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ANNOUNCER: Ladies and gentlemen, it's Kevin. | 0:00:02 | 0:00:04 | |
# I thought I'd start this evening with a jolly little song | 0:00:11 | 0:00:15 | |
# So come on, don't just sit there | 0:00:15 | 0:00:16 | |
# Please join in and sing along | 0:00:16 | 0:00:18 | |
# Of course you may not want to, but as everybody knows | 0:00:18 | 0:00:21 | |
# It's hard to sing a song when you do not know how it goes | 0:00:21 | 0:00:25 | |
# Still I will just continue on my own, if that's all right | 0:00:25 | 0:00:28 | |
# Cos if I stop this early it will look quite unprofessional | 0:00:28 | 0:00:31 | |
# Oh, oh, it's the Kevin Eldon show | 0:00:31 | 0:00:34 | |
# It's the Kevin, Kevin Eldon show | 0:00:34 | 0:00:36 | |
# And that's the title | 0:00:36 | 0:00:38 | |
# Oh, oh, it's the Kevin Eldon show | 0:00:39 | 0:00:41 | |
# It's the Kevin, Kevin Eldon show | 0:00:41 | 0:00:44 | |
Ow! | 0:00:44 | 0:00:45 | |
# Welcome to my show now, which I hope you will enjoy | 0:00:45 | 0:00:48 | |
# It's meant for every man and woman, every girl and boy | 0:00:48 | 0:00:51 | |
# But not for lower life forms, they just wouldn't get the gags | 0:00:51 | 0:00:54 | |
# It isn't aimed at gibbons, bats, rhinoceri or stags | 0:00:54 | 0:00:58 | |
# It isn't aimed at fluke worms and it isn't aimed at wrens | 0:00:58 | 0:01:01 | |
# It's aimed at us, the primates known as homo sapiens | 0:01:01 | 0:01:04 | |
Dance! | 0:01:04 | 0:01:06 | |
# Oh, oh, it's the Kevin Eldon show | 0:01:12 | 0:01:15 | |
# It's the Kevin, Kevin Eldon show | 0:01:15 | 0:01:17 | |
# It's called It's Kevin | 0:01:17 | 0:01:19 | |
# Aargh! It's the Kevin Eldon show | 0:01:19 | 0:01:21 | |
# It's the Kevin, Kevin, Kevin... | 0:01:21 | 0:01:23 | |
# Kevin, Kevin, Kevin | 0:01:23 | 0:01:25 | |
# Kevin, Kevin, Kevin | 0:01:25 | 0:01:26 | |
# Kevin, Kevin, Kevin | 0:01:26 | 0:01:27 | |
# Kevin Eldon show. # | 0:01:27 | 0:01:32 | |
DRUNKEN SHOUTING | 0:01:44 | 0:01:46 | |
Tommy, Tommy. | 0:01:46 | 0:01:47 | |
SHOUTS CONTINUE | 0:01:47 | 0:01:48 | |
Just trying to help you, mate. That's all. | 0:01:48 | 0:01:51 | |
That's all. | 0:01:51 | 0:01:52 | |
You're not helping yourself here, mate. | 0:01:52 | 0:01:55 | |
Tommy, listen, listen. | 0:01:56 | 0:01:59 | |
Tommy, there's no need to be so aggressive, mate. | 0:01:59 | 0:02:01 | |
You're OK. You're OK. | 0:02:01 | 0:02:03 | |
You're OK. | 0:02:03 | 0:02:04 | |
I'm Angelica, Tommy. Do you remember me? | 0:02:05 | 0:02:07 | |
Right, Tommy, go with Angelica into this room. | 0:02:08 | 0:02:11 | |
Go in here for me. Go on, that's it. | 0:02:11 | 0:02:14 | |
-All right. -In you go. That's it. In. | 0:02:14 | 0:02:17 | |
Right, got your gown on? | 0:02:26 | 0:02:28 | |
Let's get you done up. | 0:02:28 | 0:02:30 | |
That's it. | 0:02:30 | 0:02:32 | |
Everything's laid out for you. | 0:02:32 | 0:02:34 | |
OK. | 0:02:36 | 0:02:38 | |
Can you just keep still a minute, Tommy, and I'll get you done up? | 0:02:38 | 0:02:40 | |
Yeah, so here we are. | 0:02:42 | 0:02:45 | |
Now, look, cards on table, | 0:02:45 | 0:02:47 | |
this probably isn't the slickest gig in town. | 0:02:47 | 0:02:49 | |
< Aaargh! | 0:02:49 | 0:02:50 | |
And it's certainly not particularly subtle or erudite. | 0:02:50 | 0:02:54 | |
Bu-yeah! Bu-yeah! | 0:02:54 | 0:02:55 | |
But at least it's made by somebody who cares. | 0:02:58 | 0:03:02 | |
HARP GLISSANDO | 0:03:02 | 0:03:04 | |
Right, let's crack on. | 0:03:06 | 0:03:07 | |
-Yep, yep, yep. -Definitely. | 0:03:09 | 0:03:11 | |
-Do you know what we should build? -What? -A pyramid. | 0:03:14 | 0:03:17 | |
Yeah, yeah, yeah. What? | 0:03:17 | 0:03:18 | |
A pyramid. You know, like the triangle, 3D, pyramid. | 0:03:18 | 0:03:21 | |
-Oh yeah, yeah, yeah. A pyramid. -We should build one. A massive one. | 0:03:21 | 0:03:24 | |
Yeah, yeah, yeah. Out of, err, mud. | 0:03:24 | 0:03:26 | |
-Yeah, mud. Yeah, yeah. No. Wood! -Yeah, yeah. No, stone. | 0:03:26 | 0:03:28 | |
Yeah, stone. You know big blocks of stone, yeah. | 0:03:28 | 0:03:30 | |
-Loads of blocks of stone. -Loads, yeah. | 0:03:30 | 0:03:32 | |
