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This programme contains some strong language and scenes which some viewers may find disturbing. | 0:00:24 | 0:00:32 | |
I can't if I'm talking to you, can I? I'm using locations. | 0:00:36 | 0:00:40 | |
I'm going to be there all night. £11 an hour. | 0:00:40 | 0:00:42 | |
I'm not, I swear. And it's till 2.00. | 0:00:42 | 0:00:45 | |
Yeah, £88 for the night. | 0:00:45 | 0:00:47 | |
I'll text you the address, shall I? Shell? | 0:00:47 | 0:00:51 | |
DOORBELL RINGS | 0:01:08 | 0:01:10 | |
Miss Hepworth. | 0:01:13 | 0:01:14 | |
That's right. Katy. Mrs Molloch? | 0:01:14 | 0:01:17 | |
Miss. Come in, please. We're delighted you could do this. | 0:01:17 | 0:01:22 | |
Oh, did you bring an extra coat as I advised? | 0:01:32 | 0:01:35 | |
Yes, in here. | 0:01:35 | 0:01:36 | |
You might want to put it on now. | 0:01:36 | 0:01:38 | |
Oh, you weren't joking. | 0:01:52 | 0:01:54 | |
The house is maintained at three-below freezing at all times. | 0:01:54 | 0:01:58 | |
My eldest brother has a...a medical condition. | 0:01:58 | 0:02:02 | |
The air humidity is critical. | 0:02:02 | 0:02:04 | |
Wow! These are old. | 0:02:04 | 0:02:08 | |
Ah, you're studying art, aren't you? | 0:02:08 | 0:02:12 | |
Yes. Are these originals? | 0:02:12 | 0:02:16 | |
What would be the point otherwise? | 0:02:16 | 0:02:18 | |
I have never understood the notion of prints. | 0:02:18 | 0:02:21 | |
Puts me in mind of wax fruit. | 0:02:21 | 0:02:24 | |
Well, I suppose some people can't afford the real thing. | 0:02:24 | 0:02:27 | |
I disagree. Bananas are very cheap if you buy them brown. | 0:02:27 | 0:02:30 | |
I'm joking, of course. | 0:02:31 | 0:02:32 | |
KATY LAUGHS POLITELY | 0:02:32 | 0:02:34 | |
Are they all religious? | 0:02:35 | 0:02:38 | |
Most depict the harrowing of hell. | 0:02:38 | 0:02:40 | |
All of which is non-canonical to the Bible. | 0:02:40 | 0:02:43 | |
The harrowing of hell? | 0:02:43 | 0:02:45 | |
Jesus is said to have descended into hell and released its captives. | 0:02:45 | 0:02:49 | |
Set free Adam and Eve. All the Old Testament saints. | 0:02:49 | 0:02:53 | |
You can read about it in the Gospel of Nicodemus. | 0:02:53 | 0:02:56 | |
This is a lesser known Andrea da Firenze from the 14th century. | 0:02:58 | 0:03:02 | |
You recognise it? | 0:03:05 | 0:03:06 | |
Not really. We do more collages and stuff. | 0:03:06 | 0:03:10 | |
What are you working on at the moment? | 0:03:10 | 0:03:12 | |
I'm doing a still life of a pair of trainers and a Jack-in-a-Box. | 0:03:12 | 0:03:15 | |
Sounds charming. | 0:03:15 | 0:03:16 | |
Our teacher says the Renaissance was the biggest dead end in art. | 0:03:16 | 0:03:20 | |
You don't like them? | 0:03:20 | 0:03:21 | |
They're not what I would choose. | 0:03:26 | 0:03:28 | |
Oh, and what would you choose? A topless man holding a baby? | 0:03:28 | 0:03:31 | |
Kitten in a champagne glass? | 0:03:33 | 0:03:36 | |
Keep calm and carry on poster? | 0:03:36 | 0:03:38 | |
-Well, I... -I'm teasing. | 0:03:38 | 0:03:40 | |
