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THIS PROGRAMME CONTAINS ADULT HUMOUR. | 0:00:05 | 0:00:10 | |
Hi. Boyd Clack here with another stroll down memory lane. | 0:00:22 | 0:00:26 | |
Coming up, we see Charlie and Hoffman in action. | 0:00:26 | 0:00:31 | |
The boys out on the razz in the big city. | 0:00:31 | 0:00:35 | |
And a sheep falling from the sky. | 0:00:38 | 0:00:41 | |
-If I could have one wish, it would be to get my leg over. -Me an' all! | 0:00:41 | 0:00:45 | |
Each episode has a title and the title is always taken from a film, | 0:00:45 | 0:00:50 | |
quite popular films. | 0:00:50 | 0:00:52 | |
This was an idea that Kirsten came up with in the first series. | 0:00:52 | 0:00:56 | |
I find it interesting because it gives a sort of an idea... | 0:00:56 | 0:01:01 | |
..a nuance of what it's about. | 0:01:02 | 0:01:05 | |
It doesn't necessarily follow the film's story, | 0:01:05 | 0:01:08 | |
but it is a reinterpretation of the idea of the title, quite often. | 0:01:08 | 0:01:12 | |
Once in a blue moon, we actually use the storyline of the film itself. | 0:01:12 | 0:01:17 | |
Fate have presented us with the opportunity | 0:01:17 | 0:01:20 | |
to go down in criminal history | 0:01:20 | 0:01:22 | |
as the gang who lifted Tom Jones' dickie. | 0:01:22 | 0:01:25 | |
Pull me up, Hoff! I've got it! | 0:01:33 | 0:01:36 | |
Right, Fage. Pull him up, byt. | 0:01:36 | 0:01:38 | |
-It's the back, mun. It's gone! -What the bloody hell you doing?! | 0:01:43 | 0:01:48 | |
Because of Ben's unavailability, | 0:01:48 | 0:01:50 | |
we made the decision, which is not without precedent in TV, | 0:01:50 | 0:01:54 | |
instead of introducing a new character, you change the actor. | 0:01:54 | 0:01:58 | |
I'm bored, I am. What's that book you're reading, Hoff? | 0:01:58 | 0:02:02 | |
Astral Projection. | 0:02:04 | 0:02:06 | |
That's another word for diarrhoea, innit? | 0:02:06 | 0:02:09 | |
No! It's about ghosts and that. I found it in a skip. | 0:02:09 | 0:02:12 | |
And it's actually quite galling for actors to realise | 0:02:12 | 0:02:16 | |
some of the public don't notice. | 0:02:16 | 0:02:17 | |
You seldom get any letters. | 0:02:17 | 0:02:20 | |
You might get a letter saying, "Has he lost weight?" or something, | 0:02:20 | 0:02:24 | |
but they seldom twig. | 0:02:24 | 0:02:25 | |
This happened for years in narrative comedy where leads have changed. | 0:02:25 | 0:02:29 | |
My Mam used to sing to me when she was getting to ready to go to work. | 0:02:29 | 0:02:34 | |
She'd work in the rain? | 0:02:34 | 0:02:36 | |
Aye. Rain's no hindrance to the sex trade. | 0:02:36 | 0:02:39 | |
It do make some men horny, my Mam said. | 0:02:39 | 0:02:42 | |
She'd wear wellies and everything. | 0:02:42 | 0:02:45 | |
Stepping into an established programme, | 0:02:45 | 0:02:49 | |
playing an established character, | 0:02:49 | 0:02:51 | |
was very daunting at first. | 0:02:51 | 0:02:53 | |
I was aware of how popular the programme was | 0:02:53 | 0:02:58 | |
and I lived in London for the first couple of years when it came out, | 0:02:58 | 0:03:03 | |
so I missed it but I remember coming back home | 0:03:03 | 0:03:05 | |
and everyone in my family raving about High Hopes. | 0:03:05 | 0:03:09 | |
It was difficult. It was really difficult. | 0:03:09 | 0:03:12 | |
I watched an episode and I expected me to come on. | 0:03:12 | 0:03:16 | |
What we'd managed to build | 0:03:16 | 0:03:18 | |
and why, I think, the series was so successful | 0:03:18 | 0:03:22 | |
is that we built the family. | 0:03:22 | 0:03:24 | |
We all loved each other, | 0:03:24 | 0:03:26 | |
got on each other's nerves, and we had that family unit. | 0:03:26 | 0:03:29 | |
So to be taken out of it was... You know, it was difficult. | 0:03:29 | 0:03:33 | |
And obviously, I see Margaret a lot. She is...like my gran, you know. | 0:03:33 | 0:03:37 | |
I speak to her as much as I can on the phone. | 0:03:37 | 0:03:40 | |
So to be out of that was... It was hard at first. | 0:03:40 | 0:03:44 | |
But you know, it was circumstances and it wasn't meant to be. | 0:03:44 | 0:03:48 | |
