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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
APPLAUSE AND CHEERING | 0:00:19 | 0:00:22 | |
Thank you, thank you. Good evening and welcome to John Bishop's Britain. | 0:00:35 | 0:00:39 | |
CHEERING | 0:00:39 | 0:00:41 | |
The BBC were supposed to be screening six programmes | 0:00:41 | 0:00:44 | |
entitled "Fabio's Glorious World Cup Victory"... | 0:00:44 | 0:00:47 | |
They phoned me up and said, "Look, we've got a bit of a gap, do you think you can fill it?" | 0:00:47 | 0:00:52 | |
I wasn't going to turn down an opportunity like that. | 0:00:52 | 0:00:55 | |
Obviously, it was short notice. | 0:00:55 | 0:00:57 | |
Michael McIntyre would probably have had six months! | 0:00:57 | 0:01:00 | |
The BBC do tend to treat Scouse comedians in the same way | 0:01:01 | 0:01:06 | |
we all treat Polish builders. | 0:01:06 | 0:01:08 | |
They don't give us enough time, they don't give us enough money | 0:01:08 | 0:01:12 | |
and they're banking on the fact that if I can't deliver it, I'll get my brothers in to help at the end! | 0:01:12 | 0:01:17 | |
So this is how the show works. | 0:01:17 | 0:01:19 | |
Each week, I'll talk about a different topic that affects everybody in Britain. | 0:01:19 | 0:01:24 | |
Tonight, that topic's love and marriage. | 0:01:24 | 0:01:27 | |
To help me get to grips with the topic, I've interviewed | 0:01:27 | 0:01:29 | |
hundreds of British people about it. | 0:01:29 | 0:01:32 | |
Some of them you might recognise, some you may not. | 0:01:32 | 0:01:35 | |
Looking at them, you can see why nobody's bothered invading us for 1,000 years! | 0:01:35 | 0:01:39 | |
They've all shared their opinions with us and here's a taster of what's coming up tonight. | 0:01:40 | 0:01:46 | |
It's chicken, it's cheap and it's fun. | 0:01:46 | 0:01:48 | |
Naked, in my heels. | 0:01:48 | 0:01:50 | |
-Perfect. -I was 28 and he was 65. | 0:01:50 | 0:01:53 | |
Let's get arrested! | 0:01:53 | 0:01:54 | |
Give it some of this, some of that. | 0:01:54 | 0:01:55 | |
-Pooh splattered up my legs. -She stunk. | 0:01:55 | 0:01:58 | |
Had a nice - and slightly naughty - evening! | 0:01:58 | 0:02:00 | |
There's nothing wrong with darts at all! | 0:02:00 | 0:02:02 | |
LAUGHTER | 0:02:02 | 0:02:04 | |
We'll be hearing more of what they think throughout the show, | 0:02:05 | 0:02:09 | |
plus there'll be the odd sketch to help explain what I'm on about. | 0:02:09 | 0:02:13 | |
This week, I've chosen the biggie - it's love and marriage. | 0:02:13 | 0:02:17 | |
And there's a reason for that. There's a reason I chose this | 0:02:17 | 0:02:21 | |
as the first topic. It's because if it wasn't for love and marriage, | 0:02:21 | 0:02:24 | |
I wouldn't be here, I would not be doing this job. The reason was, | 0:02:24 | 0:02:29 | |
I fell in love with someone, we got married, | 0:02:29 | 0:02:33 | |
we reached that point, when you've been married for seven or eight years, | 0:02:33 | 0:02:37 | |
where you both wake up one morning, look at each other and think, | 0:02:37 | 0:02:41 | |
"Would it be better if you just fuck off and live somewhere else?" | 0:02:41 | 0:02:44 | |
I was depressed... | 0:02:50 | 0:02:51 | |
By the afternoon on Monday, I'd be drunk, watching daytime telly. | 0:02:54 | 0:02:59 | |
Sad, looking at Richard and Judy, thinking, "Why can't I be that happy?" | 0:02:59 | 0:03:05 | |
LOUD LAUGHTER | 0:03:05 | 0:03:07 | |
Maybe I should have married my auntie. | 0:03:07 | 0:03:10 | |
I thought, "I can't go on like this. I need to do something about it." | 0:03:12 | 0:03:17 | |
You've got your mates to talk to and your mates are just blokes. | 0:03:17 | 0:03:20 | |
If you say, "I'm really depressed, I'm upset," | 0:03:20 | 0:03:22 | |
they'll look at you and go... | 0:03:22 | 0:03:24 | |
.."Do you want a game of darts?" | 0:03:25 | 0:03:27 | |
I thought, "I can't go on like this. I need to do something about it." | 0:03:28 | 0:03:33 | |
I was living in Manchester at the time | 0:03:36 | 0:03:38 | |
so I went to a comedy club. | 0:03:38 | 0:03:40 | |
The guy on the door said, "It's an open mike night which means if you put your name down, | 0:03:40 | 0:03:44 | |
"you get in for free. If you don't, it's £4 to get in." | 0:03:44 | 0:03:48 | |
I was getting divorced so I thought, "That's four quid she's not having!" | 0:03:48 | 0:03:52 | |
I put my name down, expecting there to be 300 people in the venue. | 0:03:54 | 0:03:58 | |
I walked in, there was seven people in there. | 0:03:58 | 0:04:01 | |
Seven. Five had put their name down. | 0:04:01 | 0:04:04 | |
Of those five, three of them were not allowed to touch the cutlery. | 0:04:04 | 0:04:07 | |
There was a guy on the stage doing chicken impressions | 0:04:09 | 0:04:14 | |
and I was thinking, "Surely this isn't the night?" | 0:04:14 | 0:04:17 | |
My name got called out second, I walked on the stage. | 0:04:17 | 0:04:22 | |
I was meant to do seven minutes. In the end, I did 35. | 0:04:22 | 0:04:26 | |
Not all of it is funny, I've got to be honest, | 0:04:29 | 0:04:31 | |
because I just started talking about getting divorced. | 0:04:31 | 0:04:34 | |
It wasn't meant to be funny, I was just getting it off my chest. | 0:04:34 | 0:04:38 | |
But any man in this room or at home, who's been married for eight years, | 0:04:38 | 0:04:42 | |
and someone gives you an opportunity to talk for 35 minutes, | 0:04:42 | 0:04:46 | |
without interruption, you take it! | 0:04:46 | 0:04:48 | |
I come off at the end, the guy running the venue said, | 0:04:51 | 0:04:54 | |
"Well, that was interesting," he said. | 0:04:54 | 0:04:56 | |
"The bits where you were crying weren't that funny..." | 0:04:56 | 0:05:00 | |
He said, "But you're better than the chicken, | 0:05:00 | 0:05:02 | |
"so why don't you come back next week?" | 0:05:02 | 0:05:06 | |
I was on the stage one night and I was doing a gig. | 0:05:06 | 0:05:09 | |
I used to have this joke. | 0:05:09 | 0:05:10 | |
I used to say, "Ladies and gentlemen, I'm a bit sad tonight. | 0:05:10 | 0:05:14 | |
"I've just split up with my wife." | 0:05:14 | 0:05:15 | |
AUDIENCE: Aaaw! | 0:05:15 | 0:05:17 | |
"It's all right, it's not that sad. | 0:05:17 | 0:05:20 | |
"We're not divorced or anything, I've just killed her." | 0:05:20 | 0:05:23 | |
But I knew I was going to miss her | 0:05:25 | 0:05:27 | |
so I kept her head in the fridge for three months, | 0:05:27 | 0:05:31 | |
which at times proved quite handy. Er... | 0:05:31 | 0:05:34 | |
I know! | 0:05:34 | 0:05:35 | |
