Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Ladies and gentlemen... It's Kevin. | 0:00:01 | 0:00:04 | |
MUSIC STARTS | 0:00:04 | 0:00:07 | |
This programme contains some strong language | 0:00:07 | 0:00:11 | |
# Oh, welcome to my show Yes it is me, I'm back again | 0:00:11 | 0:00:14 | |
# I thought I'd start this evening by releasing this poor hen | 0:00:14 | 0:00:18 | |
# I found it in a battery farm as sad as sad can be | 0:00:18 | 0:00:21 | |
# So fly into the sky my friend for now I've set you free | 0:00:21 | 0:00:25 | |
# Likewise I am hoping to unleash some smiles and laughs | 0:00:25 | 0:00:28 | |
# Be you Scousers, Geordies, Mancs Cockneys, Jocks or Taffs. | 0:00:28 | 0:00:31 | |
ALL: # Oh, oh It's the Kevin Eldon Show | 0:00:31 | 0:00:34 | |
# It's the Kevin, Kevin Eldon Show | 0:00:34 | 0:00:37 | |
# And that's the title | 0:00:37 | 0:00:38 | |
# Oh, oh, it's the Kevin Eldon Show | 0:00:38 | 0:00:41 | |
# It's the Kevin Kevin Eldon Show... # | 0:00:41 | 0:00:43 | |
Argh! | 0:00:43 | 0:00:44 | |
# ..Welcome to my show now where the sun is always out | 0:00:44 | 0:00:48 | |
# And yea are ever guaranteed a foaming pint of stout... # | 0:00:48 | 0:00:51 | |
HE GARGLES TO TUNE | 0:00:51 | 0:00:57 | |
-Burp! -LONG BELCH | 0:00:57 | 0:01:03 | |
Pardon me. | 0:01:03 | 0:01:05 | |
# ..Oh, oh, it's the Kevin Eldon Show | 0:01:05 | 0:01:07 | |
# It's the Kevin, Kevin Eldon Show | 0:01:07 | 0:01:10 | |
# It's called It's Kevin | 0:01:10 | 0:01:11 | |
# Oh! It's the Kevin Eldon Show | 0:01:11 | 0:01:14 | |
# It's the Kevin, Kevin, Kevin | 0:01:14 | 0:01:16 | |
# Kevin, Kevin, Kevin | 0:01:16 | 0:01:18 | |
# Kevin, Kevin, Kevin | 0:01:18 | 0:01:20 | |
# Kevin, Kevin, Kevin... # | 0:01:20 | 0:01:22 | |
ALL IN HARMONY: # Kevin Eldon Show! # | 0:01:22 | 0:01:30 | |
-Morning, Jo! -Oh... | 0:01:38 | 0:01:40 | |
-HE CHUCKLES -You look a bit rough. | 0:01:40 | 0:01:42 | |
How was Peter's party? | 0:01:42 | 0:01:44 | |
I actually left at about 11. Everyone else went on to a club. | 0:01:44 | 0:01:47 | |
-Sounds like it was quite a night. -HE CHUCKLES | 0:01:47 | 0:01:50 | |
-CHEERILY: -Morning, Tim! | 0:01:55 | 0:01:56 | |
-You look a bit rough. -Yeah, tell me about it. | 0:01:58 | 0:02:00 | |
-Did you go to the club? -Yeah, but I left about one. | 0:02:00 | 0:02:02 | |
-HE BELCHES -I don't feel too good. | 0:02:04 | 0:02:05 | |
Morning, Simon! | 0:02:13 | 0:02:15 | |
You look a bit rough. | 0:02:15 | 0:02:17 | |
Christ! I am never drinking again! | 0:02:17 | 0:02:21 | |
I left Pete about six. | 0:02:23 | 0:02:26 | |
I don't know how he does it. | 0:02:28 | 0:02:31 | |
I really don't. HE SNORES | 0:02:31 | 0:02:34 | |
Morning, Pete. | 0:02:37 | 0:02:39 | |
-HE CHUCKLES -You look... -I know. | 0:02:39 | 0:02:42 | |
GASPING: I... | 0:02:42 | 0:02:44 | |
'That's one small step for man, | 0:02:49 | 0:02:52 | |
'one Swiss dinosaur in Polly Gosling's anorak hood.' | 0:02:52 | 0:02:56 | |
First man on the moon, Neil Armstrong, there. | 0:02:56 | 0:03:00 | |
But did he say, "That's one small step for a man, | 0:03:00 | 0:03:03 | |
"one giant leap for mankind"? | 0:03:03 | 0:03:05 | |
Or as some claim, "That's one small step for a man, | 0:03:05 | 0:03:08 | |
"one Swiss dinosaur in Polly Gosling's anorak hood"? | 0:03:08 | 0:03:11 | |
Let's ask second man on the moon, Buzz Aldren. | 0:03:11 | 0:03:14 | |
Can I just right away say that Neil clearly says, | 0:03:15 | 0:03:17 | |
"One giant leap for mankind." | 0:03:17 | 0:03:19 | |
