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Hello, and welcome to Insert Name Here, | 0:00:24 | 0:00:27 | |
the show where we discover surprising facts about people | 0:00:27 | 0:00:30 | |
with just one thing in common - they all have the same name. | 0:00:30 | 0:00:33 | |
Joining me are six of my favourite people, | 0:00:33 | 0:00:35 | |
each bringing their own unique name, | 0:00:35 | 0:00:37 | |
own unique personality, and their own, in some cases, unique smell. | 0:00:37 | 0:00:40 | |
Please welcome Stephen Mangan, Suzannah Lipscomb, | 0:00:40 | 0:00:43 | |
and their team Captain, Josh Widdicombe. | 0:00:43 | 0:00:44 | |
And on the other side, Nish Kumar, Melanie... - | 0:00:44 | 0:00:47 | |
never can pronounce that name - and their captain, Richard Osman. | 0:00:47 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:52 | |
Nish, let's start with you. | 0:00:59 | 0:01:00 | |
Now, do you like your name? | 0:01:00 | 0:01:02 | |
-It's a wonderful name, I think. -I do like my name. It's Nish Kumar. | 0:01:02 | 0:01:05 | |
-It's a great name. -But your grandfather did change his name? | 0:01:05 | 0:01:07 | |
Yeah, my grandfather did change his name, but he didn't tell anyone | 0:01:07 | 0:01:10 | |
and it wasn't a small change. | 0:01:10 | 0:01:12 | |
His name was Methil Narayanan Kutty. | 0:01:12 | 0:01:14 | |
So he changed it, but didn't tell anybody? | 0:01:14 | 0:01:16 | |
Yeah, he changed it to Mike, but he didn't tell anybody. | 0:01:16 | 0:01:18 | |
It's absolutely true. | 0:01:19 | 0:01:21 | |
We found out when someone called the house and said, "Is Mike there?" | 0:01:21 | 0:01:25 | |
And my grandmother was like, no, and he was like, "That's for me". | 0:01:25 | 0:01:28 | |
The all-important question - which name will be featuring tonight? | 0:01:28 | 0:01:32 | |
Well, they can be holy, hairy, or even contrary. | 0:01:32 | 0:01:35 | |
Yes, tonight's name is Mary. | 0:01:35 | 0:01:37 | |
Yes, we're going to be talking about people called Mary, | 0:01:39 | 0:01:43 | |
also Marie, Maria, and even Marilyn. We're a very broad church. | 0:01:43 | 0:01:47 | |
Along the way, our teams will be collecting as many Marys as they can | 0:01:47 | 0:01:50 | |
and at the end of the show, the winning team will have the honour of | 0:01:50 | 0:01:52 | |
deciding who is officially the greatest Mary of all time. | 0:01:52 | 0:01:56 | |
That person will then be inducted into our Insert Name Here | 0:01:56 | 0:01:58 | |
Hall of Fame. Now, Josh, any early thoughts on | 0:01:58 | 0:02:01 | |
who your greatest Mary might be? | 0:02:01 | 0:02:03 | |
I'm going to go with, obviously, the greatest Mary of them all. | 0:02:03 | 0:02:07 | |
-Yeah? -Despite what you say about her backstage, so... | 0:02:07 | 0:02:09 | |
-Listen... -Mary Berry. -Yes! | 0:02:09 | 0:02:12 | |
The greatest Mary of all. | 0:02:12 | 0:02:14 | |
Yeah. | 0:02:14 | 0:02:15 | |
Richard, how about you? | 0:02:17 | 0:02:18 | |
We can have Mary, or Marie, or any of the derivations? | 0:02:18 | 0:02:20 | |
Yes, any derivatives. | 0:02:20 | 0:02:22 | |
I'm going to go for someone who's a pioneer in her field. | 0:02:22 | 0:02:25 | |
In the field of chemistry and pharmaceuticals. | 0:02:25 | 0:02:27 | |
I'm going to go for Maria Sharapova. | 0:02:27 | 0:02:29 | |
APPLAUSE | 0:02:31 | 0:02:33 | |
Suzannah, any historical Marys that we should be alerted to | 0:02:37 | 0:02:39 | |
-at this juncture? -We've got Mary Medina. | 0:02:39 | 0:02:41 | |
She was the queen of England. | 0:02:41 | 0:02:43 | |
She gave birth in 1688 in front of perhaps 200 people and... | 0:02:43 | 0:02:48 | |
-What? What? -It was thought... Well, that was the thing that you did | 0:02:48 | 0:02:51 | |
at the time, to make sure that you weren't substituting a baby. | 0:02:51 | 0:02:54 | |
But even despite having this number of people, | 0:02:54 | 0:02:56 | |
they thought that she had given birth to a stillbirth | 0:02:56 | 0:02:58 | |
and had a substitute baby in a bed pan, smuggled into the bedroom. | 0:02:58 | 0:03:00 | |
So the gynaecologist had to do... "There's nothing up my sleeves." | 0:03:00 | 0:03:05 | |
All right, well, time to get on with the show. | 0:03:05 | 0:03:07 | |
Time to pick a Mary. Any Mary. | 0:03:07 | 0:03:08 | |
Our panellists are going to choose a category. Behind each category | 0:03:08 | 0:03:11 | |
lurks a famous Mary, which our teams must attempt to win. | 0:03:11 | 0:03:14 | |
So we have got... | 0:03:14 | 0:03:16 | |
So, Richard's team, care to pick a category? | 0:03:22 | 0:03:25 | |
-What do you think, Nish? -Let's try extravagant. | 0:03:25 | 0:03:27 | |
-Extravagant Mary, please. -Extravagant Mary. | 0:03:27 | 0:03:29 | |
Extravagant Mary. | 0:03:29 | 0:03:30 | |
Well, you have picked cake-loving French queen, Marie Antoinette. | 0:03:30 | 0:03:34 | |
