Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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# Terrible Tudors. Gorgeous Georgians Slimy Stuarts. Vile Victorians | 0:00:02 | 0:00:04 | |
# Woeful Wars. Ferocious Fights Dingy Castles. Daring Knights | 0:00:04 | 0:00:07 | |
# Horrors that defy description Cut-throat Celts | 0:00:07 | 0:00:09 | |
# Awful Egyptians Vicious Vikings. Cruel crimes | 0:00:09 | 0:00:11 | |
# Punishments from ancient times Roman, rotten, rank and ruthless | 0:00:11 | 0:00:13 | |
# Cavemen, savage, fierce and toothless. Groovy Greeks. Rainy sages | 0:00:13 | 0:00:16 | |
# Mean and measly Middle Ages Gory stories we supply | 0:00:16 | 0:00:20 | |
# And your host is Stephen Fry The past is no longer a mystery | 0:00:20 | 0:00:26 | |
# Welcome to Horrible Histories! # | 0:00:26 | 0:00:32 | |
Hello and welcome to Horrible Histories. | 0:00:32 | 0:00:35 | |
The show that lets us, for a moment, | 0:00:35 | 0:00:37 | |
forget about the madness of the world around and focus instead on | 0:00:37 | 0:00:41 | |
the complete and utter madness of the world as it used to be. | 0:00:41 | 0:00:45 | |
Wolsingham, what happened to you? | 0:00:53 | 0:00:55 | |
The Queen threw a slipper at me... | 0:00:55 | 0:00:57 | |
-again! -What did you do this time? | 0:00:57 | 0:01:00 | |
I told her she had a short temper. | 0:01:00 | 0:01:02 | |
-You idiot, you know that makes her angry. -I know. | 0:01:02 | 0:01:05 | |
-Have you finished her portrait yet? -It's getting there, but... | 0:01:05 | 0:01:08 | |
I'm petrified, what if she doesn't like it? | 0:01:08 | 0:01:11 | |
-You'd better hope she's in a good mood. -Is she ever? -No. | 0:01:11 | 0:01:14 | |
'Where's my portrait?' | 0:01:14 | 0:01:15 | |
Oh! | 0:01:17 | 0:01:19 | |
I can't look, it's grotesque! | 0:01:19 | 0:01:22 | |
The hideous nose, rotten teeth and pockmarked skin. | 0:01:22 | 0:01:27 | |
Wolsingham, have that man relieved of the burden of his head! | 0:01:27 | 0:01:30 | |
-Ma'am, you are looking into a mirror. -Oh! -This is the portrait. | 0:01:30 | 0:01:36 | |
Ah! | 0:01:36 | 0:01:38 | |
Petite nose, perfect teeth, porcelain skin. | 0:01:39 | 0:01:43 | |
Why, however did you manage to capture my good looks? | 0:01:43 | 0:01:46 | |
Well, my lady, I just did an exact copy of | 0:01:46 | 0:01:48 | |
the only portrait you've ever liked. | 0:01:48 | 0:01:50 | |
-As per your order. -Splendid. | 0:01:50 | 0:01:53 | |
Do me another, and see if you can capture my regal beauty again. | 0:01:53 | 0:01:57 | |
I think it looks nothing like her. | 0:02:00 | 0:02:02 | |
I heard that! | 0:02:02 | 0:02:04 | |
Elizabeth I very carefully stage-managed her image. | 0:02:05 | 0:02:10 | |
Her looks had been destroyed by smallpox scars | 0:02:10 | 0:02:13 | |
and the ravages of lead-based make-up, so she issued | 0:02:13 | 0:02:15 | |
facsimile portraits of herself from earlier years, | 0:02:15 | 0:02:18 | |
rather than letting people see how she really looked. | 0:02:18 | 0:02:21 | |
Elizabeth was a great patron of the arts, and towards | 0:02:21 | 0:02:24 | |
the end of her reign, became a big fan of William Shakespeare. | 0:02:24 | 0:02:28 | |
Largely because he, too, made her look good. | 0:02:28 | 0:02:30 | |
Whilst Shakespeare may not have given us the word sycophantic, | 0:02:30 | 0:02:34 | |
he clearly understood the concept. Though there are a great many words | 0:02:34 | 0:02:38 | |
and phrases that the Bard can rightly call his own. | 0:02:38 | 0:02:42 | |
May we have our next contestant, please? | 0:02:47 | 0:02:50 | |
Hello. Your name, please? | 0:02:52 | 0:02:55 | |
-William Shakespeare. -And your occupation? | 0:02:55 | 0:02:58 | |
One that doth make words to dance upon the page | 0:02:58 | 0:03:01 | |
and thence into the ear of the throng. | 0:03:01 | 0:03:04 | |
I'm sorry, I don't quite... | 0:03:04 | 0:03:05 | |
-I write plays. -Right, well, why didn't you just say so? | 0:03:05 | 0:03:09 | |
-And your chosen specialised subject. -Phrases what I made up. | 0:03:09 | 0:03:13 | |
William Shakespeare, you have two minutes on | 0:03:13 | 0:03:15 | |
phrases what you made up starting from now. | 0:03:15 | 0:03:18 | |
-To be or not to be, that is the question. -I know it is. -I'm sorry? | 0:03:18 | 0:03:22 | |
I know that's the question, you've just asked me it. | 0:03:22 | 0:03:24 | |