But it's a massive part of my life | 0:03:48 | 0:03:51 | |
and I always say about playing Charlie and what an honour it was | 0:03:51 | 0:03:55 | |
and a great five years, and to create something and see it grow. | 0:03:55 | 0:04:01 | |
We had something very, very special. | 0:04:01 | 0:04:04 | |
It was a privilege to come into work every day and laugh. | 0:04:04 | 0:04:08 | |
Did you use the Bosnian washing up liquid to get the cocoa off? | 0:04:08 | 0:04:13 | |
Sorry, Fage. We was gonna swap them back in the morning. | 0:04:13 | 0:04:16 | |
Can't even take it back and get the reward now. | 0:04:16 | 0:04:19 | |
No. It's beyond repair. | 0:04:19 | 0:04:22 | |
It doesn't matter. | 0:04:22 | 0:04:24 | |
A loving family have been reunited. That's reward enough. | 0:04:24 | 0:04:29 | |
Aye, Mam's right there. | 0:04:30 | 0:04:33 | |
Don't you worry, boys. | 0:04:33 | 0:04:35 | |
The truth is, in this business you learn more from failure than success. | 0:04:35 | 0:04:39 | |
It's repeated failure that's got me where I am today. | 0:04:39 | 0:04:43 | |
It was a scary thing. It was quite short notice. | 0:04:44 | 0:04:48 | |
But maybe in reflection, that was good | 0:04:48 | 0:04:51 | |
because there wasn't too much time to think or stress about it, | 0:04:51 | 0:04:55 | |
or wind myself up. | 0:04:55 | 0:04:57 | |
It was...flying by the seat of your pants, kind of thing! Just do it! | 0:04:57 | 0:05:01 | |
How did your mother get into prostitution in the first place? | 0:05:01 | 0:05:06 | |
Was she abandoned penniless by a brutal husband? | 0:05:06 | 0:05:08 | |
No. She just slipped into it. | 0:05:08 | 0:05:11 | |
-She studied it for a bit in college. -There's a college for prostitutes? | 0:05:11 | 0:05:16 | |
One would imagine she would have learned her trade on the job. | 0:05:16 | 0:05:20 | |
I remember the day she sat her final exams. I had to wait in a cafe. | 0:05:20 | 0:05:25 | |
She had practical in the morning and oral in the afternoon. | 0:05:25 | 0:05:29 | |
It was great. He brought something very new and different to Charlie. | 0:05:29 | 0:05:33 | |
Hey. Look, Hoff. | 0:05:36 | 0:05:38 | |
Oh, aye. | 0:05:38 | 0:05:40 | |
I'll jump over. | 0:05:46 | 0:05:47 | |
Charl... | 0:05:47 | 0:05:49 | |
And then sort of acting the other side | 0:06:03 | 0:06:06 | |
of something so new and different is a new challenge. | 0:06:06 | 0:06:10 | |
It sort of changed the dynamic of the relationship a little bit. | 0:06:10 | 0:06:18 | |
-Very slick, brother. -Aye. Textbook bit of thieving. | 0:06:23 | 0:06:28 | |
I remember the first day in the studio, | 0:06:28 | 0:06:30 | |
having never done that before. | 0:06:30 | 0:06:32 | |
I remember being really worried, thinking, | 0:06:32 | 0:06:34 | |
"How am I going to get received?" | 0:06:34 | 0:06:37 | |
I've seen other programmes like Neighbours when people get replaced | 0:06:37 | 0:06:41 | |
and I've gone "Urgh." I don't like that myself. | 0:06:41 | 0:06:44 | |
So I was worried about that. | 0:06:44 | 0:06:45 | |
But I had so much fun doing it and the audience responded really well. | 0:06:45 | 0:06:49 | |
After that first day in the studio I became really comfortable with it. | 0:06:49 | 0:06:55 | |
By the second series, all those thoughts had gone away by then. | 0:06:55 | 0:07:01 | |
Painting's alright. | 0:07:02 | 0:07:03 | |
Like they say, if you can piss you can paint. | 0:07:03 | 0:07:07 | |
£80 each, byt! | 0:07:08 | 0:07:10 | |
I know. | 0:07:10 | 0:07:11 | |
That's triple what we'd earn entrepreneuring in a week! | 0:07:11 | 0:07:14 | |
It's more than triple! It's...fourple. | 0:07:14 | 0:07:19 | |
The problem is, it's more or less honest work innit? | 0:07:20 | 0:07:24 | |
Aye. That's what worries me. | 0:07:25 | 0:07:27 | |
What are people going to think? | 0:07:27 | 0:07:30 | |
What's Fage and his mam going to think? | 0:07:30 | 0:07:32 | |
-They'd think we'd let them down. -We'd be shunned by society, Hoff. | 0:07:32 | 0:07:36 | |
I'm surprised at you. Surprised and disappointed. | 0:07:36 | 0:07:39 | |
You'd better pack up or friends as we are, I'll be forced to nick you. | 0:07:40 | 0:07:44 | |