-Oh! -There she is in her gardening clothes. | 0:03:34 | 0:03:39 | |
Let's have a look at her stats. | 0:03:39 | 0:03:41 | |
Before travelling to France for her wedding, | 0:03:52 | 0:03:54 | |
Marie Antoinette had a proxy wedding in Austria with her own brother, | 0:03:54 | 0:03:57 | |
Ferdinand, standing in for Louis XVI. | 0:03:57 | 0:04:01 | |
How did that work, Suzannah? How did the proxy wedding work? | 0:04:01 | 0:04:03 | |
So you want to secure a marriage, and so, | 0:04:03 | 0:04:06 | |
rather than just have a betrothal, | 0:04:06 | 0:04:07 | |
you have a proxy, so someone else pretends to be the husband. | 0:04:07 | 0:04:10 | |
Unusual to be the brother, but so, I mean, | 0:04:10 | 0:04:12 | |
there is an example from Henry VIII's sister, Mary Tudor - | 0:04:12 | 0:04:15 | |
she had a proxy wedding and the ambassador laid down on the bed | 0:04:15 | 0:04:18 | |
next to her, and that was also a proxy consummation, | 0:04:18 | 0:04:20 | |
cos he laid his bare leg against her bare leg and that counted as a... | 0:04:20 | 0:04:24 | |
That is consummation. Right? | 0:04:24 | 0:04:27 | |
If that counts, my tally is going through the roof! | 0:04:27 | 0:04:29 | |
I, my friend, have just reached double figures! | 0:04:32 | 0:04:35 | |
I think you've just had me. | 0:04:36 | 0:04:37 | |
Marie Antoinette headed to France after her proxy wedding, | 0:04:41 | 0:04:44 | |
but what happened when she reached the border? | 0:04:44 | 0:04:47 | |
She'd forgotten her passport? | 0:04:47 | 0:04:49 | |
No, she was stripped of all her clothing. | 0:04:49 | 0:04:52 | |
I'm not sure if everything had to go in the little tray as well. | 0:04:53 | 0:04:56 | |
People behind her... | 0:04:56 | 0:04:58 | |
No, it was the Bourbon tradition to ensure that anything related to | 0:04:58 | 0:05:01 | |
the bride's old life was removed, | 0:05:01 | 0:05:03 | |
so everything was taken away with the exception of a small watch | 0:05:03 | 0:05:06 | |
her mother had given her, so she could see what time it was. | 0:05:06 | 0:05:08 | |
Where did she put the watch? | 0:05:08 | 0:05:10 | |
-On her wrist, Melanie. -OK. | 0:05:10 | 0:05:11 | |
Not everyone wears it internally, like you. | 0:05:13 | 0:05:15 | |
-No, but I just thought she... -Do you know what? | 0:05:15 | 0:05:18 | |
I honestly wondered what that muffled ticking was. | 0:05:18 | 0:05:20 | |
So, she settled into life in Versailles. | 0:05:22 | 0:05:24 | |
What would she have seen everywhere around the palace? | 0:05:24 | 0:05:26 | |
French people. | 0:05:26 | 0:05:28 | |
Psychics going... | 0:05:29 | 0:05:30 | |
Think sort of lavatorial. | 0:05:37 | 0:05:38 | |
-Right. -Toilet paper. -RICHARD: -Toilets. | 0:05:38 | 0:05:40 | |
-No. -Shit. | 0:05:40 | 0:05:42 | |
-Yes. -Yes! -Or, as they say, merde. | 0:05:42 | 0:05:44 | |
According to one contemporary account, the passages, courtyards, | 0:05:44 | 0:05:47 | |
the wings and corridors were full of urine and faecal matter. | 0:05:47 | 0:05:50 | |
The park, gardens and the chateau made one retch with their bad smell. | 0:05:50 | 0:05:55 | |
Is that the TripAdvisor review? | 0:05:55 | 0:05:56 | |
Marie Antoinette used her new-found wealth | 0:05:58 | 0:06:01 | |
to indulge her love of fashion. | 0:06:01 | 0:06:02 | |
What surprising feature did she have incorporated into her clothing? | 0:06:02 | 0:06:06 | |
She had the most extraordinary hairdos, didn't she? | 0:06:06 | 0:06:08 | |
-She did. -There was something like three foot from her chin to the top. | 0:06:08 | 0:06:13 | |
When women were driving around in carriages, | 0:06:13 | 0:06:15 | |
they had to kneel in the foot well and stick their heads out of | 0:06:15 | 0:06:18 | |
the window, cos their hair was so high. | 0:06:18 | 0:06:20 | |
Oh, is that how she got...? | 0:06:20 | 0:06:21 | |
When they were rolling up the window of the car! | 0:06:23 | 0:06:27 | |
She should have built an entire new head on the top of her hair. | 0:06:27 | 0:06:30 | |
For when she was getting executed. | 0:06:30 | 0:06:33 | |
-Yes, yes. -And then just... Tschuch! | 0:06:33 | 0:06:35 | |
"Ow!" And then it's like... | 0:06:35 | 0:06:38 | |
Off the corpse walks. | 0:06:38 | 0:06:39 | |
Hairstyles were a huge part of the French court life, | 0:06:40 | 0:06:42 | |
Marie Antoinette included. | 0:06:42 | 0:06:44 | |
Her hairstyles reached, as you say, over a yard high. | 0:06:44 | 0:06:47 | |
One of her biggest hairstyles, however, | 0:06:47 | 0:06:49 | |
was the "coiffure a la belle poule". | 0:06:49 | 0:06:51 | |
Let's have a look at that. It celebrated a famous naval victory | 0:06:51 | 0:06:54 | |
over the English. When she wore it for the first time, | 0:06:54 | 0:06:56 | |
she smashed a bottle of champagne over the side of her own head. | 0:06:56 | 0:06:59 | |
What's interesting is, fashion is political. | 0:07:01 | 0:07:03 | |
