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Hi. I'm Boyd Clack, creator and director of the comedy series High Hopes. | 0:00:24 | 0:00:28 | |
The idea for the show came from meeting a couple of youngsters | 0:00:28 | 0:00:32 | |
of the Valleys who were up to a bit of nonsense | 0:00:32 | 0:00:34 | |
and then discovering that they were being brought up by their 16-year-old auntie and her boyfriend. | 0:00:34 | 0:00:40 | |
Anyway, they set me towards thinking about the nature of family life. | 0:00:40 | 0:00:44 | |
This show is a creation of a new family from bits of other families. | 0:00:44 | 0:00:48 | |
It's about the kindness and humanity that is needed for that. | 0:00:48 | 0:00:51 | |
Coming up: | 0:00:51 | 0:00:52 | |
Mam reveals all, Claude messes up, Fagin smartens up | 0:00:52 | 0:00:56 | |
and the boys fall out. | 0:00:56 | 0:00:58 | |
But to begin at the beginning, in the first ever episode... | 0:01:01 | 0:01:05 | |
the boys break into the Hepplewhite house. | 0:01:05 | 0:01:09 | |
DRAWERS RATTLE Shhh! | 0:01:09 | 0:01:11 | |
Why don't you just go upstairs and wake 'em up with a cup of tea?! | 0:01:11 | 0:01:15 | |
"Hello, we're house breakers. The kettle's on!" | 0:01:15 | 0:01:18 | |
(I never done it on purpose!) | 0:01:18 | 0:01:20 | |
Don't move, or my mam will throw this over you, won't you? | 0:01:20 | 0:01:23 | |
Yes, and it's nearly full. | 0:01:25 | 0:01:26 | |
Who are you? Where are you from? I'm Dwayne Hoffman and he's Charlie Jenkins. We're sleeping rough, like. | 0:01:28 | 0:01:35 | |
Do your parents know where you are? | 0:01:35 | 0:01:37 | |
My mum and dad are divorced, like, and Charlie's mum is a prostitute, | 0:01:37 | 0:01:41 | |
working at car parks in Neath. He don't know who his father is. | 0:01:41 | 0:01:44 | |
Only the proper car parks, the official ones, like! | 0:01:44 | 0:01:47 | |
I'm very old-fashioned and I like a lot of old stuff. | 0:01:47 | 0:01:50 | |
I used to adore black and white television things | 0:01:50 | 0:01:53 | |
and I used to watch children's things like Wacko and Billy Bunter. | 0:01:53 | 0:01:56 | |
But when I really got into it, it was with Hancock on radio | 0:01:56 | 0:01:59 | |
then television with Galton and Simpson. | 0:01:59 | 0:02:02 | |
My mam will see to your food and your washing and that, | 0:02:02 | 0:02:05 | |
and I could slip you a few bob from time to time. | 0:02:05 | 0:02:09 | |
So...what do you say? | 0:02:09 | 0:02:11 | |
Oh, Mr Hepplewhite! | 0:02:11 | 0:02:14 | |
Me and Charlie won't let you down, never! | 0:02:14 | 0:02:16 | |
Oh, it'll be lovely having young people in the house. | 0:02:16 | 0:02:19 | |
You're best not to call me Mr Hepplewhite. | 0:02:19 | 0:02:23 | |
Look, I... | 0:02:23 | 0:02:24 | |
I got my cover to keep, see? | 0:02:24 | 0:02:26 | |
Now, we should think of a different name... | 0:02:26 | 0:02:29 | |
like a code... | 0:02:29 | 0:02:31 | |
I know, that film where Alec Guinness had a beard. | 0:02:32 | 0:02:36 | |
He had apprentices an' all. | 0:02:36 | 0:02:39 | |
Oh, what was his name? | 0:02:39 | 0:02:40 | |
Fagin! That's it. | 0:02:40 | 0:02:43 | |
Fagin! | 0:02:45 | 0:02:46 | |
I like it. | 0:02:46 | 0:02:48 | |
Fagin it is, then. | 0:02:48 | 0:02:50 | |
Fagin. Great! | 0:02:50 | 0:02:52 | |
Stick with me, boys, you won't go far wrong. | 0:02:53 | 0:02:56 | |
I got high hopes for you boys... | 0:02:56 | 0:02:59 | |
very high hopes indeed! | 0:02:59 | 0:03:01 | |
Well, writing together is always interesting. | 0:03:01 | 0:03:05 | |
It's nice, I enjoy writing with another person. | 0:03:05 | 0:03:08 | |
The way we start is to come up with the actual storyline | 0:03:08 | 0:03:12 | |
for the episode. The theme is very important to us as well. | 0:03:12 | 0:03:16 | |
Each episode has a theme. So we come up with the theme and the storyline, | 0:03:16 | 0:03:20 | |
and the next step is to break that down into actual scenes, | 0:03:20 | 0:03:23 | |
individual scenes. Each scene, of course, must do certain things. | 0:03:23 | 0:03:28 | |
Essentially, it must be funny, but it must also advance the plot. | 0:03:28 | 0:03:32 | |
You can't have a scene just for the sake of it. | 0:03:32 | 0:03:35 | |
