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This programme contains some strong language. | 0:00:08 | 0:00:12 | |
Graham? | 0:00:26 | 0:00:28 | |
Graham. What? | 0:00:30 | 0:00:32 | |
How do you turn this on? | 0:00:32 | 0:00:34 | |
It is on. How do you record? | 0:00:34 | 0:00:36 | |
Press the button. | 0:00:36 | 0:00:38 | |
This one? Yeah. | 0:00:40 | 0:00:43 | |
Oh, why's the light on? It's in stand-by. | 0:00:43 | 0:00:46 | |
Oh, right. | 0:00:46 | 0:00:48 | |
Tam-Tam? | 0:00:49 | 0:00:50 | |
Tam-Tam, when I say go, | 0:00:52 | 0:00:54 | |
I want you to explain what day it is and who's coming. OK, love? | 0:00:54 | 0:00:58 | |
Why? Well, so we have a record of it. | 0:00:58 | 0:01:00 | |
You don't want to forget it, do you? | 0:01:00 | 0:01:02 | |
Hang on, let me find the button again. Right. | 0:01:02 | 0:01:05 | |
And... | 0:01:06 | 0:01:08 | |
..go... | 0:01:09 | 0:01:10 | |
Well done, Tam-Tam. | 0:01:12 | 0:01:15 | |
Do you want to watch it back? No, thanks. | 0:01:15 | 0:01:17 | |
All right. I'll watch it later. | 0:01:17 | 0:01:20 | |
I can't bloody do it. Where's the pumper? | 0:01:29 | 0:01:31 | |
What do you mean, you can't do it? | 0:01:31 | 0:01:32 | |
It's these stupid long ones. | 0:01:32 | 0:01:34 | |
Well, stretch it, Graham. Stretch it. | 0:01:34 | 0:01:36 | |
Just get me the pumper! | 0:01:36 | 0:01:37 | |
I told you to do them last night! | 0:01:37 | 0:01:40 | |
DOORBELL RINGS | 0:01:40 | 0:01:41 | |
He's here. Graham, oh, my God! | 0:01:41 | 0:01:43 | |
All right, calm down. He's only flesh and blood. | 0:01:43 | 0:01:45 | |
I know, but in our house! Graham, oh, my God. | 0:01:45 | 0:01:47 | |
His turds are brown, aren't they? | 0:01:47 | 0:01:49 | |
Oh, Graham. Well... | 0:01:49 | 0:01:51 | |
He's here, Tammy! | 0:01:51 | 0:01:52 | |
SHE LAUGHS | 0:01:52 | 0:01:54 | |
Hello. Come in. | 0:01:54 | 0:01:56 | |
She's just through here. | 0:01:56 | 0:01:57 | |
You found us all right, then? Yeah, no problem. | 0:01:57 | 0:02:01 | |
Oh, this is my wife, Jan. | 0:02:01 | 0:02:03 | |
Oh! | 0:02:03 | 0:02:04 | |
Hi. Frankie Parsons. | 0:02:04 | 0:02:06 | |
I know! | 0:02:06 | 0:02:07 | |
She's a big fan of yours. Oh, Graham! | 0:02:07 | 0:02:10 | |
Lovely to meet you. You've got beautiful eyes. | 0:02:10 | 0:02:13 | |
Oh! | 0:02:13 | 0:02:14 | |
You know Sally from the Make A... | 0:02:14 | 0:02:17 | |
Wishmaker UK. We spoke on the phone. | 0:02:17 | 0:02:20 | |
Hi. Gosh, what a lovely house. | 0:02:20 | 0:02:22 | |
Oh, thank you. | 0:02:22 | 0:02:23 | |
So, is this Jasmine through here? | 0:02:23 | 0:02:26 | |
Yes. Tamsin. Tasmin? | 0:02:26 | 0:02:27 | |
Tamsin. Tamsin. Tamsin. | 0:02:27 | 0:02:29 | |
Hello, Tamsin. | 0:02:32 | 0:02:34 | |
Happy Birthday. | 0:02:34 | 0:02:36 | |
So, you're nine today, are you? | 0:02:36 | 0:02:40 | |
Oh, hang on a second. I just want to video this. | 0:02:40 | 0:02:43 | |
Do you mind? No, no, not at all. | 0:02:43 | 0:02:45 | |
I'd like a copy for myself, actually. | 0:02:45 | 0:02:47 | |
I'm excited to meet this brave little girl who | 0:02:47 | 0:02:50 | |
I've heard so much about. | 0:02:50 | 0:02:52 | |
You want me to step out and come back in again? | 0:02:52 | 0:02:55 | |
Oh, yes, please! | 0:02:55 | 0:02:58 | |
JAN LAUGHS EXCITEDLY | 0:02:58 | 0:03:00 | |
Ready? Hey... | 0:03:01 | 0:03:03 | |
There's no need for you to do that. | 0:03:09 | 0:03:11 | |
I'll go and get the pumper. | 0:03:11 | 0:03:12 | |
It's OK. I got it. | 0:03:12 | 0:03:14 | |
Too many cigarettes. | 0:03:18 | 0:03:20 | |
HE PANTS | 0:03:20 | 0:03:22 | |
TAMSIN: Are you OK? | 0:03:24 | 0:03:26 | |
FRANKIE: Almost done. One more push. | 0:03:32 | 0:03:35 | |
Oh... | 0:03:42 | 0:03:44 | |
HE PANTS AND GROANS | 0:03:44 | 0:03:47 | |
TAMSIN: Daddy! | 0:03:49 | 0:03:51 | |
Shit, what's happened? Jan! He fell. | 0:03:53 | 0:03:55 | |
