Browse content similar to Christmas. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:08 | |
Hello there, and welcome to this special Christmas edition of | 0:00:24 | 0:00:27 | |
Insert Name Here. Joining me tonight, six very special guests. | 0:00:27 | 0:00:31 | |
Please welcome Jack Dee, Suzannah Lipscomb and their team captain, | 0:00:31 | 0:00:34 | |
Josh Widdicombe, and, on the other side, Martin Kemp, Liz Bonnin, | 0:00:34 | 0:00:37 | |
and their captain, Richard Osman. | 0:00:37 | 0:00:39 | |
Merry Christmas. | 0:00:43 | 0:00:45 | |
Now, Martin, are you happy with your name? | 0:00:45 | 0:00:50 | |
Well, I am now. | 0:00:50 | 0:00:51 | |
Because all the rest of the kids in my school used to gang together, | 0:00:51 | 0:00:55 | |
walk around calling me "Farting Martin". | 0:00:55 | 0:00:59 | |
I mean - I didn't like to mention anything, but... | 0:01:00 | 0:01:03 | |
I love the idea that when Spandau Ballet were at their prime, | 0:01:06 | 0:01:10 | |
you were thinking, "This shows them for calling me Farting Martin." | 0:01:10 | 0:01:13 | |
As it's Christmas, we are going to do something a little bit different, | 0:01:13 | 0:01:16 | |
tonight. And the emphasis really is on the "little". | 0:01:16 | 0:01:19 | |
Let's just relieve ourselves of that. | 0:01:19 | 0:01:22 | |
Instead of celebrating people who all share one name, | 0:01:22 | 0:01:25 | |
we're celebrating people who make our favourite time of year that | 0:01:25 | 0:01:28 | |
little bit more special. Tonight, | 0:01:28 | 0:01:30 | |
we're going to be talking about the stars of Christmas. | 0:01:30 | 0:01:32 | |
So, let's get on with the show. It's time to pick a Christmas star. | 0:01:36 | 0:01:39 | |
Panellists are going to choose a category and behind each category | 0:01:39 | 0:01:42 | |
lurks one of the big players from Christmas, | 0:01:42 | 0:01:44 | |
who our team must then attempt to win. | 0:01:44 | 0:01:46 | |
So, what have we got? We've got... | 0:01:46 | 0:01:48 | |
Josh, you're up first, so choose a category if you will. | 0:01:53 | 0:01:55 | |
Can we have the Christmas Presenter? | 0:01:55 | 0:01:57 | |
You've chosen king of Christmas telly, the first Noel, Noel Edmonds. | 0:01:57 | 0:02:03 | |
Let's unwrap the stats. | 0:02:03 | 0:02:04 | |
Noel Edmonds is the undisputed king of Christmas Day television. | 0:02:17 | 0:02:20 | |
Over the past 25 years, | 0:02:20 | 0:02:22 | |
he has made more appearances on Christmas Day | 0:02:22 | 0:02:24 | |
than any other presenter, apart from the Queen, obviously. | 0:02:24 | 0:02:26 | |
Now, Martin, you must have worked with the legend of "Noelle". | 0:02:26 | 0:02:29 | |
Noel, yeah, I worked with him loads of times. | 0:02:29 | 0:02:31 | |
Especially on Swap Shop, | 0:02:31 | 0:02:32 | |
and all of those TV shows in the early '80s, but, | 0:02:32 | 0:02:36 | |
there's one memory that I have of Noel, | 0:02:36 | 0:02:39 | |
that frightens the life out of me. | 0:02:39 | 0:02:41 | |
And it was the 13th of July, 1985, right? | 0:02:41 | 0:02:46 | |
Live Aid. And the only way you could get into Wembley Stadium | 0:02:46 | 0:02:50 | |
that day, because the roads were so busy, was to get on a helicopter. | 0:02:50 | 0:02:53 | |
And so, as I get to the heliport, in Battersea, | 0:02:53 | 0:02:56 | |
I see Noel Edmonds standing there. | 0:02:56 | 0:02:58 | |
And I think, "Oh, he must be going to the same place." | 0:02:58 | 0:03:00 | |
So, I get on the helicopter, look around as we take off. | 0:03:00 | 0:03:04 | |
Noel is flying the helicopter. | 0:03:04 | 0:03:06 | |
Oh! Chilling. | 0:03:06 | 0:03:08 | |
So, was he involved in Live Aid at all? | 0:03:08 | 0:03:10 | |
-Or was he just...? -No, he... | 0:03:10 | 0:03:12 | |
..ran a helicopter company, at that point, | 0:03:12 | 0:03:15 | |
and he was flying all of the acts in and out of Wembley. | 0:03:15 | 0:03:19 | |
Mr Blobby waving you in? | 0:03:19 | 0:03:22 | |
-Yeah. -Erm, Noel's first Christmas show, | 0:03:22 | 0:03:24 | |
The Noel Edmonds Live, Live, Christmas Breakfast Show | 0:03:24 | 0:03:27 | |
was broadcast live from the BT Tower on the 25th of December, 1984. | 0:03:27 | 0:03:32 | |
The show featured a rather unusual outside broadcast. | 0:03:32 | 0:03:35 | |
-Where was it? -Was it one of those very disappointing | 0:03:35 | 0:03:39 | |
Winter Wonderlands that they...? | 0:03:39 | 0:03:41 | |
-Top of Everest? -Higher. | 0:03:42 | 0:03:45 | |
-Aeroplane. -From an aeroplane. | 0:03:45 | 0:03:47 | |
Yes, absolutely, the first live link in an aeroplane, | 0:03:47 | 0:03:50 | |
and it was full of children. As the plane circled London, | 0:03:50 | 0:03:53 | |