The international money markets are in turmoil, Mam. | 0:03:36 | 0:03:39 | |
At least it was this time last year! | 0:03:41 | 0:03:43 | |
He's a kind of Walter Mitty-ish character, I guess, in a way. | 0:03:44 | 0:03:48 | |
He's a dreamer. Erm... | 0:03:48 | 0:03:51 | |
Totally disillusioned with life, the life he's had. | 0:03:52 | 0:03:55 | |
Desperately yearning for a better life, but abjectly fails every time. | 0:03:55 | 0:03:59 | |
You are smart, you are! | 0:03:59 | 0:04:01 | |
Aye. Brains, see, boys? | 0:04:01 | 0:04:04 | |
I'm an intellect, like. | 0:04:04 | 0:04:07 | |
If you want to make a success of a criminal career, | 0:04:07 | 0:04:10 | |
you've got to be prepared to put in the hours. | 0:04:10 | 0:04:13 | |
Too many youngsters nowadays want the rewards without putting in the hard graft. | 0:04:13 | 0:04:17 | |
There you are. | 0:04:17 | 0:04:19 | |
Bought them from the shop. This is none of your homemade rubbish. | 0:04:19 | 0:04:23 | |
Thanks, Mrs Hepplewhite. | 0:04:23 | 0:04:25 | |
I remember doing the first ever episode which was the first | 0:04:25 | 0:04:29 | |
ever time I'd done a sitcom in front of an audience. | 0:04:29 | 0:04:33 | |
And I'd... I can remember the first couple of scenes. | 0:04:33 | 0:04:37 | |
I remember this pounding... | 0:04:37 | 0:04:39 | |
in my ears. My blood pressure had gone up so high. | 0:04:39 | 0:04:43 | |
It was very much like a rabbit in a headlight. | 0:04:43 | 0:04:46 | |
Are you comfy? | 0:04:46 | 0:04:48 | |
Lovely, Mrs Hepplewhite. Blow-up mattresses, they are. | 0:04:48 | 0:04:52 | |
Aye. There's another 48 of them in the attic. | 0:04:52 | 0:04:55 | |
I blew them up myself, it nearly killed me. | 0:04:55 | 0:04:58 | |
Anyway, you have a nice sleep, | 0:04:58 | 0:05:00 | |
and if there's anything you want in the night, you know your way around. | 0:05:00 | 0:05:05 | |
Goodnight, boys. Goodnight. Goodnight. | 0:05:05 | 0:05:08 | |
Nos da. | 0:05:10 | 0:05:13 | |
Night. Night, Charlie. | 0:05:14 | 0:05:16 | |
Until the arrival of the boys, he was profoundly lonely. | 0:05:16 | 0:05:20 | |
But their presence and support opened up new possibilities. | 0:05:20 | 0:05:24 | |
They're beams of light in his darkness. | 0:05:24 | 0:05:26 | |
A bang on the head can do funny things. | 0:05:26 | 0:05:29 | |
# I'm in love, I'm all... # | 0:05:29 | 0:05:32 | |
He's coming! | 0:05:33 | 0:05:34 | |
Saying nothing is best, right? He may have been cured of his agoraphobia for ever. | 0:05:34 | 0:05:38 | |
I'd like to think he could, in a way, because there's a big world out there for him, | 0:05:38 | 0:05:44 | |
a big world of adventure and discovery the poor sod doesn't know much about. | 0:05:44 | 0:05:48 | |
I think the heartache is the fact that he hasn't got a life! | 0:05:48 | 0:05:53 | |
You know, he's totally at home. But she also loves him to pieces. | 0:05:53 | 0:05:58 | |
I'd be so proud to show off my beautiful son in public again after all these years. | 0:06:00 | 0:06:05 | |
Right...let's hit the town, cats! | 0:06:08 | 0:06:11 | |
# It's now or never | 0:06:11 | 0:06:15 | |
# Come hold me tight... # | 0:06:15 | 0:06:18 | |
Now, I'll show you boys a bit of shoplifting, | 0:06:21 | 0:06:23 | |
the classic method, like. Fantastic! | 0:06:23 | 0:06:26 | |
We'll go in separate. Now, you boys keep your eyes on me. | 0:06:26 | 0:06:29 | |
Keep 'em peeled, you won't know I've done it. Slight of hand, see? | 0:06:29 | 0:06:32 | |
Excuse me, sir. Do you mind accompanying me to the manager's office? | 0:06:37 | 0:06:41 | |
It is up there in the top five or six shows that I have done | 0:06:41 | 0:06:46 | |
on the grounds principally of its writing... | 0:06:46 | 0:06:49 | |
which is extraordinarily funny, clever, idiosyncratic, | 0:06:49 | 0:06:54 | |
sometimes rude, but always done, always written with a warmth. | 0:06:54 | 0:07:00 | |
A very good cast... | 0:07:00 | 0:07:02 | |
and now, a hugely loyal following audience. | 0:07:02 | 0:07:07 | |
I mean, it's almost the same filming up the Valleys... | 0:07:07 | 0:07:10 | |
With High Hopes, we get the same kind of attention | 0:07:10 | 0:07:12 | |
from the general public that we used to get when we filmed | 0:07:12 | 0:07:15 | |
