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'Ladies and gentlemen - it's Kevin.' | 0:00:02 | 0:00:04 | |
# Oh, welcome to my show now and this is the second one | 0:00:11 | 0:00:14 | |
# The last was first, the next the third | 0:00:14 | 0:00:16 | |
# There's six, all said and done | 0:00:16 | 0:00:18 | |
# And if you're a reviewer and you've said my show is poor | 0:00:18 | 0:00:21 | |
# I'll find out where you live and I will hurt you with a saw | 0:00:21 | 0:00:24 | |
# But as for all the rest of you, I hope you're feeling great | 0:00:24 | 0:00:28 | |
# Sit back, relax, undo your slacks | 0:00:28 | 0:00:30 | |
# You've got yourselves a date | 0:00:30 | 0:00:31 | |
# Oh, oh, it's the Kevin Eldon Show | 0:00:31 | 0:00:34 | |
# It's the Kevin, Kevin Eldon Show | 0:00:34 | 0:00:37 | |
# And that's the title | 0:00:37 | 0:00:38 | |
# Oh, oh it's the Kevin Eldon Show | 0:00:38 | 0:00:41 | |
# It's the Kevin, Kevin Eldon... Wah, wah, wah! | 0:00:41 | 0:00:45 | |
# Welcome to my show now, which I'm proud to bring to you | 0:00:45 | 0:00:49 | |
# Ably assisted by a most hard-working crew | 0:00:49 | 0:00:52 | |
# That's Alison, on costume And there's Emma there, on sound | 0:00:52 | 0:00:55 | |
# And I don't know what he does | 0:00:55 | 0:00:57 | |
# But he's just nice to have around, chat... # | 0:00:57 | 0:00:59 | |
THEY JABBER INCOMPREHENSIBLY | 0:00:59 | 0:01:02 | |
# Oh, oh, it's the Kevin Eldon Show | 0:01:06 | 0:01:08 | |
# It's the Kevin, Kevin Eldon show It's called It's Kevin | 0:01:08 | 0:01:12 | |
# Aargh, it's the Kevin Eldon show It's the Kevin, Kevin, Kevin... | 0:01:12 | 0:01:17 | |
# Kevin, Kevin, Kevin | 0:01:17 | 0:01:19 | |
# Kevin, Kevin, Kevin | 0:01:19 | 0:01:21 | |
# Kevin, Kevin, Kevin | 0:01:21 | 0:01:22 | |
# Kevin Eldon Sho-o-o-o-o-w! # | 0:01:22 | 0:01:30 | |
Ah, Mr Darwin. | 0:01:39 | 0:01:40 | |
The first I have seen of you since we left the Galapagos Islands. | 0:01:42 | 0:01:46 | |
Admiral Fitzroy, will you permit me to outline a theory? | 0:01:46 | 0:01:50 | |
I should be honoured. | 0:01:51 | 0:01:52 | |
What if the beaks of the Galapagos finches were somehow | 0:01:55 | 0:01:59 | |
an adaptive development? | 0:01:59 | 0:02:01 | |
What if all life were in a permanent state of flux... | 0:02:03 | 0:02:07 | |
caused by ever cumulative evolutionary changes? | 0:02:07 | 0:02:12 | |
What if, Admiral Fitzroy, | 0:02:14 | 0:02:15 | |
life's myriad variations were not the work of a single creator? | 0:02:15 | 0:02:22 | |
HE GURGLES, ROARS AND SHRIEKS | 0:02:24 | 0:02:27 | |
'Hey, what are you doing?' | 0:02:37 | 0:02:40 | |
I'm banging my head against the wall. | 0:02:40 | 0:02:42 | |
'What are you doing now?' | 0:02:44 | 0:02:46 | |
I'm eating all my gloves. | 0:02:46 | 0:02:48 | |
'We've all got things we'd rather be doing. | 0:02:48 | 0:02:51 | |
'But don't put it off. | 0:02:51 | 0:02:52 | |
'If you don't send a birthday card to the Queen by April the 21st, | 0:02:52 | 0:02:55 | |
'there's a fine of £5,000, plus a possible conviction for sedition. | 0:02:55 | 0:03:02 | |
'So why not send your birthday card to the Queen without delay? | 0:03:04 | 0:03:08 | |
'You can buy a card at most high street card shops. | 0:03:08 | 0:03:11 | |
'Or why not file your card online at erbirthday.co.uk? | 0:03:11 | 0:03:16 | |
'Whichever way you do it, it's really not that hard. | 0:03:16 | 0:03:20 | |
'The Queen's birthday card. On with her head!' | 0:03:20 | 0:03:24 | |
Hello, I'm Jeremy Cain from the Guinness Book of World Records. | 0:03:29 | 0:03:33 | |
That's right, he is. | 0:03:33 | 0:03:34 | |
And Jeremy, you hold a world record yourself, don't you? | 0:03:34 | 0:03:37 | |
Yes, that's right. | 0:03:37 | 0:03:38 | |
I hold the world record for the largest matchbox collection in Kent. | 0:03:38 | 0:03:42 | |
-How many have you got? -20. | 0:03:42 | 0:03:44 | |
