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Thank you, good evening and welcome to John Bishop's Britain. | :00:46. | :00:53. | |
APPLAUSE This week, I'll be looking at the | :00:53. | :00:56. | |
nation's least favourite pastime, work. Things have changed. There | :00:56. | :01:00. | |
was a time when working in a bank was a respectable job. It was what | :01:00. | :01:04. | |
you wanted your kids to do when they left school. Not now. Everyone | :01:04. | :01:10. | |
hates bankers now. Even in Al-Qaeda, they're saying, look, the heats off | :01:10. | :01:13. | |
us, as long as you don't get a job in RBS. | :01:13. | :01:16. | |
LAUGHTER If you work for British Gas, you | :01:16. | :01:20. | |
will notice that this show is on every time, at the same time, every | :01:21. | :01:26. | |
week. We were going to schedule it especially for British Gas workers | :01:26. | :01:31. | |
some time between four and midnight. Just when you turn today on, we've | :01:31. | :01:35. | |
been on. To discover what Britain thinks | :01:35. | :01:39. | |
about work, I've spoken to hundreds of people about it. Let's see what | :01:39. | :01:46. | |
they all have to say on the matter of work. Gerri Halliwell. Playing | :01:46. | :01:52. | |
the trumpet Electric shots. Arriba, Arriba. On my knees. I can see the | :01:52. | :01:58. | |
headline. I put a sticker on her back saying... I don't want to go | :01:58. | :02:02. | |
under the floor. We'll hear what they think through the show and | :02:02. | :02:05. | |
sketches as well. Different jobs fascinate me because people come | :02:05. | :02:08. | |
from different backgrounds. I didn't start my life doing this. I | :02:08. | :02:12. | |
left a job to do this. I had a proper job, a normal job, a real | :02:12. | :02:18. | |
job. I worked as a sales an marketing director of a | :02:18. | :02:22. | |
pharmaceutical director. It was a good job. There weren't many lads | :02:22. | :02:31. | |
from my estate who ended up a sales and marketing director of a | :02:31. | :02:34. | |
pharmaceutical company. There were some in related industries. But | :02:34. | :02:38. | |
none of them got BUPA. It was one of them jobs that it's a good job | :02:38. | :02:42. | |
but no-one understand what's they do. I remember when I got that | :02:42. | :02:46. | |
promotion, it was a moment to be proud. I went home to my wife and | :02:46. | :02:50. | |
said "Bring the boys in." My lads at that time would have been nine, | :02:50. | :02:55. | |
seven and five. I said, bring the boys in, I have something to tell | :02:55. | :03:00. | |
them. They came into the kitchen. I said, listen boys, I know what | :03:00. | :03:04. | |
happens at school, people always ask what I do for a job. Tomorrow | :03:04. | :03:11. | |
you can say "My dad is a director of sales and marketing in a | :03:11. | :03:16. | |
pharmaceutical company." And the kids all just looked at each other | :03:16. | :03:24. | |
like that. My middle lad went, "Billy's dad drives a digger." Me | :03:24. | :03:31. | |
other two went, "Does he?! "He was a digger driver, my kids thought he | :03:31. | :03:37. | |
was a hero. He drove a digger! I was a sales and marketing director. | :03:37. | :03:43. | |
I did a Powerpoint presentation. But it doesn't matter what you end | :03:43. | :03:49. | |
up doing. No-one forgets their first job. My first job was in a | :03:49. | :03:54. | |
chippy. For my first job it was in a high profile London salon. All my | :03:54. | :03:59. | |
mates come in from school. They'd order loads of food and I'd go that | :03:59. | :04:05. | |
will be 14p please. My idol was a child was Gerri Halliwell. About | :04:05. | :04:09. | |
two months into working there she walked through the door My first | :04:09. | :04:14. | |
job was painting AA signs on the motorway. I had to just say like, | :04:14. | :04:18. | |
please could you sign this? I have nothing against motorway | :04:18. | :04:22. | |
maintenance. I like the wardrobe. Two minutes later my manager sacked | :04:22. | :04:27. | |
me. The first job was working illegally in America on a | :04:28. | :04:31. | |
construction site. Scaffolding is the one I remember best and I am | :04:31. | :04:38. | |
most proud of. Also illegal Mexicans. Every time I see | :04:38. | :04:44. | |
scaffolding I have a twinge of nostalgia. Every time a helicopter | :04:44. | :04:50. | |
flew over it was Arriba! The only way to get them upright is to jigle | :04:50. | :04:55. | |
them up like this, it seriously does your wrists in. By the end of | :04:55. | :05:05. | |
:05:05. | :05:10. | ||
that job, oh, you know, no pleasure What I love about that clip is that | :05:10. | :05:14. | |
lad saying they were hiding from immigration. A Scottish lad and two | :05:14. | :05:18. | |
Mexicans. As if you wouldn't spot the two lads in the some brair row | :05:18. | :05:24. | |
and the one in the kilt. I like that story because my first job was | :05:24. | :05:27. | |
also on a building site. I worked on a building site with possibly | :05:27. | :05:32. | |
the most stupid person I have ever met in my life. He was a lad from | :05:32. | :05:36. | |
Widnes called Mark. This is true this. It was at that time, I was 16, | :05:36. | :05:42. | |
and people had left school. They used to put tattoos in Indian ink | :05:42. | :05:46. | |
on themselves, really rubbish tattoos. He wrote, this lad Mark, | :05:46. | :05:51. | |