I KNOW! | 0:05:36 | 0:05:37 | |
I know, I think I've got better as well | 0:05:37 | 0:05:40 | |
but I used to do that joke and I was on the stage one night, | 0:05:40 | 0:05:45 | |
I said that joke, I turned to the left and in the semi-darkness, | 0:05:45 | 0:05:49 | |
I saw the head that was meant to be in the fridge. | 0:05:49 | 0:05:53 | |
Not just the head, obviously, the whole body. | 0:05:54 | 0:05:57 | |
We were weeks away from being divorced, | 0:05:57 | 0:05:59 | |
so as soon as I saw her, the first thing that went through my mind is, "That's going to cost me 20 grand!" | 0:05:59 | 0:06:04 | |
But it wasn't like that, something wonderful happened. | 0:06:06 | 0:06:09 | |
I walked over to her at the bar later, she was stood at the bar. | 0:06:09 | 0:06:13 | |
She said, "That was wonderful." I said, "What do you mean?" | 0:06:13 | 0:06:17 | |
She said, "It was great to see you again, you were like the man I met 12 years ago. | 0:06:17 | 0:06:20 | |
"You've got that glint in your eye and a spring in your step | 0:06:20 | 0:06:24 | |
"and that look on your face that's full of cheekiness and happiness." | 0:06:24 | 0:06:28 | |
She said, "What happened to you?" | 0:06:28 | 0:06:29 | |
I said, "I married you!" | 0:06:29 | 0:06:31 | |
Then she said what only a woman would say. | 0:06:33 | 0:06:36 | |
She said, "Do you think we can do something about it?" I said, "What do you mean?" | 0:06:36 | 0:06:39 | |
She said, "Do something, like go and talk to someone?" | 0:06:39 | 0:06:42 | |
I mean, not anyone. You don't get on a bus and say, | 0:06:42 | 0:06:44 | |
"Look, mate, I know you're busy with that kebab but we've been having a few problems..." | 0:06:44 | 0:06:49 | |
But we did get back together, and so I've always been thankful | 0:06:49 | 0:06:53 | |
that comedy exists cos it saved me from a very dark place | 0:06:53 | 0:06:57 | |
and it give me the happiness that I've always sought. | 0:06:57 | 0:07:00 | |
To kick off the show, we have to start at the very beginning - | 0:07:00 | 0:07:05 | |
finding love. | 0:07:05 | 0:07:06 | |
Well, I met my wonderful wife, Nikki, when she was a friend | 0:07:08 | 0:07:13 | |
of my daughter Deborah's, and Deborah suggested you come round to see me, | 0:07:13 | 0:07:18 | |
-didn't she? -Yeah. -Talk to me, and that. -That's it, yep. | 0:07:18 | 0:07:22 | |
I was 28 and he was 65. | 0:07:22 | 0:07:23 | |
I'd been blown out by the girl of my dreams. | 0:07:23 | 0:07:26 | |
I was desperate to take a girl to this disco, | 0:07:26 | 0:07:29 | |
taking place just off the Battersea Park Road. | 0:07:29 | 0:07:32 | |
The only other woman I knew in the world was my boss' new secretary, | 0:07:32 | 0:07:36 | |
absolutely dreadful woman. | 0:07:36 | 0:07:38 | |
I'm not looking for a girlfriend because... | 0:07:38 | 0:07:41 | |
just the drama, the stress, the credit! | 0:07:41 | 0:07:43 | |
I haven't got enough credit, I've got, like, 30 texts and 300 minutes! | 0:07:43 | 0:07:49 | |
At the end of the evening, when they were playing the equivalent of Lady In Red, probably the last waltz, | 0:07:49 | 0:07:54 | |
I said, "Do you want to go out again then?" | 0:07:54 | 0:07:57 | |
She said, "If we have to." | 0:07:57 | 0:07:58 | |
And 40 years on, she's still my wife! | 0:07:58 | 0:08:01 | |
We met at a Christmas party. | 0:08:01 | 0:08:06 | |
I first met my wife in a London nightclub. | 0:08:06 | 0:08:09 | |
Had a very nice - and slightly naughty - evening. It was very good! | 0:08:09 | 0:08:13 | |
I'd never been attracted to an Indian lady in my life | 0:08:13 | 0:08:17 | |
but this was love at first sight. That was it. | 0:08:17 | 0:08:19 | |
On the dance floor, Ginger Rogers, Fred Astaire, give it some of this. | 0:08:19 | 0:08:23 | |
I give her the chat-up line, I can't remember what it was but at the end of the night, | 0:08:23 | 0:08:27 | |
I give her a fag packet with "Please phone Dave, xxx". | 0:08:27 | 0:08:29 | |
And to this day, she still has that fag packet... | 0:08:29 | 0:08:33 | |
along with everything else I've given her! She keeps it all, | 0:08:33 | 0:08:36 | |
you've got to love her. | 0:08:36 | 0:08:38 | |
To me, that just shows you how Britain has changed. | 0:08:41 | 0:08:45 | |
I can't remember, when I was teenager, thinking, | 0:08:45 | 0:08:48 | |
"I'd better not have a girlfriend, I haven't got enough credit." | 0:08:48 | 0:08:53 | |
There was a point, I think, where finances did come into it. | 0:08:53 | 0:08:57 | |
There was often the occasion where you looked and thought, | 0:08:57 | 0:09:00 | |
"Have I got enough cider in this bottle | 0:09:00 | 0:09:03 | |
"to get her pissed enough to get her tits out?" There was that. | 0:09:03 | 0:09:07 | |
But there wasn't that issue of credit. | 0:09:07 | 0:09:10 | |
But also, something that was said there by Dave, the cage fighter, | 0:09:10 | 0:09:14 | |
which people in this room under 25 will have no idea what he was on about - | 0:09:14 | 0:09:19 | |
giving your phone number to someone at the end of the night. | 0:09:19 | 0:09:22 | |
In fact, looking round this room, I can see ten-to-two couples. | 0:09:22 | 0:09:28 | |
There was a time, ten to two, ten to two, that was the point | 0:09:28 | 0:09:34 | |
all the men would be there like lions looking for an antelope with a limp. We're like... | 0:09:34 | 0:09:40 | |
If you left it until ten to two, what you got is what you deserved. | 0:09:41 | 0:09:46 | |
And that's the way it used to work. | 0:09:48 | 0:09:49 | |
There used to be music on all night and then they'd come to a point, | 0:09:49 | 0:09:53 | |
it'd be ten to two and the DJ said, "It's ten to two, let's put a slowie on." Then you'd grab a girl. | 0:09:53 | 0:09:58 | |
That was where you'd been looking at a girl all night | 0:09:58 | 0:10:02 | |
and this was your opportunity to rub your erection against her. | 0:10:02 | 0:10:05 | |
That's what we did. That was our form of text messaging, that was it. | 0:10:05 | 0:10:11 | |
But we also had the gamble because now, what you've got, | 0:10:13 | 0:10:16 | |
you've got mobile phones. | 0:10:16 | 0:10:18 | |
You've got the ability to give a number straight away, to swap. | 0:10:18 | 0:10:22 | |
We didn't have that. We used to write it and give it to them | 0:10:22 | 0:10:26 | |
and hope that they would phone up. | 0:10:26 | 0:10:29 | |
It's amazing that we even bred! | 0:10:29 | 0:10:33 | |
Because you would give the number to someone who was drunk | 0:10:33 | 0:10:37 | |
