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This programme contains some strong language. | 0:00:08 | 0:00:13 | |
-TANNOY: -Bonsoir et bienvenue a bord ce train SNCF a destination de | 0:00:13 | 0:00:17 | |
Bourg-Saint-Maurice qui arrivera a sept heures quarante demain matin. | 0:00:17 | 0:00:22 | |
HE BREATHES HEAVILY | 0:01:29 | 0:01:33 | |
-HE FARTS -Schuldigung. | 0:01:36 | 0:01:38 | |
HE GROANS | 0:01:40 | 0:01:42 | |
HE COUGHS AND RETCHES | 0:01:49 | 0:01:53 | |
Ach, verdammter Mist! | 0:02:05 | 0:02:07 | |
Could you close the window, please? | 0:02:07 | 0:02:08 | |
-Eh? -Schliessen Sie das Fenster, bitte. | 0:02:08 | 0:02:11 | |
HE COUGHS | 0:02:26 | 0:02:28 | |
MOBILE PHONE BEEPS | 0:02:35 | 0:02:36 | |
MAN AND WOMAN MOAN WITH PLEASURE | 0:02:45 | 0:02:49 | |
HE CHUCKLES | 0:02:50 | 0:02:53 | |
Oh, de-da-de-da-de-da... | 0:02:53 | 0:02:55 | |
SERIES OF WET FARTS | 0:03:02 | 0:03:04 | |
HE WHEEZES | 0:03:12 | 0:03:14 | |
HE SNORES | 0:03:20 | 0:03:23 | |
Oh, it's here, look. | 0:03:32 | 0:03:33 | |
-Where? -Here. Number nine. | 0:03:33 | 0:03:35 | |
-Oh, God, there's people in here already. -So? | 0:03:36 | 0:03:39 | |
-They're asleep. -It's a sleeper train. | 0:03:39 | 0:03:41 | |
What do you expect them to be doing? Playing ping pong? | 0:03:41 | 0:03:43 | |
Keep your voice down. Sorry. | 0:03:43 | 0:03:45 | |
-Er, I'll just put these away. -Well, what about these? | 0:03:46 | 0:03:48 | |
Don't want them all creased up for the wedding. | 0:03:48 | 0:03:50 | |
Well, hang them up. Find the ticket, see which ones are ours. | 0:03:50 | 0:03:53 | |
ZIP BUZZES | 0:04:05 | 0:04:07 | |
ZIP SLOWLY CLICKS APART | 0:04:09 | 0:04:12 | |
Just get on with it, would you? I'm trying to sleep. | 0:04:22 | 0:04:25 | |
Yeah, sorry. | 0:04:25 | 0:04:26 | |
Here, they've got sinks for brushing your teeth - | 0:04:37 | 0:04:39 | |
but the water's brown. | 0:04:39 | 0:04:41 | |
I don't trust it. | 0:04:41 | 0:04:42 | |
-Which one's ours? -I can't see. | 0:04:42 | 0:04:45 | |
-I'll put the big light on. -Les! -Oh! | 0:04:45 | 0:04:48 | |
I think it's these top two, but there's someone in that one. | 0:04:48 | 0:04:50 | |
Oh, you're joking... | 0:04:50 | 0:04:51 | |
Well, it's all right, we'll just take these two. | 0:04:51 | 0:04:53 | |
-No, I want to go on the top! -Les, you're not six! | 0:04:53 | 0:04:56 | |
It's the only thing I was looking forward to. | 0:04:56 | 0:04:58 | |
What, more than your daughter's wedding? | 0:04:58 | 0:05:00 | |
Let's just wake him up. | 0:05:00 | 0:05:02 | |
No! I've already disturbed this gentleman. | 0:05:02 | 0:05:04 | |
We'll both go in this one, if you're that fussed. Be an adventure. | 0:05:04 | 0:05:08 | |
It's not The Crystal Maze, you know? | 0:05:08 | 0:05:10 | |
What did she want to get married in France for, anyway? | 0:05:10 | 0:05:12 | |
Could have had the back room at the Cheese for free. | 0:05:12 | 0:05:15 | |
Because she wanted to wake up in the French mountains, Les, | 0:05:15 | 0:05:18 | |
not in a pub garden in Bury. | 0:05:18 | 0:05:19 | |
They'd have put on a good spread. | 0:05:20 | 0:05:22 | |
And they'd have an artist on at the night do. | 0:05:22 | 0:05:24 | |
They'll do a good spread here. | 0:05:24 | 0:05:25 | |
You're in France, cuisine capital of the world. | 0:05:25 | 0:05:27 | |
Yeah, well, I'm not eating frogs' legs. | 0:05:27 | 0:05:29 | |
Oh, shut up about that. You have crab's dicks. | 0:05:29 | 0:05:32 | |
What? | 0:05:32 | 0:05:33 | |
You - you eat crab's dicks in the pub. | 0:05:33 | 0:05:35 | |
That's "crab sticks", you idiot. What's a crab's dick? | 0:05:35 | 0:05:38 | |
Well, I don't know. I thought they were big. | 0:05:38 | 0:05:41 | |
Would you be quiet, please? | 0:05:41 | 0:05:42 | |
Sorry, love. We're just sorting ourselves out. | 0:05:42 | 0:05:44 | |
Yeah... No... | 0:05:47 | 0:05:49 | |
