Once Removed Inside No. 9


Once Removed

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This programme contains some strong language

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KNOCK ON DOOR

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-Yes?

-Hello.

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Looking for a Mrs Falsham.

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Yes, that's me. What do you want?

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-Handle Me Gently.

-Sorry?

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The removals company - Handle Me Gently. I'm Spike.

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We spoke on the phone?

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-That's right, yes.

-Yes, right.

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So through here, is it?

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Yes, but we're not quite...

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No, no, this way.

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You're a bit of a mouthful, aren't you?

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-The name, I mean, of your company.

-Oh, yes. It's my boss's idea.

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He wanted to call us Van Man Style

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but I managed to talk him out of that.

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-SHE GIGGLES

-Funny.

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Well...

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..these are all the things I want to be moved, all of this,

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and, well, everything, really because that's what happens

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-when you move, isn't it?

-That's the idea.

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Some people do leave a little something for the people

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that are moving in.

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-You got a buyer yet?

-Not yet.

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Some people leave a bottle of champagne, you know.

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Lawn mower.

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I know a couple that found a cardboard box on the kitchen table.

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Inside the box was a paint pot.

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Inside the paint pot was a human turd.

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So, you know, people are funny, aren't they?

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What do we have here? This is breakables, is it?

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Yes, that's right. All...

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..broken.

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OK, I'm going to have to make a note of this.

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Of course.

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SHE WEEPS QUIETLY

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Oh, I'm sorry. I didn't mean to upset you.

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No, it's all right, I'm just...

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It's all been a bit trying.

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It's one of the most stressful things, isn't it? Moving house.

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People often say that but, according to the Holmes and Rahe Stress Scale,

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the top three are - death of a spouse, divorce and imprisonment.

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-Moving home's only number 32.

-Oh, well, that's something.

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And erectile dysfunction isn't even on the list.

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So I don't know what her problem is.

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I'm just getting it out there, you know, talking about it.

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It's no biggie.

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Evidently not.

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-So, lived here long, have you?

-In this house? Yeah, yonks.

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Yonks and yonks.

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-How long is a yonk? Often wondered.

-Yeah, that's a good question.

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I don't know actually.

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Oh, here's my husband, he might know. Darling, how long is a yonk?

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-A what?

-A yonk.

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Sorry, this is Spike from Squeeze Me Tightly.

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-Handle Me Gently.

-All right.

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He was wondering how long a yonk is?

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Er, it's short for donkey's years, isn't it?

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Yeah, that would make sense.

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Are you all ready to move house, darling?

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Well, the cakes are still in the oven

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so if Spike could come back another time.

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Yes, we're making cakes for whoever moves in. Aren't we?

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We decided against pooing in a paint pot.

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-What?

-I'll show you out.

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Mrs Falsham, I don't think you understand.

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We work on allocations only.

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If I don't fill your slot today,

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it might be weeks before I can get up again.

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-Of course. Spike has erectile dysfunction.

-Really?

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-I'm sorry, is there a problem here?

-No!

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We're just a normal family moving house.

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-What's going on?

-Oh, it's all right, Dad, go back to bed.

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I can't sleep my stomach's playing up.

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Why are you dressed like a tart?

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And what's Richard Stilgoe doing here?

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I'm not taking any of those lyrics, Stilgoe!

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So you can shove your roller skates up your arse, do you hear?!

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-He thinks he's Andrew Lloyd Webber.

-MOBILE PHONE RINGS

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-Wha...? What's that racket?

-Sorry, it's my phone.

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-Come on, come with me.

-Don't touch my penis!

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Did you see that, people?

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He's trying to play me like a cello!

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STOMACH GURGLES

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Oh, my God!

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-What's wrong? Are you OK?

-I'll get a towel.

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Argh!

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SHE SCREAMS

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-Argh!

-Jesus Christ!

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SQUELCHING

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I can explain.

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Ah, Julian, there you are.

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-You took your time.

-Sorry.

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Couldn't find any cocoa, she's packed everything away.

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I hope she hasn't touched my bloody piano.

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I didn't see it.

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-Why aren't you wearing any clothes?

-I've just been doing some painting.

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Here.

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Oh, God! It's too hot!

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My mouth is not asbestos, you know.

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-Sorry.

-Ooh, I had a good bit of news this morning.

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Roger has agreed to do Aspects.

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-Roger?

-Roger Moore.

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James Bond in one of my musicals.

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How about that then? Hm?

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HE CHUCKLES

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I hope he can sing.

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That's great news.

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Well, tell your face.

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What's the matter with you?

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Sorry, it's been a long day.

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Have your cocoa.

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You're my son, aren't you?

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You're not Julian Lloyd Webber at all.

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That's right.

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And I have a daughter, don't I?

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Yes.

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That's good.

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Well, you two must look after each other.

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-I won't be here forever, you know.