No, the question is, did you make it up? | 0:03:24 | 0:03:26 | |
You just said the question was to be or not to be. | 0:03:26 | 0:03:29 | |
To be or not to be, that is the question IS the question. | 0:03:29 | 0:03:33 | |
Oh, yes, I see. I did make that up. | 0:03:33 | 0:03:35 | |
Correct. Good riddance. | 0:03:35 | 0:03:37 | |
-I've only just arrived. -No, did you invent the phrase good riddance? | 0:03:37 | 0:03:41 | |
-Yes, I did. -Correct. Heart of gold. | 0:03:41 | 0:03:44 | |
Thank you, that's very flattering. | 0:03:44 | 0:03:46 | |
No, were you the first person | 0:03:46 | 0:03:49 | |
-to use the phrase heart of gold? -Yes, I was. | 0:03:49 | 0:03:52 | |
Correct. Dead as a doornail. | 0:03:52 | 0:03:54 | |
Yes, that is one of mine. | 0:03:54 | 0:03:56 | |
Henry VI, Part 2, the sequel. | 0:03:56 | 0:03:58 | |
Correct. Wild-goose chase. | 0:03:58 | 0:04:00 | |
Oh, yes, that's mine. Are they still using that? | 0:04:00 | 0:04:02 | |
They are indeed. Correct. Knock knock, who's there? | 0:04:02 | 0:04:05 | |
That's wrong. You say "knock knock," I say, "who's there?" | 0:04:05 | 0:04:08 | |
No. Did you invent it? | 0:04:08 | 0:04:10 | |
-What? -Knock knock. -Who's there? | 0:04:10 | 0:04:12 | |
-No! -No, who? -Did you come up with the phrase | 0:04:12 | 0:04:18 | |
-"knock knock, who's there?" -Yes, I did. | 0:04:18 | 0:04:20 | |
Correct. For goodness' sake! | 0:04:20 | 0:04:22 | |
-That's one of mine, too. -Correct. | 0:04:22 | 0:04:24 | |
All the world's a... | 0:04:24 | 0:04:26 | |
END-OF-ROUND JINGLE | 0:04:26 | 0:04:28 | |
-I've started, so I'll finish. -No, that's one of yours. | 0:04:28 | 0:04:30 | |
Correct. William Shakespeare, | 0:04:30 | 0:04:33 | |
at the end of that round, you've scored eight points. | 0:04:33 | 0:04:36 | |
Sorry, is this what you do for entertainment nowadays? | 0:04:36 | 0:04:39 | |
Yes, it is, yes. | 0:04:39 | 0:04:41 | |
-I think I prefer the theatre. -Mmm. "I think I prefer the theatre." | 0:04:41 | 0:04:45 | |
-Get out of the chair now. -OK. | 0:04:45 | 0:04:47 | |
Diseases were rife in the Middle Ages. | 0:04:54 | 0:04:57 | |
You could get a nice dose of scurvy, a spot of leprosy, | 0:04:57 | 0:05:00 | |
or some good old Black Death, which, in 1348, | 0:05:00 | 0:05:04 | |
killed more than half of all the people in Europe. | 0:05:04 | 0:05:06 | |
So, thank heavens for cutting-edge Middle Ages medicines. | 0:05:06 | 0:05:10 | |
Can you hear me? Don't worry, darling, the ambulance is on its way. | 0:05:10 | 0:05:14 | |
Make way, make way! Historical paramedics. | 0:05:14 | 0:05:17 | |
-Are you from the hospital? -No, the Middle Ages. -What's happened here? | 0:05:17 | 0:05:20 | |
-It's my husband, he went all dizzy and he passed out. -What be his name? | 0:05:20 | 0:05:24 | |
-Paul. -Paul, hear ye! | 0:05:24 | 0:05:26 | |
-Hear ye, Paul! -Can ye hear me, Paul? | 0:05:26 | 0:05:28 | |
He looks like he's fainted. Nigel, I need a dead chicken. | 0:05:28 | 0:05:30 | |
A dead chicken, what on earth is that going to do?! | 0:05:30 | 0:05:33 | |
-Nothing, it's dead. -It's not the chicken we need, it's the feathers. | 0:05:33 | 0:05:37 | |
We just burn the ends of them like this. | 0:05:37 | 0:05:39 | |
This should bring him round almost immediately. | 0:05:39 | 0:05:41 | |
-No, it's not working. -Had he shown any other symptoms before this day? | 0:05:41 | 0:05:45 | |
-I suppose he hasn't been sleeping too well. -Sleeplessness? Nigel, treacle. | 0:05:45 | 0:05:49 | |
-Yes, honey? -No, get the treacle. | 0:05:49 | 0:05:52 | |
Don't worry, treacle is the latest Middle Ages cure for sleeplessness. | 0:05:52 | 0:05:56 | |
Hang on, what are those markings? | 0:05:56 | 0:05:58 | |
Could be bruising from the fall. I'll get the flour and bacon fat. | 0:05:58 | 0:06:01 | |
-What? -Hang on, they're kind of blotchy. | 0:06:01 | 0:06:04 | |
Skin disease... No! | 0:06:04 | 0:06:06 | |
-I'm all out of wolf skin. -Where be a wolf? | 0:06:06 | 0:06:08 | |
-Where be a wolf? -This might work. -Actually, it looks like ringworm. | 0:06:08 | 0:06:12 | |
-I concur with thee. -There's only one thing for it. Man-child, | 0:06:12 | 0:06:14 | |
do you want to be a gallant hero? | 0:06:14 | 0:06:17 | |
Then you must wee on that man's head. Nothing cures ringworm | 0:06:17 | 0:06:20 | |
-like a hair wash in boys' wee. -He's not weeing on my husband's head! | 0:06:20 | 0:06:24 | |