-Where do you keep them all? -In a drawer. | 0:03:44 | 0:03:45 | |
That has literally made me feel sick. | 0:03:45 | 0:03:48 | |
You're here to watch me try to break the world record for saying nothing in ten seconds. | 0:03:48 | 0:03:53 | |
-What's the current record? -One. -Right, so it's one to beat. | 0:03:53 | 0:03:56 | |
-And I must say I'm very excited about... -Go! | 0:03:56 | 0:03:58 | |
And stop. | 0:04:08 | 0:04:09 | |
Ooh, it's not as easy as it looks, is it? | 0:04:09 | 0:04:11 | |
-So how many times did I say nothing in ten seconds? -One. | 0:04:11 | 0:04:14 | |
Oh! One more and I'd have beaten the world record. | 0:04:14 | 0:04:16 | |
Yes, hard luck. | 0:04:16 | 0:04:17 | |
-Oh! -Hard luck. -Gah! -Hard luck. | 0:04:17 | 0:04:20 | |
-Whoar! -Hard luck. -Hew! -Hard luck. | 0:04:20 | 0:04:22 | |
-Heh! -Hard luck. -Phoot! -Hard luck. | 0:04:22 | 0:04:25 | |
-Mmmm! -Hard luck. -Gerr! -Hard luck. | 0:04:25 | 0:04:28 | |
-Wowow! -Hard luck. -Errr! -Hard luck. -Ssss! -Hard luck. | 0:04:28 | 0:04:31 | |
-Phow! -Hard luck. -Ph-diss! -Hard luck. | 0:04:31 | 0:04:34 | |
-Swhee! -Hard luck. -Gah! -Hard luck. | 0:04:34 | 0:04:37 | |
-Phow! -Hard luck. | 0:04:37 | 0:04:38 | |
'Meet Max Cooper. Just an ordinary guy - right? | 0:04:43 | 0:04:47 | |
'Wrong. For whenever Max Cooper sees injustice and crime, | 0:04:47 | 0:04:51 | |
'Max Cooper becomes indignant about that. | 0:04:51 | 0:04:54 | |
'He doesn't like it. | 0:04:54 | 0:04:57 | |
'And it is then that for seven complicated reasons, | 0:04:57 | 0:05:00 | |
'Max Cooper mutates into...' | 0:05:00 | 0:05:03 | |
GROWLING AND CRACKING SOUNDS | 0:05:03 | 0:05:06 | |
Put it back. | 0:05:33 | 0:05:35 | |
Put what back? | 0:05:37 | 0:05:38 | |
That animal pottery you have just stolen and are hiding in your coat. | 0:05:39 | 0:05:43 | |
-Put it back right now. -Or what? | 0:05:43 | 0:05:46 | |
GROWLING AND CRACKING SOUNDS | 0:05:51 | 0:05:55 | |
SHE SCREAMS | 0:05:55 | 0:05:57 | |
Excuse me, but aren't you the Incredible Moose-Human? | 0:06:06 | 0:06:10 | |
Yes, I am. | 0:06:11 | 0:06:13 | |
Oh, well, look. | 0:06:14 | 0:06:16 | |
It seems that in her hurry to get away, our friend dropped something. | 0:06:16 | 0:06:19 | |
'And so once again, society is a safer place due to the vigilance | 0:06:19 | 0:06:24 | |
'and courage of...' | 0:06:24 | 0:06:26 | |
Adrian - your tea's ready! | 0:06:26 | 0:06:28 | |
'Oh, thanks, Mum. I'll be down in a minute.' | 0:06:28 | 0:06:32 | |
Don't let it get cold! | 0:06:32 | 0:06:34 | |
-'OK!' -..The Incredible Moose-Human. -'Coming, Mum!' | 0:06:34 | 0:06:38 | |
FOOTSTEPS RUNNING DOWN STAIRS | 0:06:38 | 0:06:43 | |
That looks like thirsty work, Kevin. | 0:06:48 | 0:06:50 | |
I thought you might like a nice glass of water. | 0:06:50 | 0:06:52 | |
Oh, thanks, Bob. That's really, er, that's, er... I'll just, er... | 0:06:52 | 0:06:56 | |
-You all right, then? -Oh, I couldn't be better. | 0:06:56 | 0:06:58 | |
-Glad to hear it. -Well, I say couldn't be better. | 0:06:58 | 0:07:01 | |
I've actually got terrible arm dandruff. | 0:07:01 | 0:07:04 | |
-Ooh! -Yeah. It's embarrassing. I only have to shake my arm and... | 0:07:04 | 0:07:07 | |
Oh, that's bad. | 0:07:09 | 0:07:10 | |
Yeah, it's a nervous condition. | 0:07:10 | 0:07:12 | |
I've had it ever since I had this stressful job a few years back. | 0:07:12 | 0:07:17 | |
Well, why don't you tell us all about...? Oh, you're going to. | 0:07:17 | 0:07:21 | |
'I got a job at the National National Museum Gift Shop Museum. | 0:07:21 | 0:07:25 | |
'A maze of 223 museum gift shops from all over the country, | 0:07:25 | 0:07:29 | |
'and all under one roof.' | 0:07:29 | 0:07:31 | |
What did you do there? | 0:07:31 | 0:07:32 | |
'Well, they put me in the Museum Gift Shop.' | 0:07:32 | 0:07:34 | |
So, wait a minute. | 0:07:34 | 0:07:36 | |
