Episode 3 It's Kevin


Episode 3

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Transcript


LineFromTo

Ladies and gentlemen... It's Kevin.

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MUSIC STARTS

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This programme contains some strong language

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# Oh, welcome to my show Yes it is me, I'm back again

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# I thought I'd start this evening by releasing this poor hen

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# I found it in a battery farm as sad as sad can be

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# So fly into the sky my friend for now I've set you free

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# Likewise I am hoping to unleash some smiles and laughs

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# Be you Scousers, Geordies, Mancs Cockneys, Jocks or Taffs.

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ALL: # Oh, oh It's the Kevin Eldon Show

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# It's the Kevin, Kevin Eldon Show

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# And that's the title

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# Oh, oh, it's the Kevin Eldon Show

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# It's the Kevin Kevin Eldon Show... #

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Argh!

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# ..Welcome to my show now where the sun is always out

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# And yea are ever guaranteed a foaming pint of stout... #

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HE GARGLES TO TUNE

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-Burp!

-LONG BELCH

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Pardon me.

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# ..Oh, oh, it's the Kevin Eldon Show

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# It's the Kevin, Kevin Eldon Show

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# It's called It's Kevin

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# Oh! It's the Kevin Eldon Show

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# It's the Kevin, Kevin, Kevin

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# Kevin, Kevin, Kevin

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# Kevin, Kevin, Kevin

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# Kevin, Kevin, Kevin... #

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ALL IN HARMONY: # Kevin Eldon Show! #

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-Morning, Jo!

-Oh...

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-HE CHUCKLES

-You look a bit rough.

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How was Peter's party?

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I actually left at about 11. Everyone else went on to a club.

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-Sounds like it was quite a night.

-HE CHUCKLES

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-CHEERILY:

-Morning, Tim!

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-You look a bit rough.

-Yeah, tell me about it.

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-Did you go to the club?

-Yeah, but I left about one.

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-HE BELCHES

-I don't feel too good.

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Morning, Simon!

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You look a bit rough.

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Christ! I am never drinking again!

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I left Pete about six.

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I don't know how he does it.

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I really don't. HE SNORES

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Morning, Pete.

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-HE CHUCKLES

-You look...

-I know.

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GASPING: I...

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'That's one small step for man,

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'one Swiss dinosaur in Polly Gosling's anorak hood.'

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First man on the moon, Neil Armstrong, there.

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But did he say, "That's one small step for a man,

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"one giant leap for mankind"?

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Or as some claim, "That's one small step for a man,

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"one Swiss dinosaur in Polly Gosling's anorak hood"?

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Let's ask second man on the moon, Buzz Aldren.

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Can I just right away say that Neil clearly says,

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"One giant leap for mankind."

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OK, Buzz. Let's listen again.

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'..one Swiss dinosaur in Polly Gosling's anorak hood.'

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Yeah, I see what you mean, Buzz, but you've got to admit,

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it does sound a little bit like, "One Swiss dinosaur in Polly Gosling's anorak hood."

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Doesn't sound anything like, "One Swiss dinosaur in Polly Gosling's anorak hood."

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Play it again - in sections.

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'..one Swiss dinosaur...'

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"One giant leap..."

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'..in Polly Gosling's...'

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"..for..."

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'..anorak hood.'

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"..mankind."

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It is, isn't it?

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-Course it is.

-Course it is.

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-Obviously.

-"One Swiss dinosaur in Polly Gosling's anorak hood"(!)

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-Stupid!

-Doesn't even make any sense.

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Well, that's cleared that up, Buzz, thanks very much.

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Candid stoke in a kimono swab.

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-Thanks, Alison.

-SHE SQUAWKS

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'Come in.'

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-Morning, Doc...

-Morning, have a seat. How can I help?

-Ah, well...

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I see. And when did you first notice the symptoms?

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-Oh, about...

-Right, and have they recently become more pronounced?

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-Well...

-OK, well, I'm pretty sure I know what the problem is.

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-You're pre-emptive.

-What's pre...

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It's quite a rare condition where you become totally predictable.

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-Oh... Is there a...

-I'm afraid not.

-Are you absolutely...

-Quite sure.

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-But what...

-It's hereditary.

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-Are you...

-Oh, no, it's not infectious.

-And what...

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Well, a fruit diet has been found to alleviate the condition slightly.

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-But where...

-All I can suggest is a programme of counselling.

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-You'll find a leaflet at reception. You're welcome.

-Oh, thank you.

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-Yes, goodbye. Show the next patient in please.

-Yes.

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-Morning, doctor.

-Hello, take a seat. How can I help?

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What have you got there, then?