the children were entertained by Radio 1 DJ, Gary Davies, | 0:03:53 | 0:03:56 | |
singer Feargal Sharkey and comedy duo, The Crankies. | 0:03:56 | 0:03:59 | |
If you look out of the right-hand window, | 0:03:59 | 0:04:01 | |
it'll be more entertaining than watching the show. | 0:04:01 | 0:04:04 | |
What happened during Feargal Sharkey's performance? | 0:04:04 | 0:04:06 | |
It wasn't one of those classic ones where he couldn't hear the music | 0:04:06 | 0:04:09 | |
he was meant to be miming to? | 0:04:09 | 0:04:11 | |
It's exactly, exactly that. | 0:04:11 | 0:04:13 | |
Let's take a look. | 0:04:13 | 0:04:14 | |
# You little thief | 0:04:23 | 0:04:25 | |
# You let me love you | 0:04:26 | 0:04:29 | |
# You saw me stumbling | 0:04:30 | 0:04:34 | |
# You watched me fall | 0:04:34 | 0:04:38 | |
# You left me broken... # | 0:04:38 | 0:04:41 | |
But hats off to Feargal for handling that like a pro. | 0:04:45 | 0:04:48 | |
Yeah. Yeah. | 0:04:50 | 0:04:53 | |
I love the way it says, "World's first in-air pop performance." | 0:04:53 | 0:04:56 | |
As if that is what we've been waiting for. | 0:04:56 | 0:04:59 | |
Noel's live TV career started on the BBC Saturday morning show | 0:04:59 | 0:05:02 | |
Multi-Coloured Swap Shop. | 0:05:02 | 0:05:04 | |
He went on to present a string of TV shows including Telly Addicts, | 0:05:04 | 0:05:07 | |
The Late Late Breakfast Show and, in the '90s, Noel's House Party. | 0:05:07 | 0:05:10 | |
In '93, how did Noel spoil Christmas for Take That? | 0:05:10 | 0:05:14 | |
Well, the same way he spoiled every Christmas. | 0:05:14 | 0:05:17 | |
By being on telly, surely. | 0:05:17 | 0:05:18 | |
He got the number one... | 0:05:20 | 0:05:21 | |
I remember vividly. | 0:05:21 | 0:05:23 | |
It was a fight to number one. | 0:05:23 | 0:05:24 | |
It was Take That's Babe versus Mr Blobby's Mr Blobby. | 0:05:24 | 0:05:29 | |
And Mr Blobby was the number one single for Christmas. | 0:05:29 | 0:05:32 | |
That's absolutely right, yes. | 0:05:32 | 0:05:33 | |
Yeah, he knocked him straight off the top. | 0:05:33 | 0:05:36 | |
Does anybody know who plays Mr Blobby? | 0:05:36 | 0:05:38 | |
-Yes. -Yeah. -He's a Shakespearean actor and he's called Barry something. | 0:05:38 | 0:05:42 | |
You're absolutely right, Barry. Barry Killerby was his name. | 0:05:42 | 0:05:45 | |
Um, Blobby records weren't Noel's only chance to cash in. | 0:05:45 | 0:05:47 | |
That and the helicopter work. How had he milked the success | 0:05:47 | 0:05:50 | |
of Noel's House Party further? | 0:05:50 | 0:05:52 | |
-Oh, Blobby World. -Crinkley Bottom theme parks. | 0:05:52 | 0:05:55 | |
Three in total, in Morecambe, Lowestoft and Somerset. | 0:05:55 | 0:05:58 | |
The attractions included the Narnia tunnel, gunge mines, | 0:05:58 | 0:06:01 | |
the Listernewt pub | 0:06:01 | 0:06:03 | |
and Throttled Cock farm. | 0:06:03 | 0:06:06 | |
Um, here's Mr Blobby's house, | 0:06:08 | 0:06:10 | |
Dunblobbin, as it was. | 0:06:10 | 0:06:12 | |
Dunblobbin! | 0:06:12 | 0:06:13 | |
Dunblobbin. Let's have a look at it a few years later. | 0:06:13 | 0:06:16 | |
ALL: Oh! | 0:06:16 | 0:06:17 | |
-Oh, wow. -It's like Chernobyl there. | 0:06:17 | 0:06:19 | |
It's really, it's really haunting. | 0:06:19 | 0:06:21 | |
Cher-blobbyl? | 0:06:21 | 0:06:23 | |
Listen, it's time to play for the Christmas Presenter. | 0:06:30 | 0:06:33 | |
Noel is a devoted motoring enthusiast | 0:06:33 | 0:06:35 | |
when he wasn't flying a helicopter with Martin in it. | 0:06:35 | 0:06:38 | |
He's got a vastly expensive Ford GT40. | 0:06:38 | 0:06:41 | |
There it is. What did Noel admit to doing in that car at 4:30am? | 0:06:41 | 0:06:46 | |
-Oh, no. -Don't go there. | 0:06:46 | 0:06:47 | |
Don't go there. | 0:06:47 | 0:06:49 | |
It wasn't, was it? | 0:06:49 | 0:06:50 | |
-Was it? -It wasn't, he didn't have sex in it. | 0:06:50 | 0:06:53 | |
-Was he on his own? -He was on his own. | 0:06:53 | 0:06:55 | |
He was... | 0:06:55 | 0:06:57 | |
-Nude. -Naked? | 0:06:57 | 0:06:59 | |
He was totally nude. | 0:06:59 | 0:07:01 | |
He said, and I quote, he decided to take it out for a breather. | 0:07:01 | 0:07:05 | |
This is the car, one assumes. | 0:07:05 | 0:07:07 | |
-Take it out for a breather? -I don't get involved, I just read the quotes. | 0:07:08 | 0:07:11 | |
-Oh, my goodness. -The poor thing was stuck in its stable and needed | 0:07:11 | 0:07:14 | |
-exercise. -Oh! | 0:07:14 | 0:07:17 | |
I mean, one of the many reasons I would never do that is if I crashed, | 0:07:17 | 0:07:21 | |
how would you explain that to the ambulance brigade? | 0:07:21 | 0:07:23 | |
"Sorry, I've got no clothes on, | 0:07:23 | 0:07:26 | |