You find them frightening. | 0:03:42 | 0:03:44 | |
It's understandable. | 0:03:45 | 0:03:48 | |
Still too full of life to find solace in them. | 0:03:49 | 0:03:53 | |
I don't agree with my teacher. | 0:03:53 | 0:03:54 | |
Good. | 0:03:56 | 0:03:57 | |
Is that your brother? | 0:04:02 | 0:04:03 | |
Hmm? Oh, my other brother. Hector. | 0:04:04 | 0:04:08 | |
Oh, right, is he...? | 0:04:08 | 0:04:10 | |
Disabled? No. Just lazy. | 0:04:10 | 0:04:13 | |
One day in 1998 he complained his knees hurt on the stairs | 0:04:13 | 0:04:16 | |
and three days later he installed this. | 0:04:16 | 0:04:19 | |
Wow. | 0:04:19 | 0:04:21 | |
He's impulsive in all the wrong ways. | 0:04:21 | 0:04:24 | |
We now have zinc roofs because he tired of galvanised steel. | 0:04:25 | 0:04:29 | |
I have a waste disposal unit in the sink | 0:04:29 | 0:04:31 | |
-but he won't take me to Florence. -Maybe one day he'll surprise you. | 0:04:31 | 0:04:34 | |
Doesn't know the meaning of the word. | 0:04:34 | 0:04:36 | |
CREAKING | 0:04:36 | 0:04:37 | |
Come through. | 0:04:38 | 0:04:41 | |
You've got a lovely house. | 0:04:53 | 0:04:55 | |
We have put our living within the tomb. | 0:04:56 | 0:04:59 | |
Madeleine Usher and I have a great deal in common. | 0:04:59 | 0:05:03 | |
Do you know Poe? | 0:05:03 | 0:05:04 | |
From the Teletubbies? | 0:05:04 | 0:05:06 | |
Who are they? | 0:05:06 | 0:05:07 | |
It's a children's programme. There's four of them. | 0:05:07 | 0:05:09 | |
The smallest one is called Po. | 0:05:09 | 0:05:11 | |
That's not who I meant. | 0:05:11 | 0:05:12 | |
You come highly recommended by Gracie Proud. | 0:05:16 | 0:05:19 | |
Friend of mine who attends the church. | 0:05:19 | 0:05:21 | |
Yes, she said she's spoken to you about me. | 0:05:21 | 0:05:24 | |
Well, I am pleased I have found someone like you. | 0:05:24 | 0:05:27 | |
Someone like me? | 0:05:27 | 0:05:29 | |
Someone I can be confident in. | 0:05:29 | 0:05:32 | |
Championed. | 0:05:33 | 0:05:35 | |
MECHANICAL WHIRRING | 0:05:35 | 0:05:37 | |
What is that? | 0:05:39 | 0:05:40 | |
Oh, it's Hector. He's on his way down. | 0:05:40 | 0:05:44 | |
The noise of the stair-lift. | 0:05:45 | 0:05:47 | |
Ironically enough, it's on its last legs, but...to business. | 0:05:47 | 0:05:51 | |
As people, Hector and I never leave the house. | 0:05:51 | 0:05:54 | |
We have an event tonight. | 0:05:54 | 0:05:56 | |
Surfaces so rarely, it would be considered rude not to attend. | 0:05:56 | 0:06:00 | |
-Mrs Proud said that your older brother... -Andras. | 0:06:02 | 0:06:05 | |
He, unlike Hector, is disabled. Terribly so. | 0:06:07 | 0:06:11 | |
Born inside out, as my mother used to say. | 0:06:13 | 0:06:16 | |
It's no concern of yours however. | 0:06:16 | 0:06:18 | |
He would be confined to his room at the top of the house. | 0:06:19 | 0:06:22 | |
Your stay here this evening is more to look after the house | 0:06:22 | 0:06:25 | |
than to babysit Andras. | 0:06:25 | 0:06:27 | |
He's older than us, Tabs. He's hardly a baby. | 0:06:27 | 0:06:32 | |