OK, Buzz. Let's listen again. | 0:03:19 | 0:03:21 | |
'..one Swiss dinosaur in Polly Gosling's anorak hood.' | 0:03:23 | 0:03:27 | |
Yeah, I see what you mean, Buzz, but you've got to admit, | 0:03:28 | 0:03:31 | |
it does sound a little bit like, "One Swiss dinosaur in Polly Gosling's anorak hood." | 0:03:31 | 0:03:35 | |
Doesn't sound anything like, "One Swiss dinosaur in Polly Gosling's anorak hood." | 0:03:35 | 0:03:38 | |
Play it again - in sections. | 0:03:38 | 0:03:40 | |
'..one Swiss dinosaur...' | 0:03:42 | 0:03:45 | |
"One giant leap..." | 0:03:45 | 0:03:46 | |
'..in Polly Gosling's...' | 0:03:46 | 0:03:48 | |
"..for..." | 0:03:48 | 0:03:50 | |
'..anorak hood.' | 0:03:50 | 0:03:51 | |
"..mankind." | 0:03:51 | 0:03:53 | |
It is, isn't it? | 0:03:55 | 0:03:57 | |
-Course it is. -Course it is. | 0:03:57 | 0:03:58 | |
-Obviously. -"One Swiss dinosaur in Polly Gosling's anorak hood"(!) | 0:03:58 | 0:04:01 | |
-Stupid! -Doesn't even make any sense. | 0:04:01 | 0:04:03 | |
Well, that's cleared that up, Buzz, thanks very much. | 0:04:03 | 0:04:06 | |
Candid stoke in a kimono swab. | 0:04:06 | 0:04:08 | |
-Thanks, Alison. -SHE SQUAWKS | 0:04:14 | 0:04:16 | |
'Come in.' | 0:04:17 | 0:04:18 | |
-Morning, Doc... -Morning, have a seat. How can I help? -Ah, well... | 0:04:22 | 0:04:25 | |
I see. And when did you first notice the symptoms? | 0:04:25 | 0:04:28 | |
-Oh, about... -Right, and have they recently become more pronounced? | 0:04:28 | 0:04:30 | |
-Well... -OK, well, I'm pretty sure I know what the problem is. | 0:04:30 | 0:04:33 | |
-You're pre-emptive. -What's pre... | 0:04:33 | 0:04:34 | |
It's quite a rare condition where you become totally predictable. | 0:04:34 | 0:04:38 | |
-Oh... Is there a... -I'm afraid not. -Are you absolutely... -Quite sure. | 0:04:38 | 0:04:42 | |
-But what... -It's hereditary. | 0:04:42 | 0:04:43 | |
-Are you... -Oh, no, it's not infectious. -And what... | 0:04:43 | 0:04:45 | |
Well, a fruit diet has been found to alleviate the condition slightly. | 0:04:45 | 0:04:48 | |
-But where... -All I can suggest is a programme of counselling. | 0:04:48 | 0:04:51 | |
-You'll find a leaflet at reception. You're welcome. -Oh, thank you. | 0:04:51 | 0:04:53 | |
-Yes, goodbye. Show the next patient in please. -Yes. | 0:04:53 | 0:04:57 | |
-Morning, doctor. -Hello, take a seat. How can I help? | 0:04:57 | 0:05:00 | |
What have you got there, then? | 0:05:13 | 0:05:15 | |
Hm? Oh, it's, um, Beefeater magazine. Latest edition. | 0:05:15 | 0:05:19 | |
Oh, you like Beefeaters, do ya? | 0:05:19 | 0:05:21 | |
Beefeaters? Oh, yes, yes, I love them. | 0:05:21 | 0:05:23 | |
I reckon, if I had to choose out of all of the things in the world, | 0:05:23 | 0:05:26 | |
including even air, water or food, I would choose Beefeaters. | 0:05:26 | 0:05:30 | |
-Mad on them. -Well, what is it especially about Beefeaters, then? | 0:05:30 | 0:05:34 | |
Beefeaters? They're brilliant. Look at that one's ruff. | 0:05:34 | 0:05:38 | |
-Right. -I'm quite the Beefeater enthusiast, actually. | 0:05:39 | 0:05:42 | |
I've got, uh, Beefeater T-shirts, Beefeater jigsaws, | 0:05:42 | 0:05:45 | |
Beefeater tea towels, Beefeater slippers, Beefeater alarm clock... | 0:05:45 | 0:05:48 | |
Got a Beefeater watch. | 0:05:48 | 0:05:50 | |
Oh, I forgot it's in for repair, but I have got one. | 0:05:50 | 0:05:53 | |
I made this Beefeater costume myself. | 0:05:53 | 0:05:56 | |
I've read all the books there are about Beefeaters. There are four. | 0:05:56 | 0:06:00 | |