-Million. -Million blocks of stone. -Yeah, million blocks of stone. | 0:03:32 | 0:03:35 | |
No, two million blocks of stone. | 0:03:35 | 0:03:36 | |
-Yeah, yeah. Two million blocks of stone. -We should build a couple. | 0:03:36 | 0:03:39 | |
-What? -Pyramids. -Yeah, yeah. Build a few, build a few. | 0:03:39 | 0:03:42 | |
-Oh, yeah, yeah. -Look great in the middle of the desert. -Yeah, yeah. | 0:03:42 | 0:03:45 | |
Also, also we should build a great big cat. | 0:03:45 | 0:03:47 | |
A cat, a big cat, 400 cubits high. | 0:03:47 | 0:03:48 | |
Yeah, yeah. No, 500 cubits high. | 0:03:48 | 0:03:50 | |
Yeah, 500 cubits high. Yeah, with bird's feet. | 0:03:50 | 0:03:52 | |
Yeah, no, with a bloke's face, with a hat on. | 0:03:52 | 0:03:54 | |
Yeah, bloke's face with a hat on. | 0:03:54 | 0:03:55 | |
We must definitely do that first thing in the morning. | 0:03:55 | 0:03:58 | |
-Ooh, what if it's nose falls off? -What nose? | 0:03:58 | 0:04:00 | |
The bird's, cat's, bloke's nose thing. | 0:04:00 | 0:04:01 | |
-That'll be fine. -It'll be fine. | 0:04:01 | 0:04:03 | |
Bird, cat, lion, tiger, evil thing and pyramids. | 0:04:03 | 0:04:05 | |
-Lots of pyramids, great big, really high, really high. -Yeah, how high? | 0:04:05 | 0:04:09 | |
-Really high, really, really high. -Yeah, definitely, definitely. | 0:04:09 | 0:04:12 | |
-Yeah, yeah. -Yeah, yeah, yeah. -Definitely. | 0:04:12 | 0:04:14 | |
Yeah, yeah, yeah, definitely. Ooh, it's a bit chilly in here. | 0:04:14 | 0:04:19 | |
Oh, Bob, Bob! Come over here a minute. | 0:04:19 | 0:04:20 | |
This is Bob, the studio caretaker. | 0:04:20 | 0:04:22 | |
He's a real character. | 0:04:22 | 0:04:24 | |
Well, he's not real. Well, he's a real character. | 0:04:24 | 0:04:26 | |
No, actually, he's an actor. Where you going with that? | 0:04:26 | 0:04:28 | |
Oh, handing it into the lost property office. | 0:04:28 | 0:04:31 | |
-How do you know it's lost? -Oh, I'm lost all right. | 0:04:31 | 0:04:33 | |
Very civic-minded of you, Bob. He's very civic minded. | 0:04:34 | 0:04:37 | |
# Et toi, c'est moi, c'est David Dubois. # | 0:04:37 | 0:04:40 | |
You join us now at the white coat window on the world | 0:04:51 | 0:04:54 | |
of worldwide wonders with, wow, Wendy Wilson. | 0:04:54 | 0:04:56 | |
Wendy, welcome and well-o. | 0:04:56 | 0:04:58 | |
What? | 0:04:58 | 0:05:00 | |
Hello. Soundtracketts. | 0:05:00 | 0:05:02 | |
Soundtracketts, indeed. | 0:05:02 | 0:05:04 | |
It's a very rare medical condition, where those affected are born with | 0:05:04 | 0:05:07 | |
a musical soundtrack accompanying their words and actions. | 0:05:07 | 0:05:11 | |
And I have with me here a sufferer. | 0:05:11 | 0:05:13 | |
-This is Bill Cairns. -Hello, Bill. | 0:05:13 | 0:05:15 | |
-FANFARE -Hello. | 0:05:15 | 0:05:16 | |
Bill, could you tell us when you first noticed this condition? | 0:05:16 | 0:05:19 | |
-MUSIC BOX CHIMES -Well, even as a very young child | 0:05:19 | 0:05:21 | |
I noticed that there was something different about me. | 0:05:21 | 0:05:24 | |
And I'm sure the viewers at home can hear the effect of the soundtrack, | 0:05:24 | 0:05:27 | |
-as Bill is speaking. -It's incredible. | 0:05:27 | 0:05:28 | |
And it's fascinating how much the types of music vary, isn't it? | 0:05:28 | 0:05:31 | |
-GERMAN OOMPAH MUSIC: -It varies enormously, Wendy. It really does. | 0:05:31 | 0:05:34 | |
-MUSIC: "The Entertainer" -It's an entertaining | 0:05:34 | 0:05:36 | |
aspect of the condition. | 0:05:36 | 0:05:37 | |
In all the years I've suffered from it, | 0:05:37 | 0:05:39 | |
there really seems to be no end of different musical accompaniments. | 0:05:39 | 0:05:42 | |
MUSIC: "Laughing Policeman" | 0:05:42 | 0:05:43 | |
It's funny. It makes me laugh actually, | 0:05:43 | 0:05:45 | |
because mostly the music perfectly matches what I'm saying. | 0:05:45 | 0:05:48 | |
Just occasionally... | 0:05:48 | 0:05:49 | |
KAZOO PLAYS "God Save The Queen" | 0:05:49 | 0:05:50 | |
..it doesn't. | 0:05:50 | 0:05:52 | |
Now watch this. | 0:05:53 | 0:05:54 | |
Bill, can I ask you to unbutton a shirt button? | 0:05:54 | 0:05:56 | |