wrote his own name on his left arm. Obviously because he was right | :05:51. | :05:55. | |
handed. To tell you how stupid he was, I would say at least twice a | :05:55. | :06:00. | |
week, I used to catch him out with the same thing. I used to say "Have | :06:00. | :06:09. | |
you cut yourself?" He'd go no, why? And I'd go "What's that mark on | :06:09. | :06:17. | |
your arm." That kept me amused for six months. You need some sound | :06:17. | :06:22. | |
career advice for your first job. We had this like machine in our | :06:22. | :06:26. | |
careers department that you put in answer all these questions, about | :06:26. | :06:31. | |
40 questions, and it would print out a ticket of what your job that | :06:31. | :06:37. | |
you're going to do. Every time I done it, I was always a plumber. So | :06:37. | :06:41. | |
I'd answer all the questions again, changing some of the answers, I'm | :06:41. | :06:47. | |
still a plumber. Do I look like a plumber? Be honest, I don't know | :06:47. | :06:51. | |
what a plumber does. But I know it's to do with like under the | :06:51. | :06:59. | |
floor. And pipes. And water. So, yeah I don't want to go under the | :06:59. | :07:09. | |
:07:09. | :07:10. | ||
floor. Let's be honest, the world would be | :07:11. | :07:16. | |
a better place if every plumber was like that. Wouldn't it be great if | :07:16. | :07:26. | |
:07:26. | :07:26. | ||
a plumber turned up and goes "Hiya!" Porn films would be | :07:26. | :07:32. | |
massively different. My actual first job, that first job on the | :07:32. | :07:36. | |
building, the job I thought would change my life, was a job you don't | :07:36. | :07:39. | |
see advertised any more. I answered an advert, there will be people in | :07:39. | :07:44. | |
this room who have looked at these adverts and thought "Should I | :07:44. | :07:52. | |
phone." There was an advert in the Liverpool Echo. It said "Are you | :07:52. | :07:59. | |
sad? Lonely? Got no money, got no prospects? I used to be like that, | :07:59. | :08:06. | |
but now I've got two cars, a boat, all the girls I can. If you want to | :08:06. | :08:13. | |
live a life like me call Chaz after 7pm." So I phoned Chaz after 7pm. | :08:13. | :08:18. | |
His mum answered. LAUGHTER | :08:18. | :08:24. | |
She put me onto Chaz and Chaz said "Do you want a job?" I said I do. | :08:24. | :08:27. | |
He said we're selling something, but it's not a product, it's a | :08:27. | :08:31. | |
concept, a way of lie. I went for this job in Chester. When I was in | :08:31. | :08:36. | |
the interview, he showed me a picture of a Ferrari. He said "See | :08:36. | :08:39. | |
that. You could have one of these one day. "I thought, that's | :08:40. | :08:46. | |
brilliant. He said "Come and meet the rest of the team." I still | :08:46. | :08:50. | |
didn't know what I was selling. I walked down the corridor. As I | :08:50. | :08:57. | |
walked down the corridor I heard a little noise. I walked into this | :08:57. | :09:00. | |
room. It was full of middle aged men, I would say about eight of | :09:00. | :09:08. | |
them, all in a circle, singing. What they were singing was | :09:08. | :09:13. | |
# We sell Kirby cleaners # We sell Kirby cleaners # | :09:13. | :09:18. | |
LAUGHTER If you have no idea what they were, | :09:18. | :09:25. | |
this is way before Dyson. It's not only a Hoover, it could cut your | :09:25. | :09:31. | |
hair, creosote your fence. It could do everything. Ba got me, is every | :09:31. | :09:35. | |
morning we had to sing this song. They give you a sheet and say this | :09:35. | :09:39. | |
is the song. It would be to a popular tune. Then there was a | :09:40. | :09:43. | |
fight every morning to get the tambourine. If you got the | :09:43. | :09:46. | |
tambourine you were in. That was the first step to getting the | :09:46. | :09:51. | |
Ferrari. We used to do that every morning. I was there, this is when | :09:51. | :09:54. | |
I realised that perhaps I was in the wrong world. I'd been doing the | :09:54. | :09:57. | |
job for two weeks. We're all singing | :09:57. | :10:01. | |
# We sell Kirby cleaners # Chaz burst in, almost kicked the | :10:01. | :10:08. | |
door off the hinges and he went "There's something wrong." Everyone | :10:08. | :10:10. | |
stopped singing. There's me and eight other blokes with eyes full | :10:10. | :10:18. | |
of empty ambition. He said "I can feel negative energy this here." | :10:18. | :10:22. | |
Everyone's looking at each other, it's not me. Not me. He said we all | :10:22. | :10:25. | |
had to get rid of our negative energy, throw it out the window. We | :10:25. | :10:33. | |
turned to face the window and all went, Neg! Neg! Neg! And threw it | :10:33. | :10:41. | |
out. Then we all had to face each other and go Pos! Pos! Pos!. I'm | :10:41. | :10:46. | |
not saying that works every time but Fabio Capello think about it! I | :10:46. | :10:51. | |
did that job, I mean, obviously the work, the world has changed | :10:51. | :10:54. | |
massively now. There's this recession we're facing and the fact | :10:54. | :10:59. | |
that the retirement age has gone up. You've only got to go to B&Q and | :10:59. | :11:03. | |
realise that. You know that you're working in B&Q and your boss | :11:03. | :11:08. | |
tellles you to get something. It doesn't matter what he says, | :11:08. | :11:11. | |
because in half an hour you'll forget about it. There are | :11:11. | :11:15. | |
