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APPLAUSE | 0:00:20 | 0:00:25 | |
Hello you! | 0:00:25 | 0:00:27 | |
And welcome to Insert Name Here. | 0:00:27 | 0:00:29 | |
The show where we discover surprising facts about people | 0:00:29 | 0:00:32 | |
with just one thing in common, they've all got the same name. | 0:00:32 | 0:00:34 | |
Joining me, six of my favourite people. | 0:00:34 | 0:00:36 | |
Each differently named, but all equally loved. | 0:00:36 | 0:00:38 | |
Please welcome Suzannah Lipscomb, Adrian Chiles, | 0:00:38 | 0:00:40 | |
and their team captain Josh Widdicombe. | 0:00:40 | 0:00:42 | |
And on the other side, Sara Pascoe, Anita Rani, | 0:00:42 | 0:00:44 | |
and their captain, Richard Osman. | 0:00:44 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:49 | |
Anita, welcome. | 0:00:54 | 0:00:56 | |
-Thank you. -Now, you're our first Anita. | 0:00:56 | 0:00:58 | |
-Yes! -Very first. | 0:00:58 | 0:00:59 | |
How did you get your name? Does it have any meaning? | 0:00:59 | 0:01:01 | |
-Any special reasons? -Well, I love my name, | 0:01:01 | 0:01:03 | |
because it's an international name. | 0:01:03 | 0:01:05 | |
I go to lots of countries and everyone's like, oh, Anita! | 0:01:05 | 0:01:07 | |
Is it Spanish? Is it Italian? Oh, it's Indian. | 0:01:07 | 0:01:09 | |
But it was my dad's brother that called me Anita, | 0:01:09 | 0:01:13 | |
which seems quite radical, great name, uncle, | 0:01:13 | 0:01:15 | |
except I've got two aunts called Sita and Rita. | 0:01:15 | 0:01:18 | |
-So... -LAUGHTER | 0:01:18 | 0:01:20 | |
-Easy! -I know! | 0:01:20 | 0:01:22 | |
And an uncle called Ryvita. | 0:01:22 | 0:01:23 | |
You're right though, it is an international name. | 0:01:24 | 0:01:27 | |
-Yes. -Whereas Sara and Susan, we're stuck with... | 0:01:27 | 0:01:30 | |
We're not very international, our names. | 0:01:30 | 0:01:32 | |
-We're not jetset, are we? -Sara's Arabic. | 0:01:32 | 0:01:34 | |
-Is it? -Yeah, so you're on your own. | 0:01:34 | 0:01:36 | |
-Any history behind your name, Adrian? -Well, my mum's Croatian. | 0:01:39 | 0:01:43 | |
And she married my dad, now living in Birmingham. | 0:01:43 | 0:01:45 | |
And she wanted something that reminded her of Croatia. | 0:01:45 | 0:01:48 | |
And it was the Adriatic Sea I was named after. | 0:01:48 | 0:01:50 | |
Although it was actually the second choice name. | 0:01:50 | 0:01:52 | |
She wanted to call me Igor. | 0:01:52 | 0:01:53 | |
Oh, I wish! | 0:01:56 | 0:01:57 | |
-What could've been. -That would have been amazing. | 0:01:58 | 0:02:00 | |
-Wouldn't it?! -Igor Chiles! | 0:02:00 | 0:02:02 | |
I don't know whether it would have affected your career. | 0:02:02 | 0:02:05 | |
-Well, I don't know. -Have you seen Working Lunch with Igor Chiles? | 0:02:05 | 0:02:08 | |
To the all-important question, now. | 0:02:10 | 0:02:12 | |
And that's which name's going to be featuring tonight? | 0:02:12 | 0:02:14 | |
Well, they hang out with Peter, or swing with Tarzan. | 0:02:14 | 0:02:17 | |
But contrary to popular belief, never plain. | 0:02:17 | 0:02:19 | |
Tonight's name is Jane. | 0:02:19 | 0:02:21 | |
APPLAUSE | 0:02:21 | 0:02:22 | |
So we'll be talking all kinds of Janes. | 0:02:25 | 0:02:27 | |
We've thrown in a few Janets, Janettes, just for good measure. | 0:02:27 | 0:02:29 | |
Along the way, our teams will collect as many Janes as they can. | 0:02:29 | 0:02:32 | |
And at the end of the show the winning team will have the honour of | 0:02:32 | 0:02:35 | |
deciding who is officially the greatest Jane of all time. | 0:02:35 | 0:02:38 | |
Richard, any ideas to who that might be? | 0:02:39 | 0:02:41 | |
Best ever Jane? Well, I was thinking, | 0:02:41 | 0:02:43 | |
when you announced the name, | 0:02:43 | 0:02:44 | |
that Jane Austen would be sitting at home, watching this with a pint. | 0:02:44 | 0:02:47 | |
Just going, "Best Jane? | 0:02:47 | 0:02:48 | |
"Well, I've got this absolutely, I've absolutely got this sorted." | 0:02:48 | 0:02:52 | |
And then, when you said we'll throw in some Janets and Janettes, | 0:02:52 | 0:02:55 | |
she's gone... | 0:02:55 | 0:02:56 | |
Oh, Janette Krankie! | 0:02:56 | 0:02:58 | |
-Suddenly... -She's not on the £10 note though, is she? | 0:02:59 | 0:03:02 | |
I think in Scotland, she is. | 0:03:03 | 0:03:05 | |
Josh, any early thoughts for you? | 0:03:08 | 0:03:09 | |
Well, I like to look for a pattern. | 0:03:09 | 0:03:12 | |
Jane is a good detective name. | 0:03:12 | 0:03:15 | |
-Yes, as in Tennison? -Jane Tennison. | 0:03:15 | 0:03:17 | |
Miss Marple's real name is Jane. | 0:03:17 | 0:03:19 | |
Yes, well remembered, yeah. | 0:03:19 | 0:03:21 | |
-Very good. -That's it. | 0:03:21 | 0:03:22 | |
Thanks for that, Josh. Let's get on with the show. | 0:03:24 | 0:03:26 | |
Time to pick a Jane, any Jane. | 0:03:26 | 0:03:27 | |
Our panellists are going to choose a category. | 0:03:27 | 0:03:29 | |
Behind each one lurks a famous Jane, | 0:03:29 | 0:03:31 | |
which our teams must then attempt to win. | 0:03:31 | 0:03:33 | |
So what have we got? We've got... | 0:03:33 | 0:03:34 | |
So Josh, you're up first. | 0:03:41 | 0:03:42 | |
What are you going to pick out of that one? | 0:03:42 | 0:03:44 | |
I think we'll go with a Classic-y Jane. | 0:03:44 | 0:03:46 | |
It is literary giant and social commentator, Jane Austen. | 0:03:46 | 0:03:50 | |
Let's have a look at the stats. | 0:03:50 | 0:03:51 | |
Jane is one of the literary figures of the 19th century. | 0:04:05 | 0:04:07 | |
Her books have been translated into over 40 languages, | 0:04:07 | 0:04:09 | |
and total sales in the hundreds of millions. | 0:04:09 | 0:04:11 | |
Now Sara, you've adapted an Austen novel for the stage, have you not? | 0:04:11 | 0:04:14 | |
Yes! Pride and Prejudice, I adapted. | 0:04:14 | 0:04:17 | |
-Good experience? -I love it! | 0:04:17 | 0:04:18 | |
Because now I'm never ever writing anything original ever again. | 0:04:18 | 0:04:21 | |
It's so hard to think up stuff. | 0:04:21 | 0:04:24 | |
If you get someone else's really great book, | 0:04:24 | 0:04:26 | |
you just get a thesaurus, change a couple of words and get paid. | 0:04:26 | 0:04:29 | |
My next Edinburgh, I'm going to adapt a Michael McIntyre show. | 0:04:30 | 0:04:33 | |
Jane was born in Steventon, Hampshire, | 0:04:35 | 0:04:37 | |
where her father was Rector. | 0:04:37 | 0:04:39 | |
What did her mother do to Jane when she was just a few months old? | 0:04:39 | 0:04:42 | |
She must've sent her away. | 0:04:42 | 0:04:44 | |
She did indeed send her away, yeah. | 0:04:44 | 0:04:46 | |
And why would they be sent away? | 0:04:46 | 0:04:48 | |
They would send babies away to be breast-fed, | 0:04:48 | 0:04:50 | |
because the aristocracy thought it was a bit disgusting, | 0:04:50 | 0:04:53 | |
a bit unfashionable to breast-feed. | 0:04:53 | 0:04:55 | |
So they'd send them to a poor woman to be a wet nurse. | 0:04:55 | 0:04:58 | |
And they had to choose very carefully, | 0:04:58 | 0:05:00 | |
because a wet nurse was thought to pass on her moral character | 0:05:00 | 0:05:04 | |
to the baby through the milk. | 0:05:04 | 0:05:06 | |
Did Jane Austen's wet nurse ever claim any credit in later life? | 0:05:06 | 0:05:09 | |
Josh, you're a new father, are you tempted? | 0:05:11 | 0:05:13 | |
-Every night. -Yeah, I thought so. | 0:05:13 | 0:05:15 | |
A large part of Jane Austen's education came | 0:05:16 | 0:05:18 | |
from her father's extensive library. | 0:05:18 | 0:05:20 | |
And Jane showed an early flair for language. | 0:05:20 | 0:05:22 | |
As well as being extremely well-read, | 0:05:22 | 0:05:24 | |
she was also talented at Bilbo Catch. | 0:05:24 | 0:05:28 | |
Now, what's Bilbo Catch? | 0:05:28 | 0:05:30 | |
Nothing to do with hobbits. | 0:05:30 | 0:05:32 | |
I was going to say it must be something to do with Josh. | 0:05:32 | 0:05:34 | |
Ha, ha. Is it a game? | 0:05:35 | 0:05:38 | |
-It is a game. -Is Bilbo going to be something to do with books, | 0:05:38 | 0:05:41 | |
because of biblio-? | 0:05:41 | 0:05:42 | |
RICHARD GASPS | 0:05:42 | 0:05:43 | |
-No, but that would be very clever. -That's good. -That's very good. | 0:05:43 | 0:05:46 | |
That's sort of overwhelmingly clever, Josh. | 0:05:46 | 0:05:48 | |
-I know. -What's happened to you?! -I know! | 0:05:48 | 0:05:50 | |
You know what I could have done without | 0:05:50 | 0:05:52 | |
is Richard doing an intake of breath when I said something clever. | 0:05:52 | 0:05:54 | |
I'm just very proud, it's very... | 0:05:56 | 0:05:57 | |
That 18 months we sent you away have really worked. | 0:05:59 | 0:06:01 | |
Basically, it's an old-fashioned version game of cup and ball. | 0:06:03 | 0:06:06 | |
-So that's essentially, let's have a look... -Oh, I'd love that. | 0:06:06 | 0:06:09 | |
By the way, it is one of the few sports still available on the BBC, | 0:06:09 | 0:06:12 | |
so let's keep it free to air. Keep it free to air. | 0:06:12 | 0:06:15 | |
Famously, she never married, | 0:06:15 | 0:06:17 | |
although she was engaged to a young man called Harris Bigg-Wither. | 0:06:17 | 0:06:20 | |
There he is. How long did that engagement last? | 0:06:20 | 0:06:23 | |
Until he died of strangulation from his own collar? | 0:06:23 | 0:06:26 | |
-A day. -Exactly right, a day. | 0:06:28 | 0:06:31 | |
Oh! | 0:06:31 | 0:06:32 | |
Intake of breath please, Richard. | 0:06:32 | 0:06:34 | |
No, that's guessing, I know you can do that. | 0:06:34 | 0:06:36 | |
One Austen biography describes him as... | 0:06:37 | 0:06:39 | |
But, on the plus side... | 0:06:47 | 0:06:48 | |
There wasn't a plus side, sadly. | 0:06:49 | 0:06:50 | |
Needless to say, | 0:06:50 | 0:06:51 | |
manners and etiquette play a hugely important part in Austen's work, | 0:06:51 | 0:06:54 | |
and she was an expert in all areas of social behaviour, | 0:06:54 | 0:06:57 | |
so I'm going to test both teams on their ability | 0:06:57 | 0:06:59 | |
to understand the manners of the Regency period. | 0:06:59 | 0:07:01 | |
We're going to play our very own calling card etiquette. | 0:07:01 | 0:07:04 | |
DELICATE PIANO JINGLE | 0:07:04 | 0:07:05 | |
Welcome. LAUGHTER | 0:07:08 | 0:07:09 | |
What was the ideal length in the Regency period of a morning visit? | 0:07:09 | 0:07:14 | |
45 minutes? | 0:07:14 | 0:07:16 | |
-Less than that. -20 minutes. | 0:07:16 | 0:07:18 | |
Between 20 and 30 minutes, yeah. | 0:07:18 | 0:07:21 | |
You know, part of the reason is because if you drank tea, | 0:07:21 | 0:07:23 | |
you'd need to go to the toilet, | 0:07:23 | 0:07:24 | |
but you couldn't go to the toilet in their house. | 0:07:24 | 0:07:26 | |
So much of it is about urinating. | 0:07:26 | 0:07:28 | |
And if you're out of the house as a woman, | 0:07:28 | 0:07:30 | |
there's nowhere for you to go, | 0:07:30 | 0:07:31 | |
-because there weren't any public toilets for women. -No. | 0:07:31 | 0:07:33 | |
So you always, if you were drinking something, you had to get home. | 0:07:33 | 0:07:36 | |
But also, Homes Under The Hammer's about to start, so... | 0:07:36 | 0:07:38 | |
So much of this is like living within an Indian world now, though. | 0:07:40 | 0:07:44 | |
There's so much formal etiquette | 0:07:44 | 0:07:46 | |
that when people come round to your house, | 0:07:46 | 0:07:48 | |
you've just got to be ever ready. | 0:07:48 | 0:07:49 | |
Like, my mum packed me off to university, saying, | 0:07:49 | 0:07:52 | |
always have potato and onion and garlic in the house, | 0:07:52 | 0:07:55 | |
in case someone turns up and you need to cook something. | 0:07:55 | 0:07:57 | |
So if I'd gone to uni with you, I'd come round, | 0:07:57 | 0:07:59 | |
you'd have made me garlicky, oniony potatoes? | 0:07:59 | 0:08:02 | |
I actually made all my friends by cooking at university, | 0:08:02 | 0:08:05 | |
because all students were like, we want to be your mate, | 0:08:05 | 0:08:08 | |
because you've got the garlicky potato thing going on. | 0:08:08 | 0:08:10 | |
All right, when would a morning visit take place? | 0:08:11 | 0:08:14 | |
When someone died. | 0:08:14 | 0:08:15 | |
In the afternoon? | 0:08:17 | 0:08:18 | |
Yes. Morning visits took place in the afternoon, | 0:08:18 | 0:08:21 | |
and then they could go back, in time for a stultifying evening at home. | 0:08:21 | 0:08:25 | |
If you're paying a morning visit, and someone else appears, | 0:08:25 | 0:08:28 | |
a second caller, what should you do? | 0:08:28 | 0:08:29 | |
-Leave. -Immediately. | 0:08:29 | 0:08:31 | |
-Immediately, yeah. -Who, the second person? | 0:08:31 | 0:08:33 | |
No, the first person needs to skedaddle ASAP. | 0:08:33 | 0:08:36 | |
Only because the second person's Steve, and, oh... | 0:08:36 | 0:08:38 | |
I can't bear Steve. | 0:08:38 | 0:08:39 | |
-Life was shit before the smartphone, wasn't it? -Really shit. | 0:08:40 | 0:08:44 | |
They were mental in the olden times, weren't they? | 0:08:45 | 0:08:47 | |
When did the olden times start, and when did they end, as an historian? | 0:08:47 | 0:08:51 | |
Well, we have the Olden Times, | 0:08:51 | 0:08:53 | |
going from about 500 BC up until 600 AD, | 0:08:53 | 0:08:58 | |
and then we move into the Olden Days... | 0:08:58 | 0:09:00 | |
LAUGHTER AND APPLAUSE | 0:09:00 | 0:09:01 | |
Time to play for the Jane. | 0:09:05 | 0:09:07 | |
Now clearly we couldn't discuss Jane Austen without touching on Mr Darcy, | 0:09:07 | 0:09:11 | |
and the 1995 adaptation of Pride and Prejudice. | 0:09:11 | 0:09:13 | |
It starred the wonderful Jennifer Ehle and Colin Firth, | 0:09:13 | 0:09:16 | |
and, most notably, that scene. | 0:09:16 | 0:09:19 | |
After the success of the BBC version of Pride and Prejudice, | 0:09:19 | 0:09:22 | |
there was an increase in what Jane Austen-related activity? | 0:09:22 | 0:09:26 | |
Arranged marriages. | 0:09:26 | 0:09:27 | |
Nope. A bit fruity, a little bit fruity. | 0:09:29 | 0:09:32 | |
Pineapple. | 0:09:32 | 0:09:33 | |
-That's very fruity. -Oh, so something less fruity than pineapple, | 0:09:34 | 0:09:37 | |
so like a pineapple... Oh, Lilt! | 0:09:37 | 0:09:39 | |
You know, role-play, dressing up as Darcy. Corsets. | 0:09:43 | 0:09:46 | |
You're very, very close, not role-play, but... | 0:09:46 | 0:09:49 | |
Sexy writing? | 0:09:49 | 0:09:51 | |
-"Sexy writing." -Sexy writing! | 0:09:51 | 0:09:52 | |
I couldn't think what it was called. | 0:09:55 | 0:09:57 | |
-Sexy writing. -Do you call pornography sexy pictures? | 0:09:57 | 0:10:00 | |
Sexy writing, it was. | 0:10:01 | 0:10:02 | |
According to the New York Times, all sorts of fan-written erotica | 0:10:02 | 0:10:05 | |
was published, with titles such as, "Spank Me, Mr Darcy", | 0:10:05 | 0:10:07 | |
"Seducing Mr Darcy", along with "Sense and Sexuality". | 0:10:07 | 0:10:10 | |
Oh, dear. Here's an extract | 0:10:10 | 0:10:12 | |
from "Pride and Penetration" by Virginia Wade... | 0:10:12 | 0:10:15 | |
-Virginia Wade?! -Not the tennis player. | 0:10:16 | 0:10:18 | |
But then another visitor arrived, and I had to leave immediately. | 0:10:34 | 0:10:37 | |
LAUGHTER AND APPLAUSE | 0:10:37 | 0:10:38 | |
Well done, Josh's team, you get the Jane. | 0:10:40 | 0:10:42 | |
All right, Richard, it's now your turn to pick a Jane. | 0:10:44 | 0:10:46 | |
Could we have an Icy Jane, please? | 0:10:49 | 0:10:51 | |
Well, you've picked champion ice skater, | 0:10:51 | 0:10:53 | |
and one half of Torvill and Dean, | 0:10:53 | 0:10:55 | |
Jane Torvill. | 0:10:55 | 0:10:56 | |
Let's have a look at her stats. | 0:10:56 | 0:10:58 | |
So Jane was born in 1957, | 0:11:13 | 0:11:15 | |
found success initially with another dance partner, | 0:11:15 | 0:11:17 | |
Michael Hutchinson, | 0:11:17 | 0:11:18 | |
and then as an individual skater. | 0:11:18 | 0:11:20 | |
There she is. Not quite as amazing as it looks. | 0:11:20 | 0:11:23 | |
Her dad ran a key-cutting stall. | 0:11:23 | 0:11:25 | |
So that is one hell of a trophy haul. | 0:11:27 | 0:11:29 | |
Now, has anybody else been given a surprise gift or prize? | 0:11:29 | 0:11:34 | |
I actually got the best present ever | 0:11:34 | 0:11:36 | |
at the wrap party for a show I was doing, where the producer, | 0:11:36 | 0:11:39 | |
she'd noticed that I've got a slight obsession with descaling kettles. | 0:11:39 | 0:11:43 | |
I love descaling kettles. | 0:11:43 | 0:11:44 | |
This came out of nowhere. | 0:11:47 | 0:11:48 | |
The kettle in the dressing room... | 0:11:48 | 0:11:50 | |
..I bought some descaler, and I just love watching things descale, | 0:11:51 | 0:11:53 | |
then they're all shiny. | 0:11:53 | 0:11:55 | |
And, honestly, for the wrap party, she found, | 0:11:55 | 0:11:58 | |
she sourced, you know, a big urn for boiling water, | 0:11:58 | 0:12:01 | |
an ancient one, | 0:12:01 | 0:12:03 | |
incredibly scaled. | 0:12:03 | 0:12:04 | |
Bought me 12 bottles of descaler. | 0:12:06 | 0:12:08 | |
I'm not kidding, it was a Saturday night, I think West Brom had lost, | 0:12:08 | 0:12:11 | |
and I thought, "Oh, no, I don't care, I'm going home," | 0:12:11 | 0:12:13 | |
I've put the urn on the side, filled it with boiling water. | 0:12:13 | 0:12:16 | |
It was filthy, this urn, it was so scaled, it was that thick. | 0:12:16 | 0:12:19 | |
I put 12 bottles of scaler in when it boiled, | 0:12:19 | 0:12:22 | |
and just literally watched it sizzle for two hours, | 0:12:22 | 0:12:25 | |
and it was gleaming. | 0:12:25 | 0:12:27 | |
I wasn't expecting that, I won't lie. | 0:12:27 | 0:12:29 | |
So the main thing we all know about Jane | 0:12:30 | 0:12:32 | |
is that she and Christopher Dean stormed to Olympic gold in Sarajevo | 0:12:32 | 0:12:35 | |
in 1984 with a record number of perfect scores from the judges. | 0:12:35 | 0:12:39 | |
What unexpected side-effect is their win thought to have had? | 0:12:39 | 0:12:42 | |
Babies, more babies? | 0:12:42 | 0:12:44 | |
-I don't know. -It wasn't more babies, but... | 0:12:44 | 0:12:46 | |
Oh, were they called Torvill or Dean? | 0:12:46 | 0:12:47 | |
No, they'd have been called, sorry, Jane or Christopher. | 0:12:47 | 0:12:50 | |
There were lots of Christophers born, | 0:12:52 | 0:12:54 | |
so Christopher became the most popular name for boys | 0:12:54 | 0:12:56 | |
born in England and Wales that year, which was '84. | 0:12:56 | 0:12:58 | |
Jane, meanwhile, came in at number 86, | 0:12:58 | 0:13:01 | |
beaten by Bolero, which came in at 85. | 0:13:01 | 0:13:04 | |
Why will their scoring record never be beaten? | 0:13:05 | 0:13:08 | |
Well, I presume they've changed the scoring system. | 0:13:08 | 0:13:10 | |
They have changed the scoring system, absolutely. | 0:13:10 | 0:13:13 | |
In 2002, there were claims of fixing, | 0:13:13 | 0:13:15 | |
and as a result they changed it. | 0:13:15 | 0:13:17 | |
Here's the official line on the new system. | 0:13:17 | 0:13:18 | |
So I hope that's cleared that up. | 0:13:33 | 0:13:35 | |
To me, that's honestly interesting. | 0:13:36 | 0:13:38 | |
-I love all that sort of thing. -Do you? -Yeah, yeah. | 0:13:38 | 0:13:41 | |
You see, for me it's just reminded me I need to trim my mean. | 0:13:41 | 0:13:43 | |
Torvill and Dean, known for their passionate performances. | 0:13:46 | 0:13:49 | |
Obviously there's been a lot of rumour about the two of them, | 0:13:49 | 0:13:51 | |
did they, didn't they? | 0:13:51 | 0:13:52 | |
The general public couldn't believe that two people | 0:13:52 | 0:13:54 | |
who danced so intimately with each other weren't having sex. | 0:13:54 | 0:13:57 | |
It's what's known as Strictly's Law. | 0:13:57 | 0:13:59 | |
On Valentine's Day 1984, | 0:14:01 | 0:14:02 | |
Torvill and Dean took the world by storm | 0:14:02 | 0:14:05 | |
with their iconic Bolero routine at the Winter Olympics. | 0:14:05 | 0:14:07 | |
24 million people in the UK tuned in to watch, | 0:14:07 | 0:14:09 | |
as the couple received a standing ovation from the audience, | 0:14:09 | 0:14:12 | |
and every judge gave them full marks for artistic impression. | 0:14:12 | 0:14:15 | |
That's a big TV audience, Suzannah, | 0:14:15 | 0:14:17 | |
is that up there with the greats? | 0:14:17 | 0:14:19 | |
I think the biggest ever was for 1966, the World Cup, | 0:14:19 | 0:14:22 | |
England defeating West Germany. | 0:14:22 | 0:14:24 | |
It was something like 32 million. | 0:14:24 | 0:14:26 | |
No, it was 4-2. | 0:14:26 | 0:14:27 | |
But in terms of TV broadcasts, | 0:14:30 | 0:14:32 | |
so you've got 1966 in the '60s, | 0:14:32 | 0:14:34 | |
in the '70s, it was Apollo 13. | 0:14:34 | 0:14:36 | |
What did Den and Angie, wasn't that one of the big ones? | 0:14:36 | 0:14:39 | |
I think it was 28 million, Den and Ange. | 0:14:39 | 0:14:41 | |
The biggest ever terrestrial TV audience. | 0:14:41 | 0:14:42 | |
-Was it? -Mm. -Oh, you're such a nerd, I love it. | 0:14:42 | 0:14:44 | |
-What did they do? -Well, they were dancing on ice... | 0:14:44 | 0:14:47 | |
It was when Den gave Angie the divorce papers on EastEnders. | 0:14:49 | 0:14:52 | |
-That was it? -Yeah, I don't want to give it... | 0:14:52 | 0:14:54 | |
Listen, if you haven't got that far through the series, | 0:14:54 | 0:14:56 | |
I'm sorry to have spoiled it for you... | 0:14:56 | 0:14:59 | |
In 2006, they joined the line-up of Dancing on Ice, | 0:14:59 | 0:15:01 | |
and once more took the world by storm. | 0:15:01 | 0:15:03 | |
Their main job on Dancing on Ice was to train celebrities, | 0:15:03 | 0:15:06 | |
with, let's be honest, mixed results. | 0:15:06 | 0:15:08 | |
Now I'm sure you've seen this clip, but... | 0:15:08 | 0:15:10 | |
-Is it Todd Carty? -I'm going to play it again. -Oh, yes. | 0:15:10 | 0:15:12 | |
I think we all need to see it. Enjoy. | 0:15:12 | 0:15:15 | |
# Help me get my feet back on the ground | 0:15:15 | 0:15:22 | |
# Won't you please, please help me | 0:15:23 | 0:15:27 | |
# Help me, help me! # | 0:15:27 | 0:15:31 | |
LAUGHTER AND APPLAUSE | 0:15:34 | 0:15:35 | |
Oh, my goodness, that is, honestly, if I'm ever on Dancing on Ice, | 0:15:36 | 0:15:39 | |
then you will not believe the size of my tax bill. | 0:15:39 | 0:15:42 | |
All right, time to play for the Jane. | 0:15:44 | 0:15:46 | |
Torvill and Dean have been commemorated in many ways, | 0:15:46 | 0:15:49 | |
but how are they commemorated in their hometown of Nottingham? | 0:15:49 | 0:15:53 | |
They've got trams named after them. | 0:15:53 | 0:15:54 | |
-Not trams. -Buses. | 0:15:54 | 0:15:56 | |
-No. -Trains. | 0:15:56 | 0:15:57 | |
-No. -A mode of transport. | 0:15:57 | 0:15:58 | |
Not a mode of transport. LAUGHTER | 0:15:58 | 0:16:00 | |
Is it a building of some sort? | 0:16:00 | 0:16:01 | |
Not a building, it's even more expansive than that. | 0:16:01 | 0:16:04 | |
-Roads? -I'll give you that, yes, | 0:16:04 | 0:16:06 | |
it's got an estate with road names in it such as Dean Close, | 0:16:06 | 0:16:09 | |
Christopher Close, Torvill Drive, | 0:16:09 | 0:16:12 | |
Jane Close and Bolero Close. | 0:16:12 | 0:16:14 | |
And there it is on the map. | 0:16:14 | 0:16:16 | |
And there's They Were Definitely Doing It Crescent. | 0:16:16 | 0:16:18 | |
Congratulations, Richard's team, you win the Jane. | 0:16:20 | 0:16:22 | |
-Oh, great. Well done, Richard. -APPLAUSE | 0:16:22 | 0:16:24 | |
-All right, Joshy, your turn. -Please can we have a Wild West-y Jane? | 0:16:26 | 0:16:31 | |
It's Wild West legend, hard-living, hard-drinking, | 0:16:31 | 0:16:34 | |
hard-as-nails frontiers woman, Calamity Jane, | 0:16:34 | 0:16:36 | |
portrayed here by Doris Day. | 0:16:36 | 0:16:38 | |
Let's look at her stats. | 0:16:38 | 0:16:40 | |
Calamity Jane was a self-proclaimed legend of the American West | 0:16:51 | 0:16:53 | |
at the end of the 19th century, | 0:16:53 | 0:16:55 | |
of course best-known thanks to the eponymous 1953 musical. | 0:16:55 | 0:16:58 | |
Now, Doris Day's depiction wasn't particularly true to life. | 0:16:58 | 0:17:02 | |
Here's Doris Day, | 0:17:02 | 0:17:03 | |
and here's the real Calamity Jane. | 0:17:03 | 0:17:05 | |
-Oh, wow... -LAUGHTER | 0:17:05 | 0:17:06 | |
1876, Jane wound up in the town of Deadwood, South Dakota. | 0:17:08 | 0:17:13 | |
-Why do people go there? -Gold. | 0:17:13 | 0:17:15 | |
Yes, there was a gold rush. | 0:17:15 | 0:17:17 | |
People will do anything for gold. | 0:17:17 | 0:17:19 | |
Apart from go to Channel 4. | 0:17:19 | 0:17:20 | |
LAUGHTER | 0:17:21 | 0:17:22 | |
APPLAUSE | 0:17:22 | 0:17:25 | |
It's a pyrrhic victory, lads, don't applaud it, pyrrhic victory. | 0:17:25 | 0:17:28 | |
The land belonged to the Native American people until 1874, | 0:17:28 | 0:17:33 | |
when gold was found in Deadwood Gulch, | 0:17:33 | 0:17:35 | |
and a frenzy for gold digging started. | 0:17:35 | 0:17:36 | |
The year Jane arrived, 1.5 million worth of gold was mined. | 0:17:36 | 0:17:42 | |
So presumably the population just swelled in these towns? | 0:17:42 | 0:17:45 | |
Yeah, but the thing is, actually, it was all a hype. | 0:17:45 | 0:17:48 | |
Most of the people who got rich during the gold rush | 0:17:48 | 0:17:51 | |
didn't get rich from digging at all. | 0:17:51 | 0:17:52 | |
Basically, there's a guy called Sam Brannan, | 0:17:52 | 0:17:54 | |
who was a good example. | 0:17:54 | 0:17:55 | |
He owned the only mining supply shop between San Francisco | 0:17:55 | 0:18:00 | |
and some mining fields, so in the late 1840s, | 0:18:00 | 0:18:02 | |
he went out into the streets of San Francisco, | 0:18:02 | 0:18:04 | |
and said that gold had been discovered, | 0:18:04 | 0:18:06 | |
and he bought a sort of bottle of gold dust along, | 0:18:06 | 0:18:08 | |
but what he'd done is he bought up every pickaxe and pan and shovel | 0:18:08 | 0:18:12 | |
in the local vicinity, | 0:18:12 | 0:18:13 | |
and so everybody rushed to try and find gold, | 0:18:13 | 0:18:16 | |
and he'd bought, you know, the pan for, sort of, 20 cents or something, | 0:18:16 | 0:18:19 | |
and he sold it for 15, | 0:18:19 | 0:18:20 | |
so he made an absolute killing. | 0:18:20 | 0:18:22 | |
He was the first millionaire of the gold rush. | 0:18:22 | 0:18:24 | |
But it's people like that who were making the money, | 0:18:24 | 0:18:26 | |
-not the actual gold-diggers. -Enterprising, smart. | 0:18:26 | 0:18:28 | |
-Love that. -Good. -And around 1899, | 0:18:28 | 0:18:31 | |
Calamity Jane started performing | 0:18:31 | 0:18:32 | |
in the increasingly popular Wild West shows, | 0:18:32 | 0:18:34 | |
the biggest of which was Buffalo Bill's. | 0:18:34 | 0:18:36 | |
Now does anybody know what her act entailed? | 0:18:36 | 0:18:38 | |
I think I know something about her, but it might not be right. | 0:18:38 | 0:18:42 | |
So did she shoot things off people? | 0:18:42 | 0:18:44 | |
-Mainly, she would just tell fabricated stories. -OK... | 0:18:44 | 0:18:48 | |
She was just sort of a boozy raconteur... | 0:18:48 | 0:18:50 | |
Imagine, I suppose, like a female Gyles Brandreth on horseback. | 0:18:50 | 0:18:53 | |
All right, listen, it is time to play for the Jane. | 0:18:56 | 0:18:59 | |
Now obviously the most recent depiction of Calamity Jane | 0:18:59 | 0:19:01 | |
is on the television series, Deadwood. | 0:19:01 | 0:19:03 | |
The programme was known for its huge amount of swearing, | 0:19:03 | 0:19:05 | |
the F-word was uttered 43 times in the first hour. | 0:19:05 | 0:19:09 | |
Now in fact that would not have been a typical swearword of the time, | 0:19:09 | 0:19:11 | |
they used words which have now largely disappeared from use, | 0:19:11 | 0:19:14 | |
so your question is, | 0:19:14 | 0:19:15 | |
which of these is not a Wild Western swearword? | 0:19:15 | 0:19:19 | |
Well, Crempog, that was a signature bake, wasn't it, one week, on... | 0:19:24 | 0:19:27 | |
You're looking for the ones that sounds slightly biblical, | 0:19:31 | 0:19:33 | |
and the rest of them, they're all, for me... | 0:19:33 | 0:19:36 | |
We're going to say that Crempog is not a real swearword. | 0:19:36 | 0:19:38 | |
You're saying that Crempog is not a real swearword? | 0:19:38 | 0:19:40 | |
-Josh's team, what do you reckon? -I think you're onto something there, | 0:19:40 | 0:19:43 | |
I think it's ones where they've taken, like, Jesus, or damn, | 0:19:43 | 0:19:46 | |
or whatever, and they've made it, like, dang, | 0:19:46 | 0:19:47 | |
and tried to make it more acceptable. | 0:19:47 | 0:19:49 | |
What are you going to plump for? | 0:19:49 | 0:19:51 | |
I think we're going to go with Blam-Jam. | 0:19:51 | 0:19:53 | |
Let's have a look. | 0:19:53 | 0:19:54 | |
Absolutely right, Richard. Well done. Bravo. | 0:19:54 | 0:19:57 | |
APPLAUSE | 0:19:57 | 0:19:59 | |
I'll tell you what, | 0:20:02 | 0:20:04 | |
even better, you were on the money, | 0:20:04 | 0:20:06 | |
it is something that could potentially have featured | 0:20:06 | 0:20:08 | |
in the technical challenge of Bake Off, it's a Welsh pancake. | 0:20:08 | 0:20:11 | |
-No! -It's a kind of Welsh pancake. -Wow. | 0:20:11 | 0:20:14 | |
Well done, and dang my melt, because Richard's team, | 0:20:14 | 0:20:17 | |
you win the dodgasted, blam-jam Jane. | 0:20:17 | 0:20:19 | |
Well done. | 0:20:19 | 0:20:20 | |
APPLAUSE | 0:20:20 | 0:20:21 | |
Time now to fire up our Jane-flavoured fruit machine, | 0:20:25 | 0:20:28 | |
so each time I spin, up are going to pop three of my favourite Janes. | 0:20:28 | 0:20:30 | |
Our teams must match | 0:20:30 | 0:20:31 | |
the extraordinary fact to the extraordinary Jane, | 0:20:31 | 0:20:33 | |
and a chance to unearth more candidates | 0:20:33 | 0:20:36 | |
for the greatest Jane of all time. | 0:20:36 | 0:20:37 | |
So, let's spin. | 0:20:37 | 0:20:38 | |
First up we've got Frasier star, Jane Leeves, | 0:20:38 | 0:20:41 | |
work-out wonder, Jane Fonda, | 0:20:41 | 0:20:44 | |
and Little Voice star, Jane Horrocks. | 0:20:44 | 0:20:46 | |
The question is: | 0:20:46 | 0:20:47 | |
which Jane was wrongly arrested for drug smuggling? | 0:20:47 | 0:20:50 | |
That implies that two of them were rightly... | 0:20:50 | 0:20:53 | |
What do you think? Maybe Jane Fonda, maybe, because, you know, she was, | 0:20:56 | 0:20:58 | |
the authorities didn't like her at all in the States, as well, | 0:20:58 | 0:21:01 | |
-so maybe... -Oh, OK, so that would be a reason to... | 0:21:01 | 0:21:03 | |
So I wonder if maybe she was fitted up... | 0:21:03 | 0:21:05 | |
-Yeah. -Yeah. -Possible, shall we try that? -Yeah, let's do it. | 0:21:05 | 0:21:07 | |
OK. We'll go with Jane Fonda, please. | 0:21:07 | 0:21:09 | |
You're going to go with Jane Fonda. Josh's team? | 0:21:09 | 0:21:11 | |
Jane Horrocks, who is amazing, | 0:21:11 | 0:21:14 | |
-absolutely brilliant... -Absolutely Fabulous, I'd say. | 0:21:14 | 0:21:16 | |
Absolutely Fabulous! | 0:21:16 | 0:21:18 | |
I don't think it's going to be Jane Horrocks. | 0:21:18 | 0:21:21 | |
Jane Leeves was, for a number of years, | 0:21:21 | 0:21:24 | |
the best paid British actress in the world, wasn't she? | 0:21:24 | 0:21:26 | |
-Oh, was she? -Yeah. -Yeah. Did you know she used to be | 0:21:26 | 0:21:28 | |
-a Benny Hill girl? -Oh, but if Jane Leeves was a Benny Hill girl, | 0:21:28 | 0:21:31 | |
-maybe she has, like... -What, she went running through, going... | 0:21:31 | 0:21:34 | |
HUMS BENNY HILL THEME | 0:21:34 | 0:21:35 | |
Let's go with when she was a Benny Hill girl, | 0:21:37 | 0:21:39 | |
she ran through customs to a comedy tune, and got caught. | 0:21:39 | 0:21:43 | |
-Jane Leeves. -Jane Leeves, it is. | 0:21:43 | 0:21:45 | |
All right, let's see the answer. | 0:21:45 | 0:21:46 | |
-Oh... -Well done, Richard's team, Jane Fonda, | 0:21:46 | 0:21:49 | |
arrested at Cleveland airport in 1970. | 0:21:49 | 0:21:52 | |
Customs officers thought the pills she was carrying, | 0:21:52 | 0:21:54 | |
which were labelled B, L and D, were drugs. | 0:21:54 | 0:21:57 | |
But in fact they were vitamins, | 0:21:57 | 0:21:59 | |
and the labels stood simply for breakfast, lunch and dinner. | 0:21:59 | 0:22:02 | |
But well done, Richard, you win the Jane. | 0:22:03 | 0:22:05 | |
APPLAUSE | 0:22:05 | 0:22:06 | |
So let's spin again. We've got: | 0:22:09 | 0:22:11 | |
actor, and Je T'Aime singer, Jane Birkin, | 0:22:11 | 0:22:14 | |
cruise ship singer, Jane McDonald, | 0:22:14 | 0:22:17 | |
and one half of the Krankies... | 0:22:17 | 0:22:18 | |
LAUGHTER | 0:22:18 | 0:22:20 | |
-There's my girl, Janette Krankie. -Finally! | 0:22:20 | 0:22:22 | |
Who was once swept across the English Channel | 0:22:24 | 0:22:27 | |
while having sex? | 0:22:27 | 0:22:28 | |
My initial thought is Janette Krankie. | 0:22:28 | 0:22:31 | |
They released an autobiography, and there was lots of, kind of, | 0:22:31 | 0:22:34 | |
sexual confessions, wasn't there? | 0:22:34 | 0:22:36 | |
-The Krankies. -Why are you looking at everyone like we've read it? | 0:22:36 | 0:22:38 | |
LAUGHTER | 0:22:38 | 0:22:39 | |
You're on your own here, Josh. | 0:22:39 | 0:22:41 | |
"Hey, I'm not the only one that's fascinated with the sex life | 0:22:41 | 0:22:43 | |
"of the Krankies, am I? Guys, guys?!" | 0:22:43 | 0:22:46 | |
Who is the first one, the singer, because I don't know her. | 0:22:46 | 0:22:48 | |
Jane Birkin, who sang Je T'Aime. | 0:22:48 | 0:22:50 | |
Get them to answer, because I have some information about Jane Birkin, | 0:22:50 | 0:22:53 | |
which might become apposite. | 0:22:53 | 0:22:55 | |
Oh, did she like doing it at sea? | 0:22:55 | 0:22:56 | |
Maybe she does, maybe she doesn't. | 0:22:56 | 0:22:58 | |
OK, let's go for Jane Birkin. | 0:22:58 | 0:23:00 | |
We're not falling for that, that's the oldest trick in the book. | 0:23:00 | 0:23:03 | |
We definitely have to go with the Krankie. | 0:23:03 | 0:23:05 | |
I think Jane McDonald is too obvious, because she works on boats. | 0:23:05 | 0:23:09 | |
Jane Birkin... | 0:23:09 | 0:23:10 | |
Sings about sex, and is French... | 0:23:10 | 0:23:12 | |
-Krankie. -Krankie, it is. | 0:23:13 | 0:23:14 | |
OK, Richard's team, now you've got some pertinent information on... | 0:23:14 | 0:23:17 | |
Oh, well, no, only the information we had here, which is, | 0:23:17 | 0:23:19 | |
you know, she had a career which was between England and France. | 0:23:19 | 0:23:22 | |
Oh, you acted like you had gossip. | 0:23:22 | 0:23:23 | |
I genuinely love the thought, because, | 0:23:25 | 0:23:27 | |
honestly, the Krankies, growing up, were a huge deal. | 0:23:27 | 0:23:29 | |
It is so amazing to think of this life | 0:23:29 | 0:23:31 | |
that they had behind the scenes. | 0:23:31 | 0:23:33 | |
It's like when you hear behind-the-scenes stories | 0:23:33 | 0:23:35 | |
of Swap Shop. They blow your mind. | 0:23:35 | 0:23:37 | |
Why don't you guys try and make the backstage a bit livelier here? | 0:23:37 | 0:23:39 | |
Well, if I tell you now, | 0:23:42 | 0:23:43 | |
we have a kettle, and we have... | 0:23:43 | 0:23:45 | |
Come round to mine, ladies. | 0:23:46 | 0:23:48 | |
But Jane McDonald, well, the sort of person who would be working... | 0:23:49 | 0:23:52 | |
Yes, or maybe met up with someone on a yacht. | 0:23:52 | 0:23:55 | |
-Or a P&O ferry. -Or a li-lo. Oh... | 0:23:55 | 0:23:57 | |
-A li-lo! -So shall we say Jane McDonald? | 0:23:58 | 0:24:00 | |
-I think so, yes. -Yep. We're going to go Jane McDonald, Sue. | 0:24:00 | 0:24:03 | |
You're going to go for Jane McDonald, | 0:24:03 | 0:24:05 | |
-let's see the right answer. -Oh... -It's wee Janette. | 0:24:05 | 0:24:07 | |
Janette said... | 0:24:11 | 0:24:12 | |
Talk about being blown across the Channel. | 0:24:20 | 0:24:22 | |
Well done, Josh's team, you win the Jane. | 0:24:27 | 0:24:30 | |
APPLAUSE | 0:24:30 | 0:24:31 | |
Right everybody, let's play Finish The Fact. | 0:24:33 | 0:24:35 | |
I'm going to start by reading out a Jane based gem, | 0:24:35 | 0:24:37 | |
and you buzz in when you think you know how it ends. | 0:24:37 | 0:24:39 | |
First up, we've got actor and former Bond girl, Jane Seymour. | 0:24:39 | 0:24:42 | |
He was a method actor. | 0:24:49 | 0:24:50 | |
He wanted to see more? | 0:24:53 | 0:24:54 | |
Oh! | 0:24:55 | 0:24:57 | |
I loved you in Doctor Quinn, Medicine Woman. | 0:24:57 | 0:24:59 | |
Did he tell her the Arsenal score even though he knew she was... | 0:25:01 | 0:25:03 | |
LAUGHTER | 0:25:03 | 0:25:05 | |
Go easy on my golden balls. | 0:25:06 | 0:25:08 | |
Sorry, I don't have an answer | 0:25:09 | 0:25:11 | |
but she is the only actor to play a Bond girl | 0:25:11 | 0:25:13 | |
whose name actually sounds like a Bond girl. | 0:25:13 | 0:25:15 | |
-Oh, yeah. -Yes. | 0:25:15 | 0:25:16 | |
Jane Seymour. You could have that as a Bond girl... | 0:25:16 | 0:25:18 | |
-You certainly could, yeah. -Only James Bond who sounds like... | 0:25:18 | 0:25:21 | |
Oh, yeah, he had the same name all the time. | 0:25:21 | 0:25:23 | |
He could also be a Bond girl, Roger Moore. | 0:25:23 | 0:25:25 | |
Yeah, Roger Moore, yeah, it's perfect. | 0:25:25 | 0:25:27 | |
-He could be a Bond girl. -Roger Moore and Jane Seymour! | 0:25:27 | 0:25:30 | |
Just from experience, put on Lynx Africa. | 0:25:41 | 0:25:43 | |
Was it eat a bag of pickled onion Monster Munch? | 0:25:47 | 0:25:50 | |
I'm going to give it to you cos you said it. It's liver and onions. | 0:25:50 | 0:25:52 | |
Liver and onions. | 0:25:52 | 0:25:54 | |
But well done, Josh's team, | 0:25:54 | 0:25:56 | |
you win the Jane. | 0:25:56 | 0:25:57 | |
APPLAUSE | 0:25:57 | 0:25:58 | |
Right, next we've got third wife of Henry VIII, Jane Seymour. | 0:26:01 | 0:26:05 | |
According to legend... | 0:26:05 | 0:26:06 | |
Tower of London gift shop. | 0:26:11 | 0:26:13 | |
Santander 123 savings account. | 0:26:15 | 0:26:17 | |
No, something she wore, wore around her neck. | 0:26:20 | 0:26:23 | |
-A locket? -A locket, indeed. | 0:26:23 | 0:26:25 | |
Containing a portrait of Henry VIII... | 0:26:25 | 0:26:27 | |
..did what? | 0:26:28 | 0:26:29 | |
Took it to Cash For Gold. | 0:26:29 | 0:26:31 | |
Sucked the locket until she got to the sweet. | 0:26:33 | 0:26:35 | |
The nice honey bit. | 0:26:37 | 0:26:39 | |
-Lost her head. -GROANS | 0:26:39 | 0:26:40 | |
Too soon. | 0:26:41 | 0:26:42 | |
I think this was an apocryphal story, | 0:26:47 | 0:26:48 | |
-is that right, Suzannah? -Yeah... | 0:26:48 | 0:26:50 | |
I'd say it's bollocks, yeah. | 0:26:50 | 0:26:51 | |
It takes a historian to give the proper context. | 0:26:53 | 0:26:55 | |
That's your book, isn't it? Bollocks In The Olden Days. | 0:26:57 | 0:26:59 | |
It should sell really well. | 0:27:00 | 0:27:02 | |
I think this is something that was written down about 100 years later | 0:27:03 | 0:27:06 | |
and even the person who writes it down, says, | 0:27:06 | 0:27:08 | |
oh, it's a traditional story, so it's hearsay. | 0:27:08 | 0:27:10 | |
But things that are true about Jane is that she was described by | 0:27:10 | 0:27:14 | |
the Spanish ambassador as being a woman who was not of great wit | 0:27:14 | 0:27:18 | |
and not of great beauty, and haughty and rather proud, so... | 0:27:18 | 0:27:22 | |
He still tweets me as well. | 0:27:22 | 0:27:24 | |
Sadly no-one wins the Jane, | 0:27:27 | 0:27:28 | |
and we've come to the end of the show, | 0:27:28 | 0:27:30 | |
and I can tell you that tonight's winners, | 0:27:30 | 0:27:32 | |
with the most Janes, | 0:27:32 | 0:27:34 | |
Richard's team. | 0:27:34 | 0:27:35 | |
APPLAUSE | 0:27:35 | 0:27:39 | |
Listen, big moment for you, Richard. | 0:27:43 | 0:27:44 | |
Who are you going to name as the greatest Jane of all time? | 0:27:44 | 0:27:47 | |
Well, I think that there'd be three different opinions | 0:27:47 | 0:27:49 | |
amongst the three members of my team so I would go Janette Krankie, | 0:27:49 | 0:27:52 | |
even more so after everything we've heard. | 0:27:52 | 0:27:54 | |
I would assume Jane Austen, I think. | 0:27:55 | 0:27:56 | |
Bear in mind, no, no, bear in mind everything I've heard this evening, | 0:27:56 | 0:27:59 | |
I had not really heard of the Krankies before tonight, | 0:27:59 | 0:28:01 | |
and the more I hear, the more I like them. | 0:28:01 | 0:28:03 | |
I thought I was going to be the only one supporting the Krankies | 0:28:05 | 0:28:07 | |
-in this thing. -You thought we were going to help you out of it. -I... | 0:28:07 | 0:28:10 | |
No, I have to make an executive decision | 0:28:10 | 0:28:12 | |
and say that history would judge us if we say Janette Krankie | 0:28:12 | 0:28:14 | |
over Jane Austen. Listen, I love Fan Dabi Dozi, | 0:28:14 | 0:28:16 | |
but you know, I think Pride And Prejudice in some ways | 0:28:16 | 0:28:19 | |
will endure further. | 0:28:19 | 0:28:20 | |
I think, maybe, so I think we should put Jane Austen into | 0:28:23 | 0:28:26 | |
-the Hall Of Fame. -Well, a very worthy choice. | 0:28:26 | 0:28:30 | |
Up she goes. | 0:28:30 | 0:28:31 | |
I hereby declare Jane Austin is the best Jane of all time. | 0:28:31 | 0:28:34 | |
APPLAUSE | 0:28:34 | 0:28:36 | |
Thanks to all of our guests, | 0:28:36 | 0:28:38 | |
special thanks to all the Janes here, there, and everywhere, | 0:28:38 | 0:28:40 | |
but most of all, thanks to you at home for watching us. | 0:28:40 | 0:28:42 | |
Good night. | 0:28:42 | 0:28:43 | |
CHEERING AND APPLAUSE | 0:28:43 | 0:28:45 |