MUSIC: "The Stripper" | 0:05:57 | 0:05:59 | |
And now can I ask you to scratch yourself? | 0:05:59 | 0:06:01 | |
MUSIC: "Little Spanish Flea" by Herb Alpert | 0:06:01 | 0:06:04 | |
And if I give you this lighter? | 0:06:04 | 0:06:05 | |
MUSIC: "Firestarter" by The Prodigy | 0:06:08 | 0:06:12 | |
So, so Bill, this, this can't be very easy to live with. | 0:06:12 | 0:06:14 | |
MUSIC: THEME TO "Our Tune" | 0:06:14 | 0:06:15 | |
It's actually caused me quite a lot of sorrow in my life. | 0:06:15 | 0:06:18 | |
But about three years ago I met a wonderful woman called Virginia. | 0:06:18 | 0:06:21 | |
MUSIC: "Virginia Plain" by Roxy Music | 0:06:21 | 0:06:23 | |
We just fell head over heels in love. | 0:06:23 | 0:06:25 | |
-We were married last year. -MUSIC: "Here Comes The Bride" | 0:06:25 | 0:06:27 | |
Oh, married. That's... | 0:06:27 | 0:06:28 | |
..so, er, so, Wendy, is this condition treatable? | 0:06:31 | 0:06:34 | |
Sadly there's no sign of a cure yet, is there, Bill? | 0:06:34 | 0:06:36 | |
MUSIC: "The Lovecats" by The Cure | 0:06:36 | 0:06:38 | |
A cure? No. There is no cure. | 0:06:38 | 0:06:39 | |
So, as things stand, this is for life. | 0:06:39 | 0:06:43 | |
EASTENDERS DRUM CLIMAX | 0:06:43 | 0:06:44 | |
But it's not all bad, because, as Bill will tell you, | 0:06:46 | 0:06:48 | |
despite this disability, he's still able to lead a full and active life. | 0:06:48 | 0:06:52 | |
-SPORTS THEMES AND NATIONAL SONGS PLAY -Yes, I play football, I ski. | 0:06:52 | 0:06:54 | |
Italy, France. | 0:06:54 | 0:06:57 | |
Well, do you know what Bill? | 0:06:57 | 0:06:58 | |
Your courage and determination are an inspiration to us all. | 0:06:58 | 0:07:01 | |
So, thanks, Wendy. | 0:07:01 | 0:07:03 | |
Pleasure. | 0:07:03 | 0:07:04 | |
-And thank you, Bill. -Cheers. | 0:07:04 | 0:07:06 | |
MUSIC: THEME TO "Cheers" | 0:07:06 | 0:07:09 | |
Hey, what would it be like if naughty German Adolf Hitler had | 0:07:11 | 0:07:15 | |
actually spoken with the voice of the Beatles producer George Martin? | 0:07:15 | 0:07:19 | |
Hmmm? Hurrr? Oooh? | 0:07:19 | 0:07:20 | |
AS GEORGE MARTIN: So it was early 1939, and me | 0:07:23 | 0:07:26 | |
and the boys finally marched into Austria, bold as brass. | 0:07:26 | 0:07:30 | |
And I immediately knew that we were onto something big. | 0:07:30 | 0:07:33 | |
So as soon as I got back, | 0:07:34 | 0:07:36 | |
I called an emergency meeting of the German high command. | 0:07:36 | 0:07:38 | |
They were all terribly excited. | 0:07:38 | 0:07:40 | |
And I said, "Well, congratulations, chaps. Looks like we've got | 0:07:40 | 0:07:43 | |
"ourselves a smash hit. | 0:07:43 | 0:07:45 | |
"Now can anybody think of a snappy title | 0:07:45 | 0:07:47 | |
"for the enforced annexation of a foreign nation?" | 0:07:47 | 0:07:49 | |
And I remember Heinrich Himmler, who was always ready with a cheeky quip, | 0:07:51 | 0:07:55 | |
immediately piped up with, "Well, how about the Anschluss, mein Fuhrer?" | 0:07:55 | 0:08:00 | |
And we all fell about laughing and the name stuck. | 0:08:00 | 0:08:02 | |
And that was the beginning of what the press later dubbed "Nazimania". | 0:08:04 | 0:08:10 | |
And, looking back, it wasn't that far off the mark. | 0:08:10 | 0:08:14 | |
Because what followed over the next few years was a kind of madness. | 0:08:14 | 0:08:17 | |
Madness. | 0:08:19 | 0:08:20 | |
Madness. | 0:08:21 | 0:08:23 | |
Madness. | 0:08:24 | 0:08:26 | |
Madness! | 0:08:27 | 0:08:29 | |
Madness! | 0:08:30 | 0:08:32 | |
BEATLESEQSUE RENDITION OF "Deutschland Uber Alles" | 0:08:32 | 0:08:35 | |
Hmm, bit like that. | 0:08:36 | 0:08:38 | |
Coming soon to BBC1. | 0:08:40 | 0:08:42 | |
Sid and Nelson are back, | 0:08:42 | 0:08:44 | |
and the sparks are still flying in the all-new Love Thy Neighbour. | 0:08:44 | 0:08:48 | |
-Hey, hey. -Hey what? | 0:08:48 | 0:08:49 | |
What you doing, nicking my paper? | 0:08:49 | 0:08:51 | |
I wasn't nicking it, I was swapping it you daft bluebottle. | 0:08:51 | 0:08:55 | |
Don't you call me bluebottle, you dirty tomato, or I'll thump you one. | 0:08:55 | 0:08:58 | |
Just you try it, son, and I'll knock you black and blue. | 0:08:58 | 0:09:01 | |
