Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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# Terrible Tudors Gorgeous Georgians Slimy Stuarts, Vile Victorians | 0:00:02 | 0:00:04 | |
# Woeful wars, ferocious fights Dingy castles, daring knights | 0:00:04 | 0:00:07 | |
# Horrors that defy description Cut-throat Celts, awful Egyptians | 0:00:07 | 0:00:09 | |
# Vicious Vikings, cruel crimes Punishment from ancient times | 0:00:09 | 0:00:12 | |
# Romans - rotten, rank and ruthless Cavemen - savage, fierce, toothless | 0:00:12 | 0:00:15 | |
# Groovy Greeks - brainy sages Mean and measly Middle Ages | 0:00:15 | 0:00:17 | |
# Gory stories, we so like And your host, it's Stephen Fry | 0:00:17 | 0:00:23 | |
# The past is no longer a mystery Welcome to... | 0:00:23 | 0:00:27 | |
# Horrible Histories. # | 0:00:27 | 0:00:32 | |
Hello and welcome to Horrible Histories, | 0:00:32 | 0:00:35 | |
the show that identifies the wider context of important historical eras | 0:00:35 | 0:00:40 | |
and then throws that away, | 0:00:40 | 0:00:41 | |
leaving only the smelliest, silliest, goriest bits, | 0:00:41 | 0:00:44 | |
or as we like to call it, the good stuff! | 0:00:44 | 0:00:47 | |
-(Psst! Are you Agent Sophie?) -(Yes, I am she.) | 0:00:56 | 0:00:59 | |
Agent Sophie, welcome to France. | 0:01:01 | 0:01:04 | |
I am Claude, your contact in the French Resistance. | 0:01:04 | 0:01:06 | |
I understand you have some instructions for me? | 0:01:06 | 0:01:09 | |
Yes, they are in my suitcase. | 0:01:09 | 0:01:11 | |
-Here you go. -Wait a minute. | 0:01:12 | 0:01:15 | |
You come all the way to German-occupied France | 0:01:15 | 0:01:17 | |
to tell me I need a wash and to brush my teeth? | 0:01:17 | 0:01:19 | |
No, of course not. Although... | 0:01:19 | 0:01:22 | |
The secret instructions are hidden inside the soap and toothpaste. | 0:01:22 | 0:01:26 | |
-They are written on silk. -Oh, this is very clever. | 0:01:26 | 0:01:30 | |
So, if the Germans search your suitcase, they won't find anything. | 0:01:30 | 0:01:33 | |
-Ingenious. -We thought so. | 0:01:33 | 0:01:35 | |
So tell me, what do you have hidden inside these things? | 0:01:35 | 0:01:38 | |
The hairbrush contains spare money | 0:01:38 | 0:01:41 | |
and the chess set has a map of France in it, if I lose my way. | 0:01:41 | 0:01:44 | |
Amazing! | 0:01:44 | 0:01:45 | |
You British secret agents have so many things | 0:01:45 | 0:01:48 | |
hidden inside other things. It is wonderful! | 0:01:48 | 0:01:50 | |
Oh, I see you have also brought some dinner and what's this? | 0:01:50 | 0:01:53 | |
Oh-la-la! A bottle of wine. | 0:01:53 | 0:01:55 | |
No, no, no, no. Be careful with that. | 0:01:55 | 0:01:57 | |
The wine is actually a bomb. | 0:01:57 | 0:01:59 | |
Of course it is. I should have guessed. | 0:01:59 | 0:02:01 | |
Next, you'll be telling me that you have hidden | 0:02:01 | 0:02:04 | |
a machine-gun inside this fish. | 0:02:04 | 0:02:06 | |
Yes. Is it that obvious? | 0:02:06 | 0:02:08 | |
I'll have to tell the boffins in London to work on that. | 0:02:08 | 0:02:11 | |
They really are geniuses. | 0:02:11 | 0:02:12 | |
They've even made mines that look like animal poo. | 0:02:12 | 0:02:15 | |
Ah, so you are telling me, this cow pat is actually a landmine? | 0:02:15 | 0:02:22 | |
Oh, it even smells like the real thing. | 0:02:22 | 0:02:25 | |
No, no, no, that is a cowpat. I didn't bring that with me. | 0:02:25 | 0:02:30 | |
Will you pass me the soap, please? | 0:02:32 | 0:02:33 | |
Of course, camouflage had to be adapted to suit the environment. | 0:02:41 | 0:02:45 | |
In North Africa, for example, | 0:02:45 | 0:02:47 | |
mines were disguised to look like camel dung. | 0:02:47 | 0:02:50 | |
Anyway, it wasn't just France and North Africa. | 0:02:50 | 0:02:53 | |
All over Europe, | 0:02:53 | 0:02:54 | |
strategies were devised to undermine the Nazi offensive. | 0:02:54 | 0:02:58 | |
Even those who had been captured were doing their bit. | 0:02:58 | 0:03:01 | |
Squadron Leader Higgins, Herr Commandant. | 0:03:06 | 0:03:09 | |
Ah, Squadron Leader, we meet again. | 0:03:09 | 0:03:12 | |
Oh, have we met before? | 0:03:12 | 0:03:15 | |
No, I just like the way I sound when I say that. | 0:03:15 | 0:03:19 | |
I'm Commandant Klinsmann, the new head of this prisoner of war camp | 0:03:19 | 0:03:24 | |
and I hope you enjoyed your brief taste of freedom - | 0:03:24 | 0:03:28 | |
