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APPLAUSE AND CHEERING | 0:00:17 | 0:00:20 | |
Hello, and welcome to Insert Name Here, the show where we discover | 0:00:26 | 0:00:29 | |
surprising facts about people with just one thing in common - | 0:00:29 | 0:00:32 | |
they've all got the same name. | 0:00:32 | 0:00:33 | |
Joining me, six of my favourite people, | 0:00:33 | 0:00:35 | |
each bearing their own unique moniker. Please welcome Tom Davis, | 0:00:35 | 0:00:38 | |
Kate Williams and their team captain, Josh Widdicombe, | 0:00:38 | 0:00:41 | |
and on the other side, Aisling Bea, Robert Peston, | 0:00:41 | 0:00:43 | |
and their captain, Richard Osman. | 0:00:43 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:47 | |
Robert, you've got a very noble, ancient name, are you happy with it? | 0:00:53 | 0:00:56 | |
Yes, it is an ancient name, but actually cos I'm Jewish I've got | 0:00:56 | 0:01:01 | |
an alternative name on my Jewish birth certificate, which is Raphael. | 0:01:01 | 0:01:04 | |
-So powerful! -Raphael! | 0:01:04 | 0:01:06 | |
There was a moment when I thought it sounds so distinguished, Raphael. | 0:01:06 | 0:01:10 | |
-Like one of the Turtles. -It's a bit pretentious, maybe. | 0:01:10 | 0:01:12 | |
Yeah, the best of all the turtles. | 0:01:12 | 0:01:14 | |
My Jewish name is Splinter. | 0:01:14 | 0:01:16 | |
I'm going to move to the all-important question of, | 0:01:19 | 0:01:21 | |
ce soir, which name is going to be featuring? | 0:01:21 | 0:01:24 | |
They can be nimble, quick, | 0:01:24 | 0:01:25 | |
and even jump over candlesticks, | 0:01:25 | 0:01:27 | |
because tonight's name is Jack. | 0:01:27 | 0:01:29 | |
Ooh! | 0:01:29 | 0:01:31 | |
So, we'll be talking all the Jacks, including Jackies, | 0:01:36 | 0:01:39 | |
Jacquelines and maybe even the odd Jacques. | 0:01:39 | 0:01:41 | |
Along the way our teams will collect as many Jacks as they can, | 0:01:41 | 0:01:44 | |
and at the end of the show the winning team will have the honour | 0:01:44 | 0:01:47 | |
of deciding who's officially the greatest Jack of all time. | 0:01:47 | 0:01:49 | |
Richard, any thoughts early on as to who that might be? | 0:01:49 | 0:01:52 | |
Yes, it's a slight dilemma | 0:01:52 | 0:01:54 | |
but I think I've solved it, I'm going to go for | 0:01:54 | 0:01:58 | |
a gentleman called Jack Gray, | 0:01:58 | 0:02:00 | |
Who was an Australian rules football player, | 0:02:00 | 0:02:03 | |
who played for Footscray. It's essentially because | 0:02:03 | 0:02:06 | |
I'm a really big fan of Jack Black and a big fan of Jack White | 0:02:06 | 0:02:08 | |
and I couldn't choose between the two so I compromised. | 0:02:08 | 0:02:11 | |
Josh, any idea who your favourite best Jack is? | 0:02:12 | 0:02:16 | |
Jacks? Yeah. I thought there's a lot of fairy tale kind of Jacks | 0:02:16 | 0:02:20 | |
that you learn about, kind of fictionalised Jacks. | 0:02:20 | 0:02:24 | |
So there's "be nimble". | 0:02:24 | 0:02:25 | |
-Yes. -There's "and the beanstalk". -Yes. | 0:02:25 | 0:02:28 | |
And there's Jackie Stallone. | 0:02:28 | 0:02:30 | |
Oh, yes. I have to tell you, she might not be fictional. | 0:02:30 | 0:02:33 | |
-Is she not fictional? -No-one's actually seen her in the flesh. | 0:02:33 | 0:02:36 | |
She doesn't feel real to me. | 0:02:36 | 0:02:37 | |
Let's crack on with the show. | 0:02:39 | 0:02:40 | |
It's time to pick a Jack, any Jack. Our panellists are going to choose | 0:02:40 | 0:02:43 | |
a category, behind each category lurks a famous Jack, | 0:02:43 | 0:02:45 | |
which our teams must then attempt to win. | 0:02:45 | 0:02:47 | |
So, what have we got? We've got... | 0:02:47 | 0:02:49 | |
Richard, you're going to go first. Why not pick a category? | 0:02:54 | 0:02:57 | |
We will go for Action Jack please, Sue. | 0:02:57 | 0:02:59 | |
Excellent stuff. A wise choice, you've chosen martial arts supremo | 0:02:59 | 0:03:03 | |
Jackie Chan. Let's have a look at his stats. | 0:03:03 | 0:03:05 | |
# Everybody was kung-fu fighting Huh! # | 0:03:16 | 0:03:19 | |
Now, Jackie Chan was born in Hong Kong. | 0:03:19 | 0:03:22 | |
-Did that just happen? -It did just happen, yeah. | 0:03:22 | 0:03:25 | |
I thought I was having a stroke. | 0:03:25 | 0:03:26 | |
I don't think that's one of the warning signs. | 0:03:26 | 0:03:29 | |
-Oh, is it not? -No. -Smell toast and | 0:03:29 | 0:03:32 | |
you can hear Carl Douglas. | 0:03:32 | 0:03:34 | |
Jackie Chan was born in Hong Kong, | 0:03:35 | 0:03:37 | |
one of China's biggest-ever film stars, appearing in over 100 films, | 0:03:37 | 0:03:40 | |
including Heart Of Dragon, Rush Hour and, of course, The Karate Kid. | 0:03:40 | 0:03:44 | |
Anybody a fan of kung fu films? | 0:03:44 | 0:03:46 | |
