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This programme contains some strong language | 0:00:02 | 0:00:07 | |
MAN: This and what needful else that calls upon us. | 0:00:10 | 0:00:14 | |
By the grace of grace we will perform in measure, time and place. | 0:00:14 | 0:00:21 | |
So, thanks to all at once, and to each one. | 0:00:22 | 0:00:27 | |
Whom we invite to see us crowned at Scone. | 0:00:28 | 0:00:32 | |
APPLAUSE | 0:00:36 | 0:00:38 | |
I'll bring that book in for you. | 0:00:39 | 0:00:41 | |
Yeah! | 0:00:41 | 0:00:42 | |
Arsehole. | 0:00:42 | 0:00:45 | |
That bloody speech gets longer and longer every night, yet I'm | 0:00:45 | 0:00:48 | |
lying there with that belt buckle sticking in me | 0:00:48 | 0:00:51 | |
and he's just droning on. | 0:00:51 | 0:00:52 | |
I mean, I'm dead, the play's over, isn't it? | 0:00:52 | 0:00:55 | |
-Who gives a toss about Malcolm? Ow! -Sorry. | 0:00:55 | 0:00:58 | |
I'll take them back to wardrobe to get them stretched out for you. | 0:00:58 | 0:01:01 | |
That would be good, because I did ask | 0:01:01 | 0:01:02 | |
for that three weeks ago, didn't I? | 0:01:02 | 0:01:04 | |
-Sorry, Tony. -You see? | 0:01:04 | 0:01:05 | |
That's four minutes added on to the second half | 0:01:05 | 0:01:07 | |
just cos the casting director of the Donmar's in. | 0:01:07 | 0:01:10 | |
-INTERCOM: -'Visitors at stage door for Mr Horner. Thank you.' | 0:01:10 | 0:01:14 | |
Shit! What are people like? I've just done three hours of Shakespeare, | 0:01:14 | 0:01:18 | |
now I've got to give another performance in here. | 0:01:18 | 0:01:20 | |
-Do you want me to get them? -Yeah, I suppose so. | 0:01:20 | 0:01:22 | |
But after five minutes, remind me | 0:01:22 | 0:01:24 | |
-I've got something on tomorrow morning. -What? | 0:01:24 | 0:01:26 | |
I don't know, voice-over or something. Use your imagination. | 0:01:26 | 0:01:29 | |
-Just don't want to get stuck with them. -OK. | 0:01:29 | 0:01:32 | |
Phwoar. | 0:01:33 | 0:01:35 | |
KNOCK ON DOOR | 0:01:35 | 0:01:36 | |
Hi, Kirstie. | 0:01:37 | 0:01:38 | |
-Hey, Tony! -Hi, Jim. | 0:01:40 | 0:01:42 | |
-Well done for tonight. Good audience, I thought. -Were they? | 0:01:42 | 0:01:45 | |
There was a lot of reading of programmes from what I could see. | 0:01:45 | 0:01:48 | |
"Oh, look, Malcolm was in Doc Martin." So what?! | 0:01:48 | 0:01:52 | |
Look up, people, this is theatre, it's happening now, in front of you! | 0:01:52 | 0:01:55 | |
They seemed to really enjoy it. | 0:01:55 | 0:01:57 | |
It's Shakespeare, Jim, they're not meant to enjoy it. | 0:01:57 | 0:02:00 | |
So, how are you getting along with the lines? | 0:02:01 | 0:02:05 | |
Good. It's really useful watching you every night. | 0:02:05 | 0:02:07 | |
Helps it all sink in. We've actually got an understudy run | 0:02:07 | 0:02:10 | |
on Friday, if you wanted to come. | 0:02:10 | 0:02:11 | |
I'd love to, but I'm pretty sure I've got a voice-over on Friday. | 0:02:13 | 0:02:16 | |
-What time is it? -Two o'clock. -Yep, that's when it is. Exactly then. | 0:02:16 | 0:02:20 | |
-Damn! -Well, not to worry. | 0:02:20 | 0:02:22 | |
Who have you got coming round? Is it the woman from the Donmar? | 0:02:24 | 0:02:27 | |
No, they won't see me for the Donmar. | 0:02:27 | 0:02:29 | |
Not their type of actor, apparently. No, this is my neighbours, | 0:02:29 | 0:02:33 | |
Bill and Jean. I don't know why they've come, to be honest. | 0:02:33 | 0:02:35 | |
I've got absolutely nothing to say to either one of the... | 0:02:35 | 0:02:38 | |
Bill! Jean! Ah-ha-ha! Lovely to see you! | 0:02:38 | 0:02:42 | |
-Thanks so much for coming. -No, no, no, we enjoyed it, didn't we, Jean? | 0:02:44 | 0:02:47 | |
Oh, yes. "When shall we three meet again?" | 0:02:47 | 0:02:51 | |
I still don't know how you learn all those lines! | 0:02:51 | 0:02:54 | |
Oh, well, it's just my job. | 0:02:54 | 0:02:55 | |
I probably couldn't do what you do. | 0:02:55 | 0:02:57 | |
-What do you do? -Oh, hospital porter. | 0:02:58 | 0:03:02 | |