Only Fools And Horses. You know... | 0:07:15 | 0:07:18 | |
Except that the audiences in the Valleys of Wales | 0:07:18 | 0:07:21 | |
are slightly more polite. They're delighted that you're there. | 0:07:21 | 0:07:24 | |
If I had to describe Hoffman to someone, erm... | 0:07:24 | 0:07:28 | |
..he's a genuine sort of boy, you know. | 0:07:29 | 0:07:32 | |
I'd have looked after my mum and dad if they'd have stuck together. | 0:07:32 | 0:07:36 | |
But they don't need me, you see. | 0:07:37 | 0:07:39 | |
At least you know who they both was, though. | 0:07:41 | 0:07:44 | |
Aye. | 0:07:44 | 0:07:45 | |
If I'd have met Charlie in real life, | 0:07:45 | 0:07:48 | |
I think I'd love him. He's probably the honest... | 0:07:48 | 0:07:52 | |
kind of bloke that is one of your best friends. | 0:07:52 | 0:07:55 | |
You know that he'd always be there for you... | 0:07:55 | 0:07:58 | |
not knowing what he was getting into, probably. | 0:07:58 | 0:08:01 | |
I just love Charlie's innocence. | 0:08:01 | 0:08:03 | |
Hey, that Charlie's a bright lad. Where did you go to school, then? | 0:08:03 | 0:08:08 | |
Neath. But I never went, mind. | 0:08:08 | 0:08:10 | |
Why not, love? Cos the teacher didn't like me. | 0:08:10 | 0:08:12 | |
Why not? Cos I set fire to his car! | 0:08:12 | 0:08:15 | |
Oh, well...I could go up and have a word with him. | 0:08:18 | 0:08:21 | |
A misunderstanding, it was. | 0:08:21 | 0:08:23 | |
No, he understood, Mrs Hepplewhite, he just didn't like it. | 0:08:23 | 0:08:27 | |
Toyota, it was. | 0:08:27 | 0:08:28 | |
That's a Jap car. | 0:08:29 | 0:08:31 | |
Japanese, they tortured my husband in the war, didn't they, Richard? | 0:08:31 | 0:08:35 | |
Aye. They jumped up and down on his stomach, with their boots on. | 0:08:35 | 0:08:40 | |
Now they're going to deny you an education because you set fire to one of their cars? It's not right! | 0:08:40 | 0:08:45 | |
Mam, who is not in the first flush of youth, | 0:08:45 | 0:08:49 | |
often talks about her career as an erotic dancer, | 0:08:49 | 0:08:52 | |
about the places she played, and about her not infrequent sexual liaisons, without inhibition. | 0:08:52 | 0:08:58 | |
I was in showbiz myself for a while, you know, when I was younger. | 0:08:58 | 0:09:02 | |
You never told me that, Mam. Was you famous, Mrs Hepplewhite? | 0:09:02 | 0:09:05 | |
Oh, yes. I was a stripper. | 0:09:05 | 0:09:07 | |
A what?! | 0:09:09 | 0:09:10 | |
My mam was a stripper for a bit too, | 0:09:10 | 0:09:13 | |
but she reckoned it was too demeaning... | 0:09:13 | 0:09:15 | |
so she became a prostitute instead! | 0:09:15 | 0:09:17 | |
Where was you a stripper, Mam? Oh, pubs, working men's clubs. | 0:09:18 | 0:09:22 | |
How far did you go? | 0:09:22 | 0:09:24 | |
All over the South Wales area. | 0:09:24 | 0:09:26 | |
No, no, I mean... | 0:09:29 | 0:09:30 | |
how far did you go? | 0:09:30 | 0:09:32 | |
Ooh, the lot, right down to my G spot! | 0:09:32 | 0:09:35 | |
G string, Mam! | 0:09:40 | 0:09:41 | |
I had to give it up in the end, though, dancing barefoot | 0:09:41 | 0:09:45 | |
on beer-soaked bars gave me athlete's foot. | 0:09:45 | 0:09:48 | |
What did Dad say? | 0:09:48 | 0:09:50 | |
To try anti-fungal cream. | 0:09:50 | 0:09:52 | |
The more I've played her, the more I've enjoyed her, to be honest. | 0:09:52 | 0:09:55 | |
I love her now, I really do. | 0:09:55 | 0:09:58 | |
I love her to bits. | 0:09:58 | 0:10:00 | |
And the number of people who say they just love what she gets up to... | 0:10:00 | 0:10:04 | |
The men think she's hilarious. | 0:10:04 | 0:10:06 | |
"I cannot hardly wait to hold you in my arms again | 0:10:06 | 0:10:09 | |
"and kiss your beautiful lips. | 0:10:09 | 0:10:11 | |
"Endless love. Your own Aneurin. | 0:10:11 | 0:10:14 | |
"XXX." | 0:10:14 | 0:10:15 | |
Ah, there's romantic. | 0:10:15 | 0:10:17 | |
Aneurin? Who the bloody hell's Aneurin? | 0:10:19 | 0:10:23 | |
Richard. | 0:10:23 | 0:10:25 | |
Hello, Mam. What's this? | 0:10:25 | 0:10:27 | |
Well, you've found out now. Found out what? | 0:10:27 | 0:10:31 | |
Who's Aneurin? | 0:10:31 | 0:10:32 | |
Sit down. | 0:10:32 | 0:10:33 | |
I don't want to sit down. | 0:10:33 | 0:10:36 | |