your 23rd escape - | 0:03:28 | 0:03:31 | |
because it will be your last. | 0:03:31 | 0:03:33 | |
Oh, dear. | 0:03:33 | 0:03:35 | |
I have positioned additional guards here, here and here, | 0:03:35 | 0:03:40 | |
making escape virtually impossi-... | 0:03:40 | 0:03:43 | |
Where did he go? | 0:03:43 | 0:03:45 | |
He's done it again. Send 100 troops to find Squadron Lea-... | 0:03:48 | 0:03:51 | |
-Cancel that. -Squadron Leader Higgins, Herr Commandant. | 0:03:52 | 0:03:56 | |
Ah, Squadron Leader, we meet again. | 0:03:56 | 0:04:00 | |
-Are we not counting just now? -Shut up! | 0:04:00 | 0:04:03 | |
Don't think I don't know what your game is here. | 0:04:04 | 0:04:06 | |
British officers are under orders to keep trying to escape, | 0:04:06 | 0:04:09 | |
which means that German soldiers spend their time chasing you down | 0:04:09 | 0:04:14 | |
rather than fighting this war. Not any more! I'm in charge now. | 0:04:14 | 0:04:18 | |
And you will find that I have eyes in the back of my head. He-he! | 0:04:19 | 0:04:25 | |
Now where did he go? What..? | 0:04:26 | 0:04:28 | |
Send 300 soldiers to find Squadron Leader... | 0:04:30 | 0:04:33 | |
-Cancel that. -Squadron Leader Higgins, Herr Commandant. | 0:04:36 | 0:04:40 | |
So, we meet again? | 0:04:40 | 0:04:41 | |
Don't say that! I say that! | 0:04:41 | 0:04:44 | |
Give me one good reason why I shouldn't shoot you on the spot? | 0:04:45 | 0:04:49 | |
Because the Geneva Convention means you can't shoot officers. | 0:04:49 | 0:04:54 | |
Yes, forgot about that. | 0:04:54 | 0:04:56 | |
Ah, yes, I see you would like to get hold of my keys, yes? | 0:04:58 | 0:05:04 | |
Let me tell you something. | 0:05:04 | 0:05:06 | |
There are two things in this world that will never happen. | 0:05:06 | 0:05:10 | |
One, you will never win this war. | 0:05:10 | 0:05:12 | |
And two, you will never get your hands on my keys. | 0:05:12 | 0:05:17 | |
They have won the war! We have surrendered! Every man for himself! | 0:05:19 | 0:05:24 | |
Right, this one's for the front door. It's quite easy. | 0:05:31 | 0:05:34 | |
This one's for the back gate. | 0:05:34 | 0:05:36 | |
It's a little bit sticky. You might have to wiggle it a bit. | 0:05:36 | 0:05:39 | |
Lots of the Allied soldiers who kept escaping | 0:05:39 | 0:05:41 | |
were moved to the old German castle, Colditz, | 0:05:41 | 0:05:45 | |
which was meant to be escape-proof. | 0:05:45 | 0:05:47 | |
In fact, there were more escapes from Colditz | 0:05:47 | 0:05:49 | |
than any other prisoner of war camp. | 0:05:49 | 0:05:51 | |
The prisoners had a gentleman's agreement with the Germans | 0:05:51 | 0:05:54 | |
wherein they promised not to make use of equipment given | 0:05:54 | 0:05:57 | |
to them for gardening and so on during their escape attempts, | 0:05:57 | 0:06:01 | |
but only to use kit they had smuggled in. | 0:06:01 | 0:06:04 | |
Sadly, the Germans refused to believe the Allied assertion | 0:06:04 | 0:06:07 | |
that ladder cake and hacksaw sandwiches | 0:06:07 | 0:06:11 | |
were both traditional English delicacies. | 0:06:11 | 0:06:14 | |
Everyone knows that Guy Fawkes tried to blow up Parliament | 0:06:20 | 0:06:23 | |
on November 5th. | 0:06:23 | 0:06:24 | |
But did you know that he was just one member of a much bigger gang? | 0:06:24 | 0:06:27 | |
In fact, there were 13 of them altogether. | 0:06:27 | 0:06:29 | |
Come on, Fawkes. You couldn't have done this alone. | 0:06:30 | 0:06:34 | |
Who was in your gang? | 0:06:34 | 0:06:37 | |
-I'll never tell you. -Oh, we'll see about that! Heh-heh-heh! -Heh-heh-heh! | 0:06:37 | 0:06:44 | |
-What? -What? | 0:06:44 | 0:06:46 | |
You don't laugh, I laugh. | 0:06:46 | 0:06:48 | |
TRAILER-ESQUE: 'It was the plot that seemed unthinkable. | 0:06:48 | 0:06:52 | |
'Fawkes is The Explosives Expert.' | 0:06:52 | 0:06:54 | |
We're going to blow up King James and his entire family | 0:06:54 | 0:06:57 | |
at the State Opening of Parliament? | 0:06:57 | 0:06:58 | |
-Right. -Any reason, or just for fun? | 0:06:58 | 0:07:00 | |
'John Wright is The Persuader.' | 0:07:00 | 0:07:02 | |
Because you're Catholic and I'm Catholic | 0:07:02 | 0:07:05 | |
and the King hates Catholics. | 0:07:05 | 0:07:06 | |
-He seems to think we're always plotting something. -As if! | 0:07:06 | 0:07:09 | |
THEY CACKLE | 0:07:09 | 0:07:12 | |
'It was the plot that sounded impossible. | 0:07:12 | 0:07:14 | |