What do you mean, he fell? MAN: Mr Parsons! Mr Parsons! | 0:03:55 | 0:03:58 | |
Get him a drink of water or something. Jan! ..a cold compress, or... | 0:03:58 | 0:04:01 | |
MAN: He's not breathing! Mr... | 0:04:01 | 0:04:03 | |
Here. | 0:04:12 | 0:04:13 | |
Do you take sugar, Sally? | 0:04:15 | 0:04:16 | |
No. Yes, actually. Do you have sweeteners? | 0:04:16 | 0:04:21 | |
In the drawer. | 0:04:22 | 0:04:25 | |
Which? | 0:04:25 | 0:04:26 | |
The one with the hoover bags. | 0:04:26 | 0:04:29 | |
Sorry, I still don't... | 0:04:31 | 0:04:33 | |
I'll get them! | 0:04:33 | 0:04:34 | |
She's upset. | 0:04:37 | 0:04:39 | |
She wanted him to sign her CDs. | 0:04:39 | 0:04:41 | |
We have autographs on file. I can arrange to have one sent. | 0:04:41 | 0:04:45 | |
Oh, thanks! | 0:04:45 | 0:04:46 | |
Would be worth a few bob now, I should think. | 0:04:47 | 0:04:50 | |
Mr Forboise is on his way. | 0:04:52 | 0:04:54 | |
He said don't touch anything until he gets here. | 0:04:54 | 0:04:56 | |
Right. Mr Forboise is Frankie's manager. | 0:04:56 | 0:05:00 | |
Was Frankie's manager. | 0:05:00 | 0:05:02 | |
Here. | 0:05:02 | 0:05:03 | |
They're packet ones, I'm afraid. | 0:05:03 | 0:05:05 | |
She nicked 'em off a train. Graham! | 0:05:05 | 0:05:07 | |
Well, it hardly matters now, does it? | 0:05:07 | 0:05:09 | |
We've got a world-famous dead pop star in our Tamsin's bedroom. | 0:05:09 | 0:05:12 | |
No-one's going to mind about a few stolen Canderels. | 0:05:12 | 0:05:15 | |
TAMSIN SNIFFS | 0:05:15 | 0:05:17 | |
Oh, Tamsin... | 0:05:17 | 0:05:19 | |
Love! | 0:05:19 | 0:05:20 | |
Are you sure we shouldn't call 999? | 0:05:25 | 0:05:27 | |
Mr Forboise said to wait, | 0:05:27 | 0:05:29 | |
said this place would be crawling with pigs if we do that. | 0:05:29 | 0:05:32 | |
You mean police. | 0:05:32 | 0:05:33 | |
No, I'm talking about press, aren't I? | 0:05:33 | 0:05:35 | |
If they find out Mr Parsons died in that way, | 0:05:35 | 0:05:39 | |
they'll be like vultures. | 0:05:39 | 0:05:40 | |
Must be awful doing that job. | 0:05:40 | 0:05:42 | |
You know, you're either a pig or a vulture, aren't you? | 0:05:42 | 0:05:45 | |
You're never a horse or a creature with dignity. | 0:05:45 | 0:05:49 | |
Horrible. | 0:05:49 | 0:05:51 | |
I suppose they'll all want to get the first picture. | 0:05:51 | 0:05:54 | |
Look what they did to Diana. | 0:05:54 | 0:05:56 | |
And Kate. | 0:05:56 | 0:05:57 | |
Yes. Her boobs are out there now. | 0:05:57 | 0:05:59 | |
She can't take 'em back. | 0:05:59 | 0:06:01 | |
We've got to protect Frankie's legacy. Absolutely. | 0:06:01 | 0:06:06 | |
You all right there, Tam-Tam? | 0:06:06 | 0:06:09 | |
Do you want me to take that off you, love? | 0:06:09 | 0:06:11 | |
Can I take the balloon please, Miss? | 0:06:31 | 0:06:33 | |
Oh, let her keep it. The balloon? | 0:06:33 | 0:06:35 | |
What do you want it for? | 0:06:35 | 0:06:37 | |
Well... | 0:06:37 | 0:06:39 | |
I believe that you are in infringement of | 0:06:39 | 0:06:41 | |
Mr Parson's intellectual property rights. What? | 0:06:41 | 0:06:45 | |
It's a comfort to her. | 0:06:45 | 0:06:46 | |
It's only a balloon, for goodness' sake. | 0:06:46 | 0:06:48 | |
One that contains Mr Parsons' breath - | 0:06:48 | 0:06:51 | |
his actual dying breath. | 0:06:51 | 0:06:53 | |
Oh, good Lord. Oh, that's made me go all funny. | 0:06:54 | 0:06:56 | |
Oh, just give it to him, Tamsin. | 0:06:56 | 0:06:58 | |
There you go. | 0:06:58 | 0:07:00 | |
Careful! All right. It's fine. | 0:07:00 | 0:07:03 | |
Tie a knot in it. | 0:07:03 | 0:07:05 | |
BALLOON SPLUTTERS | 0:07:05 | 0:07:07 | |
Whoa, whoa, whoa! | 0:07:07 | 0:07:08 | |
I just can't do the... Use two fingers. | 0:07:08 | 0:07:11 | |
I can't do it, can I? No. | 0:07:11 | 0:07:15 | |
Let me do it. | 0:07:15 | 0:07:16 | |
Just be careful, all right? | 0:07:20 | 0:07:21 | |