It was 1953, Coronation year. Your poor dad was in hospital. | 0:10:37 | 0:10:43 | |
He'd been there a long time | 0:10:43 | 0:10:45 | |
and somehow I found happiness in the arms of another. | 0:10:45 | 0:10:50 | |
Another what? | 0:10:50 | 0:10:51 | |
Another man. | 0:10:51 | 0:10:54 | |
Oh. | 0:10:54 | 0:10:55 | |
Yes. The Japs jumped up and down on your dad's stomach | 0:10:55 | 0:10:59 | |
and Aneurin Snoddy jumped up and down on mine. | 0:10:59 | 0:11:03 | |
Oh, no! | 0:11:04 | 0:11:05 | |
Not... | 0:11:07 | 0:11:08 | |
THE Aneurin Snoddy? | 0:11:08 | 0:11:11 | |
The famous cat burglar? | 0:11:11 | 0:11:13 | |
Yes. Aneurin the Cat they used to call him. | 0:11:13 | 0:11:16 | |
He was a legend in Port Talbot. Still is. | 0:11:16 | 0:11:20 | |
He was a good looking man, like Cary Grant. | 0:11:20 | 0:11:24 | |
Smoked a pipe. Women were mad for him. | 0:11:24 | 0:11:28 | |
They used to leave their windows open | 0:11:28 | 0:11:30 | |
and sit waiting on their balconies in the spring night air, | 0:11:30 | 0:11:34 | |
wearing only diaphanous silk negligees and their diamonds and pearls | 0:11:34 | 0:11:40 | |
in the hope that he would enter in search of their valuables | 0:11:40 | 0:11:43 | |
and take advantage of them. | 0:11:43 | 0:11:45 | |
Port Talbot has changed a lot since then. | 0:11:45 | 0:11:49 | |
I'm back. | 0:11:49 | 0:11:52 | |
There was a bomb scare in the pictures. It was those Methodists! | 0:11:52 | 0:11:56 | |
They don't like snuff movies themselves | 0:11:56 | 0:11:59 | |
so they try to spoil everybody else's fun. | 0:11:59 | 0:12:01 | |
Oh. Aneurin. | 0:12:03 | 0:12:05 | |
Elsie. | 0:12:05 | 0:12:08 | |
Oh, hell. | 0:12:08 | 0:12:10 | |
The first episode was always very difficult, in fact, | 0:12:10 | 0:12:13 | |
and this to come as the second one, possibly my favourite ever one. | 0:12:13 | 0:12:17 | |
I particularly loved the scene where Mam is upstairs with Snoddy | 0:12:17 | 0:12:21 | |
and Fagin is downstairs really fretting about it. The boys tease him. | 0:12:21 | 0:12:26 | |
Hey, they're at it. | 0:12:27 | 0:12:30 | |
No, no, not at their age. It's not possible. | 0:12:30 | 0:12:35 | |
Aye, it is. I've seen a programme on Discovery channel. | 0:12:35 | 0:12:38 | |
Sex Over 70 it was called. | 0:12:38 | 0:12:40 | |
They do it after they have a bath. | 0:12:40 | 0:12:43 | |
Mam and Aneurin haven't had a bath. | 0:12:44 | 0:12:47 | |
Usually, like, but sometimes they use a little pump. | 0:12:47 | 0:12:51 | |
A little pump? | 0:12:52 | 0:12:55 | |
For the bath water, is it? | 0:12:55 | 0:12:57 | |
No, for the bloke's winky. | 0:12:57 | 0:13:00 | |
They can pump it up and smile at each other. | 0:13:01 | 0:13:04 | |
Oh, my God! My neck's gone hard. | 0:13:05 | 0:13:08 | |
I was getting very irate the fact my mother was upstairs with this man. | 0:13:08 | 0:13:12 | |
I can't take it. | 0:13:12 | 0:13:14 | |
I said, "My lovely..." | 0:13:14 | 0:13:17 | |
Mam. My little old cuddly white-haired mam | 0:13:17 | 0:13:20 | |
upstairs banging away like a shithouse door. | 0:13:20 | 0:13:23 | |
Protection racket is a dirty word, doctor. | 0:13:27 | 0:13:33 | |
Two words. | 0:13:33 | 0:13:35 | |
Yes, blackmail, that's better. | 0:13:35 | 0:13:37 | |
Anyhow, if I don't get 400... pounds in used notes forged prescriptions | 0:13:37 | 0:13:42 | |
will be mailed to the medical authorities | 0:13:42 | 0:13:44 | |
quicker than you can say, "Stick your tongue out." | 0:13:44 | 0:13:47 | |
I personally have a lot of time for the police. | 0:13:47 | 0:13:50 | |
I really like the police, I admire them, | 0:13:50 | 0:13:52 | |
to the point of affection. | 0:13:52 | 0:13:54 | |
Can't you do something about it, Sergeant Ball? | 0:13:54 | 0:13:56 | |
You know me, I'd love to, Mrs Hepplewhite. | 0:13:56 | 0:13:59 | |
But they're clever buggers, they always watch their backs. | 0:13:59 | 0:14:02 | |
I can't stand the hoity-toity sods. | 0:14:02 | 0:14:05 | |
I'd like to have them one at a time in a dark urinal. | 0:14:05 | 0:14:10 | |
I'd give them something to ponder on. | 0:14:10 | 0:14:13 | |
But unfortunately, I'm limited by the constraints of the legal system. | 0:14:13 | 0:14:19 | |