Well, there you go, you see. | 0:03:02 | 0:03:04 | |
There was a porter in this, wasn't there? | 0:03:04 | 0:03:06 | |
I said to Bill, "That should be you!" | 0:03:06 | 0:03:08 | |
FORCED GUFFAW | 0:03:10 | 0:03:12 | |
LAUGHTER TAPERS OFF AWKWARDLY | 0:03:14 | 0:03:16 | |
- So, you enjoyed it then? - BOTH: Oh, yes! | 0:03:19 | 0:03:23 | |
The sets and the lighting make it, don't they? | 0:03:23 | 0:03:27 | |
They give it the atmosphere. | 0:03:27 | 0:03:29 | |
Yes. Nothing to do with the boring old actors, is it? | 0:03:29 | 0:03:31 | |
Oh, no, I'm not saying that! Oh, we liked Malcolm. | 0:03:31 | 0:03:35 | |
-Oh, yes. -And you'd seen him in that programme, what was it? | 0:03:35 | 0:03:38 | |
BILL AND TONY: Doc Martin. | 0:03:38 | 0:03:40 | |
That's it. He likes it for the Cornwall. | 0:03:40 | 0:03:42 | |
Yeah, he played a fisherman in that. | 0:03:42 | 0:03:44 | |
You'd never believe he was the same person, would you? | 0:03:44 | 0:03:46 | |
No, no, he's, uh, a very clever chap. | 0:03:46 | 0:03:49 | |
And he has lovely diction, doesn't he? | 0:03:49 | 0:03:52 | |
I could have listened to him for hours. | 0:03:52 | 0:03:54 | |
Yes, well, I do, every night. | 0:03:54 | 0:03:56 | |
So, Kirstie, is there, um...? | 0:04:01 | 0:04:03 | |
Oh, sorry, yes, would you like a drink? | 0:04:04 | 0:04:07 | |
No, no, no. She forgets I'm four years on the wagon. | 0:04:07 | 0:04:11 | |
-Really? -Yes, haven't touched a drop and feel much better for it. | 0:04:11 | 0:04:14 | |
No, I wondered if there was anything, um... | 0:04:14 | 0:04:18 | |
Oh, yes, sorry. Remember, you've got a voice-over tomorrow morning. | 0:04:18 | 0:04:22 | |
Oh... Have I? | 0:04:22 | 0:04:24 | |
I think so. Yes. For tam...pons. | 0:04:26 | 0:04:29 | |
Tampons? | 0:04:31 | 0:04:32 | |
-Well, in that case... -Actually, you said that was Friday. | 0:04:34 | 0:04:39 | |
Did I? | 0:04:39 | 0:04:41 | |
Yesss... Can't remember now. | 0:04:42 | 0:04:45 | |
Well, we are taking you out for dinner! | 0:04:46 | 0:04:49 | |
-Oh, no, you're not. -Oh, yes, we are! | 0:04:49 | 0:04:52 | |
We booked a table at Papa Del's. Come on, Jean, grab his coat. | 0:04:52 | 0:04:55 | |
-JOKEY VOICE: No, I don't want to go! -Tony! Your phone. | 0:04:55 | 0:05:00 | |
Seriously, Bill... | 0:05:00 | 0:05:01 | |
THUNDERCLAP | 0:05:27 | 0:05:29 | |
And pity, like a naked newborn babe, striding the blast, | 0:05:37 | 0:05:40 | |
or heaven's cherubim, horsed upon the sightless couriers | 0:05:40 | 0:05:43 | |
-of the air, shall blow the horrible deed... -No. | 0:05:43 | 0:05:45 | |
-Terrible deed. -No. -Awful. -No. | 0:05:46 | 0:05:48 | |
-Dreadful. -No. -Evil. Nasty. Crap. Shitty. | 0:05:48 | 0:05:50 | |
-No! It's horrid. -I said "horrid"! | 0:05:50 | 0:05:52 | |
-No, you said "horrible". -Oh, come on, that's close enough. | 0:05:52 | 0:05:55 | |
Yes, close enough if you want to be an understudy all your life. | 0:05:55 | 0:05:57 | |
-Don't start. -Sitting in the dressing room doing Sudokus | 0:05:57 | 0:06:00 | |
-while TONY gets all the glory. -But it's the job, | 0:06:00 | 0:06:02 | |
-there's nothing I can do about that, is there? -Yes, there is. | 0:06:02 | 0:06:05 | |
We're about to do a run-through in front of the director - | 0:06:05 | 0:06:07 | |
make an impression. | 0:06:07 | 0:06:09 | |
I'm sorry, I don't do impressions. | 0:06:09 | 0:06:11 | |
Now, come on. Shall blow the HORRID deed. | 0:06:11 | 0:06:14 | |
The horrid deed in every eye, that tears shall drown the wind. | 0:06:14 | 0:06:17 | |
I have no spur to prick the sides of my intent, | 0:06:17 | 0:06:19 | |
but only vaulting ambition, which o'erleaps... | 0:06:19 | 0:06:22 | |
Excuse me, what the fudge are you doing in Tony's dressing room? | 0:06:22 | 0:06:26 | |
-That is a sackable offence. -Hi, Felice, | 0:06:26 | 0:06:28 | |
we're just... Kirstie said it would be all right. | 0:06:28 | 0:06:30 | |
Oh, you take your orders from the dresser now, | 0:06:30 | 0:06:33 | |