"but that's just to help you guys see where I'm hurt." | 0:07:26 | 0:07:29 | |
Do you know what? I would love to be there when he gets home and he tries | 0:07:31 | 0:07:35 | |
to get up off of that seat, that leather seat, and he's all stuck to it. | 0:07:35 | 0:07:39 | |
SQUELCHING | 0:07:40 | 0:07:42 | |
Oh! That's where he got the idea for crinkly bottom. | 0:07:42 | 0:07:45 | |
-Oh, God. -Congratulations, Josh's team. | 0:07:49 | 0:07:51 | |
You win the Christmas Presenter. | 0:07:51 | 0:07:53 | |
So, Richard, your turn. | 0:07:57 | 0:07:59 | |
Time to pick a mystery Christmas star. | 0:07:59 | 0:08:01 | |
We've got... | 0:08:01 | 0:08:02 | |
-Choose a category, why don't you? -Christmas Baby? | 0:08:06 | 0:08:08 | |
-Yes. -Christmas Baby. | 0:08:08 | 0:08:10 | |
You have picked, yes, | 0:08:10 | 0:08:11 | |
the infant born approximately 2017 years ago in Bethlehem, baby Jesus. | 0:08:11 | 0:08:16 | |
So let's have a look at his stats. | 0:08:16 | 0:08:17 | |
He's the real reason, of course, we have Christmas, | 0:08:29 | 0:08:32 | |
even if his birth was a sort of mixed up affair | 0:08:32 | 0:08:35 | |
with the pagan festival of the winter solstice. | 0:08:35 | 0:08:37 | |
Here's your classic nativity scene. | 0:08:37 | 0:08:39 | |
Shepherds, tick. | 0:08:39 | 0:08:40 | |
Animals, tick, wise men, tick. | 0:08:40 | 0:08:42 | |
Perspective, still to come. | 0:08:42 | 0:08:44 | |
Who is credited with organising the first nativity scene? | 0:08:45 | 0:08:49 | |
Oh, I know this. This was, um, Mrs Phillips, my first-year teacher. | 0:08:49 | 0:08:55 | |
Did a very good job. | 0:08:55 | 0:08:56 | |
-JOSH: -Were you in a nativity, Richard? | 0:08:56 | 0:08:58 | |
-RICHARD: -Um, a nativity play, yeah, of course. | 0:08:58 | 0:09:00 | |
-JOSH: -Yeah... Not "the nativity". | 0:09:00 | 0:09:02 | |
I was carrying frankincense. | 0:09:02 | 0:09:05 | |
You'd be a good king. | 0:09:05 | 0:09:06 | |
-Yeah. -Who were the other kings? Simon Le Bon, I bet. | 0:09:06 | 0:09:09 | |
Yep. Le Marl. | 0:09:09 | 0:09:12 | |
Any ideas who it might have been? | 0:09:13 | 0:09:16 | |
-Was it, erm, Saint Francis? -It was. | 0:09:16 | 0:09:19 | |
Francis of Assisi. Absolutely. There he is. | 0:09:19 | 0:09:22 | |
He got permission from the Pope to set up a real-life manger with a cow | 0:09:22 | 0:09:25 | |
and a donkey, and invited the villagers to come and have a look. | 0:09:25 | 0:09:28 | |
And the villagers replied, "Um, yeah, all right, mate." | 0:09:28 | 0:09:30 | |
Well, over the years, many artists have tried to | 0:09:31 | 0:09:33 | |
capture the holy beauty of baby Jesus. Not all have managed it. | 0:09:33 | 0:09:36 | |
Here is the Adoration Of The Kings | 0:09:36 | 0:09:37 | |
by Pieter Bruegel The Elder. | 0:09:37 | 0:09:39 | |
-Oh. -He's just given birth to Matt Lucas. | 0:09:40 | 0:09:42 | |
Here's Alesso Baldovinetti's Virgin And Child. | 0:09:44 | 0:09:49 | |
They've swaddled him too hard, haven't they? | 0:09:49 | 0:09:51 | |
He looks like he's burst down the end. | 0:09:51 | 0:09:55 | |
And finally, an anonymous, pre-Renaissance, | 0:09:56 | 0:09:59 | |
magnificent Madonna And Child. | 0:09:59 | 0:10:01 | |
-Oh. -If you had a baby that looked like that, you'd turn to religion, | 0:10:01 | 0:10:04 | |
wouldn't you? | 0:10:04 | 0:10:05 | |
What does she have in her...? Is it a flame in her hand? | 0:10:08 | 0:10:10 | |
-It's a pear. -Is the pear symbolic of something important? | 0:10:10 | 0:10:13 | |
-SUZANNAH: -Yeah, yeah. | 0:10:13 | 0:10:14 | |
So they'd often put fruit in medieval religious art and things. | 0:10:14 | 0:10:17 | |
So an apple would be original sin. | 0:10:17 | 0:10:20 | |
And a cucumber would be the resurrection. | 0:10:20 | 0:10:22 | |
-Oh, yeah. -Oh, yeah. -Sorry. | 0:10:22 | 0:10:24 | |
I've never seen a cucumber in a Renaissance picture. | 0:10:26 | 0:10:29 | |
-Is that...? Where...? -You haven't been looking hard enough. | 0:10:29 | 0:10:32 | |
-Obviously not. -Pre-Renaissance. Pre-Renaissance. -Oh, oh. | 0:10:32 | 0:10:34 | |
-Crucially. -There's the mistake I made. -Yeah, yeah, yeah. | 0:10:34 | 0:10:38 | |
The pear though, it's because it's like a woman's shape. | 0:10:38 | 0:10:40 | |
It's a fruit of the womb and it's also associated with wisdom and | 0:10:40 | 0:10:44 | |
sweetness and long life, immortality | 0:10:44 | 0:10:46 | |
because pear trees grow for a long time. | 0:10:46 | 0:10:48 | |
What I've just realised is on this show, | 0:10:48 | 0:10:50 | |
the historian can say anything and we're all so thick we'll buy it. | 0:10:50 | 0:10:55 | |
And the second they get called on it, so Suzannah gets called by Jack, | 0:10:55 | 0:10:58 | |