You're not weeing on my husband's head! | 0:06:24 | 0:06:26 | |
Don't worry, I always carry a fresh jar of boys' urine, just in case. | 0:06:26 | 0:06:30 | |
-Paul! -I'm OK. | 0:06:36 | 0:06:38 | |
I do need a shower, though. | 0:06:38 | 0:06:39 | |
-Our work here is done. -D'you mind filling this up while we're here? | 0:06:39 | 0:06:42 | |
-Stop it. Don't... -Is that not...? | 0:06:42 | 0:06:44 | |
-SIREN WAILS -Hark, | 0:06:44 | 0:06:45 | |
-it sounds like a proper ambulance. -We must flee this place! | 0:06:45 | 0:06:48 | |
Make haste! | 0:06:48 | 0:06:50 | |
Ian, bring the clean-up kit! | 0:06:55 | 0:06:58 | |
Those historical ones have been here. | 0:06:58 | 0:07:00 | |
Treacle, in the Middle Ages, was not actually | 0:07:02 | 0:07:04 | |
treacle as we know it nowadays, rather it was a name for a medicine | 0:07:04 | 0:07:08 | |
containing up to 65 ingredients. It was sometimes called mithridatum, | 0:07:08 | 0:07:13 | |
after the famous ancient Turkish ruler Mithridates VI. | 0:07:13 | 0:07:17 | |
He had, according to legend, made himself immune to all poison | 0:07:17 | 0:07:21 | |
by regularly taking | 0:07:21 | 0:07:22 | |
tiny amounts of whatever his doctors feared might be used to kill them. | 0:07:22 | 0:07:26 | |
A practice which also works well for kebabs. Mithridatum | 0:07:26 | 0:07:30 | |
became popular for centuries. But I don't think the concoction | 0:07:30 | 0:07:33 | |
would have been of much use to this chap. | 0:07:33 | 0:07:36 | |
# Stupid deaths, stupid deaths They're funny cos they're true | 0:07:38 | 0:07:42 | |
# Stupid deaths, stupid deaths Hope next time, it's not you! # | 0:07:42 | 0:07:48 | |
Oh... Next! | 0:07:49 | 0:07:50 | |
And you are? | 0:07:50 | 0:07:52 | |
-Humphrey de Bohun, leader of the rebel army. -And how did you die? | 0:07:52 | 0:07:56 | |
With great stupidity, I hope. | 0:07:56 | 0:07:58 | |
I was leading a rebellion against King Edward II. | 0:07:58 | 0:08:00 | |
My army was fighting his at the Battle of Boroughbridge. | 0:08:00 | 0:08:04 | |
-Not stupid enough. -I was leading my troops | 0:08:04 | 0:08:06 | |
across the wooden bridge. The enemy was defending it fiercely. | 0:08:06 | 0:08:09 | |
-Almost sensible. -I decided to charge them head on. | 0:08:09 | 0:08:13 | |
I was killing everything in my path, | 0:08:13 | 0:08:15 | |
battling them to the right, fighting them to the left. | 0:08:15 | 0:08:17 | |
You're losing me, pal. | 0:08:17 | 0:08:20 | |
Then suddenly, I... felt a terrible agony in my... | 0:08:20 | 0:08:23 | |
-in my bottom. -Oh, joy! -Yes, an enemy soldier had hidden himself | 0:08:23 | 0:08:30 | |
under the bridge and he'd shoved a pike right in my bottom. | 0:08:30 | 0:08:34 | |
Look, there it is! | 0:08:34 | 0:08:37 | |
Ooh! Hey, that must have been a real pain in the neck! | 0:08:37 | 0:08:41 | |
-Don't you mean pain in the backside? -That's what I said, wasn't it? | 0:08:41 | 0:08:46 | |
-No, you said pain in the neck. -I said pain in the backside. | 0:08:46 | 0:08:48 | |
It would have been funnier if you'd said pain in the backside... | 0:08:48 | 0:08:52 | |
-Whatever, pal! -Right. -You're through to the afterlife. | 0:08:52 | 0:08:55 | |
-Off you trot. -Thank you. -Ha-ha-ha! | 0:08:55 | 0:08:58 | |
Hey, he got a real bum deal! | 0:08:58 | 0:09:02 | |
Oh, I should have said that when he was in the room. ..Hey, you! | 0:09:02 | 0:09:06 | |
You got a bum... He's gone. Why do you always think of things too late? | 0:09:06 | 0:09:10 | |
Next! | 0:09:10 | 0:09:12 | |
# Stupid deaths, stupid deaths Hope next time, it's not you! # | 0:09:12 | 0:09:18 | |
Welcome to the News at When. | 0:09:28 | 0:09:30 | |
When, the 1600s, when the people of Britain went to war with each other | 0:09:30 | 0:09:35 | |
to decide whether they wanted the country ruled by a king | 0:09:35 | 0:09:38 | |
or ruled by Parliament. | 0:09:38 | 0:09:40 | |
With more details, it's over to Bob Hayle, with the civil war report. | 0:09:40 | 0:09:44 | |
Thank you, Sam. Well, it's 1625 and I hope you're dressed smartly, | 0:09:44 | 0:09:47 | |
because here comes the King. Yes, it's King Charles I, | 0:09:47 | 0:09:50 | |
and from day one, he is stirring up trouble. | 0:09:50 | 0:09:53 | |
Mainly because he's supposed to be a Protestant, | 0:09:53 | 0:09:55 | |
like the Church of England, but he keeps doing | 0:09:55 | 0:09:57 | |
