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Hello and welcome to Insert Name Here, the show where we discover | 0:00:24 | 0:00:27 | |
surprising facts about people with just one thing in common - | 0:00:27 | 0:00:31 | |
they've all got the same name. | 0:00:31 | 0:00:34 | |
Joining me, six of my favourite people | 0:00:34 | 0:00:35 | |
and indeed six of my favourite names. | 0:00:35 | 0:00:37 | |
Please welcome Kate Williams, Miles Jupp, | 0:00:37 | 0:00:39 | |
with their team captain Josh Widdicombe. | 0:00:39 | 0:00:41 | |
And on the other side, Sally Phillips, Roisin Conaty | 0:00:41 | 0:00:43 | |
and their captain Richard Osman. | 0:00:43 | 0:00:45 | |
Welcome. | 0:00:48 | 0:00:49 | |
Now, Miles, where does the name Jupp come from? | 0:00:53 | 0:00:57 | |
Does that hail from anywhere august? | 0:00:57 | 0:00:59 | |
Well, I thought it did. | 0:00:59 | 0:01:01 | |
I thought for a long time Jupp was a Belgian name and the reason | 0:01:01 | 0:01:03 | |
I thought it was a Belgian name is because I'd said to my father, | 0:01:03 | 0:01:06 | |
"Where does our strange name come from? | 0:01:06 | 0:01:08 | |
And he said, "It's a Belgian name, | 0:01:08 | 0:01:10 | |
Jupps were Huguenots and they were expelled from Belgium." | 0:01:10 | 0:01:13 | |
And a few years later, I was talking to a radio producer. | 0:01:13 | 0:01:16 | |
He said, "We should make a documentary about something. | 0:01:16 | 0:01:18 | |
"Where is your name from?" I said, "Oh, that's interesting. | 0:01:18 | 0:01:20 | |
"It's a Belgian name. The Huguenots were expelled from Belgium." | 0:01:20 | 0:01:23 | |
He said, "Right, well, let's do a show about that. | 0:01:23 | 0:01:25 | |
"Why don't we do a thing where you go to Belgium | 0:01:25 | 0:01:27 | |
"and you can do a stand-up gig | 0:01:27 | 0:01:29 | |
"in the area where you were expelled from." | 0:01:29 | 0:01:32 | |
"Yeah, OK, let's do that." So he pitched it, | 0:01:32 | 0:01:34 | |
it got commissioned and I had it in the diary... | 0:01:34 | 0:01:37 | |
Sorry. It got commissioned?! | 0:01:37 | 0:01:40 | |
This is radio, not telly. | 0:01:40 | 0:01:41 | |
It did. For whatever reason, | 0:01:44 | 0:01:45 | |
it got commissioned and then, a few weeks before we went, | 0:01:45 | 0:01:47 | |
I rang my dad and I said, | 0:01:47 | 0:01:49 | |
"We are doing a documentary, by the way, about our family | 0:01:49 | 0:01:51 | |
"and I just need the name of the village we were expelled from." | 0:01:51 | 0:01:54 | |
He said, "Fine. I'll just ring my cousins. | 0:01:54 | 0:01:56 | |
"They know all this sort of stuff." | 0:01:56 | 0:01:57 | |
And he rang me about half an hour later and went, "Yes, um... | 0:01:57 | 0:02:00 | |
"Nobody else thinks this. | 0:02:01 | 0:02:03 | |
"Um..." | 0:02:03 | 0:02:05 | |
Well, it turns out there were no Huguenots in Belgium anyway. | 0:02:05 | 0:02:09 | |
No. They were French. | 0:02:09 | 0:02:10 | |
Nor is Jupp a Huguenot name. | 0:02:10 | 0:02:12 | |
So the whole thing was wrong on many levels. | 0:02:12 | 0:02:14 | |
So I ended up making a slightly different documentary | 0:02:14 | 0:02:16 | |
about not being Belgian. | 0:02:16 | 0:02:17 | |
Which, I mean... Which almost anybody could have pitched, | 0:02:17 | 0:02:20 | |
of course. | 0:02:20 | 0:02:21 | |
We are going to get now to the important question - | 0:02:22 | 0:02:25 | |
which name is going to be featuring tonight? | 0:02:25 | 0:02:27 | |
Well, let me put you out of your misery. It's an all-time favourite. | 0:02:27 | 0:02:30 | |
They can be rotten, they can be good, they can be long, | 0:02:30 | 0:02:32 | |
they can be little, because tonight's name is John. | 0:02:32 | 0:02:35 | |
APPLAUSE | 0:02:35 | 0:02:36 | |
So, any thoughts, Josh, | 0:02:39 | 0:02:41 | |
about your greatest John? | 0:02:41 | 0:02:44 | |
O'Groats? | 0:02:44 | 0:02:45 | |
He's the most northerly John. | 0:02:46 | 0:02:49 | |
He is the most northerly John. | 0:02:49 | 0:02:51 | |
Yeah, I'd go musical. | 0:02:51 | 0:02:53 | |
John Lennon. Or the rapper John Barnes. | 0:02:53 | 0:02:56 | |
-Oh! -The Anfield rapper. | 0:02:56 | 0:02:59 | |
The Anfield rapper, yeah. | 0:02:59 | 0:03:01 | |
He was one of the forerunners in the rap movement, John Barnes. | 0:03:01 | 0:03:04 | |
Richard, how about you? What John would you go for? | 0:03:04 | 0:03:06 | |
-Best John of all time. -I'll make a brief observation first, | 0:03:06 | 0:03:09 | |
which is a lot of Johns set up shops. | 0:03:09 | 0:03:13 | |
So you've got John Sainsbury set up a shop, | 0:03:13 | 0:03:15 | |
John Lewis set up a shop... | 0:03:15 | 0:03:17 | |
-Yes. -..and Sir John Poundland also set up a shop. | 0:03:17 | 0:03:21 | |
But I think I will also go for music and go for the one that Josh forgot, | 0:03:21 | 0:03:25 | |
which is John Grimes. | 0:03:25 | 0:03:28 | |
John Grimes? | 0:03:28 | 0:03:29 | |
Yeah, John Grimes. | 0:03:32 | 0:03:33 | |
-Who is John Grimes? -He is the J out of Jedward. | 0:03:33 | 0:03:36 | |
-He's Edward Grimes' brother. -Oh! | 0:03:36 | 0:03:39 | |
Don't you look a fool. | 0:03:42 | 0:03:43 | |
I do. | 0:03:43 | 0:03:45 | |
Right, let's get on with the show. Time to pick a John, any John. | 0:03:45 | 0:03:48 | |
Our panellists are going to choose a category, | 0:03:48 | 0:03:50 | |
behind which lurks a famous face, which our teams must then attempt to win. | 0:03:50 | 0:03:53 | |
So, we have got... | 0:03:53 | 0:03:54 | |
So, Josh, your team goes first. What would you like to pick? | 0:04:00 | 0:04:02 | |
-I think we'll go with a wild John. -Wild, you've picked. | 0:04:02 | 0:04:05 | |
Well, you've picked heavy-metal legend John "Ozzy" Osbourne. | 0:04:05 | 0:04:09 | |
There he is. Let's have a look at the stats. | 0:04:09 | 0:04:11 | |
Yes, it's heavy-metal icon Ozzy Osbourne, | 0:04:21 | 0:04:24 | |
who rose to prominence in the early '70s as the lead vocalist of Black Sabbath. | 0:04:24 | 0:04:27 | |
And if he's watching, | 0:04:27 | 0:04:28 | |
much of his life story coming up will be news to him also. | 0:04:28 | 0:04:31 | |
Before turning 18, Ozzy was arrested for burglary | 0:04:33 | 0:04:35 | |
and sentenced to three months in prison, but why did he get caught? | 0:04:35 | 0:04:38 | |
What mistake did he make? | 0:04:38 | 0:04:40 | |
Stealing? | 0:04:40 | 0:04:42 | |
Morally, you are absolutely right. | 0:04:43 | 0:04:45 | |
-Which is a sin. -Exactly. | 0:04:45 | 0:04:46 | |
Let's start at the top. | 0:04:46 | 0:04:47 | |
-He was stealing. -Maybe did all of the sins. | 0:04:47 | 0:04:49 | |
Maybe he got bogged down and got... | 0:04:49 | 0:04:51 | |
Got bogged down with gluttony. For hours. | 0:04:51 | 0:04:54 | |
There were some burglars when I was growing up in the West Midlands, | 0:04:54 | 0:04:57 | |
they got caught because they had such a great time burgling this | 0:04:57 | 0:05:00 | |
house and then they sat down and had a bowl of cornflakes each. | 0:05:00 | 0:05:03 | |
-That can't be true! -They left the bowl of cornflakes unfinished | 0:05:03 | 0:05:07 | |
in the kitchen and ran out, | 0:05:07 | 0:05:09 | |
so they were caught by their DNA on a bowl of cornflakes. | 0:05:09 | 0:05:12 | |
-DNA?! -It all sounds a bit Three Bears, this, doesn't it? | 0:05:12 | 0:05:15 | |
When you're stealing, what would you try and cover up to avoid DNA? | 0:05:18 | 0:05:22 | |
-Boobs. -Footprints. | 0:05:22 | 0:05:23 | |
-Boobs?! -Sorry, I answered before you got to the end of your sentence. | 0:05:23 | 0:05:27 | |
Of course, you would want to cover your boobs, yes. | 0:05:31 | 0:05:33 | |
Not going to be going topless to a burglary, Roisin. | 0:05:33 | 0:05:36 | |
I would... If I was going to burgle, I would go, | 0:05:36 | 0:05:39 | |
so you don't need many clothes, naked burgling is the way to do it. | 0:05:39 | 0:05:42 | |
-But you'd cover your boobs. -Gaffer the boobs up? | 0:05:42 | 0:05:46 | |
-Strap them in. -Yeah. | 0:05:46 | 0:05:47 | |
And then... | 0:05:47 | 0:05:49 | |
And just leave the old fud out because that doesn't matter. | 0:05:49 | 0:05:52 | |
Have you made up a word? | 0:05:54 | 0:05:57 | |
No. It's my preferred iteration, yeah. | 0:05:57 | 0:06:00 | |
-Fud. -I think naked burgling could catch on. | 0:06:00 | 0:06:03 | |
-I think... -He didn't burgle naked! | 0:06:03 | 0:06:05 | |
-He just didn't... -If he had, he wouldn't have got caught. | 0:06:06 | 0:06:09 | |
We've established that. | 0:06:09 | 0:06:11 | |
Naked burgling is a documentary | 0:06:11 | 0:06:13 | |
that Miles has just got commissioned for Radio 4. | 0:06:13 | 0:06:16 | |
About me not being a naked burglar. | 0:06:16 | 0:06:19 | |
When I was growing up, I was always told I used to be a naked burglar. | 0:06:19 | 0:06:23 | |
We are all out, aren't we? All out of our homes tonight. | 0:06:24 | 0:06:28 | |
Although this is going out in January, | 0:06:31 | 0:06:33 | |
so it would take a time-travelling burglar. | 0:06:33 | 0:06:35 | |
I would like to be clear, I'm at home and I'm holding a baseball bat. | 0:06:35 | 0:06:38 | |
I'm now wearing a Belgium top and I've got my fud out. | 0:06:40 | 0:06:42 | |
So... | 0:06:45 | 0:06:47 | |
No, you know how they wear gloves, like most burglars wear gloves? | 0:06:47 | 0:06:51 | |
Well, Ozzy's thumb was missing on his gloves. | 0:06:51 | 0:06:54 | |
And so he left his fingerprints. | 0:06:54 | 0:06:56 | |
-That's what he did. -We had our car broken into and we rang the police and they... | 0:06:56 | 0:07:00 | |
-What do you call it? Fingerprinted... -Dusted. | 0:07:00 | 0:07:02 | |
Dusted, yeah, they dusted the car for about two hours. | 0:07:02 | 0:07:05 | |
And I said, "It's not like telly, is it?" | 0:07:05 | 0:07:08 | |
She said, "No, it's not really like CSI. | 0:07:08 | 0:07:11 | |
"I tell you what it a tiny bit like, | 0:07:11 | 0:07:13 | |
"those documentaries about the police on Five." | 0:07:13 | 0:07:16 | |
Ozzy's musical journey began when he placed an ad | 0:07:18 | 0:07:21 | |
in a local music shop | 0:07:21 | 0:07:22 | |
that said, "Ozzy Zig needs gig." | 0:07:22 | 0:07:25 | |
And several people answered, | 0:07:25 | 0:07:27 | |
including Tony Iommi, who had been in the year | 0:07:27 | 0:07:29 | |
above him at school. There they are. | 0:07:29 | 0:07:31 | |
Ozzy not getting the 'tache memo. | 0:07:31 | 0:07:33 | |
Anybody here been in a band? Anybody got any musical connections? | 0:07:35 | 0:07:38 | |
I was asked to audition for a band and I failed the audition. | 0:07:38 | 0:07:43 | |
-What were you auditioning for? -Well... -Hear'Say. | 0:07:43 | 0:07:46 | |
When I was growing up in Stourbridge, | 0:07:46 | 0:07:49 | |
the big bands were the Wonder Stuff and Ned's Atomic Dustbin and | 0:07:49 | 0:07:52 | |
Pop Will Eat Itself, and a man came up to me in a nightclub in | 0:07:52 | 0:07:55 | |
-Birmingham... -Oh, dear. | 0:07:55 | 0:07:57 | |
He said "Ned's Atomic Dustbin are looking for tambourine players." | 0:07:57 | 0:08:00 | |
LAUGHTER | 0:08:00 | 0:08:02 | |
That old line! | 0:08:06 | 0:08:07 | |
"We've looked high and low. | 0:08:07 | 0:08:10 | |
"Resorted to the clubs." | 0:08:10 | 0:08:12 | |
Just going and asking strangers. | 0:08:13 | 0:08:16 | |
So me and my friend, we went... | 0:08:16 | 0:08:18 | |
-This man said... -Oh, God. | 0:08:18 | 0:08:19 | |
-"Meet us in McDonald's." -Meet you in McDonald's?! | 0:08:19 | 0:08:22 | |
Imagine you are sat next... Having your Big Mac. | 0:08:22 | 0:08:25 | |
You are already in your lowest point you can go. | 0:08:25 | 0:08:28 | |
"Come off it, mate. You're not going to shake a tambourine in here." | 0:08:28 | 0:08:33 | |
Imagine being in McDonald's | 0:08:34 | 0:08:35 | |
and you're eating and there's a queue of 20 girls | 0:08:35 | 0:08:38 | |
with big hair, holding tambourines. | 0:08:38 | 0:08:40 | |
There is someone sitting at home now in Birmingham saying, | 0:08:40 | 0:08:43 | |
"I told you that happened. I told you." | 0:08:43 | 0:08:47 | |
Yeah, of course, because this was the days before iPhones or anything. | 0:08:47 | 0:08:51 | |
So this guy just beat out some songs. | 0:08:51 | 0:08:53 | |
Excuse me. | 0:08:57 | 0:08:58 | |
I did think... I did think the story was going to end up with a guy beating off. | 0:08:58 | 0:09:02 | |
You know what? It is gutting, though, | 0:09:02 | 0:09:04 | |
when you see how famous the eventual tambourine player | 0:09:04 | 0:09:07 | |
in Ned's Atomic Dustbin became. | 0:09:07 | 0:09:09 | |
What an opportunity you missed. | 0:09:09 | 0:09:10 | |
-I would have been great. -These dreams do come true, don't they? | 0:09:10 | 0:09:13 | |
When Bez turned up to that ridiculous maraca audition in a Burger King, | 0:09:13 | 0:09:17 | |
he had no idea what lay ahead. | 0:09:18 | 0:09:20 | |
It's well-known that Sharon and Ozzy had many battles, | 0:09:21 | 0:09:24 | |
mainly to do with his drinking. | 0:09:24 | 0:09:25 | |
Once Sharon took Ozzy to meet with the head of CBS in Germany. | 0:09:25 | 0:09:29 | |
Ozzy was fairly intoxicated and decided to lighten the mood, as you do. | 0:09:29 | 0:09:33 | |
The next morning, he thought that what he'd done was a striptease, | 0:09:33 | 0:09:37 | |
followed by playfully kissing the executive. | 0:09:37 | 0:09:40 | |
What had he actually done? | 0:09:40 | 0:09:41 | |
The clue is, it's in Germany. | 0:09:43 | 0:09:45 | |
He invaded Poland? | 0:09:45 | 0:09:47 | |
He did a Nazi goose step up and down the table | 0:09:50 | 0:09:53 | |
before dipping his vesicles in the German executive's wine | 0:09:53 | 0:09:57 | |
and then, and only then, urinating in it. | 0:09:57 | 0:09:59 | |
So close, Ozzy. | 0:10:02 | 0:10:04 | |
Did it work? Is that how one gets a commission? | 0:10:04 | 0:10:07 | |
Don't know. Miles? | 0:10:07 | 0:10:09 | |
Yes. Sadly... | 0:10:09 | 0:10:11 | |
Sadly for radio, yeah. | 0:10:11 | 0:10:13 | |
That is how I got this gig. | 0:10:14 | 0:10:16 | |
Just the casual dip of a fud... | 0:10:18 | 0:10:20 | |
..into... | 0:10:20 | 0:10:21 | |
..I think it was a Chianti. | 0:10:21 | 0:10:22 | |
The vagina cannot tell. | 0:10:23 | 0:10:25 | |
What a beautiful name for an autobiography that would be. | 0:10:27 | 0:10:31 | |
My lips are sealed. | 0:10:31 | 0:10:33 | |
So, 1982, in Texas, | 0:10:40 | 0:10:42 | |
Sharon took all Ozzy's clothes from the hotel room to stop him drinking. | 0:10:42 | 0:10:47 | |
-What did Ozzy do? -I know this. | 0:10:47 | 0:10:49 | |
-Do you? -He put on her dress and went down to the bar, didn't he? | 0:10:49 | 0:10:53 | |
He did. He absolutely did. | 0:10:53 | 0:10:56 | |
Of course, wearing a dress makes it so much easier to dip your testicles | 0:10:56 | 0:10:59 | |
in someone's wine. | 0:10:59 | 0:11:01 | |
Does anybody know how many times it took Ozzy to pass | 0:11:01 | 0:11:04 | |
-his driving test? -14. | 0:11:04 | 0:11:06 | |
-Higher. -99. | 0:11:06 | 0:11:08 | |
Lower. | 0:11:08 | 0:11:09 | |
-61. -It was actually 19 times. | 0:11:10 | 0:11:14 | |
In one of his tests, he actually fell asleep in the middle of it. | 0:11:14 | 0:11:17 | |
When he woke up, the examiner had gone. | 0:11:18 | 0:11:21 | |
And so he left a note on the seat saying, "You have failed." | 0:11:21 | 0:11:24 | |
It's time now for the John/Ozzy. | 0:11:27 | 0:11:29 | |
When Motley Crue opened for Osborne's Bark at the Moon tour in 1984, | 0:11:29 | 0:11:34 | |
there was an incident involving ants. | 0:11:34 | 0:11:37 | |
So, for the John, can you tell me what happened? | 0:11:37 | 0:11:39 | |
I reckon... I'm sure... | 0:11:39 | 0:11:41 | |
Is it something like, something had melted, something sweet, | 0:11:41 | 0:11:44 | |
and that meant there was a line of ants making their way across | 0:11:44 | 0:11:48 | |
next to a swimming pool or something and he snorted a line of ants. | 0:11:48 | 0:11:50 | |
He did indeed snort a line of ants. | 0:11:50 | 0:11:54 | |
Well done. Yeah. | 0:11:54 | 0:11:56 | |
People will applaud, but they are just so horrified. | 0:11:56 | 0:11:59 | |
Let me complete the picture for you. | 0:11:59 | 0:12:01 | |
He did in fact snort a line of ants with a straw, | 0:12:01 | 0:12:03 | |
then urinated on the floor and licked it up... | 0:12:03 | 0:12:06 | |
..before the waitress said, "Have you ever eaten at a Harvester before?" | 0:12:08 | 0:12:12 | |
Congratulations, you get the John. | 0:12:13 | 0:12:16 | |
Good stuff, Miles. | 0:12:18 | 0:12:20 | |
My word. Richard, your turn next. | 0:12:21 | 0:12:24 | |
Pick a John. You have got to choose from... | 0:12:24 | 0:12:26 | |
-I think bad John. -I'm happy with that. | 0:12:30 | 0:12:32 | |
-Happy with bad John? -We'll go for big bad John, please. | 0:12:32 | 0:12:35 | |
All right, let's do it. You have picked... | 0:12:35 | 0:12:38 | |
Magna Carta signer King John. | 0:12:38 | 0:12:41 | |
Let's look at the stats. | 0:12:41 | 0:12:42 | |
John was born in 1166, the youngest son of Henry II. | 0:12:57 | 0:13:00 | |
Why was he named John Lackland? | 0:13:00 | 0:13:03 | |
Is that because it was his dad's surname? | 0:13:03 | 0:13:05 | |
Is it because he didn't have any land? | 0:13:05 | 0:13:07 | |
It is as prosaic as that, yes. | 0:13:07 | 0:13:09 | |
He didn't have any land at all. | 0:13:09 | 0:13:12 | |
The dad divided up the inheritance between his elder brothers. | 0:13:12 | 0:13:15 | |
Any of you have any nicknames growing up? | 0:13:15 | 0:13:17 | |
Yeah, my nickname was Richard Lack Scalextric. | 0:13:17 | 0:13:20 | |
The worst thing now is you're going to get sent so many Scalextrics... | 0:13:23 | 0:13:26 | |
-IRONICALLY: -Oh, no. | 0:13:26 | 0:13:28 | |
At the age of 18, John was made Lord of Ireland and was sent there | 0:13:31 | 0:13:34 | |
to make sure everyone was still loyal to the King. | 0:13:34 | 0:13:37 | |
When he arrived, him and his retinue | 0:13:37 | 0:13:39 | |
were met by a number of Irish leaders. | 0:13:39 | 0:13:40 | |
How is he said to have reacted to them? | 0:13:40 | 0:13:43 | |
Oh, did he...put his balls in their wine? | 0:13:43 | 0:13:45 | |
Oh, no, he didn't slag off B*Witched, did he? | 0:13:47 | 0:13:49 | |
Worse than that. He had a dig at Andrea Corr. | 0:13:49 | 0:13:52 | |
They were furious. | 0:13:52 | 0:13:53 | |
-Absolutely furious. -Of all the Corrs to have a go at. | 0:13:53 | 0:13:56 | |
-Jim Corr. -Jim, just for being there. | 0:13:56 | 0:13:58 | |
-Poor Jim! -Do you know what Jim is up to now? | 0:13:58 | 0:14:01 | |
He's a conspiracy theorist. | 0:14:01 | 0:14:03 | |
Yeah, he thinks 9/11 was an inside job, Jim Corr. | 0:14:03 | 0:14:05 | |
Keep it light, anyway. | 0:14:05 | 0:14:07 | |
Oh, I met the drummer from Curiosity Killed The Cat. | 0:14:09 | 0:14:11 | |
-Did you? -He makes conspiracy theory videos. | 0:14:11 | 0:14:13 | |
-Yeah. -Do they need a tambourinist? | 0:14:13 | 0:14:16 | |
I think this is going to be... | 0:14:16 | 0:14:18 | |
..a bit of beard pulling? | 0:14:18 | 0:14:20 | |
Yes, that's not an euphemism. | 0:14:20 | 0:14:21 | |
He did. He laughed at them and he pulled their beards. | 0:14:21 | 0:14:24 | |
Basically straight out of the Boris Johnson playbook. | 0:14:24 | 0:14:27 | |
And it's disrespectful or is it nice? | 0:14:28 | 0:14:30 | |
I quite enjoy it, it's nice, isn't it? It's pleasant. | 0:14:30 | 0:14:32 | |
Unbelievably pleasant. | 0:14:32 | 0:14:35 | |
Stay with us. Stay with us. | 0:14:35 | 0:14:36 | |
No, but I don't... It reminds me of the stressful period I had | 0:14:36 | 0:14:39 | |
when I was a child and I was lured to a branch | 0:14:39 | 0:14:42 | |
of Costa Coffee to have an accordion audition for Shed Seven. | 0:14:42 | 0:14:45 | |
John gained a very bad reputation by constantly raising taxes | 0:14:50 | 0:14:53 | |
and treating his subjects very poorly. | 0:14:53 | 0:14:55 | |
And his popularity was further damaged by his penchant | 0:14:55 | 0:14:57 | |
for having loads of lovers. | 0:14:57 | 0:14:58 | |
When his own wife, however, Isabella, took a lover, | 0:14:58 | 0:15:01 | |
-what did he do? -Was he pretty cool about it? | 0:15:01 | 0:15:03 | |
Well, I think he was the opposite of cool about it. | 0:15:03 | 0:15:05 | |
-OK. -So much so that what he did, | 0:15:05 | 0:15:07 | |
he had the lover killed and his corpse strung up... | 0:15:07 | 0:15:10 | |
-The bed. -..over her side of the bed. | 0:15:10 | 0:15:12 | |
Not just painful for her psychologically, | 0:15:12 | 0:15:15 | |
but it also completely blocked her reading light. | 0:15:15 | 0:15:18 | |
-So, she was in bed... -He said, "You've got to be in bed with me." | 0:15:18 | 0:15:21 | |
And then just dangled, sort of like that, over her. | 0:15:21 | 0:15:24 | |
How did he do that? | 0:15:24 | 0:15:26 | |
Are you taking notes? | 0:15:26 | 0:15:29 | |
It's time to play for the John. | 0:15:31 | 0:15:34 | |
Now, it's said John believed his prospects for getting to heaven were | 0:15:34 | 0:15:36 | |
limited. So, what did he do to try and increase his chances? | 0:15:36 | 0:15:40 | |
-Money related. -It's not money related. | 0:15:42 | 0:15:45 | |
He didn't try and buy his way into heaven. | 0:15:45 | 0:15:46 | |
Did he try to lead a better life? | 0:15:46 | 0:15:48 | |
No. He wasn't interested in that either. | 0:15:48 | 0:15:50 | |
It was more superficial than that. | 0:15:50 | 0:15:52 | |
Hurry through the stages of Purgatory, that was his vision. | 0:15:52 | 0:15:55 | |
-Oh, no, no... -Faster... | 0:15:55 | 0:15:56 | |
Did he dress as an angel in the hope that he could just kind of sneak in? | 0:15:56 | 0:15:59 | |
Do you know what? I'll give you that. | 0:15:59 | 0:16:00 | |
He dressed as a monk in the hope he would sneak in. Well done. | 0:16:00 | 0:16:04 | |
You win the John. | 0:16:05 | 0:16:08 | |
Right, Josh, your turn. | 0:16:11 | 0:16:12 | |
Pick a John. You've got a choice | 0:16:12 | 0:16:14 | |
of piratical John or TV John remaining. | 0:16:14 | 0:16:16 | |
TV John, please. | 0:16:16 | 0:16:17 | |
TV John for you. | 0:16:17 | 0:16:19 | |
It's the reason we are all here tonight. | 0:16:19 | 0:16:21 | |
TV pioneer John Logie Baird. | 0:16:21 | 0:16:24 | |
So, let's look at the stats. | 0:16:24 | 0:16:25 | |
John Logie Baird was born in 1888 in Helensburgh, | 0:16:36 | 0:16:38 | |
Dunbartonshire, Scotland, | 0:16:38 | 0:16:40 | |
the youngest of four children of the parish vicar. | 0:16:40 | 0:16:43 | |
Of course, the main thing we know is that he was one of the first people | 0:16:43 | 0:16:46 | |
to demonstrate the working television. | 0:16:46 | 0:16:48 | |
Or, as he originally called it, the televiser. | 0:16:48 | 0:16:50 | |
Who was the very first face on the televiser? | 0:16:50 | 0:16:53 | |
Was it Clarkson? | 0:16:53 | 0:16:54 | |
Wasn't it his own face? | 0:16:58 | 0:16:59 | |
Not his own face. No, no, no. | 0:16:59 | 0:17:01 | |
It was a wooden puppet. | 0:17:01 | 0:17:03 | |
It was. It was a ventriloquist's dummy. Called Stookie Bill. | 0:17:03 | 0:17:06 | |
Here he is. Gosh. | 0:17:07 | 0:17:09 | |
George Galloway. | 0:17:09 | 0:17:10 | |
It was... So much heat was generated from the light that John Logie Baird | 0:17:13 | 0:17:17 | |
couldn't use real people, so he used Stookie Bill instead. | 0:17:17 | 0:17:21 | |
I should say at this point Baird was a serial inventor. | 0:17:21 | 0:17:23 | |
He tried his hand at everything and anything. | 0:17:23 | 0:17:25 | |
Presumably part of the Victorian sensibility, Kate, | 0:17:25 | 0:17:27 | |
that people would just, | 0:17:27 | 0:17:29 | |
creative people would just want to fire inventions out willy-nilly | 0:17:29 | 0:17:32 | |
-and patents and all sorts. -Yeah, the Victorians didn't stop. | 0:17:32 | 0:17:34 | |
Because I think they were trying to go against the lazy Georgians. | 0:17:34 | 0:17:37 | |
"I'm just going to..." The Victorians, they had to write more, | 0:17:37 | 0:17:40 | |
they had to do more. So you have all these mad, crazy inventors. | 0:17:40 | 0:17:43 | |
I mean, he wanted to make blow-up shoes, if you had flat feet. | 0:17:43 | 0:17:46 | |
That is one of his ideas. | 0:17:46 | 0:17:47 | |
Blow-up shoes? | 0:17:49 | 0:17:50 | |
Blow-up shoes for the flat-footed. | 0:17:50 | 0:17:51 | |
I went out with a girl who had them and she popped her clogs. | 0:17:51 | 0:17:54 | |
GROANS AND LAUGHTER | 0:17:54 | 0:17:55 | |
And for that, "You know nothing, Richard," | 0:18:00 | 0:18:03 | |
I'm going to give you a bonus John there. | 0:18:03 | 0:18:05 | |
-There you go. You know what? -I'd love it, but it's a true story, | 0:18:05 | 0:18:08 | |
-it's very sad. -Back in England, | 0:18:08 | 0:18:10 | |
Baird concentrated on perfecting his idea for transmitting moving | 0:18:10 | 0:18:13 | |
pictures, working on his prototype televiser. | 0:18:13 | 0:18:16 | |
Here it is. In 1926, | 0:18:16 | 0:18:18 | |
Baird first demonstrated his televiser to 40 members of the Royal | 0:18:18 | 0:18:21 | |
Institute in Soho. | 0:18:21 | 0:18:23 | |
According to Baird, it all went well, | 0:18:23 | 0:18:25 | |
except for one incident involving an elderly gentleman, | 0:18:25 | 0:18:27 | |
who'd volunteered to have his image transmitted. | 0:18:27 | 0:18:29 | |
-Does anybody know what happened to him? -His eyeballs were burnt. | 0:18:29 | 0:18:33 | |
-It's close. -Was it like in Charlie And The Chocolate Factory, | 0:18:33 | 0:18:36 | |
where Mike Teavee got shrunk and went very, very tiny? | 0:18:36 | 0:18:39 | |
He did get... A bit of him did get sucked in. | 0:18:39 | 0:18:41 | |
-Oh! -Beard. -Exactly that. | 0:18:41 | 0:18:44 | |
His beard got sucked... He had a long, white beard. | 0:18:44 | 0:18:46 | |
You gave me a slight clue by going, "A bit of him got sucked in." | 0:18:46 | 0:18:51 | |
So, yes, his long white beard | 0:18:51 | 0:18:53 | |
and it blew into the wheel of the mechanism. | 0:18:53 | 0:18:57 | |
And according to Baird, he escaped | 0:18:57 | 0:18:58 | |
with the loss of a certain amount of hair. | 0:18:58 | 0:19:01 | |
Sounds like the most painful encounter on TV, | 0:19:01 | 0:19:03 | |
up until Len Goodman's Partners In Rhyme came along. | 0:19:03 | 0:19:06 | |
It should be said that Baird was not working in isolation. | 0:19:06 | 0:19:10 | |
There were rival inventors and Baird spent the next decade | 0:19:10 | 0:19:12 | |
trying to get the BBC and Lord Reith to use the system. | 0:19:12 | 0:19:15 | |
There's Lord Reith. A man who... | 0:19:15 | 0:19:17 | |
Ooh, he looks like he enjoys a laugh, that one. | 0:19:17 | 0:19:20 | |
What did Lord Reith think of commercial television? | 0:19:20 | 0:19:22 | |
-What was his take on it? -He hated it. | 0:19:22 | 0:19:24 | |
He did. He thought it was equivalent to the introduction of smallpox, | 0:19:24 | 0:19:27 | |
bubonic plague and the Black Death. | 0:19:27 | 0:19:30 | |
-That's what he said. -Channel Five... | 0:19:30 | 0:19:32 | |
And when they launched Channel Five...it was! | 0:19:32 | 0:19:34 | |
Eventually, they did test Baird's model, but it was in competition | 0:19:34 | 0:19:37 | |
with EMI Marconi's version. | 0:19:37 | 0:19:39 | |
And the latter was the one that was ultimately adopted by the BBC. | 0:19:39 | 0:19:42 | |
All right, well, it's time to play for the John. | 0:19:42 | 0:19:45 | |
This concerns early television. | 0:19:45 | 0:19:46 | |
What did early presenters have to do before going on TV? | 0:19:46 | 0:19:50 | |
Was it like a thing, so the way they appeared, like...? | 0:19:50 | 0:19:53 | |
Yes, it was something to do with their appearance. | 0:19:53 | 0:19:55 | |
Did they have to...? Was it like a version of make-up, | 0:19:55 | 0:19:57 | |
but it's going to be something insane that you'd have to put on? | 0:19:57 | 0:20:00 | |
Did they have to wear green make-up? | 0:20:00 | 0:20:03 | |
No, I'll give it to Josh. It was something about the make-up. | 0:20:03 | 0:20:06 | |
Essentially, contrast on TV, very, very poor in the early days. | 0:20:06 | 0:20:09 | |
This is the make-up they had to wear | 0:20:09 | 0:20:11 | |
-in order to look normal on television. -No! -Seriously. | 0:20:11 | 0:20:14 | |
It's like an early doors Mel and Sue. | 0:20:14 | 0:20:15 | |
Well done, Josh's team. You win the John. | 0:20:17 | 0:20:19 | |
Time now to fire up our John-flavoured fruit machine. | 0:20:25 | 0:20:28 | |
Each time I spin, up will pop three faces. | 0:20:28 | 0:20:30 | |
Our team must match the extraordinary fact to the extraordinary John. | 0:20:30 | 0:20:34 | |
Also a chance to unearth some more candidates for greatest John of all time. | 0:20:34 | 0:20:37 | |
And so, let's spin. | 0:20:37 | 0:20:39 | |
We have... Star Wars and ET music composer John Williams. | 0:20:39 | 0:20:43 | |
Wild country singer Johnny Cash. | 0:20:43 | 0:20:46 | |
And the Duke himself, cowboy actor John Wayne. | 0:20:46 | 0:20:49 | |
The question is, which John was the first man in America to get the news | 0:20:49 | 0:20:53 | |
of Stalin's death? | 0:20:53 | 0:20:56 | |
Josh, your team are going to go first on this. | 0:20:56 | 0:20:57 | |
That is... I don't know anything about John Williams really. | 0:20:57 | 0:21:00 | |
He's married to... He was married to Stalin's wife, wasn't he? | 0:21:00 | 0:21:03 | |
-Yes, famously. -And he used to have a job receiving messages. | 0:21:03 | 0:21:06 | |
But other than that... | 0:21:06 | 0:21:07 | |
Oh, I think John Wayne was heavily involved... | 0:21:08 | 0:21:11 | |
It was, it was John Wayne. | 0:21:11 | 0:21:13 | |
I think...John Wayne was heavily involved... | 0:21:13 | 0:21:15 | |
You said it. | 0:21:15 | 0:21:18 | |
Sorry. I'm going to take a punt on this one. | 0:21:18 | 0:21:20 | |
I think John Wayne was heavily involved with McCarthyism | 0:21:21 | 0:21:25 | |
in Hollywood. | 0:21:25 | 0:21:27 | |
-And so maybe... -You think he was an anti-communist? | 0:21:27 | 0:21:30 | |
He was an anti-communist. | 0:21:30 | 0:21:32 | |
And so I think maybe he would have had his ear to the ground with the | 0:21:32 | 0:21:37 | |
Communist Party of Russia. | 0:21:37 | 0:21:38 | |
-It makes no sense. -You've got it. | 0:21:38 | 0:21:40 | |
So you're going to go with John Wayne? | 0:21:40 | 0:21:42 | |
It doesn't make sense, but I think it's the right answer. | 0:21:42 | 0:21:44 | |
-Yeah. -You're going for John Wayne. | 0:21:44 | 0:21:46 | |
-Richard's team, what do you think? -What do you think, Roisin? | 0:21:46 | 0:21:49 | |
I think we suspect it might be John Wayne. | 0:21:49 | 0:21:51 | |
But if it's not, it will be all the sweeter. | 0:21:51 | 0:21:53 | |
Imagine if they just decided Stalin died and they went, | 0:21:53 | 0:21:56 | |
"We need to tell the world," and they went, "Oh, Johnny Cash." | 0:21:56 | 0:21:58 | |
He was famously a spy, wasn't he? | 0:22:00 | 0:22:02 | |
That is what Cash In The Attic is about. | 0:22:02 | 0:22:04 | |
-Shall we go for Johnny Cash? -You're going to go for Johnny Cash. | 0:22:07 | 0:22:09 | |
Let's see the right answer. | 0:22:09 | 0:22:11 | |
It is Johnny Cash! | 0:22:11 | 0:22:12 | |
Superb work. | 0:22:18 | 0:22:20 | |
During his time in the US Air Force, | 0:22:20 | 0:22:21 | |
Cash rose to the rank of Staff Sergeant | 0:22:21 | 0:22:24 | |
and showed considerable skill at Morse code. | 0:22:24 | 0:22:26 | |
He was given the key post of monitoring Soviet communications | 0:22:26 | 0:22:28 | |
and on March the 5th, 1953, | 0:22:28 | 0:22:31 | |
he became the first American to receive news of Stalin's death. | 0:22:31 | 0:22:34 | |
Well done. You've won the John, Richard's team. | 0:22:34 | 0:22:36 | |
APPLAUSE | 0:22:36 | 0:22:38 | |
So, let's spin again. | 0:22:42 | 0:22:44 | |
We have... | 0:22:44 | 0:22:46 | |
Beatles legend John Lennon, | 0:22:46 | 0:22:47 | |
Middle Earth mythman JRR Tolkien. | 0:22:47 | 0:22:49 | |
And crazy funster and madcap politician John Major. | 0:22:49 | 0:22:53 | |
The question is, which John went to a fancy-dress party with a friend | 0:22:54 | 0:22:58 | |
both dressed as polar bears? | 0:22:58 | 0:23:01 | |
-We're going to start with Richard. -Oh, OK. | 0:23:01 | 0:23:04 | |
I think it's John Major. | 0:23:04 | 0:23:06 | |
Who would he go with? Heseltine. | 0:23:06 | 0:23:08 | |
Oh. No, he'd go as a lion. | 0:23:08 | 0:23:10 | |
Maybe it was a Lion King... Is there a polar bear in Lion King? | 0:23:10 | 0:23:14 | |
No. | 0:23:14 | 0:23:15 | |
Although, when you are Tolkien, | 0:23:16 | 0:23:18 | |
there were probably less costumes for fancy dress parties. | 0:23:18 | 0:23:21 | |
That's true. And so you've got your polar bear rug | 0:23:21 | 0:23:23 | |
that your Victorian explorer friend has shot. | 0:23:23 | 0:23:25 | |
Exactly. Because you couldn't go as the Chuckle Brothers or something | 0:23:25 | 0:23:29 | |
back in those days because they weren't around yet. | 0:23:29 | 0:23:31 | |
Shall we say John Major? | 0:23:31 | 0:23:33 | |
I feel like I've gone full circle now | 0:23:33 | 0:23:35 | |
without anything you said about Tolkien, so... | 0:23:35 | 0:23:37 | |
Tolkien. Shall we go Tolkien? We think it's JRR Tolkien. | 0:23:37 | 0:23:40 | |
All right. You're going to go for JRR Tolkien. | 0:23:40 | 0:23:43 | |
How about you guys, Josh's team? | 0:23:43 | 0:23:45 | |
I don't think it's remarkable enough to be John Lennon. | 0:23:45 | 0:23:49 | |
No. But I'm not sure about Tolkien. | 0:23:49 | 0:23:51 | |
Because him and CS Lewis, they used to go everywhere dressed as coyotes, | 0:23:51 | 0:23:54 | |
-didn't they? -And it's a bit... | 0:23:54 | 0:23:56 | |
Yeah, in the summer, they did, Miles. | 0:23:57 | 0:24:00 | |
He wanted to know... You know how John Major, | 0:24:02 | 0:24:04 | |
he thought his Cabinet was plotting against him. | 0:24:04 | 0:24:07 | |
And maybe he thought, | 0:24:07 | 0:24:08 | |
"If I turn up at a party dressed as a polar bear and I go, | 0:24:08 | 0:24:11 | |
"'I'm not John Major, but what do you think of him...?'" | 0:24:11 | 0:24:14 | |
-Yeah. -Or what if he was in Cabinet and he walked into Cabinet one day. | 0:24:14 | 0:24:17 | |
"John is not here. Don't mind that. | 0:24:17 | 0:24:18 | |
"They're doing a documentary about London Zoo." | 0:24:18 | 0:24:20 | |
So, who do you think it was? | 0:24:20 | 0:24:22 | |
I think it's John Major going undercover to find out what people | 0:24:22 | 0:24:25 | |
-really thought of him. -All right. | 0:24:25 | 0:24:27 | |
-Is that OK with you two? -I'd be amazed if that's the reason, but... | 0:24:27 | 0:24:29 | |
I'm happy. | 0:24:29 | 0:24:31 | |
..the right answer. I think he did it for perverse gratification. | 0:24:31 | 0:24:34 | |
-Sue. -Let's see what the right answer was. | 0:24:37 | 0:24:40 | |
It was indeed JRR Tolkien. | 0:24:40 | 0:24:43 | |
Well done. | 0:24:43 | 0:24:44 | |
He and fellow writer CS Lewis went to a party dressed as polar bears. | 0:24:48 | 0:24:53 | |
That's the best way to pick up a penguin. | 0:24:53 | 0:24:55 | |
Well done, Richard, you win the John. | 0:24:55 | 0:24:58 | |
Congratulations. | 0:24:58 | 0:25:02 | |
Right, everybody. Let's play Finish The Fact. | 0:25:05 | 0:25:07 | |
I'm going to start by reading out a John-based nugget and you buzz in | 0:25:07 | 0:25:10 | |
when you think you know how it ends. | 0:25:10 | 0:25:12 | |
First up, wrestler John Cena. | 0:25:12 | 0:25:14 | |
Is it he turned up at the wrong WWF | 0:25:18 | 0:25:19 | |
and had to fight an endangered rhino? | 0:25:19 | 0:25:21 | |
Even though wrestling is just running around in your pants? | 0:25:24 | 0:25:28 | |
-Essentially. -Yes, not a proper sport, is it? | 0:25:28 | 0:25:31 | |
Wait a minute, running around in your pants is not a proper sport?! | 0:25:31 | 0:25:35 | |
Who is paying me, then? | 0:25:35 | 0:25:37 | |
-He was suffering from food poisoning. -Oh! | 0:25:38 | 0:25:41 | |
Roisin. | 0:25:44 | 0:25:46 | |
He simultaneously did that. | 0:25:46 | 0:25:48 | |
Did he... Did he go off at both ends, | 0:25:51 | 0:25:54 | |
creating a sort of amazingly pleasing sprinkler effect? | 0:25:54 | 0:25:56 | |
Absolutely delighted the watching public. | 0:25:57 | 0:26:00 | |
I call it my brown rainbow. | 0:26:00 | 0:26:02 | |
He did... He did simultaneously vomit and soil his pants. | 0:26:02 | 0:26:05 | |
-No! -He did. | 0:26:05 | 0:26:07 | |
-That didn't... -It did. It was definitely a loss of control in the ring. | 0:26:07 | 0:26:10 | |
AUDIENCE GROANS | 0:26:10 | 0:26:12 | |
-I will... -Hey, hey. -Let me give you the facts. | 0:26:12 | 0:26:14 | |
He knew he was going to be ill. | 0:26:14 | 0:26:15 | |
He rolled off the platform and asked the timekeeper | 0:26:15 | 0:26:18 | |
where he could be sick. | 0:26:18 | 0:26:19 | |
He was told to go underneath the ring itself and according to Cena, | 0:26:19 | 0:26:22 | |
"I went under the ring and puked and everyone knew it. | 0:26:22 | 0:26:24 | |
"But as I was puking, I crapped my pants." | 0:26:24 | 0:26:26 | |
Well done, because, Josh's team, you win the John. | 0:26:27 | 0:26:30 | |
Congratulations. | 0:26:30 | 0:26:33 | |
Next up, tantrummy tennis legend John McEnroe. | 0:26:36 | 0:26:38 | |
Miles, I'm going to go with you first. | 0:26:43 | 0:26:45 | |
Is it to spend the night with Robert Redford? | 0:26:45 | 0:26:47 | |
-Sally? -Was it to play Billie Jean King? | 0:26:52 | 0:26:55 | |
What, in a film? | 0:26:55 | 0:26:57 | |
-Against Billie Jean King... -No, that was Bobby, Bobby Riggs, | 0:26:57 | 0:27:00 | |
you're thinking of. Yeah, Bobby Riggs, yeah. | 0:27:00 | 0:27:02 | |
-Miles. -Was it to just calm down? | 0:27:02 | 0:27:04 | |
Was it to... Did he get the job of playing tambourine | 0:27:09 | 0:27:12 | |
in Ned's Atomic Dustbin? | 0:27:12 | 0:27:14 | |
He did not. I'm afraid he didn't. | 0:27:14 | 0:27:16 | |
It was to play tennis against Serena Williams. | 0:27:16 | 0:27:19 | |
It was to play either of the Williams sisters... | 0:27:19 | 0:27:21 | |
By increments, depending on how much | 0:27:24 | 0:27:26 | |
women's clothing he was prepared to wear. | 0:27:26 | 0:27:29 | |
What kind of turmeric-faced Weetabix-haired numpty could have | 0:27:31 | 0:27:34 | |
possibly wanted that? | 0:27:34 | 0:27:35 | |
-Oh! Donald Trump. -Indeed, Donald Trump. | 0:27:35 | 0:27:37 | |
Well done. He put up the money. | 0:27:37 | 0:27:39 | |
Well done, Josh, you win the John. | 0:27:39 | 0:27:41 | |
And so we've come to the end of the show and I can tell you | 0:27:46 | 0:27:49 | |
tonight's winners with the most number of Johns are... | 0:27:49 | 0:27:52 | |
Josh's team. Well done! | 0:27:52 | 0:27:54 | |
So... | 0:28:02 | 0:28:03 | |
A big moment, Josh, | 0:28:04 | 0:28:06 | |
you get the magnificent honour of picking the greatest John | 0:28:06 | 0:28:08 | |
of all time. | 0:28:08 | 0:28:09 | |
-Josh, who are you going to pick? -It is very simple, | 0:28:09 | 0:28:12 | |
but because it was the best fact tonight, | 0:28:12 | 0:28:14 | |
I think we're going to go with the man who found out Stalin had died, | 0:28:14 | 0:28:17 | |
-Johnny Cash. -A great choice. | 0:28:17 | 0:28:19 | |
Very worthy choice. | 0:28:19 | 0:28:22 | |
Right, let's put him on the Insert Name Here Hall of Fame. | 0:28:22 | 0:28:26 | |
Up he goes and I hereby declare | 0:28:28 | 0:28:29 | |
that the best John of all time is the wonderful Johnny Cash. | 0:28:29 | 0:28:33 | |
There he is. | 0:28:33 | 0:28:34 | |
Thanks to all our guests. Special thanks to all the Johns here, | 0:28:37 | 0:28:40 | |
there and everywhere. Thanks to you, more importantly, | 0:28:40 | 0:28:43 | |
at home for watching. Thanks and goodnight. | 0:28:43 | 0:28:45 |