | 0:24:47 | |
BRYN: # The louder I will sing... # | 0:24:47 | 0:24:50 | |
Hearing Bryn singing like that makes me think I should go solo. | 0:24:50 | 0:24:55 | |
- I mean, if he can do it... - Yeah. | 0:24:55 | 0:24:57 | |
And I honestly believe I've got something | 0:24:57 | 0:24:59 | |
that Simon, Amanda and, particularly, Piers would want to hear. | 0:24:59 | 0:25:03 | |
Yeah, well, now you come to mention it, | 0:25:03 | 0:25:05 | |
you have got a touch of the Susan Boyles about you. | 0:25:05 | 0:25:07 | |
Oh, thanks, darlin'. | 0:25:07 | 0:25:09 | |
- Congratulations, you two. - Yeah, lovely service. | 0:25:09 | 0:25:12 | |
DAVE: Yeah, help yourself to the food. | 0:25:12 | 0:25:14 | |
- Cheers, Pam. - Good on you, mate. | 0:25:14 | 0:25:16 | |
There's a bar over there. | 0:25:16 | 0:25:17 | |
Order what you like. They'll bring it over. | 0:25:17 | 0:25:19 | |
Oh, very generous. | 0:25:19 | 0:25:20 | |
Yeah, you can have anything - beers, wine, vodka, rum. | 0:25:20 | 0:25:23 | |
Tell him what you want, he'll do it for you. | 0:25:23 | 0:25:25 | |
- And then just pay him at the till. - BOTH: It's not a free bar. | 0:25:25 | 0:25:28 | |
Right. Ha! | 0:25:28 | 0:25:30 | |
Congratulations, you two. I hope you'll be very happy together. | 0:25:31 | 0:25:35 | |
Cheers, Dor. I'll stick it with the others, is it? | 0:25:35 | 0:25:38 | |
I'm not being funny, but shouldn't I be doing this - the welcoming...bit? | 0:25:40 | 0:25:45 | |
Congratulations. | 0:25:45 | 0:25:46 | |
- Hiya. - Cheers. | 0:25:46 | 0:25:47 | |
- I'll take that. - No, it's not for Neil. | 0:25:47 | 0:25:49 | |
- It's an engagement present, it is. - What? | 0:25:49 | 0:25:51 | |
Yeah, we thought we'd kill two birds with one stone, like, | 0:25:51 | 0:25:54 | |
and make it a christening-slash-engagement party. | 0:25:54 | 0:25:56 | |
Whoa! Hang on. What's this about a slash? | 0:25:56 | 0:25:58 | |
I don't want a slash. No-one told me I was having a slash. | 0:25:58 | 0:26:00 | |
It's not a big deal. It's just a few friends... | 0:26:00 | 0:26:02 | |
Yes, it is. I forked out 420 quid for today | 0:26:02 | 0:26:04 | |
for my son, OUR son's christening. | 0:26:04 | 0:26:06 | |
I can't see where it's gone, to be honest. | 0:26:06 | 0:26:08 | |
The food's a joke. There's not even any salad. | 0:26:08 | 0:26:10 | |
What? | 0:26:10 | 0:26:12 | |
Look, it doesn't matter about... | 0:26:12 | 0:26:13 | |
Oh! Doris! | 0:26:13 | 0:26:16 | |
It doesn't matter about the salad. | 0:26:16 | 0:26:18 | |
So... | 0:26:18 | 0:26:20 | |
You're going ahead with it, then - the engagement. | 0:26:21 | 0:26:23 | |
What? Yeah, I just said. | 0:26:23 | 0:26:26 | |
No, you didn't. | 0:26:26 | 0:26:29 | |
Well, yeah, I am, all right? | 0:26:29 | 0:26:31 | |
You all right? | 0:26:34 | 0:26:36 | |
Yeah. Cheers. | 0:26:36 | 0:26:40 | |
Talk me through the decision with the middle name again. | 0:26:40 | 0:26:42 | |
Noel and Edmond? | 0:26:42 | 0:26:43 | |