'Robert Gatesby is The Brains.' | 0:07:14 | 0:07:16 | |
We're supposed to roll 36 barrels of gunpowder down the Thames, | 0:07:16 | 0:07:21 | |
sneak it into this rented cellar, | 0:07:21 | 0:07:23 | |
wait for Parliament to open, then I creep back in, light the fuse, | 0:07:23 | 0:07:26 | |
run away, blow up the King - all without getting caught? | 0:07:26 | 0:07:29 | |
-Yes. -OK. | 0:07:29 | 0:07:32 | |
Just checking I had that right. | 0:07:32 | 0:07:33 | |
'It was the plot that would surely go wrong.' | 0:07:33 | 0:07:37 | |
I've persuaded 12 guys altogether. | 0:07:37 | 0:07:39 | |
That ought to do it, don't you think? | 0:07:39 | 0:07:41 | |
-Do you think we need one more? -Couldn't hurt. -I'll get one more. | 0:07:41 | 0:07:45 | |
Excuse me. Would you like to be in a plot to blow up Parliament? | 0:07:45 | 0:07:48 | |
Oh, yes, why not? I'll just check my diary. When were you thinking? | 0:07:48 | 0:07:52 | |
-November 5th. -Yes, I'm free. -Fabulous. That's 13, then. | 0:07:52 | 0:07:57 | |
Isn't 13 an unlucky number? | 0:07:57 | 0:07:59 | |
Don't worry, it will go off without a hitch. | 0:07:59 | 0:08:02 | |
'Francis Tresham is The Idiot.' | 0:08:02 | 0:08:03 | |
Hang on, my brother-in-law is due in Parliament on November 5th. | 0:08:03 | 0:08:08 | |
I'll send him a quick letter telling him to take the day off. I'm sure he won't tell anyone. | 0:08:08 | 0:08:13 | |
'It was the plot....' | 0:08:13 | 0:08:14 | |
Three, two, one... | 0:08:14 | 0:08:17 | |
-'..that went wrong.' -Oh. | 0:08:17 | 0:08:19 | |
'Horribly, horribly wrong. Fawkes' 13...' | 0:08:19 | 0:08:24 | |
What letter? What idiot sends a letter? Oh, no! | 0:08:24 | 0:08:30 | |
'..failing to explode on November 5th, 1605.' | 0:08:30 | 0:08:33 | |
You're going to be hung, drawn and quartered. | 0:08:33 | 0:08:36 | |
-Gutted! -You will be. | 0:08:36 | 0:08:38 | |
Guy Fawkes was hung, drawn and quartered for treason. | 0:08:40 | 0:08:43 | |
But there is some dispute among historians over what exactly the "drawn" element means. | 0:08:43 | 0:08:49 | |
"Drawn" could be disembowelling or it could mean being drawn behind a horse. | 0:08:49 | 0:08:54 | |
Thankfully, such punishments died out long before the world went decimal, | 0:08:54 | 0:08:58 | |
saving us from the confusing spectacle of seeing someone being cruelly hung, drawn and 0.25'd. | 0:08:58 | 0:09:05 | |
James' son, Charles I, was just as keen on grisly punishments. | 0:09:05 | 0:09:10 | |
-Will? Will Prynne? What happened to you? -I'm sorry, I can't hear you. | 0:09:12 | 0:09:16 | |
King Charles I had my ears cut off for being rude about the theatre. | 0:09:16 | 0:09:20 | |
-Pardon? -What? -I can't hear you. | 0:09:20 | 0:09:23 | |
I had my ears cut off for writing a book that upset the government. | 0:09:23 | 0:09:28 | |
-I'm sorry, what? -I'm sorry? | 0:09:28 | 0:09:30 | |
I said the king had my ears cut off a few years ago for being rude about the theatre. | 0:09:30 | 0:09:35 | |
And when I was rude about some bishops the other day, he had me branded on the cheek, too. | 0:09:35 | 0:09:39 | |
-Ooh, that looks nasty! How did you get that? -Pardon? | 0:09:39 | 0:09:43 | |
-I'm sorry? -What? -Listen, I can't hear you. | 0:09:43 | 0:09:46 | |
I had my ears nailed to a piece of wood, | 0:09:46 | 0:09:50 | |
-then cut off and left there. -Pardon? -Pardon? -Come again? | 0:09:50 | 0:09:54 | |
For writing a book the government didn't like. | 0:09:54 | 0:09:57 | |
-I'll show you if you like. You can still see one over there. -Look! | 0:09:57 | 0:10:00 | |
-There is an ear nailed to a post. -Pardon? -I wonder how it got there? | 0:10:00 | 0:10:04 | |
-I'm sorry? -An ear. -What? -Hold on, I've got an idea. | 0:10:04 | 0:10:08 | |
-Can you hear me now? -It's no good talking to him, he's as deaf as a post! -Sorry? | 0:10:09 | 0:10:14 | |
-I made a joke. -Pardon? -I'm sorry? -What? | 0:10:16 | 0:10:21 | |
Come again? | 0:10:23 | 0:10:24 | |
Strange man. | 0:10:26 | 0:10:28 | |
What a weirdo. | 0:10:28 | 0:10:29 | |
What, really? Welcome? | 0:10:49 | 0:10:52 | |
You don't think we're giving out mixed messages? | 0:10:52 | 0:10:55 | |
Staggering, isn't it? Which, of course, is another Viking word. | 0:11:00 | 0:11:04 | |
None of those words existed in our language until the Vikings started settling in Britain. | 0:11:04 | 0:11:10 | |