-I know.

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Don't worry, Dad. Have your cocoa.

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It'll be cooler now.

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DOORBELL

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What now?

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If that's Julie Covington, tell her it's too late.

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I've already offered the part to Elaine Paige.

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Sorry.

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Not interrupting anything, am I?

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No, no. I was just upstairs with Dad.

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-Andrew Lloyd Webber?

-Yes.

-Bless him.

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He's really far gone now, isn't he?

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Yes, yes. He's got no memory.

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-Other than the one from Cats!

-Exactly.

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Is Natasha in? I'm a good friend of hers, I live just down the lane.

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No, she's not here at the moment.

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-She's just picking up the removal man.

-Oh, I see.

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Does he not have his own transport?

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The removal man?

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Yes, yes. He's just got lost.

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I was going to say. It would be quite a slow move!

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Natasha's been talking a lot about you, the mystery man.

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-All good I hope.

-Yes. She seems very much in love.

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I hope you'll take good care of her.

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I will.

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Anyway, I don't want to keep you. I only popped round to return this.

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-You know what she's like about people borrowing things.

-Yes.

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She didn't speak to Mrs Granger from months over that quiche plate.

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So I believe.

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SHOUTING

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I'd better...

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Wait there.

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-What's wrong?

-It's that bloody cocoa. It doesn't agree with me.

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Just try to keep your voice down.

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I haven't felt this bad since the press night of Love Never Dies.

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Shit.

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Looks like the removal van.

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Listen to me bitch, you do exactly as I say.

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Hello? Anybody in?

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Sorry I'm late.

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Hi. Hugo Brevington JSQ.

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I had a message from the lady of the house saying she was going to let you in.

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-That's right, yes.

-Well, here are the property deeds.

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You can peruse these at your leisure as and when.

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Headlines are, four-bed farmhouse.

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Two outbuildings with planning pending.

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Country kitchen with a five-door Aga. Period features.

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-Don't know if you're arsed.

-Not really.

-No, me neither.

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Obviously in need of a lick of paint.

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You can see they've made a start already,

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but, to be perfectly honest with you, it will be sold before that's dry.

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Is your wife able to view today? I'd strongly recommend it.

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She's actually looking at some other properties at the moment.

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-Which ones?

-Not Pennington Lane?

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It's sinking.

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It'll be a basement in two years, but you didn't hear it from me.

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So have we got the deal? Are we rocking?

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-Well, I haven't really looked around it yet.

-Absolutely. Be my guest.

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Any questions, don't hesitate. I will leave you alone.

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Thanks.

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Storage.

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Lovely door action there.

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No lock. Very free and easy.

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Imagine coming down those stairs every morning.

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Cup of coffee. Dog padding through with the paper.

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Wife, smell of bacon.

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Cooking it, she doesn't smell of it.

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-I'm vegetarian.

-Me too. Good call, we will live longer my friend.

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Let them choke on their sausages, eh?

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Well... Thanks very much.

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One second. I've got the call coming through.

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Hello.

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Really? That is very interesting,

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because I've got a gentleman here at the property at the moment.

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Well, let me relay that to him.

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What's happened is, someone's put an offer in.

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Not asking price but close to, and the vendor is considering it.

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Now, we have a window of five minutes if you want to secure this...

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MOBILE PHONE RINGS

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That's weird. I was just talking to someone. What's happened there then?

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Hello?

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Hi, Mum.

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I can't talk right now. I'm with a client.

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Anything. I'm not fussed.

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All right, then, biryani. Stop...

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I don't know. Lamb.

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I've got to go. I'll speak to you later, OK. Bye.

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So like I say, it's deal or no deal.

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-I'll think about it.

-Please.

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Please, I need this sale.

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I just need to get something up on the board, that's all.

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Get over this dry patch. How about it? I feel like we've connected.

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-I mean, for fuck's sake, a five-door Aga.

-OK.

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-What?

-OK, I'll buy it. What's the asking price?

-860.

-Fine.

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I'll go and speak to my mortgage provider.

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You have saved a man's life today. You will not regret this.

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And as a thank-you gesture, I have permission from the vendor

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to throw in all these items of furniture.

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-Well, that's not...

-I think you just lost this sale.

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Argh!

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-Come out of there!

-No, leave me alone.

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Listen up.

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-I just want to talk to.

-I don't believe you.

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You killed Mrs Falsham.

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Do you have any idea how that's going to affect the asking price?

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Look, Hugo.

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There's no lock on this door. You just told me that.

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Please.

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Let me go home.

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My mum's ordered me biryani.

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Come out, then!

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I'm not going to hurt you. I promise.

0:14:050:14:08

Hello! Sarah? Water's getting cold!

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Not another one.

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Sarah?

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Is that you?

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Well, well, well.

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If it isn't the great Julian Lloyd Webber

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come to see his older brother.