and hope they'd remember who you were, and then phone up, and then, | 0:10:37 | 0:10:40 | |
when they phoned up, there was no answer machine, | 0:10:40 | 0:10:43 | |
there was your mum! | 0:10:43 | 0:10:45 | |
And if your mum didn't like the sound of her voice, | 0:10:47 | 0:10:51 | |
you never even knew she phoned! | 0:10:51 | 0:10:53 | |
The problem with me, as I said before, | 0:10:55 | 0:10:57 | |
is I met a girl from another world, I met a girl from Manchester, | 0:10:57 | 0:11:02 | |
and so I emigrated. | 0:11:02 | 0:11:04 | |
And that's what happens. Men emigrate, we emigrate. | 0:11:05 | 0:11:09 | |
Women don't emigrate because you've got the prize, we haven't. | 0:11:09 | 0:11:13 | |
If you're a man and you fall in love with a girl, you see her and go, | 0:11:13 | 0:11:17 | |
"I love you." | 0:11:18 | 0:11:20 | |
And she goes, "I know." | 0:11:20 | 0:11:24 | |
"I love you." | 0:11:26 | 0:11:28 | |
And you go, "But I don't like where you live." | 0:11:28 | 0:11:33 | |
"I don't give a shit. | 0:11:35 | 0:11:36 | |
"These live where I live." | 0:11:38 | 0:11:41 | |
"I like them." | 0:11:43 | 0:11:44 | |
"Well, you'll have to live here then, won't you?" | 0:11:46 | 0:11:49 | |
Then you move there and never bleedin' see them again! | 0:11:49 | 0:11:53 | |
But to find love, the most important thing you've got to do | 0:11:53 | 0:11:57 | |
is you've got to impress the opposite sex... | 0:11:57 | 0:12:00 | |
Sadly, being an only child and a trainspotter, | 0:12:02 | 0:12:06 | |
you haven't got too much idea of what to say to a girl | 0:12:06 | 0:12:09 | |
when you wanted to take her out. | 0:12:09 | 0:12:11 | |
I would stand very nervously, shuffling from foot to foot, | 0:12:11 | 0:12:14 | |
with clammy hands and a cold sore in waiting. | 0:12:14 | 0:12:18 | |
I used to have a thing about walking across tables with lots of glasses, | 0:12:18 | 0:12:22 | |
naked, in my heels. | 0:12:22 | 0:12:24 | |
And my diamonds. | 0:12:24 | 0:12:25 | |
I actually still do it. | 0:12:25 | 0:12:28 | |
When I was 16, I had more confidence than anyone I knew, I was a proper little stud. | 0:12:28 | 0:12:32 | |
Women wanted me, men wanted to be me. I had lots of hair. | 0:12:32 | 0:12:37 | |
And then I started going bald and I was a slaphead. | 0:12:37 | 0:12:41 | |
A lot of people aren't too attracted to the fact that | 0:12:41 | 0:12:44 | |
I'm dealing with a lot of blood and guts every day, | 0:12:44 | 0:12:47 | |
I cut a lot of meat up. | 0:12:47 | 0:12:48 | |
I pull heads off dead chicks. | 0:12:48 | 0:12:51 | |
I've decided to go for the Bruce Willis look now, the mean man. | 0:12:51 | 0:12:54 | |
But I look more like Danny DeVito than Bruce Willis! | 0:12:54 | 0:12:59 | |
I'm usually covered in sweat and pooh | 0:12:59 | 0:13:02 | |
and that's not very attractive to most men. | 0:13:02 | 0:13:06 | |
Now, I know there's people in here tonight from St Helens, | 0:13:09 | 0:13:13 | |
who are thinking, "Sweat and pooh, what's wrong with that?" | 0:13:13 | 0:13:17 | |
But it is difficult because the politics have changed of how you impress the opposite sex. | 0:13:18 | 0:13:23 | |
I went to a mate's house recently, I went to make a cup of tea. | 0:13:23 | 0:13:27 | |
I opened the cupboard. In his cupboard, he had the full range | 0:13:27 | 0:13:31 | |
of tea lights. Now, let's be honest, tea lights. | 0:13:31 | 0:13:35 | |
We didn't even know what tea lights were before IKEA came. | 0:13:35 | 0:13:39 | |
None of us had tea lights. | 0:13:39 | 0:13:41 | |
I was a product of the three-day week when we had proper blackouts, | 0:13:41 | 0:13:45 | |
when a candle was a candle, not a little dwarf candle in its own tray. | 0:13:45 | 0:13:49 | |
A proper candle. That's when you needed a candle. | 0:13:49 | 0:13:52 | |
I don't remember my mum, during the blackouts, saying to my dad, | 0:13:52 | 0:13:56 | |
"Listen, Ernie, can you find any tea lights?" | 0:13:56 | 0:13:58 | |
And my dad saying, "Yeah, love, they're over there by the potpourri." | 0:13:58 | 0:14:02 | |
But now, I said to him, "Why have you got all these tea lights?" | 0:14:05 | 0:14:08 | |
He said, "You need them. If you bring a chick back to your flat | 0:14:08 | 0:14:12 | |
"and you're a single man and you put tea lights everywhere, | 0:14:12 | 0:14:16 | |
"she thinks, 'Oh, he's sensitive! I might have sex with him!'" | 0:14:16 | 0:14:21 | |
Not surprisingly, he's still single. | 0:14:21 | 0:14:24 | |
But things do change. There's one thing that always happens, | 0:14:25 | 0:14:28 | |
particularly when you've been married for a while or lived with a woman for a while. | 0:14:28 | 0:14:33 | |
And that's when you get the opportunity to go away, on a stag do | 0:14:33 | 0:14:36 | |
or a mates weekend, you always get that look. | 0:14:36 | 0:14:39 | |
That look that says, "Oh, you're off, are you? | 0:14:39 | 0:14:42 | |
"You're off with your mates, are you? | 0:14:42 | 0:14:44 | |
"Off on a weekend with your mates, are you? | 0:14:44 | 0:14:46 | |
"Going to be having a drink, are you, eh? Eh? | 0:14:46 | 0:14:49 | |
"Going to be getting pissed up with your mates? | 0:14:49 | 0:14:51 | |
"Going to be at the bar, having a drink? | 0:14:51 | 0:14:53 | |
"Going clubbing? Going clubbing, are you? Will you be dancing, eh? | 0:14:53 | 0:14:57 | |
"Chatting up women? Going to be chatting up women? Hmm..." | 0:14:57 | 0:15:02 | |
I'm going to let every woman in the country know that that's not going to happen. | 0:15:03 | 0:15:08 | |
When a man has lived with a woman for more than five years, | 0:15:08 | 0:15:12 | |
don't worry about him, let him go. | 0:15:12 | 0:15:14 | |
He's not going to chat anyone up. | 0:15:14 | 0:15:16 | |
Cos when you've lived with a woman for more than five years, | 0:15:16 | 0:15:20 | |
you don't know how. | 0:15:20 | 0:15:22 | |
Cos somehow, during those five years, you suck the chat-up lines out of our heads. | 0:15:26 | 0:15:31 | |
It's true. When you've lived with a woman for more than five years, | 0:15:31 | 0:15:35 | |
you only know how to ask for sex one way. | 0:15:35 | 0:15:37 | |
You can't walk up to someone you don't know in the bar | 0:15:37 | 0:15:41 | |
and just press into her back. | 0:15:41 | 0:15:43 | |
CHEERING | 0:15:47 | 0:15:49 | |
And just hope she turns round and says, "Oh, go on then. | 0:15:55 | 0:16:00 | |
"You do the kids in the morning." | 0:16:00 | 0:16:03 | |
Part of the reason you stay married is so that you don't have to try and impress the opposite sex | 0:16:04 | 0:16:10 | |