not the company manager?! | 0:06:33 | 0:06:34 | |
We don't take orders from anyone, we're not in the SS. | 0:06:34 | 0:06:36 | |
Speak for yourself, sweetheart. | 0:06:36 | 0:06:39 | |
I'll allow it on this occasion, as it's good for you to get to know | 0:06:39 | 0:06:42 | |
the routine should you ever need to go on for Tony - which you won't. | 0:06:42 | 0:06:46 | |
Your understudy run starts in T-minus 15 minutes. | 0:06:47 | 0:06:51 | |
We will be doing it all as is, except no blood, no swords, no fog. | 0:06:52 | 0:06:57 | |
-No swords? -No. Fight director's been hospitalised. | 0:06:57 | 0:07:01 | |
Apparently Derek Jacobi caught him in the goolies with a nunchuk. | 0:07:01 | 0:07:03 | |
I don't remember that in the Merry Wives of Windsor, but there you go. | 0:07:03 | 0:07:06 | |
We're not using the walking sticks, are we? | 0:07:06 | 0:07:08 | |
It's just an understudy, Jim, it really doesn't matter. | 0:07:08 | 0:07:11 | |
-Are those shop-bought lattes? -Yes. Sorry, I would have got you one... | 0:07:16 | 0:07:20 | |
Did you sign yourself out and back in? | 0:07:20 | 0:07:23 | |
-No, I was only gone two minutes. -Go and do so, please. Stage door. | 0:07:23 | 0:07:27 | |
You can't be serious? | 0:07:27 | 0:07:29 | |
Fire is serious, Laura, that's why we have procedures. Jim. | 0:07:29 | 0:07:32 | |
Uh, yes, I'm sorry. | 0:07:32 | 0:07:34 | |
LIGHTS HUM | 0:07:47 | 0:07:49 | |
Your, er, Lady Macbeth frock is being pressed. | 0:07:53 | 0:07:57 | |
But, erm, be good if you could just pop your jeans and top off now. | 0:07:59 | 0:08:03 | |
-What?! -Just...save time. -I'm not doing that. | 0:08:03 | 0:08:07 | |
Oh, well, can't blame a girl for trying. | 0:08:09 | 0:08:10 | |
-Ah, there, I'm officially back. -Right, thank you, Jim. | 0:08:13 | 0:08:18 | |
Warm-up in five and we will aim to start the run at half past. | 0:08:18 | 0:08:23 | |
Oh, and, uh, do try and talk quickly, if you don't mind(?) | 0:08:23 | 0:08:26 | |
Some of us have got to do it for real tonight. | 0:08:26 | 0:08:28 | |
-SHE SIGHS -Can't fucking stand her! | 0:08:31 | 0:08:33 | |
Why is it all company managers hate actors? | 0:08:35 | 0:08:37 | |
In the job description. | 0:08:37 | 0:08:38 | |
"Wanted - sneery, wine-guzzling lesbian to work backstage. | 0:08:38 | 0:08:42 | |
"Must have own black sweatshirt and no sense of humour." | 0:08:42 | 0:08:45 | |
God... | 0:08:47 | 0:08:48 | |
I could do a sandwich round and get paid more. | 0:08:48 | 0:08:51 | |
Well, we don't do it for the money, do we? We do it because we love it. | 0:08:51 | 0:08:54 | |
We DO do it for the money. | 0:08:54 | 0:08:56 | |
-We're getting married in six months. -I know. | 0:08:56 | 0:08:59 | |
It's expensive, isn't it? Shall we just not bother? | 0:08:59 | 0:09:02 | |
-Jim! -I'm joking. I'm joking. | 0:09:02 | 0:09:04 | |
Sorry. | 0:09:06 | 0:09:08 | |
Just need to hang this up. | 0:09:09 | 0:09:10 | |
-Kirstie, do you know how much Tony gets paid? -You can't ask that! | 0:09:12 | 0:09:16 | |
-I don't know, he never opens his payslips. -Really? | 0:09:16 | 0:09:19 | |
Yeah, just throws them in the bin. | 0:09:19 | 0:09:21 | |
-Oh, well, in that case... -What are you doing? -I want to know. -Laura! | 0:09:21 | 0:09:27 | |
Jesus! | 0:09:29 | 0:09:30 | |
Well, he's the lead, isn't he? I'll get there. | 0:09:33 | 0:09:35 | |
-How much more do you get if you go on for him? -Well, not that. | 0:09:35 | 0:09:39 | |
At least double that. He won't go off though. | 0:09:39 | 0:09:41 | |
-He's never been off, has he, Kirst? -No. | 0:09:41 | 0:09:43 | |
Well, maybe you should leave the soap on the floor outside | 0:09:43 | 0:09:46 | |
-the shower - that would do it. -Don't be mean! | 0:09:46 | 0:09:48 | |
Don't you for once want to go on as the real thing, | 0:09:48 | 0:09:50 | |
in front of a real audience? Ow! | 0:09:50 | 0:09:53 | |
-What is it? -There's a pin in this, Kirstie! Shit! | 0:09:53 | 0:09:57 | |