Miss Hepworth. This is my brother, Hector. | 0:06:33 | 0:06:38 | |
How do you do? | 0:06:40 | 0:06:41 | |
HE CHUCKLES | 0:06:43 | 0:06:45 | |
I play guitar, Miss Hepworth. | 0:06:45 | 0:06:47 | |
I'm not a vampire, if that's what you're thinking. | 0:06:47 | 0:06:51 | |
No, I wasn't, and Katy. My name is Katy. Hello. | 0:06:51 | 0:06:56 | |
Can you tie a bowtie, Katy? | 0:06:56 | 0:06:58 | |
No, I don't know how to, sorry. | 0:06:59 | 0:07:02 | |
It will have to be you then, Tabs. | 0:07:02 | 0:07:04 | |
Has Tabitha gone through the phone numbers? | 0:07:08 | 0:07:11 | |
Not really, she was just talking about Adrian, was it? | 0:07:11 | 0:07:15 | |
Andras. | 0:07:15 | 0:07:16 | |
Well, he's not going anywhere. He can wait. | 0:07:16 | 0:07:21 | |
Mobile telephones in this street are useless. It's a dead zone. | 0:07:21 | 0:07:25 | |
Yes, my signal went. | 0:07:25 | 0:07:27 | |
I think it's due to foliage or some such, and since | 0:07:27 | 0:07:31 | |
rounding the corner, your phone will have been in a state of outage. | 0:07:31 | 0:07:35 | |
We were offered something called broadbands, weren't we? | 0:07:35 | 0:07:38 | |
Yes, but the man was sootified so I closed the door. | 0:07:38 | 0:07:43 | |
Therefore the landline is of vital importance to us here. | 0:07:43 | 0:07:48 | |
This evening, if the need arises, | 0:07:49 | 0:07:53 | |
it is from this telephone that you can call us. | 0:07:53 | 0:07:57 | |
You won't need to ring it. Nothing will happen. | 0:07:58 | 0:08:02 | |
Nothing ever happens, and we are back by 2.00am, but, | 0:08:02 | 0:08:08 | |
but-but-but, should an emergency occur, this is the number to call. | 0:08:08 | 0:08:15 | |
We do share a party line here, so try to avoid eavesdropping | 0:08:16 | 0:08:21 | |
if it happens to be engaged. | 0:08:21 | 0:08:24 | |
Right. Do you need me to check on Andras? | 0:08:24 | 0:08:27 | |
-Is that something you need me to do? -You have no need to go up there. | 0:08:27 | 0:08:30 | |
He's fine in his room. He has everything he needs. | 0:08:32 | 0:08:36 | |
He knows you are here this evening. | 0:08:36 | 0:08:38 | |
We told him all about you. | 0:08:39 | 0:08:42 | |
-He won't disturb you. -Ah. | 0:08:42 | 0:08:45 | |
There's food in here. | 0:08:46 | 0:08:47 | |
Obviously we have no need of a refrigerator. | 0:08:49 | 0:08:52 | |
Obviously. Plenty of milk. | 0:08:52 | 0:08:55 | |
That's Andras. Milk and Rusks. | 0:08:56 | 0:08:59 | |
That's all he can have. | 0:08:59 | 0:09:00 | |
The disability. | 0:09:01 | 0:09:03 | |
That and the fact he doesn't have a mouth. | 0:09:03 | 0:09:05 | |
The car's here, Tabs. We better get moving. | 0:09:07 | 0:09:11 | |
Got everything? | 0:09:11 | 0:09:13 | |
Just need my bag. | 0:09:13 | 0:09:14 | |
Oh, one last thing, Katy. | 0:09:18 | 0:09:20 | |
Just so you know, Andras has a bell by his bed. | 0:09:20 | 0:09:24 | |
He won't ring it. | 0:09:24 | 0:09:26 | |
He's never rung it, but I'm telling you just in case. | 0:09:26 | 0:09:30 | |
Right, we'll be off then. | 0:09:33 | 0:09:34 | |
Good night, Katy. | 0:09:37 | 0:09:38 | |