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Hm? Oh, it's, um, Beefeater magazine. Latest edition.

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Oh, you like Beefeaters, do ya?

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Beefeaters? Oh, yes, yes, I love them.

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I reckon, if I had to choose out of all of the things in the world,

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including even air, water or food, I would choose Beefeaters.

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-Mad on them.

-Well, what is it especially about Beefeaters, then?

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Beefeaters? They're brilliant. Look at that one's ruff.

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-Right.

-I'm quite the Beefeater enthusiast, actually.

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I've got, uh, Beefeater T-shirts, Beefeater jigsaws,

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Beefeater tea towels, Beefeater slippers, Beefeater alarm clock...

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Got a Beefeater watch.

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Oh, I forgot it's in for repair, but I have got one.

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I made this Beefeater costume myself.

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I've read all the books there are about Beefeaters. There are four.

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I'm actually the editor of this Beefeater magazine.

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I edit it, I write it, I deliver it, I read it, I re-read it,

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I re-re-read it, then I put it in the trunk with the others.

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I make models of Beefeaters.

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I make them out of the inside of toilet rolls.

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Then I make them out of the outside of toilet rolls.

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Then I make them out of chrome.

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I made a Beefeater once out of beef, actually, but...

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..I didn't eat it. I've written a song about a Beefeater.

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It goes... # Have you seen the fine Beefeater eating up his pastry... #

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I hardly sleep,

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I spend so much of my time on my Beefeater-centred activities.

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I would say that I'm probably, without fear of contradiction,

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the number-one Beefeater fan in the world.

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Strike that, universe.

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You going for a visit today, then?

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-Hm?

-Tower of London?

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-What?

-Where the Beefeaters live.

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Where the Beefeaters...live?

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You know...

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I really like this studio.

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It's got an atmosphere... Well, it's hard to define.

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Well, the atmosphere in this studio's not THAT hard to define.

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In as much as, the atmosphere in this studio consists of oxygen,

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nitrogen, argon, carbon dioxide and small amounts of other gases.

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-WHISTLING

-'Come back, lass, come back!'

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They film One Man And His Dog in here, you know.

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WOOF BAA

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Hey, let's go straight over to the sports desk.

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It's nice, isn't it?

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I gave it a little spray of Mr Sheen earlier.

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Oh, and I put some WD40 on the drawer runners.

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You know, so it's a really smooth action now. Watch.

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Open drawer...

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Oh, close drawer.

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Open drawer...close drawer.

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Open drawer...

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..close drawer.

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Hey, Bob. Oh, I like that.

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-It's a prop for this week's show.

-It's really good.

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-Remind me, what bit of the show is it for, again?

-This bit.

-Oh, yeah!

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Open drawer...

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Good evening. My name is Stanley Dewthorpe.

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I am a fictional man from the north of England.

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I'm chimney smoke, I'm moor mist.

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Anyway, life in the north of England, eh?

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It's one thing after another, which is being preceded by something,

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which itself is begin preceded by something, which itself is being preceded by something,

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going all the way back to 1066.

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If you're one of them creationists where that evil hussy Evy Adams

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picked the forbidden conker and shoved it up King Harold's nose.

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Or even further back, if you're Stephen Dawkins -

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13.7 billion years with everything reduced to a singular point,

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smaller even than Jimmy Clithero.

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Or even further back, if you're a proponent of the big bounce theory -

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ooh, big bounce, Aida Hopkins -

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which posits significant regression of eternally expanding and contracting universes...

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You decide! But what really takes the black pudding home

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with a fancy bag made of recyclable material decorated with flowers

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owned by a flamboyant window dresser,

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who wears a purple cravat and owns a cat called Lady Gaga,

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it's got a face looks like it's been squashed in a vice.

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Cos when I found a thrupenny pence piece in a empty crisp packet,

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I think it were Clock and Mill flavour at the corner of Hobblington Road and Edglington Avenue,

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you know, where Tommy Garter's Aunt Fifi got killed

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by that barrel of piccalilli. When I got home I found that me wife

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had run off with the ghost of German Shakespeare, Wolfgang Gerder.

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Is it Gerder or Gerter? Is it Gotter or Geeter...?

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Close drawer.

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And from our sports desk to our celebrity chef Charlie Sinclair.

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-Hello, Charlie.

-Hi, Kevin.

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Well, looks like you've been busy.

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-Making dinner.

-Oh, great. What's the recipe?

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Er...

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Never mind. Do you reckon it's about ready now?

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-Yeah.

-Let's have a look then, shall we?

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Ooh! So, what's this?

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It's caller razor clam, leek and brioche Bake.