Got it? | 0:07:23 | 0:07:25 | |
If you'd only used the pumper, none of this would have happened. | 0:07:29 | 0:07:32 | |
Jan! Please! | 0:07:32 | 0:07:34 | |
There. Thank you. | 0:07:44 | 0:07:45 | |
Whoa, whoa, whoa, whoa. | 0:07:45 | 0:07:47 | |
Let's just take a breath, shall we? | 0:07:47 | 0:07:49 | |
Jan, go and get Tamsin's laptop from her room, please. | 0:07:49 | 0:07:53 | |
But Frankie's in there. | 0:07:53 | 0:07:54 | |
Just get it, please. | 0:07:54 | 0:07:57 | |
I need to find out what we're dealing with here. | 0:07:59 | 0:08:01 | |
PHONE RINGS | 0:08:03 | 0:08:05 | |
My boss. Should I answer it? | 0:08:08 | 0:08:10 | |
No. Yeah. | 0:08:10 | 0:08:11 | |
Hi, Nigel. | 0:08:12 | 0:08:14 | |
Oh, gosh, yes. Oh, I'm so sorry. I completely forgot. | 0:08:14 | 0:08:18 | |
I've got a little boy with cerebral palsy | 0:08:18 | 0:08:20 | |
who wants to play chess with Noel Edmonds. | 0:08:20 | 0:08:24 | |
Nigel, could you get Sandy to cover for me at all? | 0:08:24 | 0:08:28 | |
I'm just dealing with a situation here. | 0:08:28 | 0:08:31 | |
No, no, no. | 0:08:31 | 0:08:33 | |
It's all going well. You don't have to come. | 0:08:33 | 0:08:36 | |
It's just... | 0:08:36 | 0:08:37 | |
Mr Parsons wants to stay and... | 0:08:37 | 0:08:40 | |
..suck off... | 0:08:42 | 0:08:43 | |
HE MOUTHS | 0:08:43 | 0:08:45 | |
..sing off with Tamsin on the karaoke, yes. | 0:08:45 | 0:08:49 | |
Oh, they're having a ball. | 0:08:49 | 0:08:51 | |
They're doing La Bamba as I speak. | 0:08:51 | 0:08:53 | |
SHE MOUTHS | 0:08:54 | 0:08:56 | |
# La, la, la, la bamba | 0:08:58 | 0:09:01 | |
# La, la, la, tum-ba, | 0:09:01 | 0:09:03 | |
# La, ba, uh, uh # La, la, la, la... # | 0:09:03 | 0:09:05 | |
She's a lucky girl, isn't she? | 0:09:05 | 0:09:07 | |
# La, la, la, la, la bamba... # | 0:09:07 | 0:09:10 | |
What is going on? | 0:09:10 | 0:09:11 | |
Frankie's lying dead next door and you're singing Billy Joel! | 0:09:11 | 0:09:15 | |
Billy Joel? That wasn't Billy Joel! | 0:09:15 | 0:09:17 | |
Who's Billy Joel? | 0:09:17 | 0:09:18 | |
Are you serious?! Who's Billy Joel? I've heard it all now. | 0:09:18 | 0:09:21 | |
Well, whoever it is, I don't think it's appropriate. | 0:09:21 | 0:09:25 | |
Disaster averted. We don't really want | 0:09:26 | 0:09:29 | |
anybody else coming round, do we? | 0:09:29 | 0:09:30 | |
Not until Mr Forboise gets here. | 0:09:30 | 0:09:32 | |
I'm going to give this to you as a neutral, OK? | 0:09:32 | 0:09:35 | |
Yes, fine. Let me just take my ring off. | 0:09:35 | 0:09:40 | |
It's a bit spiky. | 0:09:40 | 0:09:42 | |
There. | 0:09:42 | 0:09:43 | |
That's better, isn't it? | 0:09:44 | 0:09:46 | |
Is this some sort of party game? | 0:09:47 | 0:09:48 | |
Whoa, whoa, whoa. Step away from the balloon, miss, all right? | 0:09:48 | 0:09:51 | |
What's going on? Miss, I need you to step away. | 0:09:51 | 0:09:54 | |
Oh, you've all lost your heads. | 0:09:54 | 0:09:55 | |
All right, here we go. Look at this. | 0:09:55 | 0:09:57 | |
Justin Bieber's fringe - $40,000. | 0:09:57 | 0:10:00 | |
Gosh. Elvis Presley's hair - 120,000. | 0:10:00 | 0:10:03 | |
Michael Jackson's glove - 400,000. | 0:10:03 | 0:10:06 | |
What's this got to do with anything? | 0:10:06 | 0:10:08 | |
Jan, we've got a balloon here | 0:10:08 | 0:10:10 | |
containing Frankie Parson's final breath, | 0:10:10 | 0:10:12 | |
his actual dying breath captured and preserved for eternity. | 0:10:12 | 0:10:16 | |
We've even got the video to prove it! | 0:10:16 | 0:10:18 | |
That's sick. | 0:10:19 | 0:10:21 | |
The world's sick, Jan. | 0:10:21 | 0:10:23 | |
Someone paid five and a half grand for Scarlett Johansson's used tissue! | 0:10:23 | 0:10:26 | |
It's like Billy said - we didn't start the fire. | 0:10:26 | 0:10:30 | |
You're going to sell Frankie's last breath? | 0:10:30 | 0:10:33 | |
Well, we don't know what it's worth, do we? | 0:10:33 | 0:10:35 | |