Oh, me too, babe. I absolutely stink. | 0:05:51 | 0:05:54 | |
Haven't had a shower since Prague. SHE CHUCKLES | 0:05:54 | 0:05:57 | |
Oh, fuck knows. | 0:05:57 | 0:06:00 | |
Hold on... | 0:06:00 | 0:06:01 | |
I'll ask someone. | 0:06:01 | 0:06:03 | |
Excuse me, does anyone know what country we're in? | 0:06:03 | 0:06:05 | |
You're in France, love. | 0:06:05 | 0:06:07 | |
Oh, my God, we're in France! | 0:06:07 | 0:06:10 | |
What happened to Austria? SHE LAUGHS | 0:06:10 | 0:06:12 | |
Yeah, right... | 0:06:12 | 0:06:13 | |
Hold on, hold on... | 0:06:15 | 0:06:17 | |
I'm going to go out in the corridor. | 0:06:17 | 0:06:20 | |
Yeah, I'm in the, er, couchette. | 0:06:20 | 0:06:23 | |
No, it's like a room. | 0:06:23 | 0:06:25 | |
Yeah... | 0:06:25 | 0:06:26 | |
Basically a hostel on wheels. It's so fucked. | 0:06:26 | 0:06:28 | |
-No... -Could you close the door, please? | 0:06:30 | 0:06:32 | |
Excuse me? | 0:06:33 | 0:06:35 | |
Excuse me! | 0:06:35 | 0:06:36 | |
Ridiculous! | 0:06:49 | 0:06:50 | |
-Come on, let's get undressed. -Ah, yeah. | 0:06:51 | 0:06:53 | |
Oof! | 0:07:00 | 0:07:02 | |
Ow! | 0:07:05 | 0:07:07 | |
You... | 0:07:10 | 0:07:12 | |
What you doing? I can't... | 0:07:12 | 0:07:15 | |
I'm just trying to help! | 0:07:15 | 0:07:17 | |
Shh! | 0:07:18 | 0:07:19 | |
What are you doing? Get your head out! | 0:07:26 | 0:07:28 | |
It's no good. We'll have to wake him up. | 0:07:37 | 0:07:39 | |
No! | 0:07:39 | 0:07:40 | |
There's no room! | 0:07:40 | 0:07:41 | |
-Hey, excuse me. -Was? Was ist...? | 0:07:44 | 0:07:47 | |
Er, you're in our bed. | 0:07:47 | 0:07:49 | |
-Huh? -Er...you are in my wife's bed. | 0:07:49 | 0:07:53 | |
-Ja? -Ja. | 0:07:53 | 0:07:55 | |
Is that OK? | 0:07:55 | 0:07:57 | |
Ja, warum nicht? Komm... | 0:07:57 | 0:07:59 | |
Oh, no, no, no, no, not with you. You have to go down. | 0:07:59 | 0:08:03 | |
Ja, das klingt gut, ja. | 0:08:04 | 0:08:06 | |
Don't give him any ideas. | 0:08:06 | 0:08:08 | |
No, er, here... | 0:08:08 | 0:08:09 | |
Er, er... 9D. | 0:08:11 | 0:08:15 | |
9D. | 0:08:15 | 0:08:16 | |
Sie sind in dem falschen Bett. Sie mussen bewegen! | 0:08:16 | 0:08:19 | |
Was hat das mit Ihnen zu tun, ha? | 0:08:19 | 0:08:21 | |
Sie haben die Fahrkarte! | 0:08:21 | 0:08:23 | |
Was fur einen Unterschied macht das? Ich bin schon im Bett! | 0:08:23 | 0:08:26 | |
Weil ich nicht schlafen kann! | 0:08:26 | 0:08:28 | |
We've started World War Three here. | 0:08:28 | 0:08:30 | |
Das ist lacherlich, verdammt lacherlich. | 0:08:30 | 0:08:32 | |
Hey, watch those suits, pal. | 0:08:32 | 0:08:33 | |
-The suits! Ignorant. -Les! | 0:08:33 | 0:08:36 | |
Well, look at him - Barbapapa. | 0:08:36 | 0:08:39 | |
Thank you, sir. | 0:08:39 | 0:08:41 | |
We don't mean to cause a fuss, | 0:08:41 | 0:08:42 | |
but it's better to get it sorted, isn't it? | 0:08:42 | 0:08:44 | |
Look, I have a very important interview tomorrow morning. | 0:08:44 | 0:08:47 | |
We have 8 hours and 42 minutes | 0:08:47 | 0:08:48 | |
before we arrive in Bourg-Saint-Maurice. | 0:08:48 | 0:08:51 | |
I should like to spend the majority of that time sleeping! | 0:08:51 | 0:08:54 | |
Yeah, so would we. Sorry. | 0:08:54 | 0:08:57 | |
Go on, Les, shift yourself. | 0:08:57 | 0:08:58 | |
Oh, why do I have to go in? It's all sweaty and horrible. | 0:08:58 | 0:09:02 | |
The gentleman's just told you he's trying to get some sleep. | 0:09:02 | 0:09:04 | |
I'm going to hang these suits up first, aren't I? | 0:09:04 | 0:09:07 | |
Hey, hey, hey! These are for our daughter's wedding. | 0:09:10 | 0:09:13 | |
Verpiss dich! | 0:09:13 | 0:09:16 | |
HE FARTS Ah, you pig! | 0:09:16 | 0:09:18 | |
Oh, please! | 0:09:18 | 0:09:19 | |
-I'll be quiet now. -Ah! | 0:09:29 | 0:09:31 | |
HE SNIFFS | 0:09:41 | 0:09:43 | |
Oh, it stinks! | 0:09:43 | 0:09:44 | |
Night-night. | 0:09:52 | 0:09:53 | |
Night-night. | 0:09:53 | 0:09:54 | |