The thing is... | 0:07:44 | 0:07:45 | |
Me and Charlie have been hired by the bloke to do the painting. | 0:07:45 | 0:07:49 | |
He's gone on holiday. | 0:07:49 | 0:07:51 | |
He's paying us, like. | 0:07:51 | 0:07:52 | |
Paying you? | 0:07:52 | 0:07:53 | |
Yeah. | 0:07:53 | 0:07:55 | |
£80 each. | 0:07:56 | 0:07:57 | |
Ah. This is worse than I thought. | 0:07:57 | 0:08:00 | |
Honest work is a mug's game, lads! | 0:08:01 | 0:08:03 | |
It won't happen again, Sergeant Ball. Honest. | 0:08:03 | 0:08:06 | |
Well, if it's just the once. | 0:08:08 | 0:08:10 | |
It's only for four days. | 0:08:10 | 0:08:12 | |
You won't tell Fagin, will you? | 0:08:12 | 0:08:15 | |
I'll let it go. This time. | 0:08:16 | 0:08:18 | |
But you lads want to seriously consider your actions in future. | 0:08:19 | 0:08:23 | |
You've got your good names to think of | 0:08:23 | 0:08:25 | |
and the good name of the Hepplewhite family too. | 0:08:25 | 0:08:28 | |
Right, Sergeant Ball. Sorry. | 0:08:28 | 0:08:30 | |
I think Sergeant Ball... | 0:08:31 | 0:08:33 | |
..is a very, very confident man. | 0:08:35 | 0:08:37 | |
I don't think that he would demean himself | 0:08:37 | 0:08:41 | |
to be in competition with others for a job. | 0:08:41 | 0:08:43 | |
I think he's quite happy where he is. | 0:08:43 | 0:08:45 | |
He gets a lot of money, by various nefarious means in the main. | 0:08:45 | 0:08:49 | |
And I don't think Claude would be capable of getting another job. | 0:08:49 | 0:08:52 | |
If he did he'd end up on litter duty in the Isle of White or something! | 0:08:52 | 0:08:58 | |
So what was it like with that policewoman, Claude? | 0:08:58 | 0:09:02 | |
A real woman, like? | 0:09:02 | 0:09:03 | |
Oh yes. Tell us, Claude. Did you do it right? | 0:09:03 | 0:09:06 | |
Well I don't know, Mrs Hepplewhite. | 0:09:08 | 0:09:10 | |
It was all over so fast. | 0:09:10 | 0:09:12 | |
One minute she was clutching my torch and the next... | 0:09:12 | 0:09:15 | |
So you didn't actually insert Challenger 2, then? | 0:09:15 | 0:09:18 | |
I don't think so, no. | 0:09:20 | 0:09:22 | |
But she did kiss me. | 0:09:22 | 0:09:24 | |
But I've never kissed anyone with teeth before. | 0:09:24 | 0:09:28 | |
I felt a bit sick, I did. | 0:09:29 | 0:09:31 | |
All in all, I'll stick to what I know in future. | 0:09:31 | 0:09:35 | |
I liked the show, it was good. | 0:09:35 | 0:09:37 | |
Who's your favourite character? | 0:09:37 | 0:09:39 | |
It's a cross between the Charlie and Hoff characters. | 0:09:39 | 0:09:42 | |
They play against each other. | 0:09:42 | 0:09:43 | |
No one in my family has ever worked. | 0:09:43 | 0:09:46 | |
Oh. Except my Uncle Neville. He ran away to join a circus. | 0:09:46 | 0:09:49 | |
He was a human cannonball for nearly a year. | 0:09:49 | 0:09:52 | |
What happened then? | 0:09:52 | 0:09:53 | |
They fired him. | 0:09:53 | 0:09:54 | |
I like the chemistry they have. | 0:09:55 | 0:09:57 | |
And Mrs Hepplewhite. She's the classic old granny. | 0:09:57 | 0:10:01 | |
You don't think it might be them, do you? | 0:10:01 | 0:10:03 | |
Them? | 0:10:03 | 0:10:05 | |
Aliens. | 0:10:05 | 0:10:06 | |
They might not be like us. | 0:10:07 | 0:10:09 | |
They might be like big octopuses! | 0:10:09 | 0:10:13 | |
Perhaps that's why the knocking is so quiet. | 0:10:14 | 0:10:16 | |
They may be tapping on the door with their testicles. | 0:10:16 | 0:10:20 | |
The last thing I wanted to do was to try and copy Ben. | 0:10:22 | 0:10:25 | |
I'm not Ben. I wasn't interested in coming at it from that angle. | 0:10:25 | 0:10:30 | |
What's funny about him and what's great about it | 0:10:32 | 0:10:34 | |
is in the writing anyway. | 0:10:34 | 0:10:36 | |
So I was just playing off the rhythms in the writing | 0:10:36 | 0:10:40 | |
and generally the way it's written. | 0:10:40 | 0:10:42 | |
I think you can't go far wrong if you keep that in mind. | 0:10:42 | 0:10:48 | |
It's a vendetta, man. | 0:10:48 | 0:10:50 | |
No, Fage. A vendetta is a sort of ice cream, byt. | 0:10:50 | 0:10:54 | |
Aye, alright. | 0:10:57 | 0:10:59 | |
You'd have to ask other people about me, | 0:11:01 | 0:11:05 | |