and to avoid the hell of dating. | 0:16:10 | 0:16:13 | |
On a first date, I like to take girls to KFC. | 0:16:16 | 0:16:19 | |
You get chicken and it's cheap and it's fun. | 0:16:19 | 0:16:23 | |
A mate of mine set me up on a blind date. | 0:16:23 | 0:16:25 | |
He said, "I've got this really fit girl for you." | 0:16:25 | 0:16:27 | |
He was going out with the mate. | 0:16:27 | 0:16:29 | |
I said, "Fine, I'll go along with that." Anyway, she stunk, she was really sweaty. | 0:16:29 | 0:16:34 | |
I didn't want to give off any snogging vibes | 0:16:34 | 0:16:37 | |
so I just stood my distance. | 0:16:37 | 0:16:39 | |
The benches outside Asda, McDonald's, the park, | 0:16:39 | 0:16:43 | |
you get me? Them kind of low-price friendly places. | 0:16:43 | 0:16:46 | |
I don't think I've ever been on a date. | 0:16:46 | 0:16:48 | |
All the blokes I've ever been out with, | 0:16:48 | 0:16:51 | |
I've just kind of picked up in the pub. | 0:16:51 | 0:16:53 | |
My first date with my boyfriend, he picked me up from work. | 0:16:53 | 0:16:55 | |
I was wearing little shorts, | 0:16:55 | 0:16:57 | |
and my vest which was torn and holes, | 0:16:57 | 0:17:00 | |
I had blood up my arms, my hair was frizzy, | 0:17:00 | 0:17:03 | |
pooh splattered up my legs. | 0:17:03 | 0:17:05 | |
Er...but he really liked it. | 0:17:05 | 0:17:08 | |
Kevin's idea of impressing me when we first got together | 0:17:08 | 0:17:12 | |
was taking me to a good darts match on a Monday night, | 0:17:12 | 0:17:15 | |
in a pub where you'd wipe your feet on the way out, not the way in! | 0:17:15 | 0:17:19 | |
There's nothing wrong with darts at all! | 0:17:19 | 0:17:21 | |
I think the main difference now between people dating, | 0:17:21 | 0:17:26 | |
as opposed to even five years ago, is probably Facebook. | 0:17:26 | 0:17:29 | |
A mate of mine is having a baby with a woman he met off the internet. | 0:17:29 | 0:17:32 | |
-I could spend hours on Facebook. -Yep. -Just perfect. | 0:17:32 | 0:17:36 | |
My opinion of internet dating? Er, not really for me. | 0:17:36 | 0:17:40 | |
My fiance stumbled across me on the internet and sent me a message | 0:17:40 | 0:17:43 | |
to my YouTube account. | 0:17:43 | 0:17:45 | |
There's a list of things they want, the females want. | 0:17:45 | 0:17:48 | |
"Must be solvent, must be successful". | 0:17:48 | 0:17:50 | |
Three years later, we've never spent a day apart! | 0:17:50 | 0:17:54 | |
Internet dating, let's be honest, that's something new. | 0:17:57 | 0:18:02 | |
I think we can all guess what site her boyfriend stumbled across. | 0:18:02 | 0:18:08 | |
What I need to ask... I don't know if this will actually reveal anything | 0:18:10 | 0:18:15 | |
but is there anyone in this room who's ever done internet dating? | 0:18:15 | 0:18:21 | |
Now... Oh-ho-ho! | 0:18:22 | 0:18:25 | |
You know what, I thought there's no chance, I thought it'd be like dogging. | 0:18:25 | 0:18:29 | |
If you ask people, they'll go... | 0:18:29 | 0:18:32 | |
-If you don't mind me asking, what's your name? -Chris. | 0:18:34 | 0:18:36 | |
-Chris and? -Shirley. -Chris and Shirley. | 0:18:36 | 0:18:40 | |
-And I'm assuming that you're here together? -No. -No. | 0:18:40 | 0:18:43 | |
You're not here together? You just happened to sit next to each other | 0:18:43 | 0:18:47 | |
and have both done internet dating. | 0:18:47 | 0:18:48 | |
You know what that shows you? Leave it to fate. You never know what'll happen. | 0:18:48 | 0:18:53 | |
The whole premise of internet dating | 0:19:01 | 0:19:03 | |
is you put in a profile of someone you want. | 0:19:03 | 0:19:06 | |
You say what you want and hopefully that's what you get. | 0:19:06 | 0:19:08 | |
I got a mate who put in that he wanted a blonde with reasonable-sized breasts, | 0:19:08 | 0:19:13 | |
who was posh but not too bright. | 0:19:13 | 0:19:15 | |
He got Boris Johnson. | 0:19:15 | 0:19:17 | |
I've got to be honest with you, | 0:19:20 | 0:19:22 | |
the internet wasn't as prevalent when I was on the dating scene. | 0:19:22 | 0:19:26 | |
In fact, internet dating wasn't invented, we just had Ceefax. | 0:19:26 | 0:19:30 | |
With Ceefax, it was shit. | 0:19:30 | 0:19:32 | |
It's very difficult to cop off with a woman who looks like she's made of Lego. | 0:19:32 | 0:19:37 | |
But of course, the worst thing in the world is meeting the parents. | 0:19:38 | 0:19:43 | |
I hate it, I hate meeting girls' families! | 0:19:45 | 0:19:48 | |
If you meet anyone's parents, they'll hate you | 0:19:48 | 0:19:50 | |
and the first thing they'll say is, "Don't you hurt her!" | 0:19:50 | 0:19:53 | |
They always hate the guy, you see it in the films, they hate the guy. | 0:19:53 | 0:19:56 | |
And I just hate it. If I'm seeing a girl, no family please. | 0:19:56 | 0:20:01 | |
First time I met my wife's parents was a nightmare. And it was me, | 0:20:01 | 0:20:05 | |
I was cocky, I don't know what it was, I was like, "I'll show them." | 0:20:05 | 0:20:08 | |
I had a vest right down there, | 0:20:08 | 0:20:10 | |
my chest hanging out, "All right, mate, how's it going?" | 0:20:10 | 0:20:14 | |
Kevin wanted to pick me up with his passion wagon | 0:20:14 | 0:20:17 | |
from where I was living with my parents. | 0:20:17 | 0:20:20 | |
I had to convince Kevin to wait round the corner... | 0:20:20 | 0:20:23 | |
-It was an Escort, Mark III. -Great, really exciting! | 0:20:23 | 0:20:27 | |
Big winkle-picker, big cowboy boots, | 0:20:27 | 0:20:29 | |
I was like, "You're lucky to have me as your daughter's wife...son, whatever, you're lucky..." | 0:20:29 | 0:20:36 | |
My wife was cringing there, couldn't get me out of the house fast enough. | 0:20:36 | 0:20:40 | |
It was a boy racer's car and that wasn't the image... | 0:20:40 | 0:20:42 | |
Kevin wasn't that, so it gave him the wrong image. | 0:20:42 | 0:20:45 | |
Him and the car didn't go together. You'd have been better off with a Mini Metro! | 0:20:45 | 0:20:49 | |
Ah... Thanks, love. | 0:20:51 | 0:20:52 | |
Did you hear that noise that came from Kevin then? "Ah..." | 0:20:56 | 0:21:02 | |
-Ah... -That's like a dog whistle noise that only married men could hear his sadness. | 0:21:02 | 0:21:07 | |
"Ah..." You know all his mates are going, "Mini Metro? Kev, you're a dickhead." | 0:21:07 | 0:21:13 | |
But it is difficult when you meet someone new cos things are different. | 0:21:13 | 0:21:17 | |
When I met my wife - she's posh, | 0:21:17 | 0:21:19 | |
she's middle-class, very different from me. | 0:21:19 | 0:21:22 | |