So she looks very pretty, but actually, | 0:07:03 | 0:07:05 | |
she's making a political point. | 0:07:05 | 0:07:07 | |
I think if Theresa May is serious about keeping Trident, | 0:07:07 | 0:07:09 | |
she should get it as a haircut. | 0:07:09 | 0:07:12 | |
Which of course, Donald Trump already has. | 0:07:12 | 0:07:14 | |
OK, now it is time to play for the Mary. | 0:07:16 | 0:07:20 | |
All right? So, according to legends, who was the first man | 0:07:20 | 0:07:25 | |
ever to propose marriage to Marie Antoinette? | 0:07:25 | 0:07:29 | |
Is it Bruce Forsyth? | 0:07:29 | 0:07:31 | |
It's a famous musician. | 0:07:33 | 0:07:34 | |
But it's a French twiddly one, isn't it? | 0:07:34 | 0:07:36 | |
What on earth are you playing there? | 0:07:36 | 0:07:37 | |
It's a cross between a violin and a guitar. | 0:07:37 | 0:07:40 | |
One of the guys out of Daft Punk. | 0:07:41 | 0:07:42 | |
Can you end the speculation? Do you know, Suzannah, who...? | 0:07:44 | 0:07:47 | |
Oh, I thought you were coming to me! | 0:07:47 | 0:07:49 | |
I don't know, no. I mean, I guess around the time, Mozart? | 0:07:51 | 0:07:54 | |
Is the right answer! | 0:07:54 | 0:07:55 | |
APPLAUSE | 0:07:55 | 0:07:57 | |
That's who Mel meant! | 0:07:57 | 0:07:58 | |
The story is, of course, that young Mozart played for the young | 0:08:01 | 0:08:04 | |
Marie Antoinette. When Mozart slipped over, a young Marie, | 0:08:04 | 0:08:07 | |
she helped him up, and Mozart proposed marriage. | 0:08:07 | 0:08:09 | |
Well done. I'm going to give it to Josh's team. | 0:08:09 | 0:08:11 | |
Well done. You get the Mary. APPLAUSE | 0:08:11 | 0:08:13 | |
Right, Josh, it's your turn. | 0:08:18 | 0:08:19 | |
Time to pick a Mary. | 0:08:19 | 0:08:21 | |
-Any views? -I'm intrigued by Not A Mary. | 0:08:25 | 0:08:27 | |
-Let's try Not A Mary. -Not A Mary. | 0:08:27 | 0:08:29 | |
You're going with Not A Mary. | 0:08:29 | 0:08:31 | |
You have chosen platinum screen siren, Marilyn Monroe. | 0:08:31 | 0:08:34 | |
-Oh! -So, let's have a look at her stats. | 0:08:34 | 0:08:38 | |
OK, so she's not originally | 0:08:54 | 0:08:55 | |
a Mary, or even a Marilyn. | 0:08:55 | 0:08:56 | |
She actually used many, many different names. | 0:08:56 | 0:08:58 | |
She was born Norma Jeane Mortensen, baptised Norma Jeane Baker, | 0:08:58 | 0:09:02 | |
and her initial idea for a screen name was Jeane Debb, | 0:09:02 | 0:09:05 | |
changed her name to Marilyn Monroe in March 1956, | 0:09:05 | 0:09:08 | |
when she was already a star. At the height of her fame, | 0:09:08 | 0:09:11 | |
she used, however, a false name to sign into hotels. | 0:09:11 | 0:09:14 | |
What was it? Does anybody know? | 0:09:14 | 0:09:16 | |
Did she sign something like Mickey Mouse, or something? MM? | 0:09:16 | 0:09:19 | |
Almost as ludicrous. It was alliterative, I'll give you that. | 0:09:19 | 0:09:21 | |
Think F Scott Fitzgerald's wife. | 0:09:21 | 0:09:23 | |
-Zelda. -Zelda. | 0:09:23 | 0:09:25 | |
Zelda Zanussi. | 0:09:25 | 0:09:26 | |
-Zelda Zonk. -Zelda Zonk?! | 0:09:26 | 0:09:29 | |
She signed into hotels as Zelda Zonk. | 0:09:29 | 0:09:31 | |
Nicely inconspicuous. | 0:09:31 | 0:09:33 | |
Have you used a pseudonym in your time, Melanie? | 0:09:33 | 0:09:35 | |
I like to go by the name of Claire Baker. | 0:09:35 | 0:09:37 | |
-At home? -Scottish, always Scottish. | 0:09:37 | 0:09:40 | |
If I'm complaining about television programmes. | 0:09:40 | 0:09:43 | |
-Do you do that a lot? -I like to do that. | 0:09:43 | 0:09:45 | |
-I know it's a bit old school. -Who to? | 0:09:45 | 0:09:47 | |
"Dear Channel 4, your new baking programme is rubbish." | 0:09:47 | 0:09:50 | |
Claire Baker! I'm giving you a bonus Mary point for that. | 0:09:54 | 0:09:59 | |
Marilyn, of course, married three times, | 0:09:59 | 0:10:01 | |
including one marriage to baseball star, Joe DiMaggio, | 0:10:01 | 0:10:04 | |
and then again to playwright, Arthur Miller. | 0:10:04 | 0:10:06 | |
Sue, you know a lot about Arthur Miller. | 0:10:06 | 0:10:08 | |
That's very funny of you, Melanie, yes. | 0:10:08 | 0:10:10 | |
-Yeah, I wrote my dissertation about Arthur Miller. -She wrote a thesis. | 0:10:10 | 0:10:13 | |
Four hours before it was supposed to be handed in. | 0:10:13 | 0:10:16 | |
What was the first line? | 0:10:18 | 0:10:19 | |
-"Arthur Miller was a playwright". -That's right. | 0:10:19 | 0:10:22 | |
-Absolutely true. -Second line - "He was an American playwright". | 0:10:27 | 0:10:30 | |
Where did you go to university? | 0:10:30 | 0:10:31 | |
Cambridge University. | 0:10:31 | 0:10:33 | |
This was also pre-computing, | 0:10:33 | 0:10:35 | |
so this was in the old days when you just hand-wrote it. | 0:10:35 | 0:10:37 | |
-What? -So I hand-wrote 7,500... | 0:10:37 | 0:10:39 | |
Yes, before computers, Josh. | 0:10:39 | 0:10:40 | |
Hang on, you dictated it to somebody. | 0:10:40 | 0:10:42 | |