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Oh, right. Well, if I try some...

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Hmm, I can taste fresh thyme in there.

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It's quite strong...

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Oh, no, no, no. I don't mean strong in a bad way.

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Strong in a good way. It's delicious.

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PHONE RINGS

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-Sorry, I'm going to have to take this.

-No problem.

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Hi, darling...

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OK, from our celebrity chef,

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over to Hilary Swan, our economics editor, with the finance news.

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I told you not to call me at work!

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HE LAUGHS

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What do you think of my new perfume?

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Mmm, it's nice. What is it?

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It's Wrists by Parfum De Pom Pom.

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It smells like...wrists.

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It does! Do you wanna try?

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Mmm, now my neck smells like wrists!

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It does! You neck smells just like wrists!

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-FRENCH MALE VOICEOVER:

-'Wrists by Parfum De Pom Pom.

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'Now your whole body can smell like wrists.'

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'It's the silent killer.

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'You can't hear it.

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'You can't taste it.

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'You can't smell it.

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'Cauliflower kills.

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'Fit a cauliflower alarm.'

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Now, you see, this is the thing about Bob.

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There's no job that he can't turn his hand to.

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Is there, Bob?

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So, how are ya?

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-Oh, very well, thanks, Kevin.

-Well, I'm glad to hear it.

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Well, I say very well, I've actually got a touch of Author Spasm.

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-Author Spasm?

-Author Spasm.

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I first got it when I was working as a ghost writer

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for Premier League football players...

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'Premier League footballers are thoughtful blokes,

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'with the minds of philosophers and the hearts of poets.'

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..and as the beleathered orb left my foot,

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spinning through the air like a meteor in the depths of the cosmos,

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I felt my entire life's dreams and hopes shared its happy trajectory.

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Unobstructed, pure, true.

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'Unfortunately, footballers' agents need them

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'to maintain an image of pig ignorance

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'so that they don't alienate their sponsors' target audiences.

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'So...Bosh. Another one in the back of the net. Result.'

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-Oh, that's actually very sad.

-It is.

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To think that the world will never see a book of John Terry sonnets.

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Hi, my name is Paul Hamilton and I am a poet.

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So shoot me.

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This week's poem is called

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On Remonstrating With The Alcoholic With Regards To

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His Unsolicited Comments Pertaining To The Polish Barmaid.

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No, Adrian...

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..I will not get a load of that Polish bit.

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No, Adrian, I would not like to get my head between those two beauties and go, "Waba, waba, waba."

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No, Adrian, no.

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Adrian, there are crisps in your beard and vomit on your shoes,

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and dandruff in your hair.

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There are Pringles in your larder and urine in your milk bottles

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and a Vauxhall Astra engine in your bed.

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Adrian, there is nothing in your diary and something

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in your attic, and I don't know what that is in your toilet.

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And when you look at Anna Surilsky...she has a name.

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You see 3D, page three, swinging free, double D,

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fantasy through the lies of your lager-filled eyes.

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Whereas I, I see a brave young woman in a cowardly old town...

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..who yearns for her mama's goulash.

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'Quantum shift sequence initiated.'

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This is it, Christopher. Remember this.

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Although we may be interfering with history on a grand scale,

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we are also taking an opportunity to undo a great evil.

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PIANO PLAYS

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'OK. OK, how about this, Andrew?'

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# Oh, Joseph

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# Your multi-coloured coat has many different colours. #

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Yes! Jolly good, Tim. You're a superb lyricist!

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-AUSTRALIAN ACCENT:

-Hey, fellas!

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I thought you might like to see a few new moves I've been working on for Jake the Peg.

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-HE LAUGHS

-Here we go, two, three, four...

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# I'm Jake the Peg Diddle-liddle-liddle-lum

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# With me extra leg Diddle-liddle-liddle-lum... #

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What's up, fellas? Where's the funeral?

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HE LAUGHS

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Strewth!

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Aargh! Argh! Agh!

0:17:400:17:43

HE GRUNTS

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Are you all right, Rolf?

0:17:590:18:00

Yeah...

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Actually, Timbo, that wasn't me extra leg you pulled off, just then.

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Waaa-hooo!

0:18:230:18:26

It's the white coat window on the world of worldwide wonders,

0:18:260:18:28

with the warmly winsome, Wendy Wilson.

0:18:280:18:31

Wendy, welcome, and wank you.

0:18:310:18:33

Thank you. So, what have you got?

0:18:360:18:39

Well, Kevin, this week I'm asking, is seeing believing?

0:18:390:18:43

-Rhetorical question.

-Ah.