Could be 50 quid or 50,000. | 0:10:35 | 0:10:37 | |
Or more. At Wishmaker UK we get to see the value people attach | 0:10:37 | 0:10:40 | |
to celebrities and it's quite staggering, I tell you. | 0:10:40 | 0:10:44 | |
Something like this could make a lot of children's wishes come true. | 0:10:44 | 0:10:48 | |
Yeah, but this is Tamsin's wish, | 0:10:48 | 0:10:51 | |
isn't it, Tam-Tam? | 0:10:51 | 0:10:53 | |
That wish belongs to us. | 0:10:56 | 0:10:59 | |
What about Bermuda Love Triangle? | 0:11:20 | 0:11:22 | |
It's a bit... | 0:11:22 | 0:11:23 | |
..rocky, given the circumstances. | 0:11:25 | 0:11:29 | |
Yeah, suppose we want something more sombre, don't we? | 0:11:29 | 0:11:33 | |
But not maudlin. He was never maudlin. | 0:11:33 | 0:11:35 | |
How about Feel You Up, Feel You Down? | 0:11:36 | 0:11:39 | |
Was that the one where he tried to rap? Yeah. | 0:11:39 | 0:11:42 | |
I don't like it, Sally. He uses language. | 0:11:42 | 0:11:44 | |
Oh, yes. Shit, I'd forgotten, sorry. | 0:11:44 | 0:11:46 | |
Oh... Sorry. | 0:11:46 | 0:11:48 | |
Frankie was best when he was just...classic. | 0:11:49 | 0:11:53 | |
Do you know what I mean? Mmm. | 0:11:53 | 0:11:56 | |
Timeless. | 0:11:56 | 0:11:58 | |
My favourite was One Day In Your Life. | 0:11:58 | 0:12:02 | |
Oh, yes. | 0:12:02 | 0:12:04 | |
That's the one. One Day In Your Life. | 0:12:04 | 0:12:06 | |
Were you actually a fan of his before you started to work for him? | 0:12:06 | 0:12:09 | |
No. I prefer hip hop, gangsta rap, that sort of thing. | 0:12:09 | 0:12:13 | |
Oh. | 0:12:13 | 0:12:15 | |
I once met Jazzy Jay in a lift. | 0:12:15 | 0:12:17 | |
Right. | 0:12:18 | 0:12:20 | |
GENTLE VIOLIN MUSIC PLAYS | 0:12:22 | 0:12:25 | |
# One day in your life | 0:12:33 | 0:12:38 | |
# You'll remember a place | 0:12:38 | 0:12:43 | |
# Someone touching your face | 0:12:43 | 0:12:48 | |
# You'll come back | 0:12:49 | 0:12:51 | |
# And you'll look around you | 0:12:51 | 0:12:57 | |
# One day in your life | 0:12:57 | 0:13:00 | |
# You'll remember... # | 0:13:00 | 0:13:02 | |
MUSIC STOPS | 0:13:02 | 0:13:03 | |
GRAHAM: I've got some numbers for you. | 0:13:03 | 0:13:05 | |
I spoke to a man at Christie's and got a ballpark | 0:13:05 | 0:13:07 | |
figure for the last breaths of Nelson Mandela and Robbie Williams. | 0:13:07 | 0:13:10 | |
I figured that Frankie was somewhere in between. | 0:13:10 | 0:13:12 | |
These are hypothetical last breaths. | 0:13:12 | 0:13:14 | |
Yeah, yeah, hypothetical ones, obviously. | 0:13:14 | 0:13:16 | |
Ah, do you need a wee-wee, Tam-Tam? Go with her, Jan. | 0:13:16 | 0:13:19 | |
I don't need a wee. | 0:13:19 | 0:13:21 | |
Come on, sweetheart. | 0:13:21 | 0:13:22 | |
Your dad wants to talk some business. | 0:13:22 | 0:13:24 | |
So I said, "Imagine you're at Nelson Mandela's deathbed | 0:13:24 | 0:13:28 | |
"with a jam jar." | 0:13:28 | 0:13:29 | |
A jam jar? | 0:13:29 | 0:13:31 | |
Yeah, well, I was improvising, wasn't I? | 0:13:31 | 0:13:33 | |
Well, that's one birthday we won't forget in a hurry, isn't it? | 0:13:36 | 0:13:40 | |
How many birthdays do I have left? | 0:13:40 | 0:13:43 | |
We don't know, darling. | 0:13:43 | 0:13:44 | |
Lots and lots, we hope. | 0:13:44 | 0:13:46 | |
I liked Frankie. He was nice. | 0:13:48 | 0:13:50 | |
Frankie J Parsons at our house. | 0:13:52 | 0:13:55 | |
That was going to be my moment. | 0:13:55 | 0:13:58 | |
Now it's gone. | 0:13:58 | 0:13:59 | |
SALLY LAUGHS | 0:14:02 | 0:14:03 | |
Is it my fault? | 0:14:03 | 0:14:04 | |
Darling, no, why would it be your fault? | 0:14:04 | 0:14:07 | |
I wanted him to blow up the balloon. | 0:14:07 | 0:14:09 | |
Well, you weren't to know. | 0:14:09 | 0:14:12 | |
Will his soul go to heaven? | 0:14:12 | 0:14:13 | |
Yes. | 0:14:15 | 0:14:16 | |
Yes, it will. | 0:14:18 | 0:14:21 | |
So, how are we going to do this? | 0:14:25 | 0:14:28 | |