Their first major attack was on Lindisfarne Abbey in 793, | 0:11:10 | 0:11:15 | |
and there are a number of theories as to why they came to Britain. | 0:11:15 | 0:11:19 | |
CRASHING AND YELLING | 0:11:20 | 0:11:23 | |
Whoa, whoa, whoa, stop! Whoa. What's going on? | 0:11:26 | 0:11:30 | |
We were just minding our own business and they came out of the blue with axes and swords. | 0:11:30 | 0:11:34 | |
EVERYONE TALKS AT ONCE | 0:11:34 | 0:11:36 | |
Ah, ah, ah, ah. One at a time, please. | 0:11:36 | 0:11:38 | |
You. Is what he said true? | 0:11:38 | 0:11:40 | |
I asked you to stop for a second, while we sort this out, please. | 0:11:42 | 0:11:45 | |
I was just... He... | 0:11:45 | 0:11:47 | |
Thank you. | 0:11:50 | 0:11:52 | |
Now, what are you doing here? This is Lindisfarne. We're a monastery. We're peaceful people. | 0:11:52 | 0:11:57 | |
Well, erm, I've never really thought about it before. | 0:11:57 | 0:12:01 | |
Why did we sail here from Scandinavia exactly? | 0:12:01 | 0:12:03 | |
Maybe it's because there's not enough food. | 0:12:03 | 0:12:05 | |
There is a shortage of herring. | 0:12:05 | 0:12:07 | |
I thought it was because we needed more land. | 0:12:07 | 0:12:09 | |
My dad's left his land to my older brother, which isn't fair. | 0:12:09 | 0:12:12 | |
It's a bit crowded. We do need more space to live. | 0:12:12 | 0:12:15 | |
Plus we've got a new Viking king now, and he is SUCH a bully. | 0:12:15 | 0:12:18 | |
-As are our wives. -THEY LAUGH | 0:12:18 | 0:12:20 | |
Right, well, it seems to me like you don't know why you're here. | 0:12:20 | 0:12:25 | |
So why don't you just go home and we'll say no more about it, OK? | 0:12:25 | 0:12:29 | |
No, I've remembered what it is. | 0:12:29 | 0:12:31 | |
It's because killing is really fun | 0:12:31 | 0:12:33 | |
and taking stuff from monks is very easy. | 0:12:33 | 0:12:35 | |
-That's it. -THEY MUTTER | 0:12:35 | 0:12:38 | |
That was it. | 0:12:38 | 0:12:40 | |
Right, well, | 0:12:40 | 0:12:42 | |
as long as we're clear on that... | 0:12:42 | 0:12:44 | |
carry on. | 0:12:44 | 0:12:47 | |
YELLING | 0:12:47 | 0:12:48 | |
The Viking influence can still be seen in Britain today in place names | 0:12:51 | 0:12:54 | |
such as Scunthorpe - "Skuma's house" - | 0:12:54 | 0:12:58 | |
Whitby - "white town" - Grimsby - "Grim's town" - | 0:12:58 | 0:13:02 | |
and Swansea, named after King Sweyn of Denmark, | 0:13:02 | 0:13:04 | |
which might explain | 0:13:04 | 0:13:06 | |
why Swansea always looks like it's just been pillaged. | 0:13:06 | 0:13:09 | |
And I mean that warmly and lovingly. | 0:13:09 | 0:13:11 | |
Really? "Shy?" | 0:13:26 | 0:13:28 | |
Well, I am a bit, actually. | 0:13:28 | 0:13:31 | |
Stop staring at me. I'm going red. | 0:13:31 | 0:13:34 | |
Mm-mm. | 0:13:34 | 0:13:36 | |
We Victorians were always coming up with new technology, | 0:13:42 | 0:13:46 | |
like this, a device for the automatic tipping of the hat. | 0:13:46 | 0:13:50 | |
Oh. | 0:13:50 | 0:13:51 | |
As well as some other, more useful inventions. | 0:13:51 | 0:13:54 | |
'Twas the age of Queen Victoria's | 0:13:57 | 0:13:59 | |
A period notorious | 0:13:59 | 0:14:01 | |
So many brand-new goods we did create | 0:14:01 | 0:14:04 | |
Our list is long and glorious Though I don't intend to bore yers | 0:14:05 | 0:14:11 | |
-Was a time of great invention. -What it really? What did we invent, then? | 0:14:11 | 0:14:16 | |
Well, I'm just about to mention | 0:14:16 | 0:14:17 | |
Drum roll, please Let's raise the tension | 0:14:17 | 0:14:20 | |
CLEARS THROAT | 0:14:20 | 0:14:21 | |
We invented... | 0:14:21 | 0:14:23 | |
this music hall. | 0:14:23 | 0:14:25 | |
Is that all? | 0:14:25 | 0:14:27 | |
Well... | 0:14:27 | 0:14:28 | |
A chap called Henry Bessemer invented molten steel | 0:14:30 | 0:14:33 | |
Which led to other chaps creating the automobile | 0:14:33 | 0:14:37 | |
Which led to petrol tyres and bikes so all that was required | 0:14:37 | 0:14:41 | |
Was roads, so concrete came, and tarmac thought up, too. | 0:14:41 | 0:14:43 | |
You're hired! | 0:14:43 | 0:14:45 | |
# Ohhh | 0:14:45 | 0:14:47 | |
-# Concrete, tarmac, steel -The automobile | 0:14:47 | 0:14:50 | |
# Seal of rubber wheel | 0:14:50 | 0:14:52 | |
-# Such inventive zeal -Still there's plenty to reveal | 0:14:52 | 0:14:57 | |
# Victorian brains worked overtime to come up with ideas... # | 0:14:57 | 0:15:01 | |
-We invented light bulbs -Nice one! -Cheers! | 0:15:01 | 0:15:05 | |