INTERMITTENT BEEPS | 0:10:05 | 0:10:09 | |
Les! | 0:10:12 | 0:10:14 | |
I know, it's my travel alarm. | 0:10:14 | 0:10:16 | |
Turn it off. | 0:10:16 | 0:10:18 | |
Only lasts 30 seconds. Be over soon. | 0:10:18 | 0:10:21 | |
ALARM BEEPS RAPIDLY | 0:10:21 | 0:10:23 | |
Not long, now. | 0:10:32 | 0:10:33 | |
CONSTANT BEEPS | 0:10:33 | 0:10:36 | |
-Les! -BEEPING STOPS | 0:10:36 | 0:10:38 | |
Told you. | 0:10:38 | 0:10:39 | |
Just down here. | 0:10:49 | 0:10:50 | |
Excellent. | 0:10:59 | 0:11:01 | |
This is actually much nicer than first class. | 0:11:01 | 0:11:03 | |
Seriously? | 0:11:03 | 0:11:05 | |
Yeah. It's a lot more real, if you know what I mean? | 0:11:05 | 0:11:08 | |
Here. | 0:11:08 | 0:11:09 | |
This actually reminds me of a hostel I stayed in, out in Phuket. | 0:11:14 | 0:11:17 | |
The toilets were disgusting. | 0:11:17 | 0:11:19 | |
I love all that shit. Have you done India? | 0:11:19 | 0:11:22 | |
Oh, yeah, it was awesome. I got hepatitis. | 0:11:22 | 0:11:24 | |
-Really? A or B? -Only A. -Oh. | 0:11:24 | 0:11:27 | |
Still, my friend Callum got typhoid in Mumbai. | 0:11:27 | 0:11:31 | |
His parents had to pay for an air ambulance to get him out. | 0:11:31 | 0:11:34 | |
It was like The Killing Fields. | 0:11:34 | 0:11:35 | |
Shit! Was he OK? | 0:11:35 | 0:11:37 | |
Yeah. He lost, like, 3st. He was really pleased. | 0:11:37 | 0:11:40 | |
He was a bit of a blob. | 0:11:40 | 0:11:41 | |
So, um... | 0:11:44 | 0:11:45 | |
What are your impressions of Europe, so far? | 0:11:45 | 0:11:48 | |
Oh, I just love all the history and buildings and stuff. | 0:11:48 | 0:11:51 | |
Mm, what have you seen? | 0:11:51 | 0:11:53 | |
Um, what's the one in Belgium, of the little boy with his dick out? | 0:11:53 | 0:11:56 | |
Le Mannekin Pis. | 0:11:57 | 0:11:59 | |
Er, designed by Hieronimus Duquesnoy in 1688, I think. | 0:11:59 | 0:12:02 | |
Yeah, I climbed over the railings | 0:12:02 | 0:12:04 | |
and got a picture of it pissing in my mouth. | 0:12:04 | 0:12:07 | |
Wow, you're so vile - I love you. | 0:12:07 | 0:12:10 | |
Well, if someone lends me their toilet paper, I'm anybody's. | 0:12:10 | 0:12:14 | |
-There's plenty more where that came from. -THEY LAUGH | 0:12:14 | 0:12:16 | |
GROAN | 0:12:16 | 0:12:18 | |
Oh, fuck. I keep forgetting there's other people in here. | 0:12:18 | 0:12:21 | |
Shall we go to your carriage? | 0:12:21 | 0:12:23 | |
Er... No, actually, it's better here, yeah. | 0:12:23 | 0:12:26 | |
It's a right giggle. | 0:12:26 | 0:12:27 | |
It is now you're here. | 0:12:27 | 0:12:29 | |
Mmm, barbecue sauce. | 0:12:32 | 0:12:34 | |
So erm, how have you found the men, from country to country? | 0:12:34 | 0:12:37 | |
Not that I'm implying you're a slag. Or maybe you are. | 0:12:37 | 0:12:40 | |
I don't know? | 0:12:40 | 0:12:41 | |
No, I am. You could say I've covered a lot of ground. | 0:12:41 | 0:12:45 | |
Ah, OK. Who comes out on top? | 0:12:45 | 0:12:47 | |
Well, that depends | 0:12:47 | 0:12:48 | |
whether we're in the marshy wetlands or the arid desert. | 0:12:48 | 0:12:52 | |
Can't actually think of a desert in Europe, | 0:12:52 | 0:12:54 | |
other than Tabernas in Spain. | 0:12:54 | 0:12:56 | |
No, I meant up the shitter. | 0:12:56 | 0:12:58 | |
Right, good. | 0:12:58 | 0:12:59 | |
Are you much of an explorer? | 0:13:00 | 0:13:03 | |
Er, well... I can be quite adventurous. | 0:13:03 | 0:13:06 | |
Pot-holing in Derbyshire was properly intense. | 0:13:06 | 0:13:08 | |
So you're used to going in pretty deep, then? | 0:13:08 | 0:13:12 | |
-Ah, it depends how cavernous we're talking. -Ooh! | 0:13:12 | 0:13:14 | |
TRAIN BRAKES SCREECH | 0:13:14 | 0:13:16 | |
Fasten your seat belts, it's going to be a bumpy ride! | 0:13:16 | 0:13:19 | |
-HE YELPS -What's the matter? | 0:13:19 | 0:13:20 | |
-SHE SCREAMS -Oh, my God! | 0:13:20 | 0:13:23 | |
What's going on? | 0:13:23 | 0:13:24 | |