You were working at the National National Museum Gift Shop Museum Museum Gift Shop? | 0:07:36 | 0:07:41 | |
'Yeah, and I suffered terrible stress and headaches.' | 0:07:41 | 0:07:44 | |
Busy, was it? | 0:07:44 | 0:07:46 | |
'No. Hardly anyone ever came in. | 0:07:46 | 0:07:48 | |
'But every time I tried to actually get into my head where it was | 0:07:48 | 0:07:52 | |
'I was working, I'd black out | 0:07:52 | 0:07:54 | |
'and wake up naked on the banks of the Thames.' | 0:07:54 | 0:07:57 | |
-Hmm, sounds like you're best off out of it. -Yeah. | 0:07:57 | 0:08:00 | |
Hey, Bob - have you tried new Head and Elbows? | 0:08:02 | 0:08:05 | |
-No, I haven't. -Well, have mine. I don't need it anymore. | 0:08:05 | 0:08:08 | |
Well, I've got nothing to lose. | 0:08:08 | 0:08:10 | |
Except your arm dandruff. | 0:08:10 | 0:08:11 | |
'Here - I wonder what it would be like if Nazi pig dog Adolf Hitler | 0:08:14 | 0:08:18 | |
'had spoken with the voice of pop genius Sir George Martin. | 0:08:18 | 0:08:21 | |
'Eh? Ah...' | 0:08:22 | 0:08:23 | |
-POSH ENGLISH ACCENT: -And after we'd taken Austria by storm, | 0:08:24 | 0:08:27 | |
well, things started happening pretty quickly. | 0:08:27 | 0:08:30 | |
And within nine months to a year, | 0:08:30 | 0:08:32 | |
we were number one in most countries in Europe. | 0:08:32 | 0:08:35 | |
Poland, Czechoslovakia, the list goes on. | 0:08:35 | 0:08:37 | |
But a lot of people think it was an overnight success, | 0:08:38 | 0:08:42 | |
but in fact we'd already built up a fanatical local following | 0:08:42 | 0:08:45 | |
at our Nuremberg rallies. | 0:08:45 | 0:08:47 | |
And I remember, even at those gigs, | 0:08:47 | 0:08:50 | |
I could hardly hear myself screaming above all the screaming, | 0:08:50 | 0:08:54 | |
and I'd have to keep dodging the copies of Mein Kampf, | 0:08:54 | 0:08:57 | |
which fans were throwing onstage for me to sign. | 0:08:57 | 0:09:01 | |
But I do recall thinking to myself at one of those early appearances, | 0:09:01 | 0:09:05 | |
well, if we don't at least reincorporate the Sudetenland into | 0:09:05 | 0:09:09 | |
Germany's borders in the next few years or so, then I am a Chinaman. | 0:09:09 | 0:09:13 | |
And I'm not. | 0:09:14 | 0:09:15 | |
I'm not a Chinaman. | 0:09:16 | 0:09:17 | |
I'm not Chinese. | 0:09:19 | 0:09:21 | |
-GERMAN ACCENT: -I am not Chinese! | 0:09:21 | 0:09:25 | |
I have never been Chinese! | 0:09:26 | 0:09:28 | |
BEATLES STYLE HARMONIES: # Deutschland, Deutschland, uber alles... # | 0:09:28 | 0:09:31 | |
'Yeah, it would be like that.' | 0:09:31 | 0:09:33 | |
Right, there you go, Bob. Do me a favour. | 0:09:36 | 0:09:40 | |
Stick this lot together again. | 0:09:40 | 0:09:42 | |
This glue is nearly past its sell-by date. It seems a shame to waste it. | 0:09:42 | 0:09:45 | |
-Right-ho. -Cheers. | 0:09:45 | 0:09:46 | |
DISTANT THUDDING | 0:09:46 | 0:09:49 | |
What's that? | 0:09:51 | 0:09:54 | |
THUDDING GETTING CLOSER | 0:09:54 | 0:09:59 | |
Here we go again. | 0:09:59 | 0:10:01 | |
It's Godzilla Black. | 0:10:07 | 0:10:09 | |
Surprise, surprise! | 0:10:09 | 0:10:13 | |
It's not actually that much of a surprise, is it, Godzilla Black, | 0:10:13 | 0:10:15 | |
when we can hear you coming five minutes before you actually get here? | 0:10:15 | 0:10:20 | |
Oh! Oh, well. You won't be wanting these then! | 0:10:20 | 0:10:24 | |
-SHE SOBS LOUDLY -Aww, are these for me? | 0:10:24 | 0:10:28 | |
Oh, I'm sorry, love, I didn't... No, no, now come back! | 0:10:28 | 0:10:32 | |
I forgot how sensitive she is. | 0:10:32 | 0:10:34 | |
Godzilla Black! | 0:10:34 | 0:10:36 | |
SHE SOBS | 0:10:36 | 0:10:39 | |
The Kaiser is marshalling his forces here, here and here. | 0:10:41 | 0:10:47 | |
Artillery are pinned down by the river | 0:10:47 | 0:10:49 | |
and our supply lines are cut off. | 0:10:49 | 0:10:51 | |
Damn! | 0:10:52 | 0:10:53 | |