very Catholicy things, like marrying a Catholic, praying like a Catholic | 0:09:57 | 0:10:00 | |
and wearing an I Love Catholics T-shirt, except not the last one. | 0:10:00 | 0:10:03 | |
And Charlie's behaviour annoys an awful lot of people, | 0:10:03 | 0:10:06 | |
especially in Parliament down here in London. | 0:10:06 | 0:10:08 | |
So Charlie tells them to take some time off, about ten years, | 0:10:08 | 0:10:11 | |
leaving him in charge of the entire country, which is jolly good fun! | 0:10:11 | 0:10:15 | |
But not for long. First, the Scots, sick of this bossy, | 0:10:15 | 0:10:17 | |
Catholic-loving King, start a war against him. | 0:10:17 | 0:10:19 | |
Then the Irish, sick of English people stealing all their land, | 0:10:19 | 0:10:22 | |
start another war against him, and wars are very expensive. | 0:10:22 | 0:10:25 | |
So Charlie brings back Parliament, so he can ask them for some money. | 0:10:25 | 0:10:29 | |
They say, "No, because you tried to get rid of us, remember?" | 0:10:29 | 0:10:32 | |
They give him a list of everything they don't like about him. | 0:10:32 | 0:10:35 | |
Well, talk about trouble. Over the next two years, | 0:10:35 | 0:10:38 | |
the country divides in two, with some people siding with Charlie - | 0:10:38 | 0:10:41 | |
the Cavaliers - and others siding with Parliament - the Roundheads. | 0:10:41 | 0:10:44 | |
Until in 1642, here in Nottingham, | 0:10:44 | 0:10:47 | |
Civil War is declared, and what a war it is! | 0:10:47 | 0:10:50 | |
If we look at the fight-o-meter, we can see the first major battle, | 0:10:50 | 0:10:53 | |
Edgehill, victory goes to no-one at all. Very dull, it's a dead heat. | 0:10:53 | 0:10:58 | |
But in round two, in London, the winner is... | 0:10:58 | 0:11:00 | |
Oh, a great result for the Roundheads there, followed by... | 0:11:00 | 0:11:03 | |
a real killing for the Cavaliers in the West Country. | 0:11:03 | 0:11:06 | |
And then another win for the King up North, taking Bolton, Preston, | 0:11:06 | 0:11:09 | |
Wigan and Liverpool, where my cousin Ted runs a dry-cleaner's just off | 0:11:09 | 0:11:12 | |
the High Street, half-price shirts on Wednesdays - worth remembering. | 0:11:12 | 0:11:15 | |
But the King's luck can't last. It's complete murder at Marston Moor, | 0:11:15 | 0:11:19 | |
followed by a knockout at Newbury and annihilation at Naseby. | 0:11:19 | 0:11:22 | |
In fact, he's doing so badly, he's broken our thingy! | 0:11:22 | 0:11:25 | |
But Charlie has an idea. He'll make a truce with the Scots if they'll | 0:11:25 | 0:11:28 | |
help him fight the Roundheads, which is absolutely brilliant. | 0:11:28 | 0:11:31 | |
Except it doesn't work at all and they just hand him over to Parliament. Whoops! | 0:11:31 | 0:11:35 | |
So the Roundheads win, the Cavaliers lose, and that is the end of that. | 0:11:35 | 0:11:40 | |
But not for long. It soon becomes clear that the Roundhead leader, Oliver Cromwell, | 0:11:40 | 0:11:44 | |
is about as much fun as stinging nettle underpants, | 0:11:44 | 0:11:46 | |
so the Scots form an alliance with Charlie to overthrow Cromwell. | 0:11:46 | 0:11:49 | |
Yes, it's Civil War Part Two. With the Scots and the Cavaliers | 0:11:49 | 0:11:53 | |
fighting on the same side, there's no way they can lose. | 0:11:53 | 0:11:55 | |
Or so we thought. Cromwell completely crushes both of them and it's goodbye civil war, | 0:11:55 | 0:12:00 | |
goodbye Charlie's head, and goodbye kings and queens altogether. | 0:12:00 | 0:12:03 | |
Yes, Cromwell is now in charge of the country. | 0:12:03 | 0:12:06 | |
And with all the warring over, Olly can stop being mean to the Cavaliers | 0:12:06 | 0:12:09 | |
and start being mean to the rest of us. | 0:12:09 | 0:12:11 | |
He turns Britain into a puritan state, which means banning pretty much anything fun, | 0:12:11 | 0:12:15 | |
including sport, theatre and Christmas. | 0:12:15 | 0:12:17 | |
And then he runs out of stuff to ban, gets bored and dies. | 0:12:17 | 0:12:20 | |
So his son Richard takes over, but he's about as much use as a jelly pickaxe. | 0:12:20 | 0:12:24 | |
Before long, the people of Britain just want the petty puritans out and the crazy kings back. | 0:12:24 | 0:12:28 | |
Yes, Prince Charles is welcomed home with open arms. | 0:12:28 | 0:12:31 | |
He becomes King Charles II and the monarchy is restored! | 0:12:31 | 0:12:34 | |
It's the Restoration, which gives us all sorts of fun things - | 0:12:34 | 0:12:37 | |