'Night. | 0:09:38 | 0:09:40 | |
Be good. | 0:09:40 | 0:09:41 | |
DOOR CLOSES | 0:09:51 | 0:09:53 | |
DOOR OPENS | 0:10:10 | 0:10:12 | |
SHE SCOFFS | 0:10:27 | 0:10:28 | |
Hello, you. | 0:10:31 | 0:10:32 | |
SHE CLICKS HER TONGUE | 0:10:35 | 0:10:36 | |
HOLLOW KNOCKING | 0:10:38 | 0:10:40 | |
He doesn't look disabled. | 0:10:54 | 0:10:55 | |
DOORBELL RINGS | 0:10:55 | 0:10:58 | |
DOOR CLOSES | 0:10:58 | 0:10:59 | |
God, who lives here? The Munsters? | 0:11:00 | 0:11:04 | |
I can't believe you found it. | 0:11:04 | 0:11:05 | |
Oh, my God, it's freezing. What is this? | 0:11:10 | 0:11:12 | |
Is there no heating? | 0:11:12 | 0:11:14 | |
No, there's someone upstairs. They need it cold. | 0:11:14 | 0:11:17 | |
What is he? A snowman? | 0:11:17 | 0:11:18 | |
I can't stay here, Katy. It's unbearable. | 0:11:18 | 0:11:21 | |
Ugh, these are vile. | 0:11:22 | 0:11:26 | |
I love them. | 0:11:26 | 0:11:28 | |
I knew you would. They're all demons. | 0:11:28 | 0:11:31 | |
SHE CHUCKLES | 0:11:31 | 0:11:32 | |
This lot looks like One Direction. | 0:11:32 | 0:11:34 | |
Do you think things like that actually exist? | 0:11:34 | 0:11:37 | |
One Direction? Sadly, yes. They do. | 0:11:37 | 0:11:41 | |
I meant the demons. | 0:11:41 | 0:11:42 | |
I know you did. I was being ironical. | 0:11:42 | 0:11:45 | |
I think it's all just made up to scare people. | 0:11:45 | 0:11:47 | |
What's wrong with that? | 0:11:47 | 0:11:49 | |
-I like to...SCARE PEOPLE! -KATY GASPS | 0:11:49 | 0:11:51 | |
It comes so easily to you, doesn't it? | 0:11:51 | 0:11:53 | |
I'd have definitely been burnt as a witch if I lived in them days. | 0:11:53 | 0:11:56 | |
You would dressed like that. | 0:11:56 | 0:11:58 | |
Speaking of witches, come and see the cat. It's so cute. | 0:11:58 | 0:12:03 | |
Have you found out where they keep the drink? | 0:12:03 | 0:12:05 | |
They haven't got any. All they've got is milk and Rusks. | 0:12:05 | 0:12:08 | |
I love Rusks. This house is amazing. I could so live here. | 0:12:08 | 0:12:12 | |
Look at this. | 0:12:14 | 0:12:16 | |
Don't, Shell. You'll break it. | 0:12:16 | 0:12:17 | |
MECHANICAL WHIRRING | 0:12:17 | 0:12:20 | |
It's like Chessington for old people. | 0:12:20 | 0:12:23 | |
Stop it. | 0:12:23 | 0:12:24 | |
I'm getting in it. | 0:12:24 | 0:12:25 | |
You can't. You're too big. | 0:12:25 | 0:12:27 | |
Oh, thanks, bitch. I'm here two minutes and I'm getting called fat. | 0:12:27 | 0:12:31 | |
It's not that. It's just, she said it was going to break. | 0:12:31 | 0:12:34 | |
And don't touch anything else. | 0:12:41 | 0:12:43 | |
Where's this cat then? | 0:12:47 | 0:12:48 | |
There, on the sofa. | 0:12:48 | 0:12:50 | |
-Very funny. What have you done with it? -What do you mean? | 0:12:51 | 0:12:54 | |
CAT MEOWS | 0:12:54 | 0:12:55 | |
KATY GASPS | 0:12:55 | 0:12:56 | |
What? You said they had a cat. | 0:12:56 | 0:12:58 | |
-Yes, but it was stuffed. -You can get lost. | 0:12:58 | 0:13:01 | |
It was. I stroked it. It was rock hard. | 0:13:01 | 0:13:03 | |
It was probably just cold. Weren't you, little one? | 0:13:03 | 0:13:07 | |