When I first met her, I remember the first time she ever said to me, | 0:21:22 | 0:21:25 | |
"Do you want some couscous?" I thought it was a sexual position. | 0:21:25 | 0:21:28 | |
I said, "Where shall I get changed?" | 0:21:28 | 0:21:32 | |
Then you've got to meet her parents and that was difficult as well. | 0:21:32 | 0:21:36 | |
Melanie, my wife, her dad's one of those people who answers the phone by telling you the phone number. | 0:21:36 | 0:21:40 | |
And that's all he said to me for two years, 3-5-4-8, | 0:21:40 | 0:21:44 | |
that's all he ever said! | 0:21:44 | 0:21:46 | |
When I first knocked at the door, I expected him to tell me the address. | 0:21:46 | 0:21:51 | |
But he was all right. The biggest disaster was when I met her mum | 0:21:51 | 0:21:56 | |
because her mum at the time was living in the Lake District and we went up to see her. | 0:21:56 | 0:22:01 | |
We went up on a Sunday, and it was time for Sunday lunch, | 0:22:01 | 0:22:04 | |
and it was when football started being played on a Sunday. | 0:22:04 | 0:22:07 | |
So you could watch it on the television. | 0:22:07 | 0:22:10 | |
And we were sat there, and her mum tried to engage me in conversation, | 0:22:10 | 0:22:14 | |
as she was preparing the Sunday lunch. | 0:22:14 | 0:22:16 | |
And without even thinking about it, subconsciously, I nodded, | 0:22:16 | 0:22:20 | |
reached over and just highered up the television. | 0:22:20 | 0:22:24 | |
Now, fair play to Melanie's mum, she never mentioned that. | 0:22:29 | 0:22:34 | |
Even though that must have really annoyed her, | 0:22:34 | 0:22:36 | |
she never mentioned it until we split up. | 0:22:36 | 0:22:39 | |
Then she said, "Well, it'll suit you now, cos you can watch as much telly as you want." | 0:22:39 | 0:22:45 | |
I said, "Do you mind? You're in the way." | 0:22:45 | 0:22:47 | |
I don't see her a lot now, she lives in Spain | 0:22:47 | 0:22:50 | |
which is not as far away as you think, to be honest. | 0:22:50 | 0:22:54 | |
The worst thing is, when a mate says to you that he's getting married, | 0:22:58 | 0:23:02 | |
you don't think, "What a joyous union of two people who are in love! | 0:23:02 | 0:23:05 | |
"Hopefully they can create a harmonious family." | 0:23:05 | 0:23:09 | |
No, you think, "Stag do, stag do, stag do!" | 0:23:09 | 0:23:12 | |
Stag do's? They're all much of a muchness, aren't they? | 0:23:12 | 0:23:16 | |
They're pretty much everyone goes out, gets drunk, leers at women, | 0:23:16 | 0:23:19 | |
letches at women and then goes back home drunk. | 0:23:19 | 0:23:22 | |
People just change, they're weird on stag do's. | 0:23:22 | 0:23:25 | |
Big drink-up, bit of a pub crawl... | 0:23:25 | 0:23:27 | |
Weeeh... Banter. | 0:23:27 | 0:23:29 | |
Make your mate look really ridiculous. | 0:23:29 | 0:23:31 | |
Let's get arrested! | 0:23:31 | 0:23:32 | |
My stag do would be so sick, it would... | 0:23:32 | 0:23:36 | |
The music! The bass... | 0:23:36 | 0:23:37 | |
I hate it when I'm listening to music and there's no bass! | 0:23:37 | 0:23:40 | |
The most memorable stag do I went to was my younger brother | 0:23:40 | 0:23:44 | |
and it was in Amsterdam. | 0:23:44 | 0:23:46 | |
I think the way the British do their stag do's is really fun, | 0:23:46 | 0:23:49 | |
everybody does something different. | 0:23:49 | 0:23:52 | |
My friends picking up ladyboys has been twice now so yeah, that's what's happened! | 0:23:52 | 0:23:57 | |
A lot of the things that happened in Amsterdam will remain in Amsterdam. | 0:23:57 | 0:24:01 | |
I couldn't think of anything worse, drinking with a load of girls, | 0:24:01 | 0:24:04 | |
watching some stripper. It's not my thing. | 0:24:04 | 0:24:06 | |
On my friend's hen party, it was crazy. | 0:24:06 | 0:24:09 | |
We had some tasks set aside she had to do | 0:24:09 | 0:24:11 | |
and one of them was to go round and find a bloke | 0:24:11 | 0:24:14 | |
to take his boxer shorts off and she was to wear them on her head for the rest of the night. | 0:24:14 | 0:24:19 | |
At the end of the night, she went to take them off | 0:24:19 | 0:24:21 | |
and she noticed there was a massive pooh stain inside the boxer shorts! | 0:24:21 | 0:24:26 | |
You have got to wonder, haven't you? | 0:24:34 | 0:24:36 | |
If two of your mates had copped off with a ladyboy, | 0:24:36 | 0:24:39 | |
you'd go somewhere else. You'd do something different. | 0:24:39 | 0:24:42 | |
And stag do's have gone mad. I got married 16 years ago, | 0:24:42 | 0:24:46 | |
my stag do was a traditional stag do. | 0:24:46 | 0:24:49 | |
You know, it was Yates's Wine Lodge, got stripped naked, | 0:24:49 | 0:24:53 | |
got chained to a gate. After 16 years of marriage, I miss that gate. | 0:24:53 | 0:24:58 | |
But then things changed and everyone started going over to Amsterdam | 0:24:58 | 0:25:02 | |
and that was mental. | 0:25:02 | 0:25:03 | |
The first time I went to Amsterdam, I couldn't believe it. | 0:25:03 | 0:25:06 | |
I tried to stay and get a job as a window-cleaner. | 0:25:06 | 0:25:10 | |
I said to the girl, "Listen, it'll be dead cheap, I don't need the water or bucket or anything..." | 0:25:12 | 0:25:17 | |
And that's a very difficult place. If you go on a stag do to Amsterdam, | 0:25:19 | 0:25:23 | |
you come home with a credit-card slip | 0:25:23 | 0:25:25 | |
from a place called "Amsterdam's Secret Attic", | 0:25:25 | 0:25:27 | |
it's very difficult trying to pretend that that's actually Anne Frank's house. | 0:25:27 | 0:25:32 | |
But hen nights have now become a big industry as well. | 0:25:35 | 0:25:39 | |
And the thing is about hen nights, | 0:25:39 | 0:25:41 | |
you are much more graphic in hen nights. | 0:25:41 | 0:25:44 | |
It's all "a little bit of fun" but hen nights always involve | 0:25:44 | 0:25:48 | |
penis-shaped deelyboppers coming out of their heads. | 0:25:48 | 0:25:52 | |
Penis-shaped straws, | 0:25:52 | 0:25:55 | |
the bride-to-be always has a penis-shaped balloon. | 0:25:55 | 0:26:00 | |
That's just wrong! | 0:26:00 | 0:26:01 | |
If you were on a stag do and you had a fanny-shaped balloon... | 0:26:01 | 0:26:05 | |
That's if you can buy one and you've got to look on very special sites to get them, to be honest! | 0:26:08 | 0:26:13 | |
And there's also this thing about dressing up the bride-to-be. | 0:26:16 | 0:26:19 | |
There's that thing of saying, "Let's give her really little wings" | 0:26:19 | 0:26:23 | |
cos you look at her and think, "You'll never take off in them!" | 0:26:23 | 0:26:26 | |
And this thing as well of putting an L-plate on the bride. | 0:26:26 | 0:26:31 | |