He's dead! | 0:13:24 | 0:13:26 | |
Someone put t'big light on. | 0:13:26 | 0:13:27 | |
What's going on? Who are you? | 0:13:28 | 0:13:30 | |
I...I was just having a nightcap with... | 0:13:30 | 0:13:32 | |
Sorry, I forgot your name. | 0:13:32 | 0:13:34 | |
-Shona. -Shona. When, er... this chap fell out of the sky. | 0:13:34 | 0:13:37 | |
Get out of my way. I'm a doctor. | 0:13:37 | 0:13:39 | |
Was ist passiert? Sind wir schon angekommen? | 0:13:39 | 0:13:42 | |
Dieser Mann ist aus dem Bett gefallen. | 0:13:42 | 0:13:44 | |
I thought he was very quiet. | 0:13:44 | 0:13:45 | |
Is he all right, bud? | 0:13:47 | 0:13:49 | |
He's dead. | 0:13:49 | 0:13:51 | |
Shittington. | 0:13:51 | 0:13:52 | |
He appears to have some sort of lesion or blister on his face. | 0:13:53 | 0:13:56 | |
Could be erysipelas. | 0:13:56 | 0:13:58 | |
Oh, God, sorry. No, that's...mine. | 0:13:58 | 0:14:01 | |
I'll just keep that, take that for later. | 0:14:01 | 0:14:03 | |
Fingers crossed, eh? | 0:14:03 | 0:14:05 | |
What do we do? | 0:14:05 | 0:14:06 | |
I'll go and find a guard. Everyone stay here. | 0:14:06 | 0:14:09 | |
Don't let anyone in or out. | 0:14:09 | 0:14:10 | |
HE COUGHS AND RETCHES | 0:14:12 | 0:14:14 | |
Oh, ich fuhle mich schrecklich. | 0:14:14 | 0:14:16 | |
-What's he say? -I don't know, something about Shrek. | 0:14:16 | 0:14:19 | |
-Ah, I thought he looked a bit green. -Oh, it was awful. | 0:14:19 | 0:14:22 | |
He was staring at me with these horrible glazed eyes. | 0:14:22 | 0:14:25 | |
Sorry, it's just my sex face. | 0:14:25 | 0:14:27 | |
Do you want to come up here, love, out of the way of it? | 0:14:28 | 0:14:30 | |
Yeah, thanks. | 0:14:30 | 0:14:33 | |
Right, well, I'd better be heading back to first class, so... | 0:14:33 | 0:14:36 | |
Oi, oi, hang on, pal. Hang on. | 0:14:36 | 0:14:38 | |
That fella said we've got to wait here till the guard comes. | 0:14:38 | 0:14:41 | |
-Oh, I just didn't want to get... Shirley? -Shona. | 0:14:41 | 0:14:44 | |
Shona... Shona... into any trouble. | 0:14:44 | 0:14:47 | |
Late-night romps et cetera. | 0:14:47 | 0:14:49 | |
Is that what you were doing? In a room full of people? | 0:14:49 | 0:14:51 | |
I'm sure you would have just slept through it. | 0:14:51 | 0:14:53 | |
You know about that, Kath. | 0:14:53 | 0:14:55 | |
THEY LAUGH | 0:14:55 | 0:14:57 | |
Hey, what's he doing? Hey, hey! What's the idea, pal? | 0:14:57 | 0:15:00 | |
Ich suche einen Reisepass. | 0:15:00 | 0:15:02 | |
Here, get your fingers out of him. | 0:15:02 | 0:15:04 | |
Er muss ein Grossvater gewesen sein. | 0:15:07 | 0:15:09 | |
Oh, he had grandkids - look. | 0:15:13 | 0:15:16 | |
His poor family. They don't even know yet. | 0:15:16 | 0:15:19 | |
Hey, it's like we're the kids in Stand By Me. | 0:15:19 | 0:15:22 | |
Bags I'm River Phoenix. | 0:15:22 | 0:15:23 | |
Good film. | 0:15:26 | 0:15:27 | |
Couldn't find anybody. All the carriages are closed. | 0:15:28 | 0:15:32 | |
Oh, they're never around when you need them, are they? | 0:15:32 | 0:15:34 | |
There has to be someone - it's not Runaway Train. | 0:15:34 | 0:15:37 | |
Ich hatte einen Vorschlag. Warum benutzen wir nicht den hier? | 0:15:37 | 0:15:41 | |
Oh, vielleicht ist das nicht geboten. | 0:15:41 | 0:15:43 | |
Was meinst du mit geboten? Der Mann ist tot! | 0:15:43 | 0:15:46 | |
What are you saying? Speak English. | 0:15:46 | 0:15:48 | |
He's proposing we use the emergency stop. | 0:15:48 | 0:15:50 | |
Ja, genau. | 0:15:50 | 0:15:51 | |
Can I do that? I've always wanted to smash one of them. | 0:15:51 | 0:15:54 | |
Oh, don't cut your hands. | 0:15:54 | 0:15:55 | |
No, I won't, | 0:15:55 | 0:15:56 | |
cos I'm going to use one of your shoes. | 0:15:56 | 0:15:58 | |
Hey, I got them from Next! | 0:15:58 | 0:16:00 | |
I haven't got a ticket! | 0:16:02 | 0:16:04 | |
-What? -Can't stop the train - I don't have a ticket. | 0:16:04 | 0:16:07 | |