occasions in life where you have a dream job. A plied for my dream job. | :11:15. | :11:19. | |
A plied for something where I thought, I've got specialist skills | :11:19. | :11:22. | |
and I have plenty of experience. Then I found out Ann Summers have | :11:23. | :11:27. | |
already got a managing director. So that would have been my dream job. | :11:27. | :11:35. | |
But most jobs don't turn out as well as you would have hoped. | :11:35. | :11:40. | |
The worst job I ever had was probably delivering pizzas in | :11:40. | :11:44. | |
Glasgow. The worst job I could have would be a rat detector. I worked | :11:44. | :11:47. | |
for two weeks, got mugged three times and decided this is not for | :11:47. | :11:54. | |
me at all. You know people that hunt rats, I hate animals, mice, | :11:54. | :12:00. | |
pigeons. Urgh. I was employed as a model to stand in the store and be | :12:00. | :12:07. | |
there. I went in and they said we rather you be clean shaven. They | :12:07. | :12:13. | |
gave me a razor and shaving foam. spent all day on my knees measuring | :12:13. | :12:19. | |
men's inside legs. I basically had my nose right on the eye line you | :12:19. | :12:24. | |
know. We'd rather if you didn't wear make up. Well that's just like | :12:24. | :12:28. | |
stabbing me directly in the face. I would rather be unemployed than not | :12:28. | :12:33. | |
wear make up. I think it's part of entertainment. The worst job I ever | :12:33. | :12:38. | |
had was playing the trumpet in EastEnders. I do love the trumpet, | :12:38. | :12:43. | |
but I am now 27 and an adult. And if I get another white man van | :12:43. | :12:52. | |
driver say "Where's your trumpet" I am going to shove one up his bum. | :12:52. | :12:56. | |
I love being a stand-up comedian. It wasn't what I expected to do, | :12:56. | :13:00. | |
but I love it. There are times when it's difficult. I've been up to the | :13:00. | :13:03. | |
Edinburgh Festival, which is like the Olympics for comedians. I went | :13:03. | :13:08. | |
up a couple of years ago, when I turned professional. I went to do a | :13:08. | :13:13. | |
show to try and see where I stood on the hierarchy of comedy. I was | :13:13. | :13:19. | |
in a very small venue. It only had 45 seats. I turned up one night. I | :13:19. | :13:27. | |
said to the promotor, "How many's in?" She said - five. I said can't | :13:27. | :13:33. | |
we give them their money back? She said, "No, only two have paid." I | :13:33. | :13:38. | |
had to do an hour of comedy to five people. Five people! The following | :13:38. | :13:43. | |
day my ogt got us together for lunch. She got together all the | :13:43. | :13:47. | |
acts that were up there. There was me and a lad called Jason Manford, | :13:47. | :13:52. | |
who I'm sure you're familiar with, a lad called Jason Byrne, who's | :13:52. | :13:55. | |
brilliant, massive in Edinburgh and Mark Watson, another brilliant | :13:55. | :13:59. | |
comedian, who's massive in Edinburgh. We sat down. We're | :13:59. | :14:04. | |
having lunch. We're sat there having lunch. She says, listen lads, | :14:04. | :14:10. | |
I've got your box office figures. I went oh, hell. She said to Jason | :14:10. | :14:14. | |
Manford, "Jason, you've only just started going on 8 Out Of 10 Cats. | :14:14. | :14:18. | |
We thought we were taking a risk bringing you here for a month and | :14:18. | :14:23. | |
doing a 250-seater venue every night. We thought it was a gamble.S | :14:23. | :14:27. | |
to not a gamble. It's been brilliant Jason. Already you've | :14:27. | :14:31. | |
sold out most of the first week, all of the second week. The third | :14:31. | :14:36. | |
week looks like it's going to go. They want extra shows. It's amazing. | :14:36. | :14:46. | |
Well done Jason. Everyone else went, oil well done Jason." Then she | :14:46. | :14:53. | |
turned to Jason Byrne. She said "Jason, you have got the biggest | :14:53. | :14:59. | |
venue in Edinburgh. It's got 850 seats in it. It looks like, without | :14:59. | :15:04. | |
a doubt, you are going to be the first person ever to sell every | :15:04. | :15:09. | |
seat on every night of the biggest venue in Edinburgh for the whole | :15:09. | :15:15. | |
month. That is brilliant. Well done, Jason!" Everyone went, oh, well | :15:15. | :15:23. | |
done Jason. You ginger knob. Then she turned to | :15:23. | :15:29. | |
me. She said "John, do you want to know your box office figures for | :15:29. | :15:32. | |
tonight?" I said "It's all right. Just tell me their names." | :15:32. | :15:40. | |
APPLAUSE I did this gig in Newport once, | :15:40. | :15:46. | |
right, what happened I had done a gig in Cardiff. One of my mates did | :15:46. | :15:50. | |
this gig in his village pub. I wouldn't normally do it, it was in | :15:50. | :15:54. | |
a Smallvilleage. He said just do it on your way over from Cardiff. I | :15:54. | :16:01. | |
thought all right. It was a monthly gig. It was a tiny village. It was | :16:01. | :16:04. | |
upstairs in a pub. There's only 75 people in there. Whilst I was on | :16:04. | :16:09. | |
the stage, I was trying to do my stuff. I was getting heckled by | :16:09. | :16:17. | |
this lad, in a way I didn't understand. He would just shout out. | :16:17. | :16:22. | |
I thought I'm getting heckled in Welsh. I thought it -- I was | :16:22. | :16:27. | |
getting heckled in Welsh. I thought that's cheating. I tried the | :16:27. | :16:33. | |