Restoration comedies. Restoration fashion. Restoration furniture. | 0:12:37 | 0:12:41 | |
Including this delightful mahogany bureau. £750 for the bureau? | 0:12:41 | 0:12:45 | |
750 at the back. | 0:12:45 | 0:12:46 | |
I've got 800 for the bureau. Going once at 800. | 0:12:46 | 0:12:49 | |
900 for the bureau, 900 at the back. 950 at the back. I've got £1,000. | 0:12:49 | 0:12:54 | |
Once at 1,000, twice... Sold for £1,000 to the beautiful lady with a beautiful bob haircut. | 0:12:54 | 0:12:59 | |
Back to you, Sam. | 0:12:59 | 0:13:01 | |
After 11 years in exile in France, | 0:13:05 | 0:13:07 | |
Charles II was crowned in Westminster Abbey on St George's Day, 1661. | 0:13:07 | 0:13:12 | |
Party on! | 0:13:12 | 0:13:14 | |
# My name is, my name is My name is...Charles II! | 0:13:14 | 0:13:19 | |
# I love the people and the people love me | 0:13:19 | 0:13:21 | |
# So much that they restored the English monarchy | 0:13:21 | 0:13:24 | |
# I'm part Scottish, French, Italian A little bit Dane | 0:13:24 | 0:13:26 | |
# But 100% party animal. Champagne? | 0:13:26 | 0:13:29 | |
# Spaniels, I adore Named after me too | 0:13:29 | 0:13:32 | |
# Like me, they were fun with a natty hairdo | 0:13:32 | 0:13:34 | |
# Is today my birthday? I can't recall | 0:13:34 | 0:13:37 | |
# Let's have a party anyway because I love a masked ball | 0:13:37 | 0:13:40 | |
# All hail, the King of bling! | 0:13:40 | 0:13:44 | |
# Let's sing! Bells ring! Ding ding! | 0:13:44 | 0:13:47 | |
# I'm the king who brought back partying | 0:13:47 | 0:13:50 | |
# King Charles, my daddy, lost his throne, and kings were banned | 0:13:50 | 0:13:53 | |
# They chopped off his head Then Olly Cromwell ruled the land | 0:13:53 | 0:13:55 | |
# Old Olly wasn't jolly He was glum, and he was proud | 0:13:55 | 0:13:58 | |
# Would be miserable as sin Only sinning's not allowed! | 0:13:58 | 0:14:01 | |
# When Olly died, the people said, "Charlie, me hearty | 0:14:01 | 0:14:03 | |
# "Get rid of his dull laws! Come back, we'd rather party!" | 0:14:03 | 0:14:06 | |
# This action's what they called the Monarchy Restoration | 0:14:06 | 0:14:08 | |
-# Which naturally was followed by a huge celebration! -The King of Eng! | 0:14:08 | 0:14:13 | |
-# No sin! Too sing! -OK! -Or anything! | 0:14:13 | 0:14:18 | |
# All say, I'm the King who brought back partying | 0:14:18 | 0:14:22 | |
# Great London Fire was a whopper | 0:14:22 | 0:14:23 | |
# In my reign London city came a cropper | 0:14:23 | 0:14:25 | |
# So this king did what was right and proper fought the fire | 0:14:25 | 0:14:28 | |
# Proved I'm more than a bopper I'm a fire stopper! | 0:14:28 | 0:14:31 | |
# Married Catherine Braganza She was a love so true | 0:14:32 | 0:14:34 | |
# There would never be another Well, maybe one or two! | 0:14:34 | 0:14:37 | |
# Lucy Walter, Nell Gwyn Moll Davis, Barbara Villiers | 0:14:37 | 0:14:40 | |
# You think that's bad but her name's not as silly as... | 0:14:40 | 0:14:43 | |
-# Hortense Mancini! -As King, I must admit I broke the wedding rules | 0:14:43 | 0:14:47 | |
# But who cares when I brought back the Crown Jewels? | 0:14:47 | 0:14:50 | |
# I reinstated Christmas, makeup sport and even plays | 0:14:50 | 0:14:53 | |
# I was the Merry Monarch They were good old days | 0:14:53 | 0:14:55 | |
-# When said and done King Charles... -That's me! -..did run | 0:14:55 | 0:15:00 | |
# England for fun | 0:15:00 | 0:15:03 | |
# I was the King loved by everyone My song is done. # | 0:15:03 | 0:15:06 | |
Party, anyone? | 0:15:06 | 0:15:08 | |
'This is Victorian Dragon's Den. | 0:15:18 | 0:15:19 | |
'It's Victorian Britain, an age of enterprise and industry | 0:15:19 | 0:15:23 | |
'when many great inventions were, well, invented by inventors. | 0:15:23 | 0:15:27 | |
'So, can any of tonight's candidates | 0:15:27 | 0:15:30 | |
'convince the Dragons to put money behind their ideas? | 0:15:30 | 0:15:33 | |
'First up, it's Mr Nathaniel Twonk.' | 0:15:33 | 0:15:36 | |
Gentlemen and lady. Allow me to explain | 0:15:36 | 0:15:39 | |
a most efficacious devised that I have invented. | 0:15:39 | 0:15:43 | |
I call it the automatic bottle washer. | 0:15:43 | 0:15:48 | |
This device will automatically wash bottles for hours on end | 0:15:48 | 0:15:52 | |
without the need for attention or adjustment. | 0:15:52 | 0:15:57 | |
Ah! | 0:15:59 | 0:16:00 | |