You know, Marlborough, in bed this morning, I had | 0:10:55 | 0:10:58 | |
an idea for ending this rotten war once and for all, just like that. | 0:10:58 | 0:11:03 | |
Well, let's hear it, man. | 0:11:03 | 0:11:05 | |
Well, there's the thing. | 0:11:05 | 0:11:07 | |
Forgot to write it down. | 0:11:07 | 0:11:09 | |
Went straight back to sleep. | 0:11:09 | 0:11:12 | |
Now for the life of me, I can't remember what it was. | 0:11:12 | 0:11:15 | |
You know what? | 0:11:17 | 0:11:18 | |
I like the sound of this idea of yours. | 0:11:18 | 0:11:20 | |
What? The one I can't remember? | 0:11:22 | 0:11:24 | |
Whether you can remember it or not, it's the best idea we've got. | 0:11:24 | 0:11:28 | |
Pembleton, connect me to the Prime Minister. | 0:11:28 | 0:11:31 | |
Yes, but look here, Marlborough, I can't actually... | 0:11:31 | 0:11:34 | |
-'Marlborough?' -Prime Minister. | 0:11:36 | 0:11:38 | |
'Good news, I hope.' | 0:11:38 | 0:11:39 | |
Beg pardon, sir. Ready to go over the top, sir. | 0:11:47 | 0:11:50 | |
Good show, Sergeant. How's morale? | 0:11:50 | 0:11:54 | |
Oh, it couldn't be better, sir. | 0:11:54 | 0:11:56 | |
Talk of this Winstanley plan's got the men all of a fizz, sir. | 0:11:56 | 0:11:59 | |
Home by Christmas is what I heard, sir. | 0:11:59 | 0:12:01 | |
Blimey. I can't wait to see my sweetheart for turkey, | 0:12:01 | 0:12:06 | |
sprouts and all the trimmings, sir. | 0:12:06 | 0:12:08 | |
Here, sir. | 0:12:09 | 0:12:11 | |
Oh, it's, er... You've got a picture of... | 0:12:11 | 0:12:13 | |
Of Christmas dinner, sir. Yes, sir. I carry it with me always, sir. | 0:12:13 | 0:12:17 | |
Them peas are grown from my own garden, sir. | 0:12:17 | 0:12:19 | |
And fine, bonny peas they are too, Sergeant. | 0:12:20 | 0:12:23 | |
Thank you, sir. | 0:12:23 | 0:12:25 | |
-Carry on, Sergeant. -Yes, sir! | 0:12:25 | 0:12:26 | |
Ah - here he is. | 0:12:29 | 0:12:30 | |
The man who's going to win us the Great War. | 0:12:30 | 0:12:33 | |
-Anything yet? -Shush, shush - I nearly had it then. | 0:12:33 | 0:12:37 | |
I don't want to rush you, but... | 0:12:37 | 0:12:39 | |
Something about...parquet flooring? No. Wait a minute. | 0:12:39 | 0:12:45 | |
I remember! | 0:12:47 | 0:12:48 | |
Oh, thank God! | 0:12:50 | 0:12:51 | |
Quickly... | 0:12:52 | 0:12:54 | |
issue the order for everybody to get into the giant mechanical crabs! | 0:12:54 | 0:12:58 | |
The giant mechanical... | 0:13:00 | 0:13:03 | |
EXPLOSIONS AND SCREAMING | 0:13:03 | 0:13:07 | |
'Winstanley's plan died with him on the fields of Flanders. | 0:13:07 | 0:13:11 | |
'And so the Great War ground mercilessly on until 1978, | 0:13:11 | 0:13:15 | |
'when it was finally killed off by disco.' | 0:13:15 | 0:13:19 | |
DISCO MUSIC PLAYS | 0:13:19 | 0:13:24 | |
'It's curtains for everyone!' | 0:13:24 | 0:13:27 | |
# Everyone's got windows And windows can't be bare | 0:13:27 | 0:13:29 | |
# So come on down to Certain Curtains, curtains everywhere | 0:13:29 | 0:13:31 | |
# Cotton, satin, silk | 0:13:31 | 0:13:33 | |
# Pull yourself together Don't go off the rails | 0:13:33 | 0:13:35 | |
# With Certain Curtains, curtain service never, ever fails. # | 0:13:35 | 0:13:37 | |
'Certain Curtains - well hung.' | 0:13:37 | 0:13:41 | |
'Introducing Amateur Prime Minister. | 0:13:42 | 0:13:45 | |
'The magazine for Britain's ninth fastest growing hobby. | 0:13:45 | 0:13:48 | |
'Whether you're reshuffling your cabinet, | 0:13:48 | 0:13:51 | |
'ratifying fishing quotas, or bringing back hanging, | 0:13:53 | 0:13:57 | |
'Amateur Prime Minister will fill your parliamentary agenda. | 0:13:57 | 0:14:01 | |
'Issue 1 has tips on building your own seat of power. | 0:14:01 | 0:14:04 | |
'And - a free balloon of the Croatian Prime Minister, | 0:14:06 | 0:14:09 | |
'building up week by week into an inflatable summit. | 0:14:09 | 0:14:12 | |