He's not a man to be messed with. | 0:14:19 | 0:14:21 | |
'I like him. I really like him. I like him very much as a person.' | 0:14:21 | 0:14:25 | |
Hey, Sarge, you know you asked me yesterday how do you keep an idiot in suspense? Yes. | 0:14:25 | 0:14:31 | |
Well, you said you'd tell me the answer today... | 0:14:31 | 0:14:34 | |
..so...how do you do it, Sarge? | 0:14:36 | 0:14:39 | |
So many policemen have told me every station has a Claude | 0:14:40 | 0:14:43 | |
and he's the sort of cop that other cops admire. | 0:14:43 | 0:14:47 | |
Hey, Sarge, you used to be in a pop band, didn't you? Yes. | 0:14:47 | 0:14:51 | |
Look at this. Five grand. | 0:14:51 | 0:14:53 | |
We could reinvest it in sex toys from the Far East. | 0:14:53 | 0:14:57 | |
We could buy 100 rubber women with that | 0:14:57 | 0:14:59 | |
with kissable lips and an instruction manual | 0:14:59 | 0:15:03 | |
and then we could sell some of them on. | 0:15:03 | 0:15:06 | |
There's a lucrative market for them amongst divorced, middle-aged men | 0:15:06 | 0:15:09 | |
and farmers... | 0:15:09 | 0:15:11 | |
We could clean up. We could form a duo, Sarge. | 0:15:11 | 0:15:15 | |
Good thinking. | 0:15:15 | 0:15:17 | |
Ball is understanding and forgiving of Claude's inadequacies, | 0:15:17 | 0:15:20 | |
because he knows he has a good heart. | 0:15:20 | 0:15:23 | |
Both of them are really good friends of the Hepplewhite family, | 0:15:23 | 0:15:26 | |
who Claude visits regularly to indulge his passion for cream cakes, | 0:15:26 | 0:15:30 | |
which he gets from Mrs Coles's shop on the station account. | 0:15:30 | 0:15:35 | |
So what else you been up to, Claude? | 0:15:35 | 0:15:37 | |
Checking the contents of a sex shop in Porth. Oh, that's exciting. | 0:15:37 | 0:15:41 | |
It was extremely difficult to keep a straight face at times with Mam's lines. | 0:15:41 | 0:15:46 | |
When the audience were falling about with laughter | 0:15:46 | 0:15:49 | |
and I knew the camera was coming to me and I had to react to this. | 0:15:49 | 0:15:52 | |
It was nail bitingly difficult. | 0:15:52 | 0:15:54 | |
One particular moment when Claude was talking about | 0:15:54 | 0:15:58 | |
a break-in at a sex shop in Porth I remember. | 0:15:58 | 0:16:01 | |
I said... Mam was pouring tea and I said to Claude, | 0:16:01 | 0:16:05 | |
"Was it robbery?" He says... | 0:16:05 | 0:16:08 | |
?19.50 for a vibrating busy beaver, batteries not included. | 0:16:08 | 0:16:11 | |
I call it robbery, aye. | 0:16:13 | 0:16:14 | |
Mam serving the tea says... | 0:16:15 | 0:16:18 | |
Cheap latex rubbish they are too. | 0:16:18 | 0:16:20 | |
You could make a better one yourself with a lump of putty and an alarm clock. | 0:16:20 | 0:16:24 | |
Now, I couldn't believe I would keep a straight face through that. | 0:16:25 | 0:16:30 | |
It was just so painful. | 0:16:30 | 0:16:32 | |
Claude's defining characteristics, | 0:16:35 | 0:16:38 | |
I guess, involve | 0:16:38 | 0:16:40 | |
sex and cream cakes. | 0:16:40 | 0:16:43 | |
I think that's what it boils down to. | 0:16:43 | 0:16:45 | |
They're his two er...north and south. | 0:16:45 | 0:16:49 | |
But he's just an innocent as well. | 0:16:49 | 0:16:51 | |
Most things revolve around where he can get his next cake from. | 0:16:51 | 0:16:55 | |
You're looking very dapper today, Claude. | 0:16:55 | 0:17:00 | |
We're on high alert, Mrs Hepplewhite. | 0:17:00 | 0:17:02 | |
Sergeant Ball has warned me I can't eat no cream cakes | 0:17:02 | 0:17:06 | |
in case the cream falls on my tunic. | 0:17:06 | 0:17:08 | |
That's sensible. | 0:17:08 | 0:17:10 | |
They look nice, though. | 0:17:11 | 0:17:13 | |
I do love 'em. | 0:17:14 | 0:17:16 | |
It's a VIP, see, visiting the area. | 0:17:17 | 0:17:20 | |
Who's that then, Claude? | 0:17:20 | 0:17:21 | |
I can't tell you, Mrs Hepplewhite. | 0:17:21 | 0:17:24 | |
That's more than my job's worth. Security, see? | 0:17:24 | 0:17:27 | |
Official Secrets Act. | 0:17:27 | 0:17:28 | |
Oh, he's so professional, isn't he, Mary? | 0:17:28 | 0:17:31 | |
Yes, he's a credit to his uniform. I've always said it. Ta, love. | 0:17:31 | 0:17:35 | |
So you won't be going to the party tonight then, Claude? | 0:17:37 | 0:17:40 | |