"I've never seen a cucumber in a Renaissance painting." | 0:10:58 | 0:11:00 | |
She just goes, "Yep. You haven't been looking hard enough." | 0:11:00 | 0:11:02 | |
And Jack goes, "Oh, OK, yeah." | 0:11:02 | 0:11:04 | |
It's just, I was humiliated, it shut me up. | 0:11:04 | 0:11:06 | |
And she was able to get on with all the rubbish she's coming out with. | 0:11:06 | 0:11:09 | |
In ten years' time they'll play that clip and say he was the first guy who worked it out. | 0:11:09 | 0:11:13 | |
-Jack Dee. -Yeah, me. | 0:11:13 | 0:11:14 | |
I was the one brave enough to say, "Hey, hang on a second..." | 0:11:14 | 0:11:17 | |
Various miracles have been attributed to the Madonna and Child. | 0:11:17 | 0:11:20 | |
One concerns 12th-century monk, St Bernard Clairvaux | 0:11:20 | 0:11:23 | |
at Speyer Cathedral in 1146. | 0:11:23 | 0:11:26 | |
What's supposed to have happened while he was praying before a statue | 0:11:26 | 0:11:29 | |
-of the Virgin Mary? -So, he was Saint Bernard, did a large dog...? | 0:11:29 | 0:11:34 | |
Were there tears appearing out of her eyes? | 0:11:34 | 0:11:39 | |
You're on the right road, Jack, but it was a bodily emanation. | 0:11:39 | 0:11:42 | |
Oh. | 0:11:42 | 0:11:43 | |
-JOSH: -Oh, no. | 0:11:43 | 0:11:44 | |
Was it a rude emanation? | 0:11:44 | 0:11:46 | |
No, I think it was a very natural emanation. | 0:11:46 | 0:11:48 | |
Oh, milk from the breast? | 0:11:48 | 0:11:49 | |
-Indeed. -What! | 0:11:49 | 0:11:51 | |
Fired breastmilk, yes. | 0:11:51 | 0:11:53 | |
The sculpture of Mary squirted milk right into the mouth | 0:11:53 | 0:11:56 | |
of Saint Bernard. There he is. | 0:11:56 | 0:11:58 | |
-That's a good shot. -That is gross! | 0:12:00 | 0:12:02 | |
-Is that for real? -Yeah, that's not a snapshot of it happening. | 0:12:02 | 0:12:06 | |
How many shades of wrong is this story, really? | 0:12:06 | 0:12:08 | |
Well, I mean, she was just expressing herself, literally, as it were. | 0:12:08 | 0:12:12 | |
All right, listen, it's time to play for the Christmas Baby. | 0:12:14 | 0:12:17 | |
In Cincinnati, a nativity created by Jason and Amanda Dixon caused | 0:12:17 | 0:12:20 | |
controversy for the last three years. | 0:12:20 | 0:12:22 | |
Why? Why has it upset the locals? | 0:12:22 | 0:12:24 | |
Have they changed the sex? | 0:12:24 | 0:12:26 | |
Is it like a female Jesus? | 0:12:26 | 0:12:27 | |
It's even worse than that, Josh. | 0:12:27 | 0:12:29 | |
I can't imagine anything worse than that, Sue. | 0:12:29 | 0:12:33 | |
So if you think perhaps not a living Jesus? | 0:12:33 | 0:12:36 | |
Oh, a zombie Jesus. | 0:12:36 | 0:12:37 | |
Zombie Jesus! | 0:12:37 | 0:12:38 | |
Yeah, let's have a look at zombie Jesus. | 0:12:38 | 0:12:41 | |
Yep. | 0:12:41 | 0:12:42 | |
Yeah, that'll stop the carol singers dead in their tracks. | 0:12:43 | 0:12:47 | |
Zombie Jesus was the second choice of the name for Spandau Ballet, | 0:12:47 | 0:12:50 | |
wasn't it? | 0:12:50 | 0:12:52 | |
Congratulations. Well done, Richard's team. | 0:12:52 | 0:12:54 | |
You win the Christmas Baby. | 0:12:54 | 0:12:56 | |
So, Richard, your turn. | 0:13:00 | 0:13:01 | |
Time to pick a mystery Christmas star. | 0:13:01 | 0:13:03 | |
-Christmas Cook. -We'll go for Christmas Cook, please, Sue. | 0:13:06 | 0:13:08 | |
You're going to go for Christmas Cook. | 0:13:08 | 0:13:10 | |
Well, you've chosen Naked Chef and scourge of the turkey twizzler, | 0:13:10 | 0:13:14 | |
Jamie Oliver. | 0:13:14 | 0:13:16 | |
Let's have a look at his stats. | 0:13:16 | 0:13:18 | |
Jamie's big break was a passing appearance | 0:13:27 | 0:13:30 | |
on the 1996 River Cafe TV series. | 0:13:30 | 0:13:31 | |
He only turned up that day to cover, | 0:13:31 | 0:13:33 | |
because somebody else was ill. | 0:13:33 | 0:13:35 | |
-Is that true? -Yeah. | 0:13:35 | 0:13:36 | |
And the next day, he had five different calls | 0:13:36 | 0:13:38 | |
from production companies. | 0:13:38 | 0:13:40 | |
And that one extra shift turned out to be worth over 150 million quid. | 0:13:40 | 0:13:44 | |
-Oh, wow. -Yeah. I mean, | 0:13:44 | 0:13:46 | |
I suppose I only got this job because Mel's phone had run out of | 0:13:46 | 0:13:48 | |
batteries, but you take it when you can. | 0:13:48 | 0:13:50 | |
Martin, what was your lucky break? | 0:13:50 | 0:13:52 | |
-How did you go from...? -My lucky break. I used to... | 0:13:52 | 0:13:55 | |
When my brother started up with his band and it was a kind of school band | 0:13:55 | 0:13:58 | |
and I used to roadie for them. | 0:13:58 | 0:14:01 | |
And every day I would take the equipment to the gig | 0:14:01 | 0:14:05 | |
and I would stand at the back and watch them play and every time, | 0:14:05 | 0:14:09 | |