I'm sort of a stowaway. | 0:16:07 | 0:16:08 | |
-Was ist los? -Er hat keine Fahrkarte. | 0:16:08 | 0:16:12 | |
Tun Sie, was Sie wollen. Ich brauche mein Bett. | 0:16:12 | 0:16:14 | |
You told me you were in first class. | 0:16:14 | 0:16:16 | |
Sorry, I lied. | 0:16:16 | 0:16:18 | |
-I'm completely broke. -You bastard! | 0:16:18 | 0:16:20 | |
So what, you just hang around the toilets, | 0:16:20 | 0:16:22 | |
waiting for an Australian slapper to offer you a bed, is that it? | 0:16:22 | 0:16:25 | |
Yeah, pretty much. | 0:16:25 | 0:16:26 | |
-Well, listen - I'm sorry, pal, I'm smashing it. -Oh... | 0:16:26 | 0:16:29 | |
We've got a dead body here. | 0:16:29 | 0:16:31 | |
Well, I have to declare an interest. | 0:16:31 | 0:16:34 | |
Tomorrow morning, I have an interview | 0:16:34 | 0:16:36 | |
at the World Health Organization in Geneva. | 0:16:36 | 0:16:38 | |
What do you want, a round of applause? | 0:16:38 | 0:16:39 | |
Well, if we stop the train, there will be a major delay | 0:16:39 | 0:16:42 | |
and I will miss my appointment, | 0:16:42 | 0:16:43 | |
an appointment that it's taken me 18 months to arrange. | 0:16:43 | 0:16:46 | |
What are you saying here? | 0:16:46 | 0:16:47 | |
Well, this man has been dead for at least four hours. | 0:16:47 | 0:16:49 | |
Another three or four will not make any difference. | 0:16:49 | 0:16:52 | |
What, you want to just leave him there? | 0:16:52 | 0:16:54 | |
Well, I propose we put him back to bed, | 0:16:54 | 0:16:56 | |
continue the journey without delay and have the guards | 0:16:56 | 0:16:59 | |
find the poor gentleman first thing tomorrow morning. | 0:16:59 | 0:17:01 | |
Oh, that doesn't sound right. | 0:17:01 | 0:17:03 | |
Don't they have to examine the body, like a Quincy? | 0:17:03 | 0:17:05 | |
Exactly, yeah. They have to find out the cause of death. | 0:17:05 | 0:17:07 | |
Apparently, when you hang yourself, you get an erection. | 0:17:07 | 0:17:11 | |
Sorry, irrelevant. | 0:17:13 | 0:17:14 | |
There's nothing we can do for him. It's probably a heart attack. | 0:17:14 | 0:17:17 | |
It really would mean the world to me | 0:17:17 | 0:17:19 | |
if we could just finish this journey without interruption. | 0:17:19 | 0:17:22 | |
Sorry, am I going mad here? | 0:17:22 | 0:17:24 | |
Are you suggesting we all just bunk up with a rotting corpse, | 0:17:24 | 0:17:27 | |
so you can make your interview in the morning? | 0:17:27 | 0:17:29 | |
Yeah, it's ridiculous. Smash the glass, Les. | 0:17:29 | 0:17:31 | |
Right, er... | 0:17:31 | 0:17:33 | |
We have got our Leanne's wedding tomorrow. | 0:17:36 | 0:17:39 | |
I mean, what if he's right and we end up late? | 0:17:39 | 0:17:41 | |
Well, the day do's not until 12, we'll easily make that. | 0:17:41 | 0:17:44 | |
Will we, though? What if they don't let anyone off? | 0:17:44 | 0:17:47 | |
He rolled out of bed dead, it's not Murder On The Orient Express! | 0:17:47 | 0:17:50 | |
Oh, another good film. | 0:17:50 | 0:17:52 | |
I'm fairly confident that if we do alert the authorities, | 0:17:52 | 0:17:55 | |
we both will miss our respective engagements. | 0:17:55 | 0:17:58 | |
Exactly! Look, they'll find him in a couple of hours, anyway. | 0:17:58 | 0:18:02 | |
We'll be gone and that's that. | 0:18:02 | 0:18:04 | |
I have to say I agree. | 0:18:04 | 0:18:05 | |
Good. Well, I'll just explain the situation to our German friend, | 0:18:06 | 0:18:10 | |
so we're all on the same page. | 0:18:10 | 0:18:11 | |
Oh, come on, Kath. We've come all this way. | 0:18:15 | 0:18:17 | |
We don't want to let our Leanne down. | 0:18:17 | 0:18:19 | |
Will you give us a minute, please, love? | 0:18:21 | 0:18:24 | |
Sure. | 0:18:24 | 0:18:26 | |
Do you want a hand? | 0:18:27 | 0:18:29 | |
Are you still here? | 0:18:29 | 0:18:30 | |
Why don't you go back to first class? | 0:18:31 | 0:18:34 | |