standard put downs. It wouldn't work. He carried on. I said "I | :16:33. | :16:41. | |
don't speak. I do -- don't do this or that." He carried on. I said, | :16:41. | :16:46. | |
"What's wrong with you? Have you got Tourette's?" And 74 of them | :16:46. | :16:48. | |
went, "Yeah, he has. " | :16:48. | :16:57. | |
APPLAUSE And even now, I have a son who has | :16:57. | :17:01. | |
a paper round. Which basically means I've got a paper round. | :17:01. | :17:05. | |
You've got to get up and get them out of bed. The oddest experience | :17:05. | :17:11. | |
for me came the other week when he was ill, well "ill", he was in bed | :17:11. | :17:16. | |
couldn't get up. I got up. You can't tell the paper shop he's not | :17:16. | :17:21. | |
coming. I will get up and do the papers. This is true this, this is | :17:21. | :17:26. | |
only the week before last. I was walking up a path, one of the | :17:26. | :17:30. | |
customers was getting the Radio Times. So I was walking up the path | :17:30. | :17:36. | |
to deliver the aRadio Times. I flicked it over and I was on page | :17:36. | :17:43. | |
12. I thought, how much does that look like I'm promoting myself? | :17:43. | :17:47. | |
Have you seen page 12? Thank you, tell your friends. | :17:47. | :17:52. | |
Before you can get any job, you have to go through that torturous | :17:52. | :17:57. | |
process, the interview. I went for an interview once at | :17:57. | :18:01. | |
this estate agents. The boss was just brilliant. One of the | :18:01. | :18:05. | |
interviews I did was for a gas company. It was to work in the call | :18:05. | :18:12. | |
centre. He goes hi Chris, I'm Ian. I was sat down going this is going | :18:12. | :18:17. | |
to be cringey. I got through to the next round where you do a test on | :18:17. | :18:23. | |
the phones. He said "How fast do you run in seconds." He was talking | :18:23. | :18:28. | |
about his sons. He drew a picture of how far his son could throw a | :18:28. | :18:34. | |
ball. The first call was a happy customer. The second customer is | :18:34. | :18:38. | |
angry, who starts off shouting down the phone, saying "I've just come | :18:38. | :18:44. | |
back from holiday and my boiler was broke and I have one leg." It sets | :18:44. | :18:49. | |
me off laughing. I answered all the questions. Then he springs on me, | :18:49. | :18:54. | |
"What are your weaknesses?" Inside I was thinking, boys, chocolate, | :18:54. | :19:00. | |
drink. I've been asked twice before what sort of, if you could be any | :19:00. | :19:04. | |
animal what would you be? I went in with an ant and the guy was like, | :19:04. | :19:09. | |
oh, yeah good, team work. The second I wasn't concentrating, I | :19:09. | :19:14. | |
went in with domesticated cat. Oh, yeah, explain yourself. And I said, | :19:14. | :19:17. | |
"You know they live the life of luxury and clean their own | :19:17. | :19:27. | |
genitals." I didn't get the job. APPLAUSE | :19:27. | :19:31. | |
I tell you what's got me as well, the call centres, it's all right | :19:31. | :19:36. | |
when you phone a call centre. They are a pain in the arse. I got a | :19:36. | :19:40. | |
phone call off the bank. I got a phone call, someone phoned me and | :19:40. | :19:45. | |
said "Is that Mr Bishop?" Yeah. This is the bank. OK. He said I | :19:45. | :19:50. | |
need to verify if you're Mr Bishop. LAUGHTER | :19:50. | :19:55. | |
I said well you phoned me. We're not sure that you're who you are. I | :19:55. | :20:02. | |
said "Why did you bleedin phone me then?" We just need to check. I | :20:02. | :20:08. | |
said, I didn't ask you to phone. But the thing is as well, when you | :20:08. | :20:13. | |
go through that process, you have that, they said the interview | :20:13. | :20:16. | |
questions which has got to be the most ridiculous questions on the | :20:16. | :20:19. | |
planet. They're always the same. It's always that stuff where they | :20:19. | :20:24. | |
say, "What's your strengths?" There's answers that you have got | :20:24. | :20:29. | |
to give. You can't say one is I'm a very sexual person. Why did you | :20:29. | :20:33. | |
leave your last job? Because they found out I lied at interviews. It | :20:33. | :20:37. | |
doesn't work. The thing is, now what's happening, because the | :20:37. | :20:42. | |
world's so open, employers, which I think is wrong have started looking | :20:42. | :20:45. | |
at applicants Facebook page. That is terrible. I mean it probably | :20:45. | :20:50. | |
does give you an insight to things if you look on the Facebook page. | :20:50. | :20:55. | |
You can say I'm not is keen on his fascination with Nazi memorabilia. | :20:55. | :21:01. | |
Having said that, he does look good in a gimp mask. | :21:01. | :21:08. | |
My first proper job, I did all those messy jobs, selling the Kirby | :21:08. | :21:12. | |
cleaners. Then the first job came along when I got an interview for a | :21:12. | :21:16. | |
pharmaceutical company. I phoned this guy. He said I'll meet you in | :21:16. | :21:21. | |
the middle of Liverpool at the Adelphi Tea Rooms. The Adelphi was | :21:21. | :21:30. | |
a really posh hotel in Liverpool. This is about 20 years ago. I had | :21:30. | :21:35. | |
�5 out of my dole money left. As it was, I didn't have a suit. So I | :21:35. | :21:39. | |
borrowed a suit off a mate of mine. The suit looked great, if I was sat | :21:39. | :21:46. | |