I'm actually the editor of this Beefeater magazine. | 0:06:00 | 0:06:03 | |
I edit it, I write it, I deliver it, I read it, I re-read it, | 0:06:03 | 0:06:07 | |
I re-re-read it, then I put it in the trunk with the others. | 0:06:07 | 0:06:10 | |
I make models of Beefeaters. | 0:06:10 | 0:06:12 | |
I make them out of the inside of toilet rolls. | 0:06:12 | 0:06:14 | |
Then I make them out of the outside of toilet rolls. | 0:06:14 | 0:06:17 | |
Then I make them out of chrome. | 0:06:17 | 0:06:18 | |
I made a Beefeater once out of beef, actually, but... | 0:06:18 | 0:06:22 | |
..I didn't eat it. I've written a song about a Beefeater. | 0:06:24 | 0:06:27 | |
It goes... # Have you seen the fine Beefeater eating up his pastry... # | 0:06:27 | 0:06:31 | |
I hardly sleep, | 0:06:31 | 0:06:33 | |
I spend so much of my time on my Beefeater-centred activities. | 0:06:33 | 0:06:37 | |
I would say that I'm probably, without fear of contradiction, | 0:06:37 | 0:06:41 | |
the number-one Beefeater fan in the world. | 0:06:41 | 0:06:43 | |
Strike that, universe. | 0:06:43 | 0:06:44 | |
You going for a visit today, then? | 0:06:46 | 0:06:48 | |
-Hm? -Tower of London? | 0:06:48 | 0:06:51 | |
-What? -Where the Beefeaters live. | 0:06:51 | 0:06:54 | |
Where the Beefeaters...live? | 0:06:56 | 0:06:58 | |
You know... | 0:06:58 | 0:07:00 | |
I really like this studio. | 0:07:14 | 0:07:15 | |
It's got an atmosphere... Well, it's hard to define. | 0:07:15 | 0:07:20 | |
Well, the atmosphere in this studio's not THAT hard to define. | 0:07:20 | 0:07:24 | |
In as much as, the atmosphere in this studio consists of oxygen, | 0:07:24 | 0:07:27 | |
nitrogen, argon, carbon dioxide and small amounts of other gases. | 0:07:27 | 0:07:31 | |
-WHISTLING -'Come back, lass, come back!' | 0:07:31 | 0:07:34 | |
They film One Man And His Dog in here, you know. | 0:07:34 | 0:07:37 | |
WOOF BAA | 0:07:37 | 0:07:38 | |
Hey, let's go straight over to the sports desk. | 0:07:38 | 0:07:41 | |
It's nice, isn't it? | 0:07:41 | 0:07:43 | |
I gave it a little spray of Mr Sheen earlier. | 0:07:43 | 0:07:46 | |
Oh, and I put some WD40 on the drawer runners. | 0:07:46 | 0:07:48 | |
You know, so it's a really smooth action now. Watch. | 0:07:48 | 0:07:51 | |
Open drawer... | 0:07:51 | 0:07:53 | |
Oh, close drawer. | 0:07:53 | 0:07:55 | |
Open drawer...close drawer. | 0:07:55 | 0:07:58 | |
Open drawer... | 0:07:58 | 0:08:00 | |
..close drawer. | 0:08:01 | 0:08:03 | |
Hey, Bob. Oh, I like that. | 0:08:05 | 0:08:08 | |
-It's a prop for this week's show. -It's really good. | 0:08:08 | 0:08:11 | |
-Remind me, what bit of the show is it for, again? -This bit. -Oh, yeah! | 0:08:11 | 0:08:15 | |
Open drawer... | 0:08:17 | 0:08:18 | |
Good evening. My name is Stanley Dewthorpe. | 0:08:26 | 0:08:28 | |
I am a fictional man from the north of England. | 0:08:28 | 0:08:31 | |
I'm chimney smoke, I'm moor mist. | 0:08:31 | 0:08:33 | |
Anyway, life in the north of England, eh? | 0:08:33 | 0:08:35 | |
It's one thing after another, which is being preceded by something, | 0:08:35 | 0:08:38 | |
which itself is begin preceded by something, which itself is being preceded by something, | 0:08:38 | 0:08:42 | |
going all the way back to 1066. | 0:08:42 | 0:08:43 | |
If you're one of them creationists where that evil hussy Evy Adams | 0:08:43 | 0:08:47 | |
picked the forbidden conker and shoved it up King Harold's nose. | 0:08:47 | 0:08:49 | |