No, no. I'd like to, but... | 0:17:40 | 0:17:44 | |
Do you think I could chance it? Have a cake. | 0:17:45 | 0:17:48 | |
A cream horn. If I'm careful. | 0:17:48 | 0:17:50 | |
I mean, all the cream is held in in a cream horn. | 0:17:50 | 0:17:54 | |
By the pastry, like. | 0:17:54 | 0:17:56 | |
I won't tell anyone, Claude. | 0:17:56 | 0:17:58 | |
Nor me, love. | 0:17:58 | 0:17:59 | |
All right. Just the one. | 0:17:59 | 0:18:02 | |
I'll use my hanky as a bib. | 0:18:03 | 0:18:05 | |
Bugger it! | 0:18:18 | 0:18:19 | |
Oh! No! | 0:18:19 | 0:18:21 | |
He doesn't deal with real people very well, real women. | 0:18:21 | 0:18:24 | |
I think he's fine with blokes. He knows where he stands. | 0:18:24 | 0:18:27 | |
But no, women, he's hopeless. | 0:18:27 | 0:18:29 | |
So... | 0:18:29 | 0:18:31 | |
tell me what you look for first in a woman. | 0:18:35 | 0:18:38 | |
The bit where you do attach the pump. | 0:18:39 | 0:18:42 | |
You are a pervert, aren't you? | 0:18:44 | 0:18:46 | |
I...I don't know. | 0:18:46 | 0:18:49 | |
I bet you get up to all sorts of things. | 0:18:50 | 0:18:55 | |
Oh, aye. | 0:18:55 | 0:18:57 | |
You and Sergeant Ball. | 0:18:57 | 0:18:59 | |
Oh, aye, aye. | 0:18:59 | 0:19:01 | |
No, no, no, no, no, no. Sergeant Ball, he's a married man. | 0:19:01 | 0:19:05 | |
He fathered a child. We don't... | 0:19:05 | 0:19:08 | |
I'm not talking sex. | 0:19:08 | 0:19:11 | |
I'm talking about bending the rules a bit. | 0:19:11 | 0:19:15 | |
Maybe more than a bit. | 0:19:15 | 0:19:17 | |
You're an exciting guy. | 0:19:17 | 0:19:19 | |
I can see that. | 0:19:19 | 0:19:21 | |
Ah...I... | 0:19:22 | 0:19:24 | |
Well, we do move in dangerous circles, like. | 0:19:24 | 0:19:29 | |
You know, big-time criminals and that. | 0:19:29 | 0:19:32 | |
Er...we do often go to nightclubs | 0:19:32 | 0:19:36 | |
and we force petty criminals | 0:19:36 | 0:19:41 | |
to pay us money or we'll arrest them. | 0:19:41 | 0:19:44 | |
Sergeant Ball does the actual forcing, | 0:19:44 | 0:19:47 | |
but I keep watch. | 0:19:47 | 0:19:49 | |
Fascinating. | 0:19:49 | 0:19:51 | |
Ooh. | 0:19:52 | 0:19:53 | |
What's this, then? | 0:19:53 | 0:19:56 | |
That's my torch. | 0:19:56 | 0:19:58 | |
So it is. | 0:19:59 | 0:20:00 | |
What I found difficult was, because I'm a man of such vast intellect... | 0:20:00 | 0:20:05 | |
dumbing down... THEY SNIGGER | 0:20:05 | 0:20:08 | |
Very, very hard. Very hard, that's what I found. | 0:20:08 | 0:20:11 | |
Charlie came very easily to me, I'm not sure why! | 0:20:11 | 0:20:15 | |
This insect video isn't pornographic, Charl'. | 0:20:16 | 0:20:20 | |
We're wasting our time. No-one's going to find them pornographic. | 0:20:20 | 0:20:24 | |
They might. Do you find insects sexy? | 0:20:24 | 0:20:27 | |
Never thought about it. Well, think now! | 0:20:27 | 0:20:30 | |
Yeah. Yes?! | 0:20:30 | 0:20:33 | |
Aye, some insects. Them ones what eat each other while having it off. | 0:20:33 | 0:20:37 | |
Praying mantises - they were on Discovery. | 0:20:37 | 0:20:39 | |
The woman bites the bloke's head off while he's on the job, he carries on without an 'ead. | 0:20:39 | 0:20:44 | |
Yeah, that's believable. | 0:20:44 | 0:20:46 | |
He's got another brain in his arse. | 0:20:46 | 0:20:48 | |
AUDIENCE LAUGHS | 0:20:48 | 0:20:50 | |
Needless to say, like, but it's not erotic, is it? | 0:20:50 | 0:20:54 | |
It is to praying mantises. | 0:20:54 | 0:20:55 | |
Praying mantises don't buy videos, do they? | 0:20:55 | 0:20:59 | |
I've a particular liking for Hoffman | 0:20:59 | 0:21:02 | |
and the reason I like his character so much is because there is an inference within his character | 0:21:02 | 0:21:08 | |
that he might have a very successful future. | 0:21:08 | 0:21:11 | |
There is something in him - | 0:21:11 | 0:21:13 | |
a spark which suggests good things may happen in his life. | 0:21:13 | 0:21:16 | |
That's true. A lot of people from the Valleys | 0:21:16 | 0:21:19 | |
have difficult childhoods and go on to great things. | 0:21:19 | 0:21:22 | |
There are a lot of talented and intelligent people. | 0:21:22 | 0:21:25 | |
Hoffman is probably the most intelligent person in the series... | 0:21:25 | 0:21:29 | |