down. If I was stood up, the suit didn't change, I just stayed like | :21:46. | :21:54. | |
that. ( I walked into the Adelphi Tea Rooms. The fella wasn't there. | :21:54. | :22:00. | |
I thought I'll get in early, I'll stay sat down all the way through. | :22:00. | :22:05. | |
One of the waiters comes over and does that thing that Scouse people | :22:05. | :22:15. | |
:22:15. | :22:19. | ||
do when they're trying to be posh, we throw a "H" in. When the lad | :22:19. | :22:23. | |
comes in, he arrives when the tea arrives. I put my �5 down. All I | :22:24. | :22:28. | |
had in the world. Whilst the interview begins. We are having a | :22:28. | :22:31. | |
conversation. The waiter puts �3.50 next to it. I thought I can't pick | :22:31. | :22:36. | |
up the change now. It's rude. I'll just sit here and have the | :22:36. | :22:39. | |
interview. We're having the interview and I thought, if I reach | :22:39. | :22:44. | |
over, he'll know the suit doesn't fit any way. | :22:44. | :22:49. | |
We'd been talking for about 15 minutes, when the waiter notices | :22:49. | :22:59. | |
:22:59. | :23:04. | ||
He come along wnd ante"Thank you, Sir." He put it in his pocket. I | :23:04. | :23:08. | |
saw the last penny I had in the world walk away and I thought, if I | :23:08. | :23:12. | |
don't get this job, I'm going to come back and stab you. | :23:12. | :23:22. | |
LAUGHTER What's worst, and I'm not kidding | :23:22. | :23:29. | |
you, it was the last money I had. I had to go to my Nan's to get me. I | :23:29. | :23:34. | |
had to walk all the way. But it is, it was one of those things. That | :23:34. | :23:38. | |
was my first proper job. I was working for a proper company. When | :23:38. | :23:41. | |
I went to the office for the first time, I thought, this is | :23:41. | :23:45. | |
unbelievable. It was an office in Maidenhead, a proper office. I | :23:45. | :23:48. | |
walked in, I thought this is a great office. This is a fun office. | :23:48. | :23:52. | |
I knew it was going to be fun when I saw skid marks on the photo | :23:52. | :23:59. | |
coppier. The work place has changed now as well. The one thing I hate | :23:59. | :24:03. | |
now about working in offices and stuff like that, is now you have | :24:03. | :24:07. | |
this thing called e-mail chain letters. When someone sends you an | :24:07. | :24:11. | |
e-mail and says you have to pass it on to ten other people or something | :24:11. | :24:16. | |
dreadful will happen. And a butterfly will die on the other | :24:16. | :24:21. | |
side of the world. What a load of tosh. Before we had e-mail we just | :24:21. | :24:25. | |
had rumours. I don't remember anyone coming up to me going "You | :24:25. | :24:30. | |
know what Sally's a slag." If you don't tell ten other people you're | :24:30. | :24:35. | |
going to get rickets. It's all become more complicated. | :24:35. | :24:39. | |
Like having a sicky is more complicated. You used to be able to | :24:39. | :24:43. | |
have a sicky by saying you've got the flu. Now having the flu wasn't | :24:44. | :24:48. | |
good enough. Having the flu was upgraded, you had to have a special | :24:48. | :24:52. | |
flu. You had to have swine flu or bird flu. None of which exist. | :24:52. | :24:55. | |
They're just flu that's have been made up by people who are trying to | :24:55. | :25:01. | |
throw a sicky. I tell you now, this winter, the big thing will be | :25:01. | :25:07. | |
injury after flu, terrible flu, my neck's killing me. | :25:07. | :25:16. | |
APPLAUSE There's nothing worse than working | :25:17. | :25:22. | |
for someone who thinks they are the world's best boss. In my shop, I | :25:22. | :25:28. | |
like playing tricks and jokes to my staff. The best one is giving them | :25:28. | :25:34. | |
electric shocks. I get a kick from the odd bit of humiliation. I love | :25:34. | :25:40. | |
my shockers, my pens and staplers, etc, myical being lators. It looks | :25:40. | :25:44. | |
real. You can't go wrong putting stickers on the back of people. | :25:44. | :25:50. | |
They pick it up, an electric shock. Yes, got them again. I have an | :25:50. | :25:54. | |
elderly member of staff called Denise. I always put a sticker on | :25:54. | :26:01. | |
her back. The best one you get a hammer, it has to be realistic, | :26:01. | :26:07. | |
bang, bang, ow, I've hurt myself, quick. It's very childish. It | :26:07. | :26:12. | |
amuses me. Then I walk off and leave her. Quick get an ambulance. | :26:12. | :26:17. | |
I've had them so many times like that. She loves being abused. | :26:17. | :26:27. | |
:26:27. | :26:33. | ||
Verbally. My staff love me. APPLAUSE | :26:33. | :26:38. | |
Denise, you don't need to take that. I mean, you might love Muff, you | :26:38. | :26:43. | |
don't have to take that. You can stand up. In fact I want everyone | :26:43. | :26:47. | |
who knows where that sweet shop is to go there with placards saying | :26:47. | :26:54. | |
"Denise doesn't love Muff ." You can tell, you know, they both run | :26:54. | :26:57. | |
shops. You can tell there's no HR in there. Can you treat the staff | :26:57. | :27:02. | |
as you want. You can even give them electric shocks. Which is different | :27:03. | :27:08. | |
in the corporate world. When I had this job, I had a situation where I | :27:08. | :27:13. | |
had to try and sack someone. You had to brick the HR in. You have a | :27:13. | :27:17. | |
process with a verbal warning, than a written warning, then a second | :27:17. | :27:21. | |