It's in the pictures with them. Look. | 0:13:07 | 0:13:09 | |
What you doing? | 0:13:12 | 0:13:14 | |
I'm ringing my dad. I want to go home. | 0:13:14 | 0:13:16 | |
Not on that you're not. | 0:13:16 | 0:13:17 | |
INDISTINCT SPEECH ON PHONE | 0:13:21 | 0:13:23 | |
-Brilliant. -What's wrong? | 0:13:23 | 0:13:26 | |
-It's a party line. -What? | 0:13:26 | 0:13:28 | |
Excuse me. Excuse me. I need to use the phone. | 0:13:28 | 0:13:34 | |
Do you think I could... | 0:13:35 | 0:13:37 | |
CONVERSATION CONTINUES | 0:13:37 | 0:13:39 | |
It's an emergency. | 0:13:39 | 0:13:40 | |
That's it. I'm off. | 0:13:44 | 0:13:45 | |
You can't just leave, Katy. What about Frosty the Snowman upstairs? | 0:13:45 | 0:13:49 | |
He might melt. | 0:13:49 | 0:13:51 | |
He's not going anywhere. He's an invalid. | 0:13:51 | 0:13:53 | |
MECHANICAL WHIRRING | 0:13:53 | 0:13:55 | |
Well, you said it was faulty. | 0:14:20 | 0:14:22 | |
Come on, let's go. | 0:14:23 | 0:14:25 | |
Are you really going to leave? | 0:14:25 | 0:14:27 | |
Yes, I am. | 0:14:27 | 0:14:28 | |
BELL RINGS | 0:14:28 | 0:14:30 | |
Oh, no. | 0:14:35 | 0:14:37 | |
What is it? | 0:14:37 | 0:14:39 | |
RINGING CONTINUES | 0:14:39 | 0:14:42 | |
-It's him. -Who? | 0:14:42 | 0:14:43 | |
Him. The snowman. The brother. | 0:14:45 | 0:14:49 | |
What shall we do? | 0:14:50 | 0:14:53 | |
I don't know. Oh, God. | 0:14:53 | 0:14:55 | |
They said this wouldn't happen. | 0:14:57 | 0:14:58 | |
They said nothing ever happens. | 0:14:58 | 0:15:00 | |
We have to go up. | 0:15:02 | 0:15:04 | |
No, I can't. | 0:15:04 | 0:15:06 | |
We have to. He might be ill or something. | 0:15:06 | 0:15:10 | |
He is ill. | 0:15:10 | 0:15:11 | |
Well, come on then. Come on, Katy, we can't just leave him. | 0:15:11 | 0:15:14 | |
It's stopped. Maybe he's all right. | 0:15:17 | 0:15:21 | |
Yeah, it's either that or he's died. | 0:15:21 | 0:15:24 | |
Don't say that. | 0:15:24 | 0:15:25 | |
Come on then. | 0:15:28 | 0:15:29 | |
Stay with me. | 0:15:32 | 0:15:33 | |
-SHE GIGGLES -Look at this. | 0:15:40 | 0:15:43 | |
If she was in school uniform, she'd look like you. | 0:15:43 | 0:15:46 | |
Don't, Shell. | 0:15:48 | 0:15:49 | |
What? It could be reincarnation. | 0:15:49 | 0:15:53 | |
Me and Cal Crawford did this Ouija board once | 0:15:53 | 0:15:56 | |
and a ghost from the future came through. | 0:15:56 | 0:15:59 | |
How do you know he's from the future? | 0:16:00 | 0:16:02 | |
Because he told us that he wasn't even dead yet. | 0:16:02 | 0:16:05 | |
SUSPENSEFUL MUSIC | 0:16:08 | 0:16:10 | |
-Hello? -Don't! | 0:16:31 | 0:16:34 | |
We have to. | 0:16:34 | 0:16:36 | |
Hello? Are you all right? | 0:16:36 | 0:16:38 | |
-He can't answer. -Well, why not? | 0:16:38 | 0:16:40 | |
-He just can't. -Why not? | 0:16:40 | 0:16:43 | |
Because he hasn't got a mouth, Shell. All right? | 0:16:43 | 0:16:46 | |
That's what they tell me. Apparently, he hasn't got a mouth. | 0:16:46 | 0:16:50 | |
DOOR CREAKS OPEN | 0:17:10 | 0:17:12 | |
DRAMATIC MUSIC | 0:17:33 | 0:17:35 | |