I would hope and pray and wish that something terrible | 0:14:09 | 0:14:13 | |
was going to happen to one of them so that I could stand-in. | 0:14:13 | 0:14:16 | |
I saw a documentary on Spandau Ballet, | 0:14:16 | 0:14:19 | |
and they said that the reason that you got put into the band | 0:14:19 | 0:14:22 | |
was someone said that, | 0:14:22 | 0:14:25 | |
"He is too good looking not to be in Spandau Ballet." | 0:14:25 | 0:14:28 | |
I wasn't going to say that, Josh. | 0:14:28 | 0:14:30 | |
I couldn't understand for a long time, | 0:14:32 | 0:14:34 | |
because I didn't have a mobile phone when I started out in doing | 0:14:34 | 0:14:37 | |
what I'm doing, doing stand-up. | 0:14:37 | 0:14:39 | |
And the way you start doing that is that you go out and you do try-outs, | 0:14:39 | 0:14:43 | |
as you know, and open spots, | 0:14:43 | 0:14:45 | |
and people will ring you back if they want you to come and do a gig. | 0:14:45 | 0:14:48 | |
And I was doing this for about a year and a half | 0:14:48 | 0:14:50 | |
and no-one rang me back. | 0:14:50 | 0:14:52 | |
And Jane said, "Well, why don't you get a phone?" | 0:14:52 | 0:14:55 | |
I got an answer phone, cos I was out all day working in a bar, | 0:14:58 | 0:15:01 | |
and the day I got the answer phone, | 0:15:01 | 0:15:03 | |
I came back and there were about four people saying, "Can you do a gig? | 0:15:03 | 0:15:06 | |
"We've been trying to get a hold of you", and I was about to give up. | 0:15:06 | 0:15:09 | |
And I bought this answer phone and all of a sudden my career took off. | 0:15:09 | 0:15:13 | |
So we're talking about lucky breaks. | 0:15:13 | 0:15:14 | |
Mine was when I went to Dixons. | 0:15:14 | 0:15:17 | |
Um, 2016, Jamie released his first Christmas cookbook, | 0:15:24 | 0:15:27 | |
which came in for some criticism. | 0:15:27 | 0:15:29 | |
-Why? -It was Easter. | 0:15:29 | 0:15:31 | |
Wasn't it that it was just huge amounts of calories? | 0:15:33 | 0:15:36 | |
If you ate one of his meals, it was like, you're off the charts. | 0:15:36 | 0:15:39 | |
But isn't that the same for every Christmas dinner? | 0:15:39 | 0:15:41 | |
Well, this was pretty, pretty intense, actually. | 0:15:41 | 0:15:44 | |
The Christmas Day menu clocked in at almost 10,000 calories. | 0:15:44 | 0:15:48 | |
What did he do? Deep fry everything? What was the...? What was the...? | 0:15:48 | 0:15:51 | |
Well, it was the holidays, so it was a full festive lunch, | 0:15:51 | 0:15:53 | |
the suggested evening leftovers meal and drinks. | 0:15:53 | 0:15:56 | |
I love it. I'm getting that book. | 0:15:56 | 0:15:58 | |
-Which book was that? -Is anybody here a vegetarian? | 0:15:58 | 0:16:01 | |
-Does anybody...? -Yeah. -Yeah, I am. | 0:16:01 | 0:16:03 | |
What do you eat at Christmas? | 0:16:03 | 0:16:05 | |
-We have vegetable lasagne. -I'd be all right with that. | 0:16:05 | 0:16:07 | |
-You're not invited. -No. | 0:16:07 | 0:16:09 | |
You are. | 0:16:09 | 0:16:11 | |
Brutal. It's always, it's a challenge. | 0:16:11 | 0:16:13 | |
-What do you have for...? -You can have everything else. | 0:16:13 | 0:16:15 | |
You can have all the Yorkshire puddings and the mashed potatoes. | 0:16:15 | 0:16:18 | |
I have the trimmings with the vegetable lasagne. | 0:16:18 | 0:16:20 | |
See, that's where I object. | 0:16:20 | 0:16:22 | |
-Oh, really? -I think if you're not having the meat, | 0:16:22 | 0:16:24 | |
you shouldn't have all the other stuff. | 0:16:24 | 0:16:27 | |
It's cheating. | 0:16:27 | 0:16:29 | |
Jamie's not just a television cook. | 0:16:30 | 0:16:32 | |
He also has a chain of restaurants. | 0:16:32 | 0:16:34 | |
Why is he losing money at his restaurants? | 0:16:34 | 0:16:37 | |
Oh, I know this. | 0:16:37 | 0:16:39 | |
They've got the napkins and they say "Jamie's" on them. | 0:16:39 | 0:16:42 | |
And people, like, are stealing them all the time. | 0:16:42 | 0:16:44 | |
Are you stealing them, Josh? | 0:16:44 | 0:16:46 | |
-Is that how you know? -I have got one. Yeah, of course. I'm not an idiot. | 0:16:46 | 0:16:49 | |
He reckons that 30,000 napkins a month get taken. | 0:16:49 | 0:16:54 | |
Why doesn't he just stop putting his name on them? | 0:16:54 | 0:16:56 | |
Now that's the scientist, you see. | 0:16:56 | 0:16:59 | |
Meanwhile, Antony Worrall Thompson's new shop, | 0:16:59 | 0:17:01 | |
World Of Napkins, going from strength to strength. | 0:17:01 | 0:17:05 | |
Roaring trade. Jamie recently upset Spain with one of his recipes. | 0:17:06 | 0:17:10 | |
-Do you remember why? -He made a paella that wasn't like a paella at all or | 0:17:10 | 0:17:13 | |