'Amateur Prime Minister - it's time to return to your constituency | 0:14:13 | 0:14:17 | |
'and pretend at government.' | 0:14:17 | 0:14:19 | |
'Maureen and John was a phenomenally successful Thames Television | 0:14:26 | 0:14:30 | |
'sitcom, which ran from 1980 till 1987, starring Julie Stott and Dennis Best.' | 0:14:30 | 0:14:35 | |
-Maureen? -John. | 0:14:35 | 0:14:37 | |
-Maureen! -John! | 0:14:37 | 0:14:40 | |
-Maureen! -John! | 0:14:40 | 0:14:43 | |
Mau-reen... | 0:14:43 | 0:14:45 | |
'But tragedy struck. A heavy smoker all his life, | 0:14:45 | 0:14:48 | |
'Dennis Best died at the age of only 46, | 0:14:48 | 0:14:50 | |
'when he fell out of a train. | 0:14:50 | 0:14:52 | |
'The producers wasted no time in recasting the part of John | 0:14:52 | 0:14:54 | |
-'with actor Brian Tremaine...' -Maureen. -John! | 0:14:54 | 0:14:59 | |
'..who was tragically battling with chronic alcoholism.' | 0:14:59 | 0:15:01 | |
-Maureen. -John. | 0:15:01 | 0:15:03 | |
Maureen. | 0:15:03 | 0:15:05 | |
'But the same chemistry just wasn't there.' | 0:15:05 | 0:15:07 | |
John! | 0:15:07 | 0:15:08 | |
'When Julie Stott left the series in 1986, | 0:15:08 | 0:15:10 | |
'to star in South African sitcom Call Me Bwana, | 0:15:10 | 0:15:13 | |
'she was replaced by actress Philippa Morgan...' | 0:15:13 | 0:15:15 | |
-Maureen. -John. | 0:15:15 | 0:15:17 | |
'..who was tragically battling with chronic alcoholism.' | 0:15:17 | 0:15:20 | |
Maureen. | 0:15:20 | 0:15:21 | |
John. | 0:15:21 | 0:15:23 | |
'And was taking a course of hormone pills, | 0:15:23 | 0:15:25 | |
'in preparation for a sex change. | 0:15:25 | 0:15:27 | |
'But it seems the magic of the golden years had faded.' | 0:15:27 | 0:15:30 | |
-Maureen. -DEEPER VOICE: John. | 0:15:30 | 0:15:32 | |
'In 1987, with viewing figures down to just 18 million, | 0:15:34 | 0:15:37 | |
'the series was cancelled. | 0:15:37 | 0:15:40 | |
'Brian Tremaine went on to receive treatment for his alcohol addiction | 0:15:40 | 0:15:44 | |
'and now owns a chain of off-licences. | 0:15:44 | 0:15:46 | |
'And Philippa Morgan successfully underwent surgery, | 0:15:46 | 0:15:49 | |
'changing her name to Eric Pickles.' | 0:15:49 | 0:15:52 | |
HE SINGS IN FRENCH | 0:15:55 | 0:15:58 | |
'Queuing. It's a great British tradition, | 0:16:07 | 0:16:10 | |
'like the Proms and dogging. | 0:16:10 | 0:16:13 | |
'But people from around the world often underestimate just | 0:16:14 | 0:16:18 | |
'how seriously we in this country take the great British queue. | 0:16:18 | 0:16:22 | |
'Let's face it, when it comes down to it, we're a funny old lot.' | 0:16:22 | 0:16:27 | |
But did you know, for example, that 83% of all couples first | 0:16:27 | 0:16:32 | |
have sex with each other in a queue? | 0:16:32 | 0:16:35 | |
Or that if you're the 17th person standing in a queue you're | 0:16:35 | 0:16:37 | |
statistically more likely to get pecked on the larynx by a chaffinch? | 0:16:37 | 0:16:41 | |
Want to know more about queues? Well, you're in luck, because here's queuing guru Benny Sweet. | 0:16:41 | 0:16:46 | |
Benny, when was the first queue? | 0:16:46 | 0:16:47 | |
-10th of June 1341. -And who was in that queue? | 0:16:47 | 0:16:49 | |
-Peasants. -What were they queuing for? -To have their legs chopped off. | 0:16:49 | 0:16:52 | |
-What had they done to deserve that? -Nothing. | 0:16:52 | 0:16:54 | |
-And what's the origin of the word queue? -French. | 0:16:54 | 0:16:56 | |
-And what does it mean? -Wankers. | 0:16:56 | 0:16:58 | |
What happens if you're in a queue and it's hit by falling space debris? | 0:16:58 | 0:17:00 | |
Bury the dead, phone NASA and reform the queue. | 0:17:00 | 0:17:02 | |
Now, you've got a photographic record | 0:17:02 | 0:17:04 | |
of your lifetime of queuing, haven't you? | 0:17:04 | 0:17:06 | |
Yep. Queuing for a Slade concert, 1972. | 0:17:06 | 0:17:10 | |