Watch it, brake light! Careful what you say. | 0:09:01 | 0:09:04 | |
You know this used to be a nice area, | 0:09:04 | 0:09:05 | |
before you cold taps moved in here. | 0:09:05 | 0:09:07 | |
Oh, yeah? | 0:09:07 | 0:09:08 | |
Well, it would be a nicer area if you riding hoods moved out. | 0:09:08 | 0:09:11 | |
-Denim! -Lipstick! | 0:09:11 | 0:09:13 | |
-Avatar! -Strawberry! | 0:09:13 | 0:09:15 | |
Are you two at it again? | 0:09:15 | 0:09:16 | |
Honestly, they're as bad as each other. | 0:09:16 | 0:09:18 | |
The all-new Love Thy Neighbour... in colour! | 0:09:21 | 0:09:24 | |
Here, Bob, I thought you were taking that to the lost property office? | 0:09:29 | 0:09:32 | |
I can't find it. | 0:09:32 | 0:09:34 | |
I thought it was on floor nine. | 0:09:34 | 0:09:36 | |
So, Bob, how long were you a bottler? | 0:09:36 | 0:09:38 | |
A bottler? | 0:09:40 | 0:09:41 | |
Yes. Someone who works in a bottling factory. | 0:09:41 | 0:09:44 | |
What makes you think...? | 0:09:45 | 0:09:46 | |
Your delayed response is indicative of | 0:09:46 | 0:09:48 | |
hearing loss consistent with having worked in a noisy environment. | 0:09:48 | 0:09:51 | |
There's faint crenulations on your neck, | 0:09:51 | 0:09:53 | |
as there would be if you'd spent a period of time looking up at nozzles. | 0:09:53 | 0:09:56 | |
There are slight indentations on the pads of your finger and thumb, | 0:09:56 | 0:09:59 | |
decreasing in depth from front to back, | 0:09:59 | 0:10:00 | |
which suggests prolonged bouts of screwing on bottle tops. | 0:10:00 | 0:10:03 | |
That's amazing, Kevin. I was never a bottler, though. | 0:10:03 | 0:10:06 | |
But I was a butler. | 0:10:07 | 0:10:09 | |
Hey, I've always wondered. What does a butler do on his day off? | 0:10:10 | 0:10:15 | |
Oh, me day off. | 0:10:15 | 0:10:16 | |
I used to enjoy my one day off a year. | 0:10:16 | 0:10:19 | |
I'd have a nice lie-in, | 0:10:19 | 0:10:21 | |
then I'd just, you know, chill out at home, take it easy. | 0:10:21 | 0:10:24 | |
Then maybe I'd meet some butler mates in the park. | 0:10:24 | 0:10:26 | |
One of us would bring a ball. | 0:10:26 | 0:10:27 | |
Then, in the evening, I'd just kick back and watch a bit of telly. | 0:10:28 | 0:10:32 | |
So why did you give up being a butler, then? | 0:10:35 | 0:10:37 | |
Oh, you had to be too subservient. I've got my pride. | 0:10:37 | 0:10:41 | |
Fair enough. | 0:10:41 | 0:10:42 | |
It's time for winning big prize in UK, | 0:10:43 | 0:10:46 | |
with Portuguese Horrible Lottery! | 0:10:46 | 0:10:49 | |
UK lottery, lottery for losers. | 0:10:49 | 0:10:52 | |
Chance of winning, one in 14 million. | 0:10:52 | 0:10:55 | |
But with Portuguese Horrible Lottery, | 0:10:55 | 0:10:57 | |
chance of winning, one in 10! | 0:10:57 | 0:10:59 | |
That's right. One in ten will win prize. | 0:10:59 | 0:11:03 | |
But HORRIBLE prize. | 0:11:03 | 0:11:04 | |
Win! A rusty skip, full of dead dogs. | 0:11:06 | 0:11:08 | |
Win! A bag of assorted toenails. | 0:11:10 | 0:11:12 | |
Win! Trousers found in alleyway, with dreadful content. | 0:11:13 | 0:11:17 | |
Win! Punch in stupid face from stranger on doorstep. | 0:11:18 | 0:11:21 | |
Oh! | 0:11:21 | 0:11:23 | |
Ooh! Oh! Oh! | 0:11:23 | 0:11:27 | |
Ooh! | 0:11:27 | 0:11:28 | |
Oh! | 0:11:29 | 0:11:30 | |
Gawd! | 0:11:31 | 0:11:32 | |
Oh! | 0:11:33 | 0:11:35 | |
Oh! | 0:11:35 | 0:11:36 | |
Gawd! Oh! | 0:11:37 | 0:11:39 | |
Ooh! | 0:11:40 | 0:11:42 | |
Oh! | 0:11:42 | 0:11:44 | |
Oh! | 0:11:45 | 0:11:46 | |
Ooh! | 0:11:47 | 0:11:49 | |
Aaargh! | 0:11:49 | 0:11:51 | |
You will WIN! And prize will be HORRIBLE, and that is promise. | 0:11:51 | 0:11:55 | |
Portuguese Horrible Lottery! | 0:11:55 | 0:11:57 | |
It's Portuguese! | 0:11:57 | 0:11:59 | |
It's horrible! | 0:11:59 | 0:12:00 | |
He's not listening to me. He's just being polite. | 0:12:06 | 0:12:11 | |
He's looking straight past me. | 0:12:11 | 0:12:13 | |
Obviously someone more important or successful in the room to talk to. | 0:12:13 | 0:12:17 | |
VOICEOVER: Are you tired of being overlooked at parties? | 0:12:17 | 0:12:20 | |
Then you need Shoulder Millionaires. | 0:12:20 | 0:12:23 | |