Oh, sorry, it just needs stitching, I'll get you a plaster. | 0:09:57 | 0:09:59 | |
-Clumsy bitch. That could have hurt someone. -Let's have a look. | 0:10:03 | 0:10:08 | |
Oh, dear. | 0:10:08 | 0:10:09 | |
By the pricking of my thumbs... | 0:10:10 | 0:10:12 | |
BOTH: ..something wicked this way comes. | 0:10:12 | 0:10:15 | |
-Mm. -Stop it, vampire! | 0:10:16 | 0:10:19 | |
Make thick my blood. | 0:10:19 | 0:10:21 | |
Stop up the access and passage to remorse, | 0:10:21 | 0:10:24 | |
that no compunctious visitings of nature shake my fell purpose. | 0:10:24 | 0:10:29 | |
-FELICITY OVER INTERCOM: -'Ladies and gentlemen of the Macbeth company - | 0:10:29 | 0:10:33 | |
'that's the understudy company, not the actual one - | 0:10:33 | 0:10:35 | |
'can you make your way to the stage, please, for the warm-up?' | 0:10:35 | 0:10:38 | |
-She's only doing that to wind me up. -Ignore her. Good luck. -Stop it! | 0:10:38 | 0:10:43 | |
You don't want to tempt fate. | 0:10:43 | 0:10:45 | |
Come on, they've started already. | 0:10:45 | 0:10:47 | |
DEATHLY VOICES CHANT | 0:10:52 | 0:10:55 | |
Jim! | 0:11:06 | 0:11:07 | |
-ON STAGE: -Angels are bright still, though the brightest fell... | 0:11:17 | 0:11:21 | |
Boring! Why don't you fuck off back to Cornwall and do more Doc Martins? | 0:11:21 | 0:11:27 | |
You hateful little prick! | 0:11:27 | 0:11:29 | |
-Honestly, I have never in my life witnessed... Is this me? -Yes. | 0:11:29 | 0:11:33 | |
I have never in my life witnessed such a | 0:11:33 | 0:11:35 | |
SELFISH performance on stage, and you know the most annoying thing? | 0:11:35 | 0:11:39 | |
It works. This tedious little queen... | 0:11:39 | 0:11:43 | |
Get me my juice. ..has just been offered | 0:11:43 | 0:11:46 | |
Uncle Vanya at the Donmar Warehouse. | 0:11:46 | 0:11:48 | |
Vanya! That's my part! | 0:11:48 | 0:11:50 | |
I was born to be Vanya, and they gave the part to him. Fucking arseholes! | 0:11:53 | 0:11:59 | |
Which, by the way, Kirstie, is how he got the job in the first place. | 0:12:00 | 0:12:03 | |
-What in God's name is going on? -I don't know. | 0:12:05 | 0:12:08 | |
I've just had to issue eight refunds because Macbeth vomited on stage | 0:12:08 | 0:12:11 | |
-and said, "Is this a dildo I see before me?" -He's not well. | 0:12:11 | 0:12:13 | |
-He's pissed! Give me that bottle, Tony. -Juice. -Give it to me. -JUICE! | 0:12:13 | 0:12:18 | |
-Oh. Jesus Christ. It's two-thirds vodka. -So what? | 0:12:22 | 0:12:26 | |
So when Banquo came on you said, "Fuck me, there's a ghost!" | 0:12:26 | 0:12:30 | |
I thought he was on the wagon. | 0:12:30 | 0:12:31 | |
Felicity, Felicity, get the director down here now. | 0:12:31 | 0:12:33 | |
I want to make some changes. | 0:12:33 | 0:12:35 | |
Oh, we will be making some changes all right. Go and get Jim. | 0:12:35 | 0:12:38 | |
SHE SIGHS | 0:12:38 | 0:12:40 | |
-Right, Tony. -Hmm? -How many fingers have I got up? | 0:12:40 | 0:12:44 | |
-Don't talk to me like that, I'm not your girlfriend. -I'm serious. | 0:12:44 | 0:12:48 | |
-Three. -What's your first line in act five? | 0:12:49 | 0:12:53 | |
Bring me no more reports, let them fly all! | 0:12:53 | 0:12:56 | |
Till Birnam Wood remove to Dunsinane, | 0:12:56 | 0:12:58 | |
-I cannot taint with fear! -All right, OK. | 0:12:58 | 0:13:01 | |
-Just going to pop you in the shower, Tony, OK? -Ah, saucy. | 0:13:01 | 0:13:05 | |
-Are you coming in? -No, I'm not. | 0:13:05 | 0:13:07 | |
I bet you've got a nice little pair of titties under that | 0:13:11 | 0:13:13 | |
big black top, haven't you? | 0:13:13 | 0:13:15 | |
You've got five minutes. | 0:13:17 | 0:13:18 | |
-I could cure you, you know. -Bloody turns. | 0:13:21 | 0:13:24 | |
-What's going on, Felice? -Do you know the lines? -I think so. -Are you sure? | 0:13:28 | 0:13:32 | |
You dried it in the understudy run last week. | 0:13:32 | 0:13:34 | |
Well, that was just nerves, | 0:13:34 | 0:13:36 | |
there were people watching from the Lion King, | 0:13:36 | 0:13:38 | |