but I'm not aware of too many egos. | 0:11:05 | 0:11:08 | |
We enjoy doing it. It's a good job. | 0:11:08 | 0:11:12 | |
Two fit young lads like you up a ladder with no criminal intent? | 0:11:12 | 0:11:17 | |
Sorry, Fage. | 0:11:18 | 0:11:19 | |
He interrupted us half-inching the stuff | 0:11:19 | 0:11:22 | |
and then he offered us £80 each and it's easy work. | 0:11:22 | 0:11:25 | |
As an actor you always want to find new challenges and things like that. | 0:11:25 | 0:11:29 | |
Not that you were a massive challenge! | 0:11:29 | 0:11:31 | |
We were sort of drawn into it, Fage. | 0:11:32 | 0:11:35 | |
I understand what you're saying, boys. | 0:11:35 | 0:11:37 | |
It's the principle, innit? | 0:11:37 | 0:11:39 | |
What would happen to society if everyone got a job? | 0:11:39 | 0:11:43 | |
Sorry, Fage. | 0:11:43 | 0:11:44 | |
Work is a curse, myn. It's a surrender to mediocrity. | 0:11:44 | 0:11:48 | |
I did have a great experience. | 0:11:48 | 0:11:50 | |
I was learning my lines one day, sitting in a pub. | 0:11:50 | 0:11:53 | |
This woman sat down alongside me with her husband. | 0:11:53 | 0:11:57 | |
They said they very much enjoyed High Hopes. | 0:11:57 | 0:11:59 | |
He said, "What's it like doing it?" | 0:12:01 | 0:12:03 | |
I said, "It's nice to make people smile." | 0:12:03 | 0:12:06 | |
His wife, who hadn't yet said anything, said, | 0:12:06 | 0:12:08 | |
"I do that for a living as well." | 0:12:08 | 0:12:10 | |
I said, "What do you do?", she said "I make false teeth!" | 0:12:10 | 0:12:13 | |
Totally true! | 0:12:13 | 0:12:15 | |
There'll never be another Bonnie Tyler. | 0:12:15 | 0:12:18 | |
She kept me rational when I was in the slammer. | 0:12:18 | 0:12:23 | |
I'd be lying in my bunk in the long, hot summer afternoon | 0:12:23 | 0:12:27 | |
in just my underpants, like. | 0:12:27 | 0:12:29 | |
Listening to her singing 'Lost in France' over and over on my walkman. | 0:12:29 | 0:12:34 | |
And I'd imagine she was there. | 0:12:34 | 0:12:37 | |
I'd hop off my bunk, quiet like. | 0:12:37 | 0:12:41 | |
And I'd creep up behind her. | 0:12:42 | 0:12:44 | |
-And I'd... I'd... -Aye? | 0:12:45 | 0:12:47 | |
Ah. I was getting quite carried away there for a minute. | 0:12:49 | 0:12:52 | |
Aye, me and all! | 0:12:52 | 0:12:53 | |
Richard wrote to her dozens of times when he came out of prison. | 0:12:53 | 0:12:57 | |
Telling her how he felt about her, asking if they could meet. | 0:12:57 | 0:13:00 | |
Did she write back? | 0:13:00 | 0:13:01 | |
No. Her lawyers did, though. | 0:13:01 | 0:13:04 | |
Apart from being cured of his agoraphobia and claustrophobia, | 0:13:04 | 0:13:09 | |
I would think a lot of money and a woman. | 0:13:09 | 0:13:12 | |
And... You never married? | 0:13:12 | 0:13:15 | |
No, no. I've been saving myself. | 0:13:15 | 0:13:18 | |
Interest free, like. | 0:13:19 | 0:13:21 | |
I've had no luck in romance roulette, either. | 0:13:22 | 0:13:25 | |
But, but you're beautiful! | 0:13:25 | 0:13:28 | |
You must have had blokes hanging round you like flies round shi..! | 0:13:28 | 0:13:33 | |
All your life! | 0:13:36 | 0:13:39 | |
That's not what a girl wants! | 0:13:39 | 0:13:42 | |
She wants one decent bloke. Just one. | 0:13:42 | 0:13:45 | |
And I've never found him. | 0:13:45 | 0:13:47 | |
I'll tell you, Richard. I'm a gypsy. | 0:13:48 | 0:13:51 | |
I've been roaming all my life. | 0:13:51 | 0:13:54 | |
And to have a home in just one place. | 0:13:54 | 0:13:56 | |
There's a lot to be said for it. | 0:13:56 | 0:13:58 | |
Would you like a Spam sandwich? | 0:14:00 | 0:14:01 | |
You know, I think I would. | 0:14:03 | 0:14:05 | |
You old dog, Fage! | 0:14:05 | 0:14:08 | |
Aye. Woof woof, innit? | 0:14:08 | 0:14:11 | |
Shush, boys! Esmeralda will be down in a minute! | 0:14:11 | 0:14:13 | |
Ooh! Esmeralda! | 0:14:14 | 0:14:16 | |
Fancy a woman having a bath in our bath! | 0:14:17 | 0:14:19 | |
Aye. It's a wonderful thought, innit? | 0:14:19 | 0:14:23 | |
Hey, what's she like, Fage? | 0:14:23 | 0:14:25 | |
Very nice! | 0:14:25 | 0:14:27 | |
He fancies her, Hoff! | 0:14:27 | 0:14:29 | |