Or even further back, if you're Stephen Dawkins - | 0:08:49 | 0:08:51 | |
13.7 billion years with everything reduced to a singular point, | 0:08:51 | 0:08:55 | |
smaller even than Jimmy Clithero. | 0:08:55 | 0:08:57 | |
Or even further back, if you're a proponent of the big bounce theory - | 0:08:57 | 0:09:01 | |
ooh, big bounce, Aida Hopkins - | 0:09:01 | 0:09:02 | |
which posits significant regression of eternally expanding and contracting universes... | 0:09:02 | 0:09:06 | |
You decide! But what really takes the black pudding home | 0:09:06 | 0:09:10 | |
with a fancy bag made of recyclable material decorated with flowers | 0:09:10 | 0:09:13 | |
owned by a flamboyant window dresser, | 0:09:13 | 0:09:15 | |
who wears a purple cravat and owns a cat called Lady Gaga, | 0:09:15 | 0:09:18 | |
it's got a face looks like it's been squashed in a vice. | 0:09:18 | 0:09:19 | |
Cos when I found a thrupenny pence piece in a empty crisp packet, | 0:09:19 | 0:09:22 | |
I think it were Clock and Mill flavour at the corner of Hobblington Road and Edglington Avenue, | 0:09:22 | 0:09:26 | |
you know, where Tommy Garter's Aunt Fifi got killed | 0:09:26 | 0:09:28 | |
by that barrel of piccalilli. When I got home I found that me wife | 0:09:28 | 0:09:31 | |
had run off with the ghost of German Shakespeare, Wolfgang Gerder. | 0:09:31 | 0:09:34 | |
Is it Gerder or Gerter? Is it Gotter or Geeter...? | 0:09:34 | 0:09:37 | |
Close drawer. | 0:09:44 | 0:09:46 | |
And from our sports desk to our celebrity chef Charlie Sinclair. | 0:09:47 | 0:09:51 | |
-Hello, Charlie. -Hi, Kevin. | 0:09:51 | 0:09:53 | |
Well, looks like you've been busy. | 0:09:53 | 0:09:56 | |
-Making dinner. -Oh, great. What's the recipe? | 0:09:56 | 0:09:59 | |
Er... | 0:09:59 | 0:10:00 | |
Never mind. Do you reckon it's about ready now? | 0:10:00 | 0:10:03 | |
-Yeah. -Let's have a look then, shall we? | 0:10:03 | 0:10:05 | |
Ooh! So, what's this? | 0:10:12 | 0:10:14 | |
It's caller razor clam, leek and brioche Bake. | 0:10:14 | 0:10:18 | |
Oh, right. Well, if I try some... | 0:10:18 | 0:10:20 | |
Hmm, I can taste fresh thyme in there. | 0:10:23 | 0:10:27 | |
It's quite strong... | 0:10:27 | 0:10:29 | |
Oh, no, no, no. I don't mean strong in a bad way. | 0:10:30 | 0:10:33 | |
Strong in a good way. It's delicious. | 0:10:33 | 0:10:35 | |
PHONE RINGS | 0:10:35 | 0:10:37 | |
-Sorry, I'm going to have to take this. -No problem. | 0:10:40 | 0:10:42 | |
Hi, darling... | 0:10:42 | 0:10:44 | |
OK, from our celebrity chef, | 0:10:44 | 0:10:46 | |
over to Hilary Swan, our economics editor, with the finance news. | 0:10:46 | 0:10:50 | |
I told you not to call me at work! | 0:10:50 | 0:10:52 | |
HE LAUGHS | 0:10:57 | 0:10:59 | |
What do you think of my new perfume? | 0:11:10 | 0:11:12 | |
Mmm, it's nice. What is it? | 0:11:14 | 0:11:16 | |
It's Wrists by Parfum De Pom Pom. | 0:11:16 | 0:11:19 | |
It smells like...wrists. | 0:11:19 | 0:11:20 | |
It does! Do you wanna try? | 0:11:20 | 0:11:23 | |
Mmm, now my neck smells like wrists! | 0:11:24 | 0:11:27 | |
It does! You neck smells just like wrists! | 0:11:27 | 0:11:31 | |
-FRENCH MALE VOICEOVER: -'Wrists by Parfum De Pom Pom. | 0:11:31 | 0:11:34 | |
'Now your whole body can smell like wrists.' | 0:11:34 | 0:11:37 | |
'It's the silent killer. | 0:11:43 | 0:11:45 | |
'You can't hear it. | 0:11:49 | 0:11:51 | |
'You can't taste it. | 0:11:54 | 0:11:55 | |
'You can't smell it. | 0:12:01 | 0:12:02 | |
'Cauliflower kills. | 0:12:08 | 0:12:10 | |