Well, I thought, now that there's a spare bunk going, | 0:18:34 | 0:18:37 | |
I might as well get my head down for a couple of hours. | 0:18:37 | 0:18:39 | |
What? | 0:18:39 | 0:18:41 | |
Unless you want to pick up from where we left off? | 0:18:41 | 0:18:44 | |
That's been on a dead man's face. | 0:18:44 | 0:18:47 | |
Have some respect. | 0:18:47 | 0:18:49 | |
S...sorry. Too soon. | 0:18:49 | 0:18:51 | |
I can't believe what I'm hearing, Les. | 0:18:51 | 0:18:53 | |
I don't know who you are. Who are you? | 0:18:53 | 0:18:55 | |
Oh, look, I'm just a man who wants to walk his daughter | 0:18:55 | 0:18:58 | |
down the aisle on her wedding day. | 0:18:58 | 0:19:00 | |
Yeah, having slept with a dead body the night before! | 0:19:00 | 0:19:03 | |
Been doing that for the last 25 years. | 0:19:03 | 0:19:06 | |
It was a joke. | 0:19:06 | 0:19:07 | |
Oh, come on, Kath. If that Aussie bird hadn't've screamed, | 0:19:08 | 0:19:11 | |
you have slept through and been none the wiser. | 0:19:11 | 0:19:13 | |
We don't even know who the man is. | 0:19:13 | 0:19:15 | |
Makes no difference to us. | 0:19:15 | 0:19:17 | |
Imagine if that was you, | 0:19:17 | 0:19:19 | |
slung in a corner and ignored | 0:19:19 | 0:19:20 | |
because it's more convenient for everybody else. | 0:19:20 | 0:19:22 | |
Shame on you, Les Cook! | 0:19:22 | 0:19:24 | |
Yeah, do you not think you're overreacting? | 0:19:24 | 0:19:26 | |
No, I think I've just woken up. | 0:19:26 | 0:19:28 | |
-Ich hoffe, Sie fuhlen sich besser. -Ja. | 0:19:30 | 0:19:32 | |
Is he all right? | 0:19:32 | 0:19:34 | |
Yes, just a little bit compacted, that's all. | 0:19:34 | 0:19:36 | |
Too much beer and bratwurst, probably. | 0:19:36 | 0:19:38 | |
That should get him moving again. | 0:19:38 | 0:19:39 | |
Now, I really do think we ought to put the cadaver | 0:19:39 | 0:19:42 | |
back where we found it. | 0:19:42 | 0:19:44 | |
Cadaver? He was a human being, you know? | 0:19:44 | 0:19:47 | |
-Sorry? -He had a family. | 0:19:47 | 0:19:49 | |
He's not a piece of meat. | 0:19:49 | 0:19:51 | |
Ah, yes, of course... Would anyone like to say a few words? | 0:19:51 | 0:19:55 | |
Yeah, I would. | 0:19:57 | 0:19:58 | |
This man... | 0:20:00 | 0:20:02 | |
was a husband, a father and a grandfather. | 0:20:02 | 0:20:06 | |
He always had a smile for everyone... | 0:20:07 | 0:20:09 | |
and he had a wicked sense of humour. | 0:20:09 | 0:20:12 | |
Well, I mean... We don't actually know that. | 0:20:12 | 0:20:14 | |
I'm going by the picture. | 0:20:14 | 0:20:16 | |
Right. | 0:20:16 | 0:20:17 | |
He loved sitting in his green chair, | 0:20:18 | 0:20:21 | |
his family all around him. | 0:20:21 | 0:20:23 | |
Yeah, he loved to drink - who doesn't? | 0:20:23 | 0:20:26 | |
But the main thing is... | 0:20:26 | 0:20:28 | |
..he was a man. | 0:20:29 | 0:20:30 | |
That's it. | 0:20:32 | 0:20:33 | |
-APPLAUSE -Great. | 0:20:34 | 0:20:37 | |
Ah, good. Well, shall we, er...? | 0:20:37 | 0:20:39 | |
That's it. | 0:20:44 | 0:20:45 | |
Oh! Not my first time handling a stiff. | 0:20:51 | 0:20:55 | |
Boarding school. | 0:20:55 | 0:20:56 | |
There, and that leaves 3 hours and 52 minutes. | 0:20:57 | 0:21:01 | |
Good. Er, could you, um, get the light, please, Mrs, um... | 0:21:01 | 0:21:05 | |
Cook. | 0:21:05 | 0:21:07 | |
Thank you. | 0:21:07 | 0:21:08 | |
Well, good night. | 0:21:08 | 0:21:10 | |
Shirley, did we decide to... | 0:21:19 | 0:21:21 | |
-Fuck off. -OK, right. | 0:21:21 | 0:21:23 | |
Hope you don't mind a bit of spooning, pal. | 0:21:26 | 0:21:28 | |
HE SNORES | 0:21:53 | 0:21:55 | |
Night, Kath. | 0:22:17 | 0:22:19 | |
Kath? | 0:22:19 | 0:22:20 | |
You all right? | 0:22:22 | 0:22:23 | |
It's been a very moving service. | 0:22:39 | 0:22:41 | |
Even the wedding cake was in tiers. | 0:22:41 | 0:22:43 | |
Er, yes... Leanne has known Phil for 14 years now, | 0:22:44 | 0:22:48 | |