Yeah, Noel Edmond. | 0:26:43 | 0:26:45 | |
Well, I wanted to call him after my granddad, Edmond... | 0:26:45 | 0:26:48 | |
Pappa Ed. | 0:26:48 | 0:26:50 | |
She wanted to call him after some mate of hers who was in Hear'Say. | 0:26:50 | 0:26:52 | |
- Noel. - So that's what we got. | 0:26:52 | 0:26:54 | |
Noel Edmonds. His middle name's Noel Edmonds. | 0:26:54 | 0:26:57 | |
Well, essentially, it isn't Noel Edmonds | 0:26:57 | 0:26:59 | |
cos, essentially, there isn't an S, so... | 0:26:59 | 0:27:01 | |
- Are you in a mood? - I'm fine. | 0:27:01 | 0:27:03 | |
Just fed up of people saying my son's named after Noel Edmonds. | 0:27:03 | 0:27:06 | |
Can I have a go of him? | 0:27:14 | 0:27:16 | |
Yeah, go for it. | 0:27:16 | 0:27:18 | |
Sorry. We haven't really met properly. | 0:27:18 | 0:27:19 | |
I'm Smithy's sister. | 0:27:19 | 0:27:21 | |
- Rudi. - Nessa. | 0:27:21 | 0:27:23 | |
Vanessa. So lovely to meet you. | 0:27:23 | 0:27:26 | |
I'm Catherina, Neil's mother. | 0:27:26 | 0:27:28 | |
I know. | 0:27:28 | 0:27:29 | |
Yeah, it's appalling, this is the first time we meet. | 0:27:29 | 0:27:31 | |
Don't worry about it. I knows how tired you get. | 0:27:31 | 0:27:33 | |
And we did speak that time on the webcam. | 0:27:33 | 0:27:35 | |
Oh...yes, and... can I just say again, | 0:27:35 | 0:27:39 | |
that second time was a genuine mistake. | 0:27:39 | 0:27:42 | |
I honestly thought you were this man called John from Epworth. | 0:27:42 | 0:27:46 | |
- I would never have exposed... - Oh. | 0:27:46 | 0:27:48 | |
Cath, it's fine. | 0:27:48 | 0:27:50 | |
It's nothing I've not seen before. | 0:27:50 | 0:27:52 | |
BRYN: Right. | 0:27:52 | 0:27:54 | |
Everybody, we're going to have a family photo. | 0:27:54 | 0:27:56 | |
- Everybody forward. - MICK: Where do you want us, Bryn? | 0:27:56 | 0:27:59 | |
Dave, I want you one side of Ness and, Smithy, you on the other. | 0:27:59 | 0:28:02 | |
The little ones at the front and the big ones at the back. | 0:28:02 | 0:28:05 | |
You're the littlest one, aren't ya? | 0:28:05 | 0:28:07 | |
And then, if everybody could move in together, please. Bunch in together. | 0:28:07 | 0:28:10 | |
That's it. All right. | 0:28:10 | 0:28:12 | |
CAMERA CLICKS BRYN: Yay. | 0:28:16 | 0:28:17 | |
PAM: Yay! SHE LAUGHS | 0:28:17 | 0:28:19 | |
- Can we have one now, me and Gav? - Go on, then. Ness? | 0:28:20 | 0:28:23 | |
Could Stace have him for a minute? | 0:28:23 | 0:28:25 | |
Oh. He's so lush, isn't he? | 0:28:29 | 0:28:32 | |
Neil the Baby. | 0:28:32 | 0:28:34 | |
Yeah, he is. | 0:28:34 | 0:28:36 | |
- Gav? - Yeah. | 0:28:36 | 0:28:38 | |
What? | 0:28:38 | 0:28:40 | |
- Yeah, let's go for it. - Seriously? | 0:28:40 | 0:28:43 | |
Why not? Let's give it a try. | 0:28:43 | 0:28:45 | |
- Oh! - All ready? | 0:28:50 | 0:28:52 | |
# Tell me tomorrow I'll wait by the window for you | 0:28:55 | 0:29:00 | |
# I'll wait by your big house for you | 0:29:05 | 0:29:09 | |
# I'll wait by the squeeze box for you. # | 0:29:13 | 0:29:18 |