With JK Rowling and Bill Gates on your shoulders, | 0:12:24 | 0:12:27 | |
how can you fail to be the most interesting | 0:12:27 | 0:12:29 | |
and well-connected person at any social gathering? | 0:12:29 | 0:12:33 | |
Our range also includes the Madonna-Osborne | 0:12:33 | 0:12:36 | |
and the Mitchell-Mugabe. | 0:12:36 | 0:12:37 | |
Shoulder Millionaires, from the makers of Crutch Beggars. | 0:12:37 | 0:12:41 | |
Right, I'd better get on with looking | 0:12:44 | 0:12:46 | |
-for this lost property office. -Hmm. | 0:12:46 | 0:12:48 | |
So if you can, er.. | 0:12:48 | 0:12:50 | |
Oh, sorry. | 0:12:50 | 0:12:51 | |
I tell you what, Bob, why don't you go and have a look | 0:12:53 | 0:12:55 | |
behind the milking sheds, and I'll have a look over here? | 0:12:55 | 0:12:58 | |
Good idea. | 0:12:58 | 0:12:59 | |
Now, let's see. Lost property. | 0:13:01 | 0:13:02 | |
Ah, now, you see, it's the doctor sketch. | 0:13:04 | 0:13:07 | |
Oh, well, might as well, seeing as we're here. | 0:13:07 | 0:13:09 | |
-Thanks, Alison. -Aaargh! | 0:13:09 | 0:13:11 | |
Come in. | 0:13:15 | 0:13:16 | |
Doctor, I keep repeating everything I say in different ways, | 0:13:20 | 0:13:23 | |
styles, terms. | 0:13:23 | 0:13:24 | |
Yes, there's a lot of it about at the moment. | 0:13:24 | 0:13:26 | |
Could it be treated, cured, put right? | 0:13:26 | 0:13:28 | |
It will pass in a day or two. | 0:13:28 | 0:13:30 | |
But I'm afraid it is highly contagious, spreading, | 0:13:30 | 0:13:32 | |
infectious, catching. | 0:13:32 | 0:13:34 | |
I see, understand, comprehend, intellectually grasp. | 0:13:34 | 0:13:36 | |
Just avoid speaking to anyone for the next few days, diurnal, | 0:13:36 | 0:13:39 | |
revolution, solar passages. | 0:13:39 | 0:13:41 | |
Righto, doctor. Cheerio! | 0:13:41 | 0:13:43 | |
-Bye. -Adios. -Ta-ra. | 0:13:43 | 0:13:44 | |
-Toodle pip. -Ciao. | 0:13:44 | 0:13:45 | |
-Farewell. -Cheers. | 0:13:45 | 0:13:46 | |
Doctor's sketch there. Thanks, Alison. | 0:13:48 | 0:13:50 | |
Aaargh! | 0:13:50 | 0:13:51 | |
Release the fly! | 0:13:51 | 0:13:53 | |
Have you ever noticed that you're in a house, aren't you? | 0:13:55 | 0:13:59 | |
And, er, a fly starts buzzing around. | 0:13:59 | 0:14:00 | |
FLY BUZZES | 0:14:00 | 0:14:01 | |
What's that all about? | 0:14:01 | 0:14:03 | |
It's attention-seeking behaviour resulting from extrovert tendencies. | 0:14:03 | 0:14:06 | |
FLY BUZZES | 0:14:06 | 0:14:08 | |
And I would say that the fly buzzing around now is definitely | 0:14:28 | 0:14:31 | |
in need of hypnotherapy, in order to realign its behavioural patterns. | 0:14:31 | 0:14:35 | |
Right, well, do your stuff, then. | 0:14:35 | 0:14:37 | |
OK, well, so first I just need to grasp the fly | 0:14:37 | 0:14:39 | |
firmly by the head in order to establish direct eye contact. | 0:14:39 | 0:14:43 | |
So, er... | 0:14:44 | 0:14:45 | |
FLY CONTINUES TO BUZZ | 0:14:45 | 0:14:47 | |
Ooh, it's hard to pin down, isn't it? | 0:14:47 | 0:14:48 | |
Yes, this one's very skittish. | 0:14:48 | 0:14:50 | |
Oh, look, look, look, look. | 0:14:50 | 0:14:52 | |
It's landed on that enormous strawberry mousse over there. | 0:14:52 | 0:14:55 | |
So, if I just very carefully... | 0:14:55 | 0:14:57 | |
Oh! | 0:14:57 | 0:14:58 | |
SPLAT! | 0:14:58 | 0:15:00 | |
Whoops! | 0:15:00 | 0:15:02 | |
Oh, it's off again. | 0:15:02 | 0:15:03 | |
FLY BUZZES | 0:15:03 | 0:15:04 | |
Don't worry. I'll get it. | 0:15:04 | 0:15:06 | |
Oh, now it's landed on that giant cactus | 0:15:06 | 0:15:08 | |
in that earthenware pot over there. | 0:15:08 | 0:15:10 | |
If I just... | 0:15:11 | 0:15:12 | |
Oh! | 0:15:12 | 0:15:13 | |
SMASH! | 0:15:13 | 0:15:15 | |
Whoops. | 0:15:15 | 0:15:17 | |
FLY BUZZES | 0:15:17 | 0:15:18 | |
OK, now, where is it? | 0:15:19 | 0:15:20 | |
Ah, now it's landed on that huge box of blown up balloons, | 0:15:20 | 0:15:23 | |
clown car horns and multi-coloured feathers over there. | 0:15:23 | 0:15:26 | |
Right, if I just... | 0:15:26 | 0:15:27 | |
Hup! | 0:15:27 | 0:15:28 | |
PLATE SMASHES, BALLOON POPS AND CAR HORN TOOTS | 0:15:28 | 0:15:31 | |
Whoops! | 0:15:33 | 0:15:34 | |