I'd say, when it all boils down. | 0:21:29 | 0:21:30 | |
Probably more intelligent than Sgt Ball, | 0:21:30 | 0:21:33 | |
although he has a great practicality which Hoffman doesn't have. | 0:21:33 | 0:21:36 | |
Over the series, I've quite enjoyed | 0:21:36 | 0:21:39 | |
watching Hoffman making more decisions, um... | 0:21:39 | 0:21:44 | |
There were a couple of instances in the later...the later series, | 0:21:44 | 0:21:49 | |
where the whole, sort of, | 0:21:49 | 0:21:52 | |
family unit is stumped about a problem | 0:21:52 | 0:21:56 | |
and Hoffman all of a sudden comes up with the...a way out. | 0:21:56 | 0:22:00 | |
I remember talking to Boyd and he'd said that was a conscious thing, | 0:22:00 | 0:22:05 | |
you know, that Hoffman's intelligence, in comparison to the other characters, um... | 0:22:05 | 0:22:11 | |
came to fruition through the series. That was nice to see and to act. | 0:22:11 | 0:22:16 | |
The truth is, you learn more from failure than success in this business. | 0:22:16 | 0:22:21 | |
It's repeated failure that's got me where I am today! | 0:22:21 | 0:22:25 | |
LAUGHTER | 0:22:25 | 0:22:27 | |
I'm very fond of him, yeah. | 0:22:27 | 0:22:28 | |
I'm very fond of him and his quirks and... | 0:22:28 | 0:22:31 | |
his general attitude and his failure. | 0:22:31 | 0:22:33 | |
People like a failure, as long as they're funny! | 0:22:33 | 0:22:37 | |
Ask him! He might know where he is. | 0:22:37 | 0:22:39 | |
Aye, it's complicated though, see...he don't like me. Why not? | 0:22:39 | 0:22:43 | |
I murdered his best friend, Dixie. | 0:22:43 | 0:22:46 | |
I've got a theory. It was a total accident, but he was so pleased people thought he was a murderer, | 0:22:46 | 0:22:52 | |
that he put his hands up and said, "Yes, I did it." | 0:22:52 | 0:22:55 | |
You know I done time? | 0:22:55 | 0:22:57 | |
Well, it was for the big one... | 0:22:57 | 0:23:01 | |
murder. | 0:23:01 | 0:23:02 | |
Murder? | 0:23:02 | 0:23:04 | |
Yeah. Only second-degree, like. | 0:23:04 | 0:23:06 | |
LAUGHTER | 0:23:06 | 0:23:08 | |
It was a bloke called Dixie. | 0:23:08 | 0:23:10 | |
We was having this disagreement about a second-hand telly and he chased me up onto this roof... | 0:23:10 | 0:23:17 | |
Pulling Richard's hair, he was. Aye. All right, all right, Mam. | 0:23:17 | 0:23:21 | |
Anyway, he went over the edge and fell onto a spike in the garden. | 0:23:21 | 0:23:26 | |
I remember looking down at him... | 0:23:26 | 0:23:29 | |
staring up at me with a spike sticking out of his chest. | 0:23:29 | 0:23:33 | |
What was his last words? | 0:23:33 | 0:23:35 | |
"The hole won't stop going round unless you stick your finger in the aerial socket." | 0:23:35 | 0:23:40 | |
Aw, you boys don't want to fall out over a tart, man. | 0:23:40 | 0:23:43 | |
It's no good, Claude. Hoffman is a parasite! | 0:23:43 | 0:23:46 | |
I thought he was from Blackwood! He always wants what I've got. | 0:23:46 | 0:23:50 | |
No, I don't! | 0:23:50 | 0:23:51 | |
Yes, you do! Keep yer greasy hands off my girl or... Or what? | 0:23:51 | 0:23:56 | |
Or I'll give you a pasting! | 0:23:57 | 0:23:59 | |
I don't think he's a vastly dishonest person. | 0:23:59 | 0:24:02 | |
I think, um...being dealt the hand he's been dealt, | 0:24:02 | 0:24:06 | |
he knows how to grab an opportunity | 0:24:06 | 0:24:08 | |
and make the best of a bad situation. | 0:24:08 | 0:24:12 | |
The two boys have pretty much grown up on the streets. | 0:24:12 | 0:24:16 | |
They could turn out a lot worse. | 0:24:16 | 0:24:19 | |
MUSIC: "The Eye Of The Tiger" by Survivor | 0:24:19 | 0:24:22 | |
Right, lads... no biting, no scratching, | 0:24:28 | 0:24:31 | |
no head-butting, no strangling, | 0:24:31 | 0:24:33 | |
no clawing at the crown jewels, no kneeing below the waist, | 0:24:33 | 0:24:36 | |
no poisoning, no going for the eyes | 0:24:36 | 0:24:38 | |
and definitely no knifing. Understand? | 0:24:38 | 0:24:40 | |
Can we stick the boot in? No. That should have been on the list. All right, then? Aye. Bring it on. | 0:24:40 | 0:24:45 | |
Let's rumble. Right. Shake hands, back to your corners. | 0:24:45 | 0:24:49 | |
Seconds out. Round one! | 0:24:52 | 0:24:54 | |
Mrs Hepplewhite. BELL RINGS | 0:24:54 | 0:24:57 | |
