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This programme contains some strong language | 0:00:20 | 0:00:27 | |
-Which one of these is the frumpiest? -Hmm? | 0:00:27 | 0:00:29 | |
I'm meant to be choosing my outfit for this audition. | 0:00:29 | 0:00:32 | |
She's meant to be a frumpy spinster. | 0:00:32 | 0:00:34 | |
-Well, what you're wearing now is good. -I haven't changed yet. | 0:00:34 | 0:00:37 | |
I meant out of these two. | 0:00:37 | 0:00:39 | |
Oh, the blue one. | 0:00:39 | 0:00:42 | |
Really? Not this one? | 0:00:42 | 0:00:43 | |
Oh, whichever. What are you auditioning for? | 0:00:43 | 0:00:45 | |
-D-day Doris. -Ha! -What? | 0:00:45 | 0:00:47 | |
I thought you said D-day Doris. | 0:00:47 | 0:00:49 | |
I did say D-day Doris. It's a play about land girls. | 0:00:49 | 0:00:52 | |
Sounds like the kind of shit they tour around old people's homes. | 0:00:52 | 0:00:55 | |
It is. I haven't worked for five months, Tom. | 0:00:55 | 0:00:58 | |
-Beggars can't be choosers. -Yep. | 0:00:58 | 0:01:00 | |
-Speaking of which, have you seen that tramp down there? -Where? | 0:01:00 | 0:01:04 | |
There. Between the parked cars down there, look. | 0:01:06 | 0:01:08 | |
-I can't see anything. -Well, exactly. | 0:01:08 | 0:01:10 | |
What kind of place is that to be a beggar, if no-one can see him? | 0:01:10 | 0:01:13 | |
He might not be begging. He might be waiting for someone. | 0:01:13 | 0:01:16 | |
Of course he's begging. He's got a polystyrene cup in front of him. | 0:01:16 | 0:01:18 | |
-Could be a pavement artist. -Piss artist more like. | 0:01:18 | 0:01:21 | |
Yes, well, there but for the grace of God. | 0:01:21 | 0:01:24 | |
What? Saying I could be a tramp? | 0:01:24 | 0:01:26 | |
Don't use that word, Tom. | 0:01:26 | 0:01:27 | |
-What, tramp? -Yes. It's insulting. | 0:01:27 | 0:01:30 | |
It's like gypsy or half-caste. You can't say it. | 0:01:30 | 0:01:32 | |
Well, whatever it is, I don't like it. It's weird. | 0:01:32 | 0:01:35 | |
Do you want me to walk you to walk you to the tube? | 0:01:35 | 0:01:37 | |
No, I'll be alright. | 0:01:37 | 0:01:39 | |
He's hardly going to attack a spinster named Doris, is he? | 0:01:39 | 0:01:42 | |
-How are you getting on with your marking? -It's alright. | 0:01:42 | 0:01:44 | |
I'm giving them all a 'wow' stamp | 0:01:44 | 0:01:46 | |
and every fifth one gets a 'brilliant.' | 0:01:46 | 0:01:48 | |
I think you should be truthful. It matters what you write. | 0:01:48 | 0:01:50 | |
I remember teachers' comments. | 0:01:50 | 0:01:52 | |
If I read all these and marked them all properly I'd be here all night. | 0:01:52 | 0:01:55 | |
What would rather be doing? Staring out the window at your little... | 0:01:55 | 0:01:58 | |
-What? -Indigent. | 0:01:58 | 0:02:00 | |
See, you don't know what to call him either, do you? A tramp's a tramp. | 0:02:00 | 0:02:04 | |
-I've got to go. -Right, I'm going to walk you to the tube. | 0:02:04 | 0:02:06 | |
-You don't have to. -I am. | 0:02:06 | 0:02:08 | |
I love you, Tom. | 0:02:08 | 0:02:10 | |
I need some milk anyway. | 0:02:10 | 0:02:12 | |
HE TUTS | 0:02:20 | 0:02:22 | |
OK, not to worry. Ring me when you get home, all right. | 0:02:22 | 0:02:24 | |
DOOR BUZZER RINGS | 0:02:24 | 0:02:26 | |
Right, I've got to go. I think my pizza's arrived. OK, yeah, love you. | 0:02:26 | 0:02:29 | |
Speak later. Bye. | 0:02:29 | 0:02:31 | |
Hello. | 0:02:33 | 0:02:35 | |
'I've got your wallet.' | 0:02:35 | 0:02:36 | |
Pardon? | 0:02:37 | 0:02:39 | |
'I think I've got your wallet. I found it outside.' | 0:02:39 | 0:02:43 | |
Err, OK, come up. | 0:02:43 | 0:02:45 | |
DOOR BUZZES | 0:02:45 | 0:02:47 | |
FOOTSTEPS APPROACH | 0:02:58 | 0:03:00 | |
Sorry, I just found it. | 0:03:10 | 0:03:13 | |
Oh, where, where was it? | 0:03:13 | 0:03:15 | |
-By the shops. -Oh, didn't even know I'd lost it. | 0:03:15 | 0:03:18 | |
It's all there. I didn't take anything. | 0:03:19 | 0:03:21 | |
Oh, no, no, I was just... I've got some dry-cleaning in, | 0:03:21 | 0:03:25 | |
and you know what it's like when you can't find your ticket. | 0:03:25 | 0:03:27 | |
I don't do much dry-cleaning. | 0:03:28 | 0:03:30 | |
-HE LAUGHS AWKWARDLY -No. | 0:03:30 | 0:03:33 | |
Well, look, thank you and I want to give you something. | 0:03:33 | 0:03:36 | |
Oh, you don't have to. | 0:03:36 | 0:03:38 | |
No, no, I'd like to. | 0:03:38 | 0:03:40 | |
I've only got 20s. | 0:03:40 | 0:03:42 | |
Haven't got any change, have you? | 0:03:43 | 0:03:45 | |
I might have a little bit in my cup... | 0:03:45 | 0:03:47 | |
Nah, nowhere near enough. | 0:03:50 | 0:03:52 | |
Right, look, I'm going to give you...I'm going to give you two 20s. | 0:03:52 | 0:03:56 | |
-Oh, no, that's too much. -Yeah, it is. | 0:03:56 | 0:03:58 | |
Ideally I would give you 30, but, well, | 0:03:58 | 0:04:00 | |
you saved me a lot of hassle, you know? | 0:04:00 | 0:04:02 | |
Cancelling cards, and so, thanks. | 0:04:02 | 0:04:05 | |
I'm Migg. | 0:04:05 | 0:04:07 | |
Sorry? | 0:04:07 | 0:04:08 | |
-My name's Migg. -Mick? -No, Migg. Two Gs. | 0:04:08 | 0:04:12 | |
Steady on, I've just given you two 20s. | 0:04:12 | 0:04:14 | |
Sorry, do you want them back? | 0:04:14 | 0:04:16 | |
No, I was making a joke about the Gs being like grands. | 0:04:16 | 0:04:19 | |
Anyway, I need to close this door because it's freezing outside. | 0:04:24 | 0:04:27 | |
Yeah. Yeah, I know it is. | 0:04:27 | 0:04:31 | |
Yeah, of course you do. | 0:04:31 | 0:04:33 | |
Well... | 0:04:34 | 0:04:35 | |
Thanks. | 0:04:37 | 0:04:38 | |
KNOCK AT DOOR | 0:04:59 | 0:05:01 | |
Hello? | 0:05:13 | 0:05:14 | |
Oh, hi, Tom. It's Migg. | 0:05:14 | 0:05:16 | |
Sorry, who is it? | 0:05:16 | 0:05:18 | |
Migg. I found your wallet. | 0:05:18 | 0:05:21 | |
What, again? | 0:05:21 | 0:05:22 | |
No, before. Can I come in? | 0:05:22 | 0:05:25 | |
Err, I've just got out of the shower. | 0:05:25 | 0:05:27 | |
I've brought you a present. | 0:05:27 | 0:05:30 | |
Just...wait a minute. | 0:05:30 | 0:05:32 | |
How did you get in? | 0:05:46 | 0:05:48 | |
The door was open. Here. I used the money you gave me. | 0:05:48 | 0:05:53 | |
I did have a little nip. I'm sorry. It's bitter out there tonight. | 0:05:53 | 0:05:58 | |
Oh, is it? | 0:05:58 | 0:05:59 | |
Well, I just wanted to say thank you. | 0:06:01 | 0:06:03 | |
What for? I haven't done anything. | 0:06:03 | 0:06:06 | |
It's just nice to talk to a fellow human. | 0:06:06 | 0:06:08 | |
Makes me feel like I exist. | 0:06:09 | 0:06:11 | |
See you then. | 0:06:13 | 0:06:15 | |
Look, do you want a quick drink? | 0:06:17 | 0:06:21 | |
-Sorry? -Just one for the road. One. | 0:06:22 | 0:06:25 | |
-Oh, I suppose so. -Come in. | 0:06:26 | 0:06:29 | |
Thanks. | 0:06:29 | 0:06:30 | |
Should I take my shoes off? | 0:06:31 | 0:06:33 | |
If you don't mind. | 0:06:33 | 0:06:34 | |
Actually, fuck it, leave them on. It's fine. | 0:06:37 | 0:06:41 | |
Thank you. | 0:06:41 | 0:06:42 | |
Right, well, I'll get some glasses, shall I? | 0:06:45 | 0:06:47 | |
I'm afraid I haven't got any ice. | 0:06:51 | 0:06:53 | |
Oh, that's alright. I'm cold enough. | 0:06:53 | 0:06:56 | |
Yeah, so you keep saying. | 0:06:56 | 0:06:58 | |
Oh, sorry. Should I not sit here? Do you want me to move? | 0:07:03 | 0:07:06 | |
No, no, it's fine. You've done it now. | 0:07:06 | 0:07:08 | |
Best to just contain it. | 0:07:08 | 0:07:12 | |
-Here you go. -Thanks. | 0:07:12 | 0:07:14 | |
-Cheers. -Cheers. | 0:07:14 | 0:07:16 | |
You doing your homework? | 0:07:23 | 0:07:25 | |
Yeah, marking. Ancient Egypt's come round again. | 0:07:25 | 0:07:29 | |
Ah. | 0:07:29 | 0:07:30 | |
I've actually got an assembly tomorrow | 0:07:32 | 0:07:34 | |
so I can't stay up too long. | 0:07:34 | 0:07:35 | |
Oh, of course. | 0:07:35 | 0:07:37 | |
It must be a rewarding job, though. | 0:07:42 | 0:07:45 | |
Yeah, it's alright. It's not really what I want to do. | 0:07:45 | 0:07:50 | |
What do you want to do? | 0:07:50 | 0:07:52 | |
Well, I'm writing a novel, actually. | 0:07:52 | 0:07:54 | |
Really? What's it about? | 0:07:54 | 0:07:57 | |
Well, it's like an English Charles Bukowski. | 0:07:57 | 0:07:59 | |
-You won't have heard of him. -I know Charles. | 0:07:59 | 0:08:01 | |
Oh, yeah? Which one have you read? | 0:08:01 | 0:08:03 | |
No, I mean I know him. Well, I knew him. | 0:08:03 | 0:08:05 | |
I met him in New York. | 0:08:05 | 0:08:08 | |
Really? | 0:08:08 | 0:08:10 | |
Because he was a...one of you for a while. | 0:08:10 | 0:08:13 | |
Yeah, he took a bit of a shine to me. | 0:08:13 | 0:08:16 | |
-I spent a few weeks with him while he was writing his last book. -Pulp? | 0:08:16 | 0:08:21 | |
That's the one. Do you know, I've never actually read it. | 0:08:21 | 0:08:24 | |
Well, I've got a copy of it here... | 0:08:24 | 0:08:26 | |
MIGG LAUGHS | 0:08:30 | 0:08:33 | |
So, what...what was he like? | 0:08:34 | 0:08:39 | |
CB? Oh. He was an amazing man. | 0:08:39 | 0:08:43 | |
Do you know, he told me such stories. | 0:08:45 | 0:08:48 | |
Such stories. | 0:08:50 | 0:08:51 | |
Tom, what are you doing here? Shouldn't you be at work? | 0:09:00 | 0:09:05 | |
-What time is it? -It's 10.20. I thought you had an assembly. | 0:09:05 | 0:09:09 | |
Oh, shit, 12 missed calls. | 0:09:09 | 0:09:11 | |
What have you been doing? | 0:09:11 | 0:09:13 | |
-It was Migg. -Who? -You know, the guy from across the road. | 0:09:13 | 0:09:17 | |
What, the tramp? | 0:09:17 | 0:09:19 | |
Yeah, don't call him that. He's met Charles Bukowski. | 0:09:19 | 0:09:21 | |
-Has he been in the flat? -He's still here I think. Migg! | 0:09:21 | 0:09:24 | |
Don't! I can't believe this. | 0:09:24 | 0:09:26 | |
You invited a tramp in off the street and got pissed with him. | 0:09:26 | 0:09:29 | |
It wasn't like that. He found my wallet. He was being kind. | 0:09:29 | 0:09:32 | |
It's really good. He's given me loads of really good ideas for the novel. | 0:09:32 | 0:09:36 | |
-You wait till you meet him. -I don't want to meet him. | 0:09:36 | 0:09:38 | |
Get rid of him. You better call the school and make your apologies. | 0:09:38 | 0:09:41 | |
You need that job. You're not a writer yet. | 0:09:41 | 0:09:44 | |
Oh, well, at least I've got a job, DJ Doris. | 0:09:44 | 0:09:47 | |
Thank you very much. | 0:09:48 | 0:09:49 | |
I got offered the job, so piss off, Tom. | 0:09:49 | 0:09:52 | |
And it's D-Day Doris, actually. | 0:09:52 | 0:09:55 | |
Gerri! | 0:09:57 | 0:09:58 | |
DOOR SLAMS SHUT | 0:09:58 | 0:10:00 | |
Oh, morning, Tom. I hope you don't mind. I had a bath. | 0:10:00 | 0:10:02 | |
-No, that's fine. -I left the water in if you want to... | 0:10:02 | 0:10:05 | |
No, you're alright, thanks. | 0:10:07 | 0:10:09 | |
I'm late for work. I've got to get going. | 0:10:09 | 0:10:11 | |
I'm not being funny, Tom, but is that wise? | 0:10:11 | 0:10:15 | |
I mean, it's one thing missing your assembly | 0:10:15 | 0:10:17 | |
but you might make it worse if you turn up stinking of booze. | 0:10:17 | 0:10:20 | |
I'd phone in sick if I were you. | 0:10:22 | 0:10:24 | |
Oh, yeah, all right, well, I'll tell them | 0:10:24 | 0:10:26 | |
-I'll go in just for the afternoon. -Yeah. | 0:10:26 | 0:10:29 | |
So who's Gerry? Is he your flatmate? | 0:10:30 | 0:10:32 | |
No, it's my girlfriend. Gerri with an I. | 0:10:32 | 0:10:34 | |
Ah, the mad actress. HE CHUCKLES | 0:10:34 | 0:10:37 | |
-Hey? -That's what you were calling her last night. | 0:10:37 | 0:10:39 | |
Oh, God, I don't remember. | 0:10:39 | 0:10:41 | |
Let me make you some breakfast. I need five eggs and some liver. | 0:10:41 | 0:10:44 | |
Listen, Migg, I think maybe you better be making a move. | 0:10:44 | 0:10:47 | |
I've got a lot of marking to do | 0:10:47 | 0:10:48 | |
and Gerri's going to be back later on, so... | 0:10:48 | 0:10:50 | |
Yeah, that's fine, Tom, but I haven't got any clothes. | 0:10:50 | 0:10:54 | |
What? | 0:10:54 | 0:10:55 | |
You put them all in a bin bag and threw them out last night. | 0:10:55 | 0:10:59 | |
-Did I? -Yeah. | 0:10:59 | 0:11:00 | |
You said you'd give me some of your clothes | 0:11:00 | 0:11:03 | |
so I didn't look like such an "incident?" | 0:11:03 | 0:11:05 | |
Yeah, I meant indigent. | 0:11:05 | 0:11:07 | |
-All right, well, I'll sort some stuff out for you. -There's no rush. | 0:11:07 | 0:11:10 | |
Sit down. I'll make us that breakfast, shall I? | 0:11:10 | 0:11:13 | |
Right... | 0:11:15 | 0:11:16 | |
Yeah. | 0:11:20 | 0:11:21 | |
MIGG HUMS TO HIMSELF | 0:11:21 | 0:11:22 | |
I'm sorry. | 0:11:22 | 0:11:25 | |
Thanks. | 0:11:25 | 0:11:26 | |
-Right, three on Kamchatka. -What? Where the hell's Kamchatka? | 0:11:26 | 0:11:31 | |
-There. I can bring my infantry over from Alaska. -How? | 0:11:31 | 0:11:34 | |
There's a sea lane across the Pacific. | 0:11:34 | 0:11:36 | |
Erm, what have I got now? | 0:11:36 | 0:11:38 | |
Erm, New Guinea and Iceland. | 0:11:38 | 0:11:42 | |
Yeah, OK, you know what? You win. | 0:11:42 | 0:11:43 | |
Do you not want to see it through to the end? | 0:11:43 | 0:11:45 | |
It doesn't end. It never ends. | 0:11:45 | 0:11:46 | |
Do you want to play the Settlers of Catan? | 0:11:46 | 0:11:49 | |
No, I just want to have a bath, get something to eat | 0:11:49 | 0:11:51 | |
-and get ready for school tomorrow. -It's Saturday tomorrow. | 0:11:51 | 0:11:54 | |
Oh, piss off! Even win the days! | 0:11:54 | 0:11:56 | |
HE CHUCKLES | 0:11:56 | 0:11:58 | |
I wish Gerri would phone. | 0:12:05 | 0:12:07 | |
-AUTOMATED VOICE: -'You have no messages.' | 0:12:10 | 0:12:12 | |
I'd like to meet this Gerri. | 0:12:15 | 0:12:16 | |
Yeah. You'd like her. | 0:12:16 | 0:12:18 | |
Tom and Gerri. | 0:12:19 | 0:12:20 | |
Her last boyfriend was called Ben. | 0:12:23 | 0:12:26 | |
I don't get it. | 0:12:26 | 0:12:27 | |
Ice cream. Never mind. I might get some, actually. | 0:12:27 | 0:12:32 | |
I'm a bit peckish. Do you want anything? | 0:12:32 | 0:12:34 | |
A couple of bottles of red wouldn't go amiss. | 0:12:34 | 0:12:36 | |
Oh, and we're running out of cigarettes. | 0:12:36 | 0:12:38 | |
-Oh, all right, well, I'll see you in a minute. -OK, thanks Tom. | 0:12:38 | 0:12:42 | |
I really appreciate it. | 0:12:43 | 0:12:45 | |
THE PHONE RINGS | 0:12:50 | 0:12:52 | |
-VOICE MAIL MESSAGE: -'Hi, this is Tom. | 0:12:55 | 0:12:57 | |
'I can't get to the phone, please leave a message.' | 0:12:57 | 0:13:00 | |
'Hi, Tom. It's Stevie. I'm just checking to see you're OK. | 0:13:00 | 0:13:04 | |
'Jackie said you phoned in sick. Shame you missed the assembly. | 0:13:04 | 0:13:09 | |
'They did you proud. | 0:13:09 | 0:13:11 | |
-'Except saying Tutankhamen. Dylan said Tutan Common. -(LAUGHS) | 0:13:11 | 0:13:15 | |
'Which got a good laugh. And little Mandy Smith had to | 0:13:15 | 0:13:18 | |
'run out for a wee during Walking on Sunshine. | 0:13:18 | 0:13:21 | |
'Everyone sends their love. I hope you're OK. | 0:13:21 | 0:13:25 | |
'I know it's not been easy. Call me, will you? | 0:13:25 | 0:13:30 | |
'Anyway, I hope to see you Monday. Take care. Bye. | 0:13:30 | 0:13:34 | |
'Aww, he wasn't in...' | 0:13:34 | 0:13:35 | |
AUTOMATED VOICE: 'Play message.' | 0:13:35 | 0:13:37 | |
'Hi Tom. It's Stevie...' | 0:13:37 | 0:13:39 | |
AUTOMATED VOICE: 'Message deleted. You have no messages.' | 0:13:39 | 0:13:43 | |
MOBILE PHONE RINGS | 0:13:46 | 0:13:48 | |
Well, look who it is. | 0:14:27 | 0:14:29 | |
D-day Doris finally emerges from the bomb shelter. | 0:14:29 | 0:14:33 | |
Oli's changed the title. | 0:14:33 | 0:14:34 | |
-To what? -Lucy Land Girl. | 0:14:34 | 0:14:37 | |
Much stronger. Can you close the door, please? It's freezing. | 0:14:37 | 0:14:41 | |
-Is it true? -What? | 0:14:41 | 0:14:43 | |
-Stevie said that you've resigned from your job? -Yeah. | 0:14:43 | 0:14:46 | |
It was a waste of time. I found it childish. | 0:14:46 | 0:14:49 | |
You were a primary school teacher. | 0:14:49 | 0:14:50 | |
Well, I was. I'm a writer now. I create things. | 0:14:50 | 0:14:54 | |
Can I open the window, please? It stinks of pumps. | 0:14:54 | 0:14:57 | |
Shoe pumps or bottom pumps? | 0:14:57 | 0:14:59 | |
-Both. -Look, you can't just turn up here after one week | 0:14:59 | 0:15:01 | |
and start running my life for me. | 0:15:01 | 0:15:03 | |
I told you I'd been rehearsing in Portsmouth all week. | 0:15:03 | 0:15:05 | |
No, you didn't. | 0:15:05 | 0:15:06 | |
Tom, I left you half a dozen messages. | 0:15:06 | 0:15:09 | |
Well, I lost my phone. | 0:15:09 | 0:15:10 | |
That's not my fault, is it? | 0:15:10 | 0:15:12 | |
Look, I spoke to Stevie, | 0:15:14 | 0:15:16 | |
and he said that if you go in and speak to Mr Patterson... | 0:15:16 | 0:15:18 | |
I don't want to speak to Mr Patterson. I don't want to work, OK? | 0:15:18 | 0:15:21 | |
Migg's gone to the dole office to get the signing on forms. | 0:15:21 | 0:15:24 | |
Migg? You mean the tramp. | 0:15:24 | 0:15:26 | |
He's not a tramp. | 0:15:26 | 0:15:28 | |
Yeah, well he's not now, is he? No. He's got himself a nice little flat. | 0:15:28 | 0:15:31 | |
He's using you, Tom. | 0:15:31 | 0:15:33 | |
Aww, are you jealous cos he's nicked your idea? | 0:15:33 | 0:15:35 | |
Ooh, I'm doing pub theatre. I'm doing Lucy Land Girl. | 0:15:35 | 0:15:38 | |
Haven't got much money this week. Can I stay over at yours? | 0:15:38 | 0:15:40 | |
Oh, can I borrow 50 quid? | 0:15:40 | 0:15:42 | |
Nice. | 0:15:49 | 0:15:50 | |
DOOR SLAMS | 0:15:51 | 0:15:53 | |
Fucking hell. | 0:15:53 | 0:15:55 | |
AUTOMATED VOICE: 'You have no messages.' | 0:16:15 | 0:16:19 | |
Sorry, what was that? | 0:16:19 | 0:16:20 | |
AUTOMATED VOICE: 'You have no messages.' | 0:16:20 | 0:16:23 | |
Oh. No post either. They on strike, do you think? | 0:16:23 | 0:16:26 | |
AUTOMATED VOICE: 'You have no messages.' | 0:16:26 | 0:16:29 | |
Waiting for my Giro to come through. I'm running out of money. | 0:16:29 | 0:16:32 | |
Oh, have I got any messages? | 0:16:32 | 0:16:34 | |
AUTOMATED VOICE: 'You have no messages.' | 0:16:34 | 0:16:36 | |
Yeah, thought not. | 0:16:36 | 0:16:38 | |
RATTLING | 0:16:38 | 0:16:40 | |
-It's my birthday today. -Happy birthday. | 0:16:45 | 0:16:48 | |
-I didn't get a single card. -Ah. | 0:16:50 | 0:16:53 | |
Grandma normally sends me one recorded delivery | 0:16:53 | 0:16:56 | |
three weeks in advance. Could have done with that tenner. | 0:16:56 | 0:17:00 | |
Maybe it's in the second post. | 0:17:02 | 0:17:04 | |
Everyone's forgotten about me. I've dropped out of society. Pot, 5. | 0:17:04 | 0:17:09 | |
-Have a beer. -I don't want one. | 0:17:10 | 0:17:12 | |
Well, why don't you do the washing up? | 0:17:15 | 0:17:17 | |
I beg your pardon? | 0:17:18 | 0:17:20 | |
If you're so bored. It's been sitting there for two or three days. | 0:17:20 | 0:17:23 | |
-Who's flat is this? -I'm only saying. -Well, don't say. | 0:17:23 | 0:17:26 | |
-29. -I do do it anyway. -With respect, Tom, you don't. | 0:17:26 | 0:17:30 | |
Putting it in some warm water | 0:17:30 | 0:17:31 | |
and leaving it does not constitute doing the washing up. | 0:17:31 | 0:17:34 | |
-It has to soak. -Not for a fortnight. | 0:17:34 | 0:17:36 | |
At some stage you should really take the things out of the mucky, | 0:17:36 | 0:17:39 | |
tea-bag stained water and put them on the draining board to dry. | 0:17:39 | 0:17:42 | |
That way... There's no such word as that. | 0:17:42 | 0:17:45 | |
That way, you don't have to start using your collection of Easter egg | 0:17:45 | 0:17:48 | |
mugs from years back just cos there's no clean cups left. | 0:17:48 | 0:17:50 | |
Well, why don't you do it then? | 0:17:50 | 0:17:52 | |
Or are you still using your little polystyrene tramp cup? | 0:17:52 | 0:17:54 | |
-There's no need for that. -There's every need. | 0:17:54 | 0:17:57 | |
You stank when you first came in here. | 0:17:57 | 0:18:00 | |
You stank like a dirty bag of wet washing. | 0:18:00 | 0:18:03 | |
How much washing up did you do then, Annette fucking Newman? | 0:18:03 | 0:18:06 | |
Don't judge me, Tom. | 0:18:07 | 0:18:09 | |
You have no right to judge me. | 0:18:13 | 0:18:14 | |
La? What's La? | 0:18:22 | 0:18:24 | |
A note to follow So. | 0:18:24 | 0:18:27 | |
Oh, fuck this! | 0:18:27 | 0:18:28 | |
Aww, thank you, Grandma. | 0:18:46 | 0:18:49 | |
THIS MORNING THEME TUNE PLAYS | 0:18:51 | 0:18:55 | |
DOOR BUZZER RINGS | 0:18:57 | 0:19:00 | |
DOOR BUZZER RINGS | 0:19:04 | 0:19:06 | |
Hello? | 0:19:13 | 0:19:15 | |
-STEVIE: -'Avon calling. Can you buzz me in?' | 0:19:15 | 0:19:17 | |
DOOR BUZZES | 0:19:19 | 0:19:20 | |
Tom, what is that? Designer stubble? | 0:19:23 | 0:19:28 | |
What do you want, Stevie? It's not a good time. | 0:19:28 | 0:19:30 | |
No, I know it's not. I know it's not. | 0:19:30 | 0:19:33 | |
That's why I come bearing Krispy Kremes, | 0:19:33 | 0:19:35 | |
and you and I is gonna have a chat. | 0:19:35 | 0:19:37 | |
FLIES BUZZING | 0:19:40 | 0:19:42 | |
STEVIE AUDIBLY SHUDDERS | 0:19:43 | 0:19:46 | |
Life of grime. | 0:19:46 | 0:19:47 | |
So, how are you, Tom? | 0:19:50 | 0:19:53 | |
I haven't seen you in weeks. Bearing up? | 0:19:53 | 0:19:56 | |
Yeah. Yeah, I'm all right... | 0:19:56 | 0:19:58 | |
Not being a nosy parker, (am), but how are you getting on for money? | 0:19:58 | 0:20:03 | |
I, I just don't want to think about it. | 0:20:03 | 0:20:05 | |
Well, a few of us at the school have had a whip around. | 0:20:05 | 0:20:09 | |
Now not everyone took part. Naming no names. Linda Price. | 0:20:09 | 0:20:12 | |
And it was up to me to get you something. | 0:20:12 | 0:20:15 | |
So I thought, what would he rather have? | 0:20:15 | 0:20:18 | |
-Cash, or Body Shop vouchers, so I got you... -Cash. | 0:20:18 | 0:20:22 | |
-No. Body Shop vouchers. -Oh. | 0:20:23 | 0:20:26 | |
Well, I'll just leave them there. | 0:20:28 | 0:20:32 | |
-Don't lose them among debris. -All right. | 0:20:32 | 0:20:35 | |
I'm getting the feeling now you'd rather have had the cash. | 0:20:38 | 0:20:41 | |
No, it's alright. | 0:20:41 | 0:20:42 | |
I'll be fine once my benefits start coming through. | 0:20:42 | 0:20:45 | |
In fact, Migg says I'll probably be better off. | 0:20:45 | 0:20:47 | |
Migg? Who's Migg? | 0:20:47 | 0:20:49 | |
He's just a friend. | 0:20:49 | 0:20:51 | |
Oh, I've never heard of him. Mystic Migg. | 0:20:51 | 0:20:54 | |
What are your plans for tonight? | 0:20:55 | 0:20:57 | |
Uh, nothing. | 0:20:57 | 0:20:59 | |
In that case, why don't you jump in the shower and I'll take us to Wagamama. | 0:20:59 | 0:21:02 | |
We'll have the chicken-katsu-curry and fuck the diet. Me, not you. | 0:21:02 | 0:21:05 | |
-Yeah, no, I... -It's my treat. | 0:21:05 | 0:21:09 | |
I...I don't want to. | 0:21:09 | 0:21:11 | |
Well, I can see you're busy. | 0:21:12 | 0:21:15 | |
-Promise me you'll phone if you want to chat and that. -OK. Bye. | 0:21:19 | 0:21:23 | |
And don't forget about those Body Shop vouchers. | 0:21:23 | 0:21:26 | |
They might come in handy. | 0:21:27 | 0:21:29 | |
WATER RUNS | 0:22:01 | 0:22:04 | |
INDISTINCT SPEECH | 0:22:06 | 0:22:09 | |
Migg? | 0:22:15 | 0:22:17 | |
LIGHT BUZZES | 0:22:17 | 0:22:19 | |
Gerri? | 0:22:19 | 0:22:21 | |
'Hi, Mr Farris, this is Brian from Eastway Electricity. | 0:22:31 | 0:22:34 | |
'Just to remind you that as your bill for £126.15 is still outstanding, | 0:22:34 | 0:22:38 | |
'and as you haven't replied to any of our messages, | 0:22:38 | 0:22:40 | |
'we will have to terminate the supply at 1800 hours.' | 0:22:40 | 0:22:44 | |
HE STARTS TO CRY | 0:22:49 | 0:22:51 | |
Shit, what's going on? | 0:23:00 | 0:23:02 | |
HE FLICKS LIGHT SWITCH | 0:23:02 | 0:23:04 | |
Overdone a fuse? | 0:23:04 | 0:23:06 | |
We've been cut off. | 0:23:06 | 0:23:08 | |
Oh, come on, Tom. Have you not paid the bill or something? | 0:23:08 | 0:23:13 | |
-Where's my money, Migg? You said my Giro would come. -It will come. | 0:23:13 | 0:23:18 | |
Just takes a little bit of time to process. | 0:23:18 | 0:23:22 | |
Maybe I should take over the rent or the lease or something. | 0:23:24 | 0:23:27 | |
-Just till your housing benefit comes through. -How? | 0:23:27 | 0:23:31 | |
Started a new job today. A new beginning. | 0:23:31 | 0:23:34 | |
What are you doing? | 0:23:34 | 0:23:36 | |
I'm working with kids on an outreach programme. | 0:23:36 | 0:23:38 | |
It's going to be so rewarding. Here. | 0:23:38 | 0:23:42 | |
Take this. | 0:23:42 | 0:23:43 | |
Oh, no. This is too much. | 0:23:43 | 0:23:47 | |
I'd like you to have it. You've done so much for me. | 0:23:47 | 0:23:50 | |
Ah, you're running me a bath? How thoughtful. | 0:23:52 | 0:23:56 | |
Thanks, Tom. | 0:23:59 | 0:24:00 | |
Tom. What are you doing sitting in the dark? | 0:24:07 | 0:24:11 | |
We've been cut off. | 0:24:12 | 0:24:14 | |
I'm so sorry, Gerri. I miss you so much. Everything's going wrong. | 0:24:14 | 0:24:19 | |
You can't carry on like this, Tom. | 0:24:19 | 0:24:21 | |
-I know. Please don't leave me. -I'm not going anywhere. | 0:24:21 | 0:24:24 | |
-You need to sort your head out. You're just in a slump. -I know. | 0:24:25 | 0:24:30 | |
Migg says I'll be alright once my benefits start coming through | 0:24:30 | 0:24:32 | |
-and then I can get back to my writing... -Tom. | 0:24:32 | 0:24:34 | |
And maybe I could write a play for you to be in, and Migg says... | 0:24:34 | 0:24:37 | |
Tom, there is no Migg. | 0:24:37 | 0:24:39 | |
What? | 0:24:42 | 0:24:44 | |
Look around you. There's nobody else here. | 0:24:44 | 0:24:47 | |
-Where are his things? -I threw them out. | 0:24:47 | 0:24:50 | |
Tom. Migg doesn't exist. It's just you. | 0:24:50 | 0:24:54 | |
You've invented him to cope with what's been happening. | 0:24:54 | 0:24:57 | |
No, I haven't. | 0:24:57 | 0:24:58 | |
Where is he then? Show him to me. | 0:24:58 | 0:25:01 | |
He's in the bathroom. | 0:25:04 | 0:25:06 | |
Migg. | 0:25:21 | 0:25:23 | |
Migg. | 0:25:23 | 0:25:24 | |
See, Tom, you've been depressed for a long, long time. | 0:25:24 | 0:25:29 | |
You just wanted to give yourself an excuse to leave your job, | 0:25:29 | 0:25:33 | |
start drinking, drop out of this life you hated. | 0:25:33 | 0:25:36 | |
-I don't... -You're not Charles Bukowski. | 0:25:36 | 0:25:38 | |
You're just a primary school teacher who had a nervous breakdown. | 0:25:40 | 0:25:45 | |
I've got to go. I've got to put my hair in a bun for D-Day Doris. | 0:25:45 | 0:25:49 | |
-I thought it was Lucy Land Girl. -We changed it back. | 0:25:49 | 0:25:53 | |
We'll get through this, Tom. You just have to be strong. | 0:25:54 | 0:25:59 | |
-But Migg... -No. | 0:25:59 | 0:26:01 | |
Get this Migg out of your head once and for all. | 0:26:01 | 0:26:05 | |
Love you. | 0:26:06 | 0:26:07 | |
Everything all right, Tom? | 0:26:17 | 0:26:19 | |
And instead of saying bombs, barrage, balloons and black-outs, | 0:26:28 | 0:26:31 | |
I came out with bombs, black-out balloons and barrages. | 0:26:31 | 0:26:37 | |
I don't know where it came from. Tim just looked at me. | 0:26:37 | 0:26:40 | |
I could tell he was gonna go. | 0:26:40 | 0:26:42 | |
Well, this is a transformation. You look like a new man. | 0:26:46 | 0:26:49 | |
Well, I've got you to thank for that. | 0:26:49 | 0:26:51 | |
I don't know what I'd do without you. | 0:26:51 | 0:26:53 | |
DOOR BUZZER RINGS | 0:26:56 | 0:26:58 | |
Who's that? | 0:26:58 | 0:27:00 | |
Hello. | 0:27:03 | 0:27:05 | |
'Hi, it's Stevie.' | 0:27:05 | 0:27:06 | |
Come up. | 0:27:06 | 0:27:07 | |
Stevie. | 0:27:07 | 0:27:09 | |
Hello, stranger. | 0:27:11 | 0:27:12 | |
I'm on a Costa run for my builders so I thought I'd just scooch around. | 0:27:12 | 0:27:15 | |
-You're looking well. -Yeah, well. Feel a lot better, thanks. | 0:27:15 | 0:27:18 | |
That Worzel Gummidge look was doing you no favours. | 0:27:18 | 0:27:21 | |
Now we are all missing you still. | 0:27:21 | 0:27:23 | |
They've got that awful supply teacher in. | 0:27:23 | 0:27:25 | |
You know, the one who can't say her S's. | 0:27:25 | 0:27:27 | |
Thwit up thwaight. | 0:27:27 | 0:27:28 | |
That's the one. We're hoping you might reconsider. | 0:27:28 | 0:27:31 | |
I just...I need a bit more time. | 0:27:31 | 0:27:33 | |
I know you've been through a lot. | 0:27:33 | 0:27:35 | |
I'm being nosey, but it might do you good to get back to work. | 0:27:35 | 0:27:38 | |
-Well, that's what Gerri's been telling me. -Ah. | 0:27:38 | 0:27:41 | |
Come through anyway. I'll tell her you're here. Gerri. | 0:27:41 | 0:27:44 | |
Gerri! Where's she gone? | 0:27:45 | 0:27:48 | |
Stevie's here. | 0:27:48 | 0:27:50 | |
Tom... | 0:27:50 | 0:27:52 | |
She was just here. | 0:27:52 | 0:27:53 | |
Gerri died, Tom. Remember? In the car accident. | 0:27:55 | 0:28:00 | |
No, no, but I was only just talking to her a second ago. | 0:28:00 | 0:28:04 | |
We all said you came back to work too soon. | 0:28:04 | 0:28:07 | |
I know you loved her very much, but it's time to let her go, Tom. | 0:28:08 | 0:28:12 | |
She saved me. She saved me from Migg. | 0:28:15 | 0:28:18 | |
I'll get your tablet. | 0:28:19 | 0:28:20 | |
Tom! | 0:28:25 | 0:28:26 | |
Oh, my God. | 0:28:30 | 0:28:32 | |
What have you done? | 0:28:32 | 0:28:34 | |
Oh, that's just Migg. He's not real. | 0:28:37 | 0:28:41 | |
Come and have a coffee. | 0:28:41 | 0:28:43 | |
Gerri's just putting the kettle on. | 0:28:43 | 0:28:45 |