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Now look. I've already given you the theme to the South Bank Show.

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-That's all you're going to get out of me.

-Who the fuck are you?

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You know damn well who I am, Julian.

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Come on now. Help me out of this bath.

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All right. Fine.

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And then I'll make you a nice cup of cocoa.

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Warm you up.

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Are you in yet, Daddy?

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All right, all right, don't rush me.

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Just let me know when everything's under the bubbles.

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Oh, good grief.

0:16:570:16:58

That reminds me, I must get some sun-dried tomatoes.

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-Now, is there anything else I can do for you?

-No, thank you.

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-I am not an invalid.

-Right.

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Well, I'm going down to finish the packing.

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You remember we're moving the furniture today.

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What bloody furniture?

0:17:150:17:17

Who are you anyway?

0:17:170:17:19

I'm Natasha, Daddy. I'm your daughter.

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Don't be ridiculous! You're far too old to be my daughter.

0:17:220:17:26

You better get out of here before Sarah gets back.

0:17:270:17:30

-She's auditioning for Hot Gossip today.

-Daddy, listen.

0:17:300:17:33

I know you won't understand but I have to tell you something.

0:17:360:17:39

Charles and I are moving to Portugal.

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You remember Portugal?

0:17:430:17:45

We had that holiday there when I was a girl.

0:17:450:17:48

Yes, yes. Albufeira.

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That's right. Well...

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We need to get away.

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Make a fresh start.

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We've found a lovely home for you not far from here.

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There's lots of people there with your....

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Well...

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Who I'm sure you'll get on with.

0:18:060:18:08

I won't share a room with Tim Rice.

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No, you get your own room.

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The problem is, I won't be able to contact you.

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That's the deal.

0:18:180:18:20

Because Charles and I...

0:18:200:18:22

Well, let's just say it'll be better all-round if we disappeared.

0:18:240:18:29

Right.

0:18:310:18:32

Have you finished?

0:18:330:18:35

-Yes.

-Oh, good. Go on, get out.

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Close every door to me.

0:18:410:18:43

Hugo, it's Natasha.

0:18:520:18:54

I'm just checking you're your way over for the viewing.

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Like I say, I've got someone who's very interested.

0:18:570:19:00

I'll let them in if they get here before you.

0:19:000:19:02

And I hope you don't think I'm being patronising,

0:19:020:19:04

but please try not to appear so desperate.

0:19:040:19:07

It's very off-putting.

0:19:070:19:09

You were sweating so much last time you looked like Lee Evans at the O2.

0:19:090:19:13

Anyway, I'll see you shortly.

0:19:130:19:15

And just so you know, my father's in the upstairs bathroom,

0:19:150:19:18

so you might want to warn them about the whole Andrew Lloyd Webber thing.

0:19:180:19:22

OK, bye.

0:19:220:19:24

Oh, good. You've made a start. Spike, isn't it?

0:20:090:20:12

-Erm...

-You're Spike from Handle Me Gently? We spoke on the phone.

0:20:140:20:18

-That's right, we did.

-Good.

0:20:190:20:21

So I've managed to fill most of these boxes

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but there are a few more breakables to go in.

0:20:240:20:26

-You can bubble wrap them, can't you?

-Yes.

-Very good.

0:20:260:20:29

Can I take your jacket?

0:20:310:20:32

-Would you like a cut of tea?

-No, thank you.

0:20:390:20:42

So you live here?

0:20:420:20:44

This is your house?

0:20:440:20:46

Yes. Though, not for much longer. Obviously.

0:20:460:20:50

It can get quite isolated.

0:20:500:20:51

But I've been very lucky with my neighbours.

0:20:510:20:55

That's good.

0:20:550:20:56

So do you enjoy doing removals?

0:20:580:21:01

I wouldn't say I enjoy it but...

0:21:010:21:04

Thanks.

0:21:040:21:06

-..someone's got to do it, haven't they?

-Yes.

0:21:060:21:09

I'd hate to do it on my own.

0:21:090:21:11

I just try to make it as painless as possible.

0:21:110:21:14

For everyone involved.

0:21:160:21:18

-I meant to ask you, do you do disposals as well?

-Can do.

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Because I'm not taking the tumble drier

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so it'll need driving to the tip.

0:21:230:21:25

I'll take care of everything. There won't be any loose ends.

0:21:260:21:29

-What a professional young man you are.

-I do try.

0:21:290:21:33

Argh!

0:21:370:21:38

Oh, no. Have you burned yourself? Agas are terrible for that.

0:21:400:21:44

Here, run it under the tap.

0:21:440:21:46

-Argh.

-I can get you some anti-septic cream.

0:21:480:21:51

-No, it's all right. I'll use this.

-Honestly, it's no bother.

0:21:510:21:53

I have to keep my medical box handy

0:21:530:21:56

as I've an elderly father who's very accident prone.