I don't know who started that but let's be honest, | 0:26:31 | 0:26:33 | |
if you're going to put motor-vehicle signs on a girl, | 0:26:33 | 0:26:37 | |
let's be honest, let's put "Wide Load". | 0:26:37 | 0:26:41 | |
Or "Baby On Board". | 0:26:42 | 0:26:44 | |
Anyway, we've got to move on to the big one, | 0:26:46 | 0:26:49 | |
the big one that everyone thinks of, particularly little girls - the dream wedding. | 0:26:49 | 0:26:54 | |
Took ten years to get Joanne to marry me, three attempts. | 0:26:56 | 0:27:00 | |
-But, yeah... -Two really, one was rubbish. | 0:27:00 | 0:27:04 | |
-It was. -It wasn't...it was. | 0:27:07 | 0:27:09 | |
I've got no intention of getting married | 0:27:09 | 0:27:11 | |
cos it'll just end in divorce. | 0:27:11 | 0:27:14 | |
What's the point in spending 30 grand on a wedding? | 0:27:14 | 0:27:17 | |
If I got married, I'd have a circus theme for my wedding. | 0:27:17 | 0:27:20 | |
My dream wedding would be the celebrity-style wedding. | 0:27:20 | 0:27:23 | |
I'd like it quite traditional. | 0:27:23 | 0:27:24 | |
I'd ride to the event, which would be a marquee. | 0:27:24 | 0:27:27 | |
Really expensive, you know, in a castle, you've got the huge dress. | 0:27:27 | 0:27:31 | |
I'd quite like Westminster Abbey. | 0:27:31 | 0:27:33 | |
I'd wear my all-in-one, which is red and silver | 0:27:33 | 0:27:35 | |
and I'd have a black train on it. | 0:27:35 | 0:27:37 | |
-Loads of family and friends. -Loads of animals. | 0:27:37 | 0:27:40 | |
Florence + The Machine to sing. | 0:27:40 | 0:27:42 | |
Huge ring, massive party afterwards. | 0:27:42 | 0:27:44 | |
I'd ride in on a camel, I'd have fire-breathers... | 0:27:44 | 0:27:47 | |
Fairy lights in trees, and... | 0:27:47 | 0:27:49 | |
The business, but again, really expensive! | 0:27:49 | 0:27:53 | |
Don't get me wrong, it'd be a nice day but... | 0:27:53 | 0:27:55 | |
I'd rather spend it on an extension or a car, or a holiday, or a hair transplant! | 0:27:55 | 0:28:00 | |
Get her a boob job, we're laughing! | 0:28:00 | 0:28:02 | |
Just give me a cheer if you're married? | 0:28:06 | 0:28:09 | |
AUDIENCE CHEERS | 0:28:09 | 0:28:11 | |
And give me a cheer if you're not. | 0:28:11 | 0:28:13 | |
AUDIENCE CHEERS LOUDLY | 0:28:13 | 0:28:16 | |
That was just so much more energy in that second cheer, wasn't there? | 0:28:16 | 0:28:21 | |
That first cheer was "OK, normally of a Saturday, we're just looking at each other, | 0:28:21 | 0:28:26 | |
"thinking, 'Why don't you just hurry up and die? | 0:28:26 | 0:28:29 | |
"'Then I can get the house and do what I want with my life.'" | 0:28:32 | 0:28:35 | |
Did you... Are you married? You're married to him? What's your name? | 0:28:35 | 0:28:39 | |
-Jackie. -Jackie and? -Mark. | 0:28:39 | 0:28:42 | |
Jackie and Mark. How long have you been married? | 0:28:42 | 0:28:45 | |
13 years. | 0:28:45 | 0:28:47 | |
13 years? Oooh! | 0:28:47 | 0:28:49 | |
AUDIENCE: Oooh! | 0:28:49 | 0:28:50 | |
-A child bride. -A child bride. | 0:28:50 | 0:28:53 | |
Why, where are you from? Norfolk? | 0:28:53 | 0:28:55 | |
Where did you meet? | 0:28:59 | 0:29:01 | |
-At work. -I can't understand it when people meet at work, | 0:29:01 | 0:29:04 | |
why their marriages often fail. Surely, when you meet at work, | 0:29:04 | 0:29:08 | |
every year you sit down, you have an appraisal. You look at each other and go, | 0:29:08 | 0:29:12 | |
"How do you think you're doing this year? | 0:29:12 | 0:29:16 | |
"What's your objectives for next year? Where do you see yourself in five years' time?" | 0:29:16 | 0:29:21 | |
"Living somewhere else." | 0:29:21 | 0:29:22 | |
You'll never admit to being married again, will you? | 0:29:24 | 0:29:27 | |
What you can't see, she's got a lovely warm face and in his eyes, | 0:29:30 | 0:29:34 | |
you can see he's thinking, "Will you just piss off!" | 0:29:34 | 0:29:37 | |
The big thing is, you've got to make the cut. | 0:29:41 | 0:29:43 | |
The last wedding we were invited to, we never made the cut. | 0:29:43 | 0:29:47 | |
We made the evening do | 0:29:47 | 0:29:48 | |
which means you know there's other people they like more than you. | 0:29:48 | 0:29:52 | |
Even though they'd only invited us to the evening do - | 0:29:52 | 0:29:55 | |
you know who you are, Richard and Margaret - | 0:29:55 | 0:29:58 | |
you only invited us to the evening do, we still got the wedding list. | 0:29:58 | 0:30:02 | |
There's not an evening wedding list, a cheap one, | 0:30:02 | 0:30:04 | |
you still get the wedding list. | 0:30:04 | 0:30:06 | |
The wedding list is always from John Lewis, where no-one shops unless someone else is paying. | 0:30:06 | 0:30:11 | |
We got this wedding list and on it, it had goblets. | 0:30:11 | 0:30:16 | |
24 goblets. | 0:30:16 | 0:30:18 | |
Each goblet cost 12.99. | 0:30:18 | 0:30:21 | |
You'd never buy 24 goblets at 12.99 if you were paying! | 0:30:21 | 0:30:27 | |
24... In fact, who needs 24 goblets? | 0:30:27 | 0:30:31 | |
Unless you're a Viking and you're having a party. | 0:30:31 | 0:30:33 | |
The other thing that's changed as well with weddings | 0:30:36 | 0:30:38 | |
is the fact that now we have disposable cameras. | 0:30:38 | 0:30:42 | |
Every time you turn up at a wedding now, on the table, there's a bunch of disposable cameras. | 0:30:42 | 0:30:47 | |
Your job as the wedding guest is to take photographs | 0:30:47 | 0:30:50 | |
with your camera and then you leave it at the end, | 0:30:50 | 0:30:53 | |
so that the bride and groom can get it developed | 0:30:53 | 0:30:55 | |
and they can see what the wedding looked like for you. | 0:30:55 | 0:30:59 | |
That's a lovely thought but we all know, every man looks at every other man when there's a disposable camera | 0:30:59 | 0:31:04 | |
and thinks, "Cock shot". | 0:31:04 | 0:31:06 | |
Come on, lads, one of us has got to do the cock shot. | 0:31:08 | 0:31:12 | |
And the maddest thing about the cock shot | 0:31:12 | 0:31:14 | |
is it's the worst joke in the world cos you're never there when the joke's revealed, | 0:31:14 | 0:31:19 | |
when they're looking through the pictures, "There's Auntie Marg... | 0:31:19 | 0:31:22 | |
"Oh, look, there's Uncle Barry's cock." | 0:31:22 | 0:31:24 | |
It's nice that he brought it with him, eh? | 0:31:24 | 0:31:27 | |
I've got to say, that works at wedding, | 0:31:28 | 0:31:30 | |
don't do it at christenings, it changes the atmosphere. | 0:31:30 | 0:31:33 | |
And also now, there's this common thing as well | 0:31:33 | 0:31:36 | |