Marvellous. Yes, I'm in. | 0:16:00 | 0:16:02 | |
-I'm in. -I'm in. | 0:16:02 | 0:16:05 | |
'Our next hopeful inventor is Mrs Edwina Gruelbucket.' | 0:16:07 | 0:16:10 | |
Gentlemen and madam, I wish to present you | 0:16:10 | 0:16:15 | |
with a golden opportunity to invest in my most marvellous invention. | 0:16:15 | 0:16:19 | |
The automatic potato harvester. | 0:16:19 | 0:16:23 | |
-Wonderful. -I'm in. | 0:16:25 | 0:16:27 | |
-I'm in. -'Well, it's been a good day for our hopefuls so far. | 0:16:27 | 0:16:30 | |
'Let's see if Sir Chesterton Widebelly can make it a clean sweep.' | 0:16:30 | 0:16:34 | |
Lady and gentlemen. | 0:16:34 | 0:16:36 | |
I have invented something which I believe will truly change the world. | 0:16:36 | 0:16:41 | |
I call it the vacuum cleaner. | 0:16:41 | 0:16:45 | |
But what does it do? | 0:16:54 | 0:16:55 | |
It sucks. | 0:16:55 | 0:16:58 | |
-Oh, dear. -It sucks all right. | 0:16:58 | 0:17:00 | |
'The dragons aren't impressed.' | 0:17:00 | 0:17:02 | |
-Never mind. -'Can Chesterton win them round?' | 0:17:02 | 0:17:06 | |
You could use this instead. | 0:17:06 | 0:17:10 | |
Ah, now, you see, that's more like it. Yes, I'm in. | 0:17:10 | 0:17:13 | |
-I'm in. -I'm in, yes. | 0:17:13 | 0:17:16 | |
Children in Victorian times were used for all sorts of jobs. | 0:17:18 | 0:17:23 | |
As a child, Charles Dickens was forced to work in a warehouse | 0:17:23 | 0:17:27 | |
putting labels on shoe polish. | 0:17:27 | 0:17:28 | |
Dickens, though, was one of the lucky ones. | 0:17:28 | 0:17:31 | |
He never had to do this job. | 0:17:31 | 0:17:34 | |
Hi, I'm a shouty man | 0:17:34 | 0:17:36 | |
and I'm here to tell you about New Victorian Child, | 0:17:36 | 0:17:40 | |
the chimney cleaning revolution. | 0:17:40 | 0:17:42 | |
New Victorian Child cleans even the most difficult of bends. Don't you? | 0:17:42 | 0:17:47 | |
And you can really see it working. | 0:17:48 | 0:17:50 | |
The chimney flue on the left is clogged with dirt and soot, | 0:17:54 | 0:17:57 | |
whereas the one on the right is completely soot-free. | 0:17:57 | 0:18:01 | |
It's been cleaned with New Victorian Child. | 0:18:01 | 0:18:04 | |
There it is now. | 0:18:04 | 0:18:05 | |
Help! I'm...I'm stuck. | 0:18:05 | 0:18:09 | |
And just look at the results. | 0:18:09 | 0:18:11 | |
Well, Victorian Child now has eye infection, | 0:18:11 | 0:18:14 | |
skin irritation and breathing problems. | 0:18:14 | 0:18:16 | |
But when you're chimney's this clean, who cares?! | 0:18:16 | 0:18:20 | |
We'll even throw in this pack of pins | 0:18:20 | 0:18:23 | |
to make sure your child remains motivated. | 0:18:23 | 0:18:27 | |
Agh! | 0:18:27 | 0:18:28 | |
Up you go, little fella! | 0:18:28 | 0:18:31 | |
And what's more, New Victorian Child comes with a full guarantee. | 0:18:31 | 0:18:36 | |
If it's injured, falls to its death, suffocates, is badly burned | 0:18:36 | 0:18:40 | |
or gets too darn big, | 0:18:40 | 0:18:42 | |
we'll just replace it with another poor child, free of charge. | 0:18:42 | 0:18:45 | |
So, go on, try New Victorian Child today. | 0:18:45 | 0:18:49 | |
Shove a kid up your chimney and the dirt is gone. | 0:18:49 | 0:18:52 | |
Use before 1864, because then it's abolished. | 0:18:52 | 0:18:56 | |
One of the most important events in Greek mythology is the Trojan War, | 0:19:01 | 0:19:05 | |
which centred around that legendary beauty, Helen of Troy. | 0:19:05 | 0:19:09 | |
It's a highly complicated tale, so here's the abridged version. | 0:19:09 | 0:19:14 | |
Daughter, it is time to choose a husband | 0:19:22 | 0:19:25 | |
from all the kings and princes of Greece. | 0:19:25 | 0:19:28 | |
Yeah, whatever, I'll have that one. | 0:19:28 | 0:19:31 | |
Menelaus of Sparta is chosen. | 0:19:31 | 0:19:34 | |
Sweet as a nut, mate. Yes! | 0:19:34 | 0:19:37 | |
Helen, | 0:19:41 | 0:19:42 | |
you is well fit. | 0:19:42 | 0:19:44 | |
Your face could launch a thousand ships, yeah. | 0:19:44 | 0:19:47 | |
What is that supposed to mean? I think I've married an idiot. | 0:19:47 | 0:19:53 | |
But then...another suitor turned up. | 0:19:53 | 0:19:56 | |
Sorry I'm late, yeah. | 0:19:56 | 0:19:59 | |
I'm Paris, Prince of Troy. | 0:19:59 | 0:20:01 | |
I'm here for the husband choosing. | 0:20:01 | 0:20:03 | |
Mate, you is too late, yeah. | 0:20:03 | 0:20:05 | |
This ship has already sailed and it's mine. | 0:20:05 | 0:20:08 | |