All right, my friend Dan. | 0:10:42 | 0:10:44 | |
-I can't believe she said that. -My friend Dan. | 0:10:48 | 0:10:50 | |
-SCOTTISH ACCENT: -"Dear BBC, I saw Sue Perkins lying about her dissertations". | 0:10:50 | 0:10:54 | |
Are you doing an Indian accent, mate?! | 0:10:55 | 0:10:58 | |
I'm doing a very good Claire Baker. | 0:10:58 | 0:11:01 | |
You're getting into Claire Baker. We're all getting into Claire Baker. | 0:11:01 | 0:11:04 | |
-Chance would be a fine thing. -She dictated that... | 0:11:04 | 0:11:07 | |
Marilyn also had an affair with President John F Kennedy. | 0:11:10 | 0:11:13 | |
Suzannah, lots of men fell for her, didn't they? | 0:11:13 | 0:11:16 | |
-Loads of men. -Yeah, seems so, I mean, | 0:11:16 | 0:11:17 | |
she's the madonna-whore complex in one person, isn't she? | 0:11:17 | 0:11:20 | |
She looks sexy, but she also looks innocent, | 0:11:20 | 0:11:21 | |
-so everyone went for her. -I've been trading on that for years. | 0:11:21 | 0:11:24 | |
You've more got the Maradona-horse complex. | 0:11:25 | 0:11:28 | |
She married her second husband, | 0:11:30 | 0:11:32 | |
baseball star Joltin' Joe DiMaggio in 1954. | 0:11:32 | 0:11:35 | |
Joe always worried about what Marilyn was up to. | 0:11:35 | 0:11:37 | |
Didn't want anyone else getting to first base. | 0:11:37 | 0:11:40 | |
How did he keep tabs on her? | 0:11:40 | 0:11:41 | |
Follow her three paces behind wherever she went? | 0:11:41 | 0:11:44 | |
You're on the right track, actually. | 0:11:44 | 0:11:46 | |
Think rubbish spy. He did it himself. | 0:11:46 | 0:11:47 | |
Oh, did he have a newspaper with two holes in it? | 0:11:47 | 0:11:50 | |
Do you know what? You're absolutely right. | 0:11:50 | 0:11:52 | |
Not with the two holes. | 0:11:52 | 0:11:54 | |
He used to sit in the hotel lobby wearing a fake beard, | 0:11:54 | 0:11:58 | |
hiding behind a copy of The New York Times. | 0:11:58 | 0:12:01 | |
-It didn't last, though. -STEPHEN: -Well, the signs were there. | 0:12:01 | 0:12:04 | |
The signs were there. | 0:12:04 | 0:12:06 | |
-Not good. -I don't know how I would disguise myself, | 0:12:06 | 0:12:08 | |
because I already look like a person in disguise. | 0:12:08 | 0:12:11 | |
According to David Heymann's book, Joe And Marilyn, | 0:12:12 | 0:12:14 | |
Joe bribed a doorman also to keep watch on Marilyn's visitors, | 0:12:14 | 0:12:17 | |
and after she died, | 0:12:17 | 0:12:19 | |
DiMaggio sent flowers to her grave every week for more than 20 years. | 0:12:19 | 0:12:23 | |
How else did he remember her after they separated? | 0:12:23 | 0:12:26 | |
Did he have a doll made of her, in the living room? | 0:12:26 | 0:12:28 | |
He did have a doll made of her, absolutely, well done, yeah. | 0:12:28 | 0:12:32 | |
-Congratulations, yeah. -Well done. | 0:12:32 | 0:12:34 | |
He spent 10,000 on a life-size sex doll made in Monroe's image. | 0:12:37 | 0:12:42 | |
-No! -No way! -The flowers on the grave were more romantic. | 0:12:42 | 0:12:45 | |
-Can I ask a question? -Yes. | 0:12:45 | 0:12:46 | |
Where is it now? | 0:12:46 | 0:12:48 | |
Marilyn Monroe, an enduring legend, of course, | 0:12:52 | 0:12:54 | |
and how has she been honoured in Texas? | 0:12:54 | 0:12:56 | |
-Do they have a museum? -Yes, it's part of an artistic display. | 0:12:56 | 0:13:00 | |
Think critters, think insects. | 0:13:00 | 0:13:01 | |
-Tarantula. -STEPHEN: -Cockroach. | 0:13:01 | 0:13:03 | |
Cockroach, indeed. She's been awarded her own tableau | 0:13:03 | 0:13:06 | |
at the famous Cockroach Hall Of Fame. | 0:13:06 | 0:13:10 | |
Yes, it exists. What they do is | 0:13:10 | 0:13:11 | |
they recreate celebrities with dead cockroaches for faces. | 0:13:11 | 0:13:14 | |
What's going on? | 0:13:16 | 0:13:18 | |
What's going on underneath? | 0:13:18 | 0:13:20 | |
Have they got others? | 0:13:21 | 0:13:22 | |
Oh, yeah, they've got loads of them. It's a proper... | 0:13:22 | 0:13:24 | |
-They've got Elvis, Liberace. -No, they've just got one, Josh(!) | 0:13:24 | 0:13:27 | |
It's the world's most disappointing museum. | 0:13:27 | 0:13:29 | |
Right, it's time now however to play for the Mary, or not a Mary, | 0:13:29 | 0:13:34 | |
-in this case. -Come on then, guys. | 0:13:34 | 0:13:36 | |
Many of Marilyn Monroe's possessions have been sold at auction | 0:13:36 | 0:13:39 | |
over the years, so can you put these items sold at auction | 0:13:39 | 0:13:42 | |
in order of the price they fetched, from lowest to highest? | 0:13:42 | 0:13:46 | |
First up, a set of three chest X-rays. | 0:13:46 | 0:13:50 | |
The bra she wore in Some Like It Hot, | 0:13:50 | 0:13:53 | |
or the burial crypt directly above hers. | 0:13:53 | 0:13:57 | |
Oh, what, so you're lying on top of her? | 0:13:57 | 0:13:59 | |
So they've been lying on top of her. | 0:13:59 | 0:14:00 | |
I think some nut job would pay a lot to be buried on top of her. | 0:14:00 | 0:14:04 | |