written warning, then a letter from God. It went on and on and on. We | :27:21. | :27:27. | |
ended up in a situation of having to sack this lad. And I said to the | :27:27. | :27:31. | |
HR person, "I've never really done this before. I really don't know | :27:31. | :27:36. | |
what to say to him." They said, tell him his time's up. He's got to | :27:36. | :27:40. | |
go. How is he going to feel when I say that to him? She said, "Well, | :27:41. | :27:45. | |
to be honest with you, he's going to feel the same way that most | :27:45. | :27:50. | |
people feel when they've pissed their own pants. He's going to feel | :27:50. | :27:54. | |
angry, humiliated, he's going to feel sad, but at the end of the day, | :27:54. | :27:56. | |
he's going to know it was his own fault." | :27:56. | :28:02. | |
LAUGHTER When I was working as well, the | :28:02. | :28:07. | |
biggest problem I had is I managed a team. There was a load of women | :28:07. | :28:10. | |
in the team. Women, when you have a male boss can have any days off | :28:10. | :28:19. | |
that you want. People who used to work for me they used to say "I | :28:19. | :28:24. | |
need a day off. It's a female problem John." OK, it involves | :28:24. | :28:30. | |
cysts. I don't need to know! One of the best things about being the | :28:30. | :28:36. | |
boss, you get perks. The best perk I had before I left the corporate | :28:36. | :28:43. | |
world to do this, I went on a conference, a meeting in San Diego. | :28:43. | :28:52. | |
Oohhh! I grew up in Runcorn. I thought they road horses in San | :28:52. | :28:56. | |
Diego. I couldn't believe it I went to San Diego for this meeting. As I | :28:56. | :29:02. | |
checked in, they gave me my seat number, 1A. I thought oh, I must be | :29:02. | :29:07. | |
driving. LAUGHTER | :29:07. | :29:12. | |
Thought I'd have a drink, but I'll give it a go. I walked onto the | :29:12. | :29:16. | |
plane. As I did, I instinctively turned right because that's where | :29:17. | :29:21. | |
I'm from. That's what my DNA says to me. That's what my working class | :29:21. | :29:25. | |
instinct is to go to the back where everyone else sits cramped up. I | :29:25. | :29:32. | |
went to go to the back. They said, "No, Sir, you're in 1A." You're in | :29:32. | :29:37. | |
first class. First class! I was upgraded, not business class, first | :29:37. | :29:42. | |
class. I was in the nose. I was in the nose! You couldn't get further | :29:42. | :29:46. | |
forward without being outside. I was in the nose. I don't know if | :29:46. | :29:50. | |
anyone has ever flown transatlantic first class, it is unbelievable! | :29:50. | :29:56. | |
You don't get a seat, you get a bed. You get a double bed. You get a big | :29:56. | :30:01. | |
bed to lie on. I'm lying on this bed. You can have any choice of 150 | :30:01. | :30:05. | |
films. If you want you can probably be in a film. | :30:05. | :30:12. | |
I'm lying on this big double bed. You get a little Filipino boy to | :30:12. | :30:18. | |
pour milk over you. The range of food is unbelievable. You can eat | :30:18. | :30:24. | |
anything you want. Pate made out of unicorn, it's fantastic. There the | :30:24. | :30:29. | |
plane takes off. I'm like anybody, any Scouser in that situation, I | :30:29. | :30:34. | |
thought, they're going to find out I don't belong. I'm eating | :30:34. | :30:37. | |
absolutely everything, twiglets, I'm drinking everything. Then all | :30:37. | :30:42. | |
of a sudden the plane is in the air. We've been flaiing about half an | :30:42. | :30:51. | |
hour. She came up to me, "Mr Bishop, would you like your pajamas?" I | :30:51. | :30:59. | |
said, "Are they free?" She said, "Of course, they're free. It's | :30:59. | :31:06. | |
first class." I knew that. I got off my bed with my pajamas. It's a | :31:06. | :31:10. | |
night flight, I've got pajamas. I wasn't going to say no. I went into | :31:10. | :31:17. | |
the toilet, I say toilet, more of a spa. I went in to put my pajamas on. | :31:17. | :31:22. | |
I'm there, getting undressed, in the spa, giving my clothes to the | :31:22. | :31:26. | |
butler, who's stood there. I'm putting pajamas on. There's a thing | :31:26. | :31:30. | |
that probably not everyone realises this, if you're a man of a certain | :31:30. | :31:34. | |
generation, you can't wear pajamas with underpants because your mum | :31:34. | :31:38. | |
said to you, you can't wear underpants. If you did you wouldn't | :31:38. | :31:42. | |
get the benefit of the underpants. I've never understood what that | :31:42. | :31:49. | |
means, but it's in my head. It's in my subconscious so deep that I took | :31:49. | :31:56. | |
my underpants off. There's another thing that you do when you take | :31:56. | :32:04. | |
your underpants off, you wake the little fella up. Then I put my | :32:04. | :32:11. | |
pajamas on. I'm stood in the first class toilet, with a bit of a semi. | :32:11. | :32:15. | |
It was at that point, that I walked out of the toilet and stood in | :32:15. | :32:24. | |
front of me was Colin -- Colin Montgomerie, the international golf | :32:24. | :32:33. | |
legend that is Colin Montgomerie. He was stood in front me -- of me. | :32:33. | :32:39. | |
I was in my pajamas. He was in his pajamas. I glanced down. He had a | :32:39. | :32:45. | |
semi. APPLAUSE | :32:45. | :32:53. | |