of when you sit down at the table - | 0:31:36 | 0:31:38 | |
it happened at the last wedding me and Melanie went to - | 0:31:38 | 0:31:41 | |
and everyone at the meal received a lottery ticket. | 0:31:41 | 0:31:45 | |
I thought, "That's wonderful, that is." | 0:31:45 | 0:31:47 | |
There's wonderful honesty in that of saying, "Look, we're having a gamble, why don't you?" | 0:31:47 | 0:31:53 | |
But let's be frank, we all love a good wedding. | 0:31:55 | 0:31:59 | |
My only two stipulations for the wedding, because my wife did everything else, | 0:31:59 | 0:32:04 | |
I said, "Look, I just want to organise the cars." | 0:32:04 | 0:32:06 | |
So I had two massive white stretch limos. | 0:32:06 | 0:32:08 | |
Back 20 years ago, no-one had them. | 0:32:08 | 0:32:10 | |
And, house and garage music at the after-party, at the party, | 0:32:10 | 0:32:15 | |
I didn't want normal wedding music, that'd drive me mad. | 0:32:15 | 0:32:18 | |
I wanted busting eardrums, massive speakers, | 0:32:18 | 0:32:20 | |
all the grannies getting their ears blown off, that's what I wanted and that's what I got. | 0:32:20 | 0:32:25 | |
Our wedding day was very emotional. | 0:32:25 | 0:32:27 | |
I was fine, stood at the top of the aisle, | 0:32:27 | 0:32:31 | |
and then the music started. | 0:32:31 | 0:32:33 | |
Not just tears, I... | 0:32:33 | 0:32:35 | |
SHE IMITATES SOBBING | 0:32:35 | 0:32:36 | |
The whole works, very like you're watching the saddest film, | 0:32:36 | 0:32:39 | |
rather than the happiest day of your life. | 0:32:39 | 0:32:41 | |
As I was walking down, I could hear people saying, | 0:32:41 | 0:32:44 | |
"I don't think she wants to get married, she's crying!" | 0:32:44 | 0:32:47 | |
At our wedding, my dad had a few to drink... | 0:32:47 | 0:32:50 | |
As they do... | 0:32:51 | 0:32:54 | |
And he made a joke about him being an OAP. | 0:32:54 | 0:32:58 | |
He actually said, "Well, when Nikki first brought Pete round, | 0:32:58 | 0:33:02 | |
"I said to her, 'Is your new boyfriend shy or something?' | 0:33:02 | 0:33:07 | |
"Nikki said, 'No, why's that?' So I said, 'I just looked out the window | 0:33:07 | 0:33:11 | |
"'and he's brought his grandad along.'" | 0:33:11 | 0:33:13 | |
The worst speech I've ever heard at a wedding | 0:33:13 | 0:33:15 | |
was the best man got up to do his speech and he went, | 0:33:15 | 0:33:19 | |
"Well, I've had some fantastic threesomes with this man, | 0:33:19 | 0:33:22 | |
"I haven't bedded the bridesmaids but the mother-in-laws got it last night". | 0:33:22 | 0:33:26 | |
When I came to do my speech at the wedding, I said to him, | 0:33:26 | 0:33:30 | |
"Remember, Andrew, you're not so much losing a daughter | 0:33:30 | 0:33:34 | |
"as gaining an old-age pensioner." | 0:33:34 | 0:33:37 | |
At the end of the speech, the bride was crying, | 0:33:37 | 0:33:40 | |
everyone was just in bits, there was no-one making a sound except for one man... | 0:33:40 | 0:33:44 | |
At the end of the night, a man in a wheelchair came up to him | 0:33:46 | 0:33:49 | |
and said, "I've been waiting all my life to hear something like that!" | 0:33:49 | 0:33:53 | |
He was the only person that found it funny. | 0:33:53 | 0:33:56 | |
They still don't speak to him to this day - not good! | 0:33:56 | 0:33:58 | |
That's the worst thing about it at a wedding. | 0:34:03 | 0:34:05 | |
You sit there as the groom and you look over and you go, | 0:34:05 | 0:34:08 | |
"Is that the best man I know? Gary..." | 0:34:08 | 0:34:13 | |
It doesn't matter cos once the wedding's done, life changes anyway. | 0:34:14 | 0:34:18 | |
Things change. | 0:34:18 | 0:34:20 | |
You see it changing in your house. | 0:34:20 | 0:34:22 | |
Tampon boxes turn up. | 0:34:22 | 0:34:24 | |
They used to be hidden. All of a sudden, they're just there. | 0:34:24 | 0:34:27 | |
They're in your face, like flags on a beach saying, "You can't go swimming today or you might die." | 0:34:27 | 0:34:32 | |
I think also, you can plot a relationship | 0:34:34 | 0:34:38 | |
by the way you used to give each other presents. | 0:34:38 | 0:34:41 | |
When you're first married, giving each other presents is special. | 0:34:41 | 0:34:44 | |
Christmas comes along, you can't wait for it. | 0:34:44 | 0:34:47 | |
I remember what it was like, it was great | 0:34:47 | 0:34:50 | |
cos you get that first present and you go home and wrap it up. | 0:34:50 | 0:34:54 | |
You give it to them, and they go, "That's perfect." | 0:34:54 | 0:34:57 | |
You go, "I know... | 0:34:57 | 0:34:58 | |
"So are you." | 0:34:58 | 0:35:00 | |
Then you get to that second phase in a relationship, you say, | 0:35:01 | 0:35:04 | |
"I'm going to buy you a present so why don't you come and pick it?" | 0:35:04 | 0:35:08 | |
And you come to the shop and pick it. Then you go to the till and pay for it, and at the till, | 0:35:08 | 0:35:14 | |
you take it off them | 0:35:14 | 0:35:15 | |
and you wrap it up like you're hiding it. | 0:35:15 | 0:35:18 | |
Then you give it to them, they open it and go, "That's perfect." | 0:35:18 | 0:35:21 | |
You go, "I know, you picked it!" | 0:35:21 | 0:35:23 | |
Then you get to that third stage of a relationship | 0:35:23 | 0:35:27 | |
where you say, "I'm going to buy you a present, so why don't you come to the shop and pick it?" | 0:35:27 | 0:35:31 | |
And they come to the shop and pick it. | 0:35:31 | 0:35:33 | |
You go to the till and pay for it and at the till, | 0:35:33 | 0:35:35 | |
you go, "Here you are." | 0:35:35 | 0:35:37 | |
And then you get to that fourth stage, | 0:35:37 | 0:35:40 | |
possibly the stage that I've been at, where you say, | 0:35:40 | 0:35:43 | |
"Look, you know I'm going to buy you a present, | 0:35:43 | 0:35:46 | |
"I know you're going to buy me a present, | 0:35:46 | 0:35:49 | |
"so why don't we just keep the money?" | 0:35:49 | 0:35:51 | |
And that's wrong. You've got to try and keep the magic alive. | 0:35:53 | 0:35:56 | |
When we first got married, what I used to do at Christmas, I'd get Melanie a special present. | 0:35:56 | 0:36:01 | |
Then I'd get all the little presents that were clues to where the special present was. | 0:36:01 | 0:36:05 | |
Then on a CD, I'd put all the songs that she'd listen to | 0:36:05 | 0:36:09 | |
throughout the year, all her favourite songs. | 0:36:09 | 0:36:11 | |
While I played the songs, she'd go looking for the little presents. | 0:36:11 | 0:36:15 | |
Every time she found one, which was a clue to where the big present was, she'd look at me | 0:36:15 | 0:36:19 | |