Well, as a neutral, I'd say the only fair way is equal shares. | 0:14:28 | 0:14:32 | |
Yeah, absolutely. | 0:14:32 | 0:14:33 | |
Third for you, third for me, third for the family. | 0:14:33 | 0:14:35 | |
That sounds about right. | 0:14:35 | 0:14:36 | |
Hang on a minute, what do you mean "a third for the family"? | 0:14:36 | 0:14:39 | |
That's a lot of money. Yeah, but there's three of us. | 0:14:39 | 0:14:42 | |
So what are you saying? | 0:14:42 | 0:14:44 | |
Well, you should split it in fifths. Me, Jan, Tamsin, you and Sally. | 0:14:44 | 0:14:47 | |
A fifth. I worked for him all those years on shitty wages | 0:14:47 | 0:14:50 | |
and all I get is a fifth? | 0:14:50 | 0:14:51 | |
But that's equal shares, isn't it? It's five people. | 0:14:51 | 0:14:53 | |
How about we compromise and say quarters? | 0:14:53 | 0:14:56 | |
Quarters? | 0:14:56 | 0:14:57 | |
Yeah. 25% each. So who loses out? | 0:14:57 | 0:15:00 | |
Nobody. You and your wife get half, | 0:15:00 | 0:15:02 | |
and we split the other half between us. | 0:15:02 | 0:15:04 | |
Yeah, and what about Tamsin? | 0:15:04 | 0:15:05 | |
She's underage. So? She's just a kid. | 0:15:05 | 0:15:07 | |
She shouldn't get that much money. She's earned it. | 0:15:07 | 0:15:09 | |
What, by making him blow into a balloon and giving him an aneurysm? | 0:15:09 | 0:15:13 | |
Mr Vickers, with respect, | 0:15:13 | 0:15:15 | |
if we give Tamsin an equal fifth, well, | 0:15:15 | 0:15:18 | |
that's going to revert back to you pretty quickly, isn't it? | 0:15:18 | 0:15:21 | |
What? | 0:15:21 | 0:15:23 | |
I mean, without being emotional, | 0:15:23 | 0:15:25 | |
when the inevitable happens, you and your wife are going to be | 0:15:25 | 0:15:27 | |
sitting on three fifths between the two of you | 0:15:27 | 0:15:30 | |
and Simon and I don't think that's particularly fair, do we? | 0:15:30 | 0:15:35 | |
Mm-mm. | 0:15:35 | 0:15:36 | |
Now, just a minute... Put it down. Put it down! | 0:15:36 | 0:15:39 | |
This balloon actually belongs to us. | 0:15:39 | 0:15:41 | |
We paid for it. Jan'll have the receipt somewhere, | 0:15:41 | 0:15:43 | |
so you two can just fuck off! | 0:15:43 | 0:15:44 | |
I beg your pardon? | 0:15:45 | 0:15:47 | |
You heard me. Fuck off! | 0:15:47 | 0:15:48 | |
This is my house, my party and my balloon! | 0:15:48 | 0:15:51 | |
You invited us here, Mr Vickers. | 0:15:51 | 0:15:53 | |
Mr Parsons gave up time from his busy schedule... | 0:15:53 | 0:15:55 | |
I don't give a shit! | 0:15:55 | 0:15:57 | |
He's dead now and I want him and you out of my house! | 0:15:57 | 0:15:59 | |
We'll go, just as soon as you give us what's rightfully ours. | 0:15:59 | 0:16:02 | |
What's rightfully OURS, you mean. Pack of 12, ?1.99? | 0:16:02 | 0:16:05 | |
What's inside it isn't yours, is it? | 0:16:05 | 0:16:08 | |
You own the skin but you don't own the air. | 0:16:08 | 0:16:11 | |
That's right. | 0:16:11 | 0:16:12 | |
Nobody owns the air. | 0:16:12 | 0:16:14 | |
All right. | 0:16:16 | 0:16:19 | |
All right. Well, if you want the air, | 0:16:19 | 0:16:20 | |
you can have it... Whoa! This is what you want! Stop, stop! | 0:16:20 | 0:16:23 | |
Isn't it?! Is this what you want?! Put it down... Is it?! | 0:16:23 | 0:16:26 | |
Stop it! | 0:16:26 | 0:16:28 | |
Get down off the sofa, Graham. | 0:16:33 | 0:16:34 | |
Give the balloon to Tamsin. | 0:16:39 | 0:16:42 | |
It's her birthday. It belongs to her. | 0:16:42 | 0:16:45 | |
She's neutral. I thought I was neutral. | 0:16:48 | 0:16:51 | |
Not any more, you're not. | 0:16:51 | 0:16:52 | |
You went from Switzerland to Nazi Germany in one fell goose step. | 0:16:52 | 0:16:55 | |
Here. | 0:16:58 | 0:16:59 | |
Be very, very careful with it, Tam-Tam. | 0:17:01 | 0:17:04 | |
You know you wanted to go Disney? | 0:17:05 | 0:17:07 | |
The proper one, not the froggy one? | 0:17:07 | 0:17:09 | |