-something, wasn't it? -Yes. Does anyone know what he put in it? | 0:17:13 | 0:17:15 | |
White wine in it instead of red wine or something like that? | 0:17:15 | 0:17:18 | |
-No rice. -He put chorizo in it, | 0:17:18 | 0:17:19 | |
and you're not supposed to put chorizo in it. | 0:17:19 | 0:17:21 | |
-He did, yeah. -Yeah. -The cooks were not amused. | 0:17:21 | 0:17:23 | |
They tweeted him stuff like, "Great work, Jamie Oliver. | 0:17:23 | 0:17:25 | |
"I also cooked paella. Hope you like my version." | 0:17:25 | 0:17:29 | |
I love the indignation, though, | 0:17:31 | 0:17:32 | |
that happens when they change the recipe very slightly. | 0:17:32 | 0:17:35 | |
Of course they're going to change it. | 0:17:35 | 0:17:36 | |
That's the whole point of having it on the TV show. | 0:17:36 | 0:17:39 | |
I think it was Nigella put white wine instead of red wine | 0:17:39 | 0:17:41 | |
in bolognese and it was like, "Blah, you can't do that!" | 0:17:41 | 0:17:44 | |
Get a life. | 0:17:44 | 0:17:46 | |
Try it with white wine and fuck off. | 0:17:46 | 0:17:48 | |
Can't wait for the Jack Dee cookery show. | 0:17:53 | 0:17:55 | |
All right, listen. Time to play for the Christmas Cook. | 0:17:57 | 0:18:00 | |
This is a challenge now for both teams. | 0:18:00 | 0:18:02 | |
Jamie's had wonderful TV shows over the years. | 0:18:02 | 0:18:05 | |
29 in total. | 0:18:05 | 0:18:06 | |
I want each team to name one of his series in turn, until you run dry. | 0:18:06 | 0:18:12 | |
-Richard, we're going to start with you. -Oh, my word. | 0:18:12 | 0:18:15 | |
-Your first one, please. -We'll start with the Naked Chef. | 0:18:15 | 0:18:17 | |
-JOSH: -I'm out. | 0:18:17 | 0:18:18 | |
-Naked Chef's right. -Comfort Food. | 0:18:19 | 0:18:22 | |
-Is right. -Jamie's School Dinners. | 0:18:22 | 0:18:24 | |
-Jamie's School Dinners, yes. -Five Ingredients. | 0:18:24 | 0:18:28 | |
Yes. | 0:18:28 | 0:18:29 | |
This is where we find that Jack Dee is actually | 0:18:29 | 0:18:31 | |
Britain's greatest Jamie Oliver archivist. | 0:18:31 | 0:18:34 | |
Jamie's 30 Minute Meals? | 0:18:36 | 0:18:38 | |
Yes, well done. | 0:18:38 | 0:18:39 | |
Oh. Um... | 0:18:39 | 0:18:41 | |
Do you know what? | 0:18:42 | 0:18:43 | |
I think we don't know. | 0:18:44 | 0:18:45 | |
Any more. We don't know. | 0:18:45 | 0:18:47 | |
-Do you know any more? -15 Minute Meals. | 0:18:47 | 0:18:48 | |
Oh, yes. | 0:18:48 | 0:18:49 | |
-That's definitely one. -That is definitely one. | 0:18:49 | 0:18:52 | |
-Hey! Come on! -Pipped at the post. | 0:18:52 | 0:18:54 | |
Well done. Richard's team, you win the Christmas Cook. | 0:18:54 | 0:18:57 | |
Time now to fire up our Christmassy fruit machine. | 0:19:00 | 0:19:02 | |
Each time I spin, up will pop three Christmassy names. | 0:19:02 | 0:19:05 | |
Our team must match the extraordinary fact to the extraordinary person. | 0:19:05 | 0:19:08 | |
So, let's spin. | 0:19:08 | 0:19:10 | |
You've got three Kings. | 0:19:10 | 0:19:12 | |
Spooky scribe Stephen King, bike-loving cook Simon King, | 0:19:12 | 0:19:16 | |
and singer turned Strictly star Mollie King. | 0:19:16 | 0:19:18 | |
The question is, which King suffers from triskaidekaphobia, | 0:19:18 | 0:19:22 | |
which is the fear of the number 13? | 0:19:22 | 0:19:25 | |
Josh, you go first, please. | 0:19:25 | 0:19:26 | |
I only know about Stephen King, who is quite an odd guy, right? | 0:19:26 | 0:19:31 | |
Yes, he's eccentric, isn't he? | 0:19:31 | 0:19:32 | |
Could he have triskaidekaphobia? | 0:19:32 | 0:19:34 | |
All of them could, obviously. | 0:19:34 | 0:19:36 | |
Because... | 0:19:36 | 0:19:38 | |
That's what we're here for. | 0:19:38 | 0:19:39 | |
Yeah. | 0:19:39 | 0:19:42 | |
I think... | 0:19:42 | 0:19:43 | |
I know he famously went straight from his 12th to his 14th book, | 0:19:43 | 0:19:46 | |
didn't he? And there's the weird... | 0:19:46 | 0:19:48 | |
Anyone got any phobias, while we're on the subject? | 0:19:48 | 0:19:50 | |
I've been asked if I've got a phobia, | 0:19:50 | 0:19:52 | |
you know, when you do shows and stuff, | 0:19:52 | 0:19:54 | |
have you got any phobias? No, I haven't got any phobias. | 0:19:54 | 0:19:57 | |
"Nothing at all? Snakes?" | 0:19:57 | 0:19:59 | |
Of course I'm scared of snakes, that's not a phobia, | 0:19:59 | 0:20:01 | |
that's rational. | 0:20:01 | 0:20:03 | |
That's not a phobia, is it? | 0:20:03 | 0:20:04 | |
To be scared of something that could kill you, like that. | 0:20:04 | 0:20:08 | |
-That's normal. -That was terrifying, that. | 0:20:09 | 0:20:10 | |
-Yeah. -That's right, they are terrifying. | 0:20:10 | 0:20:13 | |
That was bitey and spitty. | 0:20:13 | 0:20:14 | |
Yes, it was a spitting biter. | 0:20:14 | 0:20:16 | |