# Typewriters and radios Now news was fast conveyed... Hello! | 0:15:05 | 0:15:09 | |
# A telephone was no good till a second phone was made... Hello! | 0:15:09 | 0:15:13 | |
# Our inventors did not snooze | 0:15:13 | 0:15:16 | |
# Always had another ruse | 0:15:16 | 0:15:18 | |
-# The latest flushing loos -Films that did amuse | 0:15:18 | 0:15:22 | |
# Flashbulb cameras to use... # | 0:15:22 | 0:15:25 | |
What a picture! What a picture! | 0:15:25 | 0:15:28 | |
# Vacuum cleaners, toilet paper Postboxes and stamps | 0:15:29 | 0:15:33 | |
# Toilets, aspirin, anaesthetics Locks, electric lamps | 0:15:33 | 0:15:36 | |
# Sewing machines, X-rays, comics Ice cream in a pot | 0:15:36 | 0:15:40 | |
-# Easter eggs and rockets -We invented the whole lot | 0:15:40 | 0:15:44 | |
# Our... # | 0:15:44 | 0:15:46 | |
Hang on, there's more! | 0:15:46 | 0:15:48 | |
# Trains and lines and bridges and the underground as well | 0:15:48 | 0:15:51 | |
# Paddle steamers, prams and disinfectant for their smell | 0:15:51 | 0:15:55 | |
# Sterile doctors' instruments, | 0:15:55 | 0:15:57 | |
# One last unmentioned brand | 0:15:57 | 0:15:58 | |
# Victorians invented the world's first conveyor band... # | 0:15:58 | 0:16:02 | |
Cuddly toy? | 0:16:02 | 0:16:03 | |
Invented in 1902, the year after Victoria died... | 0:16:03 | 0:16:07 | |
-# Ohhh, barometers were new -Iron ships a coup... # | 0:16:07 | 0:16:12 | |
What genius! | 0:16:12 | 0:16:14 | |
Thank you! | 0:16:14 | 0:16:15 | |
# Seems we're almost through | 0:16:15 | 0:16:17 | |
# Just one little oversight... # | 0:16:17 | 0:16:20 | |
BANG! | 0:16:20 | 0:16:21 | |
THEY COUGH | 0:16:25 | 0:16:26 | |
We invented dynamite. | 0:16:26 | 0:16:29 | |
THEY COUGH | 0:16:29 | 0:16:31 | |
She fell over! | 0:16:41 | 0:16:43 | |
You're watching the News at 1066 with me, Dagbert Broadaxe. | 0:16:43 | 0:16:47 | |
And me, Matilda Highwimpole. | 0:16:47 | 0:16:49 | |
And we bring you news of a major battle at Hastings | 0:16:49 | 0:16:51 | |
on the Sussex coast. | 0:16:51 | 0:16:52 | |
Reports of the battle are only just beginning to reach us, | 0:16:52 | 0:16:55 | |
live by tapestry. | 0:16:55 | 0:16:56 | |
We must apologise for the time delay, | 0:16:56 | 0:16:59 | |
but these scenes have taken a while to embroider. | 0:16:59 | 0:17:01 | |
It seems to have started with the funeral of King Edward, | 0:17:01 | 0:17:04 | |
after which, of course, Harold became King of England, | 0:17:04 | 0:17:07 | |
annoying William of Normandy, | 0:17:07 | 0:17:09 | |
who thought the crown had been promised to him. | 0:17:09 | 0:17:11 | |
These pictures show the Normans building their invasion fleet, | 0:17:11 | 0:17:15 | |
stockpiling weapons and setting sail for England. | 0:17:15 | 0:17:18 | |
No resistance when they landed, of course, | 0:17:18 | 0:17:21 | |
as Harold was away fighting Vikings in Yorkshire. | 0:17:21 | 0:17:23 | |
Do we know what the Normans did after they landed? | 0:17:23 | 0:17:26 | |
Well, they do come from France, so naturally, they cooked themselves | 0:17:26 | 0:17:30 | |
a massive meal. | 0:17:30 | 0:17:31 | |
Let's take a look now at the warzone itself. | 0:17:31 | 0:17:34 | |
This report contains scenes of violence | 0:17:34 | 0:17:36 | |
which you may find disturbing. | 0:17:36 | 0:17:37 | |
We're in the thick of battle | 0:17:37 | 0:17:39 | |
and it looks like the English infantry have left the high ground | 0:17:39 | 0:17:43 | |
and been trapped by the Norman cavalry. | 0:17:43 | 0:17:45 | |
Sorry to interrupt, Matilda, but we're getting some breaking news. | 0:17:45 | 0:17:49 | |
It looks like King Harold has been killed. That's what we're hearing. | 0:17:49 | 0:17:53 | |
Yes, King Harold has been killed. | 0:17:53 | 0:17:55 | |
We don't know yet whether King Harold is the one you can see | 0:17:55 | 0:17:58 | |
with the arrow in his eye | 0:17:58 | 0:18:00 | |
or the one on the right being chopped down by the sword. | 0:18:00 | 0:18:03 | |
It could be either. | 0:18:03 | 0:18:04 | |
It looks like it's all over. | 0:18:04 | 0:18:06 | |
So, William is now officially The Conqueror | 0:18:06 | 0:18:09 | |
and the Normans have taken over Anglo-Saxon England. | 0:18:09 | 0:18:13 | |
A truly sad day for us all. | 0:18:13 | 0:18:15 | |
-FRENCH ACCENT: -What's that you're saying? | 0:18:15 | 0:18:17 | |