and her little nose would wrinkle up. | 0:36:19 | 0:36:22 | |
And she got dimples and she'd go like that with her dimples. | 0:36:22 | 0:36:26 | |
Little dimples, little nose and she'd look and go, "Oooh..." | 0:36:26 | 0:36:30 | |
And I'd go, "Oooh..." | 0:36:31 | 0:36:33 | |
You know, after 16 years, the way they breathe... | 0:36:37 | 0:36:42 | |
You know what I mean? It's just constant, isn't it? | 0:36:46 | 0:36:49 | |
Every day, in and out, in and out. | 0:36:49 | 0:36:53 | |
You know things have changed when the idea of having a night away | 0:36:53 | 0:36:57 | |
sounds like, "Do you want to have an argument in a car for three hours?" | 0:36:57 | 0:37:01 | |
You can see that the spark's died. | 0:37:02 | 0:37:04 | |
Something happened to us recently where I realised the spark was dying | 0:37:04 | 0:37:07 | |
because she'd filled the bath, my wife had filled the bath. | 0:37:07 | 0:37:11 | |
She wasn't in the bath but she'd filled the bath for preparation for getting in the bath. | 0:37:11 | 0:37:16 | |
I walked into the bathroom and I needed a dump. | 0:37:16 | 0:37:20 | |
I didn't have it in the bath! | 0:37:20 | 0:37:22 | |
It hasn't got that bad! | 0:37:22 | 0:37:24 | |
I needed a dump so I went, and I proceeded to have a dump. | 0:37:26 | 0:37:30 | |
And she came into the bathroom whilst I was having a dump and got in the bath! | 0:37:30 | 0:37:34 | |
And neither of us said anything. | 0:37:36 | 0:37:38 | |
I thought, "Something's gone wrong here." | 0:37:39 | 0:37:42 | |
Something's gone wrong, things have changed. | 0:37:42 | 0:37:45 | |
So I thought, "I need to inject the magic back." | 0:37:45 | 0:37:47 | |
So what I did... I know this is going to split the room | 0:37:47 | 0:37:51 | |
but what I did is I bought two tickets to see Michael Buble. | 0:37:51 | 0:37:55 | |
I know, already the women have thought, "That's quite nice," | 0:37:55 | 0:38:00 | |
and the men have thought, "Cock!" | 0:38:00 | 0:38:02 | |
Not only that, I bought tickets to go and see Michael Buble in Paris. | 0:38:04 | 0:38:10 | |
AUDIENCE: Oooh! | 0:38:10 | 0:38:12 | |
And then the dust cloud came. | 0:38:12 | 0:38:13 | |
LOUD LAUGHTER | 0:38:13 | 0:38:15 | |
So then I had to buy train tickets to go and see Michael Buble | 0:38:18 | 0:38:21 | |
but everyone else was on the Eurostar | 0:38:21 | 0:38:24 | |
so the only tickets I could get were the premium business tickets on Eurostar. | 0:38:24 | 0:38:30 | |
So we're on Eurostar, in premium business. | 0:38:30 | 0:38:33 | |
Sat there, drinking wine, I've got Michael Buble tickets in my pocket. | 0:38:33 | 0:38:37 | |
I'm thinking what every man in that situation would think, | 0:38:37 | 0:38:41 | |
"This has got to be at least a blow job!" | 0:38:41 | 0:38:44 | |
FRENCH ACCORDION MUSIC | 0:38:53 | 0:38:55 | |
We arrive in Paris. | 0:38:57 | 0:39:00 | |
The seats are excellent seats. | 0:39:01 | 0:39:03 | |
We watch the warm-up band, it's an a cappella group, it's very good. | 0:39:04 | 0:39:08 | |
They walk off. A bloke walked onto the stage in jeans, with another bloke. | 0:39:08 | 0:39:13 | |
Melanie said, "That's Michael Buble!" | 0:39:13 | 0:39:16 | |
"Oh." | 0:39:16 | 0:39:17 | |
He walked on, with his interpreter. | 0:39:17 | 0:39:20 | |
Michael Buble said, "Ladies and gentlemen, I'm really sorry | 0:39:20 | 0:39:26 | |
"but my drummer is sick, he's got a problem with his heart..." | 0:39:26 | 0:39:29 | |
HE WINCES | 0:39:29 | 0:39:30 | |
And the interpreter went... | 0:39:31 | 0:39:33 | |
HE IMITATES FRENCH | 0:39:33 | 0:39:34 | |
Bah bah bah bah, bah mon... | 0:39:34 | 0:39:36 | |
So Michael Buble said, "Because of that, I know you've all come and it's important I sing for you | 0:39:41 | 0:39:47 | |
"but he's my friend and I can't sing without him." | 0:39:47 | 0:39:50 | |
And the interpreter went... | 0:39:50 | 0:39:52 | |
HE IMITATES FRENCH | 0:39:52 | 0:39:56 | |
You could tell the difference in the cultures right at that moment. | 0:39:58 | 0:40:02 | |
As Michael Buble said, "I can't sing without my friend on stage," | 0:40:02 | 0:40:07 | |
you could see the French reaction. | 0:40:07 | 0:40:09 | |
They went, "What a beautiful gesture from one man to another man, | 0:40:09 | 0:40:14 | |
"to show his love for his friend." | 0:40:14 | 0:40:16 | |
Whereas the English went... | 0:40:16 | 0:40:18 | |
"Oh, for fuck's sake, man!" | 0:40:18 | 0:40:21 | |
"He's a drummer! There's loads of drummers! | 0:40:23 | 0:40:27 | |
"Def Leppard have got one with one arm!" | 0:40:27 | 0:40:29 | |
MUSIC: "Pour Some Sugar On Me" by Def Leppard | 0:40:29 | 0:40:31 | |
I'm sat there, looking at my wife, going, "I've done my bit!" | 0:40:35 | 0:40:40 | |
But the most important thing in any marriage is keeping the spark alive. | 0:40:43 | 0:40:48 | |
-We keep the spark alive with humour and romance, don't we? -Yes. | 0:40:48 | 0:40:53 | |
-Two key ingredients. -Two key ingredients. I'm an old romantic | 0:40:53 | 0:40:57 | |
-and I'm a bit silly at times, aren't I? -Yes, he's a soppy romantic. | 0:40:57 | 0:41:01 | |
-It goes a long way though. -Nikki says I wind her up | 0:41:01 | 0:41:04 | |
but even with shopping trolleys in there, you know. | 0:41:04 | 0:41:08 | |
I sort of take the shopping trolley and I go, "Beep beep! This vehicle is reversing!" | 0:41:08 | 0:41:13 | |
It's humour. Humour, as well as love, makes the world go round. | 0:41:13 | 0:41:18 | |
You need that in a relationship, it's fun. | 0:41:18 | 0:41:20 | |
And we're romantic. I call her "Baby Boo". | 0:41:20 | 0:41:23 | |
And I call him "My Angel". | 0:41:23 | 0:41:26 | |
Yeah, so we've got these little pet names. | 0:41:26 | 0:41:28 | |
Mind you, we're forever changing the names, aren't we? | 0:41:28 | 0:41:31 | |
-Yeah, but they're the main ones. -Yes, Baby Boo and Angel. | 0:41:31 | 0:41:34 | |
I love you, My Angel! | 0:41:35 | 0:41:38 | |
There you go, ladies and gentlemen, that's love and marriage. | 0:41:43 | 0:41:46 | |
I've learnt a few things tonight. | 0:41:46 | 0:41:48 | |
One, most blokes would rather pay for a boob job than get married. | 0:41:48 | 0:41:52 | |
To get a girlfriend, you need to have enough credit. | 0:41:52 | 0:41:55 | |
And to keep the spark alive, you've got to make noises with shopping trolleys. | 0:41:55 | 0:42:00 | |
Beep beep, that's humour. | 0:42:00 | 0:42:02 | |
Good night, Baby Boo, I've been John Bishop. Thank you, good night. | 0:42:02 | 0:42:06 | |
Subtitles by Red Bee Media Ltd | 0:42:11 | 0:42:14 | |
E-mail [email protected] | 0:42:14 | 0:42:17 |