'Fit a cauliflower alarm.' | 0:12:10 | 0:12:12 | |
Now, you see, this is the thing about Bob. | 0:12:15 | 0:12:18 | |
There's no job that he can't turn his hand to. | 0:12:18 | 0:12:20 | |
Is there, Bob? | 0:12:20 | 0:12:22 | |
So, how are ya? | 0:12:22 | 0:12:23 | |
-Oh, very well, thanks, Kevin. -Well, I'm glad to hear it. | 0:12:23 | 0:12:26 | |
Well, I say very well, I've actually got a touch of Author Spasm. | 0:12:26 | 0:12:29 | |
-Author Spasm? -Author Spasm. | 0:12:29 | 0:12:32 | |
I first got it when I was working as a ghost writer | 0:12:32 | 0:12:34 | |
for Premier League football players... | 0:12:34 | 0:12:36 | |
'Premier League footballers are thoughtful blokes, | 0:12:38 | 0:12:41 | |
'with the minds of philosophers and the hearts of poets.' | 0:12:41 | 0:12:45 | |
..and as the beleathered orb left my foot, | 0:12:45 | 0:12:48 | |
spinning through the air like a meteor in the depths of the cosmos, | 0:12:48 | 0:12:54 | |
I felt my entire life's dreams and hopes shared its happy trajectory. | 0:12:54 | 0:12:59 | |
Unobstructed, pure, true. | 0:13:01 | 0:13:05 | |
'Unfortunately, footballers' agents need them | 0:13:05 | 0:13:07 | |
'to maintain an image of pig ignorance | 0:13:07 | 0:13:09 | |
'so that they don't alienate their sponsors' target audiences. | 0:13:09 | 0:13:13 | |
'So...Bosh. Another one in the back of the net. Result.' | 0:13:13 | 0:13:18 | |
-Oh, that's actually very sad. -It is. | 0:13:24 | 0:13:28 | |
To think that the world will never see a book of John Terry sonnets. | 0:13:28 | 0:13:32 | |
Hi, my name is Paul Hamilton and I am a poet. | 0:13:54 | 0:13:57 | |
So shoot me. | 0:13:58 | 0:13:59 | |
This week's poem is called | 0:14:00 | 0:14:02 | |
On Remonstrating With The Alcoholic With Regards To | 0:14:02 | 0:14:05 | |
His Unsolicited Comments Pertaining To The Polish Barmaid. | 0:14:05 | 0:14:09 | |
No, Adrian... | 0:14:12 | 0:14:13 | |
..I will not get a load of that Polish bit. | 0:14:15 | 0:14:18 | |
No, Adrian, I would not like to get my head between those two beauties and go, "Waba, waba, waba." | 0:14:20 | 0:14:28 | |
No, Adrian, no. | 0:14:30 | 0:14:33 | |
Adrian, there are crisps in your beard and vomit on your shoes, | 0:14:34 | 0:14:39 | |
and dandruff in your hair. | 0:14:39 | 0:14:41 | |
There are Pringles in your larder and urine in your milk bottles | 0:14:41 | 0:14:44 | |
and a Vauxhall Astra engine in your bed. | 0:14:44 | 0:14:47 | |
Adrian, there is nothing in your diary and something | 0:14:47 | 0:14:50 | |
in your attic, and I don't know what that is in your toilet. | 0:14:50 | 0:14:53 | |
And when you look at Anna Surilsky...she has a name. | 0:14:54 | 0:14:59 | |
You see 3D, page three, swinging free, double D, | 0:15:00 | 0:15:05 | |
fantasy through the lies of your lager-filled eyes. | 0:15:05 | 0:15:08 | |
Whereas I, I see a brave young woman in a cowardly old town... | 0:15:10 | 0:15:17 | |
..who yearns for her mama's goulash. | 0:15:18 | 0:15:21 | |
'Quantum shift sequence initiated.' | 0:15:36 | 0:15:39 | |
This is it, Christopher. Remember this. | 0:15:41 | 0:15:45 | |
Although we may be interfering with history on a grand scale, | 0:15:45 | 0:15:48 | |
we are also taking an opportunity to undo a great evil. | 0:15:48 | 0:15:53 | |
PIANO PLAYS | 0:16:37 | 0:16:41 | |
'OK. OK, how about this, Andrew?' | 0:16:42 | 0:16:44 | |
# Oh, Joseph | 0:16:46 | 0:16:48 | |
# Your multi-coloured coat has many different colours. # | 0:16:48 | 0:16:51 | |
Yes! Jolly good, Tim. You're a superb lyricist! | 0:16:51 | 0:16:56 | |