Captain Menelaus. | 0:20:08 | 0:20:10 | |
Wow! | 0:20:10 | 0:20:12 | |
That Paris, he is well fit! | 0:20:12 | 0:20:15 | |
Menelaus won't mind if I run away to Troy with Paris. | 0:20:17 | 0:20:20 | |
He'll forget about me in, like, no time. | 0:20:20 | 0:20:23 | |
Listen up, yeah. | 0:20:26 | 0:20:28 | |
I want all us Greek soldiers to march on Troy, you get me? | 0:20:28 | 0:20:32 | |
We're going to tear that city up. | 0:20:32 | 0:20:35 | |
Kill them all, is it! | 0:20:35 | 0:20:38 | |
Yeah, it is. | 0:20:38 | 0:20:39 | |
Whoops! | 0:20:41 | 0:20:43 | |
Sorry, started a war! | 0:20:43 | 0:20:46 | |
Rrr! | 0:20:46 | 0:20:47 | |
SHE CHUCKLES | 0:20:47 | 0:20:49 | |
Menelaus has brought a huge army to take you back to Greece, yeah. | 0:20:49 | 0:20:54 | |
He's surrounded Troy. | 0:20:54 | 0:20:55 | |
We is going to war! | 0:20:55 | 0:20:57 | |
You boys! | 0:20:57 | 0:21:00 | |
Honestly! | 0:21:00 | 0:21:02 | |
Oh. | 0:21:07 | 0:21:10 | |
Bored now. | 0:21:10 | 0:21:12 | |
Helen, I've got well bad news. Paris is dead. | 0:21:17 | 0:21:21 | |
Which one's he again? | 0:21:21 | 0:21:23 | |
My brother, the prince. | 0:21:23 | 0:21:27 | |
That bloke you ran off with, the reason for this whole ten-year war. | 0:21:27 | 0:21:30 | |
Oh, yeah, I remember. | 0:21:30 | 0:21:33 | |
Oooh, you is well fit. | 0:21:42 | 0:21:44 | |
-Do you fancy getting married? -Yeah, if you like. | 0:21:44 | 0:21:47 | |
Me name's Deiphobus, by the way. | 0:21:47 | 0:21:49 | |
-Whatever. -Friends call me Phobie. | 0:21:49 | 0:21:52 | |
Don't really care. | 0:21:52 | 0:21:54 | |
All right, Menelaus? What is up, boo? | 0:21:57 | 0:22:00 | |
I is destroyed Troy, Paris is dead, Dies...Daeus... | 0:22:00 | 0:22:05 | |
that one is dead as well, | 0:22:05 | 0:22:07 | |
and it's all cos of you, girl. | 0:22:07 | 0:22:08 | |
What is you got to say for yourself? Ah! | 0:22:08 | 0:22:11 | |
Oh! You're really fit when you're angry. | 0:22:11 | 0:22:14 | |
-Do you fancy getting back together again? -Yeah. | 0:22:14 | 0:22:17 | |
What am I like! | 0:22:17 | 0:22:18 | |
Nobody really knows how much of the story of Troy is legend | 0:22:20 | 0:22:25 | |
and how much fact. | 0:22:25 | 0:22:26 | |
One of our literary sources is Homer's epic poem, the Iliad. | 0:22:26 | 0:22:31 | |
But he was around | 0:22:31 | 0:22:32 | |
some 450 years after the Trojan Wars had taken place. | 0:22:32 | 0:22:35 | |
Indeed, he was an oral poet, so the Iliad wasn't even written down | 0:22:35 | 0:22:39 | |
until some years after that, | 0:22:39 | 0:22:41 | |
making the Iliad a somewhat unreliable historical source. | 0:22:41 | 0:22:44 | |
It's a little like a tabloid journalist today | 0:22:44 | 0:22:47 | |
reporting on the early earthworks at Stonehenge... | 0:22:47 | 0:22:51 | |
but with more fact-checking, and less libel. | 0:22:51 | 0:22:53 | |
On Viking expeditions we could work out where we were | 0:22:59 | 0:23:02 | |
by dredging up mud from the sea bed and looking at its consistency. | 0:23:02 | 0:23:05 | |
Not just a pretty face, eh? | 0:23:05 | 0:23:07 | |
Yeah, we Vikings had some very cunning ways of navigating. | 0:23:07 | 0:23:12 | |
Come on! We must be close to land. | 0:23:14 | 0:23:18 | |
-What are you doing? -What? Nothing. | 0:23:18 | 0:23:21 | |
-Are we lost? -Don't be silly. | 0:23:21 | 0:23:25 | |
You're supposed to be navigating. | 0:23:25 | 0:23:27 | |
If you've got us lost, the captain'll feed your arms to the sharks. | 0:23:27 | 0:23:30 | |
We're not lost. | 0:23:30 | 0:23:31 | |
That's the sea and that's the sky and we're in-between them, | 0:23:31 | 0:23:35 | |
on the sea and underneath the sky, which is where I thought we'd be. | 0:23:35 | 0:23:38 | |
Look at me. Are we lost? | 0:23:38 | 0:23:42 | |
Yes. | 0:23:42 | 0:23:44 | |
Right. Thought so. | 0:23:44 | 0:23:46 | |
Good thing I brought this, then, innit? | 0:23:46 | 0:23:48 | |
-What's in there? -A raven. | 0:23:48 | 0:23:51 | |
We're in the middle of the sea, what use is a bird? | 0:23:51 | 0:23:54 | |
It's the latest Viking trick. This raven is very hungry. | 0:23:54 | 0:23:57 | |
When I let it out of the box, it will soar up into the sky | 0:23:57 | 0:24:01 | |
and if it sees land, it'll fly straight for it looking for food. | 0:24:01 | 0:24:04 | |
All we have to do is follow. | 0:24:04 | 0:24:06 | |
Sat rav. Wow, what a good idea. | 0:24:06 | 0:24:09 | |