didn't expect to see Pumba in full make-up. | 0:13:38 | 0:13:39 | |
Look, I don't like doing this, but if he doesn't sober up in the next | 0:13:39 | 0:13:42 | |
four minutes, I'm going to have to send you on to finish the show. | 0:13:42 | 0:13:45 | |
-Shit. -I need to know if you're ready, Jim. -I, uh... -Well? | 0:13:45 | 0:13:48 | |
He's ready. | 0:13:48 | 0:13:49 | |
BREATHLESS: Get the costume on, Jim, we'll do the lines. You can do this. | 0:13:49 | 0:13:53 | |
It's what we've been waiting for. | 0:13:53 | 0:13:55 | |
I'll make that call, thank you, Laura. Stay where you are, please. | 0:13:55 | 0:13:58 | |
I'll just hang this up. | 0:13:58 | 0:13:59 | |
Right, Kirstie, get Tony out of the shower. | 0:14:01 | 0:14:04 | |
I'll be back in two minutes to make a decision. | 0:14:04 | 0:14:06 | |
-Can I go in now? -Yeah. | 0:14:06 | 0:14:07 | |
-Oh, God, I can't do it. -Of course you can! | 0:14:09 | 0:14:11 | |
But it's all the fights. We weren't allowed to practise them. | 0:14:11 | 0:14:13 | |
But the other actors will help you. You'll get through on adrenaline. | 0:14:13 | 0:14:16 | |
This is your chance. All you have to do... | 0:14:16 | 0:14:20 | |
..is take it. | 0:14:24 | 0:14:25 | |
-Right, I'm ready. Let's do this. -Are you sure you're all right? | 0:14:37 | 0:14:40 | |
Of course I'm all right, get me my juice! | 0:14:40 | 0:14:42 | |
Tony. You don't have to do this. | 0:14:42 | 0:14:45 | |
Actors are allowed to be ill. | 0:14:45 | 0:14:47 | |
David Suchet, he missed the last act of | 0:14:47 | 0:14:49 | |
Cat on a Hot Tin Roof with chronic diarrhoea. | 0:14:49 | 0:14:51 | |
Yes, but he still made the curtain call. | 0:14:51 | 0:14:53 | |
Shame he was in a white suit though. | 0:14:53 | 0:14:55 | |
If he's feeling better, then he should do it. | 0:14:55 | 0:14:57 | |
It will make more sense for the audience. | 0:14:57 | 0:14:59 | |
Exactly! Before my body I throw my warlike shield. | 0:14:59 | 0:15:05 | |
Lay on, Macduff! | 0:15:05 | 0:15:06 | |
And damned be him that first cries "Hold, enough!" | 0:15:06 | 0:15:10 | |
-ON STAGE: -Good and loyal, destroying them... | 0:15:12 | 0:15:15 | |
That was it, Jim. That was your chance. | 0:15:15 | 0:15:18 | |
Well, it's not my fault. He said he's all right. | 0:15:19 | 0:15:21 | |
-He's drunk a full bottle of vodka! -How do you know? | 0:15:21 | 0:15:25 | |
Look at the state of him! | 0:15:25 | 0:15:26 | |
I try and help you, Jim. | 0:15:28 | 0:15:30 | |
But you just don't want it enough. | 0:15:30 | 0:15:32 | |
-I'm only the understudy. I'm there if they want me. -What? | 0:15:34 | 0:15:38 | |
Stuck in the corner of the room like a television on standby?! | 0:15:38 | 0:15:42 | |
Yes. I'm sorry, Laura, I can't... | 0:15:44 | 0:15:48 | |
I can't change who I am. | 0:15:48 | 0:15:49 | |
TONY ON STAGE: 'Out, out, brief candle. | 0:16:07 | 0:16:09 | |
'Life's but a walking shadow... ' | 0:16:09 | 0:16:11 | |
WATER DRIPS ONTO SHOWER FLOOR | 0:16:11 | 0:16:14 | |
TONY: 'A poor player that struts and frets his hour upon the stage, | 0:16:14 | 0:16:19 | |
'and then is heard no more. | 0:16:19 | 0:16:20 | |
'It is a tale. | 0:16:25 | 0:16:27 | |
'Told by an idiot, full of sound and fury, signifying... | 0:16:27 | 0:16:35 | |
'..nothing.' | 0:16:36 | 0:16:38 | |
BANGING AND CLINKING OF GLASS | 0:16:39 | 0:16:41 | |
TONY GROANS IN PAIN | 0:16:41 | 0:16:43 | |
-INTERCOM: -'Medic to the stage, please. Medic to the stage.' | 0:16:45 | 0:16:48 | |
-FELICITY: -'Tony, Tony, are you all right? | 0:16:50 | 0:16:53 | |
'Argh! | 0:16:53 | 0:16:55 | |
'Try not to move, Tony.' | 0:16:55 | 0:16:57 | |
INDISTINCT VOICES FROM STAGE | 0:16:57 | 0:17:01 | |
-That's fine, isn't it? -Mm, I think so. -Great. | 0:17:18 | 0:17:20 | |
-Do you need anything else? -No, I'm all right, I think. | 0:17:22 | 0:17:24 | |
Oh, nearly forgot. | 0:17:24 | 0:17:26 | |
-I got you this. -Oh, Kirstie. | 0:17:27 | 0:17:29 | |
-It's nothing. -Oh, really kind. You shouldn't have. | 0:17:29 | 0:17:32 | |