I was actually going to say it's a very happy day. | 0:18:17 | 0:18:20 | |
Oh, happy day. Isn't that right, Matilda? | 0:18:20 | 0:18:22 | |
Yes, Dagbert. Woo-hoo. Yippee. | 0:18:22 | 0:18:26 | |
Bonjour! | 0:18:26 | 0:18:27 | |
There is indeed controversy over which figure on the tapestry | 0:18:28 | 0:18:32 | |
is actually Harold. | 0:18:32 | 0:18:33 | |
Underneath the words "Harold Rex Interfectus Est", | 0:18:33 | 0:18:36 | |
there's the character with an arrow in his eye. | 0:18:36 | 0:18:39 | |
But there's also the one being hacked by a sword. | 0:18:39 | 0:18:42 | |
In fact, the arrow in the eye | 0:18:42 | 0:18:43 | |
may not even have been in the original tapestry, | 0:18:43 | 0:18:46 | |
as the tapestry was restored in Victorian times | 0:18:46 | 0:18:48 | |
and it might well have been added then. | 0:18:48 | 0:18:50 | |
What's more, technically, | 0:18:50 | 0:18:52 | |
the Bayeux Tapestry isn't even a tapestry, | 0:18:52 | 0:18:55 | |
it's an embroidery, | 0:18:55 | 0:18:56 | |
tapestry being a form of textile woven on a loom, | 0:18:56 | 0:18:59 | |
composed of two sets of interlaced threads, | 0:18:59 | 0:19:01 | |
and embroidery, fabric decorated by means of needle and thread or yarn. | 0:19:01 | 0:19:05 | |
There's also debate about where it was done, | 0:19:05 | 0:19:08 | |
when it was done and who it was done for. | 0:19:08 | 0:19:10 | |
But I'm sure we've already lost enough viewers, | 0:19:10 | 0:19:13 | |
so let's crack on. | 0:19:13 | 0:19:14 | |
This is Lord and Lady Posh from the Manor... | 0:19:18 | 0:19:22 | |
Hello. We're very, very, very, very rich. | 0:19:22 | 0:19:26 | |
..and they're doing a wife swap with... | 0:19:26 | 0:19:28 | |
the Peasant family of Poorville. | 0:19:28 | 0:19:30 | |
Hello. We're very, very, very hungry. | 0:19:30 | 0:19:35 | |
So how will these two very different Georgian classes get on? | 0:19:35 | 0:19:40 | |
Show me to my bedroom, poor person. | 0:19:48 | 0:19:52 | |
This is your bedroom. | 0:19:52 | 0:19:53 | |
And our bedroom. | 0:19:53 | 0:19:56 | |
-And the living room, kitchen and dining room. -Oh. | 0:19:56 | 0:20:02 | |
And where, pray, is the toilette? | 0:20:02 | 0:20:05 | |
Well, there's a hole in the ground out back. | 0:20:05 | 0:20:07 | |
Are you all right? | 0:20:10 | 0:20:12 | |
And things don't get off to a much better start in the mansion. | 0:20:12 | 0:20:17 | |
Ah, you must be Mrs Peasant. | 0:20:17 | 0:20:21 | |
Hmm. | 0:20:21 | 0:20:22 | |
Enchante. | 0:20:31 | 0:20:32 | |
Eurgh. | 0:20:34 | 0:20:36 | |
It's dinner time in the Peasant household. | 0:20:39 | 0:20:42 | |
I am absolutely starving. I haven't eaten anything | 0:20:42 | 0:20:44 | |
for nearly an hour. What's for dinner? | 0:20:44 | 0:20:47 | |
Oh, the usual - nothing. | 0:20:47 | 0:20:49 | |
Why is your girl staring at my hair? It is quite unnerving. | 0:20:52 | 0:20:55 | |
I think you've got some food in it. | 0:20:55 | 0:20:58 | |
That fruit is decoration, my girl, hm? Hm? | 0:20:58 | 0:21:03 | |
I swear, I had more fruit in my hair this morning. | 0:21:03 | 0:21:07 | |
That little scamp has stolen an apple. | 0:21:07 | 0:21:10 | |
I shall have a word with the judge in the morning and have her hanged. | 0:21:10 | 0:21:16 | |
Dinner time in the posh house is a very different affair. | 0:21:16 | 0:21:21 | |
Do you know, I spend more on grapes every day | 0:21:21 | 0:21:24 | |
than you probably earn in a month. | 0:21:24 | 0:21:26 | |
We don't earn anything in a month. Not since you posh people | 0:21:26 | 0:21:29 | |
were given ownership of the common land. | 0:21:29 | 0:21:31 | |
Ah, the Enclosures Act. What a wonderful piece of legislation. | 0:21:31 | 0:21:36 | |
I must remember to congratulate my close friend, the Prime Minister. | 0:21:36 | 0:21:40 | |
But we poor people have got no fields left to work. | 0:21:40 | 0:21:43 | |
That is a sad story. | 0:21:43 | 0:21:46 | |
Would you like my private 27-piece orchestra to play you something sad? | 0:21:46 | 0:21:50 | |
Orchestra! | 0:21:50 | 0:21:52 | |
Play something sad. | 0:21:52 | 0:21:55 | |
Now, do go on. FAINT ORCHESTRAL STRAINS | 0:21:55 | 0:21:58 | |
I never thought I'd say this about the Lord of the Manor, | 0:21:58 | 0:22:02 | |
but I'm starting to think, in actual fact, he's not really very nice. | 0:22:02 | 0:22:06 | |
It's time for the Lord and Lady of the Manor | 0:22:08 | 0:22:10 | |