-We'll find land in no time. -Ready? -Yeah. | 0:24:09 | 0:24:12 | |
Fly, raven, fly! | 0:24:14 | 0:24:16 | |
I think it's a bit too hungry. | 0:24:19 | 0:24:21 | |
I probably should have fed it a little something. | 0:24:21 | 0:24:24 | |
Yes, Vikings really did use ravens to navigate. | 0:24:26 | 0:24:30 | |
They used birds like ravens | 0:24:30 | 0:24:32 | |
because they prey on land animals rather than fish, | 0:24:32 | 0:24:35 | |
which means they would soar up high and search for the nearest land. | 0:24:35 | 0:24:39 | |
It's actually a technique most of us are familiar with, | 0:24:39 | 0:24:43 | |
as it was first mentioned in the Bible | 0:24:43 | 0:24:45 | |
when Noah sends a dove to look for dry land | 0:24:45 | 0:24:48 | |
and it returns with an olive branch, | 0:24:48 | 0:24:50 | |
proving that either land WAS nearby, | 0:24:50 | 0:24:53 | |
or that somewhere floating out in that floodwater | 0:24:53 | 0:24:55 | |
there was an olive tree. | 0:24:55 | 0:24:57 | |
Now, the Vikings were very good at finding land, | 0:24:57 | 0:25:00 | |
which was very bad news for those who lived there. | 0:25:00 | 0:25:04 | |
# Was the summer of 793 | 0:25:10 | 0:25:14 | |
# When we sailed across the great North Sea | 0:25:14 | 0:25:18 | |
# Comets crossed the skies that night | 0:25:18 | 0:25:20 | |
# Must have known something wasn't right | 0:25:20 | 0:25:23 | |
# We arrived upon your English shore | 0:25:23 | 0:25:26 | |
# And you offered friendship But we wanted more | 0:25:26 | 0:25:30 | |
# Yeah, so much more, whoa-oh-oh | 0:25:32 | 0:25:36 | |
# We're tearing up this place tonight | 0:25:36 | 0:25:39 | |
# Literally | 0:25:39 | 0:25:40 | |
# We're gonna set this sleepy town alight | 0:25:42 | 0:25:45 | |
# Literally | 0:25:45 | 0:25:47 | |
# We'll kill and steal and burn and drink | 0:25:48 | 0:25:51 | |
# Cos us Vikings don't care what you thi-i-i-ink | 0:25:51 | 0:25:57 | |
# Whoa-oh-oh | 0:25:57 | 0:25:59 | |
# Let me in now, won't you, please? | 0:26:01 | 0:26:04 | |
# We're here to raid your monasteries | 0:26:04 | 0:26:07 | |
# We're primed and ready to attack | 0:26:07 | 0:26:10 | |
# And we love how monks just don't fight back | 0:26:10 | 0:26:13 | |
# You'll die or become a slave to me | 0:26:13 | 0:26:16 | |
# Though our slaves often get chucked in the sea, yeah | 0:26:16 | 0:26:21 | |
# If the boat's heavy, yeah, yeah | 0:26:21 | 0:26:26 | |
# You're gonna lose your head, my friend | 0:26:26 | 0:26:29 | |
# Literally | 0:26:29 | 0:26:30 | |
# We're gonna getcha in the end | 0:26:32 | 0:26:35 | |
# Literally | 0:26:35 | 0:26:36 | |
# Then I'll drink a toast from your skull | 0:26:38 | 0:26:41 | |
# Cos we're Vikings | 0:26:41 | 0:26:42 | |
# And that's we ro-o-o-oll | 0:26:42 | 0:26:47 | |
# Whoa-oh-oh | 0:26:47 | 0:26:49 | |
# Play that axe | 0:26:49 | 0:26:51 | |
# We're gonna paint | 0:26:56 | 0:26:58 | |
# The whole town red | 0:26:58 | 0:27:00 | |
# Literally | 0:27:00 | 0:27:02 | |
# With the blood of the dead | 0:27:03 | 0:27:06 | |
# Literally | 0:27:06 | 0:27:09 | |
# We'll take everything that you own | 0:27:09 | 0:27:13 | |
# And get back on our ship and go back ho-o-o-ome | 0:27:13 | 0:27:18 | |
# Whoa-oh-oh | 0:27:18 | 0:27:21 | |
# We're going ho-o-o-ome | 0:27:21 | 0:27:25 | |
# Whoa-oh-oh | 0:27:25 | 0:27:27 | |
# We're going ho-o-o-ome | 0:27:27 | 0:27:31 | |
# Whoa-oh-oh | 0:27:31 | 0:27:33 | |
# We're going ho-o-o-ome | 0:27:33 | 0:27:37 | |
# Whoa-oh-oh | 0:27:37 | 0:27:39 | |
# We are going home. # | 0:27:39 | 0:27:41 | |
Well, that's it for this ramble through the more ridiculous recesses | 0:27:41 | 0:27:45 | |
of the remote and more recent past. | 0:27:45 | 0:27:47 | |
I thought I'd let the final words go to Groucho Marx | 0:27:47 | 0:27:50 | |
who, on his deathbed, said, | 0:27:50 | 0:27:52 | |
"Die, my dear? Why, that's the last thing I'll do." | 0:27:52 | 0:27:56 | |
With that, good bye. | 0:27:56 | 0:27:57 | |
# Tall tales, atrocious acts | 0:27:57 | 0:27:58 | |
# We gave you all the fearsome facts The ugly truth, no glam or glitz | 0:27:58 | 0:28:01 | |
# We showed you all the juicy bits | 0:28:01 | 0:28:03 | |
# Gory, ghastly, cruel and mean | 0:28:03 | 0:28:05 | |
# Bursting out your TV screen | 0:28:05 | 0:28:08 | |
# The past is no longer a mystery Hope you enjoyed... | 0:28:08 | 0:28:12 | |
# Horrible Histories. # | 0:28:12 | 0:28:16 |