FLY BUZZES | 0:15:34 | 0:15:35 | |
I almost got it there. | 0:15:36 | 0:15:38 | |
Ah, now it's landed on that very, very, | 0:15:38 | 0:15:40 | |
very large vat of excrement over there. | 0:15:40 | 0:15:42 | |
Sandwiches. | 0:15:58 | 0:16:00 | |
They're everywhere. | 0:16:00 | 0:16:01 | |
Did you know that, at any given nanosecond, there are at least | 0:16:01 | 0:16:05 | |
57 billion sandwiches in existence in the world? | 0:16:05 | 0:16:10 | |
And if those sandwiches were laid crust to crust, | 0:16:10 | 0:16:13 | |
they'd stretch all the way from here to Mars and then back here again. | 0:16:13 | 0:16:19 | |
And then back again to Mars. | 0:16:19 | 0:16:20 | |
And then back here again. | 0:16:21 | 0:16:24 | |
And then back again to Mars. | 0:16:24 | 0:16:25 | |
And then back here again. | 0:16:27 | 0:16:28 | |
And imagine how many sandwiches there would be if the Chinese, | 0:16:30 | 0:16:34 | |
instead of pancake rolls, ate sandwiches. | 0:16:34 | 0:16:38 | |
But it's a fact that only an intrinsically evil person | 0:16:39 | 0:16:43 | |
would deny that sandwiches didn't start off being called sandwiches. | 0:16:43 | 0:16:48 | |
And back again to Mars. | 0:16:49 | 0:16:50 | |
So I replied, "For someone with such a round head, | 0:16:53 | 0:16:56 | |
"you're certainly very cavalier." | 0:16:56 | 0:16:58 | |
Lord Wimpole, you are so droll. | 0:17:00 | 0:17:02 | |
'Tis my narrative method. | 0:17:02 | 0:17:04 | |
Now, let us try our luck once more. | 0:17:04 | 0:17:06 | |
Lord Turdington, what are you doing with those two pieces of bread | 0:17:07 | 0:17:10 | |
and that piece of cheese? | 0:17:10 | 0:17:11 | |
Oh, I see it as a mere bagatelle of my own invention. | 0:17:11 | 0:17:16 | |
By placing the cheese betwixt the bread, I create a snack of ease | 0:17:16 | 0:17:21 | |
and convenience. | 0:17:21 | 0:17:23 | |
Behold. | 0:17:23 | 0:17:24 | |
-Ah-ha. -Oh. | 0:17:24 | 0:17:25 | |
I call it a Turdington. | 0:17:25 | 0:17:27 | |
Begad. This idea of yours has given me an idea, Lord Turdington. | 0:17:27 | 0:17:30 | |
Come over to the fire with that and bring a long fork. | 0:17:32 | 0:17:34 | |
You intrigue me, Lord Toastie. | 0:17:37 | 0:17:40 | |
And then back here again. | 0:17:40 | 0:17:41 | |
So how did Turdingtons become known as sandwiches? | 0:17:41 | 0:17:45 | |
Well, in the early days, Turdingtons were mostly eaten at beach | 0:17:45 | 0:17:48 | |
picnics and it's at these events that the phrase "I am | 0:17:48 | 0:17:52 | |
removing the sand which has got into my Turdington" became so commonplace | 0:17:52 | 0:17:56 | |
that eventually Turdingtons became exclusively known as sandwiches. | 0:17:56 | 0:18:01 | |
It's interesting, isn't it? | 0:18:01 | 0:18:03 | |
But how do you make the perfect sandwich? | 0:18:03 | 0:18:05 | |
And back again to Mars. | 0:18:05 | 0:18:07 | |
If you just put a bit of cress between two slices of Mother's Pride, | 0:18:07 | 0:18:10 | |
I find it's better than a thousand orgasms at the same time. | 0:18:10 | 0:18:13 | |
Oh, I swim out to a seal and I strangle it, | 0:18:15 | 0:18:18 | |
and then cut it in half, and then I eat the bottom half raw, | 0:18:18 | 0:18:22 | |
on some pitta bread, which, which is delicious. | 0:18:22 | 0:18:25 | |
I don't need to eat for a month after that. | 0:18:25 | 0:18:28 | |
I just throw some bread at a pig. | 0:18:28 | 0:18:29 | |
The best sandwich I ever tasted I found in a plastic bag under | 0:18:29 | 0:18:33 | |
a train seat. | 0:18:33 | 0:18:35 | |
I don't know what was in it. | 0:18:35 | 0:18:37 | |
Orangey, yellow, sticky stuff. | 0:18:37 | 0:18:39 | |
It was sort of quite tangy, with a kind of fishy aftertaste. | 0:18:40 | 0:18:46 | |
I still think of that sandwich sometimes. | 0:18:48 | 0:18:51 | |
At night, if I can't sleep. | 0:18:51 | 0:18:52 | |
Yum-yum. | 0:18:55 | 0:18:56 | |
And then back here again. | 0:18:56 | 0:18:57 | |
A few tips there on how to make the perfect sandwich. | 0:18:57 | 0:19:00 | |
But here to guide me through the process is world renowned | 0:19:00 | 0:19:02 | |
sandwich expert Hosni Mubarak. | 0:19:02 | 0:19:04 | |