Knock, knock. | 0:17:35 | 0:17:36 | |
-Right, I'll leave you to it. -Thanks. | 0:17:37 | 0:17:39 | |
Actually, Kirstie, could you get me | 0:17:39 | 0:17:41 | |
one of those juice drinks that you used to do for Tony? | 0:17:41 | 0:17:44 | |
And I can't find my boots. Are they...? | 0:17:44 | 0:17:47 | |
Oh, sorry, I'll get them. | 0:17:47 | 0:17:48 | |
How are you doing? I feel like I haven't seen you. | 0:17:53 | 0:17:57 | |
Oh, well, I've been rehearsing, haven't I? | 0:17:57 | 0:17:59 | |
Finally got to get through the fights. | 0:17:59 | 0:18:01 | |
With a sword this time, rather than a roll of wrapping paper. | 0:18:01 | 0:18:04 | |
Are you nervous? | 0:18:04 | 0:18:07 | |
Ugh...no. | 0:18:07 | 0:18:08 | |
I just popped down to say... break a leg. | 0:18:10 | 0:18:13 | |
Huh! That's a bit near the bone under the circumstances. | 0:18:13 | 0:18:17 | |
I know. How is he? | 0:18:17 | 0:18:20 | |
Still in hospital. They're doing tests on his spine. | 0:18:20 | 0:18:23 | |
Poor Tony. | 0:18:24 | 0:18:26 | |
Still, that's what happens if you get pissed on the battlements. | 0:18:26 | 0:18:29 | |
Mm. Could have been worse, but he fell on a gargoyle. | 0:18:29 | 0:18:32 | |
Felicity wasn't on stage, was she? | 0:18:32 | 0:18:34 | |
It's not funny, Laura. | 0:18:35 | 0:18:36 | |
It's weird. Now she's gone, I quite miss her. | 0:18:40 | 0:18:44 | |
I thought you hated her. | 0:18:44 | 0:18:46 | |
Yeah, but... still feel sorry for her. | 0:18:46 | 0:18:49 | |
She just made the wrong call, that's all. | 0:18:49 | 0:18:51 | |
She should have sent you on. | 0:18:51 | 0:18:52 | |
You shouldn't have said she was sexually harassing you though. | 0:18:52 | 0:18:55 | |
I never said that. I don't know where that's come from. | 0:18:55 | 0:18:58 | |
Well, that's why she was sacked. | 0:18:58 | 0:18:59 | |
Anyway, I've booked a table at Papa Del's after the show. | 0:19:04 | 0:19:08 | |
My sister's in, so we can... | 0:19:08 | 0:19:09 | |
I'd love to, but I'm already going out with the cast. | 0:19:09 | 0:19:13 | |
Taking me to Jo Allen's. I could hardly say no, could I? | 0:19:13 | 0:19:16 | |
Well, we'll come with you. | 0:19:16 | 0:19:18 | |
-Your sister? -Yeah. | 0:19:21 | 0:19:22 | |
At Jo Allen's? | 0:19:23 | 0:19:25 | |
Why not? | 0:19:25 | 0:19:27 | |
It's always very awkward mixing actors and civilians. | 0:19:27 | 0:19:30 | |
You know what they're like, they're even funny | 0:19:30 | 0:19:32 | |
-about including the understudies. -I'm an understudy. | 0:19:32 | 0:19:34 | |
I know you are. | 0:19:36 | 0:19:37 | |
INTERCOM: 'Ladies and gentlemen of the Macbeth company, | 0:19:38 | 0:19:40 | |
'this is your half-hour call. 30 minutes please.' | 0:19:40 | 0:19:43 | |
Look, let me get through tonight and then we'll talk about it after, OK? | 0:19:43 | 0:19:47 | |
-You'll be fantastic. -I won't if I don't concentrate. | 0:19:50 | 0:19:53 | |
Sorry, Laura, I just need to get my head together. | 0:19:53 | 0:19:56 | |
Are you asking me to go? | 0:19:57 | 0:19:58 | |
I am really. Yes. I need to prepare. | 0:20:00 | 0:20:03 | |
All right. | 0:20:06 | 0:20:07 | |
I'll see you later then. | 0:20:08 | 0:20:10 | |
-Laura. -Yeah? | 0:20:15 | 0:20:16 | |
Thanks. | 0:20:18 | 0:20:19 | |
What for? | 0:20:21 | 0:20:22 | |
HE SIGHS | 0:20:22 | 0:20:24 | |
This. | 0:20:24 | 0:20:25 | |
GHOSTLY VOICES WHISPER | 0:20:50 | 0:20:52 | |
Do we know who's playing the girl? Oh, God. | 0:21:09 | 0:21:14 | |
Oh, by the way, did I tell you I've got my old dressing room | 0:21:14 | 0:21:16 | |
back for Dick the Shit? Yeah! | 0:21:16 | 0:21:19 | |
No, it's all been done up. | 0:21:20 | 0:21:22 | |
Yeah, was that anything to do with me? | 0:21:22 | 0:21:25 | |
Come on, I bet it was. Ha, all right. | 0:21:25 | 0:21:28 | |
I'll speak to you later. OK, bye, Maurie. | 0:21:28 | 0:21:31 | |
-Sorry about that. -Not at all. | 0:21:31 | 0:21:34 | |
Now, do you remember the conversation we had | 0:21:34 | 0:21:36 | |