Ah! | 0:25:00 | 0:25:02 | |
I wasn't looking! He hit me when I wasn't looking! | 0:25:05 | 0:25:09 | |
That's not fair, surely! | 0:25:09 | 0:25:11 | |
Not looking is a big mistake in the boxing ring, Mrs Hepplewhite. | 0:25:11 | 0:25:15 | |
I'll kill him! | 0:25:15 | 0:25:17 | |
He's hiding behind Sgt Ball, man! | 0:25:25 | 0:25:27 | |
Ooh! | 0:25:29 | 0:25:31 | |
I'll kill him! Aaargh! | 0:25:31 | 0:25:33 | |
Fighting is never the answer. | 0:25:39 | 0:25:41 | |
Well, this background I'm still trying to live it down! | 0:25:41 | 0:25:45 | |
Everywhere I go, people bring it up. | 0:25:45 | 0:25:47 | |
You working, love? | 0:25:56 | 0:25:58 | |
No. I'm a widow. | 0:25:58 | 0:26:00 | |
A widow. | 0:26:00 | 0:26:02 | |
Sounds good. What do you do? | 0:26:02 | 0:26:04 | |
Polish ornaments, hoovering, cooking... | 0:26:04 | 0:26:08 | |
Sounds great. How much? | 0:26:08 | 0:26:10 | |
Well, all of it, except when we have takeaways. | 0:26:10 | 0:26:13 | |
I'll give you 30 quid to... polish my ornaments. | 0:26:13 | 0:26:17 | |
30 quid! | 0:26:17 | 0:26:19 | |
Well, I-I would, only I can't now because I'm keeping watch. | 0:26:20 | 0:26:25 | |
Pity. You don't know of another old lady who'll polish 'em for me? | 0:26:25 | 0:26:28 | |
Try outside the bingo when they're coming out. | 0:26:28 | 0:26:31 | |
Yeah? Thanks, Grandma. | 0:26:31 | 0:26:33 | |
Nice one. I'll recommend you to my friends. | 0:26:33 | 0:26:37 | |
Where are you going, Mam? Out, son. | 0:26:38 | 0:26:41 | |
What are you taking the ironing board for? | 0:26:41 | 0:26:43 | |
Well, I might need to do ironing while I'm out. You never know. | 0:26:43 | 0:26:48 | |
In real life, I am not an entertainer. | 0:26:49 | 0:26:52 | |
Oh! There's my mam! Ha ha! | 0:26:53 | 0:26:56 | |
Go on, Mam! | 0:26:56 | 0:26:58 | |
# I'm an old lady... # | 0:27:01 | 0:27:03 | |
You can't bring new folk to this just like that. | 0:27:03 | 0:27:06 | |
It's against the rules, innit? I dunno, Sarge. | 0:27:06 | 0:27:09 | |
Oh, it's not. | 0:27:09 | 0:27:12 | |
MUSIC BLARES FROM TV | 0:27:12 | 0:27:15 | |
Come on, Mam! That's my mam! | 0:27:23 | 0:27:26 | |
Go on, Mam! | 0:27:26 | 0:27:28 | |
When I did the strip... | 0:27:39 | 0:27:41 | |
and the rap, um... | 0:27:41 | 0:27:44 | |
what I loved about that costume | 0:27:44 | 0:27:46 | |
was the number of under layers she had on for the so-called strip. | 0:27:46 | 0:27:50 | |
There were about 4,000 straps. | 0:27:50 | 0:27:52 | |
Like a vest and a that-wide strap and a bra and a... | 0:27:52 | 0:27:57 | |
You name it, I had about six straps that I had to get off one by one. | 0:27:57 | 0:28:01 | |
# I'm an old lady I'm a very old lady | 0:28:01 | 0:28:05 | |
# I'm a sweet old lady and my hair is white | 0:28:05 | 0:28:07 | |
# I'm an old lady with a surgical stocking | 0:28:07 | 0:28:09 | |
# I'm reeling and rocking and I'm 5' 3"! # | 0:28:09 | 0:28:11 | |
The one you were swinging your colostomy bag around in? | 0:28:11 | 0:28:15 | |
It was, er... Steve's wonderful line after that. | 0:28:15 | 0:28:20 | |
"I bet there wasn't a rush for seats in the front row for that." | 0:28:20 | 0:28:24 | |
Actually, the opening dance sequence | 0:28:25 | 0:28:27 | |
contains scenes from five different places | 0:28:27 | 0:28:30 | |
because I thought it sensible to protect the innocent, or guilty, whichever way you look at it! | 0:28:30 | 0:28:36 | |
You should have kept your knickers on. | 0:28:36 | 0:28:39 | |
I didn't want to disappoint my public, son. | 0:28:39 | 0:28:42 | |
No, well, thank God it wasn't in widescreen. | 0:28:42 | 0:28:45 | |
You must be the oldest stripper in Wales, Mrs Hepplewhite. | 0:28:45 | 0:28:49 | |
No. There's a 92-year-old woman | 0:28:49 | 0:28:52 | |
who appears regular every Sunday lunchtime at the Pont-Y-Cwm Social Club, so Mrs Coles tells me. | 0:28:52 | 0:28:58 | |
She finishes her act by disconnecting her colostomy bag | 0:28:58 | 0:29:01 | |
and swinging it round her head. | 0:29:01 | 0:29:04 | |
I bet there's no rush for seats in the front few rows, like! | 0:29:05 | 0:29:09 | |
Subtitles by Red Bee Media Ltd | 0:29:15 | 0:29:18 | |
E-mail [email protected] | 0:29:18 | 0:29:21 |