and the Peasants of the village to settle their differences. | 0:22:10 | 0:22:13 | |
We really had no idea of the terrible conditions | 0:22:13 | 0:22:17 | |
-in which you peasants live. -I see, my lady. | 0:22:17 | 0:22:20 | |
So, my wife and I have decided to do something about it. | 0:22:20 | 0:22:24 | |
We're going to flatten your entire village. | 0:22:24 | 0:22:27 | |
What? | 0:22:28 | 0:22:30 | |
Well, it is quite an eyesore, | 0:22:30 | 0:22:32 | |
and it really rather ruins our nice country views. | 0:22:32 | 0:22:36 | |
I mean, you can tootle off to town | 0:22:36 | 0:22:38 | |
and die working in a mill or something. | 0:22:38 | 0:22:42 | |
SHE SOBS | 0:22:42 | 0:22:43 | |
Oh, no, you're upset. Oh dear. | 0:22:44 | 0:22:49 | |
Orchestra? Play something sad. | 0:22:49 | 0:22:53 | |
Oh, dear, dear, dear. | 0:22:53 | 0:22:55 | |
No crying, no crying, now. | 0:22:55 | 0:22:58 | |
Well, you know, the Duke of Chandos, | 0:23:01 | 0:23:03 | |
owner of the stately home Cannons in Middlesex, | 0:23:03 | 0:23:06 | |
really did have his own private 30-piece orchestra. | 0:23:06 | 0:23:09 | |
He even employed Handel as his resident house composer. | 0:23:09 | 0:23:12 | |
So, presumably, when the Duke went to the toilet, | 0:23:12 | 0:23:15 | |
the orchestra played Handel's Water Music. | 0:23:15 | 0:23:18 | |
And the Earl of Carlisle really did have a whole village, | 0:23:18 | 0:23:21 | |
Henderskelfe, flattened, because it ruined his view, | 0:23:21 | 0:23:25 | |
making him the first landlord to convert every house he owned | 0:23:25 | 0:23:28 | |
quite literally into a flat. | 0:23:28 | 0:23:30 | |
But bad behaviour in the Georgian period | 0:23:30 | 0:23:32 | |
wasn't just limited to rich adults. | 0:23:32 | 0:23:35 | |
If you have any questions while I'm showing you around the school, | 0:23:35 | 0:23:38 | |
don't hesitate to ask. | 0:23:38 | 0:23:40 | |
Thank you, headmaster. How hard will it be for Samuel to get in? | 0:23:40 | 0:23:43 | |
The examination is straightforward. | 0:23:43 | 0:23:45 | |
We examine your bank account, if you've got enough money, you're in. | 0:23:45 | 0:23:48 | |
What is your attitude to discipline? | 0:23:48 | 0:23:50 | |
Discipline is very important at this school. | 0:23:50 | 0:23:53 | |
We really, really wish we had some! | 0:23:53 | 0:23:54 | |
-Do not throw stones in the quadrangle! -BANG! | 0:23:54 | 0:23:57 | |
Do not fire pistols at on the headmaster! | 0:23:57 | 0:24:00 | |
-If you'd just like to walk this way. -BANG! | 0:24:00 | 0:24:03 | |
On second thoughts, run! | 0:24:03 | 0:24:04 | |
-What's going on? -Just a little high spirits. -BANG! | 0:24:04 | 0:24:07 | |
Aargh! | 0:24:07 | 0:24:08 | |
Must be double chemistry! | 0:24:08 | 0:24:10 | |
BANG! | 0:24:10 | 0:24:11 | |
-Who's firing pistols? Who's throwing stones? -Not sure. | 0:24:11 | 0:24:15 | |
I think it's class 5B. | 0:24:15 | 0:24:16 | |
-Schoolboys!? -Yes, just a little pupil rebellion. | 0:24:16 | 0:24:20 | |
-Rebellion?! -Nothing out of the ordinary, | 0:24:20 | 0:24:22 | |
all the best schools have them. | 0:24:22 | 0:24:24 | |
You there! Yes, I'm looking at you! | 0:24:24 | 0:24:26 | |
-You're late! -Sorry, sir. -You're a bit old to be a pupil. | 0:24:26 | 0:24:29 | |
-Are you a teacher? -No, no, Colonel Warwick, British Army. | 0:24:29 | 0:24:32 | |
Headmaster calls us in when a rebellion gets out of hand. | 0:24:32 | 0:24:35 | |
They've broken several school rules, | 0:24:35 | 0:24:37 | |
-I think you may need bayonets. -Yes, sir. | 0:24:37 | 0:24:40 | |
Fix bayonets! | 0:24:40 | 0:24:42 | |
Good luck, Colonel! | 0:24:42 | 0:24:43 | |
-BANG! -Aargh! | 0:24:43 | 0:24:44 | |
Right, that's quite enough of that! | 0:24:46 | 0:24:48 | |
-All of you, see me in my office! -BANG! | 0:24:48 | 0:24:51 | |
Ah. | 0:24:53 | 0:24:54 | |
So, hands up if you'd like to see the library. | 0:24:54 | 0:24:58 | |
ALL: Yes, please. | 0:24:58 | 0:25:00 | |
Both hands, if we surrender, they might let us across without firing. | 0:25:00 | 0:25:03 | |
BANG! | 0:25:03 | 0:25:04 | |
Ow, my leg! | 0:25:04 | 0:25:06 | |
On second thoughts, why don't I introduce you to matron?! | 0:25:06 | 0:25:09 | |
When the Romans invaded Britain, | 0:25:19 | 0:25:21 | |
they had a bit of a problem in East Anglia. | 0:25:21 | 0:25:24 | |
The land they found there was wet and marshy. | 0:25:24 | 0:25:28 | |