-AUSTRALIAN ACCENT: -Hey, fellas! | 0:17:16 | 0:17:17 | |
I thought you might like to see a few new moves I've been working on for Jake the Peg. | 0:17:17 | 0:17:22 | |
-HE LAUGHS -Here we go, two, three, four... | 0:17:22 | 0:17:24 | |
# I'm Jake the Peg Diddle-liddle-liddle-lum | 0:17:24 | 0:17:29 | |
# With me extra leg Diddle-liddle-liddle-lum... # | 0:17:29 | 0:17:31 | |
What's up, fellas? Where's the funeral? | 0:17:31 | 0:17:34 | |
HE LAUGHS | 0:17:34 | 0:17:36 | |
Strewth! | 0:17:38 | 0:17:40 | |
Aargh! Argh! Agh! | 0:17:40 | 0:17:43 | |
HE GRUNTS | 0:17:43 | 0:17:48 | |
Are you all right, Rolf? | 0:17:59 | 0:18:00 | |
Yeah... | 0:18:00 | 0:18:02 | |
Actually, Timbo, that wasn't me extra leg you pulled off, just then. | 0:18:02 | 0:18:06 | |
Waaa-hooo! | 0:18:23 | 0:18:26 | |
It's the white coat window on the world of worldwide wonders, | 0:18:26 | 0:18:28 | |
with the warmly winsome, Wendy Wilson. | 0:18:28 | 0:18:31 | |
Wendy, welcome, and wank you. | 0:18:31 | 0:18:33 | |
Thank you. So, what have you got? | 0:18:36 | 0:18:39 | |
Well, Kevin, this week I'm asking, is seeing believing? | 0:18:39 | 0:18:43 | |
-Rhetorical question. -Ah. | 0:18:43 | 0:18:45 | |
You know what a rhetorical question is. Do you? | 0:18:45 | 0:18:49 | |
Oh, sorry, I thought that was a rhetorical question. | 0:18:49 | 0:18:51 | |
Yes, I do know what a rhetorical question is. Who doesn't? | 0:18:51 | 0:18:54 | |
-Lots of people. -No, that was a rhetorical... | 0:18:54 | 0:18:56 | |
The relationship between the human brain and the eye is a very complex one. | 0:18:56 | 0:19:00 | |
Let's try an experiment. I'm going to walk over here. | 0:19:00 | 0:19:03 | |
Now, when I say, I'd like you | 0:19:03 | 0:19:05 | |
and audience at home to put one hand over one of their eyes. OK? | 0:19:05 | 0:19:09 | |
-Now. -Wow! | 0:19:09 | 0:19:11 | |
-What do you see? -You look like a yucca plant. | 0:19:11 | 0:19:15 | |
Now, when I say, you and the viewers take your hand off again. | 0:19:15 | 0:19:19 | |
Now. | 0:19:19 | 0:19:20 | |
And now you look like a lady again. | 0:19:20 | 0:19:23 | |
-Beautiful lady... -Hand over eye. | 0:19:23 | 0:19:26 | |
Off. | 0:19:26 | 0:19:27 | |
On. Off. | 0:19:27 | 0:19:29 | |
It's the visual version of the Doppler effect | 0:19:29 | 0:19:32 | |
and it's called the Yuccler effect. | 0:19:32 | 0:19:34 | |
It's to do with the way the light falls on to the optic nerve. | 0:19:34 | 0:19:37 | |
It's astonishing. | 0:19:37 | 0:19:38 | |
Although, I have to say, there's nothing "Yucca-y" about you. | 0:19:38 | 0:19:43 | |
But our sight can also affect the way we perceive sound. | 0:19:43 | 0:19:46 | |
Watch this. | 0:19:46 | 0:19:47 | |
Listen to me say this sentence - | 0:19:47 | 0:19:50 | |
hello, and how are you today? | 0:19:50 | 0:19:53 | |
Now, watch what happens when I say exactly the same sentence | 0:19:53 | 0:19:56 | |
wearing a baseball cap and holding a mobile phone. | 0:19:56 | 0:19:59 | |
-MALE VOICE: -Don't you tell me to keep my voice down, you tosser! | 0:20:00 | 0:20:03 | |
In both cases, you're hearing exactly the same sentence, | 0:20:03 | 0:20:06 | |
but the visual input is fooling your brain into thinking that they sound quite different. | 0:20:06 | 0:20:10 | |
Hello, and how are you today? | 0:20:10 | 0:20:12 | |
-MALE VOICE: -Don't you tell me to keep my voice down, you tosser! | 0:20:13 | 0:20:16 | |
Well, it's amazing! You're amazing... | 0:20:17 | 0:20:22 | |