Oh, look at your tank top. | 0:17:10 | 0:17:11 | |
Queuing to sign on, 1981. | 0:17:12 | 0:17:14 | |
Oh, look at your despair. | 0:17:14 | 0:17:16 | |
Queuing for a Tamagotchi, 1990. | 0:17:16 | 0:17:18 | |
Oh, look at your... What's that? | 0:17:18 | 0:17:21 | |
Mumps. | 0:17:21 | 0:17:23 | |
Jesus. | 0:17:23 | 0:17:24 | |
Queuing for an edible wig, 2000. | 0:17:26 | 0:17:28 | |
Oh, now, edible wigs, never really took off, did they? | 0:17:28 | 0:17:31 | |
-Ginger ones were nice. -Yeah, I ate one once. Found a hair in it. | 0:17:31 | 0:17:34 | |
So who, in your experience, are worst at queuing? | 0:17:34 | 0:17:36 | |
-Florists, diabetics, cats. -In that order? -No. | 0:17:36 | 0:17:39 | |
And if you don't like queuing, you can go to Benny's special | 0:17:39 | 0:17:42 | |
queuing centre and do all your queuing in one go, can't you? | 0:17:42 | 0:17:45 | |
-Yeah. You stand in a queue for 37 weeks non-stop. -And then? | 0:17:45 | 0:17:48 | |
Accredited certificate. Guarantees lifetime front of queue access. | 0:17:48 | 0:17:51 | |
And finally, Benny, how would you sum up your philosophy of life? | 0:17:51 | 0:17:54 | |
-Could be at the back. -Thanks, Benny. | 0:17:54 | 0:17:57 | |
That's really interesting. | 0:17:57 | 0:17:59 | |
And now, without further ado, lights, camera... | 0:17:59 | 0:18:02 | |
Excuse me! | 0:18:02 | 0:18:04 | |
Oh, sorry, didn't mean to jump in. | 0:18:04 | 0:18:06 | |
Thank you. And now, without further ado, it's lights, camera, auction! | 0:18:06 | 0:18:11 | |
Sorry! | 0:18:13 | 0:18:14 | |
What's going on? | 0:18:15 | 0:18:17 | |
So, I shall open the bidding with 17 million pounds. | 0:18:17 | 0:18:19 | |
Do I hear 17 million pounds, anybody? 17 million pounds? | 0:18:19 | 0:18:21 | |
No? Perhaps I've started the bidding a little high. Very well. | 0:18:21 | 0:18:24 | |
-DEEPER VOICE: -17 million pounds. We have 17 million pounds. | 0:18:24 | 0:18:26 | |
Thank you very much, sir. 18 million pounds. | 0:18:26 | 0:18:27 | |
Thank you very much, madam. 19 million pounds. | 0:18:27 | 0:18:29 | |
Thank you, Mr Blair. 20 million pounds. Thank you, Sir Fred... | 0:18:29 | 0:18:31 | |
MUSICIANS PLAY IN BACKGROUND | 0:18:33 | 0:18:36 | |
Here's to 40 wonderful years, my darling. Happy anniversary. | 0:18:39 | 0:18:44 | |
Cheers. | 0:18:44 | 0:18:46 | |
Well, who would have thought 40 years ago we'd still be together, | 0:18:49 | 0:18:52 | |
as happy as we were on the day we first met? | 0:18:52 | 0:18:55 | |
# Big, wobbly tits... # | 0:18:55 | 0:18:57 | |
-Excuse me. -Yes, sir? | 0:18:57 | 0:18:59 | |
-The singer... -Uh-huh? | 0:19:01 | 0:19:02 | |
He seems to be singing, "Big, wobbly tits." | 0:19:02 | 0:19:06 | |
"Beekwableeteets" - sir, in my language this mean "eternal love". | 0:19:06 | 0:19:12 | |
It's very old, traditional song of romance. | 0:19:12 | 0:19:15 | |
-Oh, thank you. -It's a very beautiful song, sir. | 0:19:15 | 0:19:17 | |
Thank you. | 0:19:17 | 0:19:19 | |
Oh, well, how sweet. | 0:19:19 | 0:19:20 | |
Yes. | 0:19:20 | 0:19:22 | |
-Where were we? -You were saying? | 0:19:22 | 0:19:23 | |
Oh, yes, well, the years seem to have gone so quickly | 0:19:23 | 0:19:27 | |
and I've become more and more... | 0:19:27 | 0:19:29 | |
# Wrinkly ball bag... # | 0:19:29 | 0:19:33 | |
Excuse me. | 0:19:33 | 0:19:35 | |
Yes, sir? | 0:19:35 | 0:19:37 | |
Is he singing, "Wrinkly ball bag"? | 0:19:37 | 0:19:41 | |
Ah - "Rinkleeb al bak." | 0:19:41 | 0:19:44 | |
Sir, in my language this mean, "When joy fills my aching heart." | 0:19:44 | 0:19:48 | |
-When joy... -Yes. It's very beautiful song, sir. | 0:19:48 | 0:19:51 | |
-You know, sometimes it make me cry. -Yes, yes - thank you. | 0:19:51 | 0:19:55 | |
I feel the same way, darling. | 0:19:55 | 0:19:57 | |
# Shaft of cock, shaft of cock, shaft of cock... | 0:19:57 | 0:20:00 | |
Right. | 0:20:00 | 0:20:01 | |