about a meet and greet with the lovely disabled people? | 0:21:36 | 0:21:38 | |
That's not now, is it? Why can't they do it after the show? | 0:21:38 | 0:21:41 | |
You know I don't like people in during the half! | 0:21:41 | 0:21:43 | |
They won't have time after the show. It's not a problem. | 0:21:43 | 0:21:46 | |
I'll tell them you're not available and that's just the way it is. | 0:21:46 | 0:21:49 | |
It's all right, Nick. Send them in, but five minutes, yeah? | 0:21:49 | 0:21:51 | |
And then tell them I've got to do something. | 0:21:51 | 0:21:53 | |
You're a gentleman, sir. And thanks so much for signing these. | 0:21:53 | 0:21:57 | |
The understudies will be delighted. | 0:21:57 | 0:21:58 | |
HE CLEARS HIS THROAT | 0:22:00 | 0:22:01 | |
Ahem, hem... | 0:22:05 | 0:22:07 | |
Now is the winter... | 0:22:07 | 0:22:09 | |
Ahem! Now! | 0:22:09 | 0:22:13 | |
Now is the winter of our discontent... | 0:22:13 | 0:22:17 | |
Made glorious summer by this sun of York. | 0:22:17 | 0:22:20 | |
Played him in Stratford, '82. Michele Dotrice was my Lady Anne. | 0:22:22 | 0:22:26 | |
How are you, Jim? | 0:22:26 | 0:22:28 | |
-Tony! -Ha-ha! Good to see you, mate. | 0:22:28 | 0:22:32 | |
What are you doing here? | 0:22:32 | 0:22:33 | |
I've come to see you, haven't I? Quick trip. | 0:22:33 | 0:22:36 | |
We get free tickets, don't you know? | 0:22:36 | 0:22:38 | |
Oh, so nice to see you. How long's it been? | 0:22:38 | 0:22:41 | |
It's been 19 months and 3 weeks. | 0:22:41 | 0:22:44 | |
And how's things with you? I've heard nothing but raves. | 0:22:45 | 0:22:48 | |
Oh, well, I learnt it all from the master, didn't I? | 0:22:48 | 0:22:50 | |
Look, I've even got my juice drink. | 0:22:50 | 0:22:53 | |
Yes, I, eh, I don't touch that stuff any more. | 0:22:53 | 0:22:56 | |
Still, every cloud has a silver lining. You've been busy. | 0:22:58 | 0:23:01 | |
-I've, well, been nonstop. Obviously we took Mackers to Broadway. -Yeah. | 0:23:01 | 0:23:05 | |
-And I was straight back to Ireland for Game of Thrones. -Yeah. | 0:23:05 | 0:23:07 | |
But what about you? I heard you're doing talking books? | 0:23:07 | 0:23:10 | |
That's right. I'm giving Jarvis a run for his money. | 0:23:10 | 0:23:13 | |
I've just finished Everything You Need To Know About The EU. | 0:23:13 | 0:23:17 | |
Fascinating stuff. You think you know the half of it, but... | 0:23:17 | 0:23:20 | |
Yeah, sounds, sounds good. | 0:23:23 | 0:23:25 | |
They've done this room up nice. | 0:23:26 | 0:23:28 | |
Yes, yes, my agent, I think. Embarrassing really. | 0:23:28 | 0:23:32 | |
Well, my agent gave me this blanket. Small cheques. | 0:23:32 | 0:23:36 | |
-THEY LAUGH -Good. | 0:23:36 | 0:23:38 | |
So good to see you. | 0:23:44 | 0:23:45 | |
How's that lovely girlfriend of yours? | 0:23:48 | 0:23:50 | |
-Have you done the decent thing yet? -You mean Suzie? | 0:23:50 | 0:23:53 | |
No, pretty one. Understudied Lady M. | 0:23:53 | 0:23:56 | |
You were engaged, weren't you? | 0:23:56 | 0:23:58 | |
Oh, Laura! No, no, we're not together any more. | 0:23:58 | 0:24:00 | |
No, I don't know what she's up to these days. | 0:24:00 | 0:24:02 | |
Ah, shame. | 0:24:02 | 0:24:04 | |
She was a sweet girl. | 0:24:04 | 0:24:06 | |
Mm. | 0:24:07 | 0:24:09 | |
Anyway, look, I don't want to chuck you out | 0:24:09 | 0:24:11 | |
but I've got to get MY callipers on, so... | 0:24:11 | 0:24:13 | |
Oh, yes, of course. Looking forward to it. | 0:24:13 | 0:24:16 | |
Well, you're doing something right, anyway. Keep at it. | 0:24:17 | 0:24:20 | |
You're having the career for both of us now. | 0:24:22 | 0:24:24 | |
Thanks. | 0:24:27 | 0:24:28 | |
OK, WAGON'S ROLL! | 0:24:28 | 0:24:30 | |
DOOR OPENS | 0:24:30 | 0:24:32 | |
All done? | 0:24:32 | 0:24:34 | |
Thank you very much. | 0:24:34 | 0:24:35 | |
I'll get the lift for you. If you walk this way. | 0:24:36 | 0:24:39 | |
So to speak. | 0:24:39 | 0:24:41 | |
-Kirstie? -Hello, Jim. | 0:24:41 | 0:24:43 | |