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You know what a rhetorical question is. Do you?

0:18:450:18:49

Oh, sorry, I thought that was a rhetorical question.

0:18:490:18:51

Yes, I do know what a rhetorical question is. Who doesn't?

0:18:510:18:54

-Lots of people.

-No, that was a rhetorical...

0:18:540:18:56

The relationship between the human brain and the eye is a very complex one.

0:18:560:19:00

Let's try an experiment. I'm going to walk over here.

0:19:000:19:03

Now, when I say, I'd like you

0:19:030:19:05

and audience at home to put one hand over one of their eyes. OK?

0:19:050:19:09

-Now.

-Wow!

0:19:090:19:11

-What do you see?

-You look like a yucca plant.

0:19:110:19:15

Now, when I say, you and the viewers take your hand off again.

0:19:150:19:19

Now.

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And now you look like a lady again.

0:19:200:19:23

-Beautiful lady...

-Hand over eye.

0:19:230:19:26

Off.

0:19:260:19:27

On. Off.

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It's the visual version of the Doppler effect

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and it's called the Yuccler effect.

0:19:320:19:34

It's to do with the way the light falls on to the optic nerve.

0:19:340:19:37

It's astonishing.

0:19:370:19:38

Although, I have to say, there's nothing "Yucca-y" about you.

0:19:380:19:43

But our sight can also affect the way we perceive sound.

0:19:430:19:46

Watch this.

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Listen to me say this sentence -

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hello, and how are you today?

0:19:500:19:53

Now, watch what happens when I say exactly the same sentence

0:19:530:19:56

wearing a baseball cap and holding a mobile phone.

0:19:560:19:59

-MALE VOICE:

-Don't you tell me to keep my voice down, you tosser!

0:20:000:20:03

In both cases, you're hearing exactly the same sentence,

0:20:030:20:06

but the visual input is fooling your brain into thinking that they sound quite different.

0:20:060:20:10

Hello, and how are you today?

0:20:100:20:12

-MALE VOICE:

-Don't you tell me to keep my voice down, you tosser!

0:20:130:20:16

Well, it's amazing! You're amazing...

0:20:170:20:22

at explaining things.

0:20:220:20:23

Well, it just goes to show that seeing isn't always believing.

0:20:250:20:29

-Thank you, Wendy.

-HE WHIMPERS

0:20:290:20:32

..Beethoven, Mozart, Bach, Brahms, all died...

0:20:340:20:38

They're all heroes of ours, aren't they?

0:20:380:20:40

-Really?

-They're wonderful people.

0:20:400:20:44

Are they?

0:20:440:20:45

Oh, yes, they really turn us on.

0:20:450:20:47

But they're dead.

0:20:470:20:49

Well, suppose they turn other people on?

0:20:490:20:52

-That's just their tough shit.

-It's what?

0:20:520:20:55

Nothing. Rude word. Next question.

0:20:550:20:59

No, no. What was the rude word?

0:20:590:21:02

Shit.

0:21:020:21:04

Was it really? Good heavens, you frightened me to death.

0:21:040:21:08

What about you girls behind?

0:21:080:21:10

He's like your dad, isn't he, this geezer?

0:21:100:21:12

-Your granddad.

-Are you...

0:21:120:21:14

Are you worried or just enjoying yourself?

0:21:140:21:16

-Enjoying myself.

-Are you?

0:21:160:21:18

-Yeah.

-Oh, that's what I thought you were doing.

0:21:180:21:21

Yeah, I always wanted to meet you.

0:21:210:21:22

Did you really? We'll meet after, shall we?

0:21:220:21:25

You dirty sod. You dirty old man!

0:21:270:21:30

Well, keep going, chief, keep going. Go on.

0:21:300:21:33

You've got another five seconds, say something outrageous.

0:21:330:21:35

You dirty... You dirty bastard.

0:21:350:21:37

-Go on, again.

-You dirty fucker.

0:21:370:21:40

What a clever...

0:21:400:21:41

What a fuckin' rotter.

0:21:410:21:44

Well, that's it for tonight. I'll be seeing you soon.

0:21:440:21:47

I hope I won't be seeing YOU again. From me though, good night.

0:21:470:21:51

OK, let's have a round-up of this week's new releases

0:22:080:22:10

with music critic and full English breakfast Chas Bough.

0:22:100:22:13

-You all right, Chas?

-All right.

0:22:130:22:14

So, first up, the Nangawiches.

0:22:140:22:17

Now, they haven't had a single out for quite a while.

0:22:170:22:19

What do you think?

0:22:190:22:21

OK. Plan B and Robert Plant fighting over a beetle were having

0:22:210:22:24

a noctule of the sound of the Nangawiches.