at explaining things. | 0:20:22 | 0:20:23 | |
Well, it just goes to show that seeing isn't always believing. | 0:20:25 | 0:20:29 | |
-Thank you, Wendy. -HE WHIMPERS | 0:20:29 | 0:20:32 | |
..Beethoven, Mozart, Bach, Brahms, all died... | 0:20:34 | 0:20:38 | |
They're all heroes of ours, aren't they? | 0:20:38 | 0:20:40 | |
-Really? -They're wonderful people. | 0:20:40 | 0:20:44 | |
Are they? | 0:20:44 | 0:20:45 | |
Oh, yes, they really turn us on. | 0:20:45 | 0:20:47 | |
But they're dead. | 0:20:47 | 0:20:49 | |
Well, suppose they turn other people on? | 0:20:49 | 0:20:52 | |
-That's just their tough shit. -It's what? | 0:20:52 | 0:20:55 | |
Nothing. Rude word. Next question. | 0:20:55 | 0:20:59 | |
No, no. What was the rude word? | 0:20:59 | 0:21:02 | |
Shit. | 0:21:02 | 0:21:04 | |
Was it really? Good heavens, you frightened me to death. | 0:21:04 | 0:21:08 | |
What about you girls behind? | 0:21:08 | 0:21:10 | |
He's like your dad, isn't he, this geezer? | 0:21:10 | 0:21:12 | |
-Your granddad. -Are you... | 0:21:12 | 0:21:14 | |
Are you worried or just enjoying yourself? | 0:21:14 | 0:21:16 | |
-Enjoying myself. -Are you? | 0:21:16 | 0:21:18 | |
-Yeah. -Oh, that's what I thought you were doing. | 0:21:18 | 0:21:21 | |
Yeah, I always wanted to meet you. | 0:21:21 | 0:21:22 | |
Did you really? We'll meet after, shall we? | 0:21:22 | 0:21:25 | |
You dirty sod. You dirty old man! | 0:21:27 | 0:21:30 | |
Well, keep going, chief, keep going. Go on. | 0:21:30 | 0:21:33 | |
You've got another five seconds, say something outrageous. | 0:21:33 | 0:21:35 | |
You dirty... You dirty bastard. | 0:21:35 | 0:21:37 | |
-Go on, again. -You dirty fucker. | 0:21:37 | 0:21:40 | |
What a clever... | 0:21:40 | 0:21:41 | |
What a fuckin' rotter. | 0:21:41 | 0:21:44 | |
Well, that's it for tonight. I'll be seeing you soon. | 0:21:44 | 0:21:47 | |
I hope I won't be seeing YOU again. From me though, good night. | 0:21:47 | 0:21:51 | |
OK, let's have a round-up of this week's new releases | 0:22:08 | 0:22:10 | |
with music critic and full English breakfast Chas Bough. | 0:22:10 | 0:22:13 | |
-You all right, Chas? -All right. | 0:22:13 | 0:22:14 | |
So, first up, the Nangawiches. | 0:22:14 | 0:22:17 | |
Now, they haven't had a single out for quite a while. | 0:22:17 | 0:22:19 | |
What do you think? | 0:22:19 | 0:22:21 | |
OK. Plan B and Robert Plant fighting over a beetle were having | 0:22:21 | 0:22:24 | |
a noctule of the sound of the Nangawiches. | 0:22:24 | 0:22:27 | |
Right. I don't really understand. But no, it's all right. | 0:22:27 | 0:22:32 | |
Onto the next track which is called Mingle by the new South London outfit Mingle. | 0:22:32 | 0:22:36 | |
OK. Try to imagine Nick Drake driving a bubble car with | 0:22:36 | 0:22:39 | |
The Clash in the back arguing over the directions with young | 0:22:39 | 0:22:41 | |
Tom Jones till they career right into a shed, | 0:22:41 | 0:22:43 | |
in which the Arctic Monkeys are beating up a nun. | 0:22:43 | 0:22:46 | |
Have you listened to these records, Chas? | 0:22:46 | 0:22:48 | |
OK. Try to imagine Dusty Springfield borrowing some teabags from her new neighbours, | 0:22:48 | 0:22:51 | |
Daft Punk have got Beck round to mend their combi-boiler | 0:22:51 | 0:22:54 | |
-and she was drunk on teenage fan clubs' home brew. -Yeah, none of this means anything. | 0:22:54 | 0:22:59 | |
OK, try to imagine the Shangri-La's, Jarvis Cocker... | 0:22:59 | 0:23:02 | |