-Yeah. -Yeah. -When you do that, your hair goes like this. | 0:20:17 | 0:20:20 | |
-Do it, do it! -I've never done it before, how am I so good? | 0:20:21 | 0:20:24 | |
Yes! | 0:20:25 | 0:20:26 | |
Do you know what? I've been fearing that I haven't got a thing. | 0:20:32 | 0:20:36 | |
I've got a thing now. | 0:20:36 | 0:20:37 | |
You've got my thing. | 0:20:37 | 0:20:38 | |
I did it first, let's not forget that. | 0:20:40 | 0:20:42 | |
So if I was to push you for an answer? | 0:20:43 | 0:20:45 | |
Can we go with Stephen King? | 0:20:45 | 0:20:47 | |
You can. | 0:20:47 | 0:20:49 | |
Richard's team. Are you a fan of The Saturdays? | 0:20:49 | 0:20:51 | |
You're a big music fan. Do you know their work? | 0:20:51 | 0:20:53 | |
Yeah, I like The Saturdays. | 0:20:53 | 0:20:54 | |
Frankie. | 0:20:54 | 0:20:56 | |
Mollie. | 0:20:56 | 0:20:57 | |
-The others. -Others. | 0:20:57 | 0:20:58 | |
Yeah. What do you think? | 0:20:58 | 0:21:01 | |
Maybe The Hairy Biker? | 0:21:01 | 0:21:02 | |
-Maybe Si King? -Go with Mollie. | 0:21:02 | 0:21:04 | |
-Go with Mollie? -Yeah. | 0:21:04 | 0:21:06 | |
Terrified of the number 13, which is why | 0:21:06 | 0:21:08 | |
when S Club 7 started getting bigger and bigger she left. | 0:21:08 | 0:21:11 | |
So you think it is Mollie who is triskaidekaphobic? | 0:21:13 | 0:21:15 | |
Yes, we do think that. | 0:21:15 | 0:21:17 | |
The answer is... | 0:21:17 | 0:21:18 | |
Yes, there you go. | 0:21:20 | 0:21:22 | |
Suffers from thirteen-ophobia as we say. | 0:21:22 | 0:21:24 | |
King says... | 0:21:24 | 0:21:26 | |
There is a guy crying out for a bungalow. | 0:21:43 | 0:21:44 | |
Josh, well done, you win the Stephen King. | 0:21:47 | 0:21:49 | |
So here comes three more Christmassy names, | 0:21:54 | 0:21:57 | |
we have got the original Santa Claus, Saint Nicholas, | 0:21:57 | 0:22:01 | |
we've got the great lover and film star Rudolph Valentino and hit maker | 0:22:01 | 0:22:05 | |
Bee Gee Robin Gibb. | 0:22:05 | 0:22:08 | |
So the question goes to you, Richard, first, | 0:22:08 | 0:22:11 | |
which of these was said to possess a cursed ring? | 0:22:11 | 0:22:15 | |
Well... Would you expect Robin Gibb has a cursed ring? | 0:22:16 | 0:22:19 | |
That's why he has got such a high voice. | 0:22:19 | 0:22:21 | |
Perhaps Robin Gibb bought, you know, like, some rock stars, | 0:22:23 | 0:22:26 | |
they get a thing where they buy something. | 0:22:26 | 0:22:28 | |
You might have bought Aleister Crowley's ring or something. | 0:22:28 | 0:22:30 | |
-That's right. -That's the kind of thing they do, right? | 0:22:30 | 0:22:33 | |
-Yes, I will go with you guys. -We think that Robin Gibb has a cursed ring. | 0:22:33 | 0:22:36 | |
What a time to tune in to the show that would be. | 0:22:36 | 0:22:41 | |
Josh's team, who has got the cursed ring for you? | 0:22:41 | 0:22:43 | |
What's the story of Rudolph Valentino? | 0:22:43 | 0:22:45 | |
-I don't know... -A real lothario, wasn't he? | 0:22:45 | 0:22:47 | |
Yes, lothario. | 0:22:47 | 0:22:48 | |
Just like a kind of Darren Day figure? | 0:22:48 | 0:22:51 | |
Yes! | 0:22:51 | 0:22:52 | |
But even more randy, if you can imagine that. | 0:22:52 | 0:22:54 | |
Even more randy than Darren Day?! | 0:22:54 | 0:22:56 | |
One more randy than Darren Day. | 0:22:56 | 0:22:58 | |
Darren twice-a-day? | 0:22:58 | 0:23:00 | |
Rudolph Valentino, then. | 0:23:02 | 0:23:04 | |
-Should we go with that? -It feels right. | 0:23:04 | 0:23:06 | |
You're going to go for Rudolph Valentino? All right. | 0:23:06 | 0:23:08 | |
The answer is Rudolph Valentino. | 0:23:08 | 0:23:11 | |
According to legend, '20s film star | 0:23:18 | 0:23:19 | |
Valentino bought an unusual cat's eye ring in San Francisco. | 0:23:19 | 0:23:23 | |
He knew it was said to be cursed but dismissed it as silly superstition. | 0:23:23 | 0:23:25 | |
It would have looked something like this. | 0:23:25 | 0:23:28 | |
So let me give you the full story. | 0:23:28 | 0:23:29 | |
According to The Telegraph, he wore the ring while filming | 0:23:29 | 0:23:32 | |
his next movie, The Young Rajah, which turned out to be his only flop. | 0:23:32 | 0:23:35 | |
He didn't wear it again until a trip to New York, | 0:23:35 | 0:23:38 | |
two weeks later he was dead. | 0:23:38 | 0:23:40 | |
Shortly afterwards his friend, actress Pola Negri, chose the ring as a memento. | 0:23:40 | 0:23:44 | |
Almost immediately, she suffered a mystery illness | 0:23:44 | 0:23:47 | |
that nearly ended her career. | 0:23:47 | 0:23:48 | |
While recuperating she gave the ring to young singer Russ Columbo. | 0:23:48 | 0:23:52 | |
A few days later, he died in a mysterious shooting accident. | 0:23:52 | 0:23:54 | |