You can tell, his face has gone red! | 0:14:29 | 0:14:31 | |
No, no, no. She's lovely, she is! | 0:14:31 | 0:14:33 | |
Ask her if she'd like to see your loofah, byt! | 0:14:33 | 0:14:36 | |
I don't think he quite knew what to do. | 0:14:38 | 0:14:40 | |
He'd forgotten how. But I think it all came back. | 0:14:40 | 0:14:43 | |
You know I told you nothing interesting happened? | 0:14:44 | 0:14:47 | |
-When you was in hospital? -Yes, son? | 0:14:47 | 0:14:49 | |
Well, I wasn't strictly telling the truth. | 0:14:49 | 0:14:52 | |
Something interesting did happen. | 0:14:52 | 0:14:54 | |
I'm going to be a dad! | 0:14:56 | 0:14:59 | |
One of the odd things is people say, | 0:15:01 | 0:15:03 | |
"You don't sound like him." I say, "Thank God for that!" | 0:15:03 | 0:15:06 | |
He's got a very peculiar voice. | 0:15:06 | 0:15:08 | |
Who's this? | 0:15:08 | 0:15:10 | |
It's Kurt Stable, Richard! | 0:15:10 | 0:15:12 | |
The boys met him in a public toilet! | 0:15:12 | 0:15:14 | |
He's a world famous drummer! | 0:15:14 | 0:15:17 | |
Aye. Well his drumming days are over! | 0:15:17 | 0:15:20 | |
What? | 0:15:21 | 0:15:22 | |
He's dead, boys. | 0:15:22 | 0:15:23 | |
Dead as a dildo! | 0:15:24 | 0:15:26 | |
Also, people think he's thick. | 0:15:27 | 0:15:29 | |
Which he may be, but... Who knows? | 0:15:29 | 0:15:32 | |
They tend to associate you very much with the character. | 0:15:32 | 0:15:35 | |
But they do love it. I mean, it's constant love that you get from it. | 0:15:35 | 0:15:39 | |
People come up to you with huge smiles, it's very gratifying. | 0:15:39 | 0:15:42 | |
I've no idea why she's a heroine, but she's incredibly popular. | 0:15:42 | 0:15:47 | |
The word that I get from everybody that I meet... | 0:15:47 | 0:15:50 | |
I get strange women on the street that go, "Oh, come here!" | 0:15:50 | 0:15:54 | |
and they give me a hug! | 0:15:54 | 0:15:56 | |
They love it! | 0:15:56 | 0:15:57 | |
It isn't 'like' or 'enjoy'. | 0:15:57 | 0:15:59 | |
'Love' is the word that comes every time. | 0:15:59 | 0:16:02 | |
And the messages I get from the men... | 0:16:02 | 0:16:05 | |
"Can you give me your autograph? It's for my husband." | 0:16:05 | 0:16:08 | |
Oh. And somebody else, "Can you give me your... It's for my husband." | 0:16:08 | 0:16:12 | |
There's some strange men around. | 0:16:13 | 0:16:16 | |
What we gonna do, Mam? | 0:16:16 | 0:16:18 | |
Maybe you should call Sergeant Ball. | 0:16:18 | 0:16:20 | |
No! If this got out our name would be mud! | 0:16:20 | 0:16:23 | |
Getting local girls into trouble | 0:16:23 | 0:16:25 | |
is the work of ne'er-do-well's and milkmen! | 0:16:25 | 0:16:27 | |
Not respectable boys like you! | 0:16:27 | 0:16:30 | |
You sure it's neither of you? | 0:16:30 | 0:16:32 | |
Well, you can never be totally sure, can you? | 0:16:32 | 0:16:35 | |
Well, she's very pretty! | 0:16:36 | 0:16:39 | |
Who's a lovely girl, then? | 0:16:39 | 0:16:41 | |
Hoffman had a baby sister. You know a bit about them, don't you Hoff? | 0:16:41 | 0:16:45 | |
Aye. Aye, a bit. | 0:16:45 | 0:16:48 | |
BABY CRIES | 0:16:48 | 0:16:50 | |
What the hell's this, now? | 0:16:50 | 0:16:52 | |
She's hungry! | 0:16:52 | 0:16:53 | |
Was there any milk with her? | 0:16:54 | 0:16:55 | |
No. Just some bottles, spare clothes and nappies. | 0:16:55 | 0:16:59 | |
They're all bottle fed, these days. | 0:16:59 | 0:17:02 | |
Breast is best. | 0:17:02 | 0:17:04 | |
You won't get any argument here, Mrs Hepplewhite! | 0:17:04 | 0:17:07 | |
Did you breastfeed Fage, Mrs Hepplewhite? | 0:17:08 | 0:17:12 | |
No, it wasn't possible. | 0:17:12 | 0:17:14 | |
Why not? | 0:17:14 | 0:17:15 | |
He was born with teeth. | 0:17:16 | 0:17:18 | |
Good God! | 0:17:20 | 0:17:22 | |
Yes. It was very rare, the doctor said. | 0:17:22 | 0:17:26 | |
And the dentist. | 0:17:26 | 0:17:27 | |
A freak occurrence. Unnatural, they said it was. Grotesque. | 0:17:27 | 0:17:31 | |
Alright, alright Mam! | 0:17:31 | 0:17:33 | |
We got the picture! | 0:17:33 | 0:17:34 | |
Favourite episodes. | 0:17:34 | 0:17:36 | |
The one that sticks in my mind is the Dean Tantrum episode. | 0:17:40 | 0:17:44 | |