-OK, Hosni, I start with a single piece of bread. -No. | 0:19:04 | 0:19:08 | |
-Oh, like that? -No. | 0:19:08 | 0:19:10 | |
-That then? -No. -Like that? | 0:19:10 | 0:19:11 | |
No. | 0:19:11 | 0:19:12 | |
-But it's just lying there. -No. | 0:19:12 | 0:19:14 | |
-Turn it over? -No. | 0:19:14 | 0:19:15 | |
Well, I'm a bit stumped. | 0:19:15 | 0:19:16 | |
It's got to be perfect. | 0:19:16 | 0:19:17 | |
-Obviously, if it's going to be the perfect... -Perfect sandwich. | 0:19:17 | 0:19:20 | |
-So what am I doing wrong? -It's not perfect. | 0:19:20 | 0:19:23 | |
-OK, er, is it the breadboard? Turn like that? -No. | 0:19:24 | 0:19:27 | |
-Like that? -No. -Well, it can't be the edge. | 0:19:27 | 0:19:30 | |
No. No. | 0:19:30 | 0:19:31 | |
No? | 0:19:31 | 0:19:33 | |
-Oh, erm. Oh, I know, if I... -No. | 0:19:33 | 0:19:35 | |
-Really? -No. -But if I? -No. -Yeah, but you haven't. -No. | 0:19:35 | 0:19:39 | |
No. ..No. | 0:19:42 | 0:19:44 | |
No. No. No. No. No. | 0:19:46 | 0:19:49 | |
-What's wrong with that? -No. -It's just lying there. -No. | 0:19:49 | 0:19:52 | |
No. | 0:19:55 | 0:19:56 | |
No. | 0:19:57 | 0:19:58 | |
-No. -All right. OK, it's obviously a lot harder than it looks. | 0:19:59 | 0:20:02 | |
Hosni Mubarak, please show me how to make a perfect sandwich. | 0:20:02 | 0:20:05 | |
My God! | 0:20:23 | 0:20:24 | |
That sandwich is perfect. | 0:20:24 | 0:20:26 | |
-I must... -No. | 0:20:28 | 0:20:29 | |
-Just a bite. -No. -Just a nibble. -No. -Just a few crumbs. -No. | 0:20:29 | 0:20:31 | |
-Can I touch it? -No. -OK, keep your perfect sandwich, then! | 0:20:31 | 0:20:34 | |
Hey, did anyone see Shoe Shop this week? | 0:20:36 | 0:20:40 | |
Naa-aa-aa-o! | 0:20:40 | 0:20:42 | |
And in that instance you did fail to effect | 0:20:44 | 0:20:47 | |
the purchase of a can of Suede Guard to go with a pair of Hush Puppies. | 0:20:47 | 0:20:50 | |
The penalty... | 0:20:52 | 0:20:53 | |
Go on, Steve. | 0:20:56 | 0:20:58 | |
..the elastic band. | 0:21:00 | 0:21:02 | |
For God's sake, Diane, she's 41 years old. | 0:21:04 | 0:21:06 | |
Do you defy me, sir? | 0:21:06 | 0:21:08 | |
Forgive me. | 0:21:15 | 0:21:16 | |
Ow! | 0:21:25 | 0:21:26 | |
Oh, that really blood stings! Get me ice! | 0:21:26 | 0:21:29 | |
-No. -You can't deny her ice. -I said no ice. | 0:21:29 | 0:21:31 | |
-She must have ice. -There will be no ice. | 0:21:31 | 0:21:32 | |
-Get me ice! -She needs ice. | 0:21:32 | 0:21:34 | |
Oh, all right, get her ice. | 0:21:34 | 0:21:35 | |
Good evening. My name is Stanley Dewthorpe. | 0:21:52 | 0:21:54 | |
I am a fictional man from the North of England with fictional | 0:21:54 | 0:21:57 | |
tales from about and pertaining to the North of England. | 0:21:57 | 0:22:00 | |
It's a simple enough premise, for God's sake, go along with it. | 0:22:00 | 0:22:04 | |
Anyway, t'other day I were taking my dog, Champion | 0:22:04 | 0:22:06 | |
the Wonder Horse, for his afternoon constitutional through t'derelict | 0:22:06 | 0:22:10 | |
shopping mall when suddenly out of an old abandoned Spud-u-Like | 0:22:10 | 0:22:13 | |
burst Harold Melvin n'Bluenotes, Smokey Robinson n'Miracles and | 0:22:13 | 0:22:16 | |
Diana Ross and one of t'Supremes. | 0:22:16 | 0:22:18 | |
T'other Supreme apparently | 0:22:18 | 0:22:19 | |
were at home waiting for the bloke to come and fix her boiler. | 0:22:19 | 0:22:22 | |
Anyway, there they were, all these Motown stars of yesteryear, | 0:22:22 | 0:22:26 | |
all doing the slickly-choreographed dance routines | 0:22:26 | 0:22:29 | |
and close harmonies they're so justly famous for. | 0:22:29 | 0:22:32 | |
But suddenly, they turned and started coming at me, | 0:22:32 | 0:22:34 | |
accusing me of taking mutually contradictory ethical standpoints. | 0:22:34 | 0:22:40 | |
"Oh, you won't buy Nestle products, but you'll fly in an aeroplane. | 0:22:40 | 0:22:44 | |
"That's a dichotomy!" | 0:22:44 | 0:22:45 | |
Ooh, I were that upset that I ran all the way home | 0:22:45 | 0:22:47 | |
and when I got home I did not fill out a pools coupon, | 0:22:47 | 0:22:50 | |
I did not even steep me feet in a bowl of hot Dettol. | 0:22:50 | 0:22:53 | |