Yeah, I'm a big fan. Big fan of Jackie Chan as well, actually. | 0:03:46 | 0:03:50 | |
And I've recently been putting together this action thing, | 0:03:50 | 0:03:53 | |
and a guy on Twitter sort of said, "I love Jackie Chan," and he said, | 0:03:53 | 0:03:57 | |
"I know him, I can get you a meeting with Jackie Chan." | 0:03:57 | 0:04:00 | |
So, I was, like, buoyed by it, I thought, "why would you lie about such a thing?" | 0:04:00 | 0:04:04 | |
And I went and met this guy in KFC. | 0:04:05 | 0:04:07 | |
The signs were there, Tom! | 0:04:09 | 0:04:11 | |
But then this oriental guy just turned up and he basically tried to | 0:04:11 | 0:04:17 | |
pretend that this was Jackie Chan. | 0:04:17 | 0:04:19 | |
-No! -Yeah, it was the weirdest scenario I've ever been in. -Did he | 0:04:19 | 0:04:22 | |
do anything to try and convince you that he was Jackie Chan? | 0:04:22 | 0:04:24 | |
No, he looked as embarrassed as I did. | 0:04:24 | 0:04:26 | |
I don't even know what he told the guy | 0:04:26 | 0:04:28 | |
-to bring him along, whether he sort of like said... -Oh, he probably | 0:04:28 | 0:04:31 | |
said you were George Clooney. | 0:04:31 | 0:04:33 | |
Now, it's as a martial arts star we know Jackie best. | 0:04:34 | 0:04:37 | |
During his film career he's earned two world records - | 0:04:37 | 0:04:40 | |
one, most stunts by a living actor. | 0:04:40 | 0:04:41 | |
Does anyone know the other world record? | 0:04:41 | 0:04:43 | |
Least stunts by a dead actor. | 0:04:43 | 0:04:45 | |
It's got something to do with credits. | 0:04:47 | 0:04:49 | |
Most credits on the same film? | 0:04:49 | 0:04:50 | |
-For one person? -Is right! Yes. | 0:04:50 | 0:04:52 | |
-Ooh! -Most credits in one movie. | 0:04:52 | 0:04:54 | |
For the 2012 movie, Chinese Zodiac, | 0:04:54 | 0:04:57 | |
he was credited with 15 different roles. | 0:04:57 | 0:05:00 | |
There they are. | 0:05:00 | 0:05:01 | |
Plus - and I'm not making this up - | 0:05:01 | 0:05:04 | |
catering coordinator. | 0:05:04 | 0:05:06 | |
So, he did the catering?! | 0:05:06 | 0:05:08 | |
Well, he coordinated it. | 0:05:08 | 0:05:09 | |
In all fairness, he's doing nearly every job, so he's pretty much | 0:05:09 | 0:05:12 | |
just feeding himself. | 0:05:12 | 0:05:13 | |
He's the first 14 people in the queue, isn't he? | 0:05:15 | 0:05:17 | |
I've just had a terrible realisation that there are seven of us, | 0:05:20 | 0:05:24 | |
and none of us said Jack of all trades. | 0:05:24 | 0:05:26 | |
- Josh, shall I tell you why? - Why? | 0:05:28 | 0:05:30 | |
Cos all of us thought of it, every single one of us, | 0:05:30 | 0:05:32 | |
you thought of it last, that's often the case. | 0:05:32 | 0:05:34 | |
Because that expression ends, "and master of none", | 0:05:36 | 0:05:38 | |
we were all a bit too respectful to Jackie Chan to say it. | 0:05:38 | 0:05:41 | |
So, I think it's slightly rude | 0:05:41 | 0:05:42 | |
of you, so maybe you should apologise to Jackie Chan. | 0:05:42 | 0:05:45 | |
I'm sorry to Jackie Chan. | 0:05:45 | 0:05:46 | |
If you want to apologise face-to-face, | 0:05:46 | 0:05:48 | |
I know a guy who knows him. | 0:05:48 | 0:05:49 | |
APPLAUSE | 0:05:49 | 0:05:51 | |
Jackie Chan does all his own stunts. As a result, | 0:05:54 | 0:05:56 | |
no insurance company will underwrite his productions. | 0:05:56 | 0:05:59 | |
He's injured himself dozens of times over the years. | 0:05:59 | 0:06:01 | |
Dislocated shoulder, broken fingers, | 0:06:01 | 0:06:03 | |
knee damage, chin, lips, teeth, nose, | 0:06:03 | 0:06:05 | |
but does anybody know how he hurt himself in the film Project A? | 0:06:05 | 0:06:10 | |
Yeah, did he burn his tongue testing the soup? | 0:06:10 | 0:06:13 | |
He fell - how far do we think he fell? | 0:06:15 | 0:06:17 | |
Did he fall in love and break his heart? | 0:06:17 | 0:06:20 | |
AUDIENCE: Awww! | 0:06:20 | 0:06:22 | |
Oh! No. | 0:06:22 | 0:06:24 | |
So, he fell three storeys from a clock tower and deliberately landed | 0:06:24 | 0:06:27 | |
without a crash mat. | 0:06:27 | 0:06:29 | |
Not only that, he did several takes - here's a couple. | 0:06:29 | 0:06:33 | |
Aarrrgh! | 0:06:38 | 0:06:40 | |
-GROANING -I've got to say, I don't think he did fall deliberately - | 0:06:50 | 0:06:53 | |
he was desperately trying to hold on to that. | 0:06:53 | 0:06:56 | |
The good news is that luckily there was a medic on the set - | 0:06:57 | 0:06:59 | |
a certain Mr J Chan. | 0:06:59 | 0:07:01 | |
At drama school, | 0:07:05 | 0:07:07 | |
we used to love doing stunts, like, that was always that thing, | 0:07:07 | 0:07:09 | |
like if you're fighting someone and, say, Richard, what you do is, | 0:07:09 | 0:07:12 | |
I control this, | 0:07:12 | 0:07:14 | |
so you will do onto my hand, but I'll move my hand and you go like... | 0:07:14 | 0:07:17 | |