-It is you. -Surprised you remember me. | 0:24:43 | 0:24:46 | |
Of course I remember you. So, what, you're looking after Tony now? | 0:24:46 | 0:24:49 | |
Yeah, I'm his full-time carer. | 0:24:49 | 0:24:51 | |
Well it's lovely to see you. Hope you enjoy the show. | 0:24:51 | 0:24:54 | |
Oh, I've already seen it. | 0:24:54 | 0:24:56 | |
Really? | 0:24:56 | 0:24:58 | |
I've seen everything you've done since we worked together. | 0:24:58 | 0:25:00 | |
Sometimes I come three or four times a week just to see | 0:25:00 | 0:25:03 | |
the little changes in your performance. | 0:25:03 | 0:25:05 | |
Oh. Gosh. | 0:25:05 | 0:25:06 | |
I always knew you'd go far. | 0:25:06 | 0:25:08 | |
Just needed a little push. | 0:25:08 | 0:25:10 | |
Sorry, what do you mean? | 0:25:11 | 0:25:13 | |
This room looks better now. | 0:25:13 | 0:25:14 | |
More fitting for a star like you. | 0:25:15 | 0:25:18 | |
She made a real mess of it. | 0:25:20 | 0:25:22 | |
-Who did? -Laura, when she killed herself. | 0:25:22 | 0:25:25 | |
What? | 0:25:26 | 0:25:28 | |
Sorry, didn't you know? She slit her wrists in the shower. | 0:25:28 | 0:25:31 | |
Had the blood everywhere apparently. Right through to the floorboards. | 0:25:31 | 0:25:34 | |
Laura's died...? | 0:25:34 | 0:25:36 | |
Mm, I'm surprised you didn't know. I mean, why would you? | 0:25:36 | 0:25:39 | |
You've been away. | 0:25:39 | 0:25:41 | |
I guess I was a recurring character in Game of Thrones. | 0:25:41 | 0:25:43 | |
-Which you were brilliant in, by the way. -Thank you. | 0:25:43 | 0:25:45 | |
-INTERCOM: -'Ladies and gentlemen, this is your Act I beginners' call. | 0:25:45 | 0:25:48 | |
'Act I beginners to the stage, please.' | 0:25:48 | 0:25:51 | |
Better put that on. | 0:25:51 | 0:25:52 | |
I'll do that for you. | 0:25:55 | 0:25:57 | |
Just like old times. | 0:25:59 | 0:26:01 | |
Sorry. Shouldn't have said anything. | 0:26:03 | 0:26:05 | |
They obviously didn't want you to know. | 0:26:05 | 0:26:07 | |
I hope it doesn't affect your performance. | 0:26:07 | 0:26:09 | |
No, it's OK. It's just a bit of a shock. | 0:26:09 | 0:26:12 | |
-I think I know why she did it, actually. -Why? | 0:26:12 | 0:26:15 | |
Laura was responsible for Tony's accident. | 0:26:15 | 0:26:20 | |
She obviously couldn't live with the guilt. | 0:26:20 | 0:26:22 | |
That wasn't Laura. | 0:26:23 | 0:26:25 | |
It was me. | 0:26:25 | 0:26:27 | |
I spiked Tony's drink that day. | 0:26:27 | 0:26:28 | |
It was pure alcohol. I took it from the wig store. | 0:26:28 | 0:26:31 | |
SINISTER SCORE | 0:26:31 | 0:26:32 | |
What? | 0:26:32 | 0:26:34 | |
And I got rid of Felicity for you. | 0:26:34 | 0:26:35 | |
She never would have put you on. | 0:26:37 | 0:26:40 | |
She couldn't see what I could see. | 0:26:40 | 0:26:42 | |
I said "she cupped my breast in the Wendy House backstage". | 0:26:43 | 0:26:46 | |
Instant dismissal. | 0:26:46 | 0:26:48 | |
Why would you say that? | 0:26:50 | 0:26:51 | |
For you, Jim. For your career. | 0:26:52 | 0:26:55 | |
I've seen it happen too many times. Genuine talent not being recognised. | 0:26:56 | 0:27:01 | |
Looking after Tony is the price I pay for what I did. | 0:27:01 | 0:27:04 | |
Just as Laura's death is the price you pay. | 0:27:04 | 0:27:07 | |
That was nothing to do with me. | 0:27:07 | 0:27:08 | |
I know it wasn't. | 0:27:08 | 0:27:10 | |
Your career HAD to come first. | 0:27:11 | 0:27:13 | |
You told her that. | 0:27:13 | 0:27:14 | |
Look, Jim... | 0:27:17 | 0:27:18 | |
I took it from Laura. | 0:27:22 | 0:27:24 | |
I think she wanted me to have it. | 0:27:24 | 0:27:26 | |
I'm waiting in the wings. | 0:27:27 | 0:27:29 | |
Like an understudy. | 0:27:30 | 0:27:32 | |
Have a good show. | 0:27:37 | 0:27:38 | |
I'll be watching. | 0:27:43 | 0:27:44 | |
DRAMATIC SCORE | 0:27:53 | 0:27:54 | |
Knock, knock. | 0:28:07 | 0:28:09 | |
Are you all set to "smile and smile and be a villain"? | 0:28:09 | 0:28:12 | |
Yes... | 0:28:12 | 0:28:14 | |
Sorry. | 0:28:14 | 0:28:15 |