Well, imagine this is your ticket in. | 0:17:09 | 0:17:13 | |
Yeah, your golden ticket. | 0:17:13 | 0:17:16 | |
Don't make promises you can't keep, Graham. | 0:17:16 | 0:17:19 | |
She's been through enough. | 0:17:19 | 0:17:22 | |
Trust me. | 0:17:22 | 0:17:24 | |
Now let's sit down, have a spot of lunch, | 0:17:26 | 0:17:30 | |
and we'll talk about this like adults. | 0:17:30 | 0:17:32 | |
Must be very rewarding, your job. | 0:17:37 | 0:17:41 | |
Yes, yes, I suppose it is. | 0:17:41 | 0:17:43 | |
When you see a little boy's face light up | 0:17:43 | 0:17:45 | |
because John Terry's brought him a signed England shirt, | 0:17:45 | 0:17:48 | |
well, you can't put a price on that. | 0:17:48 | 0:17:50 | |
But you can put a price on a pop star's last ever breath? | 0:17:51 | 0:17:55 | |
It's just a guesstimate. | 0:17:55 | 0:17:57 | |
Something to put in the budget. You know? | 0:17:57 | 0:17:59 | |
What's the best dream you've ever made come true? | 0:18:05 | 0:18:09 | |
Mm, I'm often asked that. | 0:18:09 | 0:18:11 | |
I'd have to say - and it sounds silly, really - | 0:18:12 | 0:18:15 | |
but there was a little girl with... | 0:18:15 | 0:18:17 | |
I think...Hodgkin's disease. | 0:18:17 | 0:18:21 | |
I don't get involved with the illness side. | 0:18:21 | 0:18:23 | |
And her dream was to be a postman. | 0:18:23 | 0:18:26 | |
That's all. Not give a letter to the Queen, or meet Postman Pat. | 0:18:26 | 0:18:30 | |
Just be a postman. | 0:18:30 | 0:18:32 | |
Nigel shunted it my way. Zero press interest there, of course. | 0:18:32 | 0:18:36 | |
But when we gave her that letter | 0:18:36 | 0:18:38 | |
and told her to put it through the letter box, | 0:18:38 | 0:18:41 | |
the little giggle after it landed. | 0:18:41 | 0:18:44 | |
Said it meant the whole world to her. | 0:18:46 | 0:18:48 | |
Then she dropped down dead right there on the doorstep. | 0:18:50 | 0:18:52 | |
Press went mad for it. | 0:18:52 | 0:18:54 | |
So, up yours, Nigel. | 0:18:54 | 0:18:56 | |
That was my favourite one. | 0:18:57 | 0:18:59 | |
CAMERA SHUTTER CLICKS | 0:19:05 | 0:19:07 | |
Mr Forboise said he'll be here in 20 minutes | 0:19:07 | 0:19:09 | |
with the coroner and ambulance crew. | 0:19:09 | 0:19:11 | |
OK. They'll be incognito, so they don't raise any alarm. | 0:19:11 | 0:19:15 | |
Said he wanted to do this with dignity. Absolutely. | 0:19:15 | 0:19:18 | |
You didn't tell him about... Oh, no, no, no. | 0:19:20 | 0:19:23 | |
I'll just claim ignorance. Yeah, probably best. | 0:19:23 | 0:19:25 | |
Was he a good boss? Who? Mr Parsons? | 0:19:30 | 0:19:33 | |
Bit of a dick, to be honest. Yeah? | 0:19:35 | 0:19:36 | |
I mean, he knew how to work it and all that, | 0:19:36 | 0:19:38 | |
but I don't think he was a happy man. | 0:19:38 | 0:19:40 | |
You should have heard the way he was bitching about having to come here. | 0:19:40 | 0:19:44 | |
No? "I shouldn't have to be around these sick kids. | 0:19:44 | 0:19:46 | |
"They make me depressed." | 0:19:46 | 0:19:48 | |
Oh, how disappointing! | 0:19:48 | 0:19:50 | |
Don't say anything to Jan, will you? She'd be mortified. | 0:19:50 | 0:19:52 | |
No, no, no, of course not. | 0:19:52 | 0:19:54 | |
You see, that's the trouble with being famous, isn't it? | 0:19:54 | 0:19:57 | |
Your life's not your own any more. | 0:19:57 | 0:20:00 | |
For real. | 0:20:00 | 0:20:01 | |
BANG | 0:20:01 | 0:20:02 | |
What the... | 0:20:02 | 0:20:03 | |
Oh, thank God. | 0:20:05 | 0:20:06 | |
Was just a car backfiring. | 0:20:07 | 0:20:08 | |
I'm not being funny, but we should put | 0:20:08 | 0:20:10 | |
the item upstairs, out of the way. | 0:20:10 | 0:20:12 | |
This place will be crawling with quacks | 0:20:12 | 0:20:13 | |
in a few minutes. Anything can happen. | 0:20:13 | 0:20:15 | |
Yeah. And are the quacks linked to the pigs, or...? | 0:20:15 | 0:20:18 | |