He's not here. | 0:17:38 | 0:17:39 | |
KATY GASPS Don't do that! | 0:17:39 | 0:17:41 | |
SHE BREATHES UNSTEADILY | 0:17:41 | 0:17:43 | |
-Shit. Come on. -Cool! | 0:17:43 | 0:17:46 | |
Look at this. | 0:17:46 | 0:17:49 | |
Put that down. It's Hector's. | 0:17:49 | 0:17:51 | |
I always wanted a guitar. | 0:17:51 | 0:17:52 | |
SHE STRUMS GUITAR | 0:17:52 | 0:17:54 | |
Cocking cello. No-one plays the cello. | 0:17:54 | 0:17:57 | |
Leave it, please. | 0:17:57 | 0:17:58 | |
Ugh, look at this. | 0:18:00 | 0:18:03 | |
What is it? | 0:18:05 | 0:18:07 | |
Salt. | 0:18:07 | 0:18:08 | |
Why has he got salt around his bed? | 0:18:10 | 0:18:11 | |
Maybe they've got slugs. | 0:18:13 | 0:18:15 | |
BELL RINGS | 0:18:15 | 0:18:17 | |
This is not worth £88. | 0:18:39 | 0:18:41 | |
I told you it was like Chessington. At least we don't have to queue. | 0:18:41 | 0:18:45 | |
SUSPENSEFUL MUSIC | 0:18:52 | 0:18:56 | |
STEADY BEEPING | 0:18:56 | 0:18:58 | |
It stinks. | 0:19:04 | 0:19:05 | |
Mr Molloch? | 0:19:05 | 0:19:08 | |
-Molloch as in bollock? -Sh. | 0:19:08 | 0:19:11 | |
Oh, creepy bed. | 0:19:11 | 0:19:13 | |
I knew it would be. | 0:19:13 | 0:19:15 | |
Deliberate. | 0:19:15 | 0:19:17 | |
Andras. Just checking you're OK. | 0:19:17 | 0:19:20 | |
Oh, my God. | 0:19:38 | 0:19:39 | |
Shit. | 0:19:43 | 0:19:46 | |
I don't believe this. | 0:19:46 | 0:19:47 | |
I know. Such a cheat. He has got a mouth. | 0:19:47 | 0:19:51 | |
It's just bandaged up. | 0:19:51 | 0:19:53 | |
Shell, help me. Shell! | 0:19:53 | 0:19:56 | |
Katy. Look. | 0:20:01 | 0:20:03 | |
What have they done to you? | 0:20:10 | 0:20:13 | |
HE GASPS, COUGHS | 0:20:13 | 0:20:15 | |
OK. OK. You're all right now. | 0:20:15 | 0:20:20 | |
HE GASPS AND SPUTTERS | 0:20:20 | 0:20:23 | |
He's trying to say something. | 0:20:23 | 0:20:25 | |
OK, OK, slowly, slowly. | 0:20:26 | 0:20:28 | |
Free. | 0:20:31 | 0:20:32 | |
Free. | 0:20:32 | 0:20:34 | |
Yes. Yes. We're going to get you out. | 0:20:34 | 0:20:36 | |
Mischief. | 0:20:36 | 0:20:38 | |
What did he say? | 0:20:38 | 0:20:40 | |
I don't know. Come on. | 0:20:40 | 0:20:41 | |
Wait a minute. | 0:20:44 | 0:20:46 | |
If his hands were tied up, how was he ringing that bell? | 0:20:46 | 0:20:50 | |
BELL RINGS | 0:20:54 | 0:20:56 | |
# They danced on the Friday when the sky turned black | 0:20:58 | 0:21:01 | |
# It's hard to dance with the devil on your back... # | 0:21:01 | 0:21:04 | |
All right, Hector. That's enough. | 0:21:04 | 0:21:06 | |
You know I can't abide that modern music. | 0:21:06 | 0:21:08 | |
I don't know what you've been doing but I'm calling the police. | 0:21:08 | 0:21:12 | |
What with? Your phone is in a state of outage. | 0:21:12 | 0:21:15 | |
You keep forgetting that. | 0:21:15 | 0:21:17 | |
He was fair once, as he now is foul | 0:21:17 | 0:21:21 | |
And lifted up his brow against his Maker | 0:21:21 | 0:21:23 | |
May well proceed from him all tribulation. | 0:21:23 | 0:21:28 | |
Dante's Inferno. | 0:21:28 | 0:21:29 | |
Dante's Hell was ice, and just as Lucifer was kept in ice, | 0:21:29 | 0:21:34 | |