which is funny, because I don't remember her breaking two mirrors. | 0:22:48 | 0:22:51 | |
Shhh! | 0:22:51 | 0:22:52 | |
Oh, soz, mate, soz. I'm, er...practising me speech. | 0:22:52 | 0:22:56 | |
Oh... Getting a bit nervous. | 0:22:56 | 0:22:57 | |
Oh, I'm sure you'll do just fine. | 0:22:57 | 0:22:59 | |
Big day for both of us, eh? What's your interview for? | 0:22:59 | 0:23:02 | |
Pharmaceutical development. | 0:23:03 | 0:23:05 | |
Oh, right. | 0:23:05 | 0:23:07 | |
The WHO are offering a sizable grant | 0:23:07 | 0:23:09 | |
for research into the degenerative effects of angina. | 0:23:09 | 0:23:13 | |
If my bid is chosen, it could be life-changing. | 0:23:14 | 0:23:18 | |
Yeah, that's exactly like me and my decorating. | 0:23:18 | 0:23:21 | |
When I give a quote for... well, back bedrooms, say, | 0:23:21 | 0:23:25 | |
I've got to think, you know, "What's the other fella coming in at | 0:23:25 | 0:23:28 | |
"and how can I undercut him without looking like a twat?" | 0:23:28 | 0:23:30 | |
Do you know what I mean? | 0:23:30 | 0:23:31 | |
Yes, it's...similar. | 0:23:33 | 0:23:34 | |
Well, good luck, pal. I hope you get it. | 0:23:36 | 0:23:39 | |
I'm optimistic. | 0:23:39 | 0:23:41 | |
My Auntie Gladys had acute angina. | 0:23:41 | 0:23:44 | |
Her tits weren't bad either. HE CHUCKLES | 0:23:44 | 0:23:48 | |
Hey, do you remember that, Kath? | 0:23:50 | 0:23:52 | |
K...Kath? Where's she gone? | 0:23:52 | 0:23:54 | |
TRAIN BRAKES SCREECH | 0:23:54 | 0:23:56 | |
Ah! | 0:23:56 | 0:23:58 | |
Ah! Scheisse! | 0:23:58 | 0:24:00 | |
HE FARTS | 0:24:00 | 0:24:01 | |
-You OK? -Has anyone seen our Kath? She's just disappeared. | 0:24:01 | 0:24:04 | |
Get him off me! | 0:24:04 | 0:24:06 | |
Oh, Mann, ich muss scheissen. | 0:24:06 | 0:24:08 | |
Er, sorry, love, have you seen me wife? | 0:24:08 | 0:24:10 | |
-No, what's happened? -She stopped this train! | 0:24:10 | 0:24:12 | |
She wouldn't do that. | 0:24:12 | 0:24:14 | |
-What are you doing? -Ich muss scheissen! | 0:24:14 | 0:24:16 | |
-Do you need the toilet? -Someone get him some paper. | 0:24:16 | 0:24:19 | |
-Ah, nein! -HE FARTS | 0:24:19 | 0:24:21 | |
-Hold on! -There's something on the tracks... | 0:24:21 | 0:24:24 | |
-Hey, that's our Kath's shoe box. -What is it? | 0:24:24 | 0:24:26 | |
I can't... Looks like a body. | 0:24:26 | 0:24:28 | |
What? Who? | 0:24:28 | 0:24:30 | |
If she's jumped, we'll be here for hours. | 0:24:30 | 0:24:32 | |
BOWEL TREMBLE | 0:24:32 | 0:24:33 | |
-God, no! -It's not her, is it? -I can't see. | 0:24:33 | 0:24:36 | |
Of course it's her. The stupid cow's cost me my job! | 0:24:36 | 0:24:39 | |
Shut up, you! This is all your fault! | 0:24:39 | 0:24:41 | |
OK, keep still. Here it comes! | 0:24:41 | 0:24:43 | |
-SQUELCH -Oh! | 0:24:43 | 0:24:45 | |
Stay away from me! | 0:24:46 | 0:24:48 | |
I can see they're bringing it out. | 0:24:48 | 0:24:50 | |
-Oh! -Try and aim away from the dead man's face! | 0:24:50 | 0:24:52 | |
I can see blood! | 0:24:52 | 0:24:54 | |
So can I! | 0:24:54 | 0:24:55 | |
-Oh, you bastard! -Leave me alone! | 0:24:55 | 0:24:57 | |
We're going to need a bigger box! | 0:24:57 | 0:24:59 | |
It's...it's a deer. | 0:24:59 | 0:25:01 | |
Les, what's happening? | 0:25:04 | 0:25:06 | |
And what is that smell? | 0:25:06 | 0:25:07 | |
You might need to get some new shoes. | 0:25:09 | 0:25:12 | |
Well, that was just a 32-minute delay. | 0:25:21 | 0:25:23 | |
Not too bad at all. | 0:25:23 | 0:25:25 | |
Try saying that to all the little fawns | 0:25:25 | 0:25:27 | |
who've just lost their mother. | 0:25:27 | 0:25:28 | |
I'm sorry, I don't speak deer. I'm not Dr Dolittle. | 0:25:28 | 0:25:32 | |
Well, you are to me. | 0:25:32 | 0:25:33 | |
Is he OK? | 0:25:37 | 0:25:39 | |
Yeah, he's just hosing himself down. | 0:25:39 | 0:25:41 | |
God, that was pretty traumatic. | 0:25:41 | 0:25:43 | |