-Wow. -The ring then went to Russ's best friend, Joe Casino - | 0:23:54 | 0:23:57 | |
still wearing the ring when he was killed by a runaway lorry. | 0:23:57 | 0:24:00 | |
It was then stolen by a burglar, who was shot dead by the police, with | 0:24:00 | 0:24:03 | |
the ring in his pocket. Then borrowed by a young actor for a screen test, who | 0:24:03 | 0:24:07 | |
then died of a rare disease within weeks, before it finally vanished | 0:24:07 | 0:24:11 | |
at a fire at the bank where it was kept. | 0:24:11 | 0:24:13 | |
And I was given it shortly before doing my last episode of Bake Off. | 0:24:13 | 0:24:16 | |
Well done, though, Josh's team. | 0:24:18 | 0:24:20 | |
You get... | 0:24:20 | 0:24:22 | |
The Rudolph. | 0:24:22 | 0:24:23 | |
Right, everybody, let's play Finish The Fact. | 0:24:27 | 0:24:29 | |
I'm going to start by reading out a Christmas-based gem | 0:24:29 | 0:24:31 | |
and you buzz in when you think you know how it ends. | 0:24:31 | 0:24:34 | |
First up, we've got the Queen's grandfather, King George V. | 0:24:34 | 0:24:38 | |
BELL | 0:24:41 | 0:24:43 | |
A Domino's. | 0:24:43 | 0:24:45 | |
BUZZER | 0:24:45 | 0:24:46 | |
King George VI. | 0:24:46 | 0:24:47 | |
His Christmas speech. | 0:24:51 | 0:24:52 | |
Absolutely. | 0:24:52 | 0:24:54 | |
BELL | 0:24:57 | 0:24:58 | |
Developed a stutter and thought, "This will make a good film." | 0:24:58 | 0:25:02 | |
That was his son, wasn't it? | 0:25:06 | 0:25:07 | |
Did he decide to show the nation that he was the boy with the dragon tattoo? | 0:25:07 | 0:25:10 | |
No, he did, he had a tattoo. | 0:25:11 | 0:25:12 | |
-Did he? -Yeah. | 0:25:12 | 0:25:14 | |
-Of what? -Of a dragon. | 0:25:14 | 0:25:16 | |
I just said. | 0:25:16 | 0:25:17 | |
-Very good. -If you ever watch the tape back, the clues were all there. | 0:25:23 | 0:25:26 | |
He fell through his chair. | 0:25:28 | 0:25:30 | |
Aww! | 0:25:30 | 0:25:31 | |
He made the speech from Windsor Castle and just | 0:25:31 | 0:25:33 | |
as he was about to go live to the nation, he sat on the chair and the | 0:25:33 | 0:25:36 | |
entire bottom fell out of it and they just managed to prise him out | 0:25:36 | 0:25:40 | |
before the broadcast. | 0:25:40 | 0:25:41 | |
Sadly no-one wins the king there. | 0:25:41 | 0:25:43 | |
We will move to the next one. | 0:25:43 | 0:25:45 | |
We've got old chimney-lover, Santa Claus. | 0:25:45 | 0:25:48 | |
BUZZER | 0:25:53 | 0:25:54 | |
When the real Santa Claus turned up, | 0:25:54 | 0:25:57 | |
with a bat and a grudge. | 0:25:57 | 0:25:58 | |
Imagine what happened when they get a lot of men in hot costumes. | 0:25:59 | 0:26:03 | |
-A lot of... -Did they all start drinking? | 0:26:03 | 0:26:06 | |
They did, yes. What happens when you've got lads drinking? | 0:26:06 | 0:26:09 | |
-A fight? -Ding dong merrily on high? | 0:26:09 | 0:26:11 | |
Yeah, ding dong merrily on high. | 0:26:11 | 0:26:13 | |
BUZZER | 0:26:16 | 0:26:17 | |
When the police turned up and made a list | 0:26:17 | 0:26:21 | |
of who had been naughty and who had been nice. | 0:26:21 | 0:26:24 | |
The police did turn up, so actually I will give you that. | 0:26:26 | 0:26:29 | |
LAUGHTER | 0:26:33 | 0:26:35 | |
Yes. This was at the Newtown in Powys, where 4,000 people dressed | 0:26:35 | 0:26:40 | |
as Father Christmas and heavy drinking led to a mass brawl. | 0:26:40 | 0:26:44 | |
Well done, Richard's team. | 0:26:44 | 0:26:45 | |
You win the Santa. | 0:26:45 | 0:26:46 | |
So, we have come to the end of the show and I can tell you tonight that | 0:26:52 | 0:26:55 | |
this evening's winners with the most Christmassy names collected - | 0:26:55 | 0:26:58 | |
Richard's team! | 0:26:58 | 0:26:59 | |
-Yay! -Well done! | 0:26:59 | 0:27:01 | |
Well done! | 0:27:01 | 0:27:03 | |
And seeing as it is Christmas, of course I have got you presents. | 0:27:05 | 0:27:08 | |
You get to take home this magnificent | 0:27:08 | 0:27:12 | |
and entirely brand-new festive album | 0:27:12 | 0:27:16 | |
from Alexander Armstrong. | 0:27:16 | 0:27:18 | |
-Classy. -I will pass that over. | 0:27:20 | 0:27:22 | |
-Classy. Thank you. -Enjoy. | 0:27:22 | 0:27:25 | |
Of course nobody goes home empty-handed. For the losers, | 0:27:27 | 0:27:31 | |
Rudolph Valentino's cursed ring. | 0:27:31 | 0:27:34 | |
-Catch it! -Argh! | 0:27:34 | 0:27:36 | |
My thanks to all my guests and thanks to you, | 0:27:43 | 0:27:45 | |
most importantly, at home for watching. | 0:27:45 | 0:27:47 | |
Happy Christmas to everyone and we are going to be back with the rest | 0:27:47 | 0:27:50 | |
of the series in the New Year. | 0:27:50 | 0:27:51 | |
For now, goodnight. | 0:27:51 | 0:27:53 |