# Shaft of cock, shaft of cock | 0:20:01 | 0:20:03 | |
# Shaft of cock, shaft of cock | 0:20:03 | 0:20:05 | |
# Shaft of cock, shaft of cock... # | 0:20:05 | 0:20:07 | |
Sir? Madam? You're leaving? | 0:20:07 | 0:20:09 | |
# Jui-cee-ee juice... # | 0:20:09 | 0:20:16 | |
PHONE RINGS | 0:20:16 | 0:20:18 | |
Hello, Spunky Spunky Hand Job Restaurant? | 0:20:18 | 0:20:21 | |
Do you believe dreams can come true? | 0:20:21 | 0:20:24 | |
Georgia here hasn't seen her parents | 0:20:24 | 0:20:26 | |
since they moved to Argentina five years ago, have you? | 0:20:26 | 0:20:28 | |
No, I can't afford the fare. | 0:20:28 | 0:20:31 | |
Well, YOU can't afford the fare... | 0:20:31 | 0:20:33 | |
..and neither can we. | 0:20:38 | 0:20:39 | |
But close your eyes. Close them. | 0:20:39 | 0:20:42 | |
Because there is a dream of yours that we can make come true, | 0:20:42 | 0:20:45 | |
and it's the dream you had while you were sleeping last night. | 0:20:45 | 0:20:49 | |
What? | 0:20:50 | 0:20:52 | |
Yeah, yeah. Hang on, hang on. | 0:20:52 | 0:20:53 | |
Wait for it... | 0:20:56 | 0:20:58 | |
Now open your eyes. | 0:21:01 | 0:21:02 | |
UNEARTHLY NOISES | 0:21:07 | 0:21:13 | |
She wants to lay off the cheese before she turns in. | 0:21:34 | 0:21:37 | |
MUSIC PLAYS | 0:21:38 | 0:21:40 | |
STATIC | 0:21:40 | 0:21:42 | |
'It's Kevin!' | 0:21:42 | 0:21:44 | |
Hello, can I help at all? | 0:21:48 | 0:21:49 | |
Oh, hello. Yes, it's my wife's birthday. So, she's 43. | 0:21:49 | 0:21:53 | |
-Oh, nice. -So... | 0:21:53 | 0:21:55 | |
Well, you've come to the right place. We've got all sorts. | 0:21:55 | 0:21:59 | |
Daisies, very nice. | 0:21:59 | 0:22:01 | |
Or we have a Venus Human Trap. | 0:22:01 | 0:22:03 | |
I don't really know anything about flowers. | 0:22:05 | 0:22:07 | |
Well, I mean, daisies are lovely for brightening a room. | 0:22:07 | 0:22:10 | |
Um, very happy flower. | 0:22:10 | 0:22:13 | |
The Venus Human Trap is perfect for trapping and devouring a human. | 0:22:13 | 0:22:17 | |
-Hmm. How much are the daisies? -£4.99. | 0:22:17 | 0:22:20 | |
-And the Venus Human Trap? -£3.99. | 0:22:20 | 0:22:23 | |
Oh, the Venus Human Trap, then, please. | 0:22:23 | 0:22:25 | |
-Would you like it gift-wrapped? -Is that included in the price? -Yes. -Yes, please. | 0:22:25 | 0:22:28 | |
OK, not a problem. | 0:22:28 | 0:22:29 | |
All right - come here, you. | 0:22:35 | 0:22:37 | |
SHE GASPS AND CHOKES | 0:22:41 | 0:22:43 | |
SHE SCREAMS, PLANT GROWLS | 0:22:47 | 0:22:49 | |
SCREAMS GET LOUDER | 0:22:55 | 0:22:58 | |
I'm still Jeremy Cain from the Guinness Book of World Records. | 0:22:58 | 0:23:01 | |
That's still right, he still is. | 0:23:01 | 0:23:03 | |
And earlier, Jeremy, you supervised me trying to beat the world record for saying nothing in ten seconds. | 0:23:03 | 0:23:07 | |
-It was so close, wasn't it? -Yes, hard luck. | 0:23:07 | 0:23:10 | |
-Grr! -Hard luck. -Gah! -Hard luck. | 0:23:10 | 0:23:12 | |
-Phew! -Hard luck. -Orr! -Hard luck. | 0:23:12 | 0:23:13 | |
-Aaa! -Hard luck. -Hrrr! -Hard luck. | 0:23:13 | 0:23:15 | |
And now you're here to watch me try to beat the world record for not | 0:23:15 | 0:23:18 | |
saying anything in ten seconds. What's the current world record? | 0:23:18 | 0:23:21 | |
-Twelveington. -So, it's twelveington to beat. | 0:23:21 | 0:23:24 | |
-And I must say... -Go! -Oh, manything, dennything, | 0:23:24 | 0:23:26 | |
bennything, hennything, manything, lennything, bennything, | 0:23:26 | 0:23:28 | |
tennything, whennything, zennything, anything... Oh! | 0:23:28 | 0:23:32 | |
-Oh, hard luck. -Dah! -Hard luck. | 0:23:32 | 0:23:35 | |
-Woo! -Hard luck. -Dee! -Hard luck. -Whoar! -Hard luck. | 0:23:35 | 0:23:39 | |
-Woar! -Hard luck. -Gah-gah-gah! -Hard luck. | 0:23:39 | 0:23:41 | |
-Swamm! -Hard luck. -Tooh! -Hard luck. | 0:23:41 | 0:23:44 | |
-Dee! -Hard luck. -Mmmm! -Hard luck. | 0:23:44 | 0:23:46 | |