0:21:560:21:59

In another life I could have been a nurse.

0:22:010:22:04

There's something very satisfying about taking care of people.

0:22:050:22:09

-Don't you think?

-Absolutely.

0:22:090:22:11

Hello? Anybody in?

0:22:440:22:46

Sorry I'm late.

0:22:470:22:49

Sod it.

0:23:150:23:17

DOORBELL

0:23:210:23:23

May. What are you doing here? I thought you had to stay in today.

0:23:370:23:41

I know. I'm sorry but I need to talk to someone or I'll go mad.

0:23:410:23:44

-Of course. Come in.

-Thanks.

0:23:440:23:47

I know you're busy with the move and your dad and everything.

0:23:470:23:50

It's all right. Come through.

0:23:500:23:52

So what's happened?

0:23:560:23:58

It's Charles. I think he's having an affair.

0:24:000:24:02

Charles?

0:24:040:24:05

Yes.

0:24:050:24:07

I bought him some cufflinks for his birthday.

0:24:070:24:10

I can't even remember when it is now.

0:24:100:24:12

-What?

-Charles's birthday.

0:24:120:24:15

It's May, isn't it?

0:24:150:24:16

That's right.

0:24:160:24:18

So I wrapped them up and hid them in one of the drawers

0:24:180:24:21

of the utility room and that's when I found this.

0:24:210:24:24

"She knows about our affair."

0:24:290:24:31

Well, that doesn't prove anything.

0:24:320:24:34

But he's been behaving so strangely,

0:24:340:24:36

it makes perfect sense.

0:24:360:24:38

All those conferences in Dusseldorf,

0:24:380:24:40

he never once brought me back a bratwurst.

0:24:400:24:43

Look, darling, you can't be worrying about sausages.

0:24:430:24:46

I'm sure there's a perfectly innocent explanation.

0:24:460:24:50

And this isn't even Charles's handwriting.

0:24:500:24:52

How do you know?

0:24:520:24:54

I can tell.

0:24:540:24:56

Just from the birthday and Christmas cards he's written me

0:24:560:24:58

over the years.

0:24:580:25:00

I didn't think of that.

0:25:000:25:01

And if you're that worried about it,

0:25:010:25:04

ask him about it tonight

0:25:040:25:05

when he gets home from work.

0:25:050:25:07

You mustn't bottle it up,

0:25:070:25:09

that's the worst thing you can do.

0:25:090:25:11

Thanks, Natasha.

0:25:110:25:12

You're such a dear friend.

0:25:140:25:16

I don't know what I'd do without you.

0:25:160:25:18

Now, come on, you should get back home.

0:25:190:25:22

I'd hate for you to miss that package.

0:25:220:25:24

You're right. It's probably my overactive imagination.

0:25:240:25:27

Sarah! These pyjamas are leaking again.

0:25:280:25:31

I think we should send them back.

0:25:310:25:33

Look, I've got to go. I'll need to put him in the bath.

0:25:330:25:36

Of course, you go.

0:25:360:25:37

I'll let myself out.

0:25:370:25:38

Thanks.

0:25:400:25:41

Goodbye, May.

0:25:410:25:43

Of course, you go.

0:25:590:26:00

I'll let myself out.

0:26:000:26:01

Hello?

0:26:170:26:19

Charles?

0:26:190:26:21

Why are you calling from the landline?

0:26:210:26:23

I told you not to use it.

0:26:230:26:25

Is everything all right?

0:26:250:26:26

It's May, isn't it?

0:26:280:26:30

What about May?

0:26:300:26:31

She's not been round, has she?

0:26:310:26:33

I told her she had to stay in for a delivery.

0:26:330:26:35

She knows about our affair.

0:26:370:26:39

Why? What did you say?

0:26:390:26:42

Natasha, are you still there, darling?

0:26:420:26:44

Tell me what she said.

0:26:440:26:46

Natasha!

0:26:460:26:47

Look, darling, you can't be worrying about sausages.

0:26:490:26:51

What? What are you talking about?

0:26:510:26:54

Listen, I know this is stressful but we just have to hold our nerve.

0:26:540:26:58

In about half an hour she'll be out of our lives for good.

0:26:580:27:01

The man I'm using is very professional.

0:27:010:27:04

He comes highly recommended.

0:27:040:27:06

You just make sure you're with your estate agent so you've got an alibi

0:27:060:27:09

and when the police come round and say there's been a murder,

0:27:090:27:12

you can prove exactly where you were.

0:27:120:27:14

Look, I'm going to go.

0:27:140:27:15

I'm in a meeting. I love you.

0:27:150:27:18

I'll see you in Portugal.

0:27:180:27:21

Natasha?

0:27:210:27:22

Goodbye, May.

0:27:240:27:25

What?

0:27:250:27:26

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