Yeah, he must be mortified. | 0:25:43 | 0:25:45 | |
No, I meant for me. | 0:25:45 | 0:25:47 | |
I felt like Augustus Gloop. | 0:25:47 | 0:25:48 | |
Thanks for lending me the T-shirt. | 0:25:50 | 0:25:51 | |
No worries. | 0:25:51 | 0:25:52 | |
I don't know how I'm going to get it back to you. | 0:25:54 | 0:25:56 | |
Well... | 0:25:56 | 0:25:58 | |
where are you headed to next? | 0:25:58 | 0:25:59 | |
I thought I'd lost you there, Kath. | 0:26:00 | 0:26:02 | |
Don't be daft. | 0:26:02 | 0:26:03 | |
I'm not going to kill myself on the day of me daughter's wedding, am I? | 0:26:03 | 0:26:07 | |
You're feeling better about it now? | 0:26:07 | 0:26:09 | |
We've robbed that man of dignity in his final moments | 0:26:10 | 0:26:13 | |
and for that, I will never forgive myself. | 0:26:13 | 0:26:15 | |
You're not going to say anything, are you? | 0:26:16 | 0:26:19 | |
No. | 0:26:19 | 0:26:20 | |
But after the wedding, | 0:26:20 | 0:26:22 | |
I want you to find out who that man was, | 0:26:22 | 0:26:24 | |
where his family live, and we're going to go to the funeral. | 0:26:24 | 0:26:26 | |
-That's what I want. -Right. | 0:26:26 | 0:26:28 | |
Who's paying for that? | 0:26:30 | 0:26:32 | |
Right, well, we're off. | 0:26:32 | 0:26:34 | |
-Enjoy the wedding. -Oh, thanks, love. | 0:26:34 | 0:26:37 | |
Hey, it's at the Pavilion Hotel in Vallandry, | 0:26:37 | 0:26:39 | |
if you wanted to pop in for a drink. | 0:26:39 | 0:26:40 | |
Ah, no. I think we're going to go exploring, aren't we? | 0:26:40 | 0:26:43 | |
Yeah. | 0:26:43 | 0:26:45 | |
Can't wait to see those valleys. | 0:26:45 | 0:26:47 | |
Is someone going to... | 0:26:47 | 0:26:49 | |
Yes, I'll inform the guard. Nice to meet you. | 0:26:49 | 0:26:52 | |
-TANNOY: -Mesdames et messieurs, | 0:27:01 | 0:27:03 | |
nous arrivons bientot a Bourg-Saint-Maurice... | 0:27:03 | 0:27:06 | |
Well, er... Good luck with the interview. | 0:27:06 | 0:27:08 | |
-Oh, thank you. -I hope you get it. -Yes, yes. | 0:27:08 | 0:27:10 | |
And if you ever need any decorating doing... | 0:27:10 | 0:27:12 | |
Ah, yes, I have your card. | 0:27:12 | 0:27:14 | |
PHONE RINGS | 0:27:16 | 0:27:18 | |
Hello? | 0:27:18 | 0:27:19 | |
-Come on, Les. -Yes. | 0:27:19 | 0:27:21 | |
'This is Dr Maxwell?' | 0:27:21 | 0:27:23 | |
Yes, this is Dr Maxwell. | 0:27:23 | 0:27:25 | |
'I am your driver. I am at the car park.' | 0:27:25 | 0:27:27 | |
Ah, yes... We're just pulling into the station now. | 0:27:27 | 0:27:30 | |
Sorry about the delay. | 0:27:30 | 0:27:32 | |
'We're also waiting for the other candidate, a Dr Meyer. | 0:27:32 | 0:27:35 | |
'He's on the same train.' | 0:27:35 | 0:27:37 | |
Really? Well, I'll keep my eye open for him. | 0:27:37 | 0:27:41 | |
See you shortly. | 0:27:41 | 0:27:42 | |
I'm terribly sorry about all this, | 0:27:44 | 0:27:46 | |
but there really could only ever be one candidate for this grant. | 0:27:46 | 0:27:49 | |
Goodbye, Dr Meyer. | 0:27:49 | 0:27:52 | |
Ja? | 0:27:52 | 0:27:53 | |
-Bitte? -Ich bin Dr Meyer. | 0:27:54 | 0:27:56 | |
Nein, nein, er ist Dr Meyer. | 0:27:58 | 0:28:00 | |
Nein, das bin ich. | 0:28:00 | 0:28:01 | |
No, no, Dr Meyer was in 9B... | 0:28:02 | 0:28:05 | |
Neun B... | 0:28:05 | 0:28:06 | |
I checked. | 0:28:07 | 0:28:08 | |
Ich kann uberall schlafen. | 0:28:08 | 0:28:10 | |
Vielen dank fur die Hilfe, | 0:28:11 | 0:28:13 | |
ich fuhle mich jetzt viel besser. | 0:28:13 | 0:28:15 | |
-Ach, gut, I... -Ich habe heute ein wichtiges Interview. | 0:28:15 | 0:28:19 | |
Yes, so do I... | 0:28:19 | 0:28:21 | |
Ah, Dr Maxwell! | 0:28:21 | 0:28:23 | |
Sehr gut! | 0:28:23 | 0:28:24 | |
Unser Auto ist hier, ja? | 0:28:26 | 0:28:28 | |
Ja. | 0:28:28 | 0:28:29 | |
Also, wie sagt man auf Englisch? | 0:28:29 | 0:28:31 | |
"May the best man win"! | 0:28:31 | 0:28:33 | |
DR MEYER LAUGHS | 0:28:33 | 0:28:36 | |
TRAIN BRAKES SCREECH | 0:28:39 | 0:28:42 |