I'll put it in the spare room. | 0:20:18 | 0:20:20 | |
As long as it's safe, yeah? It will be. | 0:20:20 | 0:20:22 | |
Come on, Tam-Tam, give it to Daddy. | 0:20:22 | 0:20:25 | |
Good girl. | 0:20:25 | 0:20:26 | |
Let go, sweetheart. | 0:20:27 | 0:20:30 | |
Daddy needs this. Come on. | 0:20:30 | 0:20:33 | |
Good girl. | 0:20:33 | 0:20:34 | |
Let go. | 0:20:36 | 0:20:37 | |
I'm coming with you. | 0:20:45 | 0:20:46 | |
Let's put some music on, Tam. | 0:20:49 | 0:20:51 | |
Cheer you up a bit. | 0:20:51 | 0:20:52 | |
# Keeping my eyes on the road | 0:20:54 | 0:20:58 | |
# I see you | 0:20:58 | 0:21:01 | |
# Ah-ah-ah | 0:21:01 | 0:21:03 | |
# Keeping my hands on the wheel | 0:21:03 | 0:21:07 | |
# I hold you | 0:21:07 | 0:21:10 | |
# Ah-ah-ah | 0:21:10 | 0:21:12 | |
# 99 miles from LA | 0:21:12 | 0:21:16 | |
# I kiss you | 0:21:16 | 0:21:18 | |
# I miss you | 0:21:18 | 0:21:20 | |
# Please be there | 0:21:20 | 0:21:24 | |
# Passing a white sandy beach | 0:21:26 | 0:21:30 | |
# We're sailing... # | 0:21:30 | 0:21:33 | |
Be about seven or eight minutes. | 0:21:43 | 0:21:45 | |
Cool. | 0:21:45 | 0:21:46 | |
Thanks, man. | 0:21:48 | 0:21:50 | |
You all right, Tam-Tam? | 0:21:55 | 0:21:56 | |
Do her another balloon, Graham. She misses it. | 0:21:59 | 0:22:02 | |
How can she miss it? It's only a... | 0:22:02 | 0:22:04 | |
What colour do you want, darling? | 0:22:08 | 0:22:10 | |
There's white, yellow, purple... | 0:22:10 | 0:22:12 | |
How many more purple ones? Two. | 0:22:14 | 0:22:16 | |
You know, if we could sell the first one to a private bidder, | 0:22:18 | 0:22:21 | |
no public auction, confidentiality clause. | 0:22:21 | 0:22:23 | |
We've got the video evidence. | 0:22:23 | 0:22:25 | |
Add a bit of Frankie's DNA. | 0:22:25 | 0:22:27 | |
Do it. | 0:22:28 | 0:22:30 | |
Isn't that cheating? Doesn't matter. | 0:22:30 | 0:22:32 | |
A thing is only worth what someone's willing to pay for it. | 0:22:32 | 0:22:36 | |
Careful, Graham. You'll do yourself an injury... | 0:22:36 | 0:22:39 | |
Well, go and get the bloody pumper, then! | 0:22:39 | 0:22:41 | |
We don't know where it is! | 0:22:41 | 0:22:43 | |
Just give me that. | 0:22:43 | 0:22:45 | |
Oh, God, I'm feeling all light-headed. | 0:22:45 | 0:22:48 | |
Stretch it first. I'm seeing stars. | 0:22:48 | 0:22:50 | |
I found the pumper. It was in the... | 0:22:52 | 0:22:53 | |
Aaargh! | 0:22:53 | 0:22:55 | |
# Lover, come back to me | 0:22:55 | 0:22:57 | |
# Take, it boys | 0:22:57 | 0:22:59 | |
# Come back to, come back to me... # | 0:22:59 | 0:23:01 | |
BALLOON DEFLATES | 0:23:06 | 0:23:07 | |
Is Frankie better now? | 0:23:07 | 0:23:09 | |
Jan, take Tamsin to the toilet, please. | 0:23:09 | 0:23:11 | |
I don't want to go. Just do it. | 0:23:11 | 0:23:13 | |
Come on, sweetheart. No! | 0:23:15 | 0:23:17 | |
Mummy will change your bag for you. No! I don't want to! | 0:23:18 | 0:23:21 | |
Is he... | 0:23:37 | 0:23:39 | |
He's alive. Good. | 0:23:39 | 0:23:42 | |
Well, that's fantastic, isn't it? | 0:23:42 | 0:23:44 | |
Yes. It's a very faint pulse. | 0:23:44 | 0:23:47 | |
Well, we just have to cross our fingers and hope for the best. | 0:23:47 | 0:23:51 | |
Right. | 0:23:51 | 0:23:52 | |
What is the best? | 0:23:52 | 0:23:54 | |
How long till the ambulance crew get here? | 0:23:54 | 0:23:57 | |
Five minutes. OK. | 0:23:57 | 0:23:58 | |
OK, I mean, it's still going to be worth something. | 0:24:00 | 0:24:02 | |
Someone bought Justin Timberlake's toast crumbs for, like, three grand. | 0:24:02 | 0:24:06 | |
I mean, it's not like it's been a total waste of time. | 0:24:06 | 0:24:08 | |
Pick a hand. What? | 0:24:08 | 0:24:10 | |
Pick a hand! We've got to do this quickly! | 0:24:10 | 0:24:12 | |
Do what? What are we talking about here? | 0:24:12 | 0:24:13 | |
Just pick one, for fuck's sake. | 0:24:13 | 0:24:16 | |
It's your job, man. | 0:24:16 | 0:24:17 | |