Oh, Jesus, ow! | 0:07:17 | 0:07:19 | |
Oh, Richard! | 0:07:19 | 0:07:21 | |
That kind of stuff, but it looks really convincing. | 0:07:21 | 0:07:24 | |
If they do that as the trailer without the explanation... | 0:07:24 | 0:07:27 | |
LAUGHTER, APPLAUSE | 0:07:27 | 0:07:29 | |
I did, at the end of interviewing Michael Fallon, | 0:07:33 | 0:07:37 | |
I did bang my head on the table, I just went like that. | 0:07:37 | 0:07:43 | |
And I didn't think the camera was on, but it was. | 0:07:43 | 0:07:46 | |
-And it became a bit of a thing. -Given the choice again, | 0:07:46 | 0:07:49 | |
would you rather meet Michael Fallon or bang your head on a table? | 0:07:49 | 0:07:52 | |
I think one thing he WOULDN'T want to do | 0:07:52 | 0:07:54 | |
is bang Michael Fallon on a table. | 0:07:54 | 0:07:56 | |
So, time to play for the Jack. | 0:08:03 | 0:08:06 | |
And for this, we're going to go back to one of Jackie's classic | 0:08:06 | 0:08:08 | |
fighting scenes. This is from his breakthrough film, | 0:08:08 | 0:08:11 | |
Snake In The Eagle's Shadow. | 0:08:11 | 0:08:13 | |
OK, now, what move does Jackie finally use | 0:08:26 | 0:08:29 | |
to overpower his opponent? | 0:08:29 | 0:08:31 | |
Three-point turn. | 0:08:31 | 0:08:33 | |
Disappointing catering? | 0:08:35 | 0:08:37 | |
Makes like an animal, that's all I'm going to say. | 0:08:38 | 0:08:41 | |
He pretends to be a dog? And barks at him. | 0:08:41 | 0:08:44 | |
-Very close to dog. -Cat. -It IS a cat. | 0:08:44 | 0:08:47 | |
Let's have a look. | 0:08:47 | 0:08:49 | |
CAT SCREECHES | 0:08:49 | 0:08:50 | |
GROANING | 0:08:58 | 0:09:01 | |
Jackie, of course, then finishes him off by pissing in his slippers. | 0:09:06 | 0:09:09 | |
Listen, congratulations, Josh's team cos you get the Jack. | 0:09:11 | 0:09:15 | |
Right, Josh's team, it's your turn, pick a Jack. | 0:09:21 | 0:09:23 | |
I like the idea of Evil. | 0:09:23 | 0:09:24 | |
-Let's go dark. -Yeah? | 0:09:24 | 0:09:26 | |
Let's do it. | 0:09:26 | 0:09:28 | |
"Like the idea of Evil." | 0:09:28 | 0:09:29 | |
Says Josh Widdicombe! | 0:09:29 | 0:09:31 | |
You've picked Victorian London's most prominent bad guy, | 0:09:32 | 0:09:36 | |
-Jack the Ripper. -Boo! -Here he is. | 0:09:36 | 0:09:38 | |
You're right to boo. | 0:09:38 | 0:09:40 | |
Let's have a look at his stats. | 0:09:40 | 0:09:42 | |
Jack the Ripper is said to have been responsible for at least | 0:09:55 | 0:09:59 | |
five murders over a 12-week period, beginning in August of 1888. | 0:09:59 | 0:10:02 | |
Now, Kate, your first novel is about macabre murders in Victorian London. | 0:10:02 | 0:10:06 | |
-It is. -Were you influenced by the Ripper case? | 0:10:06 | 0:10:08 | |
I was. You know, my favourite story and murder of all of them | 0:10:08 | 0:10:11 | |
is a gentleman called - well, not gentlemen - | 0:10:11 | 0:10:14 | |
called Thomas Neill Cream. | 0:10:14 | 0:10:15 | |
-Called what? -Thomas Neill Cream. And he was a poisoner. | 0:10:15 | 0:10:18 | |
-Neill Cream? -Doctor Thomas Neill Cream. -Sounds like leg ointment. | 0:10:18 | 0:10:21 | |
There were a lot of Creamy murderers cos there's another one called | 0:10:23 | 0:10:25 | |
The Chocolate Cream Poisoner, who used to poison chocolate creams in Brighton. | 0:10:25 | 0:10:28 | |
This one... Watch out! But this one was called... | 0:10:28 | 0:10:31 | |
-Watch out! -Dr Cream... | 0:10:31 | 0:10:34 | |
There are people sitting at home now in Brighton going, "Wait a minute!" | 0:10:34 | 0:10:37 | |
-Neill Cream. -Neill Cream... | 0:10:37 | 0:10:39 | |
Those two guys on Gogglebox, who live in Brighton, watching! | 0:10:39 | 0:10:42 | |
Neill Cream, he poisoned... | 0:10:49 | 0:10:51 | |
He poisoned lots of women - working women, who were out on the streets - | 0:10:51 | 0:10:54 | |
and it began to be a big story in 1892. | 0:10:54 | 0:10:56 | |
Everyone was talking about it. | 0:10:56 | 0:10:58 | |
And so he decided to capitalise on the great fame of the murders | 0:10:58 | 0:11:01 | |
by running tours to the area that he'd committed the murders. | 0:11:01 | 0:11:04 | |
-No?! -Sorry, Neill Cream ran his own tours to his own murder sites? -Yes. | 0:11:04 | 0:11:08 | |
-Amazing! -He's the Jackie Chan of murderers! | 0:11:08 | 0:11:10 | |
An off-duty New York policeman went on the tour | 0:11:12 | 0:11:15 | |
and was curious about his enthusiasm and detailed grasp of the facts, | 0:11:15 | 0:11:19 | |
and reported him to Scotland Yard, | 0:11:19 | 0:11:21 | |
-and that's how they got him. -Amazing! | 0:11:21 | 0:11:23 | |
That off-duty New York cop goes on holiday | 0:11:23 | 0:11:26 | |
and then goes on a tour of crime scenes. | 0:11:26 | 0:11:29 | |
Have a day off, mate! | 0:11:29 | 0:11:31 | |
Debate still rages about the true identity of Jack the Ripper, | 0:11:31 | 0:11:35 | |
with new theories emerging all the time. | 0:11:35 | 0:11:37 | |
Let's have a look at a few of the candidates. | 0:11:37 | 0:11:39 | |
One of the most famous suspects is artist Walter Sickert. | 0:11:39 | 0:11:42 | |
There he is. This is a theory backed by American crime novelist | 0:11:42 | 0:11:45 | |
Patricia Cornwell. Does anybody know how much money she spent | 0:11:45 | 0:11:47 | |
-trying to prove that it was him? -I think it was a good million dollars. | 0:11:47 | 0:11:51 | |
-I mean, it was a lot of money, wasn't it? -7 million. | 0:11:51 | 0:11:54 | |
-What?! -Wow. -He was in Paris for most of the murders anyway. | 0:11:54 | 0:11:57 | |
He had a good alibi. They got desperate at the time. | 0:11:57 | 0:11:59 | |
They even accused our friend Neill Cream of it... | 0:11:59 | 0:12:02 | |
-Oh, not Cream! -Cream! | 0:12:02 | 0:12:03 | |
How dare they?! I will not hear a word against him. | 0:12:03 | 0:12:07 | |
He was in prison, so someone said he must have had a body double | 0:12:07 | 0:12:10 | |
serve his sentence. | 0:12:10 | 0:12:11 | |
Double Cream? | 0:12:11 | 0:12:12 | |
What does Patricia believe turned Sickert into a murderer? | 0:12:20 | 0:12:23 | |
He was a depressive and schizophrenic, wasn't he? | 0:12:23 | 0:12:26 | |
He also had a fistula in his penis. | 0:12:26 | 0:12:27 | |
-Oh! -Ugh! | 0:12:27 | 0:12:29 | |
And it basically was a botched operation | 0:12:29 | 0:12:31 | |
on the, er, penile fistula. | 0:12:31 | 0:12:33 | |
And I resisted telling you about my unusual injury. | 0:12:33 | 0:12:36 | |
Because I thought, actually, even, you know, at ten at night, | 0:12:36 | 0:12:39 | |
-it was... -No, I need to hear it now. -Here we go! -Please! | 0:12:39 | 0:12:42 | |
Bed in, Raphael's got news! | 0:12:42 | 0:12:43 | |
I had a hernia operation a few years ago, | 0:12:45 | 0:12:47 | |
and then I had...sex two hours afterwards... | 0:12:47 | 0:12:50 | |
-Oh, legend! -Legend! | 0:12:50 | 0:12:53 | |
Robbo! Robbo! Robbo! | 0:12:53 | 0:12:56 | |
And... | 0:12:58 | 0:13:00 | |
This is, at worst, a humble brag now! | 0:13:00 | 0:13:03 | |
Well... | 0:13:03 | 0:13:05 | |
So I then had the haemorrhage... | 0:13:05 | 0:13:07 | |
-Oh! -..of all haemorrhages. | 0:13:07 | 0:13:09 | |
And, literally, everything sort of below here went blue. | 0:13:09 | 0:13:12 | |
-Erm, but I went to the doctor and I said, er... -I bet you did! | 0:13:12 | 0:13:15 | |
"I'm really sorry, I'm really embarrassed, I shouldn't | 0:13:15 | 0:13:17 | |
"have done this." They said, "You'd be surprised how many people | 0:13:17 | 0:13:20 | |
-"get into this predicament!" -Really?! | 0:13:20 | 0:13:22 | |
Yes. Apparently, it's less unusual than you think. | 0:13:22 | 0:13:25 | |
So is it the rush after the sort of anaesthetic's wearing off | 0:13:25 | 0:13:27 | |
-that makes you...? -I don't know. | 0:13:27 | 0:13:29 | |
No, there's this hernia nurse, right, and she... | 0:13:29 | 0:13:31 | |
No, no, no, no! | 0:13:33 | 0:13:35 | |
Other suspects include Victorian composer Michael Maybrick. | 0:13:35 | 0:13:39 | |
There he is. And James Maybrick, Michael's brother. | 0:13:39 | 0:13:42 | |
He's more handsome than his brother. | 0:13:42 | 0:13:43 | |
That makes me think his brother did it more. | 0:13:43 | 0:13:46 | |
Because he's so handsome and his brother felt inadequate. | 0:13:46 | 0:13:48 | |
-Yeah. -But then is that exactly what he wanted you to think? | 0:13:48 | 0:13:51 | |
I remember when I was young, I wanted... | 0:13:51 | 0:13:54 | |
really wanted to write my name on the door ledge. | 0:13:54 | 0:13:57 | |
I was like, "God, I really want to write my name on the door ledge!" | 0:13:57 | 0:14:00 | |
And I was like, "No, because if I write my name on the door ledge, | 0:14:00 | 0:14:03 | |
"then my mother will know that I did it. So I'll write | 0:14:03 | 0:14:06 | |
"my sister Sinead's name on the door ledge, | 0:14:06 | 0:14:08 | |
"and then she'll think that Sinead did it." | 0:14:08 | 0:14:10 | |
But then I was like, "No, cos she'll know that's exactly | 0:14:10 | 0:14:13 | |
"the sort of thing I'd do, so I'll write my own name on the door ledge | 0:14:13 | 0:14:16 | |
"and it'll look like Sinead wrote my name on the door ledge." | 0:14:16 | 0:14:18 | |
But I got caught out because Sinead couldn't write or read at the time. | 0:14:18 | 0:14:22 | |
I got sloppy. I got sloppy. | 0:14:24 | 0:14:26 | |
Yeah. But there were nearly as many suspects as there were | 0:14:26 | 0:14:28 | |
people living in London, weren't there, Kate, at this time? | 0:14:28 | 0:14:31 | |
Yes, there were. So they questioned 2,000 people... | 0:14:31 | 0:14:35 | |
They questioned 2,000 people?! | 0:14:35 | 0:14:36 | |
They did. Brought in 80, and charged no-one, but they had... | 0:14:36 | 0:14:39 | |
-It's like X Factor! -Everyone, everyone. | 0:14:39 | 0:14:42 | |
Also, one of the best suspects was an actor. | 0:14:42 | 0:14:46 | |
He was called Richard Mansfield, and he was playing Jekyll and Hyde, | 0:14:46 | 0:14:49 | |
and he played it so well that the audience decided he was guilty | 0:14:49 | 0:14:52 | |
and was Jack the Ripper, and he was taken in by the police. | 0:14:52 | 0:14:54 | |
-That is a good review! -Yeah. -GREAT review. | 0:14:54 | 0:14:58 | |
It's time to play for the Jack. | 0:14:58 | 0:15:00 | |
For this, we're going to look at a classic big-screen retelling | 0:15:00 | 0:15:03 | |
of the story - the '80s classic | 0:15:03 | 0:15:05 | |
Bridge Across Time, starring David Hasselhoff. | 0:15:05 | 0:15:09 | |
-Ah! -Now, according to the movie, | 0:15:09 | 0:15:11 | |
how does Jack the Ripper end up in Arizona in 1985? | 0:15:11 | 0:15:14 | |
Oh, through London Bridge, I would guess. | 0:15:14 | 0:15:17 | |
You've ju... Have you actually seen this movie?! | 0:15:17 | 0:15:20 | |
No, they bought London... Or they bought what they thought | 0:15:20 | 0:15:23 | |
was London Bridge, and it's now in Arizona. | 0:15:23 | 0:15:25 | |
Is absolutely right! | 0:15:25 | 0:15:27 | |
What?! Whoa! | 0:15:27 | 0:15:29 | |
Yeah! | 0:15:29 | 0:15:31 | |
The idea behind the film is that the evil spirit of Jack the Ripper | 0:15:33 | 0:15:37 | |
seeped out of the original Victorian stone. | 0:15:37 | 0:15:39 | |
Er, congratulations, Richard's team, you win the Jack. | 0:15:39 | 0:15:42 | |
Yay! | 0:15:42 | 0:15:44 | |
So, Richard, can I entice you to pick a Jack, please? | 0:15:46 | 0:15:50 | |
You can, indeed. | 0:15:50 | 0:15:51 | |
We will go for a...Saucy Jack. | 0:15:51 | 0:15:53 | |
Erm, you've chosen Saucy Jack, | 0:15:53 | 0:15:55 | |
and it's multi-million selling sexy novelist Jackie Collins. | 0:15:55 | 0:15:59 | |
-Oh! -Let's have a look at her stats. | 0:15:59 | 0:16:01 | |
So, Jackie was born on 4th October, 1937, in North-West London. | 0:16:16 | 0:16:20 | |
Of course, the younger sister of actor Joan Collins. | 0:16:20 | 0:16:23 | |
As a girl, she went to school in Baker Street, | 0:16:23 | 0:16:25 | |
but got into trouble from an early age. | 0:16:25 | 0:16:27 | |
What did she sell in the playground? | 0:16:27 | 0:16:29 | |
-Was it heroin? -No. | 0:16:29 | 0:16:32 | |
-Stationery? -No. | 0:16:32 | 0:16:33 | |
-Naughty stories? -Pens? Oh, they're stationery. | 0:16:33 | 0:16:35 | |
I'll give you naughty stories. Naughty limericks. | 0:16:35 | 0:16:37 | |
She wrote them herself and sold them for a penny a time. | 0:16:37 | 0:16:40 | |
Who's buying them? That's the kind of kid that you're just going | 0:16:40 | 0:16:43 | |
to hate. "Guess what I've just brought. A naughty limerick from..." | 0:16:43 | 0:16:46 | |
-"Oh, shut up, mate!" -I'd have bought it! | 0:16:46 | 0:16:48 | |
Er, she got the idea of the limericks from her English teacher, | 0:16:48 | 0:16:51 | |
Mr Presticles. | 0:16:51 | 0:16:52 | |
Jackie's first novel - a sexy tale about a cheating husband, | 0:16:57 | 0:17:00 | |
set in Swinging '60s London, called The World Is Full Of Married Men, | 0:17:00 | 0:17:04 | |
was published in 1968 and promptly banned | 0:17:04 | 0:17:07 | |
in Australia and South Africa. | 0:17:07 | 0:17:09 | |
Here's the racy cover of the first UK edition. | 0:17:09 | 0:17:12 | |
-Ooh! -The guy on the right, of course, | 0:17:12 | 0:17:14 | |
later appeared on a packet of Pringles. | 0:17:14 | 0:17:16 | |
How did fellow novelist Barbara Cartland describe this novel? | 0:17:19 | 0:17:24 | |
I hate to throw a weird theory at you, | 0:17:24 | 0:17:26 | |
but imagine Boris Johnson with some make-up on. | 0:17:26 | 0:17:29 | |
That's him. | 0:17:33 | 0:17:36 | |
How did Barbara describe this novel? | 0:17:36 | 0:17:38 | |
-Filthy? -Filthy is absolutely one of the words she used, yep, well done. | 0:17:38 | 0:17:41 | |
-Yeah. -Nasty, filthy and disgusting. | 0:17:41 | 0:17:44 | |
-Nasty, filthy and disgusting. -Oh! | 0:17:44 | 0:17:45 | |
She was the queen of romance, who wrote a total of 723 novels, | 0:17:45 | 0:17:49 | |
and thought this new steamy genre was outrageous and unseemly. | 0:17:49 | 0:17:52 | |
In fact, she carried on thinking that for years. | 0:17:52 | 0:17:54 | |
Here she is with Jackie, on Wogan, in 1987. | 0:17:54 | 0:17:57 | |
And apart from that, we've got to do something about the whole country, | 0:17:57 | 0:18:00 | |
you know we have. And we've got to go away from all this awful, | 0:18:00 | 0:18:04 | |
terrible... It's evil, really. | 0:18:04 | 0:18:06 | |
What? | 0:18:06 | 0:18:08 | |
The books that you write, quite frankly. | 0:18:08 | 0:18:10 | |
Oh! | 0:18:10 | 0:18:12 | |
GASPING, APPLAUSE | 0:18:12 | 0:18:15 | |
-Look at Terry! -Wogan, though, just total panic. | 0:18:18 | 0:18:21 | |
Just thinking, "Right, I'll quickly need to bring Bananarama on. | 0:18:21 | 0:18:24 | |
"Let's get 'em on." | 0:18:24 | 0:18:26 | |
Eight of Jackie's novels have been adapted for TV or film, | 0:18:26 | 0:18:29 | |
and her big break was the movie adaptation of The Stud. | 0:18:29 | 0:18:32 | |
It was her sister, Joan, who got the project off the ground | 0:18:32 | 0:18:34 | |
and starred as Fontaine, the hedonistic nightclub owner. | 0:18:34 | 0:18:37 | |
Here's Joan, with Oliver Tobias. | 0:18:37 | 0:18:39 | |
-Ah! Oh, my goodness! -I can't work out whose legs are whose. | 0:18:41 | 0:18:44 | |
Now it's time for you to win the big one - Jackie Collins. | 0:18:46 | 0:18:50 | |
It's a question about her Hollywood series of books - Hollywood Wives, | 0:18:50 | 0:18:52 | |
Hollywood Husbands, and Hollywood Wives: The New Generation. | 0:18:52 | 0:18:55 | |
So, here are some characters from the books. | 0:18:55 | 0:18:58 | |
We've got... | 0:18:58 | 0:19:02 | |
Just two of these names are fake, so I want the team to find... | 0:19:07 | 0:19:11 | |
-Well, they're all fake. -Two of them don't appear... | 0:19:11 | 0:19:14 | |
Two of them don't appear in her books. | 0:19:14 | 0:19:16 | |
So, I want each team to pick one that they think | 0:19:16 | 0:19:18 | |
-is a bogus Jackie Collins character. -I read the... | 0:19:18 | 0:19:22 | |
I read the recent... She wrote another one, | 0:19:22 | 0:19:25 | |
which was Paul Hollywood's Wives, which I enjoyed very much. | 0:19:25 | 0:19:28 | |
I think Bibi Sutton. | 0:19:29 | 0:19:31 | |
I think Bibi Sutton, definitely, because I think everyone... | 0:19:31 | 0:19:33 | |
I come from round there and everyone would go, | 0:19:33 | 0:19:35 | |
"Oh, my God, can you believe it? She named a character after where | 0:19:35 | 0:19:38 | |
-"we're from." -What, Sutton? -Yeah, Sutton. | 0:19:38 | 0:19:40 | |
So you think that's right because you come from near Sutton? | 0:19:40 | 0:19:43 | |
-You guys are going to go with... -We're going to go with Bibi Sutton | 0:19:44 | 0:19:46 | |
because, otherwise, everyone in Sutton would have talked about it. | 0:19:46 | 0:19:49 | |
Richard's team, er, can I get you to pick? | 0:19:49 | 0:19:52 | |
I just think we'd all know Jack Python if he was real, | 0:19:52 | 0:19:54 | |
if he was in the books. | 0:19:54 | 0:19:55 | |
-Yeah. -So I think... I would go with Jack Python. | 0:19:55 | 0:19:57 | |
-OK, well... -But are you sure? | 0:19:57 | 0:19:59 | |
-No, no, no. Yeah. -So you're going to pick Jack Python. | 0:19:59 | 0:20:01 | |
-Jack Python, please. -And you're picking Bibi Sutton. | 0:20:01 | 0:20:04 | |
-Bibi Sutton. -And the two fake names are... | 0:20:04 | 0:20:06 | |
Oh! | 0:20:08 | 0:20:11 | |
Sadly, no-one is going to win the Jackie but, on the plus side, | 0:20:11 | 0:20:14 | |
Jamie Oliver has got some new names for his next kid! | 0:20:14 | 0:20:17 | |
Right, time now to fire up the Jack-flavoured fruit machine. | 0:20:22 | 0:20:25 | |
Each time I spin, up will pop three of my favourite Jacks. | 0:20:25 | 0:20:28 | |
Our team must match the extraordinary fact | 0:20:28 | 0:20:30 | |
to the extraordinary Jack. Let's spin. We've got... | 0:20:30 | 0:20:33 | |
Underworld villain, Jack the Hat McVitie... | 0:20:33 | 0:20:36 | |
England footballing legend Jack Charlton... | 0:20:36 | 0:20:39 | |
And Sylvester's mum, Jackie Stallone. | 0:20:39 | 0:20:43 | |
-Ooh! -Now, the question is, | 0:20:43 | 0:20:45 | |
which Jack completed their last year of school aged 40? | 0:20:45 | 0:20:50 | |
This is interesting because Jack Charlton was one of Ireland's most | 0:20:51 | 0:20:55 | |
successful football managers. | 0:20:55 | 0:20:57 | |
I remember Jack getting an honorary degree, | 0:20:57 | 0:21:00 | |
but he was way older. | 0:21:00 | 0:21:01 | |
-He was way older. -And what about Jack the Hat McVitie? | 0:21:01 | 0:21:04 | |
Was he in... Did he go to prison for a while? | 0:21:04 | 0:21:07 | |
Would he have done his last year of school in prison? | 0:21:07 | 0:21:09 | |
-Interesting. -Maybe. -Who is this first guy again? | 0:21:09 | 0:21:11 | |
-He had a connection with the Krays. -Yeah, he was killed by the Krays. | 0:21:11 | 0:21:14 | |
-That's a hell of a connection! -Oh. | 0:21:14 | 0:21:15 | |
Do you know how old he was? That might help answer the question. | 0:21:15 | 0:21:17 | |
It'd be terrible if he was 41 and it was | 0:21:17 | 0:21:19 | |
a day after he'd finished school. | 0:21:19 | 0:21:21 | |
-So much potential! -Guess what?! Guess what?! | 0:21:23 | 0:21:26 | |
Ronnie Kray goes, "If I hear one more thing | 0:21:26 | 0:21:28 | |
"about your French GCSE...! | 0:21:28 | 0:21:30 | |
-Jackie, I think Jackie. -Jackie. We're going to go Jackie Stallone. | 0:21:31 | 0:21:34 | |
You're going Jackie. | 0:21:34 | 0:21:36 | |
Let's find out what Josh's team think. | 0:21:36 | 0:21:38 | |
There's a kind of empty period in my knowledge of Jack Charlton, | 0:21:38 | 0:21:42 | |
from 1966 to 1990. | 0:21:42 | 0:21:44 | |
I don't know what he did. Maybe he just went back and got his | 0:21:44 | 0:21:47 | |
-qualification. -Jack Charlton, to do your coaching badges, | 0:21:47 | 0:21:50 | |
you'd probably need qualifications. | 0:21:50 | 0:21:51 | |
-Exactly. -So I think he probably didn't finish school. | 0:21:51 | 0:21:54 | |
All right, so you're going to go with Jack Charlton? | 0:21:54 | 0:21:56 | |
-Jack Charlton. -Let's have a look. | 0:21:56 | 0:21:57 | |
-It's Jackie Stallone. -Yes! -Yes. -Well done! | 0:21:57 | 0:22:00 | |
Jackie. Having gone back to school aged 40, | 0:22:00 | 0:22:02 | |
Jackie went on to graduate with a degree in chemistry. | 0:22:02 | 0:22:05 | |
-Oh! -And she put that education to excellent use, | 0:22:05 | 0:22:07 | |
cos she's now Dean of her very own | 0:22:07 | 0:22:10 | |
University of Astrology. | 0:22:10 | 0:22:12 | |
Their stringent entry requirement - extreme gullibility. | 0:22:12 | 0:22:15 | |
Well done. You win, Richard's team, the Jack. | 0:22:15 | 0:22:19 | |
APPLAUSE | 0:22:19 | 0:22:22 | |
-Well done. -Right, let's have a look. | 0:22:22 | 0:22:24 | |
We'll spin again, and we've got... | 0:22:24 | 0:22:26 | |
Welsh Terrier, Swansea Jack... | 0:22:26 | 0:22:28 | |
South African baboon, Jack the baboon. | 0:22:28 | 0:22:32 | |
And pirates' best friend, Jack the parrot. | 0:22:32 | 0:22:35 | |
Ah! We've really run out of Jacks, haven't we? | 0:22:35 | 0:22:39 | |
So, the question is, which Jack used to operate railway signals? | 0:22:41 | 0:22:46 | |
-Oh, come on! -Ooh. | 0:22:46 | 0:22:49 | |
-Surely it's number one? -Let's consider how they would do it. | 0:22:49 | 0:22:52 | |
Dog, how are you considering he would do it? | 0:22:52 | 0:22:54 | |
Well, the dog seems the most obvious, doesn't it? | 0:22:54 | 0:22:56 | |
-No! -Because in Slough, they've got the station dog, | 0:22:56 | 0:22:58 | |
preserved and stuffed on one of the platforms. | 0:22:58 | 0:23:01 | |
-Eurgh! -Yeah, of course, I'd forgotten about that! | 0:23:01 | 0:23:03 | |
Oh, Josh! | 0:23:03 | 0:23:06 | |
-Is it in England? -This happened in South Africa, in the 19th century. | 0:23:06 | 0:23:10 | |
In the 19th century? | 0:23:10 | 0:23:12 | |
-Right, well... -That's not a 19th-century parrot, I'm sorry. | 0:23:12 | 0:23:15 | |
Neither is the middle one an original 19th-century baboon. | 0:23:16 | 0:23:20 | |
This is the worst, the one on the left is a cat! | 0:23:20 | 0:23:22 | |
I'd say the baboon, but... | 0:23:24 | 0:23:26 | |
You'd say the baboon. I'm going to go with Kate because she was so sure | 0:23:26 | 0:23:29 | |
about the stuffed dog in Slough. | 0:23:29 | 0:23:31 | |
And Slough is very much the South Africa of England. | 0:23:31 | 0:23:33 | |
All right, you've gone for... the Welsh Terrier, Swansea Jack. | 0:23:35 | 0:23:39 | |
Oh, wait, | 0:23:39 | 0:23:41 | |
he's called Swansea Jack?! Oh, disaster! | 0:23:41 | 0:23:43 | |
Can I go with Johannesburg Jack, the baboon? | 0:23:45 | 0:23:48 | |
Now, guys, what are you going to go with? | 0:23:49 | 0:23:51 | |
We are going to go, I think, for, was he called | 0:23:51 | 0:23:53 | |
Bloemfontein Jack, the one in the middle? | 0:23:53 | 0:23:55 | |
No, I actually only gave the moniker South African baboon. | 0:23:55 | 0:24:00 | |
Sometimes it pays to listen in this game, that's all I'm saying. | 0:24:01 | 0:24:05 | |
-Baboon? -Baboon, please. | 0:24:05 | 0:24:07 | |
- We're going to go for the baboon. - Well, this is tense, isn't it? | 0:24:07 | 0:24:10 | |
It's the baboon! | 0:24:10 | 0:24:12 | |
This was in South Africa, late 19th century, Jack was a pet baboon, | 0:24:19 | 0:24:23 | |
trained by a signalman, who had been incapacitated. | 0:24:23 | 0:24:26 | |
And, although sceptical, the railway authorities tested him, | 0:24:26 | 0:24:28 | |
and were so impressed by his abilities | 0:24:28 | 0:24:31 | |
that they hired him in 1881, | 0:24:31 | 0:24:32 | |
paid him 20 cents a day, and even gave him an employee number. | 0:24:32 | 0:24:36 | |
It all worked perfectly, | 0:24:36 | 0:24:38 | |
although they never quite got to the bottom | 0:24:38 | 0:24:40 | |
of the missing banana cargo of 1886. | 0:24:40 | 0:24:43 | |
Richard, well done, you win Jack the baboon. | 0:24:45 | 0:24:47 | |
Time to play Finish The Fact. | 0:24:52 | 0:24:54 | |
I'm going to start by reading out a Jack-based gem, | 0:24:54 | 0:24:57 | |
you're going to buzz in when you think you know how it ends. | 0:24:57 | 0:25:00 | |
First up, we've got crazy war hero | 0:25:00 | 0:25:02 | |
Lieutenant Colonel "Mad Jack" Churchill. | 0:25:02 | 0:25:05 | |
Was it buy a round? I like the idea there was a last guy to buy a round. | 0:25:11 | 0:25:14 | |
Everyone was like, "When is Jack going to buy a round?" | 0:25:14 | 0:25:17 | |
-Never happened. -Did you know it was illegal in World War I | 0:25:17 | 0:25:21 | |
-to buy a round? -What?! -It was against the law to buy a round... | 0:25:21 | 0:25:24 | |
You've tried this on me in the pub before. | 0:25:24 | 0:25:27 | |
Lloyd George said there were three threats facing us in Britain - | 0:25:28 | 0:25:31 | |
the Germans, Austria and drink, and the worst of them is drink, | 0:25:31 | 0:25:35 | |
and he thought that the only to win the war was by stopping everyone | 0:25:35 | 0:25:38 | |
drinking, so he brought in the law that you had to buy your own drink. | 0:25:38 | 0:25:40 | |
That is the best but most useless fact you've said on this show. | 0:25:40 | 0:25:44 | |
I love that. | 0:25:44 | 0:25:46 | |
I think I know this one, because we did this on Pointless. | 0:25:47 | 0:25:50 | |
He became the last British soldier | 0:25:50 | 0:25:52 | |
to have a UK top 40 single until James Blunt in 2005. | 0:25:52 | 0:25:55 | |
He was actually the last British soldier to shoot a German officer... | 0:26:00 | 0:26:04 | |
-..was killed. -No. | 0:26:11 | 0:26:13 | |
It'll be something like bagpipes, something like that. | 0:26:16 | 0:26:18 | |
And it IS bagpipes! It is bagpipes. | 0:26:18 | 0:26:20 | |
Beautiful. | 0:26:20 | 0:26:22 | |
And he later stated if it wasn't for those damn Yanks... | 0:26:28 | 0:26:31 | |
Well done, Richard's team. | 0:26:35 | 0:26:37 | |
-That's a refreshing view, isn't it? -Well done. You win the Jack. | 0:26:37 | 0:26:39 | |
Next, we got actor and comedian Jack Lemmon. | 0:26:44 | 0:26:47 | |
Let's have a look at him in all his glory. | 0:26:47 | 0:26:49 | |
Oh, it's Swansea, he was a keen South African. | 0:26:52 | 0:26:54 | |
So, was he late to the hospital or something, | 0:26:57 | 0:27:00 | |
was his mother late on the way? | 0:27:00 | 0:27:01 | |
Yes, but where was he, so he didn't make it to the hospital... | 0:27:01 | 0:27:04 | |
The driveway outside the hospital. | 0:27:04 | 0:27:05 | |
-No. -In a car on the way to the hospital. | 0:27:05 | 0:27:08 | |
-No. -Just before he got in the car on the way to hospital. | 0:27:08 | 0:27:11 | |
On the stairs before he got to the... | 0:27:13 | 0:27:15 | |
-Stairs is close. -Lift. | 0:27:15 | 0:27:17 | |
Yes! A lift, yes. | 0:27:17 | 0:27:19 | |
Fixing a lift. | 0:27:26 | 0:27:28 | |
A crossword. | 0:27:29 | 0:27:31 | |
-Close. -Cards. | 0:27:31 | 0:27:33 | |
It was a game... It was a card game, yes. | 0:27:33 | 0:27:36 | |
His parents were very serious bridge players, | 0:27:36 | 0:27:38 | |
and on the eighth of February 1925, | 0:27:38 | 0:27:40 | |
they were playing together in a highly competitive match in Boston. | 0:27:40 | 0:27:44 | |
Eventually, Jack's father persuaded her to go to hospital, | 0:27:44 | 0:27:47 | |
but on the way to the delivery room they got stuck in a lift. | 0:27:47 | 0:27:49 | |
She knew it was time to go when her waters broke, or as she called it, | 0:27:49 | 0:27:53 | |
a straight flush. | 0:27:53 | 0:27:54 | |
Very well done, Josh's team, you win the Jack. | 0:27:54 | 0:27:58 | |
Lovely Jack Lemmon. | 0:27:58 | 0:27:59 | |
So, we come to the end of the show, | 0:28:01 | 0:28:03 | |
and I can tell you that tonight's winners with the most Jacks, | 0:28:03 | 0:28:06 | |
Richard's team! | 0:28:06 | 0:28:08 | |
APPLAUSE AND CHEERING | 0:28:08 | 0:28:10 | |
- Well done. - Fair play. | 0:28:10 | 0:28:13 | |
Big moment now, Richard, | 0:28:13 | 0:28:15 | |
who are you going to name as your greatest Jack of all time? | 0:28:15 | 0:28:17 | |
I think that, of all the Jacks we've seen, | 0:28:17 | 0:28:20 | |
I think someone who came from an extraordinary family, | 0:28:20 | 0:28:22 | |
made an extraordinary amount of money with her own talent, | 0:28:22 | 0:28:25 | |
and was hated by Barbara Cartland, | 0:28:25 | 0:28:27 | |
I think we'll go for Jackie Collins? | 0:28:27 | 0:28:29 | |
-Yes. -Jackie Collins, please, Sue. | 0:28:29 | 0:28:30 | |
Jackie Collins, a worthy choice. | 0:28:30 | 0:28:33 | |
Jackie Collins goes on the Insert Name Here Hall Of Fame. | 0:28:33 | 0:28:38 | |
Up she goes. And my thanks to all of our guests, | 0:28:38 | 0:28:40 | |
special thanks to all the Jacks here, there and everywhere, | 0:28:40 | 0:28:43 | |
and thanks to you, most of all, at home for watching. Good night. | 0:28:43 | 0:28:47 | |
APPLAUSE AND CHEERING, WHISTLING | 0:28:47 | 0:28:50 |