Alright, Charl? | 0:17:44 | 0:17:45 | |
I've come to see Mr Hepplewhite. | 0:17:45 | 0:17:47 | |
I got that thing you wanted, Mr Hepplewhite. | 0:17:48 | 0:17:50 | |
Oh, right. Thanks, byt. | 0:17:50 | 0:17:51 | |
-Here's the money. -Ta. | 0:17:51 | 0:17:53 | |
There you go, Mr Hepplewhite. Nice doing business with you. | 0:17:53 | 0:17:56 | |
I've never heard, in a studio, a laugh that loud | 0:17:57 | 0:18:03 | |
as when Mam comes out and says... | 0:18:03 | 0:18:05 | |
Everyone's tip-toeing around Dean Tantrum | 0:18:05 | 0:18:08 | |
because he stinks and is psycho. | 0:18:08 | 0:18:09 | |
You alright? | 0:18:10 | 0:18:12 | |
Oh. Aye. | 0:18:12 | 0:18:13 | |
What's the matter? | 0:18:13 | 0:18:14 | |
Nothing! | 0:18:14 | 0:18:16 | |
Lack of vitamins! He do always swoon, like. | 0:18:16 | 0:18:19 | |
Here we are! Nice cup of tea! | 0:18:19 | 0:18:22 | |
Hello Dean, love. | 0:18:22 | 0:18:23 | |
What's that terrible smell? | 0:18:24 | 0:18:26 | |
It's disgusting! Like a rat has died and rotted away! | 0:18:28 | 0:18:32 | |
You can smell it, can't you Richard? | 0:18:32 | 0:18:34 | |
No, no! I can't smell nothing, Mam! | 0:18:34 | 0:18:38 | |
-Nor me! -Nor me! | 0:18:38 | 0:18:39 | |
And Mam just walks out, in the way that only Maggie John can, | 0:18:39 | 0:18:43 | |
that sweet voice, and say... | 0:18:43 | 0:18:45 | |
Oh my God, Dean, love. You smell like a bucket of shit. | 0:18:46 | 0:18:51 | |
I could smell you from over there. | 0:18:53 | 0:18:55 | |
I've never heard anywhere near... I've done 10 series in the studio. | 0:18:55 | 0:19:02 | |
It was like a wall of noise. | 0:19:02 | 0:19:04 | |
As a matter of fact, I could smell you from the kitchen! | 0:19:06 | 0:19:10 | |
I thought they were burning something outside! | 0:19:10 | 0:19:13 | |
You take a tip from me, love. You have a bath every day. | 0:19:14 | 0:19:18 | |
And put stuff on to stop you smelling! | 0:19:18 | 0:19:21 | |
Sphinx, that's what they use. | 0:19:21 | 0:19:23 | |
She's going senile, she is. | 0:19:25 | 0:19:28 | |
We've seen it coming for years but we've tried to keep it secret. | 0:19:28 | 0:19:32 | |
Right. | 0:19:32 | 0:19:34 | |
Very many. Mostly on location, I guess, the scenes that stick out. | 0:19:34 | 0:19:38 | |
Being at the top of a mountain with a helicopter circling overhead, | 0:19:39 | 0:19:45 | |
in the pissing rain. | 0:19:45 | 0:19:46 | |
At about two o'clock in the morning, | 0:19:48 | 0:19:50 | |
waiting for a sheep to be dropped on someone's head. | 0:19:50 | 0:19:53 | |
That sort of sums up the series, I think. | 0:19:57 | 0:20:00 | |
The weirdness of it. | 0:20:00 | 0:20:01 | |
But still, it was a good laugh even then. | 0:20:03 | 0:20:05 | |
We were having fun even though it was muddy and boggy. | 0:20:05 | 0:20:08 | |
It's just been... Fun. | 0:20:08 | 0:20:11 | |
It's been such a gas over the last six years. | 0:20:11 | 0:20:15 | |
Hopefully it will continue to be so. | 0:20:15 | 0:20:16 | |
Sergeant Ball. A good governor, is he? | 0:20:19 | 0:20:21 | |
Oh, the best. | 0:20:21 | 0:20:22 | |
As hard as a rhinoceros' gall stone. | 0:20:22 | 0:20:25 | |
He don't take no nonsense, either. | 0:20:26 | 0:20:28 | |
Punch first, and forget about the questions. That's his motto. | 0:20:29 | 0:20:32 | |
He likes beating people senseless in public urinals. | 0:20:33 | 0:20:36 | |
Really? | 0:20:36 | 0:20:37 | |
I don't think Claude's interested in upholding the law. | 0:20:37 | 0:20:40 | |
He'll do whatever Sergeant Ball says, basically. | 0:20:40 | 0:20:43 | |
If Sergeant Ball told him to murder someone, he probably would, | 0:20:44 | 0:20:47 | |
because it's probably for the best. | 0:20:47 | 0:20:50 | |
I think the law aspect of it is he gets to put on a costume every day. | 0:20:50 | 0:20:54 | |
He enjoys that and he hangs out with his mates. | 0:20:54 | 0:20:58 | |
If I had a little sideline, | 0:20:59 | 0:21:01 | |
you know, where I could pick up a couple of quid on the side, | 0:21:01 | 0:21:04 | |
he'd be alright with that? | 0:21:04 | 0:21:06 | |
As long as he got his cut. | 0:21:07 | 0:21:08 | |