I just ran upstairs and fell into an uneasy slumber | 0:22:53 | 0:22:55 | |
and had a disquieting dream about Colin Cowdrey. | 0:22:55 | 0:22:58 | |
There you go. That's life in the North of England, in't it? | 0:22:58 | 0:23:01 | |
It's enough to make a camel do the rumbababababarbarann. | 0:23:01 | 0:23:07 | |
I said the rumbabababarbarann, I said a rumbabababarbarann... | 0:23:07 | 0:23:10 | |
Ow! Now just a quick reminder, but if any of you guys are digilog worms | 0:23:19 | 0:23:22 | |
you can spacebrowse a contents marker version of the show | 0:23:22 | 0:23:24 | |
on Kevineldon hash forward slash-gash. | 0:23:24 | 0:23:26 | |
Or if you prefer to surf the e-book, you can find me at BBC 2 extrathindot marketwhore. | 0:23:26 | 0:23:30 | |
If you're a dribbler and you want to hear, add or subtract | 0:23:30 | 0:23:32 | |
from all the latest dribbles then dribble on keldondribblerad and dribbleon. | 0:23:32 | 0:23:36 | |
If you're keen on a virtual tour around my ribs to find out | 0:23:36 | 0:23:38 | |
what colour my intercostal muscles are, you can push any red button | 0:23:38 | 0:23:41 | |
you see anywhere and imagine what they might be like. | 0:23:41 | 0:23:43 | |
And don't forget, there's always the option to tag my XING or badoo | 0:23:43 | 0:23:46 | |
my skycloud either on Microsoft, macrohard or mediumfloppy. Ow! | 0:23:46 | 0:23:49 | |
-All right, Ben? -Hello, Ben. | 0:23:52 | 0:23:54 | |
-Morning, Ben. -Morning, Ben. | 0:23:56 | 0:23:57 | |
-Ben. -Oh, hiya, Ben. | 0:24:00 | 0:24:01 | |
Hiya, Ben. | 0:24:02 | 0:24:04 | |
SPOOKY SCI-FI MUSIC | 0:24:04 | 0:24:05 | |
Let's see what's coming up in next week's show. | 0:24:14 | 0:24:16 | |
I'll be taking the coffee test. | 0:24:19 | 0:24:21 | |
There's another round of What's That Smell? | 0:24:22 | 0:24:25 | |
Pork! No, soot. | 0:24:25 | 0:24:28 | |
And we investigate why summer | 0:24:28 | 0:24:29 | |
bookings are down at the Doncaster Ice Hotel. | 0:24:29 | 0:24:32 | |
So, there you go. First show in the series. | 0:24:38 | 0:24:41 | |
Don't know, some people might say | 0:24:41 | 0:24:43 | |
it's a bit, you know, disjointed but... | 0:24:43 | 0:24:45 | |
And the rest of them smell of plankton. | 0:24:48 | 0:24:50 | |
But now, to take us out, | 0:24:50 | 0:24:52 | |
here's Switzerland's biggest singing sensation. | 0:24:52 | 0:24:55 | |
It's Popsox and Mobile Phone. Good night! | 0:24:55 | 0:24:59 | |
CHEESY EUROPOP BEAT | 0:25:01 | 0:25:04 | |
# I was thinking about you | 0:25:09 | 0:25:12 | |
# I was feeling alone | 0:25:12 | 0:25:14 | |
# So I decided to call you | 0:25:16 | 0:25:19 | |
# On my mobile phone | 0:25:19 | 0:25:22 | |
# Brr brr! Calling your mobile phone | 0:25:24 | 0:25:28 | |
# Brr brr! From my mobile phone | 0:25:30 | 0:25:31 | |
# You and I got a mobile phone | 0:25:31 | 0:25:35 | |
# We've both got mobile phones | 0:25:35 | 0:25:39 | |
# Hey! | 0:25:39 | 0:25:40 | |
# You were thinking about me | 0:25:56 | 0:25:59 | |
# You were feeling alone | 0:25:59 | 0:26:02 | |
# So you decided to call me | 0:26:03 | 0:26:07 | |
# On your mobile phone | 0:26:07 | 0:26:09 | |
# Brr brr! Calling my mobile phone | 0:26:12 | 0:26:17 | |
# Brr brr! From your mobile phone | 0:26:17 | 0:26:20 | |
# You and I got a mobile phone | 0:26:20 | 0:26:22 | |
# We both got mobile phones | 0:26:24 | 0:26:28 | |
# Oh! | 0:26:28 | 0:26:29 | |
# Brr brr! Calling your mobile phone | 0:26:35 | 0:26:37 | |
# From my mobile phone | 0:26:38 | 0:26:40 | |
# Calling my mobile phone. # | 0:26:42 | 0:26:44 | |
Hey, Bob. What you doing? | 0:26:44 | 0:26:46 | |
Well, Kevin, I found the lost property office. | 0:26:46 | 0:26:49 | |
-Turns out to be down the back of your sofa. -Oh! | 0:26:49 | 0:26:51 | |
And also, I found this lot down here. | 0:26:51 | 0:26:54 | |
-A packet of Rizla. -Always handy. | 0:26:54 | 0:26:56 | |
-An old Chinese menu. -I wondered where that had got to. | 0:26:56 | 0:27:00 | |
And this magazine. | 0:27:00 | 0:27:02 | |
Mildly Flirtatious Ladies. | 0:27:02 | 0:27:04 | |
All right, Bob. | 0:27:04 | 0:27:05 | |
Subtitles by Red Bee Media Ltd | 0:27:36 | 0:27:38 |