The highlight of the working year is always the office party. Office | :32:53. | :32:58. | |
parties are just a recipe for disaster. I always think office | :32:58. | :33:02. | |
parties are fun. You always see people who are frightfully serious | :33:02. | :33:07. | |
and they let their hair down. You get intimate and do something | :33:07. | :33:11. | |
terrible. We have stopped having office parties. Everyone is a bit | :33:11. | :33:15. | |
loose. They have too much to drink. The last two or three, they seemed | :33:15. | :33:20. | |
to get worse and worse. I think they're cringingly fabulous. | :33:20. | :33:24. | |
Somebody would get drunk and have sex with someone else. I've | :33:24. | :33:28. | |
actually only really heard about them. I've never really been to one. | :33:28. | :33:33. | |
You know, I have never been to an office party. I can see the | :33:33. | :33:43. | |
headline. Is it like a rap party. The big boss walks in. You say | :33:43. | :33:48. | |
things you never had the balls to through the year. I was drunk. | :33:48. | :33:54. | |
They're awful and no-one enjoys themselves. He was like straight on | :33:54. | :33:59. | |
the bum, like that. It's all a bit sordid. If looks could kill, I | :34:00. | :34:09. | |
:34:10. | :34:11. | ||
would be dead. Watching this now, we know that | :34:11. | :34:16. | |
somebody has got Tara's invitation and has never invited her. Tara | :34:16. | :34:20. | |
thinks the people she worked for never had a Christmas party. You | :34:20. | :34:24. | |
just weren't invited. The thing is a Christmas party is a wonderful | :34:24. | :34:28. | |
thing. It's a way to pull people together. Someone came up with this | :34:28. | :34:34. | |
ludicrous idea of the secret Santa. In this room everyone's been a | :34:34. | :34:38. | |
victim of the secret Santa. This idea to put the name in a hat, so | :34:38. | :34:42. | |
that you have to buy a present for someone you've never spoke to and | :34:42. | :34:48. | |
spend �5 on them. No more than �5. That's what we need �5, because | :34:48. | :34:52. | |
that's what you want, a present off someone you've never spoke to that | :34:52. | :34:57. | |
cost �5. Some people take it too far. One year when I was working, | :34:57. | :35:04. | |
somebody bought me-a book. -- half a book. It only works in the office | :35:04. | :35:09. | |
environment. I cannot imagine builders adopting secret Santa, can | :35:09. | :35:15. | |
you? Passing four cans of special brew to each other "All right, | :35:15. | :35:20. | |
Dave." And the other thing as well that happens at Christmas at work, | :35:20. | :35:24. | |
which is probably a good thing, is you get the opportunity for the | :35:25. | :35:28. | |
office Christmas dinner, which means you have to sit there with a | :35:28. | :35:33. | |
paper hat on sitting around with people you don't like. Which is a | :35:33. | :35:40. | |
great rehearsal for the actual day. At times, you do get the lunatic | :35:40. | :35:43. | |
come out. You get that person who comeles out, | :35:43. | :35:47. | |
I remember when Melanie went to her last Christmas party. She came in. | :35:47. | :35:52. | |
I'd been babysitting. She came in with an shallen face. She said, you | :35:52. | :35:59. | |
know Michael? Yeah, the lad would works in accounts? Yeah, I said, | :35:59. | :36:09. | |
:36:09. | :36:09. | ||
quiet Michael? He said yeah, He got pissed and put his Dick in the | :36:09. | :36:13. | |
boss's soup. There's no answer to that. Now with these austerity | :36:14. | :36:17. | |
measures, I was speaking to a mate who went on his last Christmas | :36:17. | :36:21. | |
party, they've cut back that much, they haven't even got a photo | :36:21. | :36:25. | |
coppier in the office. He had to walk around describing his arse to | :36:25. | :36:30. | |
everyone. So I decided to change when I left | :36:30. | :36:34. | |
that office environment. I decided to change to do this job, to become | :36:34. | :36:39. | |
a comedian, which meant I was self- employed, which mean that's now my | :36:39. | :36:44. | |
Christmas party is me photo copying my own bum looking at it and going | :36:45. | :36:52. | |
"You're a knobhead." Then I cop off with meself, cry in the corner and | :36:52. | :36:56. | |
have a fight with myself. When I made the decision to leave that job | :36:56. | :36:59. | |
that a lot of people have and to venture into this world of comedy, | :36:59. | :37:03. | |
it was a big step. It's not something you take lightly. I sat | :37:03. | :37:08. | |
the kids down, I spoke to Melanie first. She said, "I think you need | :37:08. | :37:13. | |
to tell the kids there's going to be changes." I said, listen boys, | :37:13. | :37:17. | |
things are going to change around here. They said, why? I said, I'm | :37:17. | :37:20. | |
no longer going to have the company car. And maybe we're going to have | :37:20. | :37:23. | |
less money for holidays and at Christmas, we'll probably have | :37:23. | :37:30. | |
fewer presents. And they said, "Why?" I said, I'm going to be a | :37:30. | :37:35. | |
comedian. They said, "But you're not funny." I said, to be honest, | :37:35. | :37:40. | |
you're not my demographic. I left me job and tok a chance. | :37:40. | :37:43. | |
Sometimes I think in life if you take a chance, things work out for | :37:43. | :37:47. | |
you. I took a chance. When I took a chance I got a phone call two weeks | :37:47. | :37:51. | |