so our brother - the demon - is kept in ice. | 0:21:34 | 0:21:39 | |
What are you talking about? Your brother's not a demon. | 0:21:39 | 0:21:42 | |
Technically you are right. | 0:21:42 | 0:21:44 | |
Andras was possessed when he was just ten years old. | 0:21:44 | 0:21:48 | |
Possessed? | 0:21:48 | 0:21:50 | |
His name is Castiel. Demon of mischief. | 0:21:50 | 0:21:54 | |
Mischief. | 0:21:54 | 0:21:56 | |
From the seed, he who walks backward. | 0:21:56 | 0:22:00 | |
Michael Jackson? | 0:22:00 | 0:22:01 | |
No, not Michael Jackson. The Goat of Mendes. | 0:22:03 | 0:22:09 | |
The devil himself. | 0:22:09 | 0:22:11 | |
Ask them how they did the cat. | 0:22:11 | 0:22:12 | |
Shut up. Have you been here all along? | 0:22:12 | 0:22:15 | |
Yes. You see, despite what my sister says, | 0:22:15 | 0:22:18 | |
I am capable of some surprises. | 0:22:18 | 0:22:22 | |
You said you had a function. | 0:22:22 | 0:22:23 | |
Event. I said event. And this is it. | 0:22:23 | 0:22:27 | |
You are it. | 0:22:27 | 0:22:31 | |
Ask them how they did the cat. | 0:22:31 | 0:22:32 | |
For almost half a century we have kept the demon from roaming | 0:22:32 | 0:22:35 | |
the Earth by confining Andras to this room. | 0:22:35 | 0:22:38 | |
Alas, the host body is only mortal, | 0:22:39 | 0:22:43 | |
and when our brother passes, Castiel will be free. | 0:22:43 | 0:22:48 | |
And that's where you come in, Katy. | 0:22:48 | 0:22:51 | |
You have the strength of character to tame the beast. | 0:22:51 | 0:22:55 | |
You will house the demon for another 50 years. | 0:22:55 | 0:22:59 | |
Fuck off. | 0:23:00 | 0:23:02 | |
Ask them how they did the cat. | 0:23:03 | 0:23:05 | |
I think you should have that pleasure, Michelle. | 0:23:05 | 0:23:07 | |
Wait, how do you...? | 0:23:07 | 0:23:09 | |
Michelle comes to our church, Miss Hepworth. | 0:23:09 | 0:23:11 | |
She's one of us. | 0:23:12 | 0:23:14 | |
We're just keeping order, Katy. | 0:23:15 | 0:23:17 | |
Without us, it really would be hell on Earth. | 0:23:17 | 0:23:20 | |
-And I did the cat, if you must know. -What? | 0:23:20 | 0:23:24 | |
I hid the stuffed one when you weren't looking. | 0:23:24 | 0:23:27 | |
Well, you're all just mad. This is just abuse. | 0:23:28 | 0:23:32 | |
Your brother's not possessed. | 0:23:32 | 0:23:34 | |
He's a frightened old man who's been tied to the bed for 50 years. | 0:23:34 | 0:23:37 | |
You're worse than the Fritzls. | 0:23:37 | 0:23:38 | |
Stop that, please. | 0:23:38 | 0:23:40 | |
What is that? | 0:23:42 | 0:23:44 | |
It's a Taser gun. | 0:23:44 | 0:23:46 | |
How can you not have heard of broadband but you own a Taser gun?! | 0:23:46 | 0:23:50 | |
Be still, Miss Hepworth. Michelle, fetch the epidural. | 0:23:50 | 0:23:53 | |
Wait! | 0:23:54 | 0:23:56 | |
If your brother is a demon then where is the proof? | 0:24:00 | 0:24:04 | |
Well, as you can see, his feet are cloven. | 0:24:04 | 0:24:07 | |
My mum's got feet like that. It's just hard skin. | 0:24:07 | 0:24:10 | |
It's ready. | 0:24:10 | 0:24:11 | |