Right, where's the dog? Ah, there's one. | 0:23:02 | 0:23:04 | |
Here, boy! Here, boy! | 0:23:04 | 0:23:08 | |
Good boy. | 0:23:16 | 0:23:17 | |
Hello? | 0:23:39 | 0:23:40 | |
This is Mr Alexander Graham Bell, | 0:23:40 | 0:23:44 | |
making the first ever telephonic communication. | 0:23:44 | 0:23:48 | |
Can you hear me, Mr Watson? | 0:23:49 | 0:23:52 | |
'I hear you clearly, Mr Bell.' | 0:23:53 | 0:23:55 | |
Good. | 0:23:56 | 0:23:58 | |
Then I must ask you, Mr Watson, | 0:23:58 | 0:24:01 | |
if you or any of your relatives have ever made an unsuccessful | 0:24:01 | 0:24:08 | |
insurance claim after an accident that was not your fault... | 0:24:08 | 0:24:13 | |
Hello? | 0:24:16 | 0:24:17 | |
'Hello? Hello?' | 0:24:17 | 0:24:21 | |
Right. Let's have a look at what's coming up next week. | 0:24:22 | 0:24:25 | |
Lonely dog makes a welcome return. | 0:24:29 | 0:24:31 | |
The cheese witch gets more than she bargained for | 0:24:33 | 0:24:36 | |
when she takes on the onion wizard. | 0:24:36 | 0:24:38 | |
And I'll be fighting evil. | 0:24:41 | 0:24:43 | |
Ah, so, time to say goodbye. | 0:24:47 | 0:24:49 | |
Ideally, the traditional showbiz way would be to sign off with | 0:24:49 | 0:24:53 | |
a jaunty catchphrase, but the trouble is... | 0:24:53 | 0:24:57 | |
-MUSIC STARTS -# I haven't got a catchphrase But if I had a catchphrase | 0:24:57 | 0:25:00 | |
# Then I think my catchphrase would be the following catchphrase | 0:25:00 | 0:25:03 | |
# I haven't got a catchphrase That would be my catchphrase | 0:25:03 | 0:25:07 | |
# But still it's nowhere near as cool | 0:25:07 | 0:25:09 | |
# As all the ones I knew at school | 0:25:09 | 0:25:10 | |
# And all the ones I've learnt since then are | 0:25:10 | 0:25:12 | |
# Oh, now, what were they again? There's simply, Aaay! | 0:25:12 | 0:25:14 | |
# That's from the Fonz and the famous one from The Two Rons | 0:25:14 | 0:25:17 | |
# Goodnight from me Goodnight from him | 0:25:17 | 0:25:18 | |
# There's I'll be back and Dammit, Jim! | 0:25:18 | 0:25:20 | |
# There's No, don't titter and Ah, go on | 0:25:20 | 0:25:21 | |
# Let's see what you would have won | 0:25:21 | 0:25:23 | |
# Oh, behave and there's I'm free, Yabba dabba do! | 0:25:23 | 0:25:26 | |
# But me? I haven't got a catchphrase | 0:25:26 | 0:25:28 | |
# But if I had a catchphrase | 0:25:28 | 0:25:29 | |
# Then I think my catchphrase would be the following catchphrase | 0:25:29 | 0:25:32 | |
# I haven't got a catchphrase | 0:25:32 | 0:25:34 | |
# That would be my catchphrase | 0:25:34 | 0:25:36 | |
# You're doomed, you're doomed and just like that | 0:25:46 | 0:25:48 | |
# I tawt I taw a puddy tat | 0:25:48 | 0:25:49 | |
# Silly moo and only me I pity the fool from Mr T | 0:25:49 | 0:25:52 | |
# Lovely jubbly, Cowabunga Hi-dee-hi and ay caramba | 0:25:52 | 0:25:55 | |
# And Ooh, matron from our Ken and also turned out nice again | 0:25:55 | 0:25:58 | |
# Mmm Betty What's up Doc? | 0:25:58 | 0:26:00 | |
# There's something camp from that bloke Gok | 0:26:00 | 0:26:02 | |
# I don't believe it That's a high | 0:26:02 | 0:26:04 | |
# It can't be beaten and that is why... | 0:26:04 | 0:26:08 | |
# He hasn't got a catchphrase But if he had a catchphrase | 0:26:08 | 0:26:11 | |
# Then he thinks his catchphrase | 0:26:11 | 0:26:12 | |
# Would be the following catchphrase | 0:26:12 | 0:26:14 | |
# I haven't got a catchphrase | 0:26:14 | 0:26:16 | |
# That would be his catchphrase. # | 0:26:16 | 0:26:17 | |
Subtitles by Red Bee Media Ltd | 0:26:52 | 0:26:55 |