later. I got this phone call to say look, would you like to be in a | :37:51. | :37:57. | |
panto. I've only just gone full- time as a comedian, I went oh, I | :37:57. | :38:01. | |
didn't want to be in a panto. You know what it's like, the perception | :38:01. | :38:04. | |
of a panto is that your career is not going very well. It's difficult | :38:04. | :38:09. | |
when someone says do you want to do this, to say you don't want to it | :38:09. | :38:14. | |
might not look good. It's like when someone offers you baby, and you've | :38:14. | :38:19. | |
got to say it's lovely but in your mind it's bloody ugly. You have to | :38:19. | :38:25. | |
pretend it's lovely. So do you want to be in a panto, I said, no. Tell | :38:25. | :38:32. | |
me about it. She said "It's Dick Whittington." OK. She said, "It's | :38:32. | :38:38. | |
going to be in the Lowry Theatre in Salford. "It's a beautiful theatre | :38:38. | :38:43. | |
built in Salford. Because that's what happens. They take areas like | :38:43. | :38:46. | |
Salford, an area with social deprivation, with high crime rate, | :38:46. | :38:49. | |
an area associated with drug violence and they say, you know | :38:49. | :38:56. | |
what these need, a lovely theatre. The gangs never shoot each other | :38:56. | :39:01. | |
when there's Chekhov on. Then she said it's going to be in the Lowry | :39:01. | :39:05. | |
Theatre. It's a lfl theatre. I know, but you still have to get in and | :39:05. | :39:10. | |
out. She said "I want you to be in it." She said the part was to be | :39:10. | :39:15. | |
captain Cutles. I don't know if I wanted to do it. I needed the money. | :39:15. | :39:19. | |
I said OK who's Dick Whittington? She says Chesney Hawkes. I thought | :39:19. | :39:23. | |
well, if you're going to be in a panto, you have to do it with the | :39:23. | :39:30. | |
one and only. I said, yeah. We had to do a | :39:30. | :39:34. | |
special matinee for all the schools of Salford. What happens, all the | :39:34. | :39:38. | |
kids come in, 1700 kids come in from the schools of Salford. | :39:38. | :39:42. | |
There's a scene in every panto, I think it's best known as the he's | :39:42. | :39:48. | |
behind you scene. What happened in this panto, I sail the ship. | :39:48. | :39:53. | |
There's me, Chesney Hawkes. I sink the ship, we end up marooned in | :39:53. | :39:59. | |
Morocco. We've got a lad who's supposed to chase us. When we did | :39:59. | :40:03. | |
the rehearsals we didn't rehearse being chased. We have been chased | :40:03. | :40:08. | |
before. When it come to the opening night the director realised he | :40:08. | :40:13. | |
hadn't cast anyone to the gorilla. There was a stage hand, "Are you | :40:13. | :40:20. | |
doing anything in this scene?" No. Do you want to be a gorilla? You | :40:20. | :40:25. | |
could see in his eyes, he had been waiting all his lives. He said | :40:25. | :40:31. | |
"I'll be the best gorilla you've ever seen." I tell you he was. He | :40:31. | :40:36. | |
wore the suit when he wasn't on the stage. Short of throwing his own | :40:36. | :40:41. | |
poo at the audience, he couldn't be more like it. We had the most | :40:41. | :40:46. | |
fantastic gorilla in panto land. We asked the kids to let us know if | :40:46. | :40:51. | |
they saw anything. This fantastic gorilla jumped out and that is when | :40:51. | :40:55. | |
you know Salford is a rough place, when there's 1700 kids in there and | :40:55. | :41:04. | |
none of them would snitch. APPLAUSE | :41:04. | :41:07. | |
People have asked me what it's like doing this job, how would you | :41:07. | :41:12. | |
describe your life now. Because it's difficult when you do a normal | :41:12. | :41:17. | |
job, you have an appraisal. It's difficult to have an appraisal | :41:17. | :41:21. | |
doing this job. You know straight away whether it's working. The only | :41:21. | :41:25. | |
way to describe what life is like is like having oral sex with a girl | :41:25. | :41:32. | |
who has big teeth. It's true. It can be brilliant, but you know at | :41:32. | :41:38. | |
any minute it can be a disaster. LAUGHTER | :41:38. | :41:43. | |
That's how it's all changed for me, but it could all change again for | :41:43. | :41:53. | |
:41:53. | :41:58. | ||
anyone who has a brilliant business I had a business idea. | :41:58. | :42:04. | |
listening. It was called White Wings Dove Release. Tell me more. | :42:04. | :42:09. | |
It was a dove release company, for like weddings, funerals, you know | :42:09. | :42:14. | |
Mother's Day, when children were born, Valentine's Day. And the USP | :42:14. | :42:18. | |
is? Apparently you can dye them. What you do, you get like for | :42:18. | :42:23. | |
weddings, you have your white ones. Volumen tiens, could be pink. I | :42:23. | :42:28. | |
thought you could have black ones for funerals. It just never | :42:28. | :42:33. | |
happened. I got like 15 doves. Really? They weren't doves. They | :42:33. | :42:38. | |
were white racing pigeons. I was no good at keeping them. They broke | :42:38. | :42:43. | |
out. This is absolutely ludicrous and I am ou. | :42:43. | :42:51. | |
-- Out. APPLAUSE | :42:51. | :42:56. | |
You know what I loved about that, because when I first saw it, I was | :42:56. | :43:00. | |
probably like a lot of you in this room, that's not a bad idea, that. | :43:00. | :43:06. | |
That was work. Tonight Britain has taught me that all scaffolders are | :43:06. | :43:09. |