Turn around, please, Miss Hepworth, and remove your blouse and coat. | 0:24:13 | 0:24:18 | |
We will try to make this as painless as possible. | 0:24:18 | 0:24:22 | |
What are you going to do to me? | 0:24:30 | 0:24:32 | |
The procedure is not unlike giving birth. | 0:24:32 | 0:24:36 | |
Except...the other way around. | 0:24:37 | 0:24:40 | |
ELECTRICAL BUZZING | 0:24:44 | 0:24:46 | |
DRAMATIC MUSIC | 0:24:50 | 0:24:53 | |
THE DOOR RATTLES | 0:25:04 | 0:25:05 | |
There's no point running, Katy. There's no way out. | 0:25:05 | 0:25:09 | |
Mischief! | 0:25:09 | 0:25:11 | |
Quiet, Andras. Sorry about that, Tabs. | 0:25:11 | 0:25:15 | |
You always said that we're like two fried eggs. | 0:25:15 | 0:25:18 | |
That's not funny, Hector. Where's the girl? | 0:25:18 | 0:25:21 | |
Shit! | 0:25:21 | 0:25:23 | |
Come on, Katy. This is an honour. | 0:25:33 | 0:25:36 | |
Your sacrifice keeps misrule from the whole world. | 0:25:37 | 0:25:41 | |
And for that, you'll be rewarded in Paradise. | 0:25:41 | 0:25:44 | |
Plus you get your baby-sitting money, | 0:25:44 | 0:25:46 | |
so it's not all been for nothing. | 0:25:46 | 0:25:48 | |
I thought you were my friend. | 0:25:50 | 0:25:53 | |
I am your friend. I wouldn't be doing this otherwise. | 0:25:53 | 0:25:56 | |
Why don't you have the demon go into you then? | 0:25:56 | 0:26:00 | |
Oh, I wanted to, but they said that I was too weak-willed. | 0:26:00 | 0:26:03 | |
I think it's because I'm fat. | 0:26:05 | 0:26:07 | |
You were chosen. | 0:26:08 | 0:26:10 | |
Why? | 0:26:11 | 0:26:13 | |
Well, can't remember now. | 0:26:13 | 0:26:17 | |
This is Andras's last supper, Katy. | 0:26:39 | 0:26:42 | |
That's it. Won't be long now. | 0:26:44 | 0:26:48 | |
Castiel will soon be leaving this withered husk, | 0:26:48 | 0:26:51 | |
and he will find a new home inside you. | 0:26:51 | 0:26:55 | |
We'll leave you to get acquainted. | 0:26:55 | 0:26:58 | |
You're going to be spending a long time together. | 0:27:00 | 0:27:03 | |
I'm so jealous. | 0:27:05 | 0:27:07 | |
MUFFLED MOAN | 0:27:11 | 0:27:13 | |
SHE WHIMPERS | 0:27:20 | 0:27:22 | |
Mischief. | 0:27:29 | 0:27:31 | |
SHE MOANS | 0:27:45 | 0:27:47 | |
MUFFLED SCREAMS | 0:27:52 | 0:27:55 | |
Mischief. | 0:27:56 | 0:27:59 | |
SHE SCREAMS | 0:28:06 | 0:28:08 | |
Mischief. | 0:28:17 | 0:28:20 | |
# I danced in the morning when the world was young | 0:28:22 | 0:28:25 | |
# I danced in the moon and the stars and the sun | 0:28:25 | 0:28:27 | |
# I came down from heaven and I danced on the Earth | 0:28:27 | 0:28:30 | |
# At Bethlehem I had my birth | 0:28:30 | 0:28:33 | |
# Dance, dance, wherever you may be | 0:28:33 | 0:28:35 | |
# I am the Lord of the dance, said he | 0:28:35 | 0:28:38 | |
# And I'll lead you all, wherever you may be | 0:28:38 | 0:28:40 | |
# And I'll lead you all in the dance, said he | 0:28:40 | 0:28:43 | |
# I danced for the scribes and the Pharisees | 0:28:43 | 0:28:46 | |
# But they wouldn't dance and they wouldn't follow me | 0:28:46 | 0:28:48 | |
# I danced for the fishermen, James and John... # | 0:28:48 | 0:28:50 |