So yeah, he was good fun. | 0:21:10 | 0:21:12 | |
And just being wilfully stupid, that's always fun to play. | 0:21:12 | 0:21:15 | |
And I got to fall over a few times, which I enjoy. | 0:21:15 | 0:21:18 | |
-After him, Claude! -Right, Serge! | 0:21:18 | 0:21:21 | |
Sergeant Ball doesn't see himself as putting up with Claude. | 0:21:23 | 0:21:26 | |
I think, in a way, Sergeant Ball sees himself as a carer. | 0:21:26 | 0:21:30 | |
Serge. She wants to come to my private flat, where I live. | 0:21:30 | 0:21:35 | |
You're in there, Claude. Told you didn't I? | 0:21:35 | 0:21:38 | |
What'll I do, Sarge? | 0:21:39 | 0:21:40 | |
Just go with the flow, you'll be alright. | 0:21:40 | 0:21:43 | |
Let her think you're a bit of a lad. Into this, into that. | 0:21:43 | 0:21:47 | |
It'll do the trick, believe me. | 0:21:47 | 0:21:49 | |
Right. | 0:21:49 | 0:21:51 | |
I'm afraid, I am, Sarge. | 0:21:52 | 0:21:54 | |
That's half the fun, Claude. It's half the fun. | 0:21:55 | 0:21:58 | |
I think Sergeant Ball is aware that it takes all types in this world. | 0:21:58 | 0:22:02 | |
And all types of people deserve to do different things. | 0:22:02 | 0:22:06 | |
All policemen can't go around in the way that we imagine. | 0:22:06 | 0:22:11 | |
There are some people in the police force... | 0:22:11 | 0:22:13 | |
People are inadequate in this world. | 0:22:13 | 0:22:15 | |
I think Ball is very, very gentle and understanding of people's inadequacy. | 0:22:15 | 0:22:20 | |
Oh... It came free with Dominant Doris. | 0:22:23 | 0:22:26 | |
I only used it the once, I sprained my wrist. | 0:22:29 | 0:22:31 | |
I like some lines sometimes when Claude and Ball are together. | 0:22:31 | 0:22:35 | |
They're going to get a criminal. | 0:22:35 | 0:22:36 | |
Ball says, "If there's any nonsense, leave it to me." | 0:22:36 | 0:22:40 | |
Claude says, "Right, Sarge." | 0:22:44 | 0:22:46 | |
He says, "Right, Sarge." As though he could do anything anyway! | 0:22:46 | 0:22:50 | |
What's wrong, Sarge? | 0:22:51 | 0:22:52 | |
Do not call me Sarge. | 0:22:52 | 0:22:54 | |
'Sarge' is TV cop talk. I detest it. | 0:22:54 | 0:22:56 | |
Do you understand? | 0:22:56 | 0:22:58 | |
Yes. | 0:22:58 | 0:22:59 | |
Sorry, Sarge. | 0:22:59 | 0:23:01 | |
Maggie John is great. | 0:23:02 | 0:23:04 | |
She's just fantastic in it. | 0:23:04 | 0:23:07 | |
She can make a line that seems terrible and incredibly rude | 0:23:09 | 0:23:14 | |
sound so innocent and lovely. | 0:23:14 | 0:23:17 | |
I think she's really sweet, as well. | 0:23:17 | 0:23:19 | |
I think she's the superstar of the program, really. | 0:23:19 | 0:23:22 | |
I had a brief affair with a great gentleman once. | 0:23:22 | 0:23:25 | |
He gave me a little statue of a werewolf standing on his hind legs | 0:23:25 | 0:23:30 | |
with an enormous erection. | 0:23:30 | 0:23:32 | |
I've still got it in my bedroom. | 0:23:32 | 0:23:35 | |
I keep my rings on it. | 0:23:35 | 0:23:38 | |
Mam, myn! | 0:23:39 | 0:23:41 | |
I would think, over the years... Shocking but not surprising. | 0:23:41 | 0:23:45 | |
Or surprising but not shocking. A combination of both. | 0:23:45 | 0:23:50 | |
Young girls today, they're too fussy, they are! | 0:23:50 | 0:23:53 | |
I never turned any man down. | 0:23:53 | 0:23:56 | |
Not as long as he was clean and tidy. | 0:23:56 | 0:23:59 | |
Alright, Mam. | 0:23:59 | 0:24:01 | |
I think he's past being shocked, but he is totally surprised | 0:24:01 | 0:24:04 | |
by the cartwheels with nae knickers, and so on, that she gets up to. | 0:24:04 | 0:24:08 | |
The ex-lovers who appear. | 0:24:09 | 0:24:10 | |
What I enjoyed about Hoffman... | 0:24:10 | 0:24:13 | |
When you're playing someone with such a simple view of life, | 0:24:13 | 0:24:17 | |
they're either happy or sad. They're either full or empty. | 0:24:17 | 0:24:21 | |
Hey, look at this! The circus is in town! | 0:24:53 | 0:24:56 | |
-We don't want no trouble, boys. -No. | 0:24:56 | 0:24:59 | |
I don't like clowns. | 0:24:59 | 0:25:01 | |
They reverberate at a deep level of my psyche. | 0:25:01 | 0:25:04 | |
OK, Stabber. You keep your psychological analysis to yourself. | 0:25:05 | 0:25:09 | |