-Grrr! -Hard luck. | 0:23:46 | 0:23:47 | |
HIP HOP BEATS Hard luck. | 0:23:47 | 0:23:50 | |
Aaagh! | 0:23:52 | 0:23:53 | |
Morning! | 0:24:01 | 0:24:02 | |
HE RAPS: If I asked about the future would I sense a little tension? | 0:24:02 | 0:24:04 | |
Cos there's something that I've got here | 0:24:04 | 0:24:06 | |
That I'd really like to mention | 0:24:06 | 0:24:08 | |
Let me spell it out, I shall write it with my pen | 0:24:08 | 0:24:10 | |
P-E-N-S-I-O-N | 0:24:10 | 0:24:13 | |
My surname is Hughes, but please, call me Glenn | 0:24:13 | 0:24:16 | |
Could you give me five minutes? Maybe ten? | 0:24:16 | 0:24:18 | |
Oh, right, I'll just wipe my feet | 0:24:18 | 0:24:21 | |
And I must say, your garden's very neat | 0:24:21 | 0:24:24 | |
Yes, this is a lovely street | 0:24:24 | 0:24:26 | |
Oh, thank you - my, what a comfy seat | 0:24:26 | 0:24:29 | |
Ha, ha, ha - right! | 0:24:29 | 0:24:32 | |
You can get a pension automatic from the state | 0:24:32 | 0:24:34 | |
But let me tell you now that it really isn't great | 0:24:34 | 0:24:37 | |
You've got to make the right choices now you're getting older | 0:24:37 | 0:24:40 | |
How about a pension called a stakeholder? | 0:24:40 | 0:24:43 | |
-Hmm? -Stakeholder! -Hmm? -Stakeholder! | 0:24:43 | 0:24:45 | |
Oh, look, here's one in my folder | 0:24:45 | 0:24:48 | |
Stakeholder! | 0:24:48 | 0:24:49 | |
-Accessibility -Stakeholder! | 0:24:49 | 0:24:52 | |
-Flexibility -Stakeholder! | 0:24:52 | 0:24:55 | |
Reliability and tax relief and contributions, full liability | 0:24:55 | 0:24:58 | |
No? Well, here's another option that I think's a little beau-ity | 0:25:00 | 0:25:04 | |
Have you ever thought about a lifetime annuity? | 0:25:04 | 0:25:06 | |
A lifetime annuity It's fiscal acuity | 0:25:06 | 0:25:09 | |
And oh - like this! | 0:25:09 | 0:25:12 | |
Your money income purchase is simply converted | 0:25:12 | 0:25:14 | |
Invested in the market but can always be reverted | 0:25:14 | 0:25:17 | |
Enhanced or deferred or with an index link | 0:25:17 | 0:25:20 | |
Have a little look, just to tell me what you think | 0:25:20 | 0:25:22 | |
Take your time. | 0:25:22 | 0:25:23 | |
CLOCK TICKS | 0:25:23 | 0:25:26 | |
Ooh, is that the time? | 0:25:30 | 0:25:32 | |
Let's have a look at what's on next week's show. | 0:25:32 | 0:25:34 | |
Down periscope! | 0:25:34 | 0:25:35 | |
We'll be welcoming back comedian Josh Carter, | 0:25:38 | 0:25:40 | |
with his hilarious jokes about forests. | 0:25:40 | 0:25:42 | |
And that was just the conifers! | 0:25:42 | 0:25:44 | |
We'll be discovering the reason why | 0:25:44 | 0:25:46 | |
when you mix butter with water, this happens. | 0:25:46 | 0:25:49 | |
'And I'll be flying round the studio like a bird.' | 0:25:52 | 0:25:55 | |
Great. Up periscope! | 0:25:57 | 0:25:59 | |
Well, all that remains is for me to say it's been a... No, no... | 0:26:00 | 0:26:04 | |
HE RAPS: Before you say no, just a few moments more, sir | 0:26:04 | 0:26:07 | |
One more thing before you show me to the door, sir | 0:26:07 | 0:26:09 | |
I'm straight down the line, I've got the qualifications | 0:26:09 | 0:26:12 | |
An FSA certificate in tax administration | 0:26:12 | 0:26:15 | |
An NVQ diploma in retirement provision | 0:26:15 | 0:26:17 | |
I've got awards across the boards for monetary vision | 0:26:17 | 0:26:20 | |
And long division | 0:26:20 | 0:26:21 | |
You've got to understand, I'm offering redemption | 0:26:21 | 0:26:24 | |
You really ought to think about taking out a pension | 0:26:24 | 0:26:26 | |
You really ought to think about taking out a pension | 0:26:26 | 0:26:29 | |
You really ought to think about taking... | 0:26:29 | 0:26:31 | |
DOG BARKS | 0:26:31 | 0:26:36 | |
BARKING CONTINUES | 0:26:38 | 0:26:46 | |
BARKING CONTINUES | 0:26:49 | 0:26:57 | |
Subtitles by Red Bee Media Ltd | 0:26:57 | 0:26:59 |