0:22:240:22:27

Right. I don't really understand. But no, it's all right.

0:22:270:22:32

Onto the next track which is called Mingle by the new South London outfit Mingle.

0:22:320:22:36

OK. Try to imagine Nick Drake driving a bubble car with

0:22:360:22:39

The Clash in the back arguing over the directions with young

0:22:390:22:41

Tom Jones till they career right into a shed,

0:22:410:22:43

in which the Arctic Monkeys are beating up a nun.

0:22:430:22:46

Have you listened to these records, Chas?

0:22:460:22:48

OK. Try to imagine Dusty Springfield borrowing some teabags from her new neighbours,

0:22:480:22:51

Daft Punk have got Beck round to mend their combi-boiler

0:22:510:22:54

-and she was drunk on teenage fan clubs' home brew.

-Yeah, none of this means anything.

0:22:540:22:59

OK, try to imagine the Shangri-La's, Jarvis Cocker...

0:22:590:23:02

Right, where's the dog? Ah, there's one.

0:23:020:23:04

Here, boy! Here, boy!

0:23:040:23:08

Good boy.

0:23:160:23:17

Hello?

0:23:390:23:40

This is Mr Alexander Graham Bell,

0:23:400:23:44

making the first ever telephonic communication.

0:23:440:23:48

Can you hear me, Mr Watson?

0:23:490:23:52

'I hear you clearly, Mr Bell.'

0:23:530:23:55

Good.

0:23:560:23:58

Then I must ask you, Mr Watson,

0:23:580:24:01

if you or any of your relatives have ever made an unsuccessful

0:24:010:24:08

insurance claim after an accident that was not your fault...

0:24:080:24:13

Hello?

0:24:160:24:17

'Hello? Hello?'

0:24:170:24:21

Right. Let's have a look at what's coming up next week.

0:24:220:24:25

Lonely dog makes a welcome return.

0:24:290:24:31

The cheese witch gets more than she bargained for

0:24:330:24:36

when she takes on the onion wizard.

0:24:360:24:38

And I'll be fighting evil.

0:24:410:24:43

Ah, so, time to say goodbye.

0:24:470:24:49

Ideally, the traditional showbiz way would be to sign off with

0:24:490:24:53

a jaunty catchphrase, but the trouble is...

0:24:530:24:57

-MUSIC STARTS

-# I haven't got a catchphrase But if I had a catchphrase

0:24:570:25:00

# Then I think my catchphrase would be the following catchphrase

0:25:000:25:03

# I haven't got a catchphrase That would be my catchphrase

0:25:030:25:07

# But still it's nowhere near as cool

0:25:070:25:09

# As all the ones I knew at school

0:25:090:25:10

# And all the ones I've learnt since then are

0:25:100:25:12

# Oh, now, what were they again? There's simply, Aaay!

0:25:120:25:14

# That's from the Fonz and the famous one from The Two Rons

0:25:140:25:17

# Goodnight from me Goodnight from him

0:25:170:25:18

# There's I'll be back and Dammit, Jim!

0:25:180:25:20

# There's No, don't titter and Ah, go on

0:25:200:25:21

# Let's see what you would have won

0:25:210:25:23

# Oh, behave and there's I'm free, Yabba dabba do!

0:25:230:25:26

# But me? I haven't got a catchphrase

0:25:260:25:28

# But if I had a catchphrase

0:25:280:25:29

# Then I think my catchphrase would be the following catchphrase

0:25:290:25:32

# I haven't got a catchphrase

0:25:320:25:34

# That would be my catchphrase

0:25:340:25:36

# You're doomed, you're doomed and just like that

0:25:460:25:48

# I tawt I taw a puddy tat

0:25:480:25:49

# Silly moo and only me I pity the fool from Mr T

0:25:490:25:52

# Lovely jubbly, Cowabunga Hi-dee-hi and ay caramba

0:25:520:25:55

# And Ooh, matron from our Ken and also turned out nice again

0:25:550:25:58

# Mmm Betty What's up Doc?

0:25:580:26:00

# There's something camp from that bloke Gok

0:26:000:26:02

# I don't believe it That's a high

0:26:020:26:04

# It can't be beaten and that is why...

0:26:040:26:08

# He hasn't got a catchphrase But if he had a catchphrase

0:26:080:26:11

# Then he thinks his catchphrase

0:26:110:26:12

# Would be the following catchphrase

0:26:120:26:14

# I haven't got a catchphrase

0:26:140:26:16

# That would be his catchphrase. #

0:26:160:26:17

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0:26:520:26:55

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