All I'm interested in is giving someone a kicking! | 0:25:09 | 0:25:12 | |
We're only down for the night. We're cowards, we are. | 0:25:12 | 0:25:16 | |
Valleys boys! There's nothing I likes more than kicking valleys boys! | 0:25:16 | 0:25:20 | |
I once... | 0:25:20 | 0:25:21 | |
I've never been so cold in my life, filming the jacuzzi scene! | 0:25:27 | 0:25:31 | |
I think that's testament to our acting, mind. | 0:25:31 | 0:25:34 | |
We got in there as if, "Oh! It's a bit toasty!" | 0:25:34 | 0:25:37 | |
It was freezing! | 0:25:37 | 0:25:38 | |
The girls were much better with it. | 0:25:42 | 0:25:44 | |
-But women have... -We were in bits, weren't we? | 0:25:44 | 0:25:47 | |
-I don't want him to see my winkie. -Get in, then! | 0:25:53 | 0:25:56 | |
I think girls are harder than men, in that respect. | 0:25:56 | 0:26:00 | |
They can get into cold seas and rivers far... | 0:26:02 | 0:26:05 | |
Maybe it's just me! I'm soft! | 0:26:05 | 0:26:08 | |
So what's going on here? | 0:26:12 | 0:26:13 | |
-He's not your dad, is he? -No. He's my husband! | 0:26:13 | 0:26:16 | |
Oh no! | 0:26:16 | 0:26:18 | |
He's my dad. | 0:26:18 | 0:26:20 | |
-We didn't know they was your... -Ah, don't fuss yourselves! | 0:26:20 | 0:26:23 | |
This is Cardiff! I'm a man of the world! | 0:26:23 | 0:26:26 | |
-Oh. -Aye. Us and all! | 0:26:26 | 0:26:30 | |
I'll just pop upstairs, slip these clothes off and be back to join you! | 0:26:30 | 0:26:35 | |
Shall we wait for daddy? | 0:26:36 | 0:26:38 | |
Don't worry. My husband is like an ambidextrous golfer. | 0:26:40 | 0:26:44 | |
He swings both ways! | 0:26:44 | 0:26:46 | |
Ah, shit. | 0:26:55 | 0:26:56 | |
C'mon, c'mon. | 0:27:01 | 0:27:03 | |
Oh! Oh! | 0:27:04 | 0:27:06 | |
Open the door! | 0:27:10 | 0:27:11 | |
Drive! They're going to kill us! | 0:27:11 | 0:27:14 | |
Sorry about not taking my underpants off, Hoff. | 0:27:21 | 0:27:24 | |
That's alright, Charl. | 0:27:24 | 0:27:25 | |
No. No, it was silly. | 0:27:25 | 0:27:28 | |
I mean, if you're going to... You know... | 0:27:28 | 0:27:31 | |
Have rumpy pumpy? | 0:27:31 | 0:27:32 | |
Aye. You've got to take your underpants off, don't you? | 0:27:32 | 0:27:35 | |
They wasn't your underpants though, were they? | 0:27:35 | 0:27:38 | |
They was Fage's. | 0:27:38 | 0:27:39 | |
I didn't think I'd like wearing another bloke's underpants. | 0:27:40 | 0:27:43 | |
-But I do. -Aye, me and all. | 0:27:43 | 0:27:45 | |
They might look a bit naff but they're very comfy. | 0:27:45 | 0:27:49 | |
Bloody typical! It was beautiful in Cardiff. | 0:27:49 | 0:27:51 | |
Pissing down as soon as we get back to Cwm Penol! | 0:27:51 | 0:27:54 | |
Mind you, we nearly blew it, more than once! | 0:27:57 | 0:28:00 | |
I don't think I'll be spending much time in Cardiff! | 0:28:00 | 0:28:03 | |
Nor me. Them girls are alright, mind! | 0:28:03 | 0:28:05 | |
Look, Hoff. The light's on. They've stayed up for us, byt. | 0:28:06 | 0:28:09 | |
We won't tell them what happened. | 0:28:10 | 0:28:12 | |
We'll just say we went there and had a few pints, like. | 0:28:12 | 0:28:15 | |
-Home, sweet home, Hoff. -Aye. Home, sweet home, Charl. | 0:28:16 | 0:28:21 | |
People say it's not like the valleys, but it is. | 0:28:22 | 0:28:25 | |
A little more extended, | 0:28:25 | 0:28:26 | |
but I like the fact they're like people in the valleys. | 0:28:26 | 0:28:29 | |
I love the show. | 0:28:29 | 0:28:30 | |
Love it. Watched it for years. Since it started. | 0:28:30 | 0:28:34 | |
It's so well written, so funny. | 0:28:34 | 0:28:36 | |
I love the show. I think it's really good. | 0:28:36 | 0:28:39 | |
It really gives that valleys humour. Typical valleys humour. | 0:28:39 | 0:28:43 | |
I love all of them but it's got to be Mrs Hepplewhite. | 0:28:43 | 0:28:46 | |
She's a rare character! | 0:28:46 | 0:28:48 | |
It's mine and my dad's religion! | 0:28:48 | 0:28:50 | |
Just sitting with dad. Just watching it. | 0:28:50 | 0:28:52 | |
I'm so happy that people like the show so much. | 0:28:52 | 0:28:55 | |
It fills me with joy. | 0:28:55 | 0:28:57 | |
Subtitles by Red Bee Ltd. | 0:29:09 | 0:29:11 |