Very, very wet, and very, very marshy. | 0:25:28 | 0:25:32 | |
But then one Roman general had a bright idea. | 0:25:32 | 0:25:35 | |
Why don't we use stilts? | 0:25:35 | 0:25:38 | |
His plan worked brilliantly, | 0:25:38 | 0:25:40 | |
the stilts stopped the Romans getting wet. | 0:25:40 | 0:25:43 | |
But, there was one small problem. | 0:25:43 | 0:25:46 | |
The Celts worked out that the Romans on stilts | 0:25:46 | 0:25:49 | |
were very easy to knock over. | 0:25:49 | 0:25:52 | |
The Romans fell like dominoes, and the Celts swiftly finished them off. | 0:25:52 | 0:25:58 | |
Oh well, guess it's back to the drawing tablet. | 0:25:58 | 0:26:01 | |
-And quickly. -Yargh! | 0:26:01 | 0:26:03 | |
And don't come back! | 0:26:03 | 0:26:06 | |
The boggy marshes of the East Anglia | 0:26:06 | 0:26:09 | |
were similar to the Pontine Marshes in Italy, | 0:26:09 | 0:26:11 | |
where the stilts had been extensively tested. | 0:26:11 | 0:26:14 | |
Only the Romans hadn't taken into account | 0:26:14 | 0:26:17 | |
the crucial difference in Britain, namely the not-so-friendly locals. | 0:26:17 | 0:26:21 | |
# Gonna cause a stink Won't be the first to blink | 0:26:25 | 0:26:29 | |
# I'm not who you think Don't mess with me, I'm Boudicca! | 0:26:29 | 0:26:36 | |
# My husband Prasutagus died He was a Celtic king | 0:26:36 | 0:26:40 | |
# I was his queen so due to me was half of everything | 0:26:40 | 0:26:43 | |
# Roman law gave half to me so half was what they got | 0:26:43 | 0:26:47 | |
# Till their nasty soldiers came and took the blessed lot | 0:26:47 | 0:26:51 | |
# Hey, Mister, I say you got the wrong end of the stick | 0:26:51 | 0:26:54 | |
# His answer turned this sister into one angry chick | 0:26:54 | 0:26:58 | |
# No, man, Roman Don't push around this woman | 0:26:58 | 0:27:01 | |
# You won't get far with Boudicca | 0:27:01 | 0:27:05 | |
# Bowman, yeoman Smash the Roman foe, man | 0:27:05 | 0:27:09 | |
-# All say, "Yah," -Yah! | 0:27:09 | 0:27:11 | |
# Boudicca! | 0:27:11 | 0:27:12 | |
# I built a massive army Headed straight for the city | 0:27:16 | 0:27:20 | |
# Beat them all with ease Unlike me it wasn't pretty | 0:27:20 | 0:27:23 | |
# Chopped 'em and hacked But what made their red blood curl | 0:27:23 | 0:27:27 | |
# It's bad enough being beaten but beaten by a girl? | 0:27:27 | 0:27:31 | |
# Whacked 'em, smacked 'em Boy, how we attacked 'em | 0:27:31 | 0:27:35 | |
# Near and far, ha ha ha! | 0:27:35 | 0:27:38 | |
# Flay them, slay them up-and-down parade 'em | 0:27:38 | 0:27:42 | |
# Boudicca, toughest by far | 0:27:42 | 0:27:46 | |
# Colchester, London, St Albans | 0:27:46 | 0:27:48 | |
# Everybody talk about dead Romans | 0:27:48 | 0:27:50 | |
# We marched on up the Roman road that's known as Watling Street | 0:27:52 | 0:27:56 | |
# They trapped us in the forest then thrashed us to our defeat | 0:27:56 | 0:28:00 | |
# By now you've guessed I'm not the kind of girl who'll sit and cry | 0:28:00 | 0:28:04 | |
# Be sold a slave to Romans? You know I'd rather die | 0:28:04 | 0:28:07 | |
# They tried to take me prisoner so I led the Roman boys on | 0:28:07 | 0:28:11 | |
# Instead of giving in to them I swallowed special poison | 0:28:11 | 0:28:15 | |
# Martyr, smarter capture a non-starter | 0:28:15 | 0:28:19 | |
# This was our last hurrah | 0:28:19 | 0:28:22 | |
# Slaughtered, dismembered Our tribe always remembered | 0:28:22 | 0:28:26 | |
# Boudicca, superstar | 0:28:26 | 0:28:30 | |
-# Boudicca -Superstar. # | 0:28:30 | 0:28:33 | |
Don't diss this miss. | 0:28:33 | 0:28:35 | |
Well, that's it for this glimpse | 0:28:35 | 0:28:37 | |
of the goriest bits of the days gone by. | 0:28:37 | 0:28:40 | |
The final words | 0:28:40 | 0:28:41 | |
go to Mexican revolutionary Francisco "Pancho" Villa, | 0:28:41 | 0:28:44 | |
whose deathbed declaration was, | 0:28:44 | 0:28:46 | |
-MEXICAN ACCENT: -"Don't let it end like this, tell them I said something!" | 0:28:46 | 0:28:50 | |
With that, goodbye. | 0:28:50 | 0:28:52 | |
# Tall tales, atrocious acts We gave you all the fearsome facts | 0:28:52 | 0:28:55 | |
# The ugly truth, no glam or glitz We showed you all the juicy bits | 0:28:55 | 0:28:58 | |
# Gory, ghastly, cruel and mean | 0:28:58 | 0:29:00 | |
# Bursting out your TV screen | 0:29:00 | 0:29:03 | |
# The past is no longer a mystery | 0:29:03 | 0:29:06 | |
# Hope you enjoyed Horrible Histories. # | 0:29:06 | 0:29:12 |