-I think that's probably the most.... -Some Like It Rot. | 0:14:04 | 0:14:06 | |
LAUGHTER | 0:14:06 | 0:14:09 | |
If you fancy Marilyn Monroe, that X-ray, | 0:14:11 | 0:14:13 | |
it's still not doing anything for you, is it? | 0:14:13 | 0:14:15 | |
It depends on whether you're a lung man. | 0:14:15 | 0:14:18 | |
I go with that order - low to high, in that order. | 0:14:20 | 0:14:23 | |
-Yeah. -So you're going X-ray, bra, and then crypt? | 0:14:23 | 0:14:26 | |
What are you going to go for, Richard's team? | 0:14:26 | 0:14:28 | |
-So do you think crypt is the most expensive? -Yes. | 0:14:28 | 0:14:30 | |
Well, I think we think that the X-ray is the least expensive. | 0:14:30 | 0:14:32 | |
-Yeah. -But we're wondering if the bra is more expensive than the crypt. | 0:14:32 | 0:14:37 | |
I think the bra's the most expensive. I think you're right. | 0:14:37 | 0:14:40 | |
So you're going for X-ray, crypt, and the bra? All right. | 0:14:40 | 0:14:44 | |
Well, let's have a look. | 0:14:44 | 0:14:45 | |
The bra fetched 20,000. | 0:14:45 | 0:14:49 | |
The chest x-rays fetched 45,000. | 0:14:49 | 0:14:52 | |
-Whoa! -I'm afraid it was more expensive, | 0:14:52 | 0:14:53 | |
and the most expensive thing - | 0:14:53 | 0:14:55 | |
the burial plot above her, | 0:14:55 | 0:14:57 | |
went for an astonishing | 0:14:57 | 0:14:58 | |
4.6 million. | 0:14:58 | 0:15:01 | |
-Oh! -Well, the plot above her belonged to a Richard Poncher, | 0:15:01 | 0:15:04 | |
whose final wish was to spend forever with Marilyn Monroe. | 0:15:04 | 0:15:07 | |
He told his wife, "If I croak and you don't put me upside down | 0:15:07 | 0:15:09 | |
"over Marilyn, I'll haunt you for the rest of my life". | 0:15:09 | 0:15:12 | |
After 23 years, his wife had him moved and sold the plot on eBay, | 0:15:12 | 0:15:15 | |
where it fetched 4.6 million. | 0:15:15 | 0:15:17 | |
Sadly no-one wins the Mary there. No-one quite got it right. | 0:15:23 | 0:15:27 | |
Now, Richard and Richard's team, - time to pick a Mary. | 0:15:27 | 0:15:31 | |
-OK. -I think superstar. -Superstar. | 0:15:31 | 0:15:32 | |
-Superstar. -Well, it is multi-octave singer and one of the | 0:15:32 | 0:15:36 | |
bestselling musical artistes of all time, Mariah Carey. | 0:15:36 | 0:15:40 | |
Let's look at her stats. | 0:15:40 | 0:15:41 | |
-STEPHEN: -Oh, my goodness! | 0:15:43 | 0:15:45 | |
She's sold more than 200 million albums, had 18 US number ones | 0:15:55 | 0:16:00 | |
and that's more than any other solo artist in history. | 0:16:00 | 0:16:03 | |
At the 1991 Video Music Awards, Mariah did something spectacular. | 0:16:03 | 0:16:08 | |
-What was it? -1991? | 0:16:08 | 0:16:10 | |
Oh, I was on my third year away, because I studied modern languages. | 0:16:10 | 0:16:13 | |
Was that when you got 13% in your Italian translation exam? | 0:16:13 | 0:16:17 | |
-It was actually... -Italian is a language. | 0:16:21 | 0:16:24 | |
Did she hit an as-yet undiscovered note? | 0:16:26 | 0:16:29 | |
Well, sort of. I'm going to give you that, actually. | 0:16:29 | 0:16:31 | |
She reportedly sang one of the highest notes ever produced | 0:16:31 | 0:16:35 | |
by a human voice during a performance of Emotions. | 0:16:35 | 0:16:38 | |
What was the note? | 0:16:38 | 0:16:40 | |
It was a G7. | 0:16:40 | 0:16:41 | |
I can get 4G, but only intermittently. | 0:16:41 | 0:16:44 | |
APPLAUSE | 0:16:44 | 0:16:46 | |
Loving that. | 0:16:49 | 0:16:51 | |
That got ironically good reception, didn't it? | 0:16:51 | 0:16:54 | |
LAUGHTER, GROANS | 0:16:54 | 0:16:55 | |
According to the Evening Standard, what were Mariah's | 0:16:55 | 0:16:57 | |
15-strong entourage under orders to say every day? | 0:16:57 | 0:17:01 | |
You're not a spoilt brat. | 0:17:01 | 0:17:02 | |
Anyone for a game of rugby union? | 0:17:04 | 0:17:05 | |
Hail Mariah. | 0:17:09 | 0:17:11 | |
I'll give you that. Along those lines, anyway. | 0:17:11 | 0:17:13 | |
"Good morning, Ms Carey. You look beautiful today." | 0:17:13 | 0:17:17 | |
So much more heartfelt when it's backed up by contractual necessity, | 0:17:17 | 0:17:20 | |
isn't it? | 0:17:20 | 0:17:21 | |
In 2010, what did Mariah forget | 0:17:21 | 0:17:23 | |
whilst appearing on an Italian chat show? | 0:17:23 | 0:17:26 | |
She forgot the lyrics to her song? | 0:17:26 | 0:17:28 | |
She did, and she forgot the words to her latest single. | 0:17:28 | 0:17:31 | |
It was her version of Auld Lang Syne. | 0:17:31 | 0:17:33 | |
Let's take a look. | 0:17:33 | 0:17:34 | |
# Should old acquaintance be forgot, and never... | 0:17:34 | 0:17:42 | |
# Something, something, something. # | 0:17:42 | 0:17:45 | |
Certainly... # Something, something, something. # | 0:17:46 | 0:17:48 | |
-I think she got away with it. -I do. | 0:17:48 | 0:17:50 | |
"Brought to mind" is an ironic thing to forget. | 0:17:50 | 0:17:53 | |
The big news in Mariah's world is her forthcoming marriage, | 0:17:59 | 0:18:01 | |
of course, to multimillionaire James Packer. | 0:18:01 | 0:18:04 | |
Kim and Kanye are Kimye, Brad and Angelina, of course were Brangelina, | 0:18:04 | 0:18:07 | |
James Packer and Mariah Carey - | 0:18:07 | 0:18:09 | |
Pariah. | 0:18:09 | 0:18:10 | |
Celebrity pairings are very much the thing. | 0:18:11 | 0:18:13 | |
Last year we had Tom Hiddleston and Taylor Swift - | 0:18:13 | 0:18:16 | |
Hiddleswift - but it seems that Tom has already moved on. | 0:18:16 | 0:18:19 | |
Here he is leaving The Ivy with a mystery companion. | 0:18:19 | 0:18:22 | |
-That was me. -What? -Oh, my God! | 0:18:22 | 0:18:25 | |
You're going out with Tom Hiddleston? | 0:18:25 | 0:18:27 | |
So, care to break news? | 0:18:27 | 0:18:29 | |
So, basically you're, Lipston or Hiddlescomb. | 0:18:29 | 0:18:32 | |
What are you calling yourselves now? | 0:18:32 | 0:18:34 | |
No, the truth of the matter is I was just standing there. | 0:18:34 | 0:18:36 | |
-I actually... -LAUGHTER | 0:18:36 | 0:18:39 | |
He just oozed up behind you... | 0:18:41 | 0:18:43 | |
He charged straight into me. | 0:18:43 | 0:18:45 | |
I was standing in front of the glass door. | 0:18:45 | 0:18:47 | |
I saw he was inside and there was a guy outside with a camera, | 0:18:47 | 0:18:50 | |
and I thought, I'll just stand in front of the glass door, | 0:18:50 | 0:18:52 | |
and then no-one will be able to take photos. | 0:18:52 | 0:18:54 | |
Do you know how glass works? | 0:18:54 | 0:18:55 | |
I thought I'd be in front of it. | 0:18:57 | 0:18:58 | |
Then he opened the door and he came out at great speed. | 0:18:58 | 0:19:01 | |
He ran into the back of me and the guy started taking photographs. | 0:19:01 | 0:19:03 | |
He rear-ended you? I love the way he's just barged into you, | 0:19:03 | 0:19:05 | |
and yet he's still giving it blue steels. | 0:19:05 | 0:19:08 | |
Was he nice? Did you talk? | 0:19:08 | 0:19:10 | |
Yeah, we chatted for hours. We went on drinking later. | 0:19:10 | 0:19:12 | |
-It was a great night. -Did you?! | 0:19:12 | 0:19:15 | |
No, of course not! | 0:19:15 | 0:19:16 | |
Right, time to play for the Mary. | 0:19:20 | 0:19:23 | |
On her 2016 Italian holiday, | 0:19:23 | 0:19:25 | |
what did Mariah and James have his and her versions of? | 0:19:25 | 0:19:29 | |
-Dogs. -Not dogs. | 0:19:29 | 0:19:30 | |
-Speedboats. -Yes, I'm going to give you that. | 0:19:30 | 0:19:33 | |
It was actually yachts. | 0:19:33 | 0:19:34 | |
-Yes! -Oh, wow. | 0:19:34 | 0:19:36 | |
-Well done. -Well done. | 0:19:36 | 0:19:39 | |
Individual yachts. It's so important in a relationship that each person | 0:19:39 | 0:19:42 | |
has their own space. | 0:19:42 | 0:19:43 | |
So they sailed around the Med in their respective boats. | 0:19:43 | 0:19:46 | |
His, just here, | 0:19:46 | 0:19:47 | |
is the seventh-largest privately owned vessel in the world. | 0:19:47 | 0:19:50 | |
-Whoa! That looks like Marie Antoinette's hair. -Yeah! | 0:19:50 | 0:19:53 | |
Mariah rented this. It's a 192-foot-long Capri. | 0:19:54 | 0:19:58 | |
340,000 a week plus 40,000 fuel. | 0:19:58 | 0:20:02 | |
Although you do get to keep the Nectar points, which is good. | 0:20:02 | 0:20:05 | |
Two separate boats. Well done, Richard's team, you win the Mariah. | 0:20:06 | 0:20:10 | |
APPLAUSE | 0:20:10 | 0:20:12 | |
Time now to fire up our Mary-flavoured fruit machine. | 0:20:16 | 0:20:19 | |
Each time I spin, up will pop three of my favourite Marys. | 0:20:19 | 0:20:22 | |
Our teams must match the extraordinary fact | 0:20:22 | 0:20:24 | |
to the extraordinary Mary. | 0:20:24 | 0:20:25 | |
Also a chance to unearth more candidates for the | 0:20:25 | 0:20:28 | |
greatest Mary of all time. So, let's spin. | 0:20:28 | 0:20:31 | |
We've got trying-too-hard Goth rocker Marilyn Manson, | 0:20:31 | 0:20:35 | |
anti-Filth campaigner Mary Whitehouse, | 0:20:35 | 0:20:37 | |
and Donald Trump's mother Mary Trump, sporting the family hair. | 0:20:37 | 0:20:41 | |
The question is, which Mary once got inside of a baboon cage? | 0:20:43 | 0:20:47 | |
Josh's team to guess first. What are you going to go for? | 0:20:47 | 0:20:49 | |
I think Marilyn Manson seems too obvious. | 0:20:49 | 0:20:51 | |
He's the kind of person that you can imagine getting in a cage | 0:20:51 | 0:20:54 | |
-with a baboon. -So the least obvious one is Mary Whitehouse. | 0:20:54 | 0:20:57 | |
Are we going on that logic, then? | 0:20:57 | 0:20:59 | |
I don't know what her job was before she was a... | 0:20:59 | 0:21:01 | |
-Moral crusader. -..moral crusader. | 0:21:01 | 0:21:03 | |
-RICHARD: -She was a baboon trainer. That's the only thing I know. | 0:21:03 | 0:21:07 | |
-JOSH: -My heart says Mary Whitehouse. | 0:21:07 | 0:21:09 | |
Let's go with your heart. | 0:21:09 | 0:21:11 | |
-Yeah, let's go with your heart. -Don't say it in a sarcastic manner! | 0:21:11 | 0:21:14 | |
All right, you're going to go with Mary Whitehouse. | 0:21:14 | 0:21:17 | |
What are you going to go for, Team Richard? | 0:21:17 | 0:21:18 | |
Maybe Trump's mum at some point. | 0:21:18 | 0:21:20 | |
-That's what I think. -You're going to go for Trump's mum? | 0:21:20 | 0:21:22 | |
-Do you disagree? -Go with Trump's mum. | 0:21:22 | 0:21:24 | |
-Trump's mum? -Trump's mum. | 0:21:24 | 0:21:25 | |
Trump's mum. Let's have a look at the right answer. | 0:21:25 | 0:21:27 | |
Marilyn Manson. | 0:21:27 | 0:21:30 | |
We are idiots! | 0:21:30 | 0:21:31 | |
-It was so obvious! -It was too obvious. | 0:21:31 | 0:21:34 | |
Who looks like the man who's going to go into a baboon cage? | 0:21:34 | 0:21:37 | |
What was I thinking? | 0:21:37 | 0:21:38 | |
Mary Whitehouse in a baboon cage?! Have I lost my mind? | 0:21:38 | 0:21:42 | |
Marilyn said... | 0:21:44 | 0:21:45 | |
Sadly, no-one wins the Mary. | 0:21:53 | 0:21:56 | |
Let's spin again. | 0:21:56 | 0:21:57 | |
So we have got R&B megastar Mary J Blige, | 0:21:57 | 0:22:01 | |
BBC presenter Mary Berry, | 0:22:01 | 0:22:03 | |
and Mormon crooner, Marie Osmond. | 0:22:03 | 0:22:06 | |
The question is which Mary was a member of | 0:22:06 | 0:22:09 | |
a medieval re-enactment society? | 0:22:09 | 0:22:11 | |
Richard, what do you think? | 0:22:11 | 0:22:13 | |
Has Mary Berry been told what Paul's getting paid? | 0:22:13 | 0:22:15 | |
I don't think that's Bezza. | 0:22:18 | 0:22:19 | |
I think, Mary J Blige because they didn't have medieval... | 0:22:19 | 0:22:22 | |
They didn't have medieval in America, did they? | 0:22:22 | 0:22:25 | |
Speaking as a non-white person, we don't tend to want to get | 0:22:25 | 0:22:28 | |
involved in anything that involves re-enacting before about...1997. | 0:22:28 | 0:22:33 | |
There's not a pot of gold at the end of that particular rainbow. | 0:22:34 | 0:22:36 | |
-Bezza. Let's go for Bezza. -We'll go for... -Bezza? | 0:22:36 | 0:22:38 | |
-Yeah. -Which doesn't sit well with me, because I've never chatted | 0:22:38 | 0:22:41 | |
-to her about that. -You're going for Bezza? | 0:22:41 | 0:22:43 | |
We'll go for Bezza, please. | 0:22:43 | 0:22:45 | |
Knock yourself out, Josh. | 0:22:45 | 0:22:46 | |
-Marie Osmond? -If it's any of those two. | 0:22:46 | 0:22:49 | |
That jewellery on the right-hand side does look quite medieval. | 0:22:49 | 0:22:52 | |
-Yeah. -Maybe that's a medieval re-enactment there. | 0:22:52 | 0:22:54 | |
-That's good enough for me. -That's good enough for me. | 0:22:54 | 0:22:56 | |
-We'll have the point, thank you very much. -You're going for Marie Osmond? | 0:22:56 | 0:22:59 | |
-Yep. -All right. Well, let's see. | 0:22:59 | 0:23:00 | |
You said Bezza. You said Marie Osmond. | 0:23:00 | 0:23:02 | |
Let's see who got the answer right. | 0:23:02 | 0:23:05 | |
It was indeed... | 0:23:05 | 0:23:06 | |
-And I didn't know that either. -No, we didn't know that. | 0:23:06 | 0:23:09 | |
I had no idea. She kept it completely quiet. | 0:23:09 | 0:23:11 | |
She never, ever mentioned it. | 0:23:11 | 0:23:13 | |
Her favourite bit was being in the tents. | 0:23:13 | 0:23:15 | |
Oh, don't! | 0:23:17 | 0:23:18 | |
-Don't mention the tents! -Sue! How dare you? | 0:23:20 | 0:23:23 | |
-Sue, this woman has just lost her job. -I know. | 0:23:23 | 0:23:26 | |
So, well done, Richard. | 0:23:27 | 0:23:29 | |
You win the Mary. | 0:23:29 | 0:23:30 | |
Congratulations. APPLAUSE | 0:23:30 | 0:23:33 | |
OK, everybody. Let's play Finish The Fact. | 0:23:35 | 0:23:38 | |
I'm going to start by reading out a Mary-based gem. | 0:23:38 | 0:23:40 | |
You're going to buzz in when you think you know how it ends. | 0:23:40 | 0:23:43 | |
First up, we've got '70s stuntwoman, Mary Connors. | 0:23:43 | 0:23:46 | |
There she is. Human cannonball Mary Connors made three attempts to what? | 0:23:46 | 0:23:51 | |
-Stephen? -Get another job. | 0:23:51 | 0:23:55 | |
She actually made three attempts to - | 0:23:55 | 0:23:57 | |
this is hard - cross the River Avon. | 0:23:57 | 0:23:58 | |
But on the last attempt... | 0:23:58 | 0:24:00 | |
-What happened? -Decided to use a cannon? | 0:24:00 | 0:24:03 | |
She bombed? | 0:24:05 | 0:24:06 | |
LAUGHTER, GROANS | 0:24:06 | 0:24:08 | |
She actually sank the rescue boat. | 0:24:08 | 0:24:11 | |
-She what? -She sank... | 0:24:11 | 0:24:13 | |
-She hit into it? -Yeah, she sank it. | 0:24:13 | 0:24:16 | |
So, do you want to see one of her attempts? | 0:24:16 | 0:24:18 | |
-Not, sadly, this one. They don't have that one on record. -OK. | 0:24:18 | 0:24:20 | |
But this is one of her human cannonball attempts. | 0:24:20 | 0:24:23 | |
-Oh, my God! -Oh, dear. | 0:24:33 | 0:24:36 | |
Mary soon realised that being a human cannonball was too risky, | 0:24:36 | 0:24:39 | |
so she became a human catapult. | 0:24:39 | 0:24:41 | |
Now, this one has the... | 0:24:41 | 0:24:42 | |
..the added advantage of sending you directly into a huge net, | 0:24:44 | 0:24:47 | |
so that you don't get wet. Do you want to see her being fired? | 0:24:47 | 0:24:50 | |
-More than anything in the world. -All day long. | 0:24:50 | 0:24:52 | |
Here we go. | 0:24:52 | 0:24:53 | |
Three, two, one, | 0:24:53 | 0:24:57 | |
fire! | 0:24:57 | 0:24:59 | |
-Oh, my word! -Sadly, no-one wins the Mary, | 0:25:10 | 0:25:13 | |
although I think a round of applause, there. | 0:25:13 | 0:25:15 | |
-She's amazing. -APPLAUSE | 0:25:15 | 0:25:18 | |
What a woman. | 0:25:18 | 0:25:21 | |
-Brilliant. -Next up, it's | 0:25:21 | 0:25:22 | |
daughter of Russian spiritualist, Grigori Rasputin, Maria. | 0:25:22 | 0:25:26 | |
Life story made into a song by Boney M. | 0:25:30 | 0:25:32 | |
Had his beard stuffed and mounted. | 0:25:35 | 0:25:37 | |
Not his beard. | 0:25:37 | 0:25:39 | |
-His balls? -Very close to his balls. | 0:25:39 | 0:25:41 | |
-His penis. -Willy. | 0:25:41 | 0:25:43 | |
Yes, Josh, his penis. | 0:25:43 | 0:25:45 | |
Still fresh as a daisy. | 0:25:52 | 0:25:54 | |
In the 1920s, it was fashionable to play Celebrity Cock In A Box. | 0:25:57 | 0:26:02 | |
"Do you know what? I've had a lovely day out, | 0:26:02 | 0:26:03 | |
"I'm going to stick with the cock I've been offered." | 0:26:03 | 0:26:06 | |
"Shall we say which cock you could have won?" | 0:26:10 | 0:26:14 | |
In the 1920s, | 0:26:16 | 0:26:18 | |
it was actually worshipped by a female cult in Paris. | 0:26:18 | 0:26:20 | |
Some sort of members club, I presume. | 0:26:20 | 0:26:24 | |
The penis can still be seen in a jar of formaldehyde | 0:26:24 | 0:26:28 | |
in the museum of erotica in Saint Petersburg. | 0:26:28 | 0:26:30 | |
There you go. Sadly, no-one wins the Mary. | 0:26:30 | 0:26:34 | |
-AUDIENCE: -Aww! -I know. | 0:26:34 | 0:26:37 | |
Next up, 19th-century aristocrat, | 0:26:37 | 0:26:39 | |
Princess Maria del Pozzo della Cisterna. | 0:26:39 | 0:26:42 | |
Here is the worst wedding of all time. | 0:26:42 | 0:26:45 | |
On the day of Princess Maria's marriage, her... | 0:26:45 | 0:26:49 | |
Her husband exploded. | 0:26:49 | 0:26:50 | |
It's along those lines. | 0:26:50 | 0:26:52 | |
What?! | 0:26:52 | 0:26:54 | |
Her wardrobe mistress hanged herself, and then what happened? | 0:26:54 | 0:26:58 | |
Terrible wedding. | 0:26:58 | 0:27:00 | |
Did she count as the something blue? | 0:27:00 | 0:27:01 | |
GROANS | 0:27:01 | 0:27:04 | |
Did Princess Maria say, "No, I said hang up the dress?"? | 0:27:09 | 0:27:14 | |
-It's easy. How could you not know this? -They cancelled the wedding. | 0:27:14 | 0:27:17 | |
No! Honestly, I cannot believe this. | 0:27:17 | 0:27:20 | |
Right, on the day of Princess Maria's marriage, | 0:27:20 | 0:27:22 | |
her wardrobe mistress hanged herself, | 0:27:22 | 0:27:24 | |
and the palace gatekeeper cut his throat, the colonel leading | 0:27:24 | 0:27:26 | |
the procession collapsed with sunstroke, the local station master was crushed to death under a train, | 0:27:26 | 0:27:30 | |
the King's aide was killed after a fall from his horse, | 0:27:30 | 0:27:33 | |
and the best man accidentally shot himself. | 0:27:33 | 0:27:35 | |
-What?! -Wow! | 0:27:37 | 0:27:38 | |
Lovely day. Lovely day. | 0:27:38 | 0:27:40 | |
Oh, my days. | 0:27:42 | 0:27:44 | |
According to historical sources, | 0:27:44 | 0:27:46 | |
it was a combination of collective madness and catastrophic bad luck. | 0:27:46 | 0:27:50 | |
So, we've come to the end of the show, and I can tell you that | 0:27:50 | 0:27:52 | |
tonight's winners, with the most Marys, are... | 0:27:52 | 0:27:56 | |
Josh's team. Well done. APPLAUSE | 0:27:56 | 0:27:58 | |
So, very big moment. Very big moment, Josh - | 0:28:03 | 0:28:07 | |
who are you going to nominate as the greatest Mary of all time? | 0:28:07 | 0:28:11 | |
No pressure. | 0:28:11 | 0:28:12 | |
Of course, it is the queen of cakes, Mary Berry. | 0:28:12 | 0:28:16 | |
Yay! | 0:28:16 | 0:28:19 | |
A very worthy, worthy choice. | 0:28:22 | 0:28:26 | |
So, let's put magnificent Mary Berry up on the Insert Name Here | 0:28:26 | 0:28:29 | |
Hall Of Fame. Up she goes. | 0:28:29 | 0:28:30 | |
APPLAUSE | 0:28:30 | 0:28:33 | |
Right next door to Alexander Graham Bell. | 0:28:36 | 0:28:39 | |
Wonderful stuff. Well, congratulations to Josh's team | 0:28:39 | 0:28:42 | |
and, of course, to the losing team, Richard, | 0:28:42 | 0:28:45 | |
a bit of Rasputin. | 0:28:45 | 0:28:47 | |
APPLAUSE | 0:28:48 | 0:28:50 | |
Oh, my lord! | 0:28:52 | 0:28:54 | |
Enjoy that. My thanks to my guests, | 0:28:54 | 0:28:55 | |
a special thanks to all the Marys here, there and everywhere, | 0:28:55 | 0:28:58 | |
but a massive thanks to you at home for watching. Goodnight. | 0:28:58 | 0:29:01 |