What, my job? No, I found the coin. I won! | 0:24:17 | 0:24:20 | |
Coin loses. Says who? | 0:24:20 | 0:24:22 | |
Just flip it. Heads or tails. | 0:24:22 | 0:24:23 | |
Hang on a minute. How come this is just a two man thing? | 0:24:23 | 0:24:26 | |
Do you want the money or not? Yes, but... Call it then. | 0:24:26 | 0:24:28 | |
She knocked herself out blowing up a balloon, never mind that. | 0:24:28 | 0:24:30 | |
To be fair, so did he. Call it. | 0:24:30 | 0:24:32 | |
No, I'm not prepared to play God in this way. | 0:24:32 | 0:24:35 | |
The man's a huge star! He brings pleasure to millions of people! | 0:24:35 | 0:24:38 | |
Not like that, he doesn't. How do you know? | 0:24:38 | 0:24:40 | |
He had a brain aneurysm. He's a vegetable. | 0:24:40 | 0:24:41 | |
He'll spend the rest of his life bed-bound, | 0:24:41 | 0:24:43 | |
eating through a straw and shitting into a bucket. | 0:24:43 | 0:24:46 | |
What kind of life is that? No offence. No offence? | 0:24:46 | 0:24:48 | |
That's one of the most offensive things I've ever heard in my life! | 0:24:48 | 0:24:51 | |
Look, I spend my whole life making other people's dreams come true. | 0:24:51 | 0:24:54 | |
Standing by and smiling while they fly off in a helicopter with | 0:24:54 | 0:24:57 | |
a candyfloss in one hand and a D-lister in the other. | 0:24:57 | 0:25:00 | |
Why can't it be my turn? | 0:25:00 | 0:25:02 | |
What about my needs? My wishes? | 0:25:02 | 0:25:04 | |
The man's alive. | 0:25:04 | 0:25:06 | |
Not for much longer. Now, call it. | 0:25:06 | 0:25:09 | |
No, I can't. Call it. | 0:25:12 | 0:25:14 | |
Heads! | 0:25:14 | 0:25:15 | |
Heads. | 0:25:17 | 0:25:19 | |
You win. Fuck! | 0:25:19 | 0:25:22 | |
Get me a cushion. | 0:25:22 | 0:25:23 | |
I can't be here for this. | 0:25:32 | 0:25:35 | |
I can't witness this! | 0:25:35 | 0:25:36 | |
Oh, God. | 0:25:41 | 0:25:43 | |
Here. | 0:25:44 | 0:25:45 | |
Get his DNA on these. | 0:25:45 | 0:25:47 | |
We might be able to do something with them at a later date. | 0:25:47 | 0:25:50 | |
Right. I'll go and have a little chat with Tam-Tam. | 0:25:58 | 0:26:01 | |
Tell her the bad news. | 0:26:02 | 0:26:05 | |
Right. I'm going with Mr Forboise. | 0:26:30 | 0:26:33 | |
Pigs will be onto this within the hour, so be ready, yeah? | 0:26:33 | 0:26:36 | |
Sit tight and I'll be in touch. | 0:26:36 | 0:26:38 | |
Nice to meet you. | 0:26:42 | 0:26:44 | |
Well, the press are going to have a field day with this. | 0:26:45 | 0:26:49 | |
We should have another look at that camcorder footage, actually. | 0:26:49 | 0:26:52 | |
If we cut it into 30 second segments, we might be able to send | 0:26:52 | 0:26:55 | |
a chunk to each of the networks. | 0:26:55 | 0:26:57 | |
I wouldn't bet on it. | 0:26:57 | 0:26:58 | |
Our Jan did most of the filming, remember? | 0:26:58 | 0:27:00 | |
Oh, Tamsin! | 0:27:02 | 0:27:04 | |
There's three bits... | 0:27:04 | 0:27:05 | |
Tam-Tam? Tamsin! | 0:27:08 | 0:27:10 | |
Tamsin! | 0:27:12 | 0:27:13 | |
Tamsin, where are you, darling?! | 0:27:16 | 0:27:18 | |
Tam-Tam? | 0:27:21 | 0:27:23 | |
Graham, where's Tamsin? I can't find her. Eh? | 0:27:24 | 0:27:29 | |
She's there, look. | 0:27:29 | 0:27:31 | |
Tamsin! | 0:27:31 | 0:27:33 | |
Tamsin? What you doing? | 0:27:34 | 0:27:37 | |
Tamsin! No! | 0:27:37 | 0:27:39 | |
Shit. Film it, film it! | 0:27:39 | 0:27:41 | |
It's all we've got. | 0:27:41 | 0:27:43 | |
GENTLE VIOLIN MUSIC PLAYS | 0:27:44 | 0:27:47 | |
# One day in your life | 0:27:56 | 0:27:59 | |
# You'll remember a place | 0:27:59 | 0:28:04 | |
# Someone touching your face | 0:28:04 | 0:28:10 | |
# You'll come back | 0:28:10 | 0:28:13 | |
# And you'll look around you | 0:28:13 | 0:28:18 | |
# One day in your life # Ah-ah-ah | 0:28:18 | 0:28:23 | |
# You'll remember | 0:28:23 | 0:28:25 | |
# The love you found